#and don't come for anon

[bizarrelovetriangel]

lonely + touch starved mc when they first make their relationship with the boys official? like they're scared to ask for more but desperately need it, since they've been missing it for so long

love your writing btw, thank you for posting it!!! no pressure if this request isn't your thing! :))

sylus

- even before your relationship became official, you and sylus have always been somewhat touchy. hands bumping against each other, fingers ever so slightly grazing, and bodies casually brushing up upon close proximity — it's always been there. his touch, no matter how simple, makes you feel so warm and so special. you haven't felt so wanted, in such a long time, maybe ever. the way he makes you feel is one of a kind, and you can't help but crave for more.

- you decided to be subtle and nonchalant about it, thinking sylus was going to tease you if you ask directly. the 'accidental' touches linger for a little too long, and the amount of times you'd playfully and casually hold him had increased. but maybe you didn't do a good job at keeping it low key.

- sylus pays attention to you more than you think. it didn't take long for him to catch your longing gazes to his lips before looking away, and the way you fiddle with your hands after accidentally touching his.

- "if you want something from me, don't hesistate to claim it. i'm all yours, sweetie." he told you after once again noticing your not-so-subtle-gazes at him. "i'd be happy to give you whatever you ask for. anything at all." that's just what sylus does. he's always encouraging you to be unafraid and boldly go after what you want. do what you want to do without shame.

- and so, with his encouragement, you dared yourself to kiss him. and from the second he kissed back with even more passion, you realized that you have nothing to worry about at all. he wants you just as much as you want him.

- with every day you spend together, you become more and more comfortable in asking for physical affection. just as he said, you don't even really need to ask him — just do it. so, eventually, you've come to a point where, if you want kisses, you just kiss him and he will return with a million times more than you could ever ask for.

caleb

- he's basically a puppy. and puppies are naturally affectionate. even before you were official, physical affection has always been one of his main love languages. headpats, pokes, picking you up, grabbing your waist, ruffling your head, giving you massages, putting an arm around your shoulders, using you as a headrest.... he simply cannot keep his hands off you.

- once you became an official couple, however, while you're grateful that his usual handsiness didn't go away, you started to want more physical affection that are a little more intimate. but you wonder, how could you bring it up without sounding greedy or demanding or awkward? knowing him, he'd tease you and you'd rather not have that right now.

- so you start giving him more longing touches but nothing further. they're like invitations for him to make a move: 'if you want more, then do something' kind of touches. you'd rest your hand on his hands, chest, back, arms and shoulders, hoping that you have some effect on him that will make him want to touch you in return.

- as smart as he is, caleb doesn't catch on right away and fails to fall for your traps, and so eventually you lose patience. "hurry up and kiss me already, dummy" and only then did it click to him that you want more. that you are comfortable to take your relationship a step further in regards to physical affection.

- in truth, he was taking it slow around the time your relationship began because he doesn't want to overwhelm you. he's been in love with you for so long, he'd shoved all his feelings in a box, thinking he'd never be able to act on them. he was afraid of opening that box and overwhelming you with his feelings, so he thought he'd wait for you to get comfortable with his touches as your lover.

- and now that he knows you've been waiting for him, caleb is relieved. at last, he doesn't have to hold back. "if you don't mind, i'd like to be a little more greedy now."

zayne

- your relationship started off slow in general because you're both still testing the waters and learning how to act around each other as a couple. you'd start off with holding hands in private, giving kisses on the cheek, and eventually, kisses on the lips. zayne was quite reserved at the beginning, and so there wasn't as much intimacy as most couples would have at the starting stage.

- although you don't mind the slow pace, you secretly longed for more of his touches that are so gentle and warm, like a sweet embrace. his kisses, despite being brief, are always so passionate and they make you want to melt. his cuddles are even better than your most comfortable blanket. you want to be in his arms forever. but of course, you don't want to seem desperate or scare him away by coming off too strong, so you say nothing.

- little did you know, zayne is just as nervous and touched-starved as you. he wants to feel you and he wants to be held by you, and he wished he was more experienced just so he could be more confident that his actions won't be foolish and wrong. because it's you, he wants to get everything perfect.

