#and if you wanna connect the songs/characters from album to album

[lilmisswhyso]

hmmm some little miss why so thoughts…. him saying, “you’re going too fast, you’ll burn up soon” and how that invokes the imagery of something like a meteor falling and burning up in atmosphere, shortly followed by him urging her to “stop staring at the moon”…..

i’m obsessed with this. trying to make sense of/explain her sheer sadness by likening it to her feeling like a fragment of space that just wants to go back home? help im crying

[chiaraanatra]

A Place For My Head

𝑏𝑙𝑢𝑟𝑏: JJ knows just how to cheer you up after a shitty day at work.

Warnings: fluff, characters are 18+, swearing, mild angst due to mentions of mild verbal sexual harassment, pet names (cupcake, pretty girl, & kittycat), kissing, no use of Y/N.

AN: first JJ fic! Based on this post and my exchange with @starfxkr about JJ and Kitten!reader and their love for Linkin Park.

Song: A Place For My Head by Linkin Park

《 m.list || ao3 》

You spend the 15-minute ride to JJ's in silence. It was peak touron season and the bar you worked at was packed with frat boys and married 40-somethings drinking away any semblance of civility they had. The tips were good but if you had to deal with one more drunken asshole commenting on how your ass looked in your shorts, you were going to lose it.

You tried to remind yourself that none of that mattered now. Soon you and JJ would spend the rest of the day soaking in the Carolina sun, surfing, and letting the tides wash away your problems.

JJ was waiting on the porch, surfboard under his arm when you pulled onto his gravel driveway. Wasting no time he ran over, throwing his board next to yours in the back of your truck before hopping into the passenger seat. He was surprised to not be met with blaring music, but he thought little of it. "Wassup, Cupcake?"

You only shrugged before attempting to put the truck in reverse; however, before your hand could reach the shifter JJ's blocked your action. His brow was knit together in concern. When you didn’t elaborate, he spoke, “Okay, what’s goin’ on?”

“Nothin'…” your hands ran over your face.

"Nah, none of that shit." JJ knew you better than anyone, he knew ‘nothing’ never actually meant nothing, especially coming from you.

Your head hit the wheel with a light thud, "Just assholes at work… The only things worse than Kooks during off-season are these fuckin' tourons..." Your head lifted to look out your windshield, "‘Nice ass sweetheart.' 'Wanna show me around after your shift?' 'Bet I can show you a good time'...” you groaned and rolled your eyes, “Fuckers..."

JJ's tongue pressed into his cheek. "Bastards... They got good taste though," he half-joked, placing an arm around your shoulder, "Maybe I should start coming by during your shift. Let all those tourons know you’re mine." A small smile graced your lips at the thought. “You know I would too.”

“Yeah, I know…” A small sigh left your lungs. “But I don’t wanna think about that now.”

JJ gave you a signature smile and moved his hand from your shoulder to your bare thigh. You couldn’t help but smile back as you made your way out of his driveway and onto the road. He gave your thigh a light squeeze, “Where’s your phone?"

You pointed to the bag sitting at his feet, “Front pocket.”

“I know what'll make you feel better." He dug through the bag trying to find your phone. Once in his hands, he quickly unlocked it and opened your music app. He grabbed the cord connected to your cassette adapter. A soft buzzing filled the cabin before you recognized the familiar sound of a guitar softly picking.

You couldn't help the grin that spread across your face. As the song picked up, you and JJ mimicked the drumbeat, slamming your hands on the steering wheel and above the glove compartment respectively. You looked to JJ in anticipation of Mike Shinoda's first verse. JJ was right on cue, his rough voice filled with enthusiasm as he rapped along.

I watch how the moon sits in the sky in the dark night Shining with the light from the sun The sun doesn't give light to the moon assuming The moon's gonna owe it one

You always had a particular music taste, loving almost anything and everything. You were thankful that JJ shared this sentiment. However, there was no denying that Linkin Park was your band, and 'A Place For My Head' was one of your shared favorites off the Hybrid Theory album. The two of you were often heard blasting the song, let alone LP's entire discography, from your truck or the Twinkie. JJ always took Mike's part, rapping smoothly along with the lyrics, while you would scream Chester's parts at the top of your lungs.

Chester’s voice rolled through your speakers and mixed with your voice. You could feel the frustration and pent-up aggression escape with each verse of the chorus.

I wanna be in another place I hate when you say you don't understand (you'll see it's not meant to be) I wanna be in the energy, not with the enemy A place for my head

The bridge of the song hit, and you both were screaming the lyrics with little care for your ears or vocal cords.

You try to take the best of me, go away! You try to take the best of me, go away!

The song faded out, being replaced by your combined laughter as you threw the truck into park.

JJ looked over to you, “Feeling a bit better, kittycat?”

“Maybe a little.” You tried to sound nonchalant, but you knew your smile gave you away.

JJ rolled his eyes, “Sure.” He got out of the truck, practically sprinting over to you, muscled arms pulling you into a tight embrace while his lips pressed lightly against your hair.

“Thank you, JJ,” you whispered before wrapping your arms around his neck and leaning up to kiss his soft lips.

“Any time.”

As always, feedback, likes, comments, and reblogs are appreciated!

OBX Taglist: @ineedtosusoutmyreadinglist @daisydark

𝑊𝑎𝑛𝑛𝑎 𝑏𝑒 𝑡𝑎𝑔𝑔𝑒𝑑? 𝐿𝑒𝑡 𝑚𝑒 𝑘𝑛𝑜𝑤 ℎ𝑒𝑟𝑒 💜

[ssivinee]

✧Original Visual✧

Irene x Aespa! 96’ liner! F reader:  In the industry, beautiful idols aren’t uncommon. Your beauty was on the next level, all the 4th gen knew. But what if a certain 3rd-generation original visual begins to notice you due to a V-live you did?

Word Count: 1.4k

Note: Simple fic since I may not be able to write much today🥲

Character Vision Board

Choi Y/n, the oldest member of Aespa, was known for many things. Her dance skills, rap skills, composing, and even music production. She’s even the older sister of TXT member Choi Yeonjun.

But if you were to ask the K-pop community and idol industry what she was known for, it was her visuals. Y/n had a powerful gaze, sharp jawline, plump lips, and currently, oxford blue hair that cascaded down her back, ending right above her hips.

One dull day, Karina and Y/n were in SM’s dance studio. It was their day off, and despite being happy about that, the two members didn’t know what to do with their day, so they just decided to go to the company building and chill there.

The two girls wore similar outfits: grey sweats, a basic cropped hoodie, and sneakers. They lay on the black couch, just staring at the ceiling.

"Unnie~, I’m bored~"

"Jimin-ah... so am I."

The two looked at each other as Karina laid her head on Y/n’s lap, trying to figure out how to make time go by faster.

“Wait, what if we do a live?” Karina jumps into action, going to get the company phone, “you finally came up with an idea after so long.”

“You could’ve thought of it yourself!” Y/n chuckles as the girl sticks her tongue out, returning with another phone.

They take a tripod phone stand, attach it, and begin the V-live. After waiting a few minutes for MY to join, they finally had about 5k viewers, so they decided to start.

“Hello, guys,” Y/n stares at the chat while her and Karina wave.

“AESPA’S VISUAL LINE?”

“What did we do to deserve your guy’s grace today?”

“Y/n and Karina’s duo is something I didn’t know I needed.”

“Clap twice if you wanna leave SM.”

Y/n laughed at the several comments she saw, especially the English ones. “You guys know how to make me laugh.”

“We were bored, so we just decided to go on V-live to talk to you guys,” the younger stated, and spam of hearts came from the chat. The two keep reading and begin to read some questions.

