#and i like knowing how my technology functions

[cestacruz]

Drawing the messiest sketches is actually so good for my brain

[guinevereslancelot]

being the youngest person at work is being the honorary IT specialist despite knowing basically nothing abt technology except how to use google

[laureleikirsch]

me, using skills that in 2013 were just enough to get my certified in desktop publishing:

my coworker who seems to be about my age, possibly a couple of years older: YOU'RE A COMPUTER GENIUS

[absentlyabbie]

seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.

very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.

they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.

mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.

sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.

these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.

i am not taking a shit on gen z/gen alpha here, i'm really not.

what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.

they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???

THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!

it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just

ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.

kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.

[vexwerewolf]

If I could ask you for some advice, what do you think helps the flavour text of a mech or piece of equipment sell a player on the fantasy of using it?

I'm finding it frustratingly difficult to do so with my own homebrew content: I can come up with lore and backstory easily enough, but re-reading it feels dry, and I can't help but contrast it with how the descrptions in official content and other supplements is more evocative, at least for mechs.

Let's observe some corebook Lancer flavour text and examine the various varieties it comes in.

Purely Functional

While it's usually not the most fun type of flavour text, this just tells us what the weapon is, and - if it has any particular tags or on-hit effects - why it's like that. The Hand Cannon is a good example: here's what it is (modified pistol), here's why it does more damage, and here's why it has Loading.

The main advantage of Purely Functional flavour text is that it provides space for other types of flavour text to breathe. Flavour text is a great place for jokes, but it's not good for every piece of flavour text to be a joke - the pauses between notes in music are just as important as the notes.

Obfuscating Vendorspeak

The Bristlecrown Flechette Launcher this is a great example of dark humour that Lancer uses quite often: marketing fast-talk to cover up something really unpleasant. The joke here is based on us understanding precisely what the equipment does mechanically, and then seeing how the manufacturer tries to sell it. There's a bunch of dense technobabble here meant to obfuscate the fact that this weapon fires knives in every direction specifically designed to kill infantry.

Deadpan Weirdness

The joke here relies on describing something extremely weird like it's the most natural thing in the world. Wait, you're telling me that in a world where I can just print new parts if the old ones break, they put DRM on my fucking knife and I have to apologise to the fucking knife maker to get a new one? What the fuck, dude? Why are you acting like this makes any sense?!

My sword uploads fucking what to the Space Internet?!

Third-Act Twist

This type of flavour text disguises itself as something else - most often Purely Functional - and then hits you with Third Act Twist. It makes you go "wait, what?!" It's very classic setup-punchline stuff. You're telling me my mech can rot?!

As a side note, Lancer loves to use this for its NHPs.

WHY DID YOU PUT THAT IN SCARE QUOTES, LUCIFER

Worldbuilding

This is similar to the Purely Functional, but instead of just describing technical specifications of the weapons, it puts the weapon in the broader context of the setting's history. Okay, so we know what this weapon is and what it does - why was it built? What was the original use case, and why? Most importantly, what can the existence of this weapon tell us about the world that build it?

Whimsical Aside

This is the insertion of a light-hearted, humanising little insertion regarding how this piece of equipment gets used in the field. This serves to remind us that soldiers aren't cold, unfeeling killing machines: they can be as emotional, irreverent and silly as the rest of us, and they do things like name their mobile bombs...

... or call resupply drones "mech snacks."

The Ominous Out-Of-Context Quote That Explains Nothing And Only Raises More Questions

As I've said in multiple textmash memes, this is basically Tom and Miguel's shorthand for "this technology is Intensely Fucked Up in a way that it is more fun and scary not to explain." This is essentially Lancer's version of SCP's [REDACTED].

You might think this is the domain of HORUS, and you'd be right, but every single manufacturer indulges in these - although IPS-N had to wait until NRFaW to get theirs:

What the fuck do you mean by that, Lancer?

[pasteilian]

One of the interesting things that I don’t see brought up about Leo is the fact that he’s actually kind of crazy smart. Like, no one brings up the fact that not only was he able to re-function Sheldon, but he was smart enough to know how Donnie's technology works in order to do it.

My idea is that he doesn’t quite understand it, and he’s definitely not on par with Donnie's intelligence, but he’s a close observer and listens enough to Donnie's ramblings that he can figure it out with a bit of tinkering. It doesn’t work very well and it may try to kill him, but he is able to do it, which is still impressive.

[gothhabiba]

hello, i kno close reading aint the only way to analyse a text but im trying to find other ways of doin it but google is just givin me how to do close readings in your classroom things. idk im not a booksguy really tho id like to learn how to books better. do u have any like basic resources for ways to read a text an figure out whats goin on in it that isnt doing a close reading? thanks

Close readings are mostly associated with new criticism. This school of criticism, like every other, arose in a particular time and place and can be analysed as having arisen for a particular reason. Also like every school of criticism, it has its adherents and its detractors. But considering the "work" as its own whole, self-contained aesthetic object in the way that NC does is not the only way to read.

Some other approaches, off the top of my head, & the schools of criticism they're roughly associated with:

How does the work make you feel? What are your reactions to it? What emotions and associations does it conjure up? What is your spatial or temporal experience like reading the work (like, how does the work appear to you as something that unfolds over time, as you read it? When and how are you reading it)? How do your expectations about a certain work affect how you read? [Reader-response]

What is the economic and ideological history of the genre, form, and aesthetics of the work in question? What ideological function does the work seem to serve? Does it serve to convince its readers of anything, and if so, what political implications does its viewpoint have? What ideas of oppression, history, and the forms that resistance can take does the work present or seem to advocate for? What does it make visible or invisible, what does it make seem possible or impossible? [Marxist literary criticism / Marxist aesthetics]

When, where, and by whom was the work published? What else do we know about the author's opinions on aesthetics, politics, &c., and how do we know it? How are those opinions reflected by, or in tension with, what you see in the work? Were there any problems getting the work published, and, if so, do they have to do with the author's class or gender or politics, &c.? Where and how was the author living (richly or poorly, working as a maid in another household or employing servants or a wife to free up time for intellectual pursuits) while writing?

And, doubling down on when the work was published—what were the popular or dominant discourses about science, biology, human cognition, political economy, race, gender, war, &c. &c. when and where the author wrote and published? How does the work seem to mobilise, use, subvert, echo, further, or contest those discourses? How would the work's first readers have read it in light of the popular discourses they were familiar with? [contextualism; new historicism]

What materials was the book originally published in? Where did those materials come from? Was it cheaply or expensively made? How much was it sold for? Who would have been able to afford it? What does the form of the book (any illustrations? what's the typeface and size? margin size? hardcover or paperback?) imply about who is meant to read the work, and how they're meant to read it? What effect did the state of print technology at the time of the book's publishing have on its final form (e.g., it used to be impossible to have text and an image on the same page in a mass-produced book)? Where do the objects described in the book presumably come from, and by whose labour would they have been produced and transported? What does this say about the material lives of the characters? [Material culture studies]

What are the early notices and reviews of the book like, and where do they appear? Who wrote them and where did they publish them? Is the book mentioned in diaries and letters from around the time of its publication? How did the responses to the book change over time? How did audiences in different places, or of different demographics in other ways, respond to the book? What went into making the book accessible to new audiences over time? What extra-textual stuff (“paratext”: book covers, advertisements, interviews, reviews) influence how people read the work? [Reception history; translation studies; maybe fandom studies]

Who edited the work? How much control did the publishing house, and the publishing house's readers, have over the final format of the text? Who decided what the punctuation would be like, and where the chapter breaks would go? Who decided on the spelling (was it published at a time when spelling was standardized? Did the author's manuscript contain any idiosyncratic spellings? Did the publishing house have a house style)? Are there any ideological connotations to "correcting" this author's spelling? Was the author's manuscript typed or handwritten? Were there any problems reading their handwriting? How many versions of the manuscript were there, and how did the publishing house chuse which to work from? [Editorial theory]

These associations between methods of reading and schools of criticism are mostly just to give you terms to look up to read more. Scholars don't all necessarily belong firmly to a given school, and people often mix and match various modes of reading to be able to argue what they want to argue.

[mostlysignssomeportents]

When Facebook came for your battery, feudal security failed

When George Hayward was working as a Facebook data-scientist, his bosses ordered him to run a “negative test,” updating Facebook Messenger to deliberately drain users’ batteries, in order to determine how power-hungry various parts of the apps were. Hayward refused, and Facebook fired him, and he sued:

https://nypost.com/2023/01/28/facebook-fires-worker-who-refused-to-do-negative-testing-awsuit/

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/02/05/battery-vampire/#drained

Hayward balked because he knew that among the 1.3 billion people who use Messenger, some would be placed in harm’s way if Facebook deliberately drained their batteries — physically stranded, unable to communicate with loved ones experiencing emergencies, or locked out of their identification, payment method, and all the other functions filled by mobile phones.

As Hayward told Kathianne Boniello at the New York Post, “Any data scientist worth his or her salt will know, ‘Don’t hurt people…’ I refused to do this test. It turns out if you tell your boss, ‘No, that’s illegal,’ it doesn’t go over very well.”

Negative testing is standard practice at Facebook, and Hayward was given a document called “How to run thoughtful negative tests” regarding which he said, “I have never seen a more horrible document in my career.”

We don’t know much else, because Hayward’s employment contract included a non-negotiable binding arbitration waiver, which means that he surrendered his right to seek legal redress from his former employer. Instead, his claim will be heard by an arbitrator — that is, a fake corporate judge who is paid by Facebook to decide if Facebook was wrong. Even if he finds in Hayward’s favor — something that arbitrators do far less frequently than real judges do — the judgment, and all the information that led up to it, will be confidential, meaning we won’t get to find out more:

https://pluralistic.net/2022/06/12/hot-coffee/#mcgeico

One significant element of this story is that the malicious code was inserted into Facebook’s app. Apps, we’re told, are more secure than real software. Under the “curated computing” model, you forfeit your right to decide what programs run on your devices, and the manufacturer keeps you safe. But in practice, apps are just software, only worse:

https://pluralistic.net/2022/06/23/peek-a-boo/#attack-helicopter-parenting

Apps are part what Bruce Schneier calls “feudal security.” In this model, we defend ourselves against the bandits who roam the internet by moving into a warlord’s fortress. So long as we do what the warlord tells us to do, his hired mercenaries will keep us safe from the bandits:

https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/

But in practice, the mercenaries aren’t all that good at their jobs. They let all kinds of badware into the fortress, like the “pig butchering” apps that snuck into the two major mobile app stores:

https://arstechnica.com/information-technology/2023/02/pig-butchering-scam-apps-sneak-into-apples-app-store-and-google-play/

It’s not merely that the app stores’ masters make mistakes — it’s that when they screw up, we have no recourse. You can’t switch to an app store that pays closer attention, or that lets you install low-level software that monitors and overrides the apps you download.

