#and i like my friends idk whats happening

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[maneskinwh0re]

“one more word.” ~ butch!wolverine x ladypool!reader this is just a wlw honda odyssey scene bc i need butch wolverine to be real. i also aimed to write them in character! give feedback babes plsssss

cw: outdated cultural references, fourth wall breaking, nsfw, blood, f!ngering, strap!sex, idk just lotta gay shit xx

wc: 4.3k...👁️👁️

"get. in the fucking. car."

"it'll get you there safe and sound!" nicepool reassures with a loving pat to the top of the grey honda odyssey. "lil betsy always does." his eyes then fall to dogpool, who is held tightly in your arms. "you're gonna have to give me my dog back, though..."

"i know," you reply matter-of-factly. "listen-" you start before mary puppins places a paw on your hand. "yes, child... if you ever want to give her up or if she needs a new home, or if something should happen to you, i'd love to be her mama."

nicepool only wheezes at your remark. "what would ever happen to me?"

"lots of stuff," you reply with a shrug, smiling innocently under your red mask.

as soon as he realizes your seriousness, his smile fades and looks to the older woman standing to his right in an ask for help. the wolverine lets out a huff as she pushes herself off the honda and moves to grab the dog from your grasp.

"n-no! we're running away- agh- the corn was too dense, girl!" you say in apologies to mary puppins and watch sadly as laura hands the you-variant over to the other, nicer-you-variant.

you begrudgingly get in the passenger seat of the shitty car, waving goodbye to dogpool. the obnoxious sound of you singing "we'll meet again" is muffled by the car windows as laura drives you both away.

time passes. maybe 15 minutes, maybe an hour. doesn't matter, reader— don't worry about it. you haven’t been paying attention to the time because you’ve been sneaking quick gazes at the wolverine in the driver’s seat to your left. the way her brown hair curls up on either sides of her head looks so cute. yet the way her large, gloved hands grip the steering wheel causes your mind to wander other places. all you know now is there’s been a lingering thought poking at your brain since you picked this wolverine up from that bar in her universe.

"okay i'm just gonna ask. what's with the suit? first thing i did when i flamed out: i took mine off."

"drop it." laura mutters.

"it's not that ugly..."

"stop talkin about my suit."

"did you make it yourself? been there!"

"quit. now." the tension in her voice is rising.

"the x-men make you wear it? those sons of fuckin bitches. they are not your friends, i'll tell ya that. friends don't let friends leave the house looking like they fight crime for the los angeles rams-"

"shut the fuck up about the suit," she snaps.

"woahwoahwoah watch your frown lines, angel baby." you back off, lifting your hands in a motion of surrender. "i'm just trying to bond a little bit-"

"yeah? well then talk about something else."

"fine!"

there's an uncomfortable silence between you two, only for a moment before you play around, making spiderman web motions with your gloved hands. you just can’t help but annoy the woman next to you, it’s too much fun. it’s like your duty as passenger princess.

"stop it," she snaps again soon enough.

"why? don't wanna get distracted seeing my fingers in this motion?" you tease, moving your middle and ring finger back and forth. laura only scoffs at the sexual innuendo. "ahh, the natural hand position of the sapphics." you turn to look out the car window and make eye contact with the reader. "is that why so many masc lesbians are obsessed with spiderman? i guess only earth-616 knows the correlation..."

and wait- if i'm supposedly you, the reader, but as ladypool-- then how am i breaking the fourth wall? gasp! a fourth wall break inside a fourth wall break... that's like- sixteen walls... am i talking to myself? or talking to myself? whatever. anyway i know why you're here, you slut. let's make conversation by pushing wolvie's buttons some more, yeah?

"if they could fix your world, what's the first thing you're gonna do when you get outta here? some rubbing alcohol shots? maybe a wiper fluid chaser?"

laura's gaze slowly turns to you. "what did you say?"

"i said when you get back, what's the first thing you're gonna do-"

"no no, before that."

"if-" you catch yourself. shit. "-they can fix your world?"

with an aggressive slam on the break, your seatbelt doesn't even have time to prevent your head from colliding with the dashboard. and as the car stops, you know there's nothing that can save you from the rage behind wolverine's tone.

"what do you mean if?" she asks through gritted teeth, body fully turned to face you.

"i mean-"

"you lied to me. you don't have a fucking clue if they could help me fix things. do you?"

"no, but i mean-" you start to defend yourself before three metal claws impale your thigh, and probably extend under you all the way through to your seat. "agh- fuck! fuck! i didn't lie!"

"you lied!"

"no! i made an educated wish!"

laura only tilts her head at your defense, eyebrows furrowing.

"because i need you," you continue as you unfold the photo that was in your pocket and hold it up for her to see. "this is why. right here. cause if we don't do something, they die. i don't know anything about saving worlds, and why would i even care? cause my entire world is right here in this picture. it's only nine people, and i have no idea how to save it alone. i know how to fuck people up for money but you- YOU know how to save them... at least the other wolverine did-" at that last comment, laura twists her claws in your thigh, striking enough pain for more curses to escape your mouth. "f-fuck! ah- i guess i'm stuck with the worst one-"

"did you just say you made an educated... fucking wish?"

"they call me the merc with the mouth. they don't call me truthful timmy the blowjob queen of sass catoo-"

the three metal blades are quickly removed from your thigh only to be brought up next to your face. laura's shaky breath exercises seem to be the only thing keeping her from slicing you apart.

"one more word... please, give me one." her guttural voice is a low warning. you wait a moment as if thinking to a random word generator in your brain.

"~gubernatorial~" you say simply before cowaring behind flailing arms when laura prepares to stab you in the face, only fake you out. her breaths are deeper, more steady as if she's trying to calm herself.

"you know what? you're a fucking joke... no wonder the avengers didn't take you, or the x-men or fuckin anyone. i mean you are a ridiculous, immature, half-wit moron. i have never met a sadder, more attention-starved, jabbering, little prick in my entire life. and that says a lot 'cause i've been alive for over two hundred fucking years." the volume in her voice begins to rise with each word, striking your emotions further and further as you sit there speechless, yet her anger keeps rising. "and i'll tell ya- that villain chick was right about one thing: you will NEVER save the world. you couldn't even save a relationship with a goddamn stripper! and motherfucker i wish i could say you'd die alone, but it's one of GOD'S best jokes that you can't die! except that's all on all of US!"

she hits nerve after nerve. the pain in your chest hurts too fucking bad. you are not only speechless, you never want to speak again. you have millions of words to say yet none at all.

how fucking dare she bring up vanessa like that? who does laura think she is? no fucking hero, that's for goddamn sure.

"you got nothing to say, mouth?" she asks, almost out of breath from yelling accusations.

all you can manage to say is one sentence. and she doesn’t even fucking deserve the warning too. "i'm gonna fight you now."

wolverine only snorts, a pitiful laugh towards your remark. "oh, are you?"

you take note how a quick punch to her nose shuts her right up, and watch in satisfaction how blood trickles out her nostril down to her upper lip. your small victory is cut short by her fist colliding to the same spot on your own nose. she pushes you to the window and grabs the back of your mask, then slams your face down onto the center head unit multiple times. different radio stations flick back and forth as you make contact with the buttons and nozzles, eventually landing on a song from the original 'grease' soundtrack.

♡ last gore x nsfw warning !! :3 ♡

you lift your hand to grab one of your swords but another punch to the cheek causes your vision to cloud. by the time you come to your senses, laura has buckled your seatbelt and is digging her left claw into your stomach, twisting her hand slowly.

“not talkin’ now, are ya?” she growls before withdrawing her claws and moving to stab you again. pulling the lever on the side of your car seat, you fall backwards to quickly dodge her blow. you kick your foot against her shoulder to keep her back, and then tightly wrap your legs around her head. another three blades enter your side in a sudden motion, causing you to release your chokehold.

“agh! you dirty bitch!” you shout before kicking her out the front windshield of the honda. you laugh and point as she rolls and tumbles through the leaves and dirt. as soon as she gets up, you unsheathe your swords while she sprints back to you. she’s a fucking animal—ramming herself into the front of the car, causing the airbag to go off on your stomach and send you flying back into the reclined seat.

laura jumps through the broken windshield and lands claws first on top of your already bloodied body. slash after slash, you both further each others’ injuries until you flip laura over and pin her down to the seat. there is surprise in her eyes with a hint of something else that you can’t quite pinpoint. trying to catch your breath, she only looks up at you with a ratted smile, as if amused to see you attempting to kill her. blood stains her face and fanged teeth, and her short hair is tangled and damp with sweat. fuck—it’s a sight. with your elbow against her chest, you’re still close enough to smell her alcohol-tainted breath.

“need a mint, you preening slut?” you ask before you are flying through the sunroof of the honda and falling to the ground outside the car. after kicking yourself up, your little wolvie gestures for you to come back with a simple hand wave behind the window. who are you to keep her waiting? throwing the swords over your shoulders, you take out your baby knives before running back to the car and jumping through the window.

broken glass and blood is everywhere, but neither of you care. you’re both having too much fun trying to murder the other as you take turns regenerating. it’s a pointless waste of time and energy. a total meaningless circle of fighting and healing.

you pin laura through the broken windshield and onto the front hood of the car, stabbing her shoulder and arms repeatedly with a knife. the sleeves of her suit eventually fall apart, fabric scattering and leaving her muscular arms to your gaze. so clearly you’re distracted. she grabs your wrist behind her and heaves your arm over her head to hold you in her place for a moment to catch her breath.

she then drags you by the belt from across the car and holds you down with her body in the back seat. her claws sink through the red fabric and into your sides. again. and again. the repetitive motions of the sharp metal soon causes a big tear in the fabric of your suit, exposing the skin under your breast. it seems as if neither of you notice at first, continuously fighting until another stretch from her pinning your arms above your head causes a terrible ripping sound. you both stop and look down, unsure on who has the decency to yield the fight first.

wolverine pauses for a moment, hovering over your bare tit before suddenly attacking your nipple with her mouth. there is nothing gentle about it, and you can’t tell if her actions are still a way of fighting with the harsh ways her sharp teeth nip and bite.

you lay there for a moment in shock, chest heaving up and down in short spurts as you try to breathe. your hands drop the knives to the car floor behind you, yet your wrists are still trapped in the wolverine’s grip. before you can think to stop it, a breathy whimper escapes your lips. the sound pricks laura to come to her senses and looks up at you with a flushed expression.

fucking hell. if you weren’t okay with what’s happening, you would’ve said something by now. even laura knows that—considering how fucking chatty you are.

