#and his movie is in development

[charcubed]

.

[prideprejudce]

the more i think about Oppenheimer the more disappointed i get because at its core it’s such an interesting story to tell. like the whole manhattan project catapulted the entire world into a new atomic era that we could never go back from whether we were ready for it or not. and the fallout from the project not only changed and devastated the lives of hundreds of thousands of people (including of course the victims in hiroshima and nagasaki + the people living in new mexico where they tested the bomb) and the continued generational trauma of the bombs. also just the general mass panic and fear that the Cold War instilled into every citizen in the states who were literally waiting to one day be just annihilated by a nuclear attack. the whole creation of the atomic bomb had so much impact on the world. so doing a deep character study of both oppenheimer and his colleagues on the moral ambiguity of their work in the project and the outcome of it is such a great movie concept. but the film didn’t feel like that at all. instead Nolan gave us the watered down story that he’s best at and spent almost three hours forcing us to watch whether oppenheimer had to lose his disneyland government fast-pass due to his communist ties or not (spoiler: he does) and how strauss doesn’t like him because he got his feewlings hurt once. all the other scientists and physicists were given one or two minutes of screen time and were really just names to a face. the actual bombs creation was given a sidelong glance and trivial explanation at best. and of course to tie it all off the main female side characters were either naked/having sex for 80% of their screen time or was given the character depth of a piece of tissue paper

[turtleblogatlast]

cw: // death mention // violence // torture //

Aw man I have an idea for a “Leo spends a lot longer in the Prison Dimension” divergence.

The way the Prison Dimension works is that it essentially keeps you alive so long as you haven’t completely broken.

Leo, despite how sure he was that he was going to die, didn’t want to, and that’s all the Prison Dimension needed to keep him “alive” and “resetting” him. His body is kept in the exact same state he was in when he entered the dimension - messed up, but mostly okay.

Also, Leonardo “jokes are how I cope” Hamato eventually uses his newfound “oh I can’t die” status as a way to relentlessly quip at Krang One. Sure, he “dies” many times doing this, but eventually he just treats it like a game. How much does he have to fuck around until he finds out?

The amount varies.

He’s thankful that his (Casey’s-) photo is still intact, though at some point he has to etch the names of the people in it (his family-) into the walls of whatever building rubble he called home.

Sometimes he and Krang One talk. It’s almost nice, at times, having another being there.

Leo doesn’t know what to think of this.

The nice feeling always ends with his “corpse”, anyway.

Leo’s eventually saved, of course, and he’s brought back home and he smiles, smiles, because of course his brothers saved him! Of course he got out! He never gave up, not really, so they didn’t either-

And then he noticed how tall they were. How Mikey had hair, how Raph’s scars had long healed, how Donnie’s tech was more advanced.

Six years, they tell him. Six years.

And Leo looks the same. Just as banged up as ever, still a mess of bruises and cuts that he’s grown so familiar with. (And it does not escape Raph’s eye how dark the ring of bruises around Leo’s neck are-)

And it’s fine! It’s fine. He just needs to play catch up, now. He’s technically six years older too, right? Only his body is sixteen. His wounds will heal, and he will grow up too.

Only that doesn’t happen.

Because here’s the thing about the Prison Dimension: it’s grown fond of Leo. Six years is nothing to it, but Leo was new, different from what normally comes through. Leo was a bright blue light that only grew brighter with time, coming back from where it was almost snuffed out. So, a piece of the Dimension attaches itself to Leo’s soul, living yet not, and he remains as he’s been for the past near decade.

His wounds do not heal. He does not grow.

He exists more than he lives. And in the back of his mind he can hear Krang One screaming.

He wonders if his own screaming was heard back.

[1eatboys]

I keep seeing the odd post here and there mentioning that Ballister Blackheart is white in the Nimona comic and it hurts my heart a little each time I see somebody say that bc he’s actually not! Ballister Blackheart is canonically Asian in the comic, he is East Asian and simply has light skin.

I just find it saddening and wrong (granted I’m white myself so maybe it’s not my place to have an opinion on) to erase a character who is canonically a poc just because they have light skin :/

This is not a diss to people who didn’t know or people that were mistaken, that’s sort of the reason I’m making this post, so more people can know the truth rather than be misinformed or assume incorrectly.

(Context of the photo attached is that it is from a QnA Nate did on the Nimona comic years ago)

Edit: added alt text of everything written in the photo

[tennant-davids]

good for jeremy strong bailing on the emmys and every other award show this year good for him love that for him hilarious that there will never be another full cast succession moment again he's a comedian actually. i'm crying.

[k-wame]

JACOB ELORDI as bobby falls & ZACHARY QUINTO as jim goodwin He Went That Way (2023) dir. Jeffrey Darling

[harvestingsun]

Entire knuckles 🎳✨Wade Whipple✨🎳 show in a nutshell

[auroraknux]

I can already tell that their group dynamic is going to be very funny

[hamartia-grander]

I'm a real tragedy enjoyer but Luis's death is no longer narratively enjoyable for me, now it just feels like an insult. I'm tired of characters having to die to be "redeemed". It's not their death that is the redemption, it's the fact that they were willing to die in the first place; it's the intent of sacrifice. I much prefer a narrative where Luis survives and is forced to every day atone for his past mistakes. I much prefer when characters don't get the respite of death, when they have to live with their demons, when they have to face their past and maintain their growth. And it's especially maddening when the only reason Luis dies is because he did in the original. They'll change his character so much to give him substance but they won't change his fate? I don't want that.