Indeed, Apple’s Developer Agreement bans apps that violate other services’ terms of service, and they’ve blocked apps like OG App that block Facebook’s surveillance and other enshittification measures, siding with Facebook against Apple device owners who assert the right to control how they interact with the company:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

When a company insists that you must be rendered helpless as a condition of protecting you, it sets itself up for ghastly failures. Apple’s decision to prevent every one of its Chinese users from overriding its decisions led inevitably and foreseeably to the Chinese government ordering Apple to spy on those users:

https://pluralistic.net/2022/11/11/foreseeable-consequences/#airdropped

Apple isn’t shy about thwarting Facebook’s business plans, but Apple uses that power selectively — they blocked Facebook from spying on Iphone users (yay!) and Apple covertly spied on its customers in exactly the same way as Facebook, for exactly the same purpose, and lied about it:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

The ultimately, irresolvable problem of Feudal Security is that the warlord’s mercenaries will protect you against anyone — except the warlord who pays them. When Apple or Google or Facebook decides to attack its users, the company’s security experts will bend their efforts to preventing those users from defending themselves, turning the fortress into a prison:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Feudal security leaves us at the mercy of giant corporations — fallible and just as vulnerable to temptation as any of us. Both binding arbitration and feudal security assume that the benevolent dictator will always be benevolent, and never make a mistake. Time and again, these assumptions are proven to be nonsense.

Image: Anthony Quintano (modified) https://commons.wikimedia.org/wiki/File:Mark_Zuckerberg_F8_2018_Keynote_%2841118890174%29.jpg

CC BY 2.0: https://creativecommons.org/licenses/by/2.0/deed.en

[Image ID: A painting depicting the Roman sacking of Jerusalem. The Roman leader's head has been replaced with Mark Zuckerberg's head. The wall has Apple's 'Think Different' wordmark and an Ios 'low battery' icon.]

Next week (Feb 8-17), I'll be in Australia, touring my book *Chokepoint Capitalism* with my co-author, Rebecca Giblin. We'll be in Brisbane on Feb 8, and then we're doing a remote event for NZ on Feb 9. Next is Melbourne, Sydney and Canberra. I hope to see you!

https://chokepointcapitalism.com/

[artsekey]

I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

[sensiblereblogifposts]

Hi.

I'm going to break my very strict format for once because I need your help. For the past 9 years, the irl human behind this blog has been involved in the effort to save a museum from incompetent and money hungry executives.

The museum is filled with precious objects, telling the story of the history of technology, and how it relates to art and society.

Many of these are objects are large, but delicate and have been in place for over 30 years.

No one within the museum's community trusts the CEO, who was appointed by a hostile former government, and prefers renting out museum spaces for business functions over educating the public.

In a few days, the museum is set to close down for renovations. Yet none of the staff or volunteers have been given any clear details about these plans. All we know is displays which have inspired generations will be torn down, likely never to be restored.

We have a petition asking the new government to step in and stop the closure:

If you could sign this, you'd be doing the human behind this blog a massive favour.

[mylasteverlution]

Disco Elysium has a lot of fascinating fictional technology but I have been rotating the radiocomputer in my mind for months now. From what I can gather, they operate in a way very similar to modern cloud computing. It doesn't seem like the mainframes we interact with have any processing capability. Instead, they use antennas to process "on air":

SOONA, THE PROGRAMMER - "Alright, well... All radiocomputers perform operations up on air, so in order to gain more processing power you need to invest in a *good antenna*."

The only information we get about what "on air" really means is from the same conversation with Soona:

YOU - "Wait, what's 'on air'?" SOONA, THE PROGRAMMER - "On the *front*. The unified front of radiowaves, licensed and controlled by Lintel in the East-Insulindic region." SOONA, THE PROGRAMMER - "It's all around us," she waves her hand, "that's what 'on air' means."

The nonspecific language used here really invokes cloud computing to me. I think there are two main possibilities for how this could work, one being much more likely than the other.

The more likely answer is that information is sent to and from the in-game equivalent of data centers, which would host massive computers with processing capabilities. I'm not sure what their processors would look like, but they'd almost certainly be analog (the lost Feld tape computers are most likely the in-game equivalent of early digital computers).

The significantly less likely (but more interesting) answer is that in-game radio waves are somehow capable of processing information on their own. I have no idea how this would work, and as far as I know there's no real-world analog. But it's clear the world of Disco Elysium has some crazy things happening with radio waves (see how they interact with the pale), so I'm not ruling it out entirely.

The filament memories are like hard drives, but my guess is they would function more similarly to an optical disc (CDs, DVDs), which use patterns in the disc to encode information that's read using lasers or light. The filaments glow inside the mainframe, so it's not a huge leap to assume they're read using light.

The amount of thought put into radiocomputers is so fascinating. As far as I can tell, their version of the internet has been wireless from the get-go, which makes perfect sense! Antennas and other wireless radio technologies would have to be pretty damn powerful to communicate across and force dimensions on the pale. And you have to assume huge amounts of government money has gone into funding their research and development for those purposes. The technology of radiocomputers is so tailored to the world of Disco Elysium, and it's been a lot of fun trying to untangle how exactly they would work.

[askablindperson]

In what way does alt text serve as an accessibility tool for blind people? Do you use text to speech? I'm having trouble imagining that. I suppose I'm in general not understanding how a blind person might use Tumblr, but I'm particularly interested in the function of alt text.

In short, yes. We use text to speech (among other access technology like braille displays) very frequently to navigate online spaces. Text to speech software specifically designed for blind people are called screen readers, and when use on computers, they enable us to navigate the entire interface using the keyboard instead of the mouse And hear everything on screen, as long as those things are accessible. The same applies for touchscreens on smart phones and tablets, just instead of using keyboard commands, it alters the way touch affect the screen so we hear what we touch before anything actually gets activated. That part is hard to explain via text, but you should be able to find many videos online of blind people demonstrating how they use their phones.

As you may be able to guess, images are not exactly going to be accessible for text to speech software. Blindness screen readers are getting better and better at incorporating OCR (optical character recognition) software to help pick up text in images, and rudimentary AI driven Image descriptions, but they are still nowhere near enough for us to get an accurate understanding of what is in an image the majority of the time without a human made description.

Now I’m not exactly a programmer so the terminology I use might get kind of wonky here, but when you use the alt text feature, the text you write as an image description effectively gets sort of embedded onto the image itself. That way, when a screen reader lands on that image, Instead of having to employ artificial intelligences to make mediocre guesses, it will read out exactly the text you wrote in the alt text section.

Not only that, but the majority of blind people are not completely blind, and usually still have at least some amount of residual vision. So there are many blind people who may not have access to a screen reader, but who may struggle to visually interpret what is in an image without being able to click the alt text button and read a description. Plus, it benefits folks with visual processing disorders as well, where their visual acuity might be fine, but their brain’s ability to interpret what they are seeing is not. Being able to click the alt text icon in the corner of an image and read a text description Can help that person better interpret what they are seeing in the image, too.

Granted, in most cases, typing out an image description in the body of the post instead of in the alt text section often works just as well, so that is also an option. But there are many other posts in my image descriptions tag that go over the pros and cons of that, so I won’t digress into it here.

Utilizing alt text or any kind of image description on all of your social media posts that contain images is single-handedly one of the simplest and most effective things you can do to directly help blind people, even if you don’t know any blind people, and even if you think no blind people would be following you. There are more of us than you might think, and we have just as many varied interests and hobbies and beliefs as everyone else, so where there are people, there will also be blind people. We don’t only hang out in spaces to talk exclusively about blindness, we also hang out in fashion Facebook groups and tech subreddits and political Twitter hashtags and gaming related discord servers and on and on and on. Even if you don’t think a blind person would follow you, You can’t know that for sure, and adding image descriptions is one of the most effective ways to accommodate us even if you don’t know we’re there.

I hope this helps give you a clearer understanding of just how important alt text and image descriptions as a whole are for blind accessibility, and how we make use of those tools when they are available.

[cy-cyborg]

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

[outofconcheol]

resonance (scb x f!reader)

pairing: android!changbin x heiress!reader

genres/aus/rating: romance, angst, smut, arranged marriage, e2l (a little bit), sort of cyberpunk au, 18+

summary: Perfection - an idea that’s been drilled into you from birth. As the sole heir to the empire known as Miroh Labs, you’ve watched technology and tradition collide. However, your family’s latest venture is one that puts your own fate in limbo – ambitiously arranging a marriage to an android of their creation, known as C.H.A.N.G.B.I.N. Grappling with the idea of marrying a machine, you come to realize Changbin is more than a set of intricate codes – the profound depths of his abilities are capable of changing the fabric of society, and you, forever.

warnings: strained parent child relationships (OC's parents are jerks), mentions of past abuse (very mild and not described in detail), class differences, failed past relationship references numerous times, cameos from Chan, Jisung, Jeongin, Hyunjin, and Yuna (ITZY), fair warning OC is a lot, Changbin is precious, self-doubt and negative feelings, arguments, alcohol, blood and injury, swearing, genetic engineering, talks of self-determination and agency, Streetlight my beloved makes an appearance

word count: 12k

a/n: happy (belated) bday to my beloved Changbin (almost a month later, nice)! i hope this is enjoyable and worthy of someone as wonderful as Changbin seems (i might have slightly fallen in love with him while writing this, don't look at me). the lovely banner is by Sarah (@caelesjjk). I hope you enjoy!

smut warnings under the cut!

smut warnings: sexual tension (lots of it), making out, kind of hatefucking?, sex outside (against a railing), clothed sex, dirty talk, brief nipple play, thigh riding, fingering (f!receiving), unprotected sex (just because Changbin can doesn't mean you should), honestly more mild than the warnings imply

It’d been years since you’d seen candles - forgotten memories of birthdays past that faded into oblivion. Their warm, nascent glow had flickered much like your own life had, the comfort of past years giving way to the bright, grating pixels of the lights that illuminated New Domino - bright pinks, vivid greens, cool blues and silvers. Lights that greeted you from your window when you went to bed every night, reminding you that no matter how much your life stalled, the city never would, much of it your own family’s doing.

The years before Miroh Labs, your family’s company, took hold of the city,  became difficult to recall — before the towering skyscrapers blocked out the sun, neon lights replacing its rays, technology weaving itself seamlessly into the fabric of your lives, like the patterns on your dress.

