i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
Considering that there’s another post going around that lands on this conclusion, I think it deserves its own succinct post:
When transmascs share instances of positivity to remind each other that the way we are treated isn’t all bad, it’s then used as proof of the whole of transmasc experiences being this way, and that transmascs are not oppressed as a whole.
When transmascs share instances of harm done to transmascs to raise awareness that transmascs are harmed directly within our societies, it’s used as proof that we are taking up too much room in conversations because the harm we face “isn’t bad enough”.
When transmascs share instances of outright murder of members of our community to show that no, transmasc issues are not somehow “lesser” because “we aren’t dying” because we are dying, it’s used as proof that we are trauma dumping and trying to make other people feel sorry for us—look at these AFABs being whiny and hysterical and trying to portray themselves as victims. Or that it isn’t specific enough to us so we should shut up and let other people speak for us.
Transmascs cannot speak about our experiences without being touted as an example of why transmascs as a whole should shut up.
this is a mix of me figuring out how i wanna draw everyone + just needing a reference because i’m bad at drawing faces consistently sometimes lol
i’m gonna do everyone from sdr2 at some point as well, and probably v3 when i finish playing it :3
bonus version with gender/sexuality headcanons + some extra notes under the cut :p
so i have junko down as straight/cishet because i genuinely didn’t know what to do with her and she’s like kinda canonically homophobic [/hj?] but then my friend said e sees her as a bisexual who thinks being gay is a choice because she chooses to pursue men and i’ve decided that’s what the straight flag there means now
honestly zero solid gender headcanons for chihiro. something girl adjacent for sure but mostly i think she’s just vibing and doesn’t care what people call her as long as they aren’t asses about it [also uses she/he/they]
fun little design note regarding toko, i choose the pupil/iris shape based on Vibes but she’s the only one with a mix of circle/square. if i’d drawn syo, she’d have the opposite [square iris, circular pupils]
i like to think leon doesn’t actually have the right nose bridge shape for those piercings between his eyes but he did have rhinestones and super glue and the ability to make very poor decisions
kiyotaka’s earring is in the gay ear 👍 i think. i googled it and i’m pretty sure it’s the left one. pre-despair mondo jokingly dared him to get a piercing or they wouldn’t be bros anymore and kiyotaka took it seriously even after mondo said he was joking. during the killing game taka just has no fucking clue why he has an earring and thinks monokuma must have put it there
what if i Entirely made up another relationship but with the express intent that they Don’t get together actually. this started out as a lol an lmao even but honestly i think i needed this. cathartically
“the merciless cobra. its caustic venom can traverse any distance… as long as it stays out of danger.
…please, pay no mind to those ghastly stains. it must’ve been splashed with paint while my back was turned.”
reptile
1 power - 1 health - 3 blood
2 power - 3 health - 2 blood
sniper - you may choose which opposing space a card bearing this sigil strikes.
touch of death - when a card bearing this sigil damages another creature, that creature perishes.
hidden trait - gemmified
when a sigil is transferred to this card, it becomes gemmified. gemmified cards gain +1 power, +2 health, and -1 cost.
COBRADILE!! this was probably the most fun card to make out of all of them. also probably the prettiest card imo!!! writeup below!!
sniper and touch of death! pretty deadly combo. literally. you can just kill any card you please from any spot on the board. i was DEAD SET on giving her the sniper sigil. it just felt right.
GEMMIFICATION YIPEEE! this is a mechanic from act 3! but mox cards appear in act 2 as well. in base game inscryption, you need to have specific gem vessels on the field in order to activate the buffs (ruby for power, emerald for health, and sapphire for cost) but! mox cards and gem vessels aren’t really. in kaycee’s mod. and it would be super clunky to add them for a single card! so all you have to do is sacrifice a card’s sigils onto her. is this a little broken? maybe. but this is inscryption, literally everything is broken lol
^expanding on this, it still kinda fits lorewise? ka buans do compress their ashes into diamonds after all. let’s say that they compressed the creature into a diamond or something and that’s what’s powering her, idk
ok i’ll stop talking about the mox thing after this. both sif and odile were given mechanics from the other scrybes! siffrin requires bone tokens (grimmora) and odile has mox (magnificus). no sorry there’s nothing for p03. they don’t have computers in the isat world i think. i’m pretty sure.
initially i wanted to make her a stork or an ibis, but. all avian cards have the airborne sigil. which makes their attacks hit the opponent directly instead of their creatures. and that defeats the entire purpose of sniper. so she gets to be a spitting cobra! i think it’s more fun this way anyways. more fun shapes.
also this kinda spoils bonnie’s card a little but!! i put thought into the tribes too!!! the vaugardians (mirabelle, isabeau, and bonnie) are all from the hooved tribe! odile is a reptile and sif is tribeless because they’re outsiders. teehee.
ok patch time. she gets double strike, which makes her attack twice (as the name implies). i chose this in reference to memory of first strike (it just reminds me of it? idk) and also because it synergizes with sniper! you get to oneshot TWO cards in one turn! good god! odile really is merciless
that’s everything important about this card! i know this is long as hell but! that’s what happens when you introduce an entire new mechanic. i guess. anyways alt card art!!!
I think your Monster Hunter AU is really cool and I wanted to know if you’d be cool if I tried to write something in the universe? (Specifically about Prowl haha, I saw him once and thought 👀 “man i wonder if tarantulas was in this au how spooky he’d be given he’s spooky enough in canon”)
Would also love to know your thoughts/if you had any of what Prowl could be up to, I know the au is Lost Light focused so I totally get it if you don’t have any/etc.