“were ya hungry, peanut? needed a mid-fight snack?” you tease, tilting your head with a raised brow.

“i didn’t say i was finished.” she smirks before lowering her head to your chest again. her tongue circles and flicks at your nipple, treating it oh so lovingly before biting and pulling at it so fucking roughly. you chew on your bottom lip to muffle your own moans—all because you’re too stubborn to let her know how fucking good it feels.

she’s holding herself back, yet you kick her chest and propel her weight backwards onto the head unit, while the momentum pushes you the opposite direction into the third row of seats. as she falls, the grease song playing from the radio is muted, leaving you two to a short-lived silence.

"i was wrong—the honda odyssey fucks hard,” you say, rolling your head back and cracking your neck in the process. looking back to laura, you usher her to you with a teasing two-finger motion. “too bad you don't, needle dick.”

“oh, we’re just getting started, bub,” she replies, eyeing your manspread position before lunging to you again.

calling her an animal is to say the fucking least. but you’re no better. she rips and tears your suit, not giving a single fuck in the world that you may need to keep it in tact for later in the plot line. she pulls the tough fabric apart, exposing your tits to her lingering eyes. it’s like a switch is flipped. all of a sudden she can’t get enough, wanting- needing to see more of you. for a moment, you just let her. your belt is removed followed by your pants all while you just lay back and watch her do the work. soon you’re only in your black underwear, smirking under your red and black mask at how fucking needy she looks. her callused hands grip your waist, easily pulling you up to her as her mouth finds your other nipple.

“you’re not you when your hungry. and clearly, you always seem incredibly hungry, wolvie.”

“shuh du phvck uh.” is what you make of her boob-drunk gibberish and assume she’s simply cussing you out.

“huh? couldn’t quite catch that. y’ know you really shouldn’t talk with your mouth full-”

a large, gloved hand muffles your masked mouth before her lips release your tit with a pop.

“off,” she says. you furrow your eyebrows in confusion and she must be able to tell by your silence, causing her to elaborate quickly while her free hand lingers on the black lace of your underwear. “i don’t want a damn word out of your filthy mouth until you’ve taken these off. if you want me to fuck you, you’re gonna have to let me.”

fucking hell. panties are soaking wet right now.

you slowly nod your head in her restrictive grip, and lift your hips to remove the damp fabric from your body. damp from blood or sweat or something else… who fucking knows and who fucking cares. you toss them to the side and immediately pull laura closer to you. her harsh kisses mark your neck and collarbone before she wets her middle finger with her tongue and starts to rub quick circles on your clit. you almost push her away, her starting speed too overstimulating at first, but you soon get used to it, bucking your hips in a physical ask to move faster.

“keep still, sweetheart. that’s it,” fuck even her praise is still low and demanding somehow. you wrap your hands around her hairy forearm, hissing curses as you feel yourself grow closer and closer to the edge.

“fuck- you know, i bet you’re a pretty good dj in some other univers- oh my god!” your silly quip is cut short by her pushing one finger into you. then another. and before you know it, you’re a blubbering mess as you soak her hand as well as the car seat beneath you. her mouth is against your masked ear, shushing your witticism. white rings of cum coat up to her knuckles while her thumb resumes a quick pace on your clit.

banter is over as quiet whimpers replace your usual chatterbox routine. her large fingers feel so much better than your own, and then that’s where she leaves you—fingers curling inside your cunt causing your brain to see stars. your orgasm hits you hard, but not as hard as she does—a rough slap to your face intensifies every sensation, leaving you pained like putty in her grasp as you come down from your high. “don’t got much to say now, huh?”

your eyes focus on her hair and how it twirls up on both sides—the classic hairstyle for any and all wolverine’s across the multiverse. “why do~you style~your hair like that?” your voice slurs with dizzy haze, and laura only looks down at your drunken state quizzically. “were ya going f’ wolf? ‘cause it makes ya look more like a cat. like my little meow meow~”

a growl creeps from the back of her throat before three claws find a home—digging into the flesh on your shoulder.

“shit! you angry ‘bout it, mama?” you ask teasingly before watching her slowly remove her belt. “no- not the belt! i won’t be a naughty girl, i swear!”

“don’t be dramatic,” she scoffs as she tosses the belt aside and straddles you again.

“that’s kinda my job. hashtag drama queen. hashtag full-time. ‘round the clock. just like how your full time job is hiding a fully comic accurate superhero suit under your clothes for when its use comes once every twenty fucking years.”

that switched something in her. she yanks your mask off your head and glares down into your eyes. then a smirk sneaks its way onto her lips. fuck. what does she know that you don’t?

“you think this suit is the only thing i keep under my clothes?” your jaw tenses when laura unzips her pants and allows her strap to spring out to your view. it has to be at least eight to nine inches, the color matches her skin tone and the base of it connects to the black harness buckled around her boxers.

“marvel jesus h. christ! where did you even get that thing? the prop table from the set of alien?!"

you half-expect an answer, but she only lifts your mask and forces a mouthful of the red fabric down your throat, leaving your fear-factored size question hanging in the air. “there… silence is nice. isn’t it?” you’ve lost your voice, but you don’t protest. your frustrated whimpers are muffled and shaky breaths escape through your nose as laura traces her dick up and down your wetted lips. “just relax, beautiful,” she whispers as she slips the tip into you. the tone of her voice is teasing, clearly loving how much power she so easily has over you. pushing in deeper, her pace stays agonizingly slow, as if she’s having to think about controlling every thrust. your eyes follow the grinding movements of her hips and your legs instinctively wrap around her waist. as laura starts to speed up, your backside rubs against the car seat. trying to find a sense of stability, your hands scatter up the butch’s clothed torso and eventually grip her broad shoulders. you can’t help but buck your hips again, no longer ashamed of how fucking needy you look doing so. one of her hands claw at the shoulder of the seat behind you while the other has a strong hold on your hip, guiding your body with hers. guiding soon turns to holding and holding soon turns to pinning. not only is she now chasing her high, but she will do whatever she needs to get to it.

“agh~ fuck. is this what you wanted? to be wrapped around me like this? you’re so pathetic, it’s adorable.”

when all you can do is moan in reply, laura knows she’s fucked you stupid, but still long ways away from being done with you. she suddenly stops altogether and pulls out of you, chuckling quietly when you groan due to your pleasure being delayed. she turns you over and props you up on your knees, then holds you down by the back of the neck with one hand and finds a firm grip on your ass with the other. her relentless thrusts continue, causing a repetitive sound of her hips slamming into the backs of your thighs. every time she pulls back, you follow her dick—leaning to her to chase that friction.

she hits nerve after nerve. the pain hurts too fucking good. your words are still muffled against your ladypool mask, the fabric now damp with saliva and drool. maybe tears as well.

“speak up, princess. ‘s hard to hear you,” laura instructs as she removes the piece from your mouth.

“i… i’m… gonna-” you start before trailing off, finding it hard to focus on words as laura speeds up her pace.

“what, pretty thing? y’ gonna cum?”

“tha-that’s what she said!” of course. of-fucking-course those are the words you can get to leave your stuttering mouth.

“god—do you ever shut the fuck up?” laura groans before tossing your mask to the side and holding your hips steady. when she notices your silence, she leans forward, a hand massaging your tit and her teeth taking a harsh bite at your earlobe. “or maybe you just need to be fucked speechless, don’t you?”

yes. a million times yes.

quiet whimpers leave your lips, the smell of cigars and alcohol mixed with the stench of blood and sex is almost overwhelming. laura slows her pace again, taking her sweet time watching, playing, torturing you for pleasure. that sadistic fuck.

“i do love these cute little noises you’re making, yeh? tell me how good it feels. i know it feels good but i wanna hear you say it—come on. spit it out,” she says into your ear. her lips have gone dry from breathing heavily and sweat trickles down her forehead and nose. the torn fabric of her yellow and navy blue suit rug-burns against your skin from all the excessive movement, but you don’t care. laura pulls your arms behind your back before yanking a seat belt out of its buckles to wrap tightly around your wrists. the rough material hurts, but it’s a good-hurt. when you only let out a porn-styled moan (half-exaggerating to poke fun at her), the wolverine behind you reaches under your neck and grabs your jaw. “you’ not gonna use that mouth?”

“fuck- okay! yes, it feels good. you feel so fucking good. just- please, let me- let me cum!”

and your begs get so easily rewarded. laura must have a soft spot for you because her thrusts speed up again, and this time hit hard with no intention of stopping.

what has little wolvie turned you into, hm? you, ladypool, a beggar? breaking out of character many would argue, but maybe that’s her goal: finding what breaks you.

“not yet. shit- wait ‘til i say.”

the hilt of her strap hits her clit just right as she continues to drive herself into your pretty cunt. as minutes pass and breaths quicken, her metal claws unsheathe and dig themselves into the seat beneath you two. she’s close.

with clamped hands still tied behind your back, you sense that knot in your stomach growing. guttural sounds from the back of the throat slip from laura’s lips, filling your ears as she hits your g-spot again and again, pushing you so quickly towards your release for the second time.

“right there! plea- please, please! i’m… gonna-”

“go on, sweetheart. fucking cum~”

at her words, her command—you feel yourself tighten around her. and your moans must’ve been what did it for her because immediately after—husky groans are heard from behind your bare, trembling body. the heavy weight of a wolverine falls against you, breathing hard onto your skin as her sweat-coated face buries itself into the nape of your neck. a trail of little bite marks, enhanced by her small fangs, are left scattered across your shoulders and upper back.

her middle finger finds your clit again to draw little circles, bringing out pitiful whimpers and post-sex muscle spasms from your worn out body.

“ca- canada…”

your contorted face and senselessness brings her to hum—which is her version of a laugh in this dizzy state. she broke you. and it didn’t take very much, did it?

she turns your chin to look up at her, her face reflecting that drunken haze with the ghost of a smile across her lips. her focus falls to your parted mouth for a moment before finally connecting her lips with yours. the kiss is softer than you expect, as if her hunger’s satisfied, yet the warm taste of cigars and alcohol linger.

“y’ did good, sweetheart.”

just good? must she always be so condescending?

♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡

spent way too long on this lol comment/repost if you like it, loves !!

this is so gonna flop but idc i wrote it for me and bookie 👩‍❤️‍💋‍👩

taglist: @pr1ncessjo <3

[hatsukeii]

think fast / childhood bsf!tsukshima kei x reader

genre(s): childhood best friends x soulmates???? past lives and normal people by sally rooney coded im a sally rooney MEATRIDER!! angsty, gut-wrenching longing, bittersweet / hopeful ending so it's not all bad!! nostalgia is going to carry this fic so hard it's going to be a fun, fun time...

warning(s): eventual smut!! all characters are aged up to 21!!MDNI (at least up until the observatory)!! wrap it before you tap it!! (sorry kids), female leaning anatomy because smut but pronouns are gn all throughout and honestly you could read it as gn anyways:)) dead dad warning (my dad is NOT dead this was just convenient to kick off the thing), i fw the timeline of the world??? pretend flip phones were still in use in like 2012 or something idk

wc: ~6.3k

tldr; time has a way of reminding Kei of its presence, and its escape. you are the reminder it has been sending to him for six years.

Fate: A power believed to cause and control all events, so that one cannot change or determine the way things will happen. 

It is a sunny afternoon when you step foot into Sendai, Miyagi. A beautiful day of golden warmth beaming onto petals of pink, red, and white, wrapped in coffee-stained newspapers and tied together with a spool of twine. The bouquet lies on browning grass, a contemptible reminder of the time that has passed since your last appearance here, six years ago, and you crouch down to the ground. Now face to face with the engraving of a full name on a slab of polished granite, you hesitate. Your father lived in a language that you can no longer speak, died in a country you no longer call your home. When you whisper blessings and apologies at the gravestone in broken Japanese and slurred syllables, you sound like a stranger. A stranger who sits in a graveyard at noon, with nothing but a bouquet from the nearby florist in hand, and a promise, stuttered out in half-decent Japanese, to return again the next year. 

When a second bouquet falls to the ground behind you, and you turn around, Tsukishima Kei thinks this is what English speakers like you would call fate. He’s a little taller now, and bulkier too, and you have to crane your head higher than you remember just to meet his eyes. You don’t recognise the glasses he dons anymore, the black rectangles from his teenage years swapped out for rounded squares and silver frames. But he has a towel in his hand, a towel that has his initials poorly stitched into the corner with red string. You wonder if the matching one he made you, eleven years ago, is collecting dust somewhere in your dormitory, halfway across the world. 

“You’re back.”

“It’s been a while, Kei.”

You can no longer differentiate Japanese syllables clearly, and your statement jumbles into nonsense in your head. Kei hears the English woven into your accent in the way you roll your tongue like foreigners do, and in the odd intonations that don’t exist in your mother tongue. You don’t even remember your father’s dislike for white flowers. London has truly done a number on you. 

“Why? Why now?”

You bite your nail, a persistent habit that Kei frowns at. He picks up his flowers, and steps towards the gravestone, just close enough for your knee to brush against him for a moment. The bouquet in his hand is wrapped in plastic and filled with red and pink, the white from your own sticking out like a sore thumb when he places his flowers gently on the grass beside yours. He tosses the towel in his hand, opening it up against his palm, and you take it from him. If you cannot get the language right, or the flowers, this is the least you can do. Cobwebs stick to the fabric as you sweep at the granite slab, watching soot and dust fall to the grass. The curves and dips of the gravestone are familiar once again, and you dig the towel into every nook and cranny. You feel Kei’s body shift, before his knee is touching yours and his face is finally level with your peripheral vision. He glances at you, waiting. His knees bounce in anticipation. 

“Never had the chance, college has been a lot.”

Your phone rings as you finish cleaning. The ringtone is familiar, unchanged from when you used to have a flip phone, in fact. Kei hums along to the jingle for the four seconds that the call is left unanswered, before it cuts off into a flurry of English. He catches something about research, and a thesis, his shabby English unable to fill in any more than that. He’s never known you were interested in research, let alone what it is that you’re researching. All he’s known is your aspiration of becoming a librarian when you were six, and his promise to borrow books from you for the museum that he swore he would one day work at. Now, he works at the museum, sorts antique scripts and yellowed books into cabinets and display shelves. He does not borrow books from you. Now, you talk, but nothing makes sense to him.

You end the call, mumbling foreign curses as you shove your phone back into your pocket. Clicking your tongue, you turn to Kei, who stares at the flowers on the ground. He pushes his glasses up when they slide down his nose, and you resist the familiar urge to nag him about buying the right frames for his face. 

“Yeah, college has been mostly phone calls like that.”

He nods, a half-hearted chuckle huffing from his nose. He’s forgotten what it’s like to sit at a graveyard with somebody else, the annual reminder of a lonely death replaced by another this year as you dust off his towel, and drop it onto his thigh. He swipes it from his leg, folding it into quarters and sliding it into his pocket. 

“So you choose to come now, without a word? Not even a heads up? Six years after leaving?” Kei’s voice rises at each question, the same way it did six years ago when you broke the news of leaving Japan to him. This hurts him to ask, that much you can still recognise.

“I would have come sooner if I had the chance. I’ve missed everyone so much.”

You pluck a petal from a white flower in your bouquet, then another, until all that remains is the naked bulb, and scatter them onto the ground beside you. Perhaps the next person that’s been buried under six feet of dirt used to have a liking for them. Kei remains unmoving, throat bobbing as he swallows thickly. His knee stops bouncing. 

“How long will you stay for?”

“Today, then Friday and Saturday too. Flight back is Sunday night.”

Six years of waiting, and this is what it amounts to. A weekend and a bit. Despite that, Kei still thinks this must be fate, in all the languages that it exists in. Six years of life, and love, and hurt, all to be condensed into four measly days. Yet as Kei pushes himself off the ground, dusting his trousers off, he still thinks that this unlikely, yet conveniently timed visit must be the answer to his pleas for your return. That this must be some heavenly reward, good karma for visiting your father’s grave annually on your behalf. You watch him turn to leave, and he calls out to you as he walks away from your father’s grave. 

“Everyone’s at Hinata’s old place tomorrow. You should come by if you can.”

▬▬▬▬▬▬▬

Change: to replace (something) with something else, especially something of the same kind that is newer or better; substitute one thing for (another).

All it takes is one coincidental exchange of panicked glances at the first throw up of the night for you and Kei to leave together. Hinata slurs a drunken farewell, tries to embrace you as you slip your sneakers on at the door, and you make a note to yourself that you really do not miss most of the people here, spare for the volleyball team. Kei waits at the door, holding it open for when you finally shake Hinata off of your back, and step through. The night is chilly, the warmth in your skin from the indoor heating system emanating into the midnight air. You kick rocks along the pavement as you walk, scattering pigeons that remain awake and active at this time, and Kei smiles at your antics. You still hate birds, and you still remember the trick he taught you when you were nine for chasing away pigeons that flocked around you for food. 

“Who are you staying with?”

“My mom’s.”

The road leads the two of you to a high school. Kei has not come back to Karasuno since graduation. You squint in the dark, scanning the school, and you don’t recognise the new building that stands in place of the old auditorium. He watches you crouch at the plaque next to the front gate, tracing the letters engraved on it with the pad of your thumb. Some part of him blames Karasuno for being a bad place to you, the other parts blame himself for not being good enough to outweigh it.

“It’s changed.”

“Everything has.”

You rattle the locked entrance, the chain and padlock hitting against cold metal. It won’t open, so you look up through the gap of the gate. Six years ago, on that rooftop, was where you stood over a cold lunch box and emptied convenience store drinks, back against the wire fence, saying to Kei, I’m leaving tomorrow. On that day, you had packed yakisoba for his lunch, and nothing for yourself. He could barely respond to your announcement, only dropping his chopsticks and asking you, why? You told him something along the lines of being an expat, and a better school for what you wanted, all in the fluent Japanese you once spoke. Nothing made sense to him anyways. 

When you turn back to him, his hands are in the pockets of his jacket, and his nose is red from the cold air. You stand beside him, staring aimlessly at Karasuno from outside its barriers. 

“Do you still play volleyball?” 

“Yeah, Sendai Frogs.”

You hum, and then wonder why you only asked tonight, and why you’re surprised. He shrugs, clouds of white puffing from his mouth when he breathes out. He tries to blow a wisp of hair away from his face, and you suddenly realise that his hair has grown too, along with his height. It fails, and he tries again. You reach up to swipe at his bangs, before running your fingers backwards through his hair. It parts itself as you lift your hands from his head, and falls into place neatly. A cold breeze whizzes by, and undoes your work, sending strands of gold into his face once again. You snicker a little.

“You know, you could ask my mom to trim it for you like she used to.”

“Nah, I prefer this.”

It isn’t until you turn to look at him properly that you see how much time has passed. He likes his hair longer these days, the choppy hairdo of his teenage years now nothing but an old preference, and you wonder if he is still a loyal customer of your mother’s salon. When he pulls his hands from his pockets and blows hot air into them, calluses line the bases of his fingers, the blisters of his high school years hardened by trials of time and effort. There are bags under his eyes, eyes that are now a little rounder, and softer too. When he speaks, monotone and tired, you realise his snarkiness has dissipated into general frustration. You stare until his eyes dart to you, and turn away quickly, ashamed. Leaving Karasuno has taken your hand and led you to a purpose that you never knew you were capable of. You wonder what the hell it has done to Tsukishima Kei. 

“It looks good.”

He breathes in sharply, then exhales with a huff, shoulders relaxing as he stuffs his hands back into his pockets. You suddenly realise that your fingers have gone numb from the cold of the night, fingertips tingling like a million frost-bitten needles poking into your skin. You also stuff your hands into your pockets, rubbing your fingers against each other to generate some heat. Then, Kei’s looping his arm around yours, and pulling you away from Karasuno High School. He keeps on his straight path, and you stumble along behind his leaping steps. When you round a corner, the night breeze grows into something less imperturbable, and more vicious, pushing the two of you forward from behind in slashes of cold. The sea is near. 

“Is this the beach we used to go to?”

“You still remember it.”