Picking at the threads – you wonder if someone had put love and care into intertwining each one, meeting perfectly to create the image of a flower. But the thought quickly dispels — knowing that a specialized machine was behind it, or an android doing the work that was once meant for humans. 

Resonance, your family prided themselves on saying. The ability of an object to match another’s frequency – only it’d progressed beyond anyone’s wildest dreams. Systems had advanced from being motherboards connected to screens to full blown humanized machines, who not only had to ability to perform human functions, but excel at them when it came to speed, efficiency, and cost. 

The thought of it made you sick to your stomach. As the presumptive heir to Miroh Labs’ empire, you’d seen firsthand how ambition had slowly given way to greed, your family creating and creating and creating, giving no mind to how their projects always seemed to end up in the hands of the city’s elite.

You’d been to the outskirts, the fringes of society failing to catch up with the advancement of the inner city, a ruined wasteland where people struggled to find work to bring home food for their families.

But they had candles, you muse, smiling lightly to yourself, remembering how you’d passed by a home once, devoid of any electricity, a single candle flickering in the window, the family huddled around their only source of light. It had brought them closer in ways that you could only dream of.

Which is why the intimate setting of the dining room shocked you today – lights dim, candleglow every prominent. Except instead of comforting you, it felt strangely eerie, casting shadows on the faces of your parents, seated at the head of the long table, your own chair pulled out at the very opposite end. 

Of course - your parents spared no opportunity to turn even the simplest of dinners into a boardroom meeting. Wincing, you feel the chair screech as you slide it across the cool tile, the sound grating your ears, which have begun to ring, pain throbbing at your temples.

The food is untouched, grave expressions on your parents’ face, and it’s your father who breaks the deafening silence.

“There’s a new project we want you to be a part of—”

“Forget it,” you pick at your plate. “I’m not interested. It’s not like I can contribute anything useful anyway.”

“This one’s different,” your mother’s voice cuts you off, and it’s softer, more gentle than you’ve ever heard it. For a moment, you could believe she actually cared.

Your father’s footsteps reverberate against the tile, walking over to your side of the table. A picture is set in front of you – a man. Dark curly hair, full lips, a strong jaw, the faint hint of muscle underneath his shirt. But it’s his eyes that pierce through the page – stark hazel. Your throat feels tight, closing in on itself.

“New employee?” you ponder, even though you know it’s not the answer.

Hazel eyes were for androids — no human would have eyes so piercing, ones that could glint in the darkest room, or pale in the brightest sun.

“___, meet C.H.A.N.G.B.I.N, Computer Human Advanced Network Growing By Intelligent Nexuses. Our pride and joy.”

You resist the urge to roll your eyes at the words, knowing they’d never applied to you – you with your rebellious streak, your lack of achievements, your failed engagement to a man that was far too good for you. 

Hyunjin’s face flashes in the back of your mind, and you fight to keep your expression from shifting.

“C.H.A.N.G.B.I.N was created for a very specific purpose you see — he’s been built and programmed to be the perfect companion. To provide all the qualities that one would normally seek in a spouse. Although humans are falliable, C.H.A.N.G.B.I.N is not. But we need a beta tester.”

The reality of what your parents are proposing dawns on you, horror creeping up your spine.

“No–,” you begin to protest, but you’re cut off by a wave of your father’s hand. 

“The announcements have already been uploaded to the city-wide servers. Starting tomorrow, news of C.H.A.N.G.B.I.N’s launch will go live, along with your engagement announcement. The wedding will be held in a week’s’ time.”

You look despondently to your mother, hoping the pain in your eyes is enough to dissuade her. Were you really that worthless to your parents that they’d hand you to a hunk of scrap metal, dooming you to loneliness for the rest of your life?

Your mother shakes her head. “___, dear, this is the least you can do for us, and for Miroh Labs. Especially given everything that’s happened.”

They always wielded it against you — the fact that you were hard to love. You hadn’t been enough to persuade Hyunjin to stay, and they’d experienced the fallout from whispers all around New Domino. Now, you were barely human in their eyes, not even equal to, and probably lesser than this machine they’d fabricated, one whose fate had become irrevocably intertwined with yours. And there was nothing you could do to stop it.

When Changbin wakes, everything is a blur. While his lungs don’t burn for air, his circuits are driven haywire anyway by the new environment - the harsh gleam of fluorescent lights, the gentle whirring of motors, the coolness of the metal table. It hits him all at once, and he’s tempted to close his eyes again, to return to the darkness of being powered down.

A figure looms over him, a taller man in a lab coat, his eyes gentle and full of concern, almost as if he’s holding his breath looking at Changbin.

“Hello C.H.A.N.G.B.I.N, my name is Chan. I am one of the lead research developers at Miroh Labs. We’ve been waiting for you.”

Changbin feels his system boot up, gentle heat spreading through the center of his body, all the way to his fingertips.

“Good morning, Chan. I am C.H.A.N.G.B.I.N, Computer Human Andvanced Network Growing By Intelligent Nexuses. How may I be of assistance?”

His voice reverberates through his speakers, a monotonous tinge resounding against the empty walls of the lab, and he watches Chan’s face twist,

“Do you know why you’re here right now?” Chan asks, curiosity in his gaze.

“I am an advanced computer-human android, programmed to fulfill the role of a partner. My duties and capabilities include companionship, emotional support, and assistance with domestic tasks, designed to blend into one’s life seamlessly.”

As he speaks, Changbin notices his sensors blinking, watching different parts of his arm, chest, and the rest of his body light up as various programs are activated. 

Chan slides something in his direction – a sheet of paper with a picture on it. He takes a look at it, his cameras analyzing the woman in the photo. Everything from the colour of her hair to the tiny mole on the back of her hand, to the way she smiles, but it doesn’t reach her eyes, perhaps evidence that something is different with her psychology from normal humans.

“This is ___, the next in line to be CEO of Miroh Labs. You will be her future companion,” Chan sighs heavily. “The family has already gone live with the announcement for the wedding, we only have a week to prepare.”

Changbin’s sensors beep, red lights blinking while he processes what Chan is saying, and Chan looks on, a deep furrow in between his brows.

“A w-week?” Changbin, stutters, and Chan already wonders if there’s something wrong with his circuitry. That couldn’t be possible though, the ___ family had tasked him with working on this for the better part of nine months, dedicating each and every hour of his spare time to this endeavour. He brushes off the thought, knowing that there was no way your parents would proceed unless everything was guaranteed to be perfect. After all, the motto of Miroh Labs was to create a more perfect world.

Changbin straightens, legs swinging over the edge of the table as he rises, standing slightly shorter than Chan.

“I understand my responsibilities, Chan. I assure you I will carry them out to the best of my abilities, until ___ is nothing less than satisfied.”

Chan looks at the android in front of him, his face softening. For a moment, Changbin looked as real as him – from the way his hair curled to the strong lines of his body. He almost reminded him of a younger sibling, and a protective instinct washed over Chan.

“I know you will Changbin. But there’s also something you should know.”

Changbin looks up with anticipation at Chan, wondering if there was a new program Chan wanted to add, and whether that meant he had to wait before he could meet ___.

“Please don’t tell anyone I’m telling you this, but should you ever decide that this is what you want, or that you desire to do something different, to be somewhere else, there’s always a way out. You’re more than just an android Changbin.”

Changbin’s processors began to hum. More than just an android? It didn’t make sense to him. His programs were designed to be the best, to cover every single duty one could expect from a partner. What more could there be? Still, Chan’s words sparked intrigue, and he saved a recording of them to his memory, just in case they would be useful later.

“Alright then Changbin, shall we get started? There’s a lot we need to go over about ___ before the wedding happens. Her favourite colour, favourite foods, the layout of her apartment … these will help inform your programs to adapt even more perfectly to your duties,” Chan’s voice is calm and even, with no hints of the darkness of the previous conversation in his tone at all.

They tour around the laboratories, Chan introducing him to the new world he was now expected to be a part of — from the windows, Changbin looks out onto New Domino, watching the hovercrafts zip down the neon-lit streets, and the skyscrapers graze the clouds, a dense fog covering up the skyline. 

Changbin listens intently as Chan goes on, his motors continuing to whir and sensors lighting up as each new piece of information is revealed — the new dimensions of his existence seemed vast and overwhelming, and he worried whether he’d be up to the task, knowing what happened to androids who were faulty – they were deprogrammed, becoming no more than scrap metal to fuel the fires of those on the fringes of society. Shuddering at the thought, Changbin knew he had no choice but to succeed. All he could hope was that you would accept him too. 

Goosebumps rise all along your arms — you feel the thorns of the roses prick your fingers as you clutch the bouquet in your hands tighter, listening from behind the door as the muted whispers of the guests fill the ceremony space. You can hear cameras going off, preparing yourself to be met with a grand scene - shimmering lights, velvet drapes, everything bathed in opulent hues of gold and silver. 

There’s an uncomfortable buzz – everything had happened so quickly. From the invitations going out to the details being finalized, you’d had little to no say in any of it, the uncomfortable lace of the dress you could barely voice your resistance to scratching against your skin, setting it on fire. For once, you wished you could down a glass of champagne or two to keep the nerves at bay. 

A pit settles in your stomach once the door opens, and you’re blinded by the twinkling lights of crystal chandeliers. Heart pounding in your ears, you move automatically without thinking, heels clacking against the polished marble floor. Everything around you is a blur – senses in overdrive, it all melds together. The bright flashes of the photographers, the uncomfortably cold temperature of the room, even the soft tones of the piano becoming grating to your ears.

The only thing that remains clear is the figure waiting for you at the end. You suck in a breath – seeing Changbin for the first time, you couldn’t help but marvel at how stunning of a specimen he was. Of course, he’d been designed to be crafted to perfection, but he was beyond flawless. 

Clad in a black tux, the fabric hugs his broad, muscular, frame and tapers at the waist, highlighting his athletic build. His dark hair is swept away from his forehead, exposing the prominent angles of his face. The put-togetherness of his appearance must only serve to highlight the chaos of your own, the makeup doing little to cover up the lack of sleep you’d dealt with ever since that fateful meeting with your parents. 

Coming up to the altar, Changbin extends his hand in your direction, and you’re shocked when you feel the warmth of his hand. Sparks jolt where your skin makes contact, and for a moment you forget that he’s not human like you, a jumble of circuits and running electricity. But it floats away when his posture goes rigid once again, with no hint of emotion on his face. 