[crescentfool]

at the top of tartarus 🌕

[bullagit]

no mikey and raph ep going into how they were besties and have grown apart

no donnie and raph bonding ep 

no leo and raph vs the returned evil dentist ep

no raph asks draxum for help w his mystic stuff and it turns into a whole Thing ep

no raph centric movie + rat king as villain = actual potential for exploring what raph and splinter’s relationship is like outside of scenes that primarily focus on raph comforting his dad about something, i’m just

[stardynamite]

he doesnt let anyone touch his hair. Ever. He's so overprotective over it

Also he uses like 20 different hair products daily

I love this one so get a mini-comic before i continue the bigger-mini-comic lmao

[turtleblogatlast]

Here’s a thought-

When Splinter says Leo’s the leader at the end of Season 2…pretty sure he was joking.

After so many high stakes and high emotions, he (a bit cluelessly) makes a joke to add some levity, just to make things a bit easier for he and his sons to digest everything that happened. It was a lot that happened, so it makes sense that Splinter wants to make things that much softer for everyone.

But- making a joke like that, after everything they all just went through…I can definitely see how the events of the movie pave out in response.

For example, by joking about Leo in particular having the responsibility of a leader, that puts him directly in the sight of Raph’s building anxieties. Because after everything, it’s clear that Raph really started taking the hero name seriously to the point that he started undermining his own fun and childhood in the process. So in the eyes of a Raph who is so worried about what could happen if they’re not prepared again, Leo in particular kind of stands almost as a point of danger in that aspect.

And with the joke of Leo “leading” in any capacity ringing out over them, it’s easy to blame Leo and Leo alone whenever he goes and goofs off with Mikey and Donnie. I think as well that the concept of a leader being spoken after the Shredder just pushes more weight on Raph’s shoulders and makes him realize how much goofing off they did before when they should have been better heroes (despite them all just being kids...)

Raph knows his brothers are good, he knows and has pride in them and himself in turn, but it terrifies him to know that they won’t be ready for the next big threat, and Leo directly going against this caution even more than usual just pushes Raph to want to try more.

As for Leo- keep in mind what happened all throughout “Many Unhappy Returns.” Keep in mind what happened all throughout the series in general. In the former, Splinter more than once points out how he would rather have his other sons with him than Leo, especially because they “would take this seriously”…even though Leo was taking it seriously. (Not that Splinter should be expected to read what Leo was doing when Leo wasn’t making his plans clear, but that wording sticks with kids.) Even after Leo’s plan pulled through, Raph’s the one who spoke in trust of Leo, not Splinter.

As for what happens in the series in general…well, we see Leo mess up a lot, apologize a lot, get his brothers out of messes a lot, and even when he does well or is responsible it’s either glossed over or still seen as goofing off (no I will never be over that moment where Leo almost got Gus’s tags and got screwed over out of pure bad luck.)

So imagine hearing a joke like that as Leo, who for a good chunk of especially the start of the series has been a lowkey voice of reason. The idea that Leo being responsible for the team is nothing but a joke…? It’s understandable that it could feel like a blow, that it could push him to want to try less.

Especially after everything they just went through.

They’re heroes. | They’re kids.

Why shouldn’t they care? | Why should they care?

[magnus-rhymes-with-swagness]

so in love with the way ballister goes from instinctively trying to draw his sword when he initially finds out nimona is a shapeshifter (institute brainwashing taking over) to exasperatedly asking her to be a girl instead of a shark (begrudgingly accepting that she's his sidekick now but not accepting Her yet) to questioning why she’s a shapeshifter (trying to figure her out) to respectfully asking what shapeshifting feels like while making sure not to cross boundaries (fully accepting her as a person and making a genuine effort to understand her better)

[comradekatara]

the thing about the adult gaang movie is even if it’s somehow done really well, i don’t wanna see aang and katara as adults, that will actually make me really sad. whereas if sokka is the protagonist that’s fine because i already think everyone should heal and find fulfillment after the war except for sokka. i think sokka should get worse. i think sokka should continue collecting mental illnesses like they’re pokemans creatures. a qing dynasty court intrigue film with sokka navigating ba sing se politics (and iroh can feature as he dispenses occasional wisdom. but sokka is just like “call your son”), or a xai bau spy thriller (except tbh this one would work better as a novel), or even just. a mai and sokka roadtrip movie in the style of an early 2000s stoner comedy (this one would have no artistic merit but it’s also probably the best idea ive ever had). these are but a few examples of the many ideas i have for movies that put my favorite guy through hours of suffering without having to depict my other favorite guys as anything other than the precious babies i know and love.

[flamestar126]

him.

(click for better quality)

Minor spoilers below for those who haven't watched it yet

Tell me this isn't how it went rn/j

Dying in the theaters when Floyd's attempt for sympathy/persuasion immediately backfired on him. I wanted his reaction to it so bad