“What song are you guys obsessed with at the moment?”

“Spicy by Aespa,” Karina said, making Y/n look at her like she was crazy, “Okay, self-promo.”

“Unnie, that’s how it should be. We’re idols, man,” Y/n laughs at Karina’s statement, hitting her lightly as it was a habit when she found things funny. “Anyways, for me, it would probably have to be Unforgiven & Fire in the Belly by Le Sserafim. They killed it on their album.” Karina nods in agreement.

“Dance Unforgiven? Guys, I haven’t learned the choreography.”

“She’s lying~ She knows it from TikTok,” Karina exposes her in a tattle-tale tone. “Wha~, no way you outed me like that,” the younger shrugs, followed by a giggle. “Do it, unnie.”

“Fine,” Y/n gets up to go to the computer. She ensured everything was connected before playing a few seconds before the chorus. “You guys ready for unnie to slay?” Karina says, and Y/n begins to dance the chorus. Effortlessly, she jumps with a bunny-like hand, then turns her fingers into horns and repeats, doing the same steps.

Once she finishes, the leader goes, “See, I told you she’s a liar. She knew the dance.” Y/n sits back down next to her, slapping Karina’s shoulder, which causes the girl to act like it hurts.

The live went on for 3 hours, and a lot happened. The girls talked, danced, and even sang songs. Now fans had a compilation of them dancing to ‘Kick It’ by NCT 127, ‘Wannabe’ by ITZY, ‘Hype Boy’ by New Jeans, ‘Hey Mama’ by the SWF dance challenge, and more.

Nearing the end, they decided to take one final request, “Psycho by Red Velvet sunbaenim?” When Karina read the comment, Y/n rushed to the computer and played the instrumental version. “Wait, we’re singing to it as well?”

“Yes! I love this song way too much to not sing it.”

The two got in place, and once the song began, Karina focused on dancing while Y/n did the adlibs perfectly. Comments start to go wild over her voice.

“Y/n drank the SM water again.”

“Ain’t no way she hitting Wendy’s notes????”

“Sub-vocal of Aespa, everyone!”

Y/n joins in on the dance now, and the two begin switching lines back and forth, creating a live vocal performance of the song. The second verse begins to hit, Y/n gets hyped and raps, “Hey trouble 경따윈 없이 오는 너, I’m original visual, 우린 원래 이랬어 yeah.” Karina joins her in singing the iconic one-liner. Then the comments go crazy again.

“4TH GEN ORIGINAL VISUALS YUH.”

“Wha~ the rap suits her.”

“I need a collab with Aespa’s visual line and Irene.”

As the song ends, the two are out of breath and fall to the ground. The echoing dance studio now echoed with their heavy breathing, “Sorry guys, we went a bit overboard,” Y/n tells them as the two drink their waters.

“No, you didn’t. It was amazing!”

“I need a live stage version stat.”

“Joohyun-ssi would be proud.”

“I think that’s it for us, you guys. We’ll do a V-live soon with the other members,” Karina tells the chat, and as fans spammed bye, she ended the stream.

“I’m pooped, man.”

“Same.”

The two get up and prepare to head back to their dorms. Once in the van, Y/n stays on her phone while Karina takes a quick nap. She then gets a notification from Instagram, which she questions. That would only mean an idol was texting her, but it would mean they’re an idol she never spoke to before since they didn’t message her regularly.

Looking at her DMs, shocked was an understatement. The Bae Joohyun had texted her, and once she opened the chat, she wanted to throw her phone out of the car.

Irene texted, ‘Wow, Y/n-ssi, you're a beautiful dancer. Thank you for rapping my lines and doing justice to our song.’

...

BEAUTIFUL DANCER?!

Y/n and the Aespa members were reasonably close to certain SM idols, mainly female idols, due to Y/n, Karina, and Winter being in Got The Beat. One specific idol she never got the chance to interact with was the one who was texting her right now.

‘It’s an honor, sunbaenim. I’m glad it got your approval,’ Y/n sends. She was frantic, not knowing what to say, ‘An honor? Your sound so corny, c’mon.’ Before she could even unsend the message, texting bubbles began to pop up.

Oh dear, she saw it. ‘Y/n-ah. No need to be so formal. Just call me Joohyun-unnie.’

If you thought this couldn’t make it any worse for Y/n, it did. She freaks out and has to do breathing exercises to calm herself down.

‘Okay, unnie! May I ask how you knew about the cover?’

‘Ah, the clips circulated very fast, lol.’

Y/n smiled to herself. She was texting someone she thought was untouchable in the industry. The car stops, and she notices they’re in front of their dorm. “Jimin-ah, wake up, we’re here,” she wakes the younger in a delicate tone.

At another dorm, the older woman lay in bed watching the Psycho cover multiple times. “Unnie, do you have my sweater? The red one?” Irene heard Seulgi’s voice.

“Yeah, it’s in here on my chair!” She hears the dancer’s footsteps, and as Seulgi enters the room, she hears the Psycho clip, catching her attention as well.

“What are you watching?” The younger lay on her paid, peaking at her phone to see the familiar girls. “Y/n and Jimin did a cover of Psycho, even singing to it,” Irene shows her the phone, and Seulgi smiles at the two girls.

“I’m not surprised. They’ve always been excellent,” she stands up and takes her sweater. “That reminds me to text them soon.”

Irene says, “You think I can have Y/n’s number?” Seulgi looks at her leader with suspicious eyes.

“Sure,” Seulgi sends your number to Irene, but before she leaves, she asks the latter, “Can I ask why?”

“I just want to get to know her. Is that so bad?” Irene says as she adds your number to her contacts and in a sarcastic tone, “Right, that’s the reason, unnie.”

Irene rolled her eyes as Seulgi left. She wasn’t lying when she said she wanted to get to know you, but Seulgi knew her unnie too well to know that that wasn’t the only reason. Irene thought you were gorgeous, sexy, and very charismatic.

She’d never admit that to her members, though. Maybe she would after she and Y/n establish a bond.

[aro-with-bad-aim]

I love how almost everything is connected in will woods music so I’m gonna ramble about it (hopefully coherently) to spare people who know me in real life.

Firstly (I’ve already mentioned this on another post about this band), going all the way back to a verbal equinox, the character of dr sunshine shows up again in self- ish in dr sunshine is dead. Also the line “I’m far too weird to live, but I ain’t too weird to die” is reworked to “too weird to love, too scared to die” in outliars and hyppocrites.

Going to EIAL, the phrase “draw a line in the sand” from chemical overreaction is also seen in Marsha thankk you for the dialectics. And omg destroy to enjoy is pretty much just a reference to self- ish. The line “glory be satori but it’s all hallucinatory…” is in 2012, also with a reference to “mahaprajnaparimita” which also is mentioned in 2012.

Self- ish is pretty much all connected, with the first and last songs, self and ish, basically being one song split into two. Dr sunshine is dead, cotards solution and mr capgras are all connected musically, and also interestingly capgras and cotards are both mental illnesses, specially delusions, which makes their connection to dr sunshine make more sense (that might be a bit of a stretch though). The song with five names and hand me my shovel I’m going in are perfect parallels, and the repeated lyrics less tune of “gotta get to the bottom of this” playing in the second verse of the song with five names can also kinda be heard in wealth and hellness by human zoo in the bit will wood sings in. There’s also the reference to hand me my shovel I’m going in during half decade hangover. The song had come out in 2016, which was just over half a decade before icimi came out. 2012 is interestingly the only one without much of a connection. Not sure why yet, might just be for the sake of it.