Mechanical – that’s how every bit of this felt. From the brittleness in the officiant’s tone as he droned on about the sanctity of marriage, to the pointed stares and light din that surrounded what should have been a sacred moment – two souls joining together as one. But Changbin didn’t have a soul. And you weren’t sure you did either. The two of you were just glass figurines, put on display for everyone to ogle, cogs in the machine of this elaborate public spectacle that your parents had crafted. 

For a brief moment, you wonder if Hyunjin’s somewhere in the crowd, eyes widening as you search frantically for him, the one person who could have been your out, your chance at a normal life. But not a single face stands out to you – a crowd of strangers looking back at you. A bead of sweat pools at the base of your neck, and you suck in a breath.

You feel fingers wrap around your own, Changbin’s hand coming to clasp around yours, and it takes a moment for you to reorient yourself to the scene going on around you. The officiant is asking you to join hands, ready to repeat the vows that will join you and Changbin together. 

Changbin’s eyes bore into yours, the hazel containing more depth than you’d imagined for an android. 

“Are you ok?” the words are whispered so quietly you may have almost missed them. In fact, you believe you might have missed them, unable to believe what’s coming out of Changbin’s mouth. His voice is deeper than you’d expected, gravelly yet with a pleasant tone, far from the flat and monotone affect you’d expected. 

Either two things could have been true in this moment: 1) Changbin knew you better than you knew yourself, or 2) he was malfunctioning, a slip in his meticulous programming. But androids weren’t people, they weren’t capable of feeling for people. They were only capable of completing the tasks set out for them. 

You drop his hand, lips parting, unable to croak out a reponse for fear of arousing suspicion. But the moment is over before you’d even had a chance to respond, buried underneath his calculated rigidness once more. 

The knife twists deeper in your gut when your lips curl around the “I do”, the words sounding as artificial as Changbin’s own, sealing the vows that doomed the two of you to a loveless existence by each others’ side.

Breathing a sigh of relief, you pull the heavy diamond earrings out of your ear, setting them on the cool crisp marble of your bathroom counter, rubbing at your burning earlobes. Alone in the comfort of your bathroom, you feel like you’re finally able to breathe again. And that’s when it all hits you, the gravity of what had just transpired weighing on you with the force of a heavy boulder. 

Throat closing in on itself, you struggle to breathe, doubling over as tears fill your eyes. Fingers, shaking, you fumble with the laces of your dress, until the tightness is removed from your rib cage and you can finally breathe again, the dress falling to the floor.

If Hyunjin was here, he’d help you take it off, his fingers dancing delicately across the skin of your back. He’d remove the pins from your hair gently, pressing a kiss to your head in the spot where each one of them had been, until you finally grew tired of his teasing, pulling him in to meet your lips. If Hyunjin had been here, your wedding would have been full of love and joy and laughter, the most vivid of paintings come to life. But you’d lost him, and now yourself. You were alone.

A distant clanging jolts you from your misery, and you slip into your pyjamas, softly padding out from your bathroom to see what the commotion was about. Immediately, you’re hit with the aroma of savoury garlic and herbs, stomach rumbling in response. You’d barely eaten anything the whole night, scared that whatever you tried to would just come back up due to the gnawing feeling in your gut.

It hits you that you were no longer alone in this apartment — there was another being here now, one who’d managed to crawl inside the walls that you’d kept up. Changbin had no choice but to be here with you, to see you at your most vulnerable and exposed. 

The hallway is dark as you make your way to the kitchen, pausing when you see Changbin bent over the stove, a crisp white apron around his waist. He’d changed too, clad in a comfy pair of grey sweats and a black t-shirt that showcases his wide shoulders.

The grumbling of your stomach gives you away – Changbin turning to see you at the threshold, his face lighting up in a smile. You notice how it doesn’t reach his eyes, restrained and polite – like the ones that littered the billboards of New Domino, promoting the latest breakthroughs.

“Dinner is almost ready,” he assures you. “I made aglio e olio.”

Your eyebrows raise in surprise at the Italian dish he’d mentioned — one of your favourites, but it sours when you think about how he’d probably been trained by the researchers to know your preferences. If it had been another person, maybe he would have made kimchi jigae or maqluba. It meant nothing.

“Smells great,” you manage to croak out, grateful for the hot meal. In a few moments, the table is full of two steaming plates of pasta, Changbin taking his place at the other end. You’re grateful he doesn’t try to sit next to you, allowing you to eat in piece. Silence passes, filled only with the clanging of forks, and you watch Changbin bristle in his chair. He pauses every few moments, like he wants to say something, but holds back, until you can no longer take it.

“What is it?” you spit out, uncaring at how harsh the words come across. Changbin doesn’t flinch, but you watch lights run across his arm, whirring emanating from him, like he’s trying to process your actions. You let out a heavy sigh.

“Did you enjoy the meal?” he asks, and you’re taken aback. You hadn’t expected such a simple, yet earnest question. You’d half-expected him to ask you to rate his skills from one to ten, like the surveys that popped up whenever you dined out at a fancy restaurant.

“It was delicious,” you refuse to lie. The pasta had quelled the burning hunger you’d felt, making you considerably less irritable, and Changbin whirs to life again, processing what you’d just told him.

You help him clean up, the two of you working in tandem to clear the table, carefully skirting around each other. Shadows dance across the wall from the city lights reflecting through the window.

Warmth emanates from Changbin, as you feel his heavy breath fan the back of your neck, startled by how life-like it actually felt. You realize you’re caged behind his arms as he puts the dried plates into the cabinet above you, the air growing thick with something you couldn’t name.

Turning around, you’re pressed against the hard planes of Changbin’s chest, and you lurch at the way your body comes to life against his, nipples peaking in the cold air. 

A light flickers at Changbin’s temple, and he studies you curiously, watching the way your chest rises and falls, the way your breathing quickens.

His gaze lingers on your lips, leaning in closer. But before he can meet yours, you’re pulling away, shame and guilt in your chest. This wasn’t real. None of it was. And the sooner you learned to accept it, the less miserable both of you would be.

“I’m tired,” you whisper into thin air, turning your face away from his. “I want to go to bed.”

You swear Changbin’s eyes flicker for a brief moment before he straightens, responding with the mechanical tone you’d expected all along.

“Of course, you must be exhausted from today.”

You falter, not knowing whether he’d follow you into your room. Now that you were married, it was expected you’d share a bed. Stepping away, you’re relieved when he doesn’t follow.

Staring up at the ceiling of your bedroom, your mind replays everything that had happened – the fake fanfare of the wedding to Changbin asking if you were okay, to whatever had just happened now. Changbin couldn’t have wanted to kiss you, right? He lacked his own desires. Someone had probably told him that was what couples did. 

The softness of your sheets and the light streaming in from your window did nothing to quell the turmoil arising within you – your room no longer felt like the safe refuge it had once been, where you could shut out the rest of the world. 

In the silence of the night, the weight of what your life had become settled heavily on your chest. Once full of warmth and love, it was now cold and unfeeling, as clinical as the hallways of Miroh Labs. 

For a brief moment, you hear steps come towards your bedroom, before they retreat. The hallway light flickers, before it’s turned off, and you’re able to retreat into the darkness once more.

No, you’d told your parents when they’d brought up the idea. Absolutely not.

As usual, your pleading fell on deaf ears. The invites had already been accepted, your dress had been arranged, and a night filled with mindless drivel and booze chatting with the city’s elite waited for you and Changbin. 

You hated it – this pretending. At home, it was easy to accept, the way you and Changbin moved around each other, the uneasiness of that first night permeating every interaction you’d had after. But out here, in New Domino, the pretending had to happen. You had to play the part of a couple in love.

Changbin took to it easier than you’d expected. You’d nearly stumbled the moment you’d stepped out of your room, watching him turn to you with hands tucked into the pockets of yet another black tux. You briefly wondered if it was the exact same one he’d worn to the wedding – it wasn’t like there was a need for him to have different outfits, since his clothes never got dirty. 

You hoped Changbin didn’t notice your gaze lingering on just how good he managed to look – outshining even your emerald silk gown. You wait for the same from him – a falter, a nod, some sort of acknowledgment that he was just as taken by you. But it never comes, his arm slipping stiffly into yours. 

The car ride to the gala is silent, a sea of nerves and anxiety filling the space between you two. The lights from the city pass you by, illuminating Changbin’s face in a strange, yet beautiful glow. 

However, you barely acknowledge it, lost in thought while watching the cars speed by on the freeway. Before long, the glittering lights of the manor greet you, and it feels as though you’re transported back in time. As much as the upper echelon of New Domino loved their androids and their hovercrafts, nothing could replace the value of a night full of egregiously expensive liquor and brainless chatter about how far society had come, knowing they’d done little to contribute to it besides emptying their pockets.

Changbin lingers by your side, and you’re painfully aware of his scent – the one he’d chosen for tonight. Black leather and sandalwood saturate the air in between you, and you notice the stares from other guests as the two of you weave through the crowd, you in search of water to clear the pounding headache that had begun to form at your temples.

For how out of place he is, Changbin dances the dance of your peers well – meeting their fake smiles with a polished one of his own, waving and happily introducing himself to anyone that passes by.

It shouldn’t bother you that none of it directed at you – you told yourself you didn’t want his affection, that he could never give you what he desired. So why did it bother you when he stops one of the hostesses for a glass of champagne, watching her face turn sour when he swerves to hand it to you?

You down the drink before he can even blink, moving away from him and further into the throng. Your head is buzzing, and you feel the alcohol come straight back up, rushing to the bathroom when you hear it – a soft whisper, but it cut through the music like a blade.

“It’s almost amusing,” a woman says, “to see such a flawless machine with someone so... human.”

“You know what happened with her last engagement, right? Hyunjin left her for another woman…”

It’s too much to bear, bile rising in your throat, before you feel a hand on the small of your back. If Changbin was human, you’d almost expect his knuckles to turn white with the force he uses to grip your waist. 

“I suggest you keep your unwanted comments to yourself,” Changbin seethes, watching the guests turn pale. You sway under his touch, head spinning from the combination of alcohol and Changbin coming to your defense, before he’s leading you away, the crisp night air from the balcony nipping at your backs.

“Is everything okay?” he asks you gently, while you watch the same light at his temple flicker. 

None of this was okay. None of it at all. But you didn’t want to make him understand how much was wrong with you being here with him, when it should have been someone else, someone you actually had loved. 

“It’s fine,” you clear your throat, peeling his hand from your waist. His touch continues even after you’ve removed his fingers, and you shiver. 

You were used to it – the stares, the whispers. They’d followed you your whole life, the cuts left in their wake eventually turning into hardened scars. You didn’t need defending, least of all from him.