- for some time, you two stuck with minimal intimacy. however, both of you have also become impatient rather fast, feeling as if you want more and more of each other every day. you'd wish that those goodnight kisses lasted just a little longer. you'd wished that you'd cuddled more while watching movies. you'd wished that you're next to each other as you fall asleep after talking about how your days went.

- with time, you two have gotten out of your comfort zones together and soon enough, neither of you would get nervous about wanting a kiss, and sleeping next to each other wasn't so terrifying anymore. it's all about timing and getting comfortable with each other. eventually, both of you grew confident with physical affection and intimacy, up to a point where you won't be any need to ask. if you want kisses, you just do it. after all, you're his, and he's yours.

rafayel

- rafayel is so pretty he makes you nervous sometimes. in the beginning of the relationship, you'd find yourself in disbelief that that man is your lover, and that he is in love with you, out of everyone in the deepspace. every time he holds your hand, gives you a kiss, and hugs you, you feel like you're not worthy of such warmth.

- and yet still, you need more. more kisses, more hand holding, more cuddling, even just sitting closely together. you just love that tingling, comfortable, warm feeling that he shelters you with. he makes you feel so loved and appreciated. you feel greedy and clingy at the thought of demanding more of his affection, so you kept it all inside and just took what he gave you.

-but rafayel is someone that made you comfortable so easily. he's often playful and lively, and he tends to move around, a lot. there's a lot of playful touches involved — him locking his arms around yours, holding your shoulders, bumping your hands, and various other little casual physical contact, which greatly helped with intimacy.

- eventually, your nervousness went away and you learned to take initiative, knowing that rafayel will never mind all the physical affection as long as it's with you.

- although, if anything, rafayel might just be a little more touch-starved than you, because he'd been waiting for you for so, so long, and every time you hold him, he's met with a sense of belonging — like everything is going to be okay, and that this life is good, after all. and so, don't be afraid to approach him first because he will always welcome and appreciate your touch, and he will absolutely return it all by a tenfold.

xavier

- he'd be the one to take initiative. you won't even have to ask for more because he wants you even more than you could possibly want him. he can be greedy when it comes to you. even in the beginning, he'd find excuses to be around you and touch you, so you won't ever feel lonely.

- but of course, there comes the times when you're feeling needy for more of him. with xavier, the best thing to do is to be direct and upfront, no matter how scary it seems. you found that the best time is when he's sleepy. he is so cuddly. all you need to do is lie down next to him and he'll gradually get closer and closer into cuddling with you until eventually you're spooning. he'd usually make the first move and ask, "is this okay?" or sometimes he'd just do it and read your expressions. if you like it, he'll do it more. if you don't, he'll stop right away.

- if you want to make the first move, he's always been open and inviting with you. he'll always make sure you're comfortable. he's very approachable, so it doesn't take long for you to become confident with what you want from him.

- but mostly, xavier will always want to give than take more, so you won't ever have to worry. with him, you'll always know that you are loved.

[so-i-did-this-thing]

I just wanted to say I really admire how effortlessly masculine you are but how you also love so many traditionally "feminine" things. I am working on coming out as a trans man and dread people telling me I'm not allowed to knit and stuff anymore

One of the annoying aspects of transition is you become this walking litmus test for weird gender essentialism - even in progressive folks - and you're gonna learn just how much people deprive themselves of personal joy because of it.

I cannot tell you how many well-meaning people ended up shitting on my hobbies out of a desire to give me "man lessons" that I never asked for in the first place.

All I can say is, stick to your guns. Sure, knitting has also historically been a masculine activity, but to acknowledge such feels like giving credence to the argument that you have to drop "unmanly" interests. Knit because you like to knit, not because you are "allowed to" based on some gendered technicality.

Don't feel like you need to sacrifice parts of yourself in order to transition. If the best version of you is a man who knits, or a man who likes pink, or a man who enjoys wearing makeup, resist the urge to destroy these pieces of yourself.

Detractors will attempt to weaponize everything about you in an attempt to de-legitimize who you are. The most radical thing you can do is show them how your passions only make you stronger.

The dread is real, but it gets easier to assert yourself over time. You might even find yourself becoming an ambassador to other men wrt your hobbies. Good luck!