He drags you down a flight of stairs to Fukanuma Beach, and the misty sea air rushes to your head. When he leads you to the shoreline, you hesitate. The sea has been off limits since the two of you were five, a regulation put in place in remembrance of the Great Sendai Earthquake. An earthquake that saw Kei and yourself hunched beneath the same table in the middle of class, huddled next to each other as you cried for your parents. Now, in your final years of college, as the water slips beneath the soles of his shoes, pushing and receding in layers of aqua and bubbles of white, it seems that time has slipped by just as easily too. Time, that saw the fading of the earthquake’s devastation, despite the loss of thousands, including your father. Time, that frayed the string connecting yourself to Kei as you moved through life halfway across the world from Japan. Time, that passes through you like sand spilling between your fingers on a beach you once thought you knew, but has changed like the unprohibited water that seems to push further up into the shore at each tidal wave. 

“They lifted the ban?”

“A few months ago, yeah.”

You step into the next wave that fizzles into foam, and the water crashes into the toe of your shoes. Crouching, you push mounds of wet sand into a cylinder, flattening the top and pushing divots in equal intervals. Kei joins, moulding shorter ones beside your own and drawing windows into the side. You finish, and he stands, smiling at the creation. You cover the top, afraid he will stomp on it, a trademark of Kei’s whenever you built sandcastles with him in childhood. Instead, he laughs, and walks further into the water. When you get up to join him, the hems of his trousers are soaked, shoes also covered in a sheen of wetness. You hop over the castle, and the next wave that comes sends its foundations crumbling back into the sea. 

“We used to do that. You’d destroy it every time.”

Kei chuckles, and looks back to see the half destroyed castle. Clicking his tongue, he returns to the rubble, and you watch his hands push mounds of sand towards what is left standing. 

“I’d always build a better one for you afterwards though.”

He dusts his hands off when he finishes, and the waves fizzle out just before they hit the two-tiered sandcastle. You sniff, holding your arms close to your chest. When Kei looks up, he feels like the summer of being seven years old again, smiling at you with his missing front tooth when you sniffle and laugh at the improved castle he’s put together for you. Now, it is winter. He only grins with the corners of his lips. You only sniff because it’s cold. 

“Kei.”

“Yeah?”

“It’s really been a while. How have you been?”

He steps over the castle towards you, careful not to break it. Your hair blows in your face from the beach breeze and your eyes squint from the sand that flies into the air, and Kei takes it all in when you’re face to face with him. When he opens his mouth, some selfish part of him thinks about casting his words into shackles of regret, so heavy that they weigh you down and keep you in Japan, in Sendai, on this beach, somewhere close to him.

“Do you want to stay the night? Like you used to?”

▬▬▬▬▬▬▬

Nostalgia: A sentimental longing, or wistful yearning for a return to or of some past period or irrecoverable condition.

Kei does not take you to his family house. He leads you up stairs that make no sense, and hallways that stretch on forever, until you finally reach his flat. He wipes his shoes on the doormat, throws his keys into a glass bowl upon entry, and hangs his jacket on a hook mounted to his front door instead of the coathanger that used to stand beside it. You look around, searching for the shells you once collected in a jar for his tenth birthday. When your eyes land on a jar filled with conches and cowries, you let go of a breath you were unaware of holding. They sit on the top of his bookshelf, above textbooks and file organisers. A knot forms in your throat at the realisation that the jar sits alone in its compartment, with nothing beside it. You’ve done the same to the jazz vinyl Kei gifted you at the airport before your departure. You don’t realise that he’s disappeared somewhere as you stare at the shells, until a shirt and a pair of shorts are thrown into your chest. He stands at the entrance to a hallway, donning sweatpants and an old hoodie, one that’s clearly a size too small. The pocket is lousily sewn on, a result of a mishap that occurred when you had borrowed it once. He doesn’t know that you spent the night learning to sew fabric just to fix it.

“Change. It’ll be more comfortable.”

You scurry through the hallway to his bathroom, pulling the shirt and shorts on hastily, before balling up your clothes and returning to the living room. Kei sits at his couch, now bound in leather instead of fabric, and clicks at the television. You join beside him, legs splaying across his own subconsciously. He doesn’t move. He stops at a movie, one you’ve seen hundreds of times before at his old house. It drones on in the background as he watches in silence, his arms now draped over your knees. The first time he watched this movie, it was in his old home, cross-legged on the carpeted ground with you on the couch behind him. Your hands used to press into his shoulders from above, shake them whenever your favourite scenes came on, squeeze them when you laughed until tears rolled from your eyes. Now that his new flat lacks a rug, he’s willing to settle with your legs on his own. Flashing lights illuminate the dark room in sequences that you can still recall perfectly from memory. He watches the movie. You watch him. 

“Have you been doing good, Kei?”

Turning to you, he pushes his glasses up into his hair, leaning further back. You shuffle closer, legs bending as your shoulder digs into the leather couch. A strand of blond falls into his face, and you lift his glasses to tuck it back, before smoothing your hands over his mess of hair, combing and pushing with your fingertips.The words from the television melt into gibberish when he hums in satisfaction, what is unspoken between you two is more glaring than ever.

“I’ve been okay.” He cuts off, then finds himself thinking of what to tell you first, amongst the recollections of life that rush through his head. “Started working at the museum a couple years ago.” He wishes that you still remember the building, where the marble floors squeaked beneath your slippers, and glass panels lined the walls, hiding away treasures and artefacts that have withstood centuries, maybe even eons of erosion and weathering.

You nod, mind filling with the many museum visits you had with him there. He’s always liked the dinosaurs more than the shells. When you breathe out a chuckle, he knows you’re recalling the time he almost pissed himself at a life-sized, moving tyrannosaurus rex model. 

“What about you?”

“Research. I’ve been doing research about…” you sign in the air, searching for the Japanese words that have slipped from your mind. Surrendering, you whip your phone out, searching for a translation. 

“Archaeology?”

“Yeah, that. No more librarian dreams for me. More dinosaurs, though.”

A smile finds its way onto Kei’s face, one that softens his cheeks and flattens his eyes into crescents. He wonders if amongst the silver plaques and digital displays, your work is engraved in there somewhere. If each time he explains something to some bright-eyed child, who scuttles around the museum as you and him once did, he is unknowingly speaking in your language, translated until he can decipher the thoughts that run through your mind in your research, your memories, your dreams too. 

“Maybe it’s in the museum somewhere. I’m willing to bet.”

“I hope it is.”

Your conversation fizzles back into silence, and the characters on the television do too. The two on the screen sit in a field, mere inches apart. The two of you look at each other, your knees now leaned into Kei’s chest and one of his arms draped along the back of the couch. When he pulls his glasses back to his eyes, and studies you all over again, it hits him that you really haven’t changed all that much, even after your six year separation. Six years older, with the exhaustion of a functioning adult, but you still gnaw on your cheeks, and tilt your head as you ask questions. Six years apart, and you are still you, who taught him to build sandcastles, and introduced him to his favourite movie, and fixed his hair whenever it stuck up in stubborn peaks of gold. When you let your eyes close, and drop your head onto his shoulder, you wait for lost time to tick backwards, until you’re on the rooftop with him once again. In this version of time, you blush when you tell him that you’ve chosen to stay in Japan instead. Pushing your head further into the crook of his neck, Kei’s chin reaches over to rest on the top of your crown. The credits of the movie roll in the background, and you mumble into the skin of his pulse. 

“Can you take me there? I’ve missed it.” Your words send vibrations down his spine, sending his head into a frenzy as he pushes his hands against the couch harder. 

“The museum?” It will be closed for the weekend, but Kei nods anyway. He’s sure he can find his way in through the back. Maybe he’ll take you to the fossils again, let you run your fingers along smooth amber and stone engravings. Perhaps he could show you the new exhibitions, ones that you won’t miss this time, as you have for the past six years. For now, he thinks he will let you sleep on his shoulder, listen to your soft snores, tremble at every hot breath that fans onto his neck. 

The credits roll to the end, and come to a stop. Kei removes his arm from the couch to grab the remote from his coffee table. He rewinds the movie to the start.

▬▬▬▬▬▬▬

思慕 [しぼ, shibo]: yearning; deep longing, especially when accompanied by tenderness or sadness.

On the final night of your stay, you learn that Kei still giggles when he breaks rules, as he drags you through the back entrance of the closed museum. He maneuvers through hallways of antique paintings and repurposed junk, slips into dark stairwells illuminated by the flashlight of his phone, traps your wrist between his fingers and chuckles to himself, shaking his head as he takes you higher, and higher, and higher. You’ve lost count of how many flights of stairs have gone by when he taps his keycard against a sensor by a backdoor, and pushes it open. The museum observatory, once a mess of bamboo scaffolding and green covers, now allows silver moonlight through its glass dome, boasting billions of iridescent stars nestled in a blanket of hazy midnight. A decade of your anticipation has resulted in a circular space, hundreds of plush recliners lining the circumference of the room, and you wonder how many eyes have watched the stars from those seats before you ever had the chance to. When Kei leads you further into the observatory, you step foot onto the north star plastered on the ground in the centre of the room, where nothing but a telescope remains in a ten-foot radius. He takes a spot on the ground, back pressed against the cushioned edge of a seat.

“I figured this is the best spot. Better than any of the seats, actually.” He plants his feet on the ground, bending his knees and spreading them just wide enough for you to sit in between. You cross your legs, wagging them up and down as your hands hold your shins, and he lowers his legs, stretching them out in front of him. Leaning back, your spine hits a spot between his ribs, the same way it did when you were thirteen, and fourteen, and fifteen, staring at stars from the grass of his backyard. You pity the visitors that have yet to discover the simplicity of stargazing from the ground, hands pushed into the ground for stability, dirt and moisture seeping into the fabric of clothing. Pushing further into him, his breathing is heavy against your back, chest rising in rhythmic ups and downs. For what feels like hours, you sit in silence, eyes trained on your fingers that pick and fiddle. At the realisation that you haven’t looked at the stars in years, something bubbles in your stomach, pervasive, relentless. When you finally loll your head backwards to fall on his shoulder, and the tip of Kei’s nose grazes your cheekbone, you wonder how long he has not looked at the stars for as well. 

“Why’d you stop calling?” His sudden question sends a haze rushing into your head.

You swallow thickly. If the passage of time were a sin, you’d burden it with all your explanations. Telling him that now would seem like some lousy excuse.

“It stopped going to your line a year after I left.” You pause, searching for the right words to use amidst the sea of Japanese and English that you must now sort out. “I only stopped trying after another month, the voicemail just said your number was no longer in use.” 