The normal album. I love the normal album. Suburbia overture references the other songs so much and I love it. (There’s only one other album that I know does this: enter a beginners guide to faking your death by jhraiah- go listen to it). The first reference to another song is the line “myers briggs, okultra” which is a reference to Blackboxwarrior okultra. It’s also kinda interesting that it’s referenced alongside a “psychology” term as the song is full of psychology references. The second reference is “everybody knows that, nobody knows that, everybody’s all up in my- everybody’s all up in my- everybody’s all up in my business” which is a reference to …well better than the alternative. During the spoke part of vampire culture, the backing music is from Blackboxwarrior. The line “you pull out your roscharch like a paint by numbers treasure map” could be a reference to outliars and hyppocrates, in the line “prints of your fingers in the roscharch jigsaw say you saw a treasure map”. Finally and obviously, love me normally is referenced in the title of the song, and the end of the song is the beginning to love me normally. I don’t know if this is a stretch/ coincidence, but a part of good morning campers from chnt (or welcome to camp here and there, l can’t remember) kind of sounds like the part of outliars and hyppocrates: “who’s wanna be human anyways, i mean what do people do”.

I can’t find any connections that I haven’t already mentioned in icimi because I haven’t been listening to it as much (most songs make me cry), but its still a good album :D

[9800sblog]

Pick A Card tarot reading - which Britney Spears musical era are you? 🤔

from ...Baby One More Time to Hold Me Closer, which one of the icon's released albums fit best with you at the moment? let's ask tarot and find out, what is the soundtrack of your life?

this was @saturnsbabe69 request! ;)

pick one tarot card from my very low budget montage (britney pictures simply fillers).

from left to right, north to south:

Pile 1 strength, Pile 2 hanged man, Pile 3 hermit, Pile 4 king of pentacles, Pile 5 6 of cups, Pile 6 7 of pentacles, Pile 7 judgement, Pile 8 the world, Pile 9 3 of pentacles, Pile 10 6 of wands.

-> pile 1

...Baby One More Time (1999)

you're all about soft power! the most important thing in your life is probably your friends, you'd do anything for those you choose to keep in your life and you love going out with them during summer, but you also love getting away from the center of attention to restore your peace, you're quite introspective. right now, you might be living the consequences from your actions, you've accepted it but you're still in suffering - you might have neglected a situation/person in your life or smother it/them out of desperation and now it's gone. you know the pain is temporary and you turn that pain into some beautiful thoughts, your perspective on life might be tinted but it's still somehow bright and beautiful. you might be going through a coming of age experience. you have the spirit of a leader and an ace, you know how to bring everyone together, yet you feel alone, you're looking for someone to be that person for you too, you might have many friends, but you want that special love ^^ your personality is big and people naturally gravitate towards you, you feel loved and loving, you feel you have so much and you just wanna give back to others, you're a really caring, sensitive individual, who uses rational thinking to protect yourself. main character energy.

your theme song:

-> pile 2

Femme Fatale (2011), S&M (Remix) (2011), B In The Mix, The Remixes Vol 2 (2011)

you're comfortable in discomfort, you dance while the world ends, you're both the parent friend and the party friend. you're unafraid and experienced and you have no time to waste on things that don't matter, the world is such an oppressive mess and you think there's no reason why you should let that take part in your chill time. you're someone that doesn't care about romance and you wanna have fun as much as you can, for as long as you can, the only time is now, you live in the present. you're the life of the party but when it's time for business, you take it seriously. you might have some anarchist ideologies, you seem to believe the socioeconomic systems of your modern world steals you of your personal power and ability to be a human, you call for a social awakening and you think there's no pretty way to do it - that might just mean "work is hard so I'm gonna party even harder" - you think being selfish (not self-centered) and not thinking about the future is part of self care. this era was the time when the popular belief was the world would end in 2012, people wanted to enjoy their lives as much as possible.

your theme song:

-> pile 3

Blackout (2007), Britney & Kevin: Chaotic DVD Bonus Audio (2005)

you're super introspective and private, you don't necessarily hide anything, but youre complicated, one would have to pay close attention and take their time to connect the dots and understand your entire vibe. some may think you put yourself in an unnecessarily unfortunate situation, like you have everything to go anywhere you want, but you just stay stuck; others think you are stuck, but you don't realize it, that you think you're powerful, but you're actually childish and delusional; the truth, however, is that you're in a moment of analysis to come up with the best plan before making bigger decisions, you like to wait for the most favorable time to take action. you might not have many friends, but those few close relationships fulfill you more than anything else ever could, they take over your entire heart. your heart is your biggest treasure and is the basis for all your decisions, you've been hurt and lied to in ways that has changed your entire worldview, so you're extra careful now and you may act in ways that others don't understand, you might feel like you're lying to yourself and others too. but you stay true to yourself no matter what, you might have very strong spiritual beliefs that keep you grounded and looking forward to the future, you know that limbo and pain are temporary and you're sure of your capacity to survive them, no matter that anyone says.

your theme song:

-> pile 4

Oops!... I Did It Again (2000), My Only Wish (This Year) (2000)

it's your world and we're just living in it, you feel like your life is a spectacle for people to watch and you have to be on your best behavior at all times. you prefer actions over words, you think people should act on their thoughts and feelings, instead of hiding them, so you worry and ponder a lot about yours. you are great at public speaking because you know how to manipulate reality into your ideals, almost like you have double personality; you've got many people to support you and put you back on the line if you stray from it. you like the feeling of nostalgia, you might think there's no reason to say absolute goodbye to your childhood, that might translate in the way you talk or dress, you're not childish tho, but you like that playful innocence sometimes, it can feel refreshing since you feel like people expect too much from you that you don't even understand. you think other people talk too much about things they don't know and you think it sucks that you still need to find a way to please them somehow, you wish the world was just you and your people.

your theme song:

-> pile 5

Britney (2001)

you're a walking contradiction! you're probably such a hipster!! >:) you love music that is older than you, you care so much what others think of you but you pretend it doesn't bother you at all, and you're very spiritual, but you have your yin/yang energies out of balance. you approach life as if you're stuck, but you know it's a temporary and natural situation, you need to go through that to become stronger, but you still mourn the fact that you can't do anything at this time, it's like having to exercise on a beautiful, sunny day. you're a creative soul but you don't use that creativity to deal with emotions, you wanna get things done, you're more comfortable and productive on a yang energy/way of approaching the world, you wanna be seen as a king, but not a queen (roles and responsibilities). you want everything and then some, you might like to use your material abilities to allow yourself to have many options. you probably have a superiority complex, fucking hipsters 🙄...... you remind me of lorelai gilmore! ;)

your theme song:

-> pile 6

Glory (2020)

you're the goat. you've worked really hard to reap the fruits of your labor, now you deserve to settle down. you dream of a knight in shiny armor - romantically or not, you want someone to take the time to see you in your most human form, you want to bare your soul, to show your dark and lonely side. you might relate to the saying that "it's lonely at the top", you might have everything you wanted, except for this one thing that is out of reach and that might be community, you seem to lack that sense of intimate and close relationships. you're really satisfied with life, you're happy and fulfilled, you have more than you need, there's just this one thing you think "damn, wish I could tap that".

your theme song:

-> pile 7

Britney Jean (2013), Ooh La La (2013), Bangerz (2013), Pretty Girls (2015), The Essential Britney Spears (2013)

you go with the flow and it takes you far. you might have recently ended a very important connection in your life because of sneaky actions and lies. you need no patience anymore, you've done your job, you feel comfortable in yourself, knowing you're not the problem. you think you'd be better if somebody more experienced would show you the way through life, specially if they're a spiritual guide (might be tarot). you wanna be that guide too, you like to share the things you learned with those around you. you think you can't control anything or anyone, except for yourself and you don't try, whatever happens, happens. you might believe in destiny, afterlife, God's plan, free will or karma.