[lazylittledragon]

so this corkboard is actually too small and says nothing but if hypothetically i drew up a bigger version and the notes Did say something. what would it be

[demaparbat-hp]

Them sleeping together (not sexually)! Thank you so much for feeding me with those gorgeous arts. Love you so so so much❤️

It's a long way to Ba Sing Se.

[becca-e-barnes]

Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.

Overstimulation + super soldier stamina = …

- 🍯

Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫

"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."

With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.

Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.

"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"

As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.

"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.

You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.

"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.

You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.

Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.

"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.

"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.

"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.

"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."

Update: Part 2

[laser-tripwires]

what is your read on the scene in the pilot where eliot and nate are playing pool? do you think eliot was being genuinely empathetic or just making small talk? was eliot genuinely hurt by nate?

neither, and both. he wasn't making small talk, he wasn't genuinely hurt, but it's more complicated than that. that scene exists for a wide number of reasons, and very few of those reasons actually have anything to do with eliot. nate is the protagonist, and that scene is arguably the most important character exposition we get on him in the entirety of the nigerian job - BUT there's still a lot you can read about eliot and the team dynamics as a whole, as well as foreshadowing for the wider show.

the scene actually opens not with the pool game, but with hardison pulling nate over to tell him he got dubenich's financials. i call this out because - in the original pilot script? this got cut off from the pool scene by a dubenich interlude which didn't make it into the final show.

now, that's probably information management - much, much easier to focus on nate and eliot's convo if we're not thinking about what dubenich is doing, and the exposition from the dubenich mini-scene wasn't very important. but there's another reason, too -

nate smiles and claps a hand on hardison's shoulder before heading back over to the pool game. it's a fatherly moment! a lot of the nigerian job is dedicated to setting up nate's relationships with the trio (the fact that parker gets mentorship instead of fatherliness in this ep is kinda long goodbye job foreshadowing, even if likely unintentional), and this reiterates that he's gonna be a father to hardison. it's placement just before this conversation with eliot is also telling us that this relationship with the team is going to be the thing that heals nate, which eliot all but says aloud a minute or so later (i'll get there).

right, so the next beat of the scene is eliot offering nate a beer and nate refusing. which is... interesting, given as nate was practically drinking himself to death at the beginning of this episode and will spend the rest of the season doing just that. he clearly has an issue with alcohol and that's clearly being set up to be a large part of his arc. so refusing a drink is significant, and we cut from a wide shot (featuring some truly adorable parker lockpicking, parker picks locks like other people knit) into eliot and nate's game because like eliot, we're curious about this.

nate takes his pool shot - eliot looks to nate, to the beer bottle, and back to nate. he's not paying attention to the pool game because eliot is very smart and has just picked up on the thing i pointed out to all of you a second ago - that refusal of the beer is weird and significant. nate's doing better - which eliot says.

nate almost looks up at eliot but takes his shot instead, and eliot continues. nate mutters a "yeah," without looking at eliot. which eliot again notices, and points out that it bothers nate.

eliot's turned around and sat on the pool table now. his focus isn't on the game anymore, it's on nate. it's really hard to critique this scene from eliot's perspective because the whole point of the scene is to get us as the audience inside nate's head, and eliot's needling is the vehicle through which we do that - he's asking the questions and making the assumptions that we as the audience are doing here. nate's a prickly bastard.

nate does, however, admit that it bothers him. with another of those despondant yeahs. he moves away from the pool and towards eliot, but still isn't looking eliot in the eye. "I mean, this isn't supposed to feel-"

"Good?"

camera change on eliot's line there so we get a better look at eliot's face, and nate's finally looking at him. "good" is likely not the descriptor that nate would have stammered out if his sentence had been allowed to continue, but eliot's a blunt person and more importantly eliot's not wrong. he then smiles, which catches nate off-guard, and after a beat eliot continues.

"It's not hard to figure out. Dubenich screwed ya. He cheated by stealing from that other company and your good guy brain sees him as the bad guy. Your conscience is clear."

midway through that speech, we cut to nate's reaction so we're watching him instead of eliot. he's stony. everything eliot's saying is correct, and most of it is explaining subtext that the audience should already have picked up on. but, y'know. nate is a prickly bastard.

