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destinygoldenstar · 8 months

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I think it’s important of a reminder that I personally think it’s fair to critique for what a media DID do, not what they didn’t do. Because what you expect could not be the writers goals at all, and you only end up disappointed when it doesn’t do exactly what you expect.

Cause if I had a nickel for every January release of a third act of a franchise season I’m into that I’ve been disappointed by when the rest is otherwise really good…

Blah blah two nickels.

I already talked about the Total Drama Reboot ending. In all honesty I think the reception is understandably more split than anything else. Either you love the third act or you don’t. I just happened to fall in the latter category. I loved the first 8 episodes though. It’s more of a ‘This was great until it wasn’t’ situation.

And what do you know, there’s another show that also had a January third act that had me sum up that season.

Hirogaru Sky Pretty Cure.

This season was GREAT. Until it wasn’t.

I think that’s the perfect phrase for this season.

Now for context, though I don’t talk about it much in my posts, I follow all kinds of magical girl tags.

Magical Girls are my special interest. I’ve written more magical girl stories than I’ve published online. My OC, GoldenStar, can be classified as an OC if you wanted. Magical Girl shows just press my autistic buttons so much and I can never get enough of them. (Except Magical Girl Site, that show can burn in my memory and never come back in my head)

You don’t know what the genre is, it’s a sub-superhero genre that’s (most of the time) female centric, that involves (usually) a team of girls finding powers, having beautifully animated transformations into superhero personas with big hair not suited for combat, and they, with the power of love and friendship, kick ass and save the day.

Think Winx and Lolirock if you’re western.

So naturally, I couldn’t get enough of Pretty Cure back in the day. As it was basically the perfect ‘magical girl obsessor campsite’. As every season of the show has the benefit of having a brand new cast of characters each time, and therefore different lore that keeps things fresh.

I guess best way to explain it to western users is ‘Power Rangers but magical girls, and animated’

Which is an ironic way to explain it cause Power Rangers is actually an American Adaptation of a franchise called Super Sentai… made by the same company that made Pretty Cure.

I kinda had a falling out with the franchise though. That’s because, and let’s be real here, the newer seasons are kinda lousy.

Now, hold on, it’s not all bad these past five years. I loved Healin Good and WILL defend it. Tropical Rouge was decently fun and had some great episodes. But compare the seasons these past five years to some of the older ones like Heartcatch and… yeah, there’s a noticeable writing dip.

Especially when you get into Delicious Party…

That was the first time I ever downright hated a Pretty Cure season and got angry at multiple points. And if I wasn’t angry, I Aw as bored to tears. Not a good combination. Just so so SO much wrong with this season from beginning to end. (And saying that opinion got me blocked from Fandom.)

But then Hirogaru Sky was next, and yes, wow, it started out PHENOMENAL. I was blown away again and completely invested again. This season seemed like it was doing all kinds of shake ups to the franchise and taking the entire structure in new directions. While also paying homage to the first season with the duo team structure. I loved its main characters and their dynamics throughout the show. The designs are gorgeous. The first half is thrilling and intense and some of the best of the franchise since Hugtto. Back then, I was about ready to call this an S tier season and in my top 5…

This is why you wait till a season is done before you go say stuff like that. I learned that now.

Now, I’m not actually going to dunk on the ending this time. Because bottom line is: It’s one very stupid plot twist after another to the point where it’s like they can’t make up their mind what they want, none of the build up throughout the show amounted to anything, and the final battle is horrifically paced and completely botches the character arcs of certain people. Sora in particular.

Not THAT Sora. That Sora had an amazing payoff. I’m talking about Pretty Cure Sora, not Ninjago Sora. Dragons Rising was really good and actually stuck the landing.

But I do think we’re hating on this season for all the wrong reasons. I know we all made predictions about where the story was headed, and almost all those theories became wrong.

Like, I know we all predicted, myself included, that Shalala was the twist main villain. This turned out to be wrong. But they didn’t have to do that if they didn’t want it.

It’s the same thing with Total Drama. We all predicted Damien was a finalist and that turned out wrong. But I chose not the criticize that show for not making him a finalist because, well, the writers didn’t want him to be a finalist. That’s okay. Instead I criticized how they handled the role in the story they gave him. You know, what they intended.

Just because your theories were wrong, does NOT make it the end of the world. You can definitely claim that your theory would have been the better story route than what we got. BUT fact of the matter is, you’re not the writer. You don’t get to decide what the writers want to do with their story. And saying you do cause you’re a fan is just entitlement. (Go make a fanfiction if you’re gonna be that petty about it)

I keep saying, don’t criticize what the writers didn’t do, criticize what the writers DID do. Try and see what the writers were going for. Not what you wanted.

We all expected going in that Hirogaru Sky would be this epic hero-ideology season. This big philosophy on what it means to be a hero and the ups and downs that came with it. Kind of like a Kamen Rider Kuuga type of story. There was all kind of foreshadowing that Sora was going to endure quite a bit of an arc upon realizing her hero idealism was kinda trash.

We got that about the first half, then nothing. What we got instead was NOT a morally grey complex narrative. We got a simple black and white world where Sora’s hero idealism turned out to be pretty much perfect from the start, and the villain is literally just as ‘evil for the sake of evil’ as you can get. It became ‘I don’t know if I scan grow up to be a hero’ instead of ‘being a hero kinda sucks’.

So when that wasn’t the theme we got, and it wasn’t this morally complex story that we all hoped for… yeah I can see people getting angry.

But that’s not the problem for me. Because they wanted a black and white story. So they did a black and white story. So we gotta judge it by what they were going for.

Now yes, Shalala being the villain instead of who we got would’ve been preferable, if only cause the villain we got is just awful as a character and fails as a villain in almost every front. The hero role being muddied out would’ve been juicy in angst. But it’s not what the writers wanted to do.

So instead of criticizing what it’s not. I’m choosing to criticize it for what it is. That the villain was horrifically built up and a terrible character, and the final battle is horrific pacing that leaves no satisfying conclusion for Sora because of bad pacing. She gets slapped with dark energy juice and all it takes to snap her out of it is Deus Ex Machina from her BFF? Seriously? You couldn’t think of a better way to resolve that?

Just because it didn’t say stuff about being a hero that you want them to say, doesn’t mean they said anything at all. And if you want to rewrite this season to say the stuff you thought it should have, then go ahead. No one’s stopping you.

Basically, I think the third act distaste for Hirogaru Sky is justified, but people are pointing out the wrong reasons why it’s distasteful.

I said it once, Ill say it again:

You HAVE to have a solid third act. Because that’s what people will walk away from. If you try something fancy and screw up, people are gonna remember the botched ending rather than the whole story. Even if the rest of your story is fantastic.

#pretty cure #hirogaru sky precure #cure sky #sora harewataru #writing advice #writing community #writeblr

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sardinesandhumbugs · 1 year

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ok this is sudden but you know that modernization reboot series of witw called toadlly awesome that was thought was cancelled? apparently it actually released on august 25th and it’s pretty different than the trailer i once shared. it’s 3 minute shorts instead of being 11 minute episodes like it was originally advertised and most of the characters like the old chief weasel and that one fairy are gone and replaced with just twin weasels. you can some videos on the powerkids youtube channel

Wow, they really changed some things up with this!

It's neat to see witw being used as a basis for a kid's tv show, but this is... uh, not quite what I expected! With the lack of dialogue and the frantic animation speed, this feels a little like a fever dream. (tbf, most shows aimed at younger kids do for me nowadays, so this is probably a case of me being very much the wrong demographic!)

(I was about to say I think witw would work amazingly as a kid's tv show in the right hands, but then I remembered that Cosgrove Hall actually already did that in the 80s)

#wind in the willows #it was good to get an update on this!#but this is more bizarre than I was expecting XD #I would love to see witw adapted into a kids tv show reboot the same way peter rabbit or winnie the pooh has #but honestly the 80s show did a pretty good job #(I mean it was done by the same company as dangermouse so that explains it)#so I don't have any room to complain

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toitown · 3 years

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Thoughts on the Haunt Couture Dolls…

So, I’m gonna preface this with noting that I’ve been with Monster High for 12 years now. I got my first one ever when I was 7 back in 2010, she was the og Frankie Stein and to see her be the first one of the reboot to drop feels almost symbolic for me. I wanted Frankie to be the first new MH doll I buy since she was my first so long ago. I am a very sentimental person, and Monster High means a lot to me. I don’t think I’d be who I am today without these dolls. Please keep that in mind during this little mini-rant. With that being said, I’m putting my thoughts into a numbered list for simplicity’s sake:

I genuinely like the doll designs, I’m not falling head over heals for any of them, but I like them. There’s lots of cool details that went into their outfits that I think captures the spirit of the original outfits.

Even though I like them, I’m not sure if I $75+ like them. I’m extremely lucky to be in a place where I’m able to buy any of them on this short of a notice. But regardless, that’s a high price, even for a Mattel Creations doll. I’m also looking into buying some other things right now. So I might just save up for the release of the all-ages dolls. I’ll probably be mulling this over for the rest of the night.

I don’t know if I quite vibe with this new Frankie Stein. Don’t get me wrong, I think she looks great. But sometimes it can be be hard to tell how much you vibe with a doll that you’re on the fence about until you see them in person. It’s something about her eyes. I can’t quite put my finger on it. Something about them just seems so…not Frankie (in my personal opinion). I know that I’m obviously biased towards the original Frankie, and I don’t think there’s anything wrong with the way her eyes are designed in the slightest, but if I’m spending $75+ on a doll, I want to really love her. And I just don’t know if I do with this doll.

I really wish this was an in store release. Even if they were still at their current price point, at least if they were an in store release I could go and see them in person and decide if I vibed. I know that Mattel wants to build up intrigue and hype, but they could’ve absolutely done that while still giving the fans a heads up about the dolls’ price, release date, and where to find them.

I’ve seen some images floating around of the dolls in box and…just wow. I don’t know the source of the images. It’s either that these images are leaked prototype images of what the dolls look like in box or it’s a really bad case false advertising. That’s what’s so hard with these limited edition online only releases. It’s hard to tell what you’re truly getting. Most limited edition items (be it a doll or a pack of Oreos or what not) are specifically designed to convince people to impulse buy, it plays on that fear of missing out- of not getting this amazing one time thing. I think that’s why these dolls are limited to the extent that they are, even though Mattel probably could sell them for the same price as an Extra Barbie or at least another Skullector doll. The marketers know that people want these dolls, and are willing to pay high prices because they love the brand and characters. Mix those things together and you can make a lot of profit as a company. I think a lot of people have stood by this franchise for 12 years because of the art and how important Monster High is for them as people. I know that’s the case for me. They’re immensely important to me, and it’s why despite not loving the dolls that I’m thinking of buying on anyways. I think it’s really important to remember that while there are a lot of amazing artists making up the backbone of MH, MH is a brand of a juggernaut company who’s ultimate goal is to make as much profit as possible. Which absolutely sucks when artists have to compromise their art for company standards and consumers have to settle for lesser products or ridiculously high prices. But that’s life, things suck sometimes and you just have to deal with it. Better to have loved and lost than never to have loved at all.

All in all, this whole thing is very murky and uncertain for me. I don’t know what I’m doing or quite how to feel and it’s making me waaay more anxious than it has any right to.

That’s about it! Sorry for this weird rant-thing, but I really needed to say it or it was gonna eat me alive. Plus I’ve basically avoided talking about the reboot up until this point, and now that it’s here I feel obligated to throw my 2 cents into the pile. Thank you all for listening to me ramble about a doll! It means a lot that there’s a community who understands. :)

#aren’t fandoms supposed to be fun?#this is causing me too much stress #mh #monster high #m1n3 #monster high 2022 #monster high reboot

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shihalyfie · 3 years

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Hi :) If it's not too much trouble, could you please share your take on why they'd continue the Adventure brand after tri. was such a flop? (and a tangent: what does "dark history" even mean?). We got Kizuna, the reboot, and a 02 movie. Logically, it doesn't really make sense they'd keep investing in it.

This is a thorny topic, and I'd like to reiterate that although I've ended up making more posts related to this series and the discourse surrounding it recently (probably because it's even more on the mind now that another movie is on the horizon and a lot of people are apprehensive for various reasons), I do not want this blog to be making a brand out of being critical of this series. I’m writing this here and in public because I figured that there is a certain degree I need to clarify what I mean about audience reception/climate and how it might impact current or future works, and I’m admittedly also more than a little upset that I occasionally see Western fanbase criticisms of the series getting dismissed by people claiming that the only people mad about it are dramamongering or ignorant Westerners (which could not be further from the truth). However, this is mainly to address this and to answer your question, and is not intended to try and change anyone's existing opinion or impression of the series as much as it's me trying to explain (from my own personal reading of the situation) what practically went down with critical reception in real life; no more, no less.