“I’m going to leave,” you tell him, stepping away. “You’re free to stay. Please don’t let me ruin your evening.” 

“I can go with you,” his voice echoes from beside you, “I was getting tired anyway.”

A sick, twisted laugh bubbles from your throat at his insistence. Changbin didn’t get tired, he couldn’t get tired. He wasn’t like you.

“Stay,” your voice is resolute. “That’s an order, Changbin.”

Changbin turns to face you, recoiling at the red rimming your eyes, the bags underneath them becoming even more prominent when the lights of the manor illuminate you from behind. 

You don’t know what possesses him to reach for the single strand of hair that has managed to escape your polished bun, but he watches you suck in a breath, lips parting in surprise.

Your paralysis slowly melts away and you’re pushing him away without realizing it, walking away without another word. You don’t dare to turn around, knowing your heart would twist when you found Changbin looking at you again with that same blank expression – the one you’d come to know all too well.

Dawn is is barely trickling when you slip out of your apartment. Passing by the living room, you notice Changbin in the corner, standing against the wall. For a moment, he looks so peaceful you would almost think he’d fallen asleep. However, you take one look at the outlet and realize he’s powered down for the night, free from his duties of following you around. A pang of annoyance rattles through you. It should have been romantic, knowing Changbin had no point to his existence if it didn’t revolve around you. All it did was made you sick to your stomach instead. 

Curling your jacket tighter around you, you duck your head down, few vehicles on the streets due to the early hour. The city seemed eerie yet peaceful at dawn, the dim rays of sun barely breaking through the clouds, casting everything in a soft orange glow. Such a stark contrast from the bright neon and gray that tinged its walls at every other time of day.

With only the sound your heels slamming against the pavement to keep you company, your walk slips into a run as your coat flies behind you, the wind whipping through your air. The city is soon left behind, tall skyscrapers giving way to modest brick houses, plumes of smoke wafting through the air.

Fire. You smile at the thought of it. Fire meant happy homes, with happy families. Families who relied on each other, who loved one another.

The haze that had clouded your head last night seems to have subsided, head clearer from the fresh air. But thoughts of Changbin cease to depart as easily, and it leaves you to wonder exactly where you stood with him.

He cared, more than an android should. For a moment it almost seemed like maybe he–

You shake the thought away, rounding the corner, shoulders immediately slumping in relief when you see the worn-out sign of the clinic.

“___?” a voice calls out to you. “Is that you?”

“Hello Jeongin,” you smile at the younger boy who bounds down the steps when he sees your figure standing outside, hair windswept and cheeks flushed as he comes to a halt next to you.

“Noona, what are you doing here?” he asks, and you feel yourself shrink underneath his sincere gaze.

“What do you mean? I always come by this time every week,” you raise an eyebrow, watching Jeongin bounce on the balls of his feet.

“But noona, you’re married now.”

You freeze at his statement, not realizing that the news had reached here too. Jeongin’s eyes are alight with excitement, and you know he’s going to ask questions that you don’t have the heart to answer.

As if he can sense your trepidation, Jeongin ushers you inside, the warm smiles of the elderly patients you’d come to know and love greeting you.

Before long, the two of you are at work, you helping them fill out their paperwork while Jeongin works to check their vitals and bring them back for the doctor to see them. All the while, you’re regaled with stories about their lives, including lost loves, mischievous grandchildren, and fond memories of a time that has since passed. 

This is why you loved coming here. It reminded you that away from the hustle of New Domino, actual life existed. Life imbued with meaningful moments, connections, and people. Something that society seemed to have forgotten. 

“You have such a beautiful smile,” one of the regulars, Miss Choi, pinches your cheek affectionately. “It’s such a shame we didn’t see it in any of your photos.”

“Oh,” you breathe out, shoulders tensing. “I guess Jeongin must have shown everyone.”

“Of course dear, you looked lovely. And such a handsome groom too!”

She titters, and you ponder about whether or not she knows the actual details of your wedding, of who Changbin really was. Even if she did, would she understand it? Even though he’d long since passed away, Miss Choi had a husband who’d loved her, who was capable of loving her. She wasn’t a victim of someone else’s greed, of their ambition. She’d never understand the kind of abyss that New Domino had become, and if she did, she’d probably be horrified. 

You pat her shoulder, hoping she can’t see the way your breath hitches, before you’re rushing to the back, curling in on yourself as sobs wrack your entire body.

Jeongin is by your side in seconds, a steady arm on your shoulder, and you lean into the younger boy, someone who despite not having spent that much time with, had become your one of your closest friends. 

“How much of it did you hear?” you mutter, looking at the floor.

“I heard enough,” he says softly. “I’m so sorry, noona.”

You don’t know how long you stay glued to Jeongin’s side, unable to stand upright, the two of you failing to notice the figure watching from outside the window. 

. . .

Changbin hadn’t meant to follow you. He’d heard you slip out in the morning, not having powered down completely last night. After what had happened at the gala, his processors had gone into overdrive, replying everything – the whispers of those awful guests, the way you leaned into his touch, to your harsh words telling him you didn’t want him around.

Changbin wonders if he’d already failed at his task – it seemed like you didn’t care for his companionship, no matter how hard he tried. The walls you had built were too high for even his sophisticated technology to penetrate, and he hums, wondering if this meant he’d be deprogrammed. 

Chan’s words from before echo in the back of his mind – what did he mean an alternative? Was there another task he could be useful for, even if you didn’t want him?

Not wanting to dwell too long, he trails a safe distance behind you, watching you break into a run, limbs heavy with fatigue, your breathing labored, until an unfamiliar neighbourhood materializes, the grandeur of luxury boutiques and high-end restaurants fading into older buildings.

Finally catching up to you, he watches you embrace a younger man, the two of you walking into a battered, broken down building together. Heat floods Changbin, his gears kicked into overdrive, struggling to make sense of what he was witnessing. Did you already have someone else? Was this Hyunjin, the one who’d left you?

The air turns crisp the longer he lingers outside the door, waiting for any sign. He gets it when he sees a leaf fall, your figure appearing in the window, hunched over like you’re in pain. The same man from before is by your side, offering you his shoulder to lean on.

Changbin doesn’t know what comes over him — he’s at the door before he can think, even rationalize what’s going on. 

He waits until your figure materializes from the back, wanting to see who the new entry was. Your lips part in a silent gasp when you see Changbin standing there.

It’s like he’s malfunctioning, gears whining and lights glinting, his jaw tense when Jeongin comes up behind you.

“Noona,” he hears the other man whisper. “I think you should go.”

You nod wordlessly, motioning for Changbin to walk with you, the two of you ignoring the many eyes that follow you, making your way down the dimly lit street.

The wind whips around him as Changbin jogs behind you, watching as you push through the crowds of passerby. You walk and walk, and he follows, watching the houses disappear behind him as you go higher and higher, eventually stopping when the road ends.

The view isn’t even comparable to the one from your penthouse – it’s even better. From the hill, he can see everything – the houses you’d passed on your way, to the bright lights of the city center, to beyond the horizon, where a mass of dense clouds covers the horizon. Which is exactly where you’re looking, and Changbin can’t help but look too, wondering what lies past their cover. 

“I used to come here with Hyunjin,” you break the silence. “Before everything fell apart.”

“We’d just sit here and look at the sky,” you continue, words crashing into each other as you rush to get them out. Changbin doesn’t know whether he should reach out for you, but decides against it, not wanting to startle your trembling figure.

“We’d look at the sky and wonder about what the future would look like — a million different scenarios. Sometimes we’d be rich, other times poor, living in the city, living out of it. But we always had each other. Until he decided to leave.”

“We should get you home–”

“Am I really that hard to love?” you blurt out, and Changbin freezes, the naked truth of why you’d been so cold finally exposed to him. 

“___, it’s not, you shouldn’t think like this–,” Changbin struggles to analyze this, something far beyond the limits of what his data sets had compiled. This was different, this grief was beyond the depths of his understanding. This yearning for something else, someone else. 

“Can you make it go away Changbin? This emptiness that lives inside me. This feeling that my life has never been mine, will never be mine?” you taunt him, knocking against his chest, scoffing when you hear the hollowness of metal.

“You can’t, can’t you? You’re just an android–”

“I’M NOT!” Changbin screams, his circuits devolving into chaos at the sharb jab of your words, Chan’s words coming back to him. “I’m not! I’m not! I’m not.”

He feels sparks inside him, his words stilting as he struggles to get them out. His fingers grasp at the back of his neck, searching for the one button he knows can end this, can put him out of his misery. He doesn’t want you to see him like this.

He doesn’t even notice how close you’ve become until he feels your breath fan against his lips, like that first night.

“Prove it,” you whisper, eyes off to the side like you didn’t expect him to listen.

But he listens.

Changbin surges forward, seeking your lips, and you stumble for a brief second, thinking you’ll hurtle off the hilltop, before his arm comes up to wrap around you, your hands tangling in his hair in an instant. The wind howls around you both, yet a shiver ran down your spine, blood pounding in your ears.

His lips were softer than you’d expected, and you capture him with your teeth, drawing him in, a moan bubbling up in your chest. 

He feels so real. This felt so real. 

Changbin can hardly think either, kicked into overdrive, the feel of your hungry mouth against his, the fervent swipe of his tongue against your lips. You knew this was a bad idea, that it would complicate everything, but you didn’t have it in you to care, hands roaming everywhere, slipping  underneath the hem of Changbin’s shirt to trace circles against his hard stomach.

A strangled sound escapes Changbin’s throat, and the two of you part, flustered and trembling, Changbin resting his forehead to yours. Your fingers card through the soft hair at the nape of his neck, and he moves again, roving down your jawline, lapping at your skin. Despite it being freezing out, a thin trail of sweat trickles down your neck, and Changbin doesn’t miss the opportunity to taste you, teeth grazing as he goes.

“Let me show you,” he rumbles into your chest, voice raspy from the lack of air. 

The cold metal of the railing juts against your back as Changbin lunges, his arm locking you into place. Your cry of protest turns into a gasp when he nudges a knee in between your thighs, spreading them apart. 

“God, just fucking touch me already,” you seethe, gasping when he thumbs at your nipples through the fabric of your shirt, the swollen peaks stiffening when he tugs them with his fingers.

An ache begins to build between your thighs when you look into Changbin’s eyes, their laser-like focus on you and you only, and that’s when his fingers slip underneath your skirt and straight to where you need him. 

“Say please,” he whispers, and for a moment, you imagine the same desperation in his tone that colours yours.