(side note on the script again - the change from "ripped you off" to "screwed ya" is a great example of the kind of edits that get made on the fly after you cast actors with certain affects. not relevant here but i think it's cool - WISH we had the scripts for the rest of the show, because the amount to which this one is useful for analysis and insight cannot be overstated.)

now's when it gets interesting. without a change in facial expression, nate asks eliot if he wants to take his shot - he's not quite interrupting, but he's also clearly trying to cut the conversation short. there's two possible meanings to that line - one, nate's meaning, of shut the fuck up and keep playing. two, the subtextual meaning and what eliot takes it as, which is; get to the point.

eliot takes another swig of beer, nods, and we cut to a close up of him as he pauses and reconsiders the tack of the conversation. i very very much read this as eliot trying to figure nate out here - he had a hypothesis about the state of things, and nate's response let him know he was on the right tack. it's worth remembering that (despite what people tend to percieve him as) eliot is an extremely emotionally intelligent character, and that's being established here as well as everything else.

so he starts out another speech, looking nate in the eye - it's the most intimate moment of the conversation so far, and that's important. "Listen, I'm sorry about your kid."

to me, it's abundantly clear that eliot could have kept talking from there, made whatever point he was about to. but he leaves the space open for nate to respond. small talk is the wrong word for this, and eliot's not exactly feeling out an emotional connection; but he is clearly and deliberately giving nate the opportunity to open up and respond, both out of genuine empathy and (as we already saw) a desire to unpick a little more of what makes nate tick. that's part of eliot's job, after all. he is being a nice person here.

and nate... well, nate's expression doesn't change. the sensible and expected thing to do here would be to say, y'know, thanks, and then move on with the game. but, as i've already said, nathan ford is a prickly bastard. worth pulling up the script again here:

because yeah, he shuts down. we're two thirds of the way through the pilot episode and once again this is serving as exposition for the viewer - nate is in a lot of emotional pain, and he doesn't exactly do touchy-feely feelings. he'd much rather hide at the bottom of a bottle than sort out his issues. anger, and grief, and anger.

now, eliot says that "everybody knows." he half whispers that line, which i think is a really great touch - it's a lot more tender in tone than the response could have been, and i don't think nate picks up on that. my reservations on them as people aside, christian kane and timothy hutton's acting throughout this scene is superb. it's hard to explain, but eliot's affect changes for the next line - "Guy like you goes off the street, a lot of people notice." he's still almost whispering, but he's trying to tug the conversation a little bit towards levity. the emphasis on "a lot" is almost jokey - people smarter than me have pointed out that eliot in early season one has a soft sarcastic vibe that isn't present for a lot of the rest of the show. it's a continuation of what we saw earlier in the episode in the hospital scene.

but once that's said, he halts, and we see his eyes soften a little - he stops quite meeting nate in the eye.

it's a soft little moment of comprehension. eliot has lost a lot of people close to him, and has witnessed the deaths of many innocent children. he absolutely does know what nate is feeling. arguably, bereavement destroyed eliot's life infinitely more than it did nate's. so we get a genuine flash of empathy here. he's thought about this, after hearing of it, maybe before even taking the job for dubenich. "And it was a bad story, too."

we cut back to nate for a second there. he's lost - trapped in a hospital in los angeles rather than a penthouse in chicago. as a first time viewer, though, we don't quite know what he's thinking.

so eliot asks. "How'd they justify that, huh? The insurance company, just... not paying for his treatment?"

and the thing is, coming from someone who's watched seven seasons of eliot being unfailingly protective of every child and vulnerable party who's crossed his path... i genuinely think eliot meant that. yeah, not as an actual question, but as comiseration and sympathy for what he can tell is an awful situation.

but this is nate's show. and we're in nate's head. so we follow nate, across three years of anger and pain and into that hospital room. we see for the first time where nate's standing here, the depths of that sorrow in the moments before it manifested.

worth noting that it's not the full scene - nate running in to grab sam's body was filmed with the pilot but cut back to be saved for the finale, which was a damn good choice. but even what we see here is enough to fully ground us in nate's backstory - we've been watching him dance around in chaos for most of an episode, clearly greiving his son, and now we see the cause of all that hurt. once again, this exchange makes much more sense from the perspective of the writers trying to establish and expand on crucial emotional beats.