The short summary of the matter is:

The series was a moderate financial success (albeit with some caveats; see the long version for details) and definitely outstripped a lot of prior attempts to revive the franchise;

However, the overall Japanese fanbase-side critical backlash from tri. was extremely and viciously negative to the point where even acknowledging the series too much could easily result in controversy;

Kizuna’s production and the PR surrounding it very obviously have this in mind with a lot of apparent “damage control” elements.

The long version is below.

Note that while I try to be diligent about citing my sources so people understand that I’m not just making things up wholesale, I’m deliberately refraining from linking certain things here this time, both because some of the things mentioned have some pretty crude things written there -- it’s not something I feel comfortable directing people to regardless of what language it’s in -- and because I don’t want to recklessly link things on social media and cause anyone to go after or harass the people involved. For the links that have been provided, please still be warned that some of them don’t really link to particularly pleasant things.

I am not writing the following information to suggest that anyone should agree or disagree with the sentiments being described. I know people tend to take "a lot of people like/hate this" as a signal of implication "it is correct to like/hate this" when it's not (and I especially dislike the idea of implying that Japanese fanbase opinions are the only correct ones). There's a reason I focus on "critical reception being this way" (because it influences marketing decisions and future direction) rather than how much this should impact one's personal feelings; this is coming from myself as someone who is shamelessly proud of liking many things that had bad critical reception, were financial failures, or are disliked by many. As I point out near the end, the situation also does seem to be changing for the better in more recent years as well.

Also, to be clear, I'm a single person who's observing everything best I can from my end, I have no affiliations with staff nor do I claim to, and as much as I'm capable of reading Japanese and thus reading a lot of people's impressions, I'm ultimately still another “outsider” looking in. These are my impressions from my observation of fan communal spaces, following artists and reading comments on social media and art posting websites, and results from social media searches. In the end, I know as much as anyone else about what happened, so this is just my two cents based on all of my personal observations.

A fanbase is a fanbase regardless of what part of the world you're from. There are people who love it and are shameless about saying so. There are people who have mixed feelings or at least aren't on extreme ends of the spectrum (as always, the loudest ones are always the most visible, but it's not always easy to claim they're the predominant percentage of the fanbase). That happens everywhere, and I still find that on every end I've seen. However, if I'm talking about my impressions and everything I’ve encountered, I will say that the overall Japanese reaction to tri. comes off as significantly more violently negative on average than the Western one, which is unusual because often it's the other way around. (I personally feel less so because the opinions are that fundamentally different and more so because we're honestly kind of loud and in-your-face people; otherwise, humans are mostly the same everywhere, and more often than not people feel roughly the same about everything if they’re given the same information to work with.)

This is not something I can say lightly, and thus would not say if I didn’t really get this impression, but...we're talking "casually looking up movie reviews for Kizuna have an overwhelming amount of people casually citing any acknowledgment of tri. elements as a negative element", or the fact that even communal wikis for "general" fandoms like Pixiv and Aniwota don't tend to hold back in being vicious about it (as of this writing, Pixiv's wiki refuses to consider it in the same timeline as Adventure, accusing it of being "a series that claims to be a sequel set three years after 02 but is in fact something different"). Again, there are people who openly enjoy it and actively advocate for it (and Pixiv even warns people to not lord over others about it condescendingly because of the fact that such people do exist), and this is also more of a reflection of “the hardcore fanbase on the Internet” and not necessarily the mainstream (after all, there are quite a few other Digimon works where the critical reception varies very heavily between the two). Nevertheless, the take-home is that the reputation is overall negative among the Internet fanbase to the point that this is the kind of sentiment you run into without trying all that hard.

I think, generally speaking, if we're just talking about why a lot of people resent the series, the reasons aren't that different from those on the Western side. However, that issue of "dark history" (黒歴史): there's a certain degree of demand from the more violently negative side of the fanbase that's, in a sense, asking official to treat it as a disgrace and never acknowledge it ever again, hence why Kizuna doing so much as borrowing things from it rather than rejecting it outright is still sometimes treated like it’s committing a sin. So it's somewhat close in spirit to a retcon movement, which is unusual because no other Digimon series gets this (not even 02; that was definitely a thing on the Western end, but while I'm sure there are people who hate it that much on their end too, I've never really seen it gain enough momentum for anyone to take it seriously). If anyone ever tells you that Japanese fanbases are nice to everything, either they don't know Japanese, are being willfully ignorant, or are lying to you, because there is such thing as drama in those areas, and in my experience, I've seen things get really nasty when things are sufficiently pushed over the edge, and if a fanbase wants to have drama, it will have drama. This happens to be one of those times.

(If you think this is extreme, please know that I also think so too, so I hope you really understand that me describing this sentiment does not mean I am personally endorsing it. Also, let me reiterate that the loudest section of the fanbase is not necessarily the predominant one; after all, as someone who’s been watching reactions to 02 over the years, I myself can attest that its hatedom has historically made it sound more despised than it actually is in practice.)

My impression is that the primary core sentiment behind why the series so much as existing and being validated is considered such an offense (rather than, say, just saying "wow, that writing was bad" and moving on) is heavily tied to the release circumstances the series came out in during 2015-2018, and the idea that "this series disrespected Adventure, and also disrespected the fanbase.” (I mean, really, regardless of what part of the world you’re from, sequels and adaptations tend to be held to a higher bar of expectation than standalone works, because they’re expected to do them justice.) A list of complaints I’ve come across a lot while reading through the above:

The Japanese fanbase is pretty good at recordkeeping when it comes to Adventure universe lore, partially because they got a lot of extra materials that weren’t localized, but also partially because adherence to it seems to generally be more Serious Business to them than it is elsewhere. For instance, “according to Adventure episode 45, ‘the one who wishes for stability’ (Homeostasis) only started choosing children in 1995, and therefore there can be no Chosen Children before 1995” is taken with such gravity that this, not anything to do with evolutions or timeline issues, is the main reason Hurricane Touchdown’s canonicity was disputed in that arena (because Wallace implies that he met his partners before 1995). It’s a huge reason the question of Kizuna also potentially not complying to lore came to the forefront, because tri. so flagrantly contradicts it so much that this issue became very high on the evaluation checklist. In practice, Kizuna actually goes against Adventure/02 very little, so the reason tri. in particular comes under fire for this is that it does it so blatantly there were theories as early as Part 1 that this series must take place in a parallel universe or something, and as soon as it became clear it didn’t, the resulting sentiment was “wow, you seriously thought nobody would notice?” (thus “disrespecting the audience”).

A lot of the characterization incongruity is extremely obvious when you’re following only the Japanese version, partially because it didn’t have certain localization-induced characterization changes (you are significantly less likely to notice a disparity with Mimi if you’re working off the American English dub where they actually did make her likely to step on others’ toes and be condescending, whereas in Japanese the disparity is jarring and hard to miss) and partially due to some things lost in translation (Mimi improperly using rough language on elders is much easier to spot as incongruity if you’re familiar with the language). Because it’s so difficult to miss, and honestly feels like a lot of strange writing decisions you’d make only if you really had no concept of what on earth happened in the original series, it only contributes to the idea that they were handling Adventure carelessly and disrespectfully without paying attention to what the series was even about (that, or worse, they didn’t care).

02 is generally well-liked there! It’s controversial no matter where you go, but as I said earlier, there was no way a retcon movement would have ever been taken seriously, and the predominant sentiment is that, even if you’re not a huge fan of it, its place in canon (even the epilogue) should be respected. So not only flagrantly going against 02-introduced lore but also doing that to a certain quartet is seen as malicious, and you don’t have as much of the converse discourse celebrating murdering the 02 quartet (yeah, that’s a thing that happened here) or accusing people with complaints of “just being salty because they like 02″ as nearly as much of a factor; I did see it happen, or at least dismissals akin to “well it’s Adventure targeted anyway,” but they were much less frequent. The issue with the 02 quartet is usually the first major one brought up, and there’s a lot of complaints even among those who don’t care for 02 as much that the way they went about it was inhumane and hypocritical, especially when killing Imperialdramon is fine but killing Meicoomon is a sin. Also, again, “you seriously think nobody will see a problem with how this doesn’t make sense?”

I think even those who are fans of the series generally agree with this, but part of the reason the actual real-life time this series went on is an important factor is that the PR campaign for this series was godawful. Nine months of clicking on an egg on a website pretending like audience participation meant something when in actuality it was blatantly obvious it was just a smokescreen to reveal info whenever they were ready? This resulted in a chain effect where even more innocuous/defensible things were viewed in a suspicious or negative light (for instance, "the scam of selling the fake Kaiser's goggles knowing Ken fans would buy it only to reveal that it's not him anyway"), and a bunch of progressively out-of-touch-with-the-fanbase statements and poor choices led to more sentiment “yeah, you’re just insulting the fanbase at this point,” and a general erosion of trust in official overall.

On top of that, the choice of release format to have it spread out as six movies over three years seems to have exacerbated the backlash to get much worse than it would have been otherwise, especially since one of the major grievances with the series is that how it basically strung people along, building up more and more unanswered questions before it became apparent it was never going to answer them anyway. So when you’re getting that frustrated feeling over three whole years, it feels like three years of prolonged torture, and it becomes much harder to forgive for the fallout than if you’d just marathoned the entire thing at once.

For those who are really into the Digimon (i.e. species) lore and null canon, while I’m not particularly well-versed in that side of the fanbase, it seems tri. fell afoul of them too for having inaccurately portrayed (at one point, mislabeled) special attacks and poorly done battle choreography, along with the treatment of Digimon in general (infantilized Digimon characterization, general lack of Digimon characters in general, very flippant treatment of the Digital World in Parts 3-5). If you say you’re going to “reboot” the Digital World and not address the entire can of worms that comes with basically damaging an entire civilization of Digimon, as you can imagine, a lot of people who actually really care about that are going to be pissed, and the emerging sentiment is “you’re billing this as a Digimon work, but you don’t even care about the monsters that make up this franchise.”

The director does not have a very positive reputation among those who know his work (beyond just Digimon), and in general there was a lot of suspicion around the fact they decided to get a guy whose career has primarily been built on harem and fanservice anime to direct a sequel to a children’s series. Add to that a ton of increasingly unnerving statements about how he intended to make the series “mature” in comparison to its predecessor (basically, an implication that Adventure and 02 were happy happy joy series where nothing bad ever happened) and descriptions of Adventure that implied a very, very poor grasp of anything that happened in it: inaccurate descriptions of their characters, poor awareness of 02′s place in the narrative, outright saying in Febri that he saw the Digimon as like perpetual kindergartners even after evolving, and generally such a flippant attitude that it drove home the idea that the director of an Adventure sequel had no respect for Adventure, made this series just to maliciously dunk on it for supposedly being immature, and has such a poor grasp of what it even was that it’s possible he may not have seen it in the first place (or if he did, clearly skimmed it to the extent he understood it poorly to pretty disturbing levels). As of this writing, Aniwota Wiki directly cites him as a major reason for the backlash.

In general, consensus seems to be that the most positively received aspect of the series (story-wise) was Part 3 (mostly its ending, but some are more amenable to the Takeru and Patamon drama), and the worst vitriol goes towards Parts 2 (for the blatantly contradictory portrayal of Mimi and Jou and the hypocritical killing of Imperialdramon) and 4 (basically the “point of no return” where even more optimistic people started getting really turned off). This is also what I suspect is behind the numbers on the infamous DigiPoll (although the percentage difference is admittedly low enough to fall within margin of error). However, there was suspicion about the series even from Part 1, with one prominent fanartist openly stating that it felt more like meeting a ton of new people than it did reuniting with anyone they knew.