your theme song:

-> pile 8

Circus (2008), The Singles Collection (2009)

you're a god of yourself and your own world, you're on a league of your own, there's no one quite like you, a trendsetter, others may try to copy but they could never get to be as iconic as you. you've been through some really difficult, overwhelming, surreal times, the way you deal with your demons is even more surreal, you're a boss, I lack words to describe how amazing you are. you understand the importance of family and friendships, you put those above any material matters, you're very nurturing, dedicated and you expect the same in return. you are protective of yourself and those close to you and you're ready to fight anyone that disrupts your peace. your grandness transpires into the little things you do, your confidence and amazing, outstanding personality traits shows in your everyday life, even when it's not your best work, it's still better than average. you might lack imagination (or creative control in your work), you like to keep low expectations, you're not used to things going well for you. you are an angel tho.

your theme song:

-> pile 9

In The Zone (2003) + DVD Bonus (2004), Greatest Hits: My Prerogative (2004), B In The Mix, The Remixes (2005)

you're all about big businesses. you think a lot about the circle of life, you're open to the guidance of those at the top of the hierarchy and you help those who are lower than you, you think people should help people. you don't wanna change anyone, you just wanna do your thing while other people do their thing. you are incredibly magnetic and you might use human instincts to get things done, pretty privilege being an example. there's a feeling of you coming out of the dead, you might have waited a long time for something that you have finally accomplished and you feel like royalty. this is the biggest time of your life (so far), you have that x factor, you're at the top, you wanna enjoy all of life's big and little pleasures and you have the freedom to do so.

your theme song:

-> pile 10

Hold Me Closer (2021), Toxic Pony (2022), ELVIS (2023)

you're a community person, it's people that build you up, you're likely an extrovert that loves to dance, party and travel with friends, you see nobody above nobody - if it was up to you, social hierarchies would be gone completely. this might not be the best time of your life, but you're incredibly hopeful because this moment in the present feels so otherworldly amazing. you feel as one with your environment, connected with everything and everyone. you feel safe to follow your heart because you have people to help you build your stability, you feel like there isn't one ruler above all - you might have recently broken up a deal with quite an important figure in your life, but it only broadened your horizons, like they were a lunar eclipse and you, the sun. your heart is strong and beating faster than ever! oh you're a big deal! super humble but hey you can totally brag!

your theme song:

i love britney spears

[stone-stars]

Illuminate me on music!, I'm not good at it but I like hearing people talking things I don't know. So idk, start anywhere I wanna learn. Gimme music faces from emily's work

lol there's SO many places i could start. first, let me say that i get so in the weeds with this. you don't need to be me. however, murph and emily are really deliberate with their music placement so even if you don't go super deep, you can start to notice patterns, especially with the super frequently used songs.

when it comes to frequent songs, alli operationslipperypuppet also did a very helpful "hey how concerned should you be" breakdown of some common songs, which i'll link here. i would say if you want to start paying attention, some easy ones to check out and start listening for are the purge, unknown tome, kingshammer, valiant ol' cobb, mee maw's burden, a fate refused, the campaign themes, twinkling lights of galaderon, and a friend for life. all of these are available on spotify, with the exception of kingshammer, and have very consistent uses. (the bahumia theme isn't by emily, but is on spotify). if you want to hear kingshammer, a good use of it is around 50 minutes into c1e80, during hardwon's flashback (ad free, so you might have to go later for ads)

another thing to note is certain songs get very specific meanings when applied to given characters. mee maw's burden and unknown tome are used incredibly consistently throughout bev sr's hell arc. twinkling lights of galaderon and a bastard no more/hardwon takes the wheel (both names have been used) are used throughout hardwon's.

emily also tends to write a lot of location-based music. a lot of cities have their own themes and their own instrumentation. a great example of this is the tsunaire interlude from c3, which has a very unique sound. also for example, the crick tends to have a lot of similar instrumentation. if you listen through the crick album on spotify, you can start to hear it. there's a lot of strings/piano, drums, and a lot of notes are drawn out in a very specific way.

it's very consistent. there are also like 200+ songs written for this podcast at this point, and so knowing every one of them is insane. but if you start to be like "i've heard this song before, where did i hear it" chances are it's in a moment that connects thematically. i can go into a lot more detail about any of this, this kinda became a "hey here's how to start tracking naddpod music" post more than anything and not really about the themes/uses of songs, but! yeah!

some fun little bonus notes of songs that are only used a few times but that i am insane about the repetition of:

a song called "torn apart" is used when moonshine opens the rift to the feywild during the tarrasque fight, and also when the world is breaking apart after the thiala fight and the boobs heal it

"i just want to know you're taken care of" is the song that is played when moonshine tells paw paw to write up her will. it's also played when lydia tells her that she deserves to be heard by her friends and she should tell them about her plans in hell. it's also used in c3 when callie tells foster that she's sorry for not giving him love.

"a memory" is introduced in episode 100 as thiala shows everyone the failed past adventurers and the "wheel of sorrow". it has recently been used in c3 for both references to the boobs and to melora's adventuring party (melora/telaine/aryox)

there is a specific royalty free (i think) choral song that plays when gemma appears at the party, when gemma dies, when jaina almost kills hardwon, and then later when hardwon dies at scarlet montgomery's hands. do with this what you will.

this isn't about a reuse but the song that plays in ep 70 when moonshine and lucanus are talking is called "a miracle child" and i need more people to know that.

i am insane about "a glittering reunion" (from melora and telaine's in 97) on so many levels. telaine is the piano. melora is the strings. i need to lay down.

[lunaarorbiter]

💿 MEGAN ― M.T.S

album analysis + rating

b/n : been excited for this one and wanted to get this out asap. not doing all of them. this is my interpretation of these songs and what i got from them. might not be yours and that's okay ! + unedited

HISS ((10/10))

― masterpiece from start to finish. she left EVERYTHING in this song. anything that anybody had to say she basically predicted because the response back is the song again.

in this, megan calls out multiple rappers, especially male. she calls out about how many male rappers are fein's for her body and fame. they're constantly chasing after her, and can't decide whether they wanna be her or be WITH her.

the verses she spits just keep coming in this song. it's a long ass receipt that she's been waiting to print and sign with class.

one thing i disliked was that it was heavily overshadowed by you know who.. not enough people payed attention to where the shots were directed and thrown at. drake for example.. her bbl line was a direct shot to him who can't handle rejection and who has constantly been taking low blows at meg and her body when he's been under the knife for "his".

not to mention the artistry in the music videos and the photos she'd been posting leading up to the release of this song. she aligned everything perfectly and made a snug spot for this in her discography. her references, bars, visuals, flow, foreshadowing and everything else was a masterpiece that will not be forgotten decades from now ..

RATTLE ((7.9/10))

― the instrumental in this has me imagining her walking on thin ice, confidently and not worried about breaking it because she can also walk on water. all eyes on her because they're waiting on her for ideas and what to talk about next.

this song is about people always trying to rip meg off and turn her into something she's not. she's standing up for her character and to the people who continue to try to take advantage of her ..

FIGUEROA ((7.6/10))

― catchy, rich, and classy. the meow got me. having to call out the lies and everyone who says shit about her.

WHERE THEM GIRLS AT ((7/10))

― this feels like it could be a club classic. the beat of it reminds me of songs from the early 2000's. simple and makes me wanna dance ..