when we flash back to nate and eliot, the camera angle has changed. noteable, because we were on a solid back-and-forth talking shot for a minute or so there, and this fully segments the scene instead of plopping us back where we just were.

we've just experienced first-hand the spiral that nate's thoughts have gone down. he answers eliot, still lost in thought - "They claimed it was experimental."

from eliot's perspective, that's a response to his question and an accepting of his empathy. from our perspective, it's an anguished statement of pondering, the re-rotation of a thought that's been trapped in nate's head for three fucking years. they claimed. he is, as we will see in the david episodes, so, so, so angry.

eliot smirks, then drinks. we cut back to his face and the original camera angles. his is where the pilot rewrite between scripting and shooting is the most obvious - in the original script, nate picks up the beer, and that's what prompts eliot's next line.

in the filmed episode, we stick instead on nate's face and let eliot continue. the emotional beat is identical, but it places a greater emphasis on nate's pain and eliot's powers of perception. it's an unimportant script edit, but an interesting one.

what happens next... "Should have kept one of those Monets you found, hm? You fence that -" and it's only at this point nate actually interjects.

i don't think eliot here is deliberately being insensitive nor do i think he's directly trying to just raise nate's spirits. you gotta remember that we as the viewers in nate's head for this scene, not eliot's, and from eliot's perspective the tone has just gotten less gut-wrenching, not more - but eliot's also, as i previously noted, an extremely emotionally intelligent person. it's why i've gone through the whole scene instead of jumping directly to this bit you asked me about, because i really do think the full context is needed to understand.

so, nate interrupts. "Eliot, you and I are not friends."

this is again where context is so important. it's not that he cares about what eliot's actually saying (though i could write a very different essay about how that line of eliot's is lampshading a pretty obvious plothole) but that he's just had to forcibly pull himself back to the present day and he thinks eliot's being annoying and would like him to shut up now, please. not all that different from him asking eliot to take his shot earlier, really, though i think eliot picks up on the curtness.

nate raises his eyebrows. it's a nice attempted reversal of power dynamics - yes he has just interrupted and been rude, but he also immediately attempts to swing the conversation's psycoanalysis onto eliot and why are you talking to me about this i don't know you. of course, we as the viewer can tell nate's in deflective mode, but we'd expect eliot to take it at face value -

which. he doesn't. we get this super interesting little "oh... right." face, and i think it's less eliot realising he's struck a nerve (though it also is that) as it is eliot properly clicking in to what nate's thinking here. i stress again that eliot really is a tremendously emotionally intelligent character, definitely moreso than nate is, and that's reflected in this scene. both of them bounce off one another here a little bit differently to how you'd expect them to just looking at archetypes, and it's this kind of thing that makes the leverage pilot so good.

because eliot picks up on the messaging nate's putting down, the prickly i'm-not-having-an-emotional-conversation-with-a-criminal-i-just-met facade, but he also kinda sees right through it. "...Right. 'Cause you have so many of them."

and it's again this softly sarcastic vibe that's pretty unique to early season one eliot, but it really works here in reestablishing that A) eliot's more observant than nate is giving him credit for, B) he's not going to let nate get away with being tacitly kind of a dick, C) he's really not easily rattled and D) eliot is as much of a chaos gremlin as the rest of the team. this is not the affect of a man actually hurt by what nate said.

all in all, good stuff. but now for the reason i dug the script out to begin with - the ending. it's a well-known piece of trivia that they shot the pilot without a defined ending for the next nate/sophie beat only for aldis to improv the world's best "oooooooh," but what's really fun is if you know that this is because the nate/sophie beat here was actually a late addition. in the script, eliot and nate's conversation finishes like this:

and end scene. eliot still gets the final word, so as to speak, but nate gets a lot more quiet reflection and a much more overt point that nate and eliot are at least peers if not friends right now. but here, instead, sophie presumably starts walking towards nate off-camera and eliot steps back - "Incoming."

and then we're on to nate and sophie, and the scene continues with a new focus as nate is left reeling.