So with all of that on the table: how did this affect official? The thing is that when I say “violently negative”, I mean that also entailed spamming official with said violently negative social media comments. While this is speculation, I am fairly certain that official must have realized how bad this was getting as early as between Parts 4 and 5, because that’s where a lot of really suspicious things started happening behind the scenes; while I imagine the anime series itself was now too far in to really do anything about it, one of the most visible producers suddenly vanished from the producer lineup and was replaced by Kinoshita Yousuke, who ended up being the only member of tri. staff shared with Kizuna (and, in general, the fact that not a single member of staff otherwise was retained kind of says a lot). Once the series ended in 2018 and the franchise slowly moved into Kizuna-related things, you might notice that tri.-branded merch production almost entirely screeched to a halt and official has been very touchy about acknowledging it too deeply; it’s not that they don’t, but it’s kind of an awfully low amount for what you’d think would be warranted for a series that’s supposed to be a full entry in the big-name Adventure brand.

The reason is, simply, that if they do acknowledge it too much, people will get pissed at them. That’s presumably why the tri. stage play (made during that interim period between Parts 4 and 5 and even branded with the title itself) and Kizuna are really hesitant to be too aggressive about tri. references; it’s not necessarily that official wants to blot it out of history like the most extreme opinions would like them to, but even being too enthusiastic about affirming it will also get them backlash, especially if the things they affirm are contradictory to Adventure or 02. And considering even the small references they did put in still got them criticism for “affirming” tri. too much, you can easily see that the backlash would have been much harder if they’d attempted more than that; staying as close as possible to Adventure and 02 and trying to deal with tri. elements only when they’re comparatively inoffensive was pretty much the “safe” thing to do in this scenario (especially since fully denying tri. would most certainly upset the people who did like the series, and if you have to ask me, I personally think this would have been a pretty crude thing to have done right after the series had just finished). Even interviews taken after the fact often involve quickly disclaiming involvement with the series, or, if they have to bring up something about it, discussing the less controversial aspects like the art (while the character designs were still controversial, it’s at least at the point where some fanartists will still be willing to make use of them even if they dislike the series, albeit often with prominent disclaimers) or the more well-received parts of Part 3; Kizuna was very conspicuously marketed as a standalone movie, even if it shared the point of “the Adventure kids, but older” that tri. had.

(Incidentally, the tri. stage play has generally been met with a good reputation and was received well even among people who were upset with the anime, so it was well-understood that they had no relation. In fact, said stage play is probably even better received than Kizuna, although that’s not too surprising given the controversial territory Kizuna goes into, making the stage play feel very play-it-safe in comparison.)

So, if we’re going to talk about Kizuna in particular: tri. was, to some degree, a moderate financial success, in the sense that it made quite a bit of money and did a lot to raise awareness of the Digimon brand still continuing...however, if you actually look at the sales figures for tri., they go down every movie; part of it was probably because of the progressively higher “hurdle” to get into a series midway, but consider that Gundam Unicorn (a movie series which tri.’s format was often compared to) had its sales go up per movie thanks to word of mouth and hype. So while tri. does seem to have gotten enough money to help sustain the franchise at first, the trade-off was an extremely livid fanbase that had shattered faith in the brand and in official, and so while continuing the Adventure brand might still be profitable, there was no way they were going to get away with continuing to do this lest everything eventually crash and burn.

Hence, if you look at the way Kizuna was produced and advertised, you can see a lot of it is blatantly geared at addressing a lot of the woes aimed at tri.: instead of the staff that had virtually no affiliation with Toei, the main members of staff announced were either from the original series (Seki and Yamatoya) or openly childhood fans, the 02 quartet was made into a huge advertising point as a dramatic DigiFes reveal (and character profies that tie into the 02 epilogue careers prominently part of the advertising from day one), and they even seemed to acknowledge the burnout on the original Adventure group by advertising it so heavily as “the last adventure of Taichi and his friends”, so you can see that there’s a huge sentiment of “damage control” with it. How successful that was...is debatable, since opinions have been all over the board; quite a few people were naturally so livid at what happened with tri. that Kizuna was just opening more of the wound, but there were also people who liked it much better and were willing to acknowledge it (with varying levels of enthusiasm, some simply saying “it was thankfully okay,” and some outright loving it), and there was a general sentiment even among those who disliked both that they at least understood what Kizuna was going for and that it didn’t feel as inherently disrespectful. (Of course, there are people who loved tri. and hated Kizuna, and there are people who loved both, too.)

Moreover, Kizuna actually has a slightly different target audience from tri.; there’s a pretty big difference between an OVA and a theatrical movie, and, quite simply, Kizuna was made under the assumption that a lot of people watching it may not have even seen tri. in the first place. An average of 11% of the country watched Adventure and 02, but the number of people who watched tri. is much smaller, in part due to the fact that its “theater” screenings were only very limited screenings compared to Kizuna being shown in theaters in Japan and worldwide, and in part due to the fact that watching six parts over three years is a pretty huge commitment for someone who may barely remember Digimon as anything beyond a show they watched as a kid, and may be liable to just fall off partway through because they simply just forgot. (Which also probably wasn’t helped by the infamously negative reputation, something that definitely wouldn’t encourage someone already on the fence.) And that’s yet another reason Kizuna couldn’t make too many concrete tri. references; being a theatrical movie, it needs to have as wide appeal as possible, and couldn’t risk locking out an audience that had a very high likelihood of not having seen it, much less to the end -- it may have somewhat been informed by tri.’s moderate financial success and precedent, but it ultimately was made for the original Adventure and 02 audience more than anything else.

I would say that, generally, while Kizuna is “controversial” for sure, reception towards the movie seems to be more positive than negative, it won over a large chunk of people who were burned out by tri., and it clearly seems to have been received well enough that it’s still being cashed in on a year after its release. The sheer existence of the upcoming 02-based movie is also probably a sign of Kizuna’s financial and critical success; Kinoshita confirmed at DigiFes 2020 that nothing was in production at the time, and stated shortly after the movie’s announcement that work on it had just started. So the decision to make it seems to have been made after eyeing Kizuna’s reception, and, moreover, the movie was initially advertised from the get-go with Kizuna’s director and writer (Taguchi and Yamatoya), meaning those two have curried enough goodwill from the fanbase that this can be used to promote the movie. (If not, you would think that having and advertising Seki would be the bigger priority.) While this is my own sentiment, I am personally doubtful official would have even considered 02 something remotely profitable enough on its own to cash in on if it weren’t for this entire sequence of events of 02′s snubbing in tri. revealing how much of a fanbase it had (especially with the sheer degree of “suspicious overcompensation” Kizuna had with its copious use of the 02 quartet and it tagging a remix of the first 02 ED on the Hanareteitemo single, followed by the drama CD and character songs), followed by Kizuna having success in advertising with them so heavily. Given all of the events between 2015 and now, it’s a bit ironic to see that 02 has now become basically the last resort to be able to continue anything in the original Adventure universe without getting too many people upset at them about it.

The bright side coming out of all of this is that, while it’s still a bit early to tell, now that we’re three years out from tri. finishing up and with Kizuna in the game, it seems there’s a possibility for things improving around tri.’s reception as well. Since a lot of the worst heated points of backlash against it have a very “you had to have been there” element (related to the PR, release schedule, and staff comments), those coming in “late” don’t have as much reason to be as pissed at it; I’ve seen at least one case of a fanartist getting back into the franchise because of Kizuna hype, watching tri. to catch up, casually criticizing it on Twitter, and moving on with their life, presumably because marathoning the whole thing being generally aware of what’ll happen in it and knowing Kizuna is coming after anyway gives you a lot less reason to be angry to the point of holding an outright grudge. Basically, even if you don’t like it, it’s much easier to actually go “yeah, didn’t like that,” not worry too much about it, and move on. Likewise, I personally get the impression that official has been starting to get a little more confident about digging up elements related to it. Unfortunately, a fairly recent tweet promoting the series getting put on streaming services still got quite a few angry comments implying that they should be deleting the scourge from the Internet instead, so there’s still a long way to go, but hopefully the following years will see things improve further...

In regards to the reboot, I -- and I think a lot of people will agree with me -- have a bit of a hard time reading what exact audience it’s trying to appeal to; we have a few hints from official that they want parents to watch it with their children, and that it may have been a necessary ploy in order to secure their original timeslot. So basically, the Adventure branding gets parents who grew up with the original series to be interested in it and to show it to their kids, and convinces Fuji TV that it might be profitable. But as most people have figured by now, the series has a completely different philosophy and writing style -- I mean, the interview itself functionally admits it’s here to be more action-oriented and to have its own identity -- and the target audience is more the kids than anything else. As for the Internet fanbase of veterans, most people have been critical of its character writing and pacing, but other than a few stragglers who are still really pissed, it hasn’t attracted all that much vitriol, probably because in the end it’s an alternate universe, it doesn’t have any obligation to adhere to anything from the original even if it uses the branding, and it’s clearly still doing its job of being a kids’ show for kids who never saw the original series nor 02, so an attempt to call it “disrespectful” to the original doesn’t have much to stand on. A good number of people who are bored of it decided it wasn’t interesting to them and dropped it without incident, while other people are generally just enjoying it for being fun, and the huge amount of Digimon franchise fanservice with underrepresented Digimon and high fidelity to null canon lore is really pleasing the side of the fanbase that’s into that (I mean, Digimon World Golemon is really deep in), so at the very least, there’s not a lot to be super-upset about.

#tri negativity #shiha's ask box #springcrafter

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dukeofonions · 3 years

Note

Sensing a pattern thanks to the critical fans' asks... I'm a professional producer who's attempted on numerous occasions (unsuccessfully) to secure Thomas for a part in a Broadway-bound musical. TL;DR: How he and his team -- not just friends, but "pros" -- "run their railroad" confuses the hell out of us, and is probably the biggest obstacle to his getting anywhere besides YouTube. Frankly, we now wonder if this is by design and not just typical lack of experience winning the race, as it were...

(Sorry it took so long to respond work has been killing me the past few days.)

Longer Version (1/?): We've been working on this musical for just over a decade, and after we discovered Thomas's long-form content and the singles he's released, we thought he was a good fit for it. Without going into detail, the show's always been kind of a long shot, for many reasons, but we (still) think it'd be a great showcase for his brand of talent. So we decided to approach him and to gauge his interest, since he'd discussed Broadway dreams before. And there, our troubles began...

(2/?) So, five years ago, we approached Thomas through his then-management, Reboot the People, a company that managed a *lot* of content creators back then. (Their remains still exist on Twitter @RTPfamily.) They may have been a little out of their depth when they heard our pitch, and wisely looped in his agent at the time, Ty Flynn at UTA, from whom we heard... nothing. Okay, maybe it wasn't his thing; we had other projects to pursue and we moved on but... we still kept an eye on his content.

(4/?) When we returned to the project a couple years later, Thomas was still a favorite for the part for which we had him in mind, and building a much bigger audience than before, so we decided to reach out again. The business fawsterdog email address, as I'm sure fans have discovered by now, is useless. No one there ever got back to us. More than that, when we tried to learn who was managing him now (at times pleading on Twitter and during streams for info), we kept hitting dead ends.

(5/?) We finally managed to obtain a lead when we watched the "NO ADDED SUGAR for a MONTH!" video, and someone described as Thomas's manager actually appeared on camera, Matt Hogen, the president of Direct Artist Management. Further Googling revealed Matt had apparently been his manager as far back as 2013, way earlier than we'd been directed to Reboot The People for business inquiries. To say this runaround was confusing as hell, *even for show business*, is the understatement to end them all!!!

(6/6) At that point, after all that confusion, we just gave up!! If we have to chase someone's representation to the ends of the earth, only to find out there was one person we should have been talking to the whole time, it's probably more convoluted behind the scenes, and we don't need that extra stress in our lives. Watching the recent storms unfold, and wondering how true to life the "Putting Others First" video is, we can only assume he likes the *idea* of career more than really having one...

(I lied, 7/7) Bottom line: he presents a picture of unreliability and a lack of professionalism both to his fans and to industry people, and -- assuming there's *any* autobiographical truth to Sanders Sides content -- it may be because he's deliberately not taking this seriously. If losing out on big opportunities is the price he pays for keeping his mental health and well being in check, that's fine. But it's not how you succeed in this business... in any business, really. I wish him the best...

Wow, that is a lot.

Well for starters (and I hope you don't take this the wrong way) I am the tiniest bit skeptical about this story being true. I mean I can definitely see it happening giving Thomas and the team's track record, but there are just a few things that make me hesitate.

For one thing I'm surprised that a professional producer found their way onto my blog (which I try to keep out of the open) and took the time to read through some asks then send an ask of their own. Not that it's impossible of course, because here you are. But you know anyone can claim to be anyone so I hope you don't mind my skepticism here.

