#and i don't want the world to see me

[thepavementsings]

listening to iris by the googoo dolls thinking about the horrors of suzuka last year...

[findyouthere]

Where is my Wilmon fanvid set to Goo Goo Doll’s “Iris” hmm? Hmm????

[beautifulhigh]

I’ve been tagged in three playlist posts, and since I have multiple playlists that I listen to I shall shuffle a different playlist every time and explain what each playlist means!

Third one one to tag me was @sapphire11​ and for this one I shuffled my “Classic Loves” playlist. This is a playlist of songs which, as the name suggested, younger Jen loved to listen to. Absolute aural trip down memory name. The first ten songs that came up are:

The Beauty and the Tragedy, Trading Yesterday

This Side, Nickel Creek

We Are, Ana Johnsson

Iris, Goo Goo Dolls

Dignity, Deacon Blue

I’ll Be, Edwin McCain

Last Night, The Vamps

Tonight, Tonight, The Smashing Pumpkins

Stay, Lisa Loeb & Nine Stories

You’re a God, Vertical Horizon

[spn-s16]

.

[iamonlyhereforthefreefood]

Iris... is a bop...

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[deeva-arud]

Walk walk fashion baby

[pirategrime]

[lawbreaker13]

Alright, I'm about to have a Trolls moment. Please ignore me if you will.

So I'm starting to have a meltdown over Branch's brothers' understanding of who he is as a person.

Like, they were fully absent during his entire childhood and young adulthood, of course. And we all keep making jokes about how they didn't tease him enough about his relationship because, duh, that's what brothers do. But what I have yet to see discussed is his confidence as an individual, how he interacts with the audience as a band member, and how his brothers are simply not interacting with a person they've ever met before.

Like, there's the whole "boy band members are so suave so as to properly appeal to their audience" thing, and Branch, post-World Tour, has gained a lot of confidence. Yes, most of his audience interaction is aimed at the band's biggest fan, his own girlfriend, but he does so very smoothly. The level of confidence that Branch has gained since the first movie is immense and it's actually so heartwarming to watch the two movies back-to-back to see, but beyond that, his interactions with Poppy, as her boyfriend and also as a band member, are very confident, flirtatious, and charming. He's playing up the persona when he's on stage of course, but they also flirt a lot on their own as seen in this movie. And while yes, his brothers being his brothers would probably off-screen tease him about flirting with his girlfriend, they also have no idea how he is as a band member. Because the last time they were in a band together, Branch was IN DIAPERS. Spruce was the Heartthrob, the flirt, the tease, and Branch was a BABY. But now Bruce is married, he's checked out of that life. And even if it's all directed at Poppy because Branch is a very loyal boy (clearly), he still has never exhibited those specific behaviors in front of his brothers. It's funny and easy to make fun of when it's with his girlfriend, but when he does it as a band member? Then it's a persona. And he's absolutely killing the game.

The boys have never met this suave, confident adult. They've never seen Band Member Branch with his own personality, with character traits, with the ability to make decisions for himself in any form. So his new band persona is, apparently, to some extent, the flirt. And his brothers must be reeling from that, because WHO is this guy??

I don't have a point. My point is just the idea that once upon a time, when Branch was in the band originally, he was just Some Kid™. And now he's not just some kid, he is A Boy Band Member™. And kind of the new leader, to boot. Beyond that, to Poppy, he was just Some Depressed Guy™ for so long. And once again, look at him now. The character development combined with character perception is just so absolutely fascinating to me and the lack of time to elaborate on it is very much the reason why fanfiction exists.

I don't know, man. Big Trolls fan over here. I love Branch so much.

[beanghostprincess]

Sanji and Usopp during The Sabaody Incident™ won't leave my mind.

Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").

There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.

Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).

Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.

The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.

Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.

And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.

Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.

Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.

Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.

They are so "I can lose everything, but not you. Oh God, not you" shaped.

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[queenlucythevaliant]

Just to clarify my thoughts (since I've had a number of people ask me about it) re: Job and cursing God. There's a big difference between cursing God as used in Scripture and how we generally would think of cursing at God today.

Cursing someone, in the Bible, has a lot of depth to it. It's not just saying "screw you " in anger, it's got a sense of forsakenness to it. It's the opposite of a blessing, a removal of blessing. If the blessing is presence, your face shining on the person you're blessing, then a curse is absence. In some translations, Job's wife tells him to "renounce God and die," which I honestly think makes a lot more sense to modern ears.

Job says a lot of unpleasant things to and about God in his anger and grief. So do the Psalmists. A number of the Prophets. So can we. God can take it if we come to him with honest expressions of our emotion, including those not-so-nice ones directed at him. I don't think there's anything wrong with getting mad at God and saying, "How dare you, you bastard" when you suffer unjustly. You can say much worse, I think, without sinning, though I don't feel particularly inclined to give examples. But as long as it's an honest expression of your heart, I think you're doing exactly what prayer is for. You're presenting him your heart with an open hand. He can use that. Opposite of love is not hate but indifference, etc.

Job doesn't renounce God. Neither should we. But I think when you're truly suffering, you're gonna have those feelings toward God either way. He'd rather you address them with him directly than try to avoid them. Cursing at God in the modern sense is actually a great way to keep the relationship strong and not end up cursing/renouncing him in the Biblical sense.

[zivazivc]

guess who

I've seen a few artists I like making human art and I got inspired to make my own.

First version was based just on their character designs and personality, and what inspired their look in the first place. Second version happened when I took into account their backstory and what I imagine human versions of their parents' would look like. I don't consider either of these "canon", because to me they're just trolls but it was a fun experiment to try.

Now back to our regularly scheduled programming of me drawing little colorful dolls

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along