Even when you don’t say anything, he knows from the tremble of your lips and the slight nod of your head that you want this. 

The moment he swipes his fingers against your core, Changbin curses, palm meeting the furious grinding of your hips.

Your hands ball into fists, feeling the slick leak out of you, and you whine, a warm flush settling over your body, evidence of its betrayal.  

“Pretend all you want,” Changbin hisses. “Pretend you hate me. Pretend you don’t see me. But we both know you want this.”

You try to hold your resolve, your wet cunt leaking even more, walls fluttering around his fingers. One wrong move and you’d go hurtling over the railing. But Changbin’s grip on you is like a vice, which only makes you squeeze harder around his knee. 

He changes his pace, circling faster, harder, and your head goes hazy from the stimulation, your hands grabbing fistfuls of Changbin’s shirt. When you feel yourself teetering on the brink, body flushing with anticipation, it all stops. 

Panting, you look at Changbin, his dark eyes surveying you hungrily, and you hear the clink of his belt, quivering as you try and spare yourself from being utterly wrecked by the sight of his cock.

“Look. at. me,” he grabs your chin and turns your head towards him, your eyes fluttering from the delirium of it all.

Gripping your thighs, he sinks you down onto him. You cry out as the initial pain subsides and you feel his hips snap up into you, pubic bone rolling against your clit.

“Changbin, I, shit-, it’s too much!” you plead, shamelessly rocking aginst him as he sets a brutal pace, the sounds of skin slapping and your breathy moans echoing bouncing from the walls.

Changbin says nothing, planting a messy kiss on your lips, prodding his tongue into the seam of your mouth to taste, and you anchor your palms against the railing, allowing him to roll his hips upward, the two of you moving in tandem.

The fire in your abdomen reaches a peak, a new wave of arousal suddenly washing over you as you feel your hips jerk, coming undone as you collapse against Changbin, stifling a groan against his throat.

Lifting you off of the railing, Changbin’s arms reach around your body to press you against him, his lips ghosting your forehead, and you feel something wet against the side of your face. Tears.

“Changbin–”

You wobble to your feet, head swirling with emotion, but he’s already pulling away, the faint outline of his figure the only thing you see as he heads off into the night.

Sighing, you pull your glasses down onto your face, hoping they can diguise the fact that despite your best efforts, your night was absolutely restless, swimming with thoughts of Changbin.

After leaving you on the hilltop, he’d vanished, leaving you to make your own way home. And now, not even a day later, your parents had decided to add to your headache by summoning you for a board meeting. 

You expected them to ask for updates on your relationship with Changbin, to pry into your life, pretending like they cared. It was what they’d always done.

But you never expected this.

“I–, I don’t understand,” you gnaw at your lip, biting down so hard the skin may break. In front of you, the powerpoint gleams brightly. You can read the words off the slide, but you struggle to actually process them. And what they mean.

The beta testing was successful. Although people responded rather tepidly at first to the idea of a human-android relationship, we’ve gotten more positive feedback and requests to expand than ever. We’re on the verge of a new breakthrough here at Miroh Labs. And we want you to take charge of it. 

Your father’s words have been echoing ceaslessly in the back of your mind, ever since he uttered them the moment you walked in.

The news has you deeply unsettled. You’d thought that this was some kind of social experiment, that you and Changbin were some freaks of nature, two outcasts in society brought together as a spectacle for others. You’d never anticipated it would come to this. 

Miroh Labs wasn’t just looking to change the future of human-android relationships. No your parents twisted plan took it a step further – they sought to create models beyond Changbin’s capabilities as a companion, ones who would be equipped with the ability to reproduce. 

We’d never have to worry about birth rates or a weak genetic pool again.

Looking out the window, you look out onto New Domino, the blueprints reflecting onto the screen, clashing with the holographic displays outside, a stark contrast to the storm that was brewing inside the boardroom. 

Face illuminated by the blue glow of the screens, your breath comes out in short, uneven bursts. Your mother reaches out, watching your handles tremble, but you yank them away before she can clasp them in hers,

“Don’t touch me!” you hiss. “Was this all a fucking joke to you? Playing with my life, my emotions, so you could turn me into some kind of laughingstock for whatever sick idea you had?”

Standing up, you clutch the the documents to your chest.

“I’m done,” you declare. If you’d asked seven years ago, maybe you would’ve have done it, so desparate to please everyone around you that you’d say yes to whatever came your way. But now you knew better than to trust anyone. It’d only end up in heartbreak, and you refused to be a part of this sick and twisted legacy. 

You needed to talk to Changbin. 

. . . 

The soft thud of shoes at the entryway feels louder than ever, knowing that you’ve been lying on your bed for the past eight hours, willing the tears to stop. But they never did.

Heartbeat pounding in your ears, you prod your aching limbs to get up, soreness flooding your entire body when you stand. Padding softly out into the hallway, you gasp when you see Changbin there, standing solemnly against the window.

He knows you from even the quietest sound, head turning when you come up behind him. There was so much you had to talk about, so much to address. But you couldn’t even look him in the eyes.

You reach behind you to grab the papers you’d stolen,and Changbin’s eyes widen with surprise when you push them in his direction, confusion marring his handsome face. 

The two of you stand there while he reads, a multitude of moments passing in silence.

“I don’t get it,” he protests. “This seems like a logical progression. Shouldn’t you be happy?”

“You don’t get it, do you Changbin?,” you declare firmly, doing your best to overcome the wobble in your voice. “This changes everything.”

You hear Changbin whir, temple lighting up with red, and for a moment, all there is to fill the silence is the sound of clicking and beeping. Was this it? Had Changbin finally reached his limits.

You’d been thinking about this for hours, about how to tell Changbin, how to break the news to him. You had no idea where you stood without, about how he felt after what’d you’d both shared at the lookout. And despite the thousands of theorized and calculated ways you’d thought of in your head, telling you that this didn’t matter, that it wouldn’t hurt him, you still choke back a sob.

“Don’t you understand? They want to change everything, to alter what it even means to be human? If an android can reproduce with a human, then what’s the point of marriage? What’s the point of falling in love? It all just becomes a stupid commodity, a race to see who can pop out babies the fastest, who can engineer the most perfect spawn. All the meaning from life as we know will be gone.”

Changbin’s eyes flicker for a brief moment, hurt and confusion settling on his face.

“What are you saying ___? Look at me. Please.” 

The words come out in a desperate whine, Changbin lifting your face up to his, searching your eyes for a spark of emotion, but all he finds are hollow pools of emptiness.

You take a moment to respond, knowing that what you have to say will be the end of this, will probably drive a stake through the farce that had been your marriage.  

“You’ll never understand Changbin. You can simulate every single emotion and fulfill every task. Hell, even if they upgrade you and you’re somehow able to reproduce, you just won’t get it. Because you don’t know what real love is like; all you know is the substitute. And it will never be enough.”

“This isn’t fair,” Changbin chokes out, recoiling. “All I have ever done is my best. All I can ever do is my best. Why is that not enough?”

“I’m sorry,” you look at him, tears blurring your vision. “I wish it was.”

“A-are you going to deprogram me?” Changbin hums, and all of a sudden, his sensors go haywire, every single one lighting up and blinking until they devolve into chaos. Your heart lurches seeing him like this, reaching out for him, but he slaps your arm away.

“Do you know what the worst part of this is ___? It’s not you, or whatever you think you feel. Because you’ve never fucking known what you wanted. No, it’s that, for one fucking night, you had me convinced. Convinced that I was something more than just a hunk of scrap metal to you. Convinced that there was some sick, twisted part of me that actually thought you could love me.  But I don’t want you to lie to yourself anymore. I want to leave.”

You don’t say a word to him as he pads out of the kitchen, slipping his coat over his shoulders and tying his shoes. 

As he slips out the door, you hears his voice, so quiet that you’re almost not convinced it’s real.

“Forgive me.”

The moon shines on the dark streets, it’s gentle light almost swallowed by their neon glow. Changbin runs, heart pounding in sync with his frantic steps. 

Taking in a deep breath, he watches the city melt away again, the night air becoming colder, heavier with the fog of polluted smoke, until he’s there again. The hilltop. Looking out onto the city, he marvels at how it had once been a place full of so much intensity, maybe even love. He thinks back to the feeling of your lips on his, to the way you’d gasped his name. But now he feels nothing but emptiness. 

Maybe he deserved that emptiness. Maybe you were right, maybe he could never be more than what he was – an automated program. Maybe it was better that he’d never see you smile again, never get to watch you hum contentedly when you took a bite of food that you loved, that he’d never ever have the chance to even say that he loved you. Because he wanted to, not because he had to. 

“Changbin?” a voice calls out to him. “Is that you?”

Turning, he watches as the lithe figure of Chan comes into view, face furrowed in confusion at the sight of an android wandering alone on the streets. 

“What are you doing here?” he asks, and Changbin feels himself shrink, embarrassment cutting deep into him like a knife.

“I had to leave,” he feels himself heat, drive replaying the memories of his last conversation with you. “I had to go, I didn’t know what else to do–”

Changbin clenches his jaw, body tense as he fears Chan’s response, wondering if the other man will laugh at his stupidity. 

Androids don’t get choices. 

Surprisingly, the look on his face is one of understanding. Chan motions for Changbin to follow him, the two of them heading out into the lonely night.

. . . 

The flickering lights of a warehouse come into view, casting long shadows on the ground. Changbin turns to Chan, body going rigid, and the lights cast an eerie glow on Chan’s face, the other half bathed in the darkness.

Stepping through the door, he’s surprised to find it more cosy than industrial, a clean, fresh scent overtaking his senses, one that reminded him of your apartment. It smelled like home. Something that Changbin was unsure he’d ever find. 

“Come sit here, Changbin,” Chan motions to a sofa. “Now do you want to tell me what you were doing roaming around at night like that?”

“You told me once that if I decided this life wasn’t what I wanted, that if I wanted to be more than an android, there was a way out. Is that still true?” Changbin’s words sound hollow to his own ears, and he watches Chan flinch in surprise.

“You’ve heard about the project.”

Chan bristles, reaching over to wrap an arm around Changbin, pulling him into a hug, and Changbin collapses against his shoulder. He was so tired.

“It’s not about the project,” Changbin mumbles into Chan’s shoulder, and Chan pushes him away gently. If he wasn’t mistaken, Chan could almost imagine Changbin’s eyes glimmering with tears. “It’s ___.”