And admittedly I'm not entirely sure how the producing world works along with agents, especially when it comes to getting someone cast for your show. I can't see Thomas turning an opportunity down like that unless he just wasn't interested or never knew about it.

Which, honestly, if you did try getting into contact with his agent and he was told about it and wasn't interested then ya know, the least they could do was tell you so you could start looking for someone else.

I did also find the Twitter account for Reboot The People and yeah, it's long since abandoned and I'm wondering how you even got directed there in the first place when he had a manager already (if I'm understanding the time line right)

I do kinda question the whole asking for answers in streams bit (since Thomas rarely if ever does public live streams and I don't think he did much back then the only streams he does consistently now are for patreons) and he never leaves them up anyway so it's not like I could go back and look through the chats (not that I would because I ain't got time for that) but again, it's not impossible for that to have happened. Just a tiny detail my brain got hooked on.

Even if I'm still somewhat doubtful about your story (again please don't take it the wrong way I just like to be sure before I 100% believe something) I do agree about Thomas and the team's lack of professionalism, just look at the Story Time Madlibs situation, and they continue to make decisions (especially within the patreon) that just continue to baffle me.

I mean at the end of the day no one knows what's going on behind the scenes. And as it stands Thomas has found enough success with YouTube where he's stable enough to make it his full time job and can go months or even a year without posting a video.

But he even brings this point up in one of his Sanders Sides videos that YouTube isn't a stable job, and you never know when everything can suddenly flip and before ya know it the job ain't as stable anymore, and at that point you've gotta have some kinda back up plan for if things go south.

Because eventually (and I've already seen it happening) people will just get bored without new content or just grow out of it and they'll move on. Even if they've got nothing against the creator, that's just what happens. Some will stick around but even then no one's bound to last forever. Especially when there's always new stuff to be found.

But hey, he's good where he's at for now so I guess one might as well enjoy it while they can. I would like to see him succeed in actually securing a bigger role (whether in a film, Broadway, or even a TV show) because I think he'd do really well and he has been contacted by Disney before to be in one of their shows so who knows?

#dukeofasks #long post #maybe its just a matter of time #but then again if no one can ever get ahold of the guy i can't see that happening any time soo #soon #is what i meant #i aint typing all that again im on mobile

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sashitheeblogger · 2 years

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Love to talk about this because this is very much true.

and before I get into it, it makes sense why girls go from cartoons to anime cause there barely are any girl shows that are meant for them y’know and if they are they either get cancelled or there last season is basically rushed with a finale that majority of the fandom either likes or dislikes.

Anyways let’s get into this, so for starters there were girl cartoons that were meant for girls like powerpuff girls, my little pony, winx club, strawberry shortcake, & a whole bunch of shows that I can’t name off the top of my head right now.

But there were shows that were cater to girls at one point and then I think like in my opinion they started making more cartoons that are meant for boys and obviously that’s when your like “oh there running out of ideas”.

Like there’s no way they rebooted power-puff girls in 2012 only to reboot it again in 2016 for it to be an actual series, Cartoon Network was running out of ideas.

Same thing with them rebooting Teen Titans they don’t got no other show going for them, and I think the only show they even have that’s even saving them is Craig Of The Creek other than that idk.

But anyways way back in 2016 when I was 14 and gravity falls had ended “could have saved Disney and open the doors for other shows like gravity falls if gravity falls was given another season” my friend had introduced me to anime.

And that’s when everything had changed for me after that, it’s like Anime was just so wow.

Like sailor moon meant so much to me cause it was an anime that was meant for me and so much more, and it exposed me to more shows just like that.

And when you think about that compared to what cartoons have now it’s like you start to realize “no wonder everyone likes demon slayer so much”.

cartoons can’t do what anime can do, you can have anime references but you can’t even do shows that caters to girls, teen girls, and heck even older girls like me like tf.

Like they could have gone somewhere with Amphibia and The Owl House but nope, Disney just went to crap and majority of there shows are going to be boring and go to crap.

Cartoon Network could have gone some where with Infinity Train but nope got cancelled, for what because it was to serious and it was something that could have open the doors for more shows like Infinity Train.

It’s like you see an opportunity but you don’t take it cause there’s no point in it cause it’s better to cancel shows that don’t fit your brand anyway.

It makes sense that Anime is something girls gravitate to the amount of magical girl shows, romance, and everything in between.

Shows like fullmetal alchemist, soul eater, demon slayer not only have a male cast but they have female cast doing badass shit like come on now.

Like the shit ton of female lead shows that anime has it makes sense as to why the anime industry outdid the cartoon industry.

That’s why Netflix has more animes on there cause that is the media everyone consumes nowadays.

Now you could say that it’s not true but it is, so if it isn’t true then why do you only have like four girl cartoons then but when it comes to anime you have a whole bunch of shows cater to girls like come on now.

Argue with the wall but it’s the truth girls gravitate to anime because there are no cartoons meant for them, I rest my case have a good day everyone.

Nope I didn’t come off as rude or nothing that was not my intention.

#sashispeaks #oh there going to love this one #anime you got my whole heart fr #anime industry #cartoon industry #are you fucking shitting me rn #fuck the western animation industry

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canonical-transformation · 3 years

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Metroid: Dread is so 'classic', it feels like an anachronism. It feels like a remaster of the 2006 game it was supposed to be. (For me, that's *exactly* what I wanted, even if I didn't know it when I bought it.)

I've only just finished my very first any% (9 hours, *wince*) and wow this whole experience made my tiny fangirl heart explode in a shower of little purple orbs.

(Spoiler level below: very light. ✔ no story spoilers, ⚠ some game structure discussion à la "Metroid Fusion was very linear!", ⚠ some series-generic mechanics discussion like "does bomb jumping work?")

I found it weirdly satisfying how Dread takes next to zero cues from the entire past decade of Metroidvania. It wants to be Metroid 5, and that means the exact same formula the series used in its golden years: save rooms, map rooms, the ammo recharge stations from SM, a zillion different upgrades for vertical mobility, etc.

I think the moment it first clicked for me that the devs had gone all in on "more of the same" was when I fell through my first one-way softlock, bringing back old Brinstar memories. Or maybe it was when I first entered a brand new area for three minutes, found one tiny item, and then found myself backtracking several areas to do anything useful with it.

---

The EMMIs are great the same way the SA-X was great, and nearly two decades later, they have the AI to really give you that prey-in-hunting ground feel.

I'm so curious to see what sequence breaking options are available. Although some areas are heavily gated, other blockages feel a lot more porous to the seasoned bomb-jumping shinesparker.

Also the story is such a seamless continuation to the Metroid saga but uh that's a discussion for elsewhere.

---

The problem with Dread being a spiritual successor to classic 1994 / early 00's games is that it only truly shines if you're already into Metroid.

Don't get me wrong, if you've done HK or Ori you'll have no (insurmountable) trouble navigating Dread's short and sweet main campaign. But -- perhaps ironically -- so much of the fun of this game is the familiarity.

Familiarity adds so much spice to the mix. The little fan nods to Zebes and BSL interior design, the tantalising anticipation of seeing a glowing yellow boomerang tile you can't break and knowing exactly what it needs and heck yes fun, the fun reinterpretations of decades-old colour schemes, and that's not even getting into [redacted].

Stripped of that, the game is... just a Metroidvania without much emotional connection? Go to the place, pick up the better weapon or the morph ball, backtrack to the other place. The world isn't intrinsically enticing. Some of the game's [redacted] different zones feel very distinct but many others blur together. A lot of the blame here belongs to the game's heavily-advertised 'EMMI zones' taking up huge portions of the map, but... idk, a lot of areas are liminal stretches of corridors and obstacles, with nods to biomes limited to the occasional glance out the window.

The game does not go out of its way to make you care about Samus. It doesn't go out of its way to make you care about the narrative stakes insofar as they exist. It's a lot like Super Metroid in that regard, but for major console titles these days that kind of bring-your-own-investment is a statement.

Anyway if you haven't played any Metroid games before and you're on the fence about this one, I strongly recommend playing one of the SNES or GBA games first, if you're legally able to! Partly so you know exactly what you're in for, partly so your appetite is properly whetted.

---

TL;DR if you're excited for Metroid: Dread, stay excited. It's a continuation not a reboot, so franchise newbies, temper expectations accordingly.

#metroid: dread #metroid series #metroid dread review #my reviews #rose tinted glasses / nostalgia / positivity

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witchesoftheworldignite · 4 years

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Netflix: “Hello! Look at this brand new series we created for you! It has lots of cool visual effects and hot people!”

Me: “Haha, thanks, but I’m just here to watch Star Trek.”

Netflix: “Okay, but what about this anime everybody loves that we rebooted? Don’t you wanna check out what all the hype is about??”

Me: “I wonder what Janeway is gonna get up to this time.”

Netflix: *sweating* “We added this cool random button so you can be exposed to new media you haven’t encountered before!”

Me: “Wow, another episode about what it means to be alive and the right to life and death. Love it.”

Netflix: “PLEASE WE’RE SPENDING SO MUCH MONEY ON NEW ORIGINAL CONTENT, PLEASE WATCH SOMETHING LESS THAN 30 YEARS OLD”

Me: “Phew, finally finished Voyager. Time to start on DS9!”

Netflix: “AAAAAUUUGGggghHHHHH”

#Netflix aka the Star Trek Channel #I guess that's actually CBS now though huh #Star Trek #Voyager #DS9 #Deep Space 9 #comfort show #I just feel like the ads and suggestions on Netflix are always trying to get me to watch something else #but I've pretty much been using it expressly just to watch Star Trek

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carmenxjulia · 3 years

Photo

Showrunner Duane Capizzi did an informal Q&A session with some fans in a CS chatroom. There are several question askers, all marked by name. Get some insider knowledge on the show, after the break!

Duane Capizzi:

Just checking things out! Feel like I'm poking my head through a door at a party I'm crashing haha.

Fun to see everyone hanging out and talking all good things Carmen

Can't stay long - I should have taken the code name "Crimson Phantom"

Crimson Phantom - I like the sound of that (if it's not already taken haha)

Carmen:

It's an awesome nickname! Personally I'm more of a Scarlet Santa Rosa person myself- I love that little interaction with Jules and Carmen in the special

Duane Capizzi:

Scarlet Santa Rosa! Yes, that was really cute between them. Too cute in fact.

Coach Brunt had some names for her too if i recollect

Arden:

Lambkins

Wren:

Didn't Brunt also call her Monica Santa Monica once?

Mage:

Yeah in the Boston episode

Also Josie San Jose

Arden:

I personally prefer Fedora the Explora

Duane Capizzi:

Josie yes hahaha

I can't believe we got away with Fedora the Explorer! I thought that would be noted but I'm glad we did. So funny!

Carmen is amazing! She "owns" whatever she wears, doesn't she?

Carmen:

She definitely owns Carmen Brand Outerwear

Duane Capizzi:

I'll share another tidbit though (along the lines of Carmen being a love story where everyone is in love with Carmen).

It was important for obvious reasons that the show be (among other things) about female empowerment. And we wanted to celebrate fashion of course. But it was super important to me to not fall into the "male gaze" trap. That was something I imparted to the storyboard crew and directors. It's a fine line, I know, but I think we succeeded.

Arden:

You sure did. What I adore about Carmen Sandiego is how unsexualized all the characters were while still being inclusive to different body types and races

Duane Capizzi:

Well artists love to sneak things in! So it was a little rule I had

They were mostly great about it - in all the 32 episodes, I think I asked to change only two shots for that reason. Where I had to go "ahem"

"Outerwear" sounds so peculiar but I think that's what made it work. I kept changing it back and forth and sometimes I'm surprised to see/hear it in the show. For the longest time it was "Carmen Clothiers." Did I make the right decision? Sometimes you can rework things too much and lose sight - it happens!

The one shot that leaps to mind was Shadowsan carrying her fireman style at top of 202, as they were escaping through the tunnels. Her, um, fundamentals were just a little too front and center to not fall into the "male gaze" trap. Nothing awful! It was borderline. We just adjusted the angle a bit

Julia:

My favorite most definitely has to be her formal wear from the "need for speed caper"

Duane Capizzi:

I'd have to think about my favorite outfit or top five. All her evening gowns of course!

Maybe "witch." We couldn't make it red because it would not have been a very good disguise (plus, you know: "Scarlet Witch" haha).

But let's not underestimate her signature hat/coat - I continue to be enamored with how we updated her look from the old trench coat thing.

