#and he is nothing but an enabler

[zeb-z]

Watching over Bad’s perspective of the little chat him and Foolish had at Forever’s base today, and from his perspective you really can’t tell that Foolish picked up Bad’s hint about the “blue fish” at first.

Their chat was a huge glimpse into the real Foolish under all his wisecracks and cheer, the Foolish that solves problems and takes things seriously, a little look into how much he actually is aware of and what his true intentions are - but even then he’s holding back how much he’s understanding what Bad is trying to say. Dancing around the subject, either for Bad’s sake to keep up appearances, or his own.

Bad goes home, and wonders if he can truly trust Foolish enough to show him more. Foolish goes home, and considers how Bad’s really the one they have to look out for.

[mrtequilasunset]

Highkey so sad to see Kim's character get butchered by people who see Harry as whichever addict wronged them in their life.

[werepires]

Reminder you don’t have to coddle your faves, especially when their opinions support a narrative that enables ethnic cleansing and genocide

[winesharksea]

i think it's important that kit appears to straight up not know how to have a genuine conversation with someone. and a lot of that has to do with how he was raised, isolated with nobody really asking for his input or opinions, but for most of tda even when he's speaking to somebody he's rarely actually sharing his thoughts. and on top of that he's SUCH a people pleasing character, like beyond the initial snark he pretty much goes along with whatever people want or expect from him just for their attention or to make them happy. and on top of THAT, i think that tda is probably his first experience as like... a person among equals? i don't think it really occurs to him that the things he does or doesn't do impact other people because that's never been the case before, and obviously it leads to disaster but like i think he still just does not understand that his decisions affect people because he feels irrelevant and out of place among them. he can't feel accountable for the ways his choices affect other people because he just does not understand that he has the ability to affect people at all.

and like on ty's side i think even before the resurrection attempt he's very given to self blame, like when livvy gets hurt at the shadow market and he immediately blames himself for the injury. he feels an immense amount of responsibility to both livvy and to the rest of his family, and so many of his actions post-tda are rooted in this idea that he needs to do penance for the failed spell. (and here i'm also going to blame magnus a little for being really unnecessarily harsh at the end of tda when from everything preceding kit is literally just fleeing the country out of embarrassment and not really anger.) but he doesn't blame kit for lying to him or randomly dropping a love confession at him at possibly THE most inopportune time, he immediately put that back on himself and blames himself for being the reason kit left. there's also a lot to be said here about processing the world as an autistic person among an insular society of people who don't have the vocabulary or information to help you even when they want and try to, and how that affects the way you see your relationships with other people. ty doesn't blame kit for lying or running away because it does not occur to him that the fault lies with anyone but himself.

(also now i'm going to blame ragnor a LOT because listen if i was a 15 year old and traumatically lost someone i cared about i would probably not be making A+ decisions either but this man is a whole adult and also said not one word to anybody in a position to stop them or at least keep an eye on them)

so like at the end of the day i feel like so much of tda is about characters being so caught up in their own spirals of shame or self-doubt or pain that they don't notice what's happening to the people around them until it's already happened, and that even the people who love you will not always do it perfectly or even well, but as for these two hopefully that's the character growth we'll see in twp- kit now having a baseline of familial love, being an older brother, and finding self-worth to the point where he can hold himself accountable for the things he does and recognize his responsibility to other people, and ty growing in confidence and trusting himself enough to realize he doesn't have to punish himself or shoulder so much blame and that he can acknowledge when other people have not done right by him.