Kei wishes he could dig his fingers into his chest and rip his heart out. If only he hadn’t stupidly broken his phone that night, five years ago during volleyball practice. If only he had checked his pockets before entering the court, just as he has done hundreds of times before. If only he had this, if only he had that, he might just torment himself for the rest of his life. His breath hitches, shoulder freezing rigid. Time does not differentiate between the knowing and oblivious. It slips and leaks beneath the noses of all that it encompasses, and it is but the cautious few that know to grab it, and join in on its journey. He knows now that he is not one of them, not after he’s cursed at the passage of time over and over and over for his own blunder.

“I broke my phone in a game. Got a new one so the number changed as well, fuck me.”

You laugh dryly into the empty observatory. The occasional twinkling of the stars above do nothing to make his explanation any easier. You think you’ll blame it all on doomed fate that you’ve spent five years trying to find somebody that felt the same as Kei did, to no avail. Blame it on cursed luck that you’ve clawed and grabbed at anything familiar enough, archaeology, jazz vinyls, old DVDs of the movie shared between two, all to remind yourself that he too, was once within grasp. You say nothing, because you don’t see a reason to. Instead, you push your head into his neck, drown in the scent of his cologne, ease yourself into his now grown body. You don’t see him wipe a hand across his mouth, then rub his eyes with pinched fingers. 

When Kei decides to speak again, it is what feels like another hour later. He’s readjusted his posture about fifty times by now, arms removed from the ground and draped over your shoulders. The sensation of your hair against his skin is suddenly more prominent than ever when your hands find his own, holding them closer to yourself.

“If I didn’t find you at the grave, would you have looked for me?” His question is heavy, weighing his chest down as the words leave his throat in a hesitant cluster. You turn to look at him, and your eyes linger on his own when you squeeze his hands once, twice, then a third time. 

“I’ve been looking for five years. Nobody else could take me home.” Your heart rushes to your mouth at your confession, and the bob of Kei’s throat does not go unnoticed. One of his hands comes up to hold your shoulder, pushing it towards himself until your body twists, rubbing against his. You let go of him, pressing your fingers into the ground between his legs instead, and he breathes out shakily, his windpipe suddenly cleared of its uncertainty.

“You’re leaving tomorrow.”

“Yes, I am.”

His fingers slide down to grab your wrist, before going numb completely. His unoccupied hand peels itself from the floor and settles on the side of your waist. Your mouth goes dry when Kei breathes, hot and heavy, his eyes travelling to every inch of you. A bout of heat rushes from his chest to his head, and his legs, and his arms too. The air between the two of you is thick, and it sends your head into a feverish blur. The ground collapses beneath your knees as they shift to press into the floor, and you come face to face with Tsukishima Kei, who prefers his hair parted in bangs on the sides of his face, and wears silver frames instead of black ones. Tsukishima Kei, who has been visiting your father’s grave on your behalf for six years, and still plays volleyball even in his adulthood. Tsukishima Kei, whose eyes are finally finished with their ventures across your figure, that is pushed up against him on the ground of an observatory, and is learning whatever he can about you when his fingers tighten around your wrists and he kisses you without a warning. 

Once, at the young, innocent age of seven, Tsukishima Kei kissed you in this museum. You had run a little too fast, stepped on your loose laces and fallen onto the ground face first. You sulked at a bench facing some random painting of melting clocks, red dots scattered across a purple patch right beneath your eye. When he kneeled in front of you to grab your face, and pressed his lips onto the bruise for a fraction of a second, he must have kissed the pain away, mending the leaking capillaries beneath your skin as he separated from your cheeks with a pop. Now, he pulls against your wrists to push himself closer, traps you in the embrace of his legs around the back of your thighs, wheezes and stutters against your lips at the lack of oxygen in his lungs. His head is running in circles instead of straight paths, and everything is spinning. When your hands reach to grab at his shirt, and palm at his chest, he pulls away only to rip his glasses off and toss them to the ground. Beneath the glow of the moon from above, everything but your flushed cheeks and swollen lips is a blur. You take half a breath in, before it is interrupted by Kei’s palms pulling you in by the sides of your neck, and his mouth on yours again. At seven years old, he ripped bruising pain away from your face with a kiss. At twenty-one, he forces his pain, and grief, and regret rushing into your heart by pushing himself against you, fingers tangling themselves into your hair as he kisses you, desperate, almost distressed. Every tug at your lips is a confession left unspoken, every time Kei opens his mouth apologies spill out into you in choked groans and sighs. At the sensation of his hand leaving your neck, your arm searches for him aimlessly, before he’s palming at you through your pants. He swallows your sudden gasp, and your fingers grip his wrist until your knuckles go white. 

“Did you ever like me?” You can do nothing but choke out a question against his lips, one you’ve pondered about, day in and day out, since your departure from Japan.

By the way that Kei nods frantically, you’re certain that this is what six years of separation has amounted to. 

Sparing no time, your fingers tug at the hem of his boxers, pulling them down just enough to release himself from the fabric constraints. He does the same, hands roaming until they find the waistband of your pants to push them down, fingers tugging your underwear to the side with a flick. He grabs you by the waist beneath your shirt, yanks your body towards him until something feels right and he can’t help but let out a trembling sigh into your shoulder. And when you finally begin to sink yourself onto him, agonisingly slow, you wish that you had never left Japan in the first place. Your eyes roll to the back of your head, and you wish that you could spend the rest of your life in this observatory with Kei, your hands wrapped around the back of his sweat-slicked neck. 

When he pulls you down to push further, more pervasively, you fall into him, head hanging over his shoulder and arms squeezing around his neck. His inexperienced hands rock you back and forth against his hips, pulling a flurry of gasps and moans from your throat. He lets himself learn how you taste when his teeth tug at the hem of your shirt, pulling it down to expose your bare shoulder. His lips latch onto your collarbone, biting and sucking a trail of red marks up to the side of your neck. You shudder at his advances, and he studies the way your walls flutter around him, the erratic pulses that draw stars around his head, how your nails dig into his shoulders, and send his mind into a senseless orbit. 

When he pushes and pulls at you a little harder, you whimper his name into his ear, reduced to nothing but a babbling mess that nibbles at his neck and kisses up his jaw feverishly. First friend, first kiss, first love. The notion that this is another first that Tsukishima Kei has brought upon you sends your mind spiralling. He should have been your first prom date, first roommate, first dance too. If only you hadn’t left him first. You push your head off his shoulder, hands moving to hold his face instead. A wave of pleasure washes over you when his palm presses against your stomach, and you hang your head low again, a shaky sigh released from your chest. 

When you look up, there are tears in Kei’s eyes. He rolls his head back onto the plush seat behind him, hands lifting you off himself fully, just to push you back onto him again. You collapse into his body, palms pressing against his heaving chest. 

“I- fuck! I fucking loved you! I still do!” He speaks it into the glass ceiling as one hand reaches for his face. He wipes his palm across his eyes, only for more tears to form. They are uncontrollable, relentless as he turns his head away from you. He isn’t sure how he will live again tomorrow, not when he’s finally come to a reckoning with the pang in his chest at every thought of you. He thinks he could die the second you step onto that flight back to London, ripped away from him once again. The reality that he cannot stay buried inside you for any longer than the next couple of minutes haunts him to no end, the idea of being separated from you a second time unbearable to even imagine. When he turns back to see you, head on his chest and fingers gripping the fabric of his shirt, he decides that reality can wait until he’s finished with you. 

“I love you too- shit, Kei! I never stopped!”

You rut against his hips senselessly now, chasing some unfamiliar high as your vision fades to black and you scream his name until your throat goes hoarse. Kei barely gives you time to breathe, before he’s coming undone from right beneath you, shuddering and groaning as you relax against his body and go limp. He holds you against him, one hand pushing your head against his chest and the other wrapped around your back. He tucks your damp hair behind your ears, places kisses along your temple so he can hear the hums of satisfaction that sound from your curled lips. 

“Can you stay forever?” He mumbles into your hair, and you turn to press your ear against his chest. His heart pounds as he pushes his cheek into the crown of your head, and your hands crawl up his chest to wrap around his neck. When he looks up through the glass ceiling, the stars have not moved one bit.

“I’ll find you again, wherever you are.”

Time may slip away from Tsukishima Kei like petals that fall off the buds of flowers, water that seeps beneath the soles of his sneakers, stardust that hovers above the atmosphere. Yet he has learned that it has a way of always coming back to remind him of its presence, and its escape. You are the reminder that it has been sending to him for six years.

author's note:

ERM! never writing nsfw again that's for sure but this piece defs had some stuff that i was very, VERY proud of coming up with!! sorry to my minor moots who probably won't read this in its entirety bc of the big MDNI warning... but I honestly don't know how to feel about this piece as a whole... i was super excited to write it but i think i got a little impatient towards the end esp since im always writing at like 3am LOL but i hope you guys liked it anyways!!! i tried really hard to make the dynamic work and i hope it did!!!!!

also ps they exchange numbers again js a little extra bonus that i didn’t get to put into the actual thing

anyways tags!!