Arden:

Not me suddenly motivated to draw Carmen in a scarlet witch outfit

Duane Capizzi:

Then you have to draw Zack as Pietro!

(or Player? Only his fingers are speedy)

Arden:

Idea: what if player (or Shadowsan) was Pietro

Duane Capizzi:

Shadowsan IS Pietro. He's so quick you never see him move.

Wren:

Shadowsan's fight with Brunt where it went slowmo and he moved fast was so cool!

Duane Capizzi:

Hey, Shadowsan is quite the fashion plate too - am I right?

I love the outfits on the show. So good! So perfect! But, I'm not being very modest am I

I really love SS in the dark trench coat. So. Bad. Ass.

Carmen:

Any thoughts on the Fashionista memory thing?

Duane Capizzi:

Fashionista, sure! What do you want to know?

Carmen:

Give me a second-

Duane Capizzi:

Thank you for noting the aesthetics on the show! Much effort, passion and vision from all involved - Chromosphere, our directors, animators, composers, sound mixers - everyone gave it all they had, it was so inspiring for all involved.

Carmen:

Was there any significance to that specific memory- Carmen defending Julia in the Fashionista Caper- being chosen as the first memory she remembered when she went outside? Like, why that scene specifically over any others for example?

(referring to the finale)

Duane Capizzi:

Oh, that! To be honest, not from me: we were just trying to do the "swirl of confused memories" like we did with Gray earlier in the season. We wanted to show that the ACME device had jostled some old memories loose and that "the girl agent with glasses" was now taking root in Carmen's rush of memories/emotions

But that specific memory, not necessarily from my POV - it could have been any number of Julia moments, like their first meeting on the train (for instance)

The director Jos Humphrey must have picked it. It worked for me!

Carmen:

We all loved that it was that specific memory that was chosen out of all Julia and Carmen moments, the fact that she remembered defending her was an added emotional experience to the already emotional finale

Duane Capizzi:

Well let's talk about the original scene in 204! On the surface just a light fun episode, but so many things came together there: Shadowsan connecting with Player; SS getting his new clothes; but the key thing was switching Julia back from doing Chief's bidding back to Carmen's side. The episode was built around the moment that Carmen pulls Julia on stage with her (I'm not kidding). That was THE moment

Carmen:

We have MANY questions... we should probably set a limit

Duane Capizzi:

Ask away - I don't mind. Honestly, Carmen is my favorite topic! I've been living, breathing, dreaming Carmen for the last 5 years! I don't think there's much to say, I think it's all there on screen. But happy to talk about it because I love to

Cam:

I have a question, what about the color theory in Carmen Sandiego? What do you think certain colors mean as in, blue, yellow, green, and red.

we have our own ideas about the colors but it would be interesting to hear from your perspective

Duane Capizzi:

Color theory! Well chromosphere color scripts every episode (!). If those haven't been shared publicly yet remind me, maybe I can get permission to do so or have them do it. They are lovely to behold.

But basically Carmen = red (duh); Vile = green; Acme = blue. That's the simple version. We started talking about that early on.

color scripts = they do thumbnail art of key scenes to share mood/emotion

we tried to NOT use red for non-Carmen scenes; and scenes where she was significant the color red would be dominant or sometimes symbolically precede her (for instance).

If you google color scripts I'm sure you will see some come up. Try Pixar color scripts for instance. There's a great Art of Pixar book with their color scripts.

Arden:

Do you think Julia is blue or purple?

Duane Capizzi:

Haha, Jules definitely purple! Cute.

Mage:

You've just confirmed the whole color theory these guys have been working on for a while.

Duane Capizzi:

I was actually being funny - is she actually color scripted purple in the series? Wow, my mind might be blown

Garfield:

Now I have a question!

Julia has great admiration and respect for Carmen. Do you think Carmen has as much respect and admiration for Julia as Julia does for her?

Duane Capizzi:

I think Julia might just be a little infatuated with Carmen (even if she hasn't fully articulated how to herself - remember, the show may be sophisticated but it's still a kids show). But mostly Julia just knows/intuits/deduces Carmen's a good guy, pretty much from the beginning. I think the two have a connection that defies space and time in some ways - look at how much they work in tandem without being in the same scenes together much of the time. I love that!

As for Carmen, of course she respects Julia: she knows Julia "gets" her, and respects Julia's smarts and mutual love of history/respect for cultures.

I love how Chase is the ultimate buzzkill for whatever might be stirring in Julia as she's watching Carmen fly away in the Pilot. She's like, "whooaa ..." Then Chase falls onto the windshield. Hilarious!

Nina:

I was actually wondering if Carmen and Julia were meant to have opposing color schemes? With Julia's original outfit I mean

Duane Capizzi:

Oh, good question about Julia's original outfit: I'd have to think about that or ask Jos or Chromosphere. J's colors ARE sort of a drabber distant cousin to Carmen's, aren't they? I think mostly we just wanted "drab workaday" colors for Interpol, knowing that both of them would eventually be slicked up as ACME Agents.

Nova:

Devineaux is immune to injuries it is the only reason why he has lasted so long in ACME and Interpol

Duane Capizzi:

Devineaux, one of my favorite lines: "I did not know you two kept in touch."

Am I right?

SelinIndigo:

I have one question:

Will we ever know Carmen's given name? Also, if you don't mind when is her birthday in this reboot?

Duane Capizzi:

Carmen's given name: never say never! But for where our series ended, I thought it would just interfere. That's not how I wanted you to remember her. It would have just been a label and spoiled her mystique IMO

Player, however: we totally messed with you! "Mr. Bouchard."

Carmen's birthday?

Hmmm.

Maybe month and day but not year: would hate to date the show

I also don't like naming ages in shows because it just gets weird with timelines and such. Or can be.

Carmen:

I made a post about this a while back— how did Carmen end up getting Julia's apartment address? did she just text her for it or straight up ask? did she find out on her own in the least stalker-y way possible? I just have so many theories- do you have any thoughts on it?

Duane Capizzi:

The apartment in the IA special? Oh that whole story was like one big dream sequence ;)

Arden:

What does the wink mean? Does Julia even live in an apartment?

Nina:

Does that mean Carmen dreamt she gave Julia roses or-

Duane Capizzi:

We played things faster and looser for fun there

Okay, I just saw what time it is. Yikes! Time flies when you're having fun. Well THANK YOU EVERYONE (for loving the show, for building this site, for being you.

#Carmen Sandiego #Duane Capizzi #CS Crew #Interview #Transcript

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eluminium · 4 years

Text

Raid (hehe fanfic)

So i made a Masqueraiders (belongs to @reginaldcopperbottom) fanfic because i could. Yes it’s about 3k words. This one has been a long time in the making and I’m happy i finally got it done!

Please enjoy!

A groan escaped his throat as the car sent vibrations throughout his tired body. This was 100% not his day.

Scratch that, this was 100% not his week.

Although he knew that from the glorious hour he rose from his bed, with soreness traveling down his spine like a waterslide. These past days had been hell for the department, with criminal organizations raiding places left, right, and center. Good sleep was a rarity, and many fellow cops were falling asleep by their desks, only to be woken up by a call to action. And now it was his turn to deal with these crooks.

"The museum of Geology...A prime raiding target for any thief with common sense" mumbled his partner while taking a turn.

"Yeah, no shit Sherlock..." was his grumpy response.

"Who do you think it is this time?" his partner joked.

"I bet on the Crownminals, from what we got these thieves are well organized, and that's their brand"

"That makes sense, although could always be Toppats too. Y'know one time-"

As the words kept spilling out of his partner's mouth, his eyes wandered afield, out towards the rearview mirror. A fog gathered in his eyes as the blinking red and blue lights burrowed into him and the world around him faded a bit. Maybe he could get some quality sleep after this. Just gotta take out these criminals and then drop dead like a ragdoll. God, some good sleep was gonna be heavenly, he could almost feel the plushness of his bed calling out to him.

"We're..he...re! ...Hel..lo? yo..u the..re?"

So soft...He could almost pretend...

"Dude! You there?"

"Ugh, yeah yeah I'm here, stop snapping your fingers in my face" he murmured angrily as his feet touched the ground outside the car.

The cold metal of his pistol dug into his hand. The museum and everything around it was engulfed in chaos. He picked up on various orders coming from colleagues, but it didn't seem to contain the animalistic anarchy around them.

A tired breath flowed out of his lips, this was not gonna be simple or coordinated, was it? Welp, better just get a good position and-

The ground rumbled angrily as an explosion tore through the museum. His body swayed violently as screams echoed in his ears.

"Shit! They need backup! C'mon, don't just stand there!"

Before he could even respond, a tight grip had grasped his shirt and his body was traveling faster than his mind. Dear lord, the guy was fast! In through the entrance, through the gunfire, people people people screaming loud loud-

SLAM!

The door's impact echoed in his ears as his mind tried to catch up with whatever the fuck just happened. The sleep deprivation wasn't helping at all.

"What...the HELL...did just happen?"

"Oh, sorry dude, went a bit too fast there!" his partner cheered.

"You could say that again..." he grumbled.

His disapproving stare tore through his partner, who could only respond by scratching the back of his neck with sweat dripping down his face. So awkward he was, with his apologetic smile and soft-looking face- Nope, that was NOT what he was gonna focus on.

They stayed locked in that position, staring at each other stiffly until the sound of someone clearing their throat reached their ears. Both their gazes turned towards this new presence.

"Hello gentlemen, thank you for finally noticing us!" A masked fellow cheered.

His lips remained sealed as his gaze wandered over the man. The man's mask seemed to resemble two shining suns, and a well-kept sun hat covered up his head, even though it was mid-October. His arms, however, were tied up with a rope across his stomach. But even then, a bright and shrewish smile adorned his face.

"Alright, you can stop starring at me now pig, It was way more entertaining to watch you two play gay chicken."

What.

"Agh! N-No, we weren't! I-I'm not even gay!" his partner exclaimed with embarrassment.

Suddenly, a strange protectiveness surged through his veins. His feet moved before his mind did, and he unexpectedly found himself between his partner and these fowl mask people.

"Oh yeah, that kid is definitely gay. Maybe the grump is gay too. Mad respect." the masked man chuckled to someone behind him.

He felt his face morph into a sneer as flustered squeaks clawed their way out of his partner's throat. His eyes turned to the woman behind the masked man, and they narrowed as he noticed more masked people tied up behind them.

This had to be a temporary cell, and these are its inmates. A bunch of weird...mask people.

Wait.

Mask people...Mask thieves? No that couldn't be right. Mask heisters? Maskings? Mask sneakers? Masquerade raiders? No that was stupid no-one in their right mind would choose that-

"Hey, big guy~"

He quickly snapped away from his thoughts with all his attention focused on the masked lady. Her hair was long and slightly curly, with the texture of the darkest night in December. Although, there were spots of color too. A purple crown with a white moon rested on her raven head. She was, factually, a beauty.

But something about that...seductive tone made his skin crawl, and not in a good way. More in an 'i'll pay you to never speak to me like that again' way.

"Are you a parking ticket? 'Cause you got fine written all over you~"

Nope. Nope nope nope nope ew NO.

His mind was blank, and he looked like a fish out of water. It felt like disgusting bugs were crawling around inside his skin. Wait, was she wiggling her hips-?

"Dude? You online?"

He snapped back to reality and averted his stare. That was his partner. Right he still had a job to do. Criminals first, thinking about why he felt so uncomfortable with a woman flirting with him later. Luckily for him, a name got caught in his brainwaves.

He turned back towards the masked woman, his face stitched into a more serious expression.

"Masqueraiders correct?" he questioned with a head tilt.

The masked lass took a second to compose herself. Her purple gloved hand reached up and pushed her just as purple star marked mask back into place. It only took a single glance at the cop's "serious" face for her resolve to break, and the laughter burst out of her mouth like a botched dam.

"PffFFFFF HAHAHAHA! Y-Yeah, we are the MasqurAIDHHERERESSS! OH MY GOD, AIEDEN! LOOK AT HIS FACE!"

The gaze of the sun mask fellow, which had settled on his slightly less flustered partner, turned to him. And the cackling flowed out of his mouth not long after.

"ASTRA HE LOOKS LIKE A BABY WITH A BEARD! HOLY FUCK I CANNOT BELIEVE THIS! I THOUGHT BEARDS WERE SUPPOSED TO MAKE YOU LOOK OLDER NOT YOUNGER! COPS TRY TO MARKET THEMSELVES AS SCARY BUT, I AM POSITIVELY DYING-"

Ouch, that was a hit to the ego. The expression of seriousness faltered a little bit as his gaze turned to the ground. Wow, was he letting these crooks get under his skin?