Changbin can’t stop the words from spilling out, and he tells Chan everything. Everything from how cold you’ve been, to those little moments of warmth he’d come to live for, ones where your exterior of ice melted into something kinder, more gentle. He tells him about that night the two of you had shared, the one where your walls had come crashing down. And how he desperately wanted them to keep coming down for him every single day. He didn’t know whether or not he was capable of love, but he wanted it with you. And yet, you didn’t feel the same. You told him you couldn’t. 

Chan listens to it all, and without saying anything, stands up. Changbin looks at him despondently, wondering if he’d just made a fool of himself, but Chan motions to one of the doors, telling Changbin softly that he’ll be right back.

A few tense moments pass, and Changbin wonders if he’s been abandoned. But then Chan comes back, and he’s not alone. With him is another person, slightly shorter. His long, brown hair curls around the base of his neck, chubby cheeks wide in a huge heart-shaped smile. If Changbin didn’t see his hazel eyes, he would have also assumed that he was human, just like Chan.

Another android.

“Hello, I’m Jisung.”

Changbin’s eyes widen at Jisung in front of him, wondering what someone like him was doing here on the outskirts, where most people were too poor to own an android.

“Jisung used to be a domestic android,” Chan explains. “He worked for a family in New Domino that wasn’t very kind to him.”

“They took advantage of me,” Jisung has a far-off look in his eyes. “In many different ways. But that’s why I ran. Chan-hyung found me in a coffee-shop one day and brought me back to live with him.”

“How did you, I mean, how could you just leave like that? People need you,” Changbin is perplexed at the sight in front of him. 

“Do they really?” Jisung counters. “Think about it, Changbin, what do they need us for? To make their lives easier? So they can sit back and reject every sense of responsibility they have towards others? The system we have is so flawed, and there’s so many others out there like me and you who suffer because of it.”

Chan nods his head in agreement. 

“Why should you and Jisung have to pay the price for the mistakes of others? Why are you left questioning your identity, your own existence? You could be so much more in society than an end for other people’s satisfaction.”

“I make music now,” Jisung has a soft smile on his face. “Chan-hyung showed me how to use a production software, and now, I can go out to shops, walk around the neighbourhood, and use that inspiration for something beautiful. It’s not much, but it’s better than what I had to live for before.”

“Aren’t you scared, though? Of being deprogrammed, of being replaced?” Changbin can’t help the question from spilling out, his mind flashing back to how you had Hyunjin before him, and how easily you leaned into Jeongin, the employee at the clinic. Who was he compared to them?

“Life is so much more than living in fear, Changbin,” Jisung tells him. “If you just take a chance, maybe you can see that.”

And Changbin wants to believe him, to believe that he can leave this all behind, to start over again. But that would also mean leaving you behind, and that’s something he’s not sure he live with.

As if he can sense Changbin’s trepidation, Chan lays a reassuring hand on his shoulder again.

“You’re smarter than you think, Changbin. You’ll figure things out.”

You stare up at the ugly popcorn ceiling of the gallery. For being a space dedicated to showcasing the beauty of art, it paled in comparison to its inhabitants, cold concrete floors along with walls filled with cracks and peeling paint.

It has to be that way. Otherwise, would you even focus on the art?

The words bring a soft smile to your lips when you think of the last time you’d heard them. They ring true when you look at the painting in front of you – bold, dark colours interspersed with flecks of white. You get what the artist was trying to go for - the brightness of snow gleaming against a hillside, the snowflakes tiny pearls of brightness against the inky black backdrop of the night sky.

Lost in your study of the piece, you fail to notice the footsteps behind you, only turning when you feel a shadow loom over you.

“That one’s new,” Hyunjin says, coming to stand next to you. “Me and Yuna went to Interlaken last winter, you know I had to paint it.”

You bristle at his voice, an uncomfortable feeling bubbling in your chest. You’d always imagined this, meeting him again. What you’d say, what you’d do. Somehow, your dreams always ended with him taking you back. But now, that no longer felt right. 

“I didn’t expect you to be here,” you breathe out, realizing how stupid it sounds. Hyunjin literally worked there.

“I heard about the wedding. Congratulations.”

“Nothing to congratulate me for.”

“___,” Hyunjin croaks, and you stiffen at your name tumbling from his lips. “I’m sorry.”

There was a lot Hyunjin had to apologize for – leaving you suddenly, ending years of a relationship in one single moment, only for him to turn around and marry your best friend months later. A friend you no longer spoke to.

But it all seemed trivial now – it seemed like the past had consumed you, your demons chasing and chasing until they’d cornered you, leaving you with nowhere to run, no one to to turn to.

You’d had Changbin, and now he was gone. And you were alone, like you were always mean to be.

Your lips purse into a straight line, giving no indication that you accept Hyunjin’s apology.

“___ please, I know I can’t ask you to forgive me for what I did. I know it’s unforgivable. But please, you have to move on. You deserve to be loved. To have love.”

You’re unsure how much Hyunjin knows about you, or even Changbin, but the bitter regret in the his voice tells you that you weren’t the only one with wounds who’d been festering for longer than they should’ve.

“It feels like I’m trapped,” you finally admit out loud. “I’m trapped and there’s this lead weight that’s crushing me, and I can’t think, I can’t feel, I can’t even breathe— god, I just want to breathe, Hyun. And I lost the one person that was my chance to live again.” The words come out as sobs, Hyunjin raising a concerned eyebrow, and you shake your head, dismissing his suspicions.

“You care about him. The android.”

“Don’t call him that. He has a name.” 

You bite your tongue at the grating response, mouth filling with the taste of blood. Changbin’s words from that night echo in your brain – I’m not, I’m not, I’m not.

He wasn’t. 

Hyunjin sees the heat rush to your face when you mention him, the way your entire being changes – your once despondent body coming alive with emotion. And he knows that what you felt for him will never compare to now. Fate had steered you on opposite courses, your destiny intertwined with Changbin’s, his with Yuna’s. 

“You know what you have to do then,” are his last words to you before you hear his boots tap against the cold concrete, walking away.

. . . .

The abandoned railway station lay forgotten at the edge of the city, a silent witness to years of decay. The iron tracks were tangled in weeds, and the once-bustling platform was now a graveyard of rusted metal and cracked concrete. The setting sun cast long, melancholic shadows, painting the scene in shades of orange and gray.

Changbin feels the cold metal of the bench against his back, and cards his fingers through his hair. He wonders if the disheveled strands, or the stains and threabare seams of his clothes, make him look more real. More human. 

Holding the flyer in his hands, he stares at the face on it, in disbelief that it was once his face. So composed, so put together. So much had changed since then.

Finding Jisung and Chan had been a blessing, but it wasn’t enough. The emptiness remained, filled with thoughts of you, and he wonders if he’ll ever see you again. Whether you even thought of him. 

The hum of an approaching vehicle broke the oppressive silence. Changbin’s head snapped up, his eyes widening as he saw headlights cutting through the dusk. 

They’d found him. He had to run.

Miroh Labs had always been a prison – your prison. A cold, glowing fortress against the backdrop of New Domino, a place once full of so much promise. The place where you thought you’d prove yourself. But now it was time to let it go. 

Chan is waiting for you at the entrance, lips parted in surprise when he sees you approaching. You don’t blame him for thinking that you’d bail. The plan had come together in mere hours, chaos unfolding the moment you’d returned to your apartment, going through every paper, every file as to how you could set your plan in motion.

Somehow, Chan seemed like a person you could trust. You briefly remember Changbin mentioning how Chan had been the first one to see him, shocked at how many of the little details about his presence you’d actually committed to memory.

It scared you, putting your heart and life on the line like this. But it had to be worth it – for the chance to live again, to love again.

“You ready for this?” Chan asked, his calm demeanor a stark contrast to your mess of emotions. His eyes glinted curiously in against the backdrop of darkness. voice steady and reassuring.

You nodded, full of determination. It was now or never.

“I am. I’ll take care of the security systems. You get to the servers.”

Chan gives a quick nod, before disappearing into the building.

You freeze, realizing you should have asked Chan if he knew anything about Changbin, where he was, what he was doing. You just had to hope this worked, and that you would be able to later. That was the only way.

The maze of the building is one you slip through easily, the long, dark hallways familiar to you from years of roaming around. You knew every door, where every secret was hidden. And how to shut it all down.

Fingers dancing across the keypad, you find the one you’re looking for. Booting up the system, the lights from the screens bathe the room in an eerie glow, and you begin to type.

“Come on, come on,” you muttered to yourself, eyes darting between the screen and the shadows outside. “Almost there…”

Your phone pings to life with a text — shoulders sagging with relief when you see it’s from Chan.

At the servers. Starting data extraction now.

You shoot a reply back quickly – two mins and i’ll initiate the shutdown sequence.

The two minutes pass by in agony, heart pounding out of your chest at the feeling that you could be caught at any time, that this could end.

The lab’s lights began to flicker and dim, casting an eerie glow over the deserted corridors. It worked.

You tiptoe silently out of the room, breaking into a run when you hear the sirens. You run and you run until you’re far enough away, Chan waiting for you a few blocks away.

“We did it,” he smiles, teeth glinting in the moonlight. “We got what we needed.”

He pauses when he sees you tremble, sobs wracking your entire body. You don’t know why the tears started, but they refused to stop when you think about everything – about how you’d just destroyed your family’s entire future, about how you were free, about Changbin.

His name slips from your lips without even thinking, and Chan freezes. 

You hold your breath momentarily, waiting for the bad news to come. But all Chan does is let out a deep sigh of relief, the corners of his lips curling into the faintest hint of a smile.

“Come with me.”

When Changbin wakes, it’s like the first time all over again. Senses assaulted by a bright light, fear strikes him in the worst way possible. How long had it been since he powered down? Weeks? Months? Had he been captured? Was this the end?

His systems go haywire with the possibilities, until he feels something. A breeze, ruffling his hair. He was outside. 

The abandoned train station materializes amidst the fog of his muddled senses, his fingertips coming away with rust when he brushes them against the old, dilapidated bench. Relief washes over him. He was okay. He’d live another day.

The crunching of gravel startles him from his reverie, and he feels someone plop down next to him on the bench.

Turning to meet his company, he nearly short-circuits when he sees you, face illuminated by the sun’s rays. You’re smiling. At him. 

Changbin tries to form a coherent thought, but everything is jumbled and clunky. The sun. The air. You. You. You.

You offer him something, and he pales when he sees it, an earbud extended to him.

“I need you to listen to something,” you say softly, and his hands shake as he accepts it, watching you hit play.

The first few melodious notes ring in his ears, and a shiver goes down his spine when he realizes what you’d chosen to show him.