@staraxiaa @chuuya-brainrot @akaakeis @laughingfcx @writingsofanomnivore @t0rchknight @bailey-reeds @wyrcan @hiraethwa @fiannee @catsoupki @anonymity-222 @wishi-selfships @kuroppiii

ok love u guys thank u for being patient

[harksness]

She’s giving rich milf in this episode 😌

Like rich milf who’s kids you babysit and oh no her husband is not here and she needs to destress

BRO I WAS THINKING SOMETHING SO SIMILAR?? I GOTTA POP OFF ABT THIS ONE AND GET IT OUTTA MY SYSTEM

I was imagining a kinda Stacy's Mom situation pls help me im in shambles thinking about it 😭😭😭😭 just all the hot situations with milf agatha ugh 😭😭😭

ok some nsfw under the cut

like... she's your best friends mom... and you make any excuse you can to be around her. oh no you need someone to mow the lawn?? yes ma'am anything for you. oh you need help cleaning the pool?? absolutely youll be there. you come over to hang out with her kid??? she's a little too flirty when youre alone. one day you come over when your friend isnt home and you know it, just to see what happens. she insists on inviting you inside. she gets you a snack, sits a little too close to you and starts playing with you hair before commenting on how pretty you are.... maybe things escalate and she fucks you on the counter. maybe you start coming over to stay the night with your friend more and more only to sneak off into her moms room at night. maybe she needs to keep her hand clamped over your mouth to keep you quiet while she fucks you, breathing hotly against your neck.

or babysitting for her akjjdjf you stay up with her when she gets home after the kids have gone to bed and let her vent to you. quickly shes sharing a little too much about how her husband doesnt satisfy her, esp with his long weekends away for work... and when she leans over and rests a hand on your thigh you lose your mind a little bit. you dont think it can be real when she confesses that shes had her eye on you for awhile. idk maybe all of her frustrations cause her to snap a lil bit and she starts greedily making out with you on the couch you fell asleep on waiting for her to get home. maybe she gets on her knees and begs to eat you out. shes so desperate for a taste, its all shes been able to think about since meeting you. shes so pent up and desperate, she needs to relieve some of her stress and youre just too tempting. youre so so so happy to help her. maybe it starts to become tradition for you to wait up for her, for the two of you to fuck on the couch when she gets home from work after a long day. imagine making out with her and snaking your hand up her pencil skirt... shes grabbing at you, legs spread wide as she moans and praises you and calls you her good girl.

idk maybe she starts giving you little gifts. an expensive necklace she thought would look pretty on you... a nice lingerie set she tells you to wear for her. a new laptop for college.

idk maybe she sorta becomes your sugar mommy

uggghhh pls im not gonna be able to stop thinking about this milf agatha is the source of all my horny thoughts

[happylittleshrub]

Rocket Plushie Review

My thoughts on Rocket plushies! I only own some of these so for those I'll go into a little more detail, but most of this is just based on vibes lol

This isn't in any sort of ranking or order

I love this one! His fur feels so soft and he sits on my desk and keeps me company. Reminds me of Pokemon's "Sitting Cuties" line of plushes. Sometimes he'll fall over a little but that's really only if he's sitting on a more uneven surface like a bed or sofa, on my desk he sits fine

This one looks like one of those Littlest Pet Shop toys. So many of the other Rocket plushies look good I don't know what happened here.

Sweet, sleepy boy I love to cuddle him ❤️ Both huggable and snuggable. My sleep has improved 120% since getting him 10/10 would recommend

This is my son my precious little child I love him I want the world for him he is the greatest thing in all of existence. He is so very soft and the perfect size to hug and to hold. ❤️

This is the first Rocket plush I ever got he is very special to me 🥹 I like the chibified design, very adorable! He does have a hard time sitting up on his own because of his disproportionately sized head, I usually have to lean him against something. His ears are velvety soft!

Tiny gremlin, an actual creature. He is full of bad ideas. I like that he comes with a tiny gun

This one looks kind of like a dog more so than a raccoon. Maybe it's just this picture. Idk he still cute tho

This one is good but something about his eyes feels a little off. I don't know if I trust him

Absolutely adorable! He has Animal Crossing vibes. I would buy him but he's over forty dollars 🙃

This one is cute but uh... this is legally distinct off-brand Rocket Wolf not Rocket Raccoon

He is 100% friend shaped I love him I want to give him a hug

"I can't believe I'm taking orders from a hamster." -Some Nova Corps Guy. I like this little dude, he's smol and squishy like a marshmallow!

This one is cute, but I do kinda wish his face wasn't so flat, otherwise no notes

This is so adorable wth you can carry Rocket around on your back like he's a sleepy little child I love it

Bro's lookin' like a finger puppet. He's very small and cute!

This Rocket looks like he needs some love. Well, that's all Rockets but especially this one. Looks like he'd be standing alone a street corner somewhere. Someone needs to bring him home and make him soup

I feel like this one should be the reference image next to the word Blorbo in a dictionary. This is the embodiment of blorbo and all other blorbos should bow to him

Shadow the Hedgehog wannabe. Gritty 90s reboot edgelord

This Rocket is smiling but I feel like he's screaming on the inside while this rando pulls on his ears

Football Head here stares into my soul. He can and will beat me up

Cute but not the best. I'd probably put him in a B-Tier (Shrub, you said you weren't going to do rankings!)

Adorable little guy! He has tiny magnets in his hands with which to hold batteries and other stolen items. You can also buy little outfits for these types of plushies so 20/10! During the colder months I let him ride around in my hoodie ^-^

This one is up to no good I love the mischief in his expression lol

I love Disney Tsum Tsum so this little peanut is an absolute winner in my book

"Until a second ago I thought you were a build-a-bear."

"MAYBE I AM"

He's so sweet and adorable would absolutely bring him home and love him forever (would be even better if he came with sound like some build-a-bears do)

WHO PUT HIM IN THE DRYER???

The way they did his eyes reminds me of Spiderman

He's a sweet boy he just needs someone looking out for him and to be his conscience and stop him from stealing batteries 💛

FERAL

Bro's got them sparkly anime eyes. Also sideburns

Alright I've reached the photo limit so that's all for now. If you read all the way down here thanks for checking out my silly ramblings!

[my-mt-heart]

Idk how to say this but I am not as bothered about whatever is going to transpire between Daryl and Isabelle (bcoz for one thing - we know what is going to happen in the end- and for another - I honestly believe that the male execs are not at all confident abt their vision for these two as they would like to be and the whole thing would prolly boil down to ambiguity and ultimately- it will fall upon the viewers to dissect how Daryl feels - the Caryl fandom especially is really adept at reading into storylines - even stupid ones) None of this is good by any means. It cheapens the integrity of all the characters involved. It blatantly insults and reduces female characters - I believe that Isabelle deserves better. That a story should hold space for multiple female characters. Also - I am worried about putting the fate and the story of one the best female characters on TV (Carol) in the hands of someone who has proven that he can't be trusted to handle them with care. Reading S2 reviews - I am sort of reassured that Carol is treated well enough in the story - which I believe - has a LOT to do with Melissa McBride's input. Going forward - it is going to be more difficult bcoz once we have dealt with old traumas - we do need to evolve these characters and make sure they don't stay stagnant. I don't believe Zabel has the chops to do that.

sorry for that rant. I am just really frustrated.

What I worry about is the way all of this bts stuff amongst the male execs is going to impact the Caryl dynamic. Whatever the antis may think - and while McReedus has insane chemistry - I do believe that the romantic energy is generated between them by a lot of their acting choices (bcoz the underlying story is teasing a romance). What happens to all that when a romance is completely off the table? When AMC has been pushing this friendship narrative down our throats in a very evident bid to do damage control - the insecure/defensive promo that we have been getting last few weeks is proof enough that Caryl was always more than friends?

The problems were already glaringly obvious from the very beginning. the fact that Melissa isn't billed equally for a season where she is proclaimed to be the major focus? It is not even about Caryl going canon for me anymore. I love Melissa and Carol way too much for me to give up yet but I treasure the Caryl bond primarily bcoz they have always been each other's everything. it is truly a bond that evades definition. Both Carol and Daryl doesn't have what they have with each other with anyone. THAT IS A CANON FACT. I don't think I can watch that dynamic that I treasure so much being butchered - s11 was painful enough - I can't go through all of that and more again.

Going to watch s2 and then my further commitment will depend entirely upon how the characters are treated and their dynamic is portrayed?

It sucks that I am dreading watching Carol and Daryl back together on screen.

been here just for a few months but the way AMC has been fumbling with this promo - have you guys always experienced this whiplash or is it a new thing?

I’m going to include big spoilers in my response, so proceed with caution ⚠️

I respect your opinion, but I disagree with you on the point about Daryl’s and Isabelle’s arc. It seems like the male EPs (Zabel, Nicotero, Gimple) are overly confident that an explicit romance between their male hero and a younger blonde nun who accused Daryl of being like his abusive father just for trying to go home to his family will attract a larger male audience and they aren’t sparing any feelings with it because we aren’t their ideal audience anyway. To them, we’re just a bunch of “hysterical” shippers whose POV’s don’t matter and we can just take their crumbs. AMC is a bit more complicated, but I’ll get to them later.

Daryl and the nun kiss in 202, so there’s little to no room for us to dissect how Daryl is feeling. Isabelle’s death is the furthest thing from a relief because 1) it reduces her character down to man pain like you said and 2) from what I’m gathering, it completely overshadows Caryl’s reunion and then their entire arc. We get another hug that does absolutely nothing to elevate their relationship and then Carol has to face that Daryl didn’t need her to rescue him because he found a new family and become his emotionally supportive friend to help him through his grief of a lost love interest he’s known for a few months. It almost feels like it’s going to be a retread of Beth’s death, only worse. We know how Greg Nicotero views both of those relationships and to be blunt, the man needs to stop projecting his creepy fetishes onto Daryl and making it our problem 🤢

The way the story is framed, it’s not even about Caryl at all. They’re the relationship we’re the most invested in and yet all the emotional weight is given to a highly problematic relationship that developed over a dozen ish short episodes (compared to Caryl’s decade+ of emotional depth) and it’s all for nothing too. Zabel just resets Daryl like the hokey network procedural writer he is. And Caryl fans are rewarded for their years-long loyalty by getting more ambiguous subtext to analyze? Really?

I think you’re spot on about Melissa though. The reason she’s the bright spot of the season, the reason Carol’s individual arc feels true, and her spiritual connection to Daryl stays alive is because Melissa influenced all of that. She’s shown us time and time again that she understands her character so deeply and respects her fans. It really breaks my heart because I think she had a beautiful story in mind for Carol and she deserves all the support in the world, but as I’ve said many times, if damage is done to the character who has been written as her soulmate for over a decade, damage is also done to her. And I can’t watch that. I can’t watch the destruction of my favorite characters and my favorite relationship and put money in AMC’s pockets for gaslighting me. Retconning Caryl’s relationship into a platonic friendship is their way of protecting themselves from backlash. “Daryl isn’t emotionally cheating because he and Carol have always been besties?” “We didn’t mislead you. We told you they were friends, so you dumb shippers are doing this to yourselves. Please watch our slop anyways ✌️” They’re even trying to shift responsibility to Melissa by making her answer the shipping questions despite the fact that it’s Daryl’s arc throwing a wrench in everything and I expect that to continue at NYCC/Palyfest. It’s completely unethical and it’s backfiring.