Yes, he was.

He was tired! What can he say?

The laughter kept echoing in his ears for a bit, really destroying any hubris he had beforehand. The feeling of his partner's worried stare really didn't help. It actually made it more embarrassing. If this was 100% not his day before, now it was 150% not his day. The flow in his brain had practically stopped as he tried to reboot his thinking process. Okay, okay, he's got this. Just gotta-

An abrupt and intense movement in front of his eyes caused the mental reboot to speedrun through the last stages. The click of a gun bounced between the walls of the room, and the mocking laughter ceased abruptly. He couldn't make out the faces of the tied up convicts who mocked him or see them at all, for that matter, because his partner's body was standing protectively between him and the Masqueraiders. Well wasn't this familiar? I guess bros gotta protect bros. He didn't have to see it with his bare eyes to know that there was a gun pointed at the crooks. You could cut the tension in the room with a knife.

"Hey, dudes, ladies, and thudes. Didn't we all learn that you should treat the police with an ounce of respect when we were younger?"

His partner's voice was smooth as a bead, yet it still possessed that edge of "dudebro" that was so unique to him. It was such a lovely song to his ears. God, what he would do to hear it more...

His head quickly swung side to side as if he was trying to shake that thought out of his head. No homo, no homo. Right?

The still but tense air that settled after his partners' words broke with a snort and some giggles.

"Oh? Mind filling me in on the joke dude?" his partner quipped while the gun clattered in his hands.

"Don't you hear it lad?" The sun-masked fellow whose name apparently was Aieden responded confidently. Well, confidently when you consider that there was a gun in his face.

"Hear what?"

Now that he mentioned it, there seemed to be footsteps approaching their little hideaway spot. Very quick yet...heavy steps. Oh fuck. Could it be-?!

"Get down-!"

He felt his hand instinctively clutch the sleeve of his partner before they made contact with the hard floor. The seconds ticked on, and on, and on.

CRASH!

"HOLY FUCK-"

The wall by their side crumbled into pieces as an unstoppable force smashed into it. He felt the fabric of his partner's sleeve crack as he dragged them both out of the way of this brute.

"Freeze! This is-"

The gun rattled in his hands, his eyes dilated with fear. Because now he saw this person, this giant, clearly. Holy mother of God.

The man in front of him bore clothes in brilliant green and black. On his face rested a mysterious black mask that only covered one half, and a white spot resembling an eye covered the spot on the mask where his actual eye would be. Emerald green boots, teeth sharp as stalactites...

And this fowl criminal was enormous. He dwarfed everybody else in that little supply closet, probably standing at around 7 feet tall! Jesus Christ, was he dealing with crooks or actual mythical beings?!

Luckily for him though, this gigantic force of nature didn't seem to pay any attention to his intimidation attempt. He seemed more focused on freeing his fellow Masqueraiders from their imprisonment, the leaf color feathers on his hat bouncing side to side.

"There ya' are Ricardo! I'm surprised it took this long!"

He knew he couldn't go up against a beast like that. He'd get pummeled into the ground and lose every tooth he had left. His gaze wandered back to his partner's still face as he tried to think up a plan. A slight panic flowed down his spine when he noticed that his partner wasn't moving, but a quick check revealed that his heartbeat was strong and his soft breathing still there. Must have been knocked out...

He felt his arm reach for a spare curtain that was discarded next to them, and soon his partner rested under it, hidden from view. It was best to keep him secured until he woke up again.

As he observed the big green man whose name was Ricardo do his big green man things, a sudden flash of vibrant red caught his gaze. Someone had rushed past the big hole in the wall, someone clad in crimson. There was no doubt about it. It had to be the Masqueraiders leader himself, Sylvester Wesley. He knew it had to be him. And if he could capture their leader, maybe he could gain an advantage over these masks who mocked him. Although maybe it wasn't Wesley, maybe there was another red-clad mask bastard. But even then, capturing any Masqueraider would be a victory at this point. His pride was on the line after all!

He glanced back at his partner, still unconscious. A seed of doubt grew in his chest, should he really leave his partner like this? After everything that had happened...

Once again, his head bounced side to side. No, he had to do this. He had to apprehend SOMEONE. His partner would be fine, he just had to be! He was hidden, they'd never find him, right? He made his decision. It was time to round up some criminals.

Yet, the feeling of doubt and worry only grew stronger as he sneaked out through the hole made by the giant. Was he doing the right thing? Is this justice? To leave an unconscious man vulnerable? He didn't know, but he pushed those thoughts to the side as he spotted the red-clad criminal again. He seemed to be rounding up the last of their loot, with a big potato sack slung over his shoulder. It was certain now, that was the Masqueraiders leader himself. The black mask and red hat gave it away.

He cleared his throat before once again pointing his weapon at the crook.

"Freeze! Police!"

He met the gaze of the black-masked man and expected to meet a pair of eyes drowned in confusion. Yet all he could spot was a slight hint of surprise and then a kind of...playful mockery. A very familiar sight by now.

"Catch me if you can!" The Masqueraiders leader sang out as he bolted down the hallway with the goods.

He took off after him, uselessly chasing the nimble and quick Wesley. Gunshots echoed off the walls as he unleashed a salvo aimed at the leader, yet all the shots either missed or were reflected by the skilled swordsman's weapon. Every bullet, no matter where he aimed. Time after time after time again, nothing seemed to be hitting this disgustingly fast weasel. Frustration boiled in his guts, come on now! He was so tantalizingly close to regaining his dignity and getting revenge on the Masqueraiders. Yet still NOTHING!

A roar of anger escaped him, his feet moving even faster. All he got back from Wesley was a coy grin and just...the most punchable expression ever.

"Hah! You're way too slow, ever considered hitting the gym?!"

"Shut up!"

"You're not my dad so you can't tell me what to doooo~"

He was gonna crack Wesleys skull open like a watermelon. He was gonna do it, nothing could stop him from squeezing that stupid overconfident head in like a pimple. And he actually seemed to be closing in on him! His gun had run out of ammo by now, but he was hot on his heels now!

Wait, was he deliberately slowing down? Was Wesley running slower to ridicule him even more? Oh, this motherfucker...

He was laser-focused now, not considering where his feet were taking him. So when he ran into an open exhibit, he didn't notice the danger lurking by the stage lights. He just wanted to commit some nice ol' murder on the man who kept taunting him.

"Veronica! Now!"

But that, that stopped him a bit. What? Was Wesley calling for backup? But, there's nobody here. Or is there? Wait who was Veronica? He followed Wesley's gaze and noticed a lady dressed in purple sitting by one of the stage lights. She had a very similar mask to the big green-

He couldn't see any more details of her, or see at all for that matter. A scream clawed its way out of his lungs, his eyes feeling like they were burning. His body swayed from side to side, and his sweaty hands were covering his eyes. The empty gun clattered to the floor. That bitch, she'd used the stage light like a flashbang! The force against his face provided by his hands harshened, trying to block out as much as he could.

"Oh, how the turntables turn!"

He felt Wesley's presence next to him, teasing him. Oh, he wanted nothing more than to beat his ass, but he couldn't get his hands off his face without causing worse pain. An angry gurgle was what he gave in response.

"Aw, how cute. Did you really think you could catch the great Sylvester Wesley? One of the sneakiest sneakers who have ever sneaked? With your rancid vibes? Don't make me laugh! Or well, I'm already laughing, so jokes on you!" Ugh, that dumb tone...

"I can't believe you managed- What Veronica? ...Aw come on can't I just mess with him a little more? Yeah yeah, I know there's probably- Veronica can you make a little exception- OKAY okay FINE I'll knock him out and we'll leave with the loot. You owe me a pop tart now."

"Toooo deee looo turtle, have fun in dreamland!"

Before he could even fight back, something hard impacted the side of his head. He was swallowed up by the sweet release of unconsciousness, something he'd been craving all day. The last thing he knew was the cold feel of the floor, and the faint sound of footsteps burrowing into his ear.

Darkness...A rumbling noise of somebody talking to him...He slowly felt himself returning to the land of the awake, a killer pain pounding in his head. The first thing he sees when he opens his eyes is his partner with a few bandages tied around his head. He talked, and talked, and talked. He looked kinda cute like this, hair all fluffed up and features so soft. But he's talking too fast for him to pick anything up.

Although all those thoughts disappear when he notices something on his stomach. His hand closes around the object, his partner's worried squawks becoming nothing but background noise. It was a black velvet mask.

He couldn't take his gaze off it, it was locked to this replica of Wesley's famous mask. As his partner finally got a grip on him and started carrying him out of the destroyed museum, there was only one thought on his mind.

"I'll get that bastard, I'll throw him behind bars myself."

#the masqueraiders #henry stickmin #henry stickmin fanfaction #sylvester wesley #veronica johanna #ricardo rich #cw gun mention #cw police #my writing #fanfic #fanfaction #3k words #thsc #the henry stickmin collection #oh wow this one took a while #jeez #i hope its good

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blazehedgehog · 4 years

Note

If EA bought Sega like... a decade how do you think an "in-their-prime" Criterion Games would've handled Sonic?

All I can think of is “If EA bought Sega a decade ago, Sega probably wouldn’t exist today.” All of their employees would have left or been fired, EA would’ve stripmined all the brands out of the company, and vaulted 99% of them, never to be seen again. Total War and Football Manager would probably be the only two brands to survive, because those are the closest to what EA already prioritizes. Everything else -- Sonic, PSO, Streets of Rage, Panzer Dragoon, Yakuza, Persona, all of it would be dead. They would probably try their hands once or twice at a couple of those properties, and when they failed, they would be gone forever.

I imagine a Criterion Sonic game would probably resemble something like Sonic Boom, but maybe with a little more edge to it. But 2011 EA would still slather all kinds of corporately mandated brand smoothening in order to maximize Sonic’s franchise and merchandising potential.

So imagine this kind of stuff, but even blander. More generic. More clueless. And since EA would own Sega in this scenario, there would be no ability for Sega to say no anymore. There’s no way Sonic survives that without coming out the other end looking like the worst parts of Dreamworks bred with Jak & Daxter. EA would go full cyborg mode and talk about how they are trying to tap in to the adventurous side of Sonic, but it would all be ugly marketing double-speak to mean “we chose the most tone deaf design and tried to sand down the roughest edges until it doesn’t make any sense anymore.”

Because, I mean, what was EA doing back then? Dante’s Inferno, Army of Two, that Medal of Honor reboot that made you a dudebro in Afghanistan, Darkspore...

I know you probably asked me this full well intending for me to be like “Criterion would make it amazing” but 2011 going in to 2012 is what gave us the EA of today. That was the EA that gave us Mass Effect 3. That turned the strategy game, Syndicate, in to a first-person shooter. That was the EA that messed up Dragon Age 2. The EA that thought Command & Conquer needed to be anything but an RTS. The EA that thought it could make The Old Republic in to a WoW-killer just by pouring a record-setting amount of money in to it for voice acting (and it landed with the impact of a wet fart.) The EA that wrecked Dead Space 3.

Remember what happened to SSX? It was originally announced as “SSX: Deadly Descents”, a survival game with a darker, more “epic” edgy tone. They were going for the Call of Duty audience because that was more marketable to them. It came out the other end a pretty good game, but only because EA had to delay it for over a year in order to fix things after fan reaction to that initial teaser was so negative. They had to stop and put the SSX back into SSX. And as a result, that was the last SSX game we ever got.

Sonic’s not going to survive in that environment, and Criterion isn’t some kind of magic company with carte blanche to make it work, either. Sonic would immediately end up exactly like the Burnout franchise, which was basically already dead by 2011. Remember Burnout Crash? Not many do!

You can’t tell me, even despite all the best intentions, that a Sonic game by Criterion and EA would not be a disaster.

If you want to talk to me about “in their prime” Criterion, I would say Burnout 3 (2004). That was their first game for EA, it’s the best Burnout game, but immediately following that, things started going down hill. Burnout Revenge wasn’t as good as Burnout 3, and BLACK was... well, they canceled BLACK 2 before it came out, didn’t they? And though I like Burnout Paradise, I do not necessarily love it. “In their prime” Criterion is a very short window indeed.