Hope you have a good day! Love your art!
Hoooo boy okay okay. Prowl.
He's a Golem created by Orion.
In mythology, Golems are essentially living statues made of clay mixed with blood and animated by magic. They are stupid and exist for primitive manual labor.
In my universe, a Golem is basically the same thing, but made of metal.
Orion assembled his golem from empty armor, parts stolen from the medbay, and his own energon. And then he went and got a Wisdom artifact and put it in the golem's head, because the rules strictly forbid giving golems internal organs like sparks or processors.
As a result, the golem was very light because it was essentially empty inside, so even when it moved it did so very quietly for a mech its size. Orion had been startled the first fifteen times the golem would appear completely silent beside him. On the sixteenth time, he called the golem Prowl.
Prowl is basically not a real mech. He has no spark, he has no need to eat or sleep. His only and primary task is to serve Orion. Thanks to the artifact, he is freakishly intelligent, not only compared to normal golems, but to normal mechs as well.
Orion keeps his origin a secret from everyone except Ratchet and Shockwave (because Shockwave was the one who taught him how to create golems), so all the mechs in the Order are convinced that Prowl is just Orion's very tedious assistant, not...you know...a walking puppet who has incredible intellectual abilities, but almost no emotions or conscience:)
“You feel the Emperor's fear as if it were your own. An elder brain enslaved is one thing, an elder brain unleashed will be the end of everything.”
This is a quote from early in the long rest scene you get after discovering that Stelmane has been murdered.
The Emperor is afraid because it knows that if the Absolute breaks free of the stones’ control, it will be the end of everything, everywhere, as everyone knows it.
This isn’t some kind of recent revelation, there’s no reason to believe Emps didn’t know this from the start.
So why didn’t it take the protection of the prism and that nautiloid Gortash put it in command of and get the fuck out of dodge? Why didn’t it just hop planes until it was as far from Toril as possible and start a new life? The Absolute would usher in the Grand Design, sure, but that’s not a process that would happen quickly. At least, not quickly enough to reach a rogue illithid who had parked itself at the opposite end of the universe before said illithid died of old age.
Hell, why not try eating Orpheus too? The Emperor will say it’s too risky, if Tav asks it about doing so in act 2, but that becomes a gamble it’s willing to take by the end of act 3.
So why doesn’t the Emperor just give up its life in Baldur’s Gate, retire to the farthest plane it can find, and find out if making Orpheus its lunch will confer the Power to itself. What are the downsides? If it doesn’t work then all Emps has to do is stay outside the Absolute’s zone of influence until something else eventually kills him. Not ideal, but pretty doable considering it would have a spelljamming nautiloid at its disposal.
But guess what? The Emperor doesn’t do that. It says “this elder brain unleashed will be the end of everything” and it scrapes together a plan to kill the Absolute while it’s still able to be killed.
The Emperor had the means and ability to nope the hell out, and instead it put itself at the mercy of strangers with nothing but the hope that they would help it stop this apocalyptic threat. It spends the events of the game in a cage of its own making, with its life, its freedom, and the fate of Toril and ultimately every other world lying in the player’s hands.
And at the end, it doesn’t want control of the Absolute. You have to pass a persuasion check to get it to do anything but command the Brain to die. It wants that threat dead.
Then people want to try and argue that the Emperor is evil and only wants to manipulate Tav into taking over the world.
Yeah okay buddy. Sure. Guess we’re playing different games.
Indeed, the media tends to not notice—or to outright ignore—trans men because they are unable to sensationalize them the way they do trans women without bringing masculinity itself into question. And in a world where modern psychology was founded upon the teaching that all young girls suffer from penis envy, most people think striving for masculinity seems like a perfectly reasonable goal. Author and sex activist Patrick Califia, who is a trans man, addresses this in his 1997 book Sex Changes: The Politics of Transgenderism: “It seems the world is still more titillated by ‘a man who wants to become a woman’ than it is by ‘a woman who wants to become a man.’ The first is scandalous, the latter is taken for granted. This reflects the very different levels of privilege men and women have in our society. Of course women want to be men, the general attitude seems to be, and of course they can't. And that's that.”
— Whipping Girl, p 46-47
I think this provides a really productive explanation for the common differences between the reactions trans men get from cis people versus what trans women generally get - we (transmascs) are pitiable misguided babies, led astray by aspirations we can never hope to achieve. This is obviously not a good state of affairs, and the “sympathy” we receive is just a pretext for cis people to extend greater control over our lives, but we are still given the benefit of doubt where our gendered “aspirations” are concerned (“of course you want to be a man! don’t we all?”), something that is never ever given to trans women
i want to add a caveat to this: he’s specifically talking about published, professional, forward-facing poetry—poetry as an industry—the type of stuff that is presented to the world as an art form. not necessarily poetry as personal self-expression or therapy (which richard siken was also just talking about).
with that out of the way…timmy was really cooking here lol.
do you guys ever get too scared to post ocs because you’re worried that their design or story isn’t cool enough
And then someone posts their OC/sona that looks super similar to your OC, even though you’ve technically made yours first
And now you’re scared of posting them because you’re afraid someone is gonna try and compare the two, because someone will always do that if they look similar enough
Do you guys ever feel that way or am I just really really stupid
I used to worry people wouldn’t like my silly nsfw stories if they followed me for cute long gay comics and now that two of my sex shop stories are blowing up I’m fretting all the new followers will get annoyed about the long gay comics.
Repeating my mantra: this is my blog and I post what I want to.