Zabel cannot write for Daryl and Carol. He keeps showing us that he doesn’t understand their bond nor does he value it. A couple of the reviews mentioned it felt like Carol was shoehorned into certain aspects of the story, which tracks with what I already knew—that he and the other EPs think she’s hindering the story they want to tell about men doing manly things. That’s why they try so hard to challenge her significance to Daryl’s story and that is not going to change just because they’re moving to another location. Somebody like that should not have power to decide her trajectory. Fuck whatever he has planned for S3. I don’t want it. I still want Caryl and I still want to see them get the stories they deserve, but that’s only going to happen if we get a new showrunner who respects them and respects their fans. In case it needs to be said, Gimple is not that guy either (he can fake his enthusiasm on SM all he wants 🖕🖕🖕). A complete rebranding of the show to something that honors the characters and gives Melissa her dues (equal billing, title, etc) is the only way I’m tuning in now🤷🏻‍♀️ I don’t have the emotional capacity to sit through S2, but I will be here, speaking up, to make sure Melissa gets all the necessary praise and those assholes can’t blame her if the show tanks.

I’ve only been here a few years and there’s been a lot of turn over at AMC even just in that time (I kid you not, all of our problems can be traced back to Josh Sapan leaving. He loved Caryl and Melissa). That being said, I cannot for the life of me understand why any of the guys over there (even the misogynistic ones) would approve of the Daryl/Isabelle arc after the PR disaster that Leah caused not even that long ago and at least for that, the arc tied back to romantic Caryl and we weren’t subjected to any uncomfortable physical intimacy. Why the fuck would they make the same mistake? Why the fuck do they have to spend more time cleaning up messes than avoiding the mess altogether at every fucking opportunity they had (and they had a lot). I just don’t get it. And I’m so tired of taking the abuse.

[thedreadvampy]

Back in 2005-2006 one of the first friends I made online was a girl in Beirut on a Harry Potter forum and then in 2006 during the Israeli attacks on Lebanon she disappeared and didn't ever come back.

and like. I don't know what happened, maybe she died, maybe she lost internet, maybe she had more important things to think about, maybe she just wasn't interested in Harry Potter any more, idk.

But like as a 13 year old who'd only ever lived in a wee village in England, I had been aware of war, but that was the first time for me that it had occurred to me that I might know the people under attack.

I have thought about that a lot over the years, cause really I think people my age and maybe a wee bit older are the first generation in the imperial core that likely to have a personal connection to people in the global south and people dehumanised by Western media.

but I'm also thinking about her because fuck me the sheer scale of violence in Palestine and now Lebanon this year compared even to 2006. god.

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[redsea8me]

OKAY I NEED TO TALK ABOUT TFONE BC IT WAS PHENOMENAL SO A LOT OF SPOILERS UNDER THE CUT BC I BASICALLY TALK ABOUT THE WHOLE MOVIE

Okay so, like right off the bat this movie is just gorgeous, the lighting and the atmosphere for everything was spectacular and incredibly well done, all the actors did a lot better than I thought they were going to which was nice

Bumblebees comedy definitely fell flat a lot for me, but this movie is so funny if you have the same humour me n my friends do 😭 it was very good at being unintentionally funny me thinks

god some of the tense scenes were done really well, like I adored the first encounter with the Quintesson ship and Orion has to keep Bee from falling into sight it’s so good

all of the fight scenes were really good!! There was a lot of weight to their actions and they utilized the fact that robot joints DO NOT have the same limitations as human ones, so people shift and move in odd ways to keep them in the fight it’s so good, especially Elita I noticed

Sentinel and Airachnid we’re really good villains I think personally, Sentinel had a lot of character and he was definitely one of the funnier parts of the movie as awful as he was

I adored Alpha Trion so much and I was so sad when he was killed by Sentinel but I also thought the shot of it was so cool, a lot of the framing was really good, I thought it was really interesting that it was almost like they let AT keep his dignity by not letting you see all the damage that killed him

and then that just leads into Sentinels death, no hiding, no dignity, Megatron ripped him apart

god all scenes w/ D-16 and Orion were so good, they felt like friends to me, and watching them process the world around them as it changed was so good, Pax’s want to save his fellow man vs D-16 want for vengeance it was spectacular

(“I want to kill him” CHILLING. “I’m done saving you,” CHILLING.)

the fight with Sentinel at the end I just adored, so much was happening there, like the fight with Starscream definitely established D-16’s path, but the “I’m not kneeling for you” was the nail in the coffin I think

but also!!! The dichotomy in so many of D-16 and Orions scenes after the Elite Guards intro, D-16 fights and takes control of the Elite Guard bc it’s one persons power over another, Orion Pax finds all of his friends in the place they all hung out in and kneeled down to them so that he could talk to them, tell them the truth, ask for their help bc he is their equal

oughhh it’s so good

D-16 and Orions scene where D is trying to kill Sentinel and Orion takes the blast was my favourite one in the movie, him shooting and practically killing his friend and then desperately catching him before he falls in before he realizes that it’s all over, that he’s done saving him, and Orion falls in

the scene as it shows what it took for them to finally step into their roles, Megatron is defined by taking power and Optimus is about sacrificing himself for the greater good, like I don’t have the words to describe the scene much more atm but it’s genuinely phenomenal, it’s one of my favourites

idk, this movie felt like it loved the fans and was made by people who loved the franchise, it was really really good

[deeppenguinstudent]

something about how Jeremy has a passion for music and ends up singing at a local club with a very attractive yet mysterious bartender that amps up his fraysexual tendencies.

something about how jeremy, who was an addict to prozac and alcohol and was drowning in the prospect of never becoming a true musician battling his addiction so he can remain sober in the face of Jean aka the bartender.

something about how Jeremy writes lyrics and lyrics about Jean, his thoughts always drifting towards the teasing glint within his eyes, and he manages to write a song that caught the eye of a producer (Cough rhemann) that by happenstance came around.

Jeremy then is propositioned to write an album, which he does, and rhemann absolutely loves it. He gets the opportunity to go on tour, but he has to leave Jean behind, which leaves him reluctant at first but Jean kisses him and promises he'll be right where he left him.

After 6 months, Jeremy comes back to the bar, but what he sees shatters his heart. he sees Jean across the table from some guy. He tries to play it down by saying it's just a friend, but as Jean leans towards him and captures his lips, Jeremy knows he can't lie to himself anymore.

His music turns fickled with jealousy. It was still met with glee from his fans, but he drank and popped pills almost every day trying to get that damned image of Jean out of his mind. Jean finds him one day, beside the bar.

He attempts to make conversation, but Jeremy is feeling bitter, and he is so hurt. Jean was the one who told him to chase his friends, Jean was the one who promised him that he'd wait for him as they kissed their goodbyes, but he had already found another man.

Jean didn't seem remorseful. He just seemed melancholy. he says to Jeremy that one day, he'd look back and realise that Jean was the one that would hold him back. He didn't want him to choose between his career and Jean because either way, they'd both be unhappy.

Jean had a partner who chose his career over him. He did encourage him, but Kevin had left him with a shattered heart and that was not a situation Jean would like to repeat again. Especially since it would hurt more coming from Jeremy.

all my songs are about you. the good, the bad, the happy, the sad. jean I can't go one day without you in my mind and it's driving me mad.

he takes Jean home, and Jean sees the scrapped paper all filled with Jean's name. It was the first draft, after all - Jeremy needed to show his raw emotion.

Idk what happens after you decide

[lulushults]

i didnt know where else to post this so ill send it to my non-existent tumblr page ✨

i think alot of people in the nalu fandom are probably expecting a big love confession and kiss✨ from nalu when they finally confess their feelings…i just dont see this happening, or fitting either of their characters.

dont get me wrong i’d die for a nalu kiss but to think about either of them going out of their way to kiss the other, idk to me it doesnt fit their characters. natsu seems the most likely out of the two to initiate the kiss, but what would randomly lead natsu to kiss her?

i also dont think their love confession will come from one of them randomly deciding to confess their feelings, in my mind the best way for them to finally become something more than friends is through a gigantic push from an outside force.

let me explain, in the final chapter natsu tells lucy ‘we’ll be together forever’. the way i see it natsu doesnt FEEL the need to confess because, as he already belives, theyre both going to be together forever anyway so…whats the point?

i think natsu saying this will come back to bite him at some point, possibly during his final fight with ignia. i think the best way for them both to realise how much they truly love and appreciate eachother is by one or both of them being placed in a life of death situation, and i dont mean the typical fairy tail life or death situations, i mean never coming back.

if natsu were too see lucy in a true life or death situation, i believe it would cause some sort of awakening within natsu where he realises, maybe, they wont be together forever. this could cause natsu,(or lucy in a vise versa situation), to realise they truly do not see a life without the other in it, then leading to one, or both, of them outright confessing said fact during the fight, pushing their true power to save the other.

i really think the best way for hiro to begin the romantic change in nalu’s relationship is to introduce a situation like this, to cause a chain reaction in them both, leading to them realising and admitting their true feelings.

BUT, i’ll be happy with whatever. nalu are my absolute baby’s and i will be over the moon no matter how they eventually come together, to me this just makes the most sense :)💞

[yellow-computer-mouse]

hey so uhh. i'm a lil silly :3 and i have some ideas as to what this could be but idk i don't wanna be wrong.

sometimes, i get a, like, spasm in my neck, and it kinda goes to the side. it turns 90 degrees down and left.

it's not super frequent, maybe once or twice a week, but there have been weeks with none. there are also sometimes huge spikes where it happens all the time during the day

one of my friends watched it happen once and his exact reaction was "GOSH what was that??????" like i got possessed or something lol. my other friends have said that they've seen it happen but they didn't wanna say anything in case i'm self conscious about it (shoutout my friends)

ANYWAYS. that's my yapping. i have an idea as to what it might be but. i have anxiety. so i don't just wanna say it's that yknow. sigh.

sometimes i make a noise with it too. like a squeak kinda. not always just sometimes.