BROKE HIS HEART ((8.9/10))

― she's dominating in this song. it feels like she's calling for her hottie army. + this song being just in time before pride month ends. need people to stop denying her sexuality now ..

B.A.S + KYLE RICHH ((9/10))

― right as the song starts, she jumps right in. she's not letting anyone play with her, her time, her pleasure, and body. any wrong way you treat her, she's gonna throw it right back at you .. the juxtaposition with the aggressive but soft feel of this blending together adds onto it.

she's winning the idgaf wars with this one as well. she doesn't care about how she's treating you because she deserves better anyways. this song is a shrug and her turning her back on you because you're not worthy enough

+ this SAMPLE. when it starts playing it's like the perfect after taste to an already delicious desert. i love the way the lyrics from the sample contradict with the song. sending completely different messages but still mix seamlessly. she makes the best uses of all the samples she uses. this time "out on a limb" by teena marie. an addictive listen especially when it gets to the end. a want to hear the end but not for it to finish ..

OTAKU HOT GIRL ((10/10))

― a fan favorite already, especially for megan's anime fans. can we acknowledge adam mcarthur, yuji's (jjk), english voice actor getting on this track to talk about how he likes grammy winners like megan?? with fat asses?? oh i know that's fucking right !

+ the jjk sample used in the song?? i love the eery sound and feel of the sample and how she incorporated it into the song. but WHO REALLY DOES IT LIKE MEGAN?? she searched and sought out for the puzzle pieces to perfectly connect to each other in this song. everything being smooth and blending together so effortlessly.

not to mention the japanese she was speaking, who's not bilingual? "can't touch me, like gojo" and the domain expansion line? yeah. this pulled the anime nerd out of me. her brain. also noting that megan had to keep changing the song days before her album released to appease the anime studio. give her, her flowers..

to listen to the part she sampled click here ..

FIND OUT ((9/10))

― once again in love with the instrumentals she uses. the tingly feel the noise effects give make it yummier. not much to say about this one, need to let it marinate a bit ..

BOA ((8/10))

― artistry on ten. references on ten. looks on ten. dancing on ten. only thing is i expected more from the song. i love the use of the sample from gwen stefani's "what you waiting for".

it definitely is an experience to watch the music video. the anime, movie, video game, and tv show references she was putting out, was being picked up.

a bunch of iconic looks that have been referenced already and will continue to be. you can tell a lot of work and creativity went into this one. not to mention the creative and comedic deaths. she showed her hot girl nerd for this track !

MAMUSHI + YUKI CHIBA ((7/10))

― again w the japanese, bilingual queen. a chill song that added some more flavor to the album. they're both speaking of their luxury being celebrities and glamor of it all. yuki and megan are bonding and relating to each other over those aspects ..

WORTHY ((7/10))

― a feel good self assuring song. she speaks of how she's worthy of the love she craves and deserves nothing less than that. everyone should have this type of confidence and this should be everyone's default thought process ..

MOODY GIRL ((10/10))

― she in her feelings with this one. relatable and a song that i connect with. feeling lonely with a room full of people and like she's the only one that feels that way and the only one that sees she's not okay. she's not feeling herself, looking in the mirror and thinking things she would never usually think. also being told and feeling forced to feel some other way as if she isn't trying to feel better.

feeling like everyone is against her and no one else is trying to understand how she feels.

i love the way she talks about her mental health in her music and captures negative feelings so perfectly. these types of songs are always overlooked by her songs about her sexuality. also the people who say she only talks about being sexual and having money when these songs are sitting here, get on !

the mellow background vocals add onto the sad girl theme of the song. we FEEL the sorrow she's feeling. wanting to party away the emptiness and despair she feels, wanting to move past the feeling but just stuck on it. one of my favorites and i fear it's gonna be underrated <//3 ..

ACCENT + GLO RILLA ((8/10))

― an addictive duo that i will always come back to. the passing of the baton in this song is my favorite. catchy, flowy, and throwing shots. need a music video where they're fighting something together ..

SPIN + VICTORIA MONET ((8/10))

― a duo i wasn't expecting but goes so well together. again megan spitting fire ass verses. she’s collecting all the rnb girls. "messy, men wanna kick it like neymar let a man know i'm the goal, i don't chase y'all".. in this track they speak on people being hypnotized by them and their every move ..

DOWNSTAIRS DJ ((10/10))

― will forever love how open megan is with her sexuality. the start of this song with watery sparkly noises matches the vibe of the song. in this song she's talking about self pleasure and taking care of herself. she's not ashamed like how society wants women to feel. truly normalizing women being open. she's real as fuck, will tell you a joke but never a lie !

MIAMI BLUE + BIG K.R.I.T. BUDDAH BLESS ((7/10))

― she's always able to make the most obscure beats sound cohesive and good. what should be challenging, she achieves effortlessly. again not much to say, it's still marinating ..

COBRA ((10/10))

― one of my favorites in the album. cobra delves into the hardships megan faced and the reality of her mental health throughout these years. the many difficulties she had to face alone with an audience watching her every move wasn't an easy feat but she did it with grace, something that many admire about her. she continues to keep it real with her fans and show her scars.

the symbolism and visuals tying in together with shedding her skin and becoming a different person and moving on from that part of her life is genius. the rebirth of megan. thinking outside the box feels like the usual with megan.

+ her versatility with the beat of the music. just by how the song starts it gets you excited, not knowing what to expect until the beat drops surprising you. this song shows you a different side of megan and feels like a complete 180 compared to her other work ..

OVERALL RATING :: ((9.3/10))

final thoughts :;

megan thee stallion's first independent album.her artistry, on a completely different level, her flow and delivery 10/10. she has such a creative mind that extends from just rap and music. it SHOWS in her visuals in her music videos. it is such a beautiful art that she continues to make and she is consistent with it. her music goes past the bounds of any rapper right now. her versatile blend of rap, instrumentals, and her niche interests.

this album also having her constantly switch up her flow and each song being their own. nobody can say anything about that ever. people who say she doesn't change her flow only listen to her surface music and don't bother to acknowledge her artistry and songs aside from her features.

also her work when it comes to sampling other songs. she completely transforms the samples she uses and makes it her own, using it as a seed for her music. doing it megan's way.

a feature i wished and was hoping for was kehlani. she would've had a perfect spot in this album and would add so much. i also wished she would have explored more with other alternative genres as well and hope she does so in the future.

i will never get tired of her referencing animes. always being discreet and behind fire and smooth bars making everything fit together. she said people hate her because she's a hot nerd and right ! will forever be obsessed w thee stallion and enamored with her work and grind. my favorite album from her now !

@lunaarorbiter

[mieux-de-se-taire]

Demolition Lovers - MCR Interviews

89.5 WSOU FM Interview - 7/11/02

6:48-7:02, 20:33-20:57, 30:48-31:03

Interviewer: And then it all ends with “Demolition Lovers,” which is like the climax. Gerard: Yeah, originally, the song-- um “Demolition Lovers” was supposed to be called “I Brought You My Bullets, You Brought Me Your Love,” but I just hate it when, like bands name-- Interviewer: (Dramatically) The title track of-- Gerard: The title track! Yeah, I just don’t like title tracks.

Ray: (After being asked his favorite songs) And the last song “Demolition Lovers” because that song took us just about 6 months to write. We had that song very ear-- like, parts of the song very early when we first started the band, and it just took 6 months to finally get it right, and to hear it...like how it sounds on the CD, was just-- is just incredible. It’s really moving, for me, and I think for all of us because it-- it took so long to get right.