[tieflingtareon]

Gortash with Durge & their new partner

[imminent-danger-came]

I think people don't appreciate how much heavy lifting ROTSQ did for both DBK and Red Son's arcs

[red-bat-arse]

steddie musician AU where Eddie makes it big after s4 and invites Robin and Steve to live with him in Chicago so he can tour and always have a home base -and now he has the resources to buy a bit more for himself so he makes sure a good studio space gets installed in the house

and ofc Robin's already musically inclined so she likes to help Eddie fuck around with weird trumpet solos for experimental songs, and Steve learnt piano as a kid but never had the opportunity to get creative with it -so when Eddie's gone and Robin's in class, he putters around the studio, learning guitar from Eddie's books and adapting to a keyboard and having fun with synths and singing. that lack of expectations and freedom to have fun is what trips him into making his own music

he puts together a few songs and asks Nancy to listen to them -he knows she'll be honest about whether he's wasting his time with this, since he at least wants to make music Robin or Eddie could give a pass to. but to his surprise she tells him he's good, and if he wanted to he could make a little extra money playing alternative nights at clubs. needing a second, more objective from a personal connection standpoint, opinion, he asks Argyle, who actually worked at a record store for a bit

Argyle, without asking bc he thought it went without saying, passes the cassette on to a few buddies of his in the local live music scene and later introduces them to Steve when they want to have him at one of their regular places. Steve goes with Robin who he asks not to tell anyone -he doesn't want to distract Eddie while the guy's making a big name of himself, and maybe Steve feels embarrassed or inadequate about being late to the game and doing it as a hobby, so he also uses a pseudonym. 'Zdev' maybe, if we want to parallel 'Djo'

he finds out he really likes it, so he starts doing small gigs for bars or parties Jonathan connects him with. puts a short album on cassette that he recorded at home, has fun with it even as the songs become more personal. but by then 'Zdev' has a little local fame and one of his cassettes is picked up by some label and they reach out -Steve definitely doesn't expect it, because psychedelic rock kind of faded from radio play after the 70s, but now he's being faced with a record deal he isn't sure he wants and no idea how to handle it

so he calls Eddie, who comes racing back from recording with the band out in LA, thankfully not ditching at too inconvenient a point

and Eddie nearly doesn't believe it at first but once he gets his hands on a tape so he can get an idea of the sound, he's obsessed. while he's a metalhead to the core, he's never heard Steve sing before (let's use twenty twenty as the album here) and there's something about the way Steve ties the groove to a sense of melancholy that digs into his skull. it also doesn't help that some of the songs set off alarm bells bc they talk about loving a girl or packing up and leaving or feeling adrift and they make him want to stick as close as possible lest they turn out to be true

he helps Steve through it, pretty well versed in the industry by now (i'm thinking its about 5 years post Vecna) but he's quietly worrying over the album's content the whole time. they go through the re-recording process, which ofc Eddie really wants to hear, but with Steve still being embarrassed he doesn't end up sitting in on any; but they talk over each song before and after and its so easy to drift back into hinting at the mutual attraction they'd each independently resigned to pass them by, back when Eddie first moved away after 86. and eventually it comes out that the album was Steve's way of, yeah, having fun, but also exorcising feelings from his past in Hawkins. that there's only one song that's really about his life now, and he didn't put it on the cassette but he's planning on including it on the LP

by now its pretty obvious to Steve that Eddie is flirting back, not to mention the guy put a hold on recording his own work to help Steve out, which is easy to read into. so he finally invites Eddie to sit in for the recording of the last song, which he's hoping will be subtle enough that he can bluff if it doesn't go well, but if Eddie is on the same page, it'll be clear. the song he plays is Mutual Future (Repeat)

it's got a long winding intro of just guitar that Eddie sits through, unaware, and Steve starts singing low, almost just his speaking voice the croon is so subtle, and when he meets Eddie's eyes through the glass to ask will you be mine?

well, Eddie gets it. and while there's not a lot of privacy in a recording studio, he eventually finds a small filing room he can kiss Steve stupid in until quitting time for the day comes and goes

[princess-of-the-corner]

Amnesia!Dabi: "So, did I get on okay with my dad?" / Everyone else: *sweats nervously* "UHHHHHH-"

YEAH ABOUT THAT

[hauntingblue]

Ace...?? they cloned my beautiful wife...

[iindigoeyed]

Something about people saying that movie!gabe is better than show!gabe because he "cares about adrien" rubs me the wrong way because… show!adrien is very clearly a victim of abuse that has obviously been going on for a while, i'd guess even before emilie's death. You don't get a boy as terribly afraid of his father without him being some form of abused, and that's the whole point of his story. like, if gabe cared about adrien, then adrien wouldn't be the adrien we know, he'd be movie!adrien. It works for the movie but would never ever work for the show. Show!Adrien's entire arc and character basis is about overcoming his abuse, so to take that away from him feels… gross, to me. idk!