but i really, really like the ending we get because it's that same establishment of peership, of eliot calling out nate's crap, but also of the fact that the power dynamics here aren't as they'd first seem. nate's greiving too much. eliot understands but isn't gonna let it get to him or impact the team. this... is all crucial as far as character establishment is concerned.

this answer got long. i think that this scene is just so, so important for establishing both nate and eliot's characters - and i think people miss an infinite amount of nuance when they take the surface-level reading that eliot said something which annoyed nate and nate was mean. that's very much not what happened, but it also kinda is, and it's what makes this so fun to pick apart. eliot and nate have a fascinating relationship, and it's one that's all too often overlooked. here's john rogers's take on it:

and... yeah!!! you can see all that really clearly in this scene. they respect one another, but that doesn't mean they have to like one another, at least not yet. it's good stuff.

[oneroomjestershow]

CHICKEN NUGGET!!!!!!!!!!!!

I deep fried him for you

[iliothermia]

I mad little prints of my quails + chukar on cotton for the convention.. They're on cotton and very soft and they make me happy :)

[genericpuff]

Heyyyy, some rando from Finland here to share a language fun fact: in the finnish language, we refer to pomegranates as granaatti omena (singular), which word for word means 'grenade apple'! Now have fun imagining Persephone with one of 'em. Have a nice day :D

"BUT IT'S A TERRIBLE SHOW!"

"DUH, WHY ELSE WOULD I WATCH IT?! IF I DON'T GET TO BE AMONG THE FIRST TO TALK SHIT ABOUT STYG AND LYDIA DOING IT IN THE POOL, THEN WHAT'S THIS ALL BEEN FOR?!"

[911-incorrect-quotes-dispatch]

Buck, out of nowhere: Do you ever just want to be euthanized like a sick dog?

Eddie: Not anymore.

Chim: No?

Hen: No- what the fuck, are you okay, Buck?

Buck: Great! Me neither!

[noodles-and-tea]

Hi! I don't want to be like that one anon (which, very rude. Everyone knew you didn't have malicious intentions), but I do think you have a case of "same face syndrome." Or rather, same head syndrome.

Regardless of fandom, if you line up your works and disregard any unique clothes/hair the characters have, they tend to look the same. For example, I noticed that in your Merlin fanart and MHA fanart, Merlin and Izuku cannot be told apart by just their faces. I feel a lot of your characters have the same long rectangular face and small round eyes. It feels as though you draw distinct design features (EX: Deku's hair, hero outfit, green eyes, green hair, etc.) onto an already generated base.

It's a distinct art style, but it's not great for capturing ethnic features if you stick by this formula! It will get you a lot of flak on the Internet, especially if you draw ethnic features out, even if it was by accident. Your art style must morph to the character depicted, not the other way around.

That may be why Mel in your art style doesn't look like Mel. She's missing her flat nose (I can see an attempt, but the nose is still too small at the base and positioned lower than Mel's real nose is), heart-shaped head (her face in the show is wider and her chin is smaller than your artwork), and her eyes are more almond-shaped rather than the round eyes you tend to depict in your artworks. If you compare her to Izuku in one of your more recent works, they can be twins! Or, siblings at the very least.

I think practicing more unique features would help tackle this! A flat, wide nose, a hooked nose, eyes with an epicanthic fold, "sanpaku" eyes, wide lips, thin lips, different head shapes, and a whole lot more! Playing around with face anatomy is so much more forgiving than body anatomy. It's fun to dissect a character into different shapes and see what makes a character look like them, and then converting it into your art style.

Although the characters you choose to depict tend to morph toward a single base, your art is genuine eye candy. Please do not let this incident discourage you, but encourage you to work on a variety of features to diversify who you can accurately depict. Of course, I am just a random anon. If you do not feel the need to answer this ask publicly or feel my hubris precedes me in critiquing your art, then don't answer! All I request from you is to keep this ask in mind before deleting it.

I appreciate your kind words! Once again, I totally agree with what you're saying, same face syndrome is something I struggle with and am always trying to improve on (if you compare my older art with my newer stuff I hope that you'd be able to see at least a small amount of improvement).