Gerard: This song is called “Demolition Lovers,” and…there you go. (Laughs) It’s about uh-- you wanna know what it’s about? Interviewer: Yes Gerard: It’s about uh…a willing to dish out and receive bullets for somebody… (laughs) because you love them that much.

/

HardcoreNJ Interview - March/April 2003

Paragraph 14

Interviewer: What is your favorite song on your album and why? Matt: Easily “Demolition Lovers” because, it was the one song on the record that was more of a project to us than the other songs. It took like 6 months till we got it right, so the song really felt like an accomplishment when we were finished. It shows a wide perspective of what we can write.

/

WVAU Radio Interview - 3/26/03

13:23-14:02

Interviewer: What is the meaning behind “Demolition Lovers”? Gerard: “Demolition Lovers” is-- the meaning behind it is-- the song’s about wanting to do something for somebody or trying to prove to somebody how much they mean to you, and I wanted it to have this very like Ro-- not so much Romeo and Juliet, but very Bonnie and Clyde type feel, like two people out on the road together, willing to take a bullet for each other, kinda very like true romance type style. And it also goes out to somebody very special, and um... Interviewer: Aww Gerard: It’s kind of a way to tie up the whole record.

/

89.5 WSOU FM Interview - 7/3/03

16:42-17:03

Gerard: Bullets was more like wistful. It’s more like about Romeo and Juliet type, star-crossed lovers and stuff like that. Like “Demolition Lovers” captures like the theme of the whole record, you know, two people willing to die in a gun battle for each other and stuff like that. The next record’s stepping a little away from that kind of romanticism about it, and it’s going more into the like coming back from the dead to get revenge.

/

MTV Interview - 6/23/04

Paragraph 7

Gerard: We had a song called 'Demolition Lovers,' from our first record [I Brought You My Bullets, You Brought Me Your Love]. In the end of that, the main character and his girlfriend get gunned down in the desert. So, on this album, he's in hell looking for her, and the devil tells him she's still alive. And he says, 'I have to be with her,' and the devil says, 'Then bring me the souls of 1,000 evil men. I'll send you back to earth, and when you kill the last one, you'll find her.'

/

MTV Interview - August-October 2006

0:37-0:49

Gerard: And we had been working on theme and concept songs since Bullets. “Demolition Lovers,” the last track off Bullets, basically leads you into Three Cheers For Sweet Revenge, so there’s even like a thematic connection.

[bylerspookie]

Certain lyrics that stand out to me in Mike’s Spotify playlist (Part 3)

When Love Breaks Down

Okay, so, here’s one where I think the album cover definitely was intentional when they chose to put this song on his playlist. The same with “A Real Hero”.

In “A Real Hero”s cover, it looks very similar to the scene where Mike and El hold hands while like skipping away from that field (I hope you know what I'm talking about lol)

And in this cover it’s VERY similar to the scene where Mike lets El ride on the back of his bike??? and there’s 4 people on the cover (probably representing Mike, El, Lucas and Dustin while they were looking for Will)

There’s a guy on a motorcycle and a woman is sitting on the same bike behind him with her arms around him and her face squished against his back. She’s wearing a similar outfit to Eleven in Season 1 (the pink dress with a blonde wig, the woman in this wears a pink jacket and she has blonde hair)

This leads to us thinking that maybe the song is from Mike’s point of view (because it’s his playlist duh) and about El. (some parts might still be aimed at Will though)

And guess what…it’s a break up song!! supriseeee!!

“My love and I, we work well together

But often we're apart”

they were apart for 6 months (as were Mike and Will)

“Absence makes the heart lose weight, yeah,”

Mike “the heart” Wheeler… (you are NOT slick we know what you are)

“Oh my, oh my, have you seen the weather

The sweet september rain

Rain on me like no other

Until I drown, until I drown”

ISTFG THE AMOUNT OF WATER IMAGRY AND MENTIONS OF WATER ON THEIR PLAYLISTS AND THE ACTUAL ST SOUNDTRACK KEEPS ME UP AT NIGHT CAUSE WHAT DOES IT MEAN. HERE IF YOU WANNA SEE MORE ON THAT.

AND THIS ODDLY REMINDS ME OF THE BYLER FIGHT IN S3 IDK WHY

“When love breaks down

The things you do

To stop the truth from hurting you”

“The lies we tell,

They only serve to fool ourselves,”

I’M LOSING MY MIND. “cause what if they don’t like the truth?”

“She'll never crowd me out

Fall be free as old confetti”

and the use of the word free? again, more on that here. (same post as earlier lol)

(if you’re not comfortable with discussions about sex you should skip to the next song <3)

“You join the wrecks

Who leave their hearts for easy sex”

see, I’m not 100% sure about this part but I’m trying to analyse everything okay

firstly, let’s talk about labyrinth and Romeo and Juliet.

Labyrinth is a movie in which the main character is paralleled to Mike SO much that it’s scary. He even has a poster of it in his room. Go to @connect-dots7 to see more on this. In short, connecting to this particular lyric, Sarah, the main character in labyrinth and she has a big scene where she discovers herself and her sexuality and they’re not even slightly subtle about it with the sexual imagry. The exact same sexual imagery is used with Mike (and some other characters).

Romeo and Juliet is a couple that is paralleled to Mike and El in the way that they were doomed at the start. For example, they fell in love at first sight. Shakespeare used this trope as a joke because he didn’t believe in love at first sight and it’s the same with the Duffers. They also mistook lust for love. Also I’m pretty sure Romeo was sort of using Juliet to get over someone that he actually loved but correct me if I’m wrong.

All I’m saying is, I think this lyric is very important, especially with the mention of “heart”. He’s not following his heart, basically.

(I know discussion of sex is very taboo in the byler community and I don’t understand why? Obviously, sexualising them is different, but just discussing the sexual imagry isn’t bad because it IS there and the Duffers aren’t scared of it. @henrysglock explains it here in a better way than I ever could lol. It’s the double standards between heterosexual couples and homosexual couples. )

anyway

Love Is a Stranger

the album cover is a man holding a heart in his palm? do with that as you will

“Love is a stranger

In an open car

To tempt you in

And drive you far away”

VAN SCENE VAN SCENE VAN SCENE VAN SCENE VAN SCENE

“Love is a danger

Of a different kind”

being different…

“And love love love

Is a dangerous drug

You have to receive it

And you still can't

Get enough of the stuff”

The way “White Rabbit” (the first song to play in st) is about Mike because he’s literally the white rabbit in Alice in Wonderland (again, you can read more about it on @connect-dots7 s page) and the song is about drugs????

“Comes in like the flood

And it seems like religion”

MORE MENTIONS IF WATER??

And Mike has too much religious imagery around him it’s insane…

“And you're left like a zombie”

There’s a lot of zombie imagery in st too? Wtf is going on help

“It's guilt edged”

Who’s going to be the one to tell him that he doesn’t have to feel guilty for feeling the way he feels about Will?

“You know it's jealous by nature”

Airport scene I’m looking at you…

“False and unkind”

“And I want you

And I want you

And I want you so

It's an obsession”

Mike it’s okay we’re all obsessed with Will Byers

Beta Girl Lost in Forever

Literally couldn’t find anything about this song lol it’s suspicious...

please tell me if you guys know anything about this song!!

[yoshihashismattebum]

9 People I'd Like to Get to Know Better

Thanks @sycamoretrees for the tag!