[ectochoir]

Get you a freak who’s just as abnormal as you are. 💖

[arvoze]

hold on. important suneposting

[0wllight]

Asked out an irl… still figuring out what to do abt it exactly bc long distance sucks but depending I may be posting here a little less just bc I tend to focus on irl relationships more than selfshipping

[wonder-worker]

"In reality Richard III invented a Woodville scare as a screen for his own conspiracy"

-A.J Pollard, "Richard III and the Princes in the Tower"

[runefactorynonsense]

So my partner (the ever enabling Frank) has started playing rf4s, and we just spoke about some very general farming/combat/timeline suggestions that I could give him/that he'd seen online.

And talking about the dash??

If they give me that dash-dodge option in a rf1s, I will go feral.

I accept a likely implied canon longsword user Raguna (Forte and Reinhard make that feel more certain) but adding a dash to my love for wind and shortswords???

Give me

[trevanent]

I think one thing I will say about the finale was that the most problematic aspect of the concept of the show was how it feels like they had to use the Fionna and Cake plot to Trojan horse a resolution to a swathe of loose ends Simon and Betty's arcs had. They pulled it off even better than I ever wanted to let myself hope for for the most part but I would say my main issue if anything was how cramped the finale felt when I think they could have left a lot more up to season 2 speculations (especially with the resolutions for the alt universes, they didn't really feel necessary when they basically just had to egg Scarab).

I feel I liked the understated melancholies of seeing Simon recontextualized and kinda infantilized in that temporary form hosting his mind, and some people have said the Casper and Nova thing felt hamfisted but I thought the vibes were too cute to care that it wasn't particularly "efficient" as far as metaphors go, but that does slow down the pace which probably crunched the ending a little harder :'). But it also worked in further showing the sad side-effect of the crown on Simon's relationships, including that of stunting his ability to have ever matured in his understandings of love and his relationship with Betty. I also think their last scene in the memory worked because it was Simon reconsidering how he viewed their relationship for the first time, even if his attempt to do for Betty what she did for him would have just been an inversion of their original flaw, the scene rests on them understanding it's unchangeable anyway, so that decision doesn't matter so much and it's not something for Simon to dwell on.

I also feel I liked the scene a lot in spite of how scarce it felt in the finale was because of what was most conspicuously unaddressed, which was just the sheer logistical impossibility of any different choices they made having possibly been any "better." It sticks out because Betty says they could have made better choices, which kinda seems to situate their relationship in a vacuum as if there wasn't a very high likelihood had they done anything different at that crossroads, they would have just been literally nuked into orbit regardless. Sure, it seems like enough time had passed for them to have worked out their relationship better at least and then died, but that kinda seems better by an arbitrarily less tragic amount, and really it seems the least tragic possibilities ever were either that they conceive their relationship more healthily, Simon finds the crown and protects Betty from exploding somehow and also doesn't warp her to the future, and they live some terrible survival life but at least they get a chance to live something kinda fulfilling and Betty probably would have taken care of Ice King decently for the remainder of her life once Simon was gone while also having a better understanding of what had happened to him. The only other hand would be that she also was still warped to the future he finds the crown but Simon had not enabled her self-sacrificial tendencies and so she becomes less undividedly obsessed with saving him and instead integrates into Ooo more properly and also accepts what had become of him (I find it hard to think she would have just let him die either way though lmao).

That all said, they had been around a long time to have reflected over everything. I think it is a bit of an issue that they don't really allude to that, but I find it easy to believe that they did recognize how thwarted a happy ending would ever be for them by all angles of their reality, yet they still had that tender ache of that simple and small tragedy just between them two that still exists within the torrent of catastrophe that engulfed them and the breadth of their fate. So much horror in their lives but they reconnect and find themselves primarily concerned with that last regret of not having been able to make the ideal relationship they quite thought they had.