[full-of-malice]

me and my friends are being bitter about ai and nanowrimo again. as one of the kids who was part of the group that made the tag of "#nanopocalypse" as a term for what was happening on our website as we were silenced and groomed and our lives went to shit. our lives were falling apart. it was the nanopocalypse for us. that's why we called it that and have referred to the entire situation as that. and we were the only ones who actually put anything in the "#anti nanowrimo" tag to begin with to talk about our hatred and struggles with being groomed. a desperate and ignored attempt to call awareness

so as someone who put in the work and lost days of my life and will not be the same person again and put tears and long days while trying to juggle my school and personal life, checking in on my friends and ensuring that they were okay, it feels really shitty honestly to watch tumblr take the nanopocalypse tag so they can make themselves feel good by talking shit about the ai policy. it's Exhausting. you guys are a solid year late in support and hatred for nano that we could've used when we were trying to get the website halfway shut down. we have been Trying to tell you. there were tiktoks, twitter, threads, youtube videos, tumblr posts, and it's just exhausting that suddenly the trendy hatred of ai is what gets popular. idk if feels like you all just jump on the trend to be the cool savior and hate on ai and write their posts that do nothing informative of helpful and just say "fuck nanowrimo" instead of hating on it for the actually important reasons.

nanopocalypse was the specific instance a year ago in november of 2023, when ywp (young writer program) website users were sick of being abused, neglected, and being in the dark. the mods started banning us just for voicing our issues and wanting change. we took to. the adult forums and talked to adult users who were in the midst of the own issues as well. we finally found adults who believed our struggles and were on our side. on their website there was child grooming involved too, the fbi was allegedly getting contacted it was so bad. after years finally someone was listening. yet within days they turned on us and told us we were too young and had no place in "their home" of the website and that our concerns for our community and wanting to be involved were no necessary. they started twisting our words against us and picking us apart. i spent days fighting with adults just for basic things, adults who claimed not two or three days ago that they supported us and would fight for us and were so sorry for the way we were treated only to turn around and treat us remarkably the same. there was one nanopocalypse.

it's exhausting to have to reiterate our struggles to people on the internet who don't and won't listen, but don't use our terms that we a group of abused and groomed teens made for a one time occurrence and tag that was for us and our struggles a place for us to talk and raise awareness. a place that got ignored until a year too late so ai issues could talk over us.

so fuck nanowrimo. not for the ai, but for the children who suffered for years in silence. the ai should be an afterthought, not the front of the problem.

if anyone's interested either in a separate post or in the reblogs i'll make an extensive list of any youtube videos, tiktoks, tumblr post links, and twitter links that i know of on the situation if you want. i will gladly answer any question anyone has because i've tried to educate people on this for a long time and no one will listen

[gerec]

hi there!! im new to the cherik fandom and your blog has been SO helpful im having the time of my life here every day reading your recommendations!! this is not a fic request but more of a prompt? i have this idea in my mind but i have nowhere to share so im sending it here in case someone feels interested. ive been thinking about this for MONTHS and i think it works so well with cherik bc of the whole multiverse thing so. erik and charles for some reason have to go to another universe and to do what they need to do they need to find their variants, nothing romantic has ever happened between them so they're in that phase where they were friends but now they're enemies and fighting and bickering all the time and they think its the same thing with their variants. but when they get there they find out their variants are together (as boyfriends or husbands, im thinking about them following their variants to kinda spy on them and everything is normal until they start kissing and/or having sex, like they're hiding in a tiny closet and need to be there quiet and almost breathing the same air while their variants are fucking) and it messes up with their heads because "what do you Mean my variant is dating him?" and thats the push they need to start thinking how it would be a relationship with each other. cherik already has so much tension as friends imagine them as enemies fighting after all of this? the sexual tension would be out of the charts!!! everytime theyd get too close to each other they'd remember how they had to watch other versions of themselves kiss and touch and moan and its getting unbearable. erik would be even more tense and on guard around charles and charles would take it personally bc he thinks erik now its disgusted or repulsed by him (mr magneto cant even look at him in the eye) until he snaps and kiss charles. or a kinda twisted version of this is cherik going to another universe where their variants are evil AND together (again, they only find out about this when they're already there), for some reason their powers dont work in this universe so they end up getting caught by their variants and when their variants found out about their "hatred" towards each other they decide to play with them and "give them a show". dark!charles using his powers to make charles and erik unable to move, making them watch dark!erik and himself having sex, dark!erik going on a rant about how they're wasting time fighting when they work better together, how they were made for each other, dark!charles would even connect all their minds together so erik and charles would be able to feel their pleasure. dark!erik fucking dark!charles unable to keep his mouth shut about how his charles is beautiful!!!@)#&@(#&@>×> idk if there’s any fic like this already but i cant stop thinking about it

Hi Anon! Happy to have you in fandom and I'm glad you're enjoying your time on my blog :D

Love your prompts and happy to share this with the world in the hopes that someone gets plotbunnied and decides to pick it up for their next fic!!!

[t00thpasteface]

i very deeply respect your mashposting and even though im not as enthusiastic about hawkahy as you are i think the content you make for them us delightful and some of the best mashposting on this godforsaken website. that being said, i wanted to know ur takes on the hawkeye & trapper dynamic, and the hawkeye & bj dynamic. Not in a shippy way, just in the World of Hawkahy what role do trapper and bj play in their relationships with hawkeye :3 this because i love that one comic u did where hawkeye is spunchbop and bj is Patrick its one of my fave pieces of mash fanart lol

(⁠๑˘❥⁠⁠ ˘๑⁠) first off, THANK YOU!! i'm soooo crazy about hawkahy and i really enjoy contributing to my fellow shippers, but i'm glad my art can also still appeal to people who are less interested the ship itself.

second, VERY fun question!! i wish i had definitive answers for yall, but you know me... i love to go "well idk it could go either way" ^_^;; really, it depends on what kind of tone and theme i'm looking for. i don't really write heavier stuff (because i have so much fun writing funny fic) so that kind of narrows my options, but there's a lot of potential i'd love to explore— or see someone else explore, if they're so inclined!

TRAP:

generally the trapper reading i typically default to is that he and hawkeye have a pretty casual FWB thing going on. trapper considers hawkeye a very close friend and hooks up with him at an intersection of bicuriosity and deep platonic affection, but hawkeye catches baddddd feelings and ends up genuinely heartbroken to find out their thing was lopsided. in this case, hawkahy would happen only after trapper leaves— mulcahy has a tough time trying to get noticed before that point :( but at the same time, i don't think mulcahy would pounce at the first opportunity, because i don't think an immediate rebound would be good for hawkeye nor mulcahy... but it could happen for dramaaaaa...

another version of the hawkeye-trapper rapport that i love playing with in my fics is trapper being generally very supportive but nonetheless slightly grossed out. i think there's a lotttt of comedy potential with hawkeye thinking it's okay to fuck a priest but NOT a married woman, and meanwhile trapper is pro-infidelity but anti-priestfucking (for whatever reason), and they squabble and tease each other about it the whole time.

it's also funny to think about is trapper trying to figure out whether mulcahy now gets the "one of the bros" back-slapping beer-chugging dude treatment, or if instead he's now slotted into the "go easy on 'em trap" category that protects hawkeye's ladyfriends from hearing trapper's bawdiest jokes and comments when hawkeye brings them along as a plus-one to the swamp.

trapper seems like he's pretty likely to sniff out that hawkeye and mulcahy are seeing each other even if they try their damnedest to keep it secret. i like to think hawkeye trusts trapper enough that he would go ahead and divulge it it up front pretty soon after it's official. trapper could probably even pick up hawkeye's crush beforehand... maybe even before hawkeye knows about it!

i don't see trapper as being too jealous of hawkeye spending a lot of time with mulcahy, even if it means hawkeye is now exclusive and not sleeping with trapper anymore. if anything i think he'd be pretty stoked that he's got one less guy to compete with for the nurses' attention. pretty sweet deal as far as he's concerned.

i do think there'd be some tricky navigating between how hawkeye acts with trapper and the STARK difference with how he acts around mulcahy, which you can see clear as day in the s1 finale, where hawkeye gets soooo soft and careful while talking to mulcahy. i don't think either one is disingenuous; i think hawkeye contains multitudes. hawkeye's not the type to fake sincerity. and to that end, i really don't think hawkahy should hinge on hawkeye totally giving up all the cruder parts of his personality (especially since mulcahy is really no saint either), so it could be pretty interesting to see that manifest in whether/how he's still maintaining a close friendship with trapper now that he's been seeing mulcahy regularly and trying to make a good impression.

BEEJ:

the direction bj goes in depends on whether hawkahy are already an item before he gets there. he does form that almost instantaneous trauma-bond with hawkeye on his first day, but i think if hawkeye admitted "yeah by the way the chaplain is my boyfriend" as soon it seemed safe, bj would be able to take it in stride as another weird little quirk of the mash he has to get used to. he's too hung up on dealing with all the gore to worry about who's banging who.

by contrast, i think he could potentially get pretty upset/jealous if hawkeye and mulcahy paired up a little while later. i can see him feeling really betrayed, like, "what do you normally do when i'm gone?" "wait for you to get back!!"

if bj still doesn't feel like he's really enmeshed himself into the unit— which i think on some level, he never wants to, because he's banking on dropping everything like a hot potato the second he can— then i can totally picture him just feeling completely lost and isolated when hawkeye is suddenly forgoing their boys-nite boozathons in favor of getting some priest pipe. like, at least trapper could always go find his own cuddle buddy to pass the time and had nurses lining up to volunteer; bj has basically nobody and doesn't seem inclined nor equipped to fix that. hawkeye is his liason to the rest of the camp, and bj isn't so great with people without having hawkeye there to help as both teleprompter and safety net.

basically i think bj wants to keep hawkeye within a very specific arm's-length radius— not too close, but not too far either, and hawkeye having so much private time with someone else could really get under his skin.

you could also have bj think the priestfucking is gross/bad on sheer principle like trapper did, even without the jealousy angle, and it'd probably hold a little more water coming from bj than trapper. however, it'd be funny if he's insisting it's definitely not a jealousy thing and he's being fully objective about it, but you can totally tell he's just jealous. x)

i admit i kinda love seeing bj get tormented, because he's got such obvious buttons to press and yet sternly insists that they don't even exist, similar to houlihan and frank. like, you can't just set that up and not expect me to rub my hands together and SLAM those buttons as hard as i can. ergo, bj getting jealous about hawkahy is supremely funny to me. i'm not too proud to admit that!

[sophiesrambling]

i made plans with my friends like almost a year ago to watch barbie (like thats how serious we are about it) and almost everyone is actually gonna make it, and every instinct in me is telling me not to go, to sabotage and to just stay at home feeling miserable and i don't know why I'm feeling like that or if I'm actually gonna make it its just really weird, i should want to go, I'll probably have a good time but everything in me is telling me not to