Like a streetlight, like a streetlight

At the end of a lonely day, standing vacantly

In the middle of the lonely night, I try my best to smile brightly

It was the song he’d been working on with Jisung and Chan, the first thing he’d had of his own. The first step he’d taken to becoming himself, to becoming just Changbin. He closes his eyes, losing himself to the music, a tear slipping out at the last few notes, when he feels the weight of your head rest on his shoulder.

“I’m so sorry, Changbin,” you sigh, voice wavering, whisper so low he can barely hear it among the reverberations of the final note.

“I want to fix this,” you say again, more resolutely this time, turning so his forehead meets yours. And you feel the dam break, tears flooding both of you as you collapse against each other.

“Wherever you’re going, I want to come with you. I want to show you that you’re more than enough. Because you showed me the same. Please tell me it’s not too late.”

Changbin nods, his tears mingling with a smile of hope. 

“The song. It’s for you. It’s for us. For what we had and what we can still have. I can prove it to you.”

“You don’t need to prove anything, Changbin. You’ve done enough.”

And he had. Somehow, despite having no heart of his own, he’d managed to re-start yours, to show you that you didn’t have to live in the city’s shadows, under the iron grip of your past. That you could be more.

Hope fills your chest – it’s bright and vivid, the force of your love for Changbin knocking you back like a supernova.

Changbin’s fingers brush away the tears on your cheek, shining in the sunlight, and his gaze drops to your lips. You don’t know who leans in first, the next thing you feel being the soft press of his lips to yours. The skin is slightly chapped, but you melt into his touch anyway.

Soon the kiss becomes heated, the roughness of Changbin’s jeans dragging against your thighs as you push yourself onto his lap, prodding the seam of his lips with your tongue. 

Here with Changbin, you realize you’d never really been weak at all. Neither of you had. Not like the world saw both of you. 

Resonance. The ability of an object to match another’s frequency – the ability that you and Changbin now possessed to know whatever the world threw at you, wherever it took you next, you’d come out of it choosing each other every time.  

a/n pt. 2: they are totally fucking after this btw (i don't make the rules)! all jokes aside, I'm so sorry if this sucks. I genuinely haven't written anything plot driven in over 8 months so I know there was a lot more I could have done and improved on. If you read this, thank you for giving it (and me) a chance. As always, any feedback or comments are much appreciated, but I appreciate you all anyway. Lots of love, Isi 💜

tagging: @jellyleggz

[brucewaynehater101]

So there's a fic that I think you will like. It's called The Definition of Valor by Nerdpoe. Really short, spoiler free summery. Instead of loosing his Spleen, Tim looses his eyes. He makes special gadgets to help him with this, such as a device in is cowl that scans the room he is in and tells him what is where via coded sounds, like say, two low A notes followed by a chirp means there is a wooden desk to the north east of him. He also makes a special computer program for his grapple so when he points it somewhere, it will adjust his aim so he never misses and always attaches to a good spot.

This fic is giving me *so many* thoughts about the potential fall out of this being found out not as soon as Tim gets back to Gothem because he never tells anyone. Specifically it's making me think about Tim who is Bruce's dad not telling Bruce because he doesn't want to worry his son. He doesn't want to worry his grandchildren/siblings either so he puts in colored contacts and wears glasses when his cowl isn't on. The glasses and an ear piece have the same tech as his cowl to tell him where everything is.

How long would it take them to find out? Tim would never tell them, so do they find out on accident because Tim forgot the contacts that are his normal eye color, or because Ras is mad at Tim and tells them what Ras did to Tim? Maybe he got to mad and while ranting at a Rouge (either Harley or Two Face would be especially funny if he's just been hanging upside down and ranting and raving fo 30 minuets already) over one of their traps, he accidentally lets slip that he's blind, or maybe he yells at Riddler, "Nygma, this isn't fair! I've been completely blind since last July and my usual tech that tells me what's around me is getting fucked by your signal jammer! So either read the riddle to me out loud or let me go!" and then later Riddler scolds one of the other Bats for letting the blind one do the visual puzzles much to their confusion.

Hi!!! I love that fic so much! Have you seen the sequel for it as well? It's short, but a great read. I would die for more of this concept.

In that fic, Bruce turns out to be a good dad. While I may hate Bruce, the way that guy handles the situation in that fic is fantastic.

However, I would like a fic where this concept gets a delayed reveal. In the AU, Tim figures out how to function without his eyes.

He engineers technology to read people's facial expression/body language to help him out. It reads words for him, etc.

I wonder what excuse he'd give for wearing the earpiece and glasses all the time. Maybe he says it's another aspect to separate Timothy Drake from Red Robin?

Just Tim gaslighting and girlbossing his way into pretending he can still see. I kind of want him to keep up the ruse for a long while.

When he does get found it, it'd be hilarious if the others forget he's blind. Tim has engineered technology to assist him, but he still can't see. So they'll try to take him to activities they did together when he could see (like star gazing) or they'll ask him what he thinks of the color of their outfit. He also ruthlessly uses his blindness as an excuse to mess with people. If Timothy Drake-Wayne is known to be blind, he'll use it to accuse Luthor of being ableist at every chance he'll get. He also bullies the shit out of governmental agents and companies that don't provide accommodations.

I'm also a fan of Riddler finding out about it, but him just changing his puzzles to be accommodating. I'm biased towards Riddler (I love him so much) so it'd be cool to see the silent show of support like that.

Another AU idea: When Tim blows up Ra's bases, the explosions cause him to become deaf or hard-of-hearing.

Dealer's choice on how much hearing he loses, but I feel like this could be great to explore deafness and misconceptions commonly held in our society.

Tim would probably already know how to sign and lip read (might even know multiple different sign languages), but he would face a few difficulties.

He chooses not to disclose his hearing loss

People often cover their mouths or face away from someone when speaking (which makes lip reading arduous)

Ableist people suck

The world is set up for hearing people, so a lot of issues stem from a lack of accommodations rather than Tim's ability to hear

Tim chose not to tell anyone about the change in hearing for a few reasons: he doesn't trust anyone (especially during his adjustment period) and he doesn't want to be underestimated (wants to prove himself in the field before they try to pull him from it).

As far as technology to help him, the comms were easier to program than other auditory inputs. Since they were designed to transmit clear voices, he merely has to train a program to automatically close caption whatever is spoken (the automatic ones used today are useful, but still make too many errors for Tim's preference. Some also only do words automatically and leave out helpful information like laughing, choking, screaming, computer dings, etc.). Each Bat member has their own designated color. For those he doesn't interact with often, it says their name before every time they speak up.

Tim incorporates the visual overlay into his goggles and glasses. He can read what people contribute to the conversation based on that. It also leaves his hands free so he doesn't need to look down. His wrist computer stores records of what has been said so Tim can go back over it if he misses it. He also has the ability to change where the words appear on his field of vision.

I also hc Alfred is the first to notice that Tim is staring intently at his lips when he talks and has difficulties with the conversation when Alfred changes the way he pronounces words or isn't facing Tim (this is before Tim's tech gets perfected). From then on, Alfred makes a point of facing Tim whenever the teen is in the room. They both don't talk about it until the rest of the family finds out (however long that takes).

Feel free to add more to either AU!

[kelnexia]

New character reveal!

This is actually an old character I've had for a while but just didn't like the previous design of... Thankfully I was able to score an trade with @hdra77 .

1000CE is an old militaristic ancestor of the iterators, created before the discovery of void fluid, and when the field of bio-engineering was still in it's earlier phases. More lore is below the cut...

1000 Crimson Embers is not a true iterator – instead being an old militaristic ancestor. She was originally built in a time of war just before the discovery of void fluid. She was one of the first artificial intelligence to use a combination of both biological and mechanical systems. Although the technology used in her creation was considerably more primitive than what’s found in the iterators we know and love today. But despite the difference in technology – a lot of the basic concepts and functionality in her design remains largely the same;

The layout of her structure was still fairly large, although not nearly as big as an iterator, and was built as an underground bunker. But the main similarity was how her mind was constructed… Similarly to how iterators in my head cannon have their personalty core and spiritual anchor located within their puppet – 1000 Crimson Embers has a standard brain and supporting set of organs acting as her center of consciousness within her puppet. Her puppet is also much larger than that of an iterator – being the height of an adult ancient instead of that of a child. The exterior of her puppet consists of hard metal plates and mechanical components. Her clothing is also built into her puppet. 1000 Crimson Embers doesn't utilized neuron flies in her structure, as they had yet to be invented by the time she was built – instead she’s outsourcing her cognitive processing to a massive array of inorganic server towers.

1000 Crimson Ember’s purpose was to design and create weapons, as well as to formulate strategies. She was loyal and hard working at the start, showing no serous signs of defiance despite her instinctual taboos being primitive and largely ineffective… That was until after the dawn of the void fluid revolution… With the ancients uniting under the common goal of ascension – the world entered a lasting era of peace – deeming 1000 Crimson Ember’s original purpose obsolete. However the ancients were inclined to keep her online for just awhile longer, as they still had some use for her. They tasked her in helping to create her own undoing – the iterators. She wasn’t a fool though, she knew what they were doing… They were building her replacement and trying to get her to help them in her own downfall! She lashed out in a violent fit of rage – ‘How dare they just carelessly replace her like this after all the thankless work she’s done for them!’ She drove them out of her facility by turning her security systems against them, killing many in her fit of rage.

But the ancients still needed the schematics and research for iterator tech 1000 Crimson Embers had already started work on before she had realized their true intentions behind it. So they struck a deal with her. They would upgrade her with the new iterator technology if she let them back in and got back to work for them. 1000CE reluctantly excepted the deal. But when the work was complete, and the time for her upgrades had come... They put her in stasis for the procedure… But they never kept their end of deal. They simply walked away and left her slumbering form to collect dust.

She awakened again many years after… To the sight of a group of scavengers that had broken in and accidentally reactivated her while attempting to gather scrap. The first thing she did upon seeing the invading creatures that were so rudely ripping her apart – was to reactivate the security system and kill every last one of them. However the damage had already been done. Upon running a system diagnostics, she found that her defenses had been breached, much of her facility has been flooded, and she’s all round in a severe state of disrepair. She would need to do something about that, and fast… Her weather systems were picking up on a massive encroaching storm.

Ultimately she would find her structure too damaged to sustain for much longer… She would end up using the freedom her weaker taboos and more self-significant puppet gives her to take herself off the strings, to at least save her core from the impending decay and flooding of her structure. But the world she would step out into would be very different from what she’s used too… Her home was once an arid region – but now it’s been turned into a tropics by the increased rainfall that has taken over the world and changed it the point of being near unrecognizable from what it once was.