I try to take care in the way I depict characters, obviously I don't get it right all the time, but it is something I work on! I do a lot of character studies (I don't post a lot of them) (I haven't done any on Mel yet (obviously lol))

Again - I super appreciate the effort you've put into this ask which is why I wanted to answer it!

I did also just want to add for anyone else who might want to add their thoughts - art IS something I do for fun and relaxation and I currently don't have a lot of time to prioritise it

[ozzgin]

ozz!!! i have stomach bug :( can i have hug?

-🦈 nonnie

You sure can, nonnie. Don't forget to stay hydrated!

[popfizzles]

I can only imagine that these two were meant to be a pair!! <:)

×××

[Neopets Paintbrush Challenge]

[mammoth-clangen]

It makes me so happy to see how passionate you are about paleo!! That kind of dedication is so lovely to engage with

Oh I'm glad! I worry I'm rambling aimlessly so knowing that at least some people are enjoying it is nice to hear c:

For some paleo related fun, here's a huge Eurasian Pleistocene Big Cat sketchdump from 2023 when I was brainstorming for White Cat, Gold Plains

I still like a lot of these, though I was obviously trying to lean more into realism than I do in Kindred Also they're not Fleet Fangs, they're a different species within the same genera, Homotherium latidens and Panthera (leo) spelaea

Past me was some kind of madlad trying to put spots on things, no wonder the comic died after 10 pages c':

[theloveinc]

i feel like daddy eijirou needs a homebody daughter.. a daughter with no hoes if you will.. whos favorite activity is imagining fantasy scenarios while listening to music..

who’s friends are as simple and innocent as her.. conversations always light and fluffy.. boy band this.. cartoons that..

he’s all the happier for it..

ive always felt that out of all the daddies, kiri would be the least fearful about fucking reader.. not sure why, but that big ol man would have his girl bred and conked out 25/6..

And all his other daddy friends are so jealous of him!!! There's Kats with his precious gem of a daughter (who's sweet and loved beyond words but doesn't yet know true satisfaction, much to bakugo's painful restraint), and then there's Deku's little girl, a little minx of a thing (who can never seem to be wrangled this way or that, deku only just manages to get a grip on things before she's off disobeying again, and he's always been so hesitant to be rough with her)...

But Kiri's got his perfect angel, who he never needs to worry about, only ever reward with kisses and treats and cock for being such a dear little daughter-wife... you don't even like toys, that's how suited you are for him, anything other than his dick and thick fingers and tongue makes you weep to take because it's just. not. him !!!

It's so funny when the girls come over for a play date of sorts, giggling with you in your princess pink room with soft pillows and on top of silk sheets, and Kiri's in the kitchen giving his boys a beer, listening to them lament about the struggles of fatherhood... only to have nothing to say when it's his turn to complain.

'cos while Bakugo's going on and on about his rock hard blue balls and Deku's weeping cuz he accidentally spanked someone's ass raw... the only thing Kiri's got is about how you passed out last night two orgasm earlier than usual, and that's probably only because you helped Kiri make dinner and clean up after (even tho you woke up early to take care of his morningwood, not that that's all that unusual)... 🥺🥺🥺)

They ask him how he manages to keep such a good girl and he's honestly not sure what to say. Maybe it's because he spoils you rotten, maybe he's just lucky or something?

[gilverrwrites]

Ooh I was the person who asked if you wrote for Marvel and someone beat me to asking about Matt. Clearly we are on same wave length. His grin drives me crazy 😵‍💫

How teasing do you think he would be in bed?

Exceptionally so. It's just in his nature to be cheeky.

He's the kind to be like "Yes, Dear? Do you need something?" When you call out his name.

"Matty... I need more... please" You're complain when he's grazing your sweet spot with the lightest flick of his tongue. He'll sound so sweet, and clueless as he asks, "More what? I don't know what you mean, you'll have to explain it to me." and then he'll laugh, with a shit eating grin when all you do is whine and try to grab for him.

And if you think he's not using his lawyer tactics on you, you're wrong. Every word out of your mouth, every promise, everything will be held against you at some point or another. "You said, and I quote 'Please Matt, I'll do anything, I'll even do that thing you like, just please fuck me.' and I did. It was verbal contract in the eyes of the law. So now you..."

He's a such a little shit.