Just because Criterion made Burnout doesn’t mean they are somehow a perfect fit for Sonic, unfortunately.

#questions #sonic the hedgehog #sega #sonic team #ea #electronic arts #criterion games #burnout #2011 #Anonymous

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365days365movies · 4 years

Text

January 15, 2021: Casino Royale (2006) (Part 1)

So...we meet again, Bond. What’ve you been doing for the past few years?

...What. Not who, James, WHAT. Jeez.

Whatever. BrosBond had 3 movies after GoldenEye, and they were...not great, from what I’ve heard. Remember, I wasn’t as big of a fan of GoldenEye as many critics and fans were; so, I can’t imagine what I’d think of the latter three. Maybe one day, but not today!

Today, I’m focusing my sights on the revitalization of the brand. See, in 2002, Die Another Day came out, and that movie was apparently crazy. TOO crazy. So crazy, in fact, that audiences and critics accused it of losing the plot, and the production studio in charge (Eon Productions) had a yearning to change direction. And their inspiration came from...a surprising place.

See, Joel Schumacher’s campy, over-the-top Batman films were basically wiped out by Christopher Nolan’s 2005 reinvention of the character in Batman Begins. Which is, in my opinion, a highly underrated classic, Seriously. And in 2005, this film was absolutely a smash-hit. Batman was cool again, which a lot of people never thought would happen in film. Eon saw this, and thought...how can we apply that to Bond?

Out with Brosnan...in with Craig.

The first of the new, darker, reinvented Bond films is planned for release in 2006, starring Daniel Craig as the suave, sophisticated spy. And the director of the film was selected to be...Martin Campbell? From GoldenEye? The guy who kinda sorta started the modern over-the-top Bond? Really? I mean, OK. The writers this time are different...except for one. I didn’t talk about the writers last time because I don’t like putting people on blast if I don’t gotta. This time...maybe. We’ll see.

If this Casino Royale is basically Bond Begins, I’m definitely interested. Maybe this’ll revitalize that Bond-love from the Connery days. Let’s find out! We’re also gonna look at the Bond checklist again!

Gadgets: better have more cool gadgets than GoldenEye, I swear...

Bond Girl: GoldenEye’s Natalya wasn’t bad, to be honest; let’s see who his Inevitable Love Interest is this time.

Villain: Alec Trevelyan had so much potential. I need my dastardly villain, let’s do this. Oh, and let’s throw the henchman in here, too. Xenia Onatopp was...a lot...but she was a memorable henchman, at least.

Music: Of course. GoldenEye’s theme was good, and we’ll see how 2006 does.

OK, movie time. SPOILERS AHEAD!!!

Recap

We start at an office building in Prague, where a man makes his way up to his office. Waiting there for him is, of course, James Bond (Daniel Craig). The man is Dryden, section chief at the British Embassy in Prague, whom M has accused of selling secrets, a big no-no. But Bond...isn’t a double-0 agent. Huh. You got me interested.

Apparently, agents get the two zeroes once they’ve killed two people on file. James hadn’t killed anyone...until recently. Which is when we get this.

OH SHIT

This is an absolutely BRUTAL fight. It’s not choreographed flashily, it’s not pretty...it’s rough. It’s intense. And it’s...oh my God, wow. Made me feel it. And what’s astonishing is that it’s SO short.

On learning this, Dryden tells him not to worry, the second one is...

...YOU GOT ME. I’M IN FOR THE FUCKIN’ RIDE

HOW??? How is it that in 3 minutes of screentime, I’m already more satisfied by Craig’s Bond than I was for the ENTIRETY of GoldenEye? That is masterfully done, right off the bat. WOW. We even get a smooth-as-silk segue into the classic bullet turret sequence, and that takes us right into the song and opening credits. And...wow.

youtube

Here’s the thing about Bond openings, as I mentioned last time: they were all directed by one guy up until GoldenEye, and were basically all silhouetted women with themes and scenes from the movie projected around them. The Brosnan movies followed suit, always having silhouetted women in one way or another. Die Another Day used CGI women and...a really bad Madonna song. It was...it is NOT GOOD, guys. Look it up, it’s the most 2002 thing I’ve ever heard.

But here’s the fin bit about Casino Royale. This is the first Bond movie opening with no women in it. Yeah. It’s the first one. And the song is Chris Cornell’s You Know My Name, and it’s good! Not sure it’s going in my soundtrack, though.

Finally, the opening credits sequence itself: it’s once again Daniel Kleinman doing it, and it’s actually inspired by the first James Bond book Casino Royale, which had already had a TV special and unofficial Bond movie made from it! The cover had a playing card motif, and the opening carries over that motif creatively. I really dig it, if I’m honest! Definitely a welcome break from the 44 years of Bond films preceding it.

Uganda! And we meet the villain of this film: Le Chiffre (Mads Mikkelsen). And GODDAMN if that isn’t a Bond villain! He’s a banker, making a deal with a rebel leader, Steven Obanno (Isaach de Bankole), via their liason Mr. White (Jesper Christiensen). Setting up an attack by supplying Obanno with money, he sells his stocks of a company called Skyfleet, knowing that they’re about to fail.

Meanwhile, a ferret’s fighting an Asian species of cobra. In Madagascar. My zoology senses are EXPLODING, OH my God. So much wrong there. Anyway, there’s a bombmaker in the crowd watching the fight. He’s being tailed by Bond and another agent, Carter, who tips off the guy by being a bad spy. Bond chases him to a construction yard. What now, James?

Awesome. Why is this awesome when I said that the tank was dumb? Because at least it makes sense for a bulldozer to go haywire in a construction yard, just sayin’. Plus, this dude clearly isn’t the best, as he fires on construction workers and cops.

Eventually, this chase sequence brings us to the top of a crane, where this exchange happens.

I, uh...I love this movie already. That’s goddamn great.

The chase scene as a whole is also fantastic, as it continues off the bridge and into an abandoned building, then escalates into the streets, brings in law enforcement, and eventually ends with Bond at an embassy, facing down both the military and the bomb maker. He kills the guy, shoots some gas tanks, grabs the bomb, and then gets the hell out of there.

...Y’know what, that was fucking amazing, but he also almost certainly caused an international incident there. And I should be annoyed about that, but guess what! It makes sense! This is an inexperienced Bond, one who’s JUST been promoted to 00 status as 007, as the prologue explained. So, y’know what? I’m into it!

Cut to a yacht, like you do in a Martin Campbell Bond film. There, we have our villain, Le Chiffre, playing a card game. Also, he weeps blood. Yeah. HE WEEPS BLOOD.

OK, if that isn’t some Bond villain shit, I don’t know WHAT is. He’s also asthmatic, because I love it. I love it so much. He’s a mathematically-brilliant asthmatic that weeps blood. More, please.

He’s also a person aware of what Bond did at the embassy, as it’s already become an international incident! Thank you for showing consequences, movie! Damn! I love it! This has two additional consequences. One, Le Chiffre notes that the code “Ellipsis” used by the bomber may be soon to expire, indicating a connection between the two. And the second consequence? M’s pissed.

M! DAME JUDI DENCH! One of my favorite things about GoldenEye was bringing in Judi Dench as M, and she made it through the reboot! And she’s still as entertaining as she was before, calling Bond out for his stupidity, and explaining that she misses the Cold War.

In her apartment, M does her normal exposition schtick, and her interactions with Bond are fantastic here. She’s understandably angry at him, and gives him what for, but she’s also clearly impressed that he FIGURED OUT WHERE SHE LIVES, as well as her REAL NAME. Shows her opinion of Bond and aspects of Bond’s character in a single, masterful stroke.

Well. Goddamn. Done.

The Bahamas! Bond’s here to find Alex Dimitrios (Simon Abkarian), a Greek businessman who’s believed to have a connection with Le Chiffre himself. And, as James Bond is wont to do, he finds him at a party, playing cards. And here’s where the reinvention of Bond comes full circle.

See, Bond’s doing all the typical Bond things, yeah. But there are some differences present here, as well as some neat nuances. Bond isn’t wearing the suit, first of all. He actually hasn’t worn a suit the whole movie, which makes perfect sense for a spy. Suits aren’t exactly the least conspicuous thing in the world; bound to get you noticed if you don’t want to be.

And then, there’s the girl. This is Solange Dimitrios (Catherina Murino), the wife of Alex who was treated BADLY by him at the party. That gives her a reason to take Bond’s offer for a ride to his place, outside of just his raw animalistic charm that he seems to have in some of these movies. Look at that, already more chemistry than he had with Natalya in GoldenEye.

And yes, this results in her cheating on Alex. Is her cheating justified from a moral standpoint? No, of course it isn’t. And of course, this leads to the typical Bond-handsome-sex-GOOD sequence, but again, some nuance here! First of all, he doesn’t win her over with corny clever lines, like what we saw in GoldenEye multiple ties. Second, this is actually all an attempt to get some infomation from her about her husband. Bond might be enjoying it, but his womanizing here actually has a purpose. And that’s rare!

That’s further punctuated by the fact that he STRAIGHT UP LEAVES BEFORE ANYTHING HAPPENS. Yeah, she tells him that Alex just made his way to Miami, and he leaves! Dick move, yeah, but it makes sense! James isn’t here for pleasure, he’s here for work!

He follows Alex to a Bodies at Work exhibit (you know, the preserved and skinned cadavers put into poses that used to tour around the USA? I saw it in Times Square at the end of its popularity. A little ghoulish, maybe, but I think it’s pretty cool), where the two of them get in a very tense close-up knife fight in public.

Alex is dead, but not before passing off a package to someone else at the exhibition. Bond tails the guy to Miami International Airport, where the largest airplane in the world is set to be unveiled. Using the code sent to the bombers, Bond gets into the back, and goes to intercept the disguised bomber who’s set to blow up the SkyChonk (I mean it, that giant airplane is THICCC).

Time for another cool chase sequence! Some luggage is destroyed, along with a bus, the cops join in on the chase, an airplane is prevented from landing (making someone on that plane probably very upset), and Bond somehow manages to prevent the plane from blowing up. And it’s by the SKIN of his teeth, lemme tell you. Also, he blows up a dude with his own flashlight bomb.

Nice. Somehow, Bond isn’t arrested, and makes his way back to the Bahamas. And it looks like Solange isn’t the Bond girl after all. Because she was thought to be the information leak (which she was, to an extent), she was tortured to death. Whoof.

M’s in the Bahamas now, and the exposition continues. She’s done with Bond’s bullshit, and she plants a tracker under his skin. She explains that with the big boi plane destroyed, somebody stood a lot to gain financially from the stock crash to come. Except that the plane wasn’t destroyed, and that person lost $100 million by “betting the wrong way.”

That person, of course, was Le Chiffre, a manthematical genius and chess prodigy, who plays poker for fun, and plays the stock market with his clients’ money. Bond’s the best poker player in MI6 (a good addition that we already saw foreshadowed earlier! See what I mean?), and she’s sending him to a high stakes poker game that Le Chiffre’s looking to regain his money from.

Bond FINALLY dons his suit, and gets on a train in Montenegro, where he meets...

Vesper Lynd (Eva Green). THERE’S our Bond girl! Although, there’s a reference to Miss Moneypenny in their introduction, which is interesting. But Vesper is an agent for the British Treasury, supplying the money for the buy-in for the tournament. And their conversation on the train...wow. Now THIS is chemistry, seriously.

Vesper’s a great character, and she gives Bond NO quarter. She reads his character, and calls him out very accurately. They also explain why both Bond and Vesper are good at poker: it’s all about reading people. I’m genuinely impressed by how this movie is put together, and how well-thought out Bond is as a character. And this is the dimension I love to see in a Bond girl as well!

GODDAMN, I am in love with this movie. More coming in Part 2!

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brightlotusmoon · 4 years

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Oooh, apparently I wrote this back in 2016 right before I wrote a 100K+ fanfic in just over a month. That now has five sequels on AO3. Wow, my writerself was busy.

Oh, hells.

You know how you're writing your story or novella or novel, and there is that one scene that plays out so perfectly in your head, down to the last detail, the snappy dialogue, the amazing fluidity of the characters within the environment, looking every bit the animated masterpiece... and then you sit to write it out, you know, with WORDS, and... you stop. You can't. You're gonna fuck it up. It will never translate. You're almost sobbing and beating the edge of your desk because this beautiful, perfect scene that is a cornerstone to a major, life-altering plot twist, will not budge from the action scene in your head. You must translate a mural into a story. And that writer's fear sweeps over you and you struggle, and as long as you can get out the first sentence, maybe the rest will follow.

