#and for their (long) journey

[evercelle]

[qvert]

Refuge at the Firelight Hideout

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[starberry-cupcake]

as previously established, everyone was having The Worst Day in journey to babel, but bones surely did reap his favorite rewards

however much they're paying chapel, it's not enough

[luskiddo]

i couldnt sleep i had to draw it....may it keep the fandom fed for a while..... PART 2 (spicy goodness and fluff) right HERE for 1 euro <3

[rainboopz]

they gonna go to the store real quick ya'll want anything

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

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[mythic-vortex]

*cue pearl fumbling and nearly tripping down the stairs

[tealgoat]

A scenario in which the island isn't forgotten but ka bue is

[technically-human]

Oh, Archivist, we're really in it now

[princema-k]

semi-formal intro to my(?) new au: the Reinhold Mystery Journey AU!!

based directly from @dearesthershel's (not so glowing) video essay on LMJ, i wanted to really take the idea and try and run with it!! details under cut~

RMJ officially takes place 16 years after the events of Unwound/Lost Future, Flora Layton Reinhold is a relatively well-known detective making rounds as following in her guardian's footsteps as a brilliant mystery solver. A now 32 year old Flora (formally known as Detective Layton by her peers, Flory by her 14 year-old sister Katrielle), having opened her office a year after UF/LF, is being given her assignments by the Chief Constable and soon-to-be Commissioner of the Yard, Barton.

Joining her is her assistant and now world-renowned journalist, Emmy Altava! Now 43, she's mellowed out quite a bit since the Azran Legacy (though she still hits and hits HARD). Summoned to Flora's side by an unknown individual, she vows to help the good detective however she can, either intellectually... or percussively.

Together, they're thrown into a myriad of cases dredging up places and faces both old and new, as each mystery resolved leads them ever closer to the cold case of the mysterious disappearances of the Professor and his blue-clad assistant years ago...

.......at least that's the idea i have in mind anyway. i'm not the most skilled writer lmao

[beesinmymoth]

Forgive me, lord, for I have sinned

[fiery-cook]

CHOMP 🐯

(Click for better quality)

[nerdinsandals]

He is not one of us🎵

He has never been one of us~🎶

Have Amethio without all the lighting and effects too! Just because I'm pretty happy with how the hair turned out and you can't really appreciate it in the final version haha

[crookedtines]

I dropped all my other projects to finish this in time for pride and it's finally done!! I wanted some cool aro merch (since I have absolutely nothing so far), and what's cooler than dragons?

The heart shaped flag was embroidered on afterward, and if you look closely, there are a bunch of tiny flags woven into the border.

My original intention was to use this as a long patch for the back of my denim jacket. But it makes a pretty cool necklace?? If only I didn't have to chop off half the design to realize my vision... (I have yet to commit, this is just tied on with a big ol bulky knot in the back)

[manderley]

Dean Stockwell in Long Day's Journey Into Night (1962)