Very emotional video of the piano part of Patrick’s medley (What a Fool Believes by the Doobie Brothers / Spotlight / What a Catch, Donnie / Golden) in Milwaukee, 4/2/2024, including his words about his dear friend Casey Benjamin.
You can read Casey’s memorial page here.
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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"When I first read the first couple of scenes I had to do for the audition, I was happy he's going to get put in his place time and time again, and that's great. But then, once we got into the show itself, it was important to me that I championed and justified every decision that Travis made. I spent five months loving this character in many ways, being empathetic with this character, finding new reasonings for what he was. His un-education in certain aspects, making sure that I took into consideration that 1996 is a different time period than now and he's not going to know how to react in those situations. And even now at the age of 17, 16, the reactions that people have when they're uneducated in those scenarios in terms of how you treat people."
"And so I spent a big chunk of time championing him as best as I could, and then, it all flipped again when the show came out, and I watched it, and screamed at Travis, being like 'You, just talk to people. Care about people. Be there. Express yourself. Stop holding things in, and stop treating people so terribly.' But at the same time, I applaud Ashley and Bart for writing this character because I believe that people who don't act accordingly in situations, there is reason for that, and I think we try really hard to make it clear that there are reasons for why he is the way that he is." — Kevin Alves
@yellowjacketsnetwork event 05: growth
— ft. TRAVIS MARTINEZ
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Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.
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I think it bypass a lot of people that in Yuji's Domain, he and Sukuna still fought. It did not go away until 268.
Yuji did not just have a "yap session" (I really hate that term now) with Sukuna, he gave him a chance to live. Mind you, again, they were still in Yuji's Domain from 265 - 268. So every hit Yuji landed on Sukuna was a critical hit, a guaranteed hit. Exactly what Domain Expansions do.
DEs are just reflections of that person. But they are still battlegrounds.
Look at the start of their fight in 266!
That's where they were last seen in 265! Look at the gate!
If one pays attention, they'll see that they just moved as they fought.
Actually, just thinking about it... it's something that in Yuji's Domain, their physical appearances changes.
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sometimes i think about the very real possibility that if Kaz Brekker was real and in the 2000s he would dress some mix between emo and some other alternative. you cannot convince me he wouldnt wear like band tshirts, studded belts, and a ton of chain jewelry. he'd rock some eyeliner though
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thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage
you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out
"i'm calling shepherd"
his first instinct when confronted with betrayal is to play it by the books; to go up the chain and sort it out democratically. that goes against everything we've seen him do; he’s quick to drop his enemies and bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns
he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer
there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends
nothing's happened yet
it doesn't have to go this way
but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy
he doesn't hesitate
it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from
only when ghost orders him to run and he has to cover his retreat
and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for
"be careful who you trust, sergeant; people you know can hurt you the most"
he's learned the price of trust
just like ghost did
but unlike ghost, he has someone to guide him through the aftermath
"good advice, It"
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