...

Also, I am going to need to help of people who are familiar with neurology and the physical shape of neurons and synapses and what happens when something like a seizure shakes everything up, because I can't look at my own brain when I'm having a seizure.

I keep picturing webs of neurons like spiderweb naked tree jungle gyms. I need to look up complete labeled diagrams of how neurons do, because while I will be taking some extraordinary fantasy permissions, I still need to make it look realistic. What would happen if a totally alien neurotoxin combination changes the structure of how neurons play? How many new and creative neuronal bridges and pathways could be built to make room for this brand new alteration? And no matter how much I get it right in this fantasy setting, could it still resemble real neuroscience?

My head, it hurts. But I need to do this right. Someone from the fandom actually emailed me out of the blue asking about my old dead stories. I'm still a recognized name in there. If I am going to rewrite and reboot the original story, I need to do the best I can.

#my fanfic #i write fanfiction as a coping mechanism #why i write disabled characters #my oc has my disabilities

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katahnisharma · 5 years

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the press tour [5] | t.h.

Word Count: 2.5 K

Warnings: none, i don’t think??

Summary: You’re a new, inexperienced actress plucked from the obscurity of everyday life to play the lead in the reboot of a famous British Jane Austen novel, and Tom Holland just so happens to be playing your love interest.

A/N: This one is a mini chapter so it’s shorter, but next week’s will be longer. Also Tumblr apparently won’t let me link things so if you’re looking for my masterlist, playlist, taglist, or writing challenge it’s in my bio <3

Tom Holland and Zendaya Officially Together! Is Marriage on the Cards?

“Ugh! It’s on BBC too?! I thought they had journalistic integrity!!”

For the past two days, every news channel had been carrying Tom and Zendaya’s whirlwind romance. Everywhere you looked, there were pictures of the two of them being cute somewhere. Out to lunch, taking a stroll in New York City holding hands, kissing in Paris, even posing for photos with fans at Central Park. It hurt every time you turned on the TV, it was like you were intentionally trying to see the new reports. You were shocked Tom had moved on so quickly, and with the girl he had always said he felt nothing for.

Guess that was a lie.

There were so many thoughts running through your mind about Tomdaya that you didn’t hear Bailey come down the stairs and stand next to you with her hands on her hips.

“That’s it, you need to leave the house. You haven’t moved from this couch in two days. You need to get out and date.” She said, pulling the blanket off you. You winced and glared at her, snatching the blanket back. You were also clutching a near empty tub of Haagen-Daz cookie dough ice cream, but you had mixed reactions about it because the brand was apparently Zendaya’s favorite.

Wow, you were petty.

“Really? What, just like that?” You muttered, poking around the tub with your spoon. You’d been picking out the cookie dough bits, and Bailey used to tease you for it. She thought it was stupid that you bought ice cream just to pick at it, but now it just made her sad. You looked so tired and upset, it was killing her.

“What, like it’s hard? You’re Y/N Y/L/N! All you have to do is bat your eyelashes. flash a smile and you’re set!” Bailey cried, sitting next to you and throwing the tub over your shoulder. You let out a yell, but she pulled you back before you could go find it. She looked at you and you felt yourself shrink from her eyes. You knew she was right, but you weren’t over Tom yet. Your heart needed time to heal.

“Fine, give me some time to get over him and I’ll do it. But I’ll only date on one condition.” You said, and Bailey let out a sigh of relief. If it meant you would finally leave the house and get out a bit, she would do whatever it took. She leaned forward and motioned for you to continue.

“You have to date too.” You smiled, and Bailey immediately recoiled. She jumped up from the sofa and began to pace around the TV. You watched her, rolling your eyes at how dramatic she was being.

“Yeah, no. No, absolutely not!” Bailey said, standing in front of you shaking her head emphatically. You got up and threw the tub in the trash. Surprisingly, you felt a little lighter having done it, and you turned back to see Bailey staring out the window.

“Too bad then. Bumble would have been perfect for you. The women get to pick the men, which is perfect for a powerful, independent woman like you. No more creeps and losers. Plus, I mean Priyanka Chopra created it so....” You said, and you swore Bailey perked up a little. She turned to look at you and she pursed her lips.

“Shut up, you’re just trying to flatter me. And you know I love Priyanka.” She whispered, and you laughed for the first time in a while. You had almost forgotten what that sounded like.

“Well, duh. Is it working?” You giggled, and Bailey threw a pillow at you which just narrowly missed. You threw it back and it hit the vase that held Tom’s lilies. They were dying anyways, and the vase hit the floor and shattered. You weren’t one to believe in signs, but it seemed like one.

“Yes. Alright, I’ll think about it. Now get up, the Met Gala is in three days and you need to meet with designers.” Bailey said, giving you a dress to change into. You took it and realized it was the same one you had worn on the date with Tom. Bailey saw the look and gave you a “come on, just wear it” look, and you weren’t about to argue with her while she was considering dating for the first time in five years.

“On it, boss. I’ll be back in a bit.”

✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦✦✧✦

Three days later and you were standing in front of the mirror, completely taken aback at your appearance. There you were, looking ethereal in a custom Maison Valentino gown and your makeup done to perfection. The theme for the Met Gala was Ethereal Fairytales, and Pier Paolo Piccioli had outdone himself. Your inspiration was Rapunzel, and you couldn’t be happier with it. The dress was a light purple satin that draped to the floor in a long train. The sleeves were a light chiffon that extended into a lacey, embroidered cape in the back. The rest of the dress was done in brocade, with jewels and flowers sewn into the fabric. With the lace and embroidery, the gown looked much heavier than it was. In reality, it was so light that you felt you were wearing feathers.

“You look so beautiful!” Bailey squealed, clapping her hands behind you. You turned and smiled, thanking Pier for his handiwork. Bailey looked gorgeous herself. She was wearing a strapless pale pink Stella McCartney dress with clear sequins. When you had asked her to come with you to the gala, she’d nearly had a heart attack. And then she had pulled out the only formal dress she had, and your heart nearly broke. Bailey hadn’t bought a new dress in years, though you knew you paid her enough for designer clothes. All the money she made went back to her family, keeping only what she needed to survive.

So you bought the dress for her, whatever she liked. At first, Bailey protested and refused to wear it. She thought it was far too extravagant and she felt embarrassed that you were spending all this money on her. But you assured her that she deserved it, she was the world’s best personal assistant. Plus, Priyanka Chopra was going to be there and she had to look stunning in case they bumped into each other.

They weren’t actually going to “bump into each other,'' you'd asked Priyanka if she would mind meeting Bailey at some point in the night. But Bailey didn’t have to know that. As far as she knew, the meeting would be purely kismet.

“You think so? I feel like a goddess.” You whispered, and Pier nodded in agreement. Bailey took your hand and twirled you around. The dress moved with you, and it made the most beautiful sweeping motion. Your hair was curled slightly and left half up and half down, and somehow Christian Louboutin had gifted you a pair of Degrastrass. Bailey had done her own makeup, she insisted upon it, but you bought her a pair of nude Sandale du Deserts which you wouldn’t let her refuse.

“Well, you look like one. And thank you for letting me come, and spending all this money on me. You shouldn’t have.” She whispered and you slung and arm over her shoulder.

“You don’t have to thank me, we’re best friends first and foremost. I wanted you here, and as for the money it was no big deal at all. I’m just glad you actually agreed to wear everything.” You laughed, and she nudged you slightly. You asked Pier to take a picture of the two of you, and he agreed graciously. You’d post it to your instagram later. After Pier had taken a picture of you and you’d grabbed your clutch, the three of you were planning to leave.

That is, until something on the TV caught your attention.

Pier had turned on the live red carpet updates for the Met Gala, because you loved seeing what everyone was wearing. There were some big names at the event, and Bailey had screamed when Nick and Priyanka arrived. The couples of course looked amazing, and you found yourself wishing that you had a date too. You wished you were here with Tom.

And that’s when you saw them.

Tom and Zendaya had stepped out of a limo, and your heart stopped. You almost weren’t breathing as you realized they were wearing coordinated outfits. Law Roach guided them up the steps and Bailey rested a hand on your shoulder to console you. They looked so beautiful together, you almost cried. Then you remembered Nina Park had done your makeup, so you couldn’t cry. Zendaya was wearing a gorgeous blue gown in the style of Princess Tiana’s from the Disney movie The Princess and the Frog. Except it had been elevated, so that the dress was a modern take. The left sleeve was satin and hung from her shoulder and the bodice was lace to match the lace trimmed hem. Tom was so handsome it hurt. He wore a cream colored suit that was trimmed with gold around the edges. A blue sash went across his chest and it accentuated his body. Tears pricked your eyes and you physically willed them away.

You cried for days over Tom, but you refused to do that today.

“You okay?” Bailey asked, and you nodded, straightening up again. Pier stood by the door, giving you a sympathetic look. You knew he meant well, but it rubbed you the wrong way. You didn’t want people to pity you, you wanted them to just see you.

“Yeah, I’m fine. Let’s go, we’re holding everyone up.” You said, and Pier took your arm to lead you out. Bailey walked behind, making sure your train wouldn’t catch and keeping photographers at a distance. There were lights everywhere, and you could barely focus as the cameras flashed. People shouting your name, telling you to turn, asking you about Tom, it was almost too much. Thank God for Pier, or you would have fainted on the spot. A particularly bold photographer moved forward, jostling to get your attention.

“Y/N! Y/N! How do you feel about Tom and Zendaya?” He yelled, and for a brief moment Bailey looked as though she was about to physically throw him out. But you held up your hand, and tried your best to plaster a smile on your face. Pier steadied you and you gave the photographer a defiant look.

“Why, am I supposed to say something scandalous?” You laughed, and the photographers laughed with you. For the first time in a while, you felt as though you had the upper hand. The photographer went red, but he persisted.

“I mean, how do you feel after Tom dumped you for Zendaya?” He shouted over the noise and your face went slack. You felt sick to your stomach, hearing someone say it for the first time. Sure, you had never officially dated each other, but the man was right. Tom had dumped you for one of the most beautiful women in the world.

Ouch.

“I’m happy for them, Tom and I are just friends. Nothing more. That salacious enough for you?” You asked, and the photographer went silent. Bailey came to your aid and told the photographers to stop asking questions. This wasn’t an interview, she said, and they needed to respect your privacy. Pier took your hand and lead you farther up the carpet. You were still shaking from the encounter, but you forced yourself to smile. Your father had always told you to never let your detractors know they hurt you.

It was a sign of weakness, and you weren’t weak.

“Alright, this stretch is just cameras, Pier will be answering the questions.” Bailey said, and you breathed a sigh of relief. You didn’t think you’d be able to endure any more questions about Tom and Zendaya. Pier stood with you as you posed and looked on as Pier talked about the process involved in creating your dress. From the corner of your eye, you could see Beyonce and Saoirse Ronan climb the stairs behind you. Bailey was watching, completely starstruck.

“See Priyanka anywhere?” You asked and Bailey shook her head.

“No, she’s probably inside with Nick already. It’s fine, it was cool just getting to see her on TV.” Bailey gushed, and Pier helped you up the steps to the top to take your final picture. Bailey stood next to you, because you made her, and you both looked down onto the street below.

“I would never have imagined I’d be here.” You said, and Bailey looked at you. She had more faith in you than you had in yourself, and though she wouldn’t say it aloud, she was extremely proud of you.

“Well, I would have. I know I don’t say this often enough, I’m really proud of you Y/N.” She said, and your mouth dropped a little. Bailey wasn’t one to talk about her feelings, so this was a big deal.

“I love you, you know that right?” You said, and Bailey rolled her eyes. You could see her eyes start to well up, and she dabbed at them lightly.

Awww, what a softie.

“Yeah, yeah. Stop making me cry, my makeup actually looks good today.” Bailey whispered, and she helped you up the stairs as Pier followed. The carpet began to get thinner, until you reached the doors of the Metropolitan. One more step, and you’d be inside one of the biggest events of the year.

“Ready?” Bailey asked, and you smiled at her and Pier.

“As I’ll ever be.” You replied, and with that you walked out of the frying pan and into the fire.

#tom holland #tom holland x reader #tom holland imagine #tom holland fluff #tom holland x you #tom holland x y/n #tom holland fanfiction #tom holland fic #tom holland series #peter parker #peter parker x reader #peter parker fanfiction #the press tour

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