Last song: I'm going to cheat and go for a whole album. I've been really enjoying Where's My Utopia? by Yard Act recently: deceptively clever stream-of-consciousness lyrics that walk the line between wry irony and passionate sincerity, all set to post-punk beats that you can dance to. (Shout-out to HELLMODE by Jeff Rosenstock and Sorry for the Late Reply by Sløtface too – both brilliant albums as well)

And while I'm breaking the rules, I might as well mention my wrestling playlist that I've been working on! It's a really eclectic mix of songs that remind me of various different things in wrestling – feuds, characters, general vibes etc. It's not finished yet (I'd like to organise it thematically and write some annotations to explain my thinking behind the choices), but maybe you'll find something on there you like!

Favourite colour: it's a tie between blue and purple (especially lilac). Also currently enjoying the yellow-green of the new leaves that are appearing at this time of year!

Currently watching: wrestling, surprise surprise. I'm just about keeping up with AEW and completely failing to keep up with NJPW. Other than that, I've not really been in a big TV/film mood recently. Although I did see Dune Part 2 the other week, which I thought was fantastic. My partner and I have also become slightly addicted to watching Gab Smolders play Nancy Drew games on YouTube.

Spicy/savoury/sweet/(sour)/(salty)/[umami]: since @sycamoretrees set a precedent of adding options, I'm going to go with another write-in candidate: my beloved umami. I am a Marmite fiend and will eat just about anything if it has soy sauce/miso/strong cheese etc in it. I enjoy pretty much all of the above tastes though, especially when combined in interesting ways. If I had to choose between the original options, I probably lean towards savoury; I have extremely strong opinions on crisps.

Relationship status: I've been with my partner for almost 11 years now :) (While I'm here, go check out her fantastic art and tabletop RPG writing at @mortphilippa! Obviously I'm biased, but she's super talented!)

Obsessions:

Too many to mention them all, but here's a selection:

Wrestling (of course): as well as my usual AEW & NJPW, I've watched some CMLL recently, which has been fun. I also recently reached new levels of nerd by emulating King of Colosseum 2, a Japanese wrestling game from 2004, on PC. It's good! Holds up well!

Tabletop role-playing games – an ever-present obsession for me. I've just wrapped up a 4+ year D&D campaign that I was GMing, which is an odd feeling, but I'm so proud of the story we told together. I'm also currently GMing/writing stuff for Cy_Borg, Liminal Horror and Brindlewood Bay, among others! There are tons more I want to run though – too many games, not enough time! (I am always up for conversations about TTRPGs by the way – I could talk forever about them! Hit me up if you wanna chat!)

Puzzle games: more of a recent obsession. I continue to do the Wordle every day, but I've recently been enjoying Connections (sorting words into categories), Heardle Decades (identifying songs from the intros), and Squeezy (a weird game about fitting letters into other words). I'm also going through a bit of a point-and-click adventure phase. Really enjoying Unavowed by Dave Gilbert currently. I'm not usually an urban fantasy fan, so it's a testament to how good the writing is that I'm loving it as much as I am.

Spring flowers: spring has well and truly sprung here in the UK, and I am loving all of the flowers that are popping up everywhere! There's nothing that brings me joy quite like going for a walk and doing some plant-spotting (I'm trying to get better at identifying plants this year! I'm mostly reliant on Google Lens and a bit of inherited knowledge from my Grandma currently)

Oops, that was A Lot! Enough about me. Time to tag some other people! (Only if you feel like it though! Absolutely zero pressure)

IRL friends (I know you all very well already, but I always love hearing what you're up to 💙): @thewaythroughthewoods, @thepenultimaterolo and @mortphilippa (and @unpairedbracket if you fancy it!)

Some Tumblr people wot seem cool (sorry if we've not interacted much – I've not been on Tumblr a lot recently and I'm bad at starting conversations!): @norfkid, @sybilius, @dansedan, @unlikelywrestlingfan, @punkrockpariah

[thap1nkblog]

     ❝ CAUSE LORD, I WANNA

           𝐓𝐄𝐒𝐓𝐈𝐅𝐘! ❞

  a negative⋆azure exclusive

❝ in which a well established a list musician finds himself facing the music after a reckless night out that lands him in the wrong place at the wrong time - resulting in him being at the center of a murder investigation. ❞ 

✰ 𝐁𝐄𝐇𝐈𝐍𝐃 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂:

“oh is that murda? turn this shit up!”

[18+] this story contains mature language, and sexual situations and suggestive themes. as well as mentions and depictions of violence, abuse, and substance use.

✰ 𝐍𝐎𝐖 𝐏𝐋𝐀𝐘𝐈𝐍𝐆:

with his name in lights, sold out concerts, and billboard 100 charting rap songs, a list rapper and full time “bad boy” jamari gardner - known widely by his stage name, murda, has lived a life that is filled with money, drugs, and everything his heart could’ve ever wanted. or so he thought. 

after his latest string of crash out, piss poor behavior that has his name circulating more often than not for his publicity stunts for attention rather than his music - jamari’s image to the public is a stark contrast of what the people closest to him know him to be. 

with his face plastered all over tmz, lipstickalley, and other gossip blogs at the center of a wrong place, wrong time situation that has his name involved in a murder case, his record label had no choice but to issue him an ultimatum - 

either straighten up his act, or pay back the advance given on his contract. 

shipped back to the his hometown of woodbury, georgia by his team with the idea in mind of doing a complete detox while they handle the pr massacre left behind in atlanta, being back in his old stomping grounds has jamari facing the lights of what his fame and fortune really mean to him, and if it’s even worth it at all in the end. 

and as he rebuilds connections he thought he lost - like with one woman in particular - karma everett, a little detox from the noise and energy associated with his career could be just what he needed. 

               ❝ 𝐖𝐎𝐎𝐃𝐁𝐔𝐑𝐘'𝐒 𝐅𝐈𝐍𝐄𝐒𝐓 ❞

j alphonse nicholson as 𝐉𝐀𝐌𝐀𝐑𝐈 ❝𝐌𝐔𝐑𝐃𝐀❞ 𝐆𝐀𝐑𝐃𝐍𝐄𝐑

shannon thornton as 𝐊𝐀𝐑𝐌𝐀 𝐄𝐕𝐄𝐑𝐄𝐓𝐓

✰ 𝐓𝐑𝐀𝐂𝐊 𝐋𝐈𝐒𝐓:

❝ what? his album is coming out so soon?! ❞

         𝐬𝐢𝐝𝐞 𝐚 ✰ 𝐣𝐚𝐦𝐚𝐫𝐢'𝐬 𝐦𝐢𝐱 

        𝐬𝐢𝐝𝐞 𝐛 ✰ 𝐤𝐚𝐫𝐦𝐚'𝐬 𝐦𝐢𝐱

𝐁𝐎𝐍𝐔𝐒: like you’ll never see me again, alicia keys

✰ 𝐅𝐀𝐂𝐄 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂:

“i know you heard me - i said turn that shit the fuck up!”

the interlude, ❝𝐝𝐫𝐞𝐚𝐦𝐜𝐡𝐚𝐬𝐞𝐫❞ 

the key signature, ❝𝐝𝐫𝐞𝐚𝐦𝐬 𝐚𝐧𝐝 𝐫𝐞𝐚𝐥𝐢𝐭𝐢𝐞𝐬❞ 

track i, ❝𝐦𝐮𝐫𝐝𝐚 𝐨𝐧 𝐦𝐲 𝐦𝐢𝐧𝐝❞

track ii, ❝𝐰𝐨𝐨𝐝𝐛𝐮𝐫𝐲❞ 

                         ❝ and that’s 𝐁𝐈𝐆 𝐌𝐔𝐑𝐃𝐀 to you, pussy! ❞

  ❝ 𝐓𝐄𝐒𝐓𝐈𝐅𝐘 ❞ is a negative-azure original, inspired loosely by the world/events of p-valley. i don’t own any of “murda’s” songs, and i give full credit to p-valley for their beautiful show and characters. (patiently impatiently waiting for season three)

i hope you all enjoy. 

[letters-from-dekarios]

the tortured poets department (gale’s version)

tracks one through five

summary: an analyzation of TTPD with comparisons to gale dekarios’ story and life. some generalized things are part of the version of gale i’ve made in my mind that makes sense for his character to me.

or: me rambling about the TTPD songs and how each lyric relates to gale dekarios.

word count: 3.8k

tags: taylor swift is mothering with this new album, gale dekarios, i am mystra’s hateclub ceo, most of these songs are about their breakup sorry if i reiterate things a million times, MENTIONS OF S/H & SUICIDE. DO NOT READ IF THESE THINGS TRIGGER YOU.

author’s note: this multi-part series is going to be written in a much more casual style than my traditional fanfics. if you notice me rambling or screaming for like three sentences straight, don't be alarmed, I did spell check everything!

First and foremost, I absolutely LOVE this album. Artistically and lyrically, this is one of Taylor’s most sophisticated albums. It’s a story not really about boys or love or anything (not in the same way that other albums/songs have been, at least. take ‘love story’ or ‘enchanted’ for example), but instead is about her. Yes, her songs have technically always been about her. But this album has such a different ring to it. It’s about her and her feelings and about telling her story to the world, no matter if it makes people upset. This album is so unapologetically Taylor Swift that it is simply just… beautiful. I love this album SO much.

Now… let’s get into it!

fortnight;

I see this song both from the perspective of Gale and that of Mystra thinking of Gale.

“I was a functioning alcoholic till nobody noticed my new aesthetic”

makes me think of Gale hiding in his tower for a whole Year after receiving the orb. He and Mystra’s relationship wasn’t the longest either had ever had, but the breaking it off still hurt more than anything he’d ever experienced.

“All of this to say I hope you're okay/But you're the reason/And no one here's to blame/But what about your quiet treason?”

THIS IS SO. Gale knows that he’s, he was at fault for some of it too. But her treason against him (leaving him to die) goes overlooked by SO many. Even Gale overlooks her misdemeanors because he feels like he is ALSO at fault, and STILL wishes her the best despite it all.

“And for a fortnight there, we were forever/Run into you sometimes, ask about the weather/Now you're in my backyard, turned into good neighbors/Your wife waters flowers, I wanna kill her”

Metaphorically, they were together for a “fortnight”. They weren’t together for a Long time romantically, so their relationship wasn’t a long one. But now every time he uses the Weave or connects with her it’s like everything has changed and he has to play nice for fear of losing whatever friendship they had. And I’m sure some part of Gale is angry at Elminster for still being her Chosen and still having her affection (‘your wife waters flowers’).

“All my mornings are Mondays stuck in an endless February/I took the miracle move-on drug, the effects were temporary”

Even though February is the shortest month, I personally interpret the analogy like ‘this was short, but it feels longer’ and with ‘all my mornings are Mondays’ it’s like starting over time and time again but always ending up at the start. With Gale, even though their time together was futile, he’s still stuck on it. No matter how hard he tries, the effects of Mystra’s romantic loss on him is Hard. His mind always wraps back around to it.

“I love you, it’s ruining my life”

Gale still talked about Mystra and was willing to give up his life for her. He would’ve done Anything for her.

“Thought of calling you, but you won’t pick up”

Gale still tries to reach out to her even though he Knows she won’t listen to him. Even though he Knows she wants nothing to do with him right now, he still tries to reach her.

“Move to Florida, buy the car you want/buy it won’t start till I touch, touch, touch you”

He can move on and try to escape it all but no matter what he does, Mystra is Always There. She always will be. Because without her and her power, he has nothing. And it messes with him Terribly.

the tortured poets department;

“You’re in self-sabatoge mode, throwing spikes down on the road”

Mystra KNEW WHAT HE WAS DOING. How could she not?? How could she not know the magic he was using and not see what he was trying to do for her? He was destroying their relationship long before the tome and she had the Audacity to not say anything about it.

However, on Gale’s end, “But I've seen this episode and still loved the show”

LITERALLY KARSUS’ FOLLY. Gale was so aware of what Karsus had done and knew of his mistakes and sought to not be like him… yet he did something similar because he thought that the rest of the ‘show’ or relationship in this case could be different and wouldn’t affect the rest of it.

BUT, then, “And who's gonna hold you like me?/And who's gonna know you, if not me?”

Mystra knows he can try to move on, but she will always be there at the forefront of his mind. He can attempt to escape, but she is Always There.

“"You're not Dylan Thomas, I'm not Patti Smith/This ain't the Chelsea Hotel, we'rе modern idiots"”

I take this lyric as something Mystra says in a way to Gale. Kind of how she tells him to “be contented” (yes I reference this line a lot). Mystra tries to tell him that their love is not the grandest and not legendary. It is going to end. While she doesn’t refer to herself as an idiot, I feel the line can be taken as she sees the love itself as idiotic. She’s had so many lovers that this with Gale is just.. pointless, in a sense? She never had any intention of furthering his magic any more than it had been, so his idea with her is stupid.

“But you awaken with dread, pounding nails in your head/But I’ve read this one before, where you come undone”

She’s had So Many Chosen and even had someone try and literally usurp her power before. She knew what she was doing with him, even if Gale had no clue what was going to happen.

“Sometimes, I wonder if you're gonna screw this up with me/But you told Lucy you'd kill yourself if I ever leave/And I had said that to Jack about you, so I felt seen/Everyone we know understands why it's meant to be”

GALE IS INSECURE. MYSTRA TELLS HIM TO BE CONTENT AND HE TRIES TO!!!! He really Really tries to but cannot bring himself to. People who still just see him as her Chosen find little to no issue because they think he’s this great, grand, all-powerful wizard so it makes Sense.

“At dinner, you take my ring off my middle finger/And put it on the one people put wedding rings on/And that's the closest I've come to my heart exploding”

MYSTRA. She tells him to be contented even when he’s begging for more and wants to know her more intimately and instead of squashing the idea he had of becoming something greater with her, she just lets him SIT WITH THE IDEA. KNOWING FULL WELL WHAT HE WOULD'VE DONE AND WHAT HE WANTED TO DO. This song is so Mystra saying that Gale will never find anything greater than her and Gale’s heartbreak and realization over that fact.

my boy only breaks his favorite toys;

“Oh, here we go again/The voices in his head/Called the rain to end our days of wild”

I take this as Mystra seeing Gale and knowing that she was going to start something with him. After all, she had to know of his magic usage even as a small child up until she was back and fully alive again. In my headcanons/ideas she was appearing to him perhaps not with full strength but still showing herself even when he was 16/17. She also would’ve known the ideas in his head of growing more powerful and trying to love her with every part of himself.

“The sickest army doll/Purchased at the mall/Rivulets descend my plastic smile”

Mystra chose him much like one chooses a doll they purchase. She used him and abused him, and forced him to carry his fake plastic smile even when he had tears streaming down his face when she left him.

“But you should’ve seen him when he first got me”

GALES UTTER HAPPINESS OVER BEING CHOSEN BY MYSTRA? He had been practicing since he was a child. Mystra was his absolute everything!!

“My boy only breaks his favorite toys, toys, oh/I'm queen of sand castles he destroys, oh, oh”

AHHH. No matter how hard Gale could’ve and was trying, he crumbled the relationship in his hands. He didn’t mean to, but it happened regardless. Also, ‘queen of sandcastles he destroys’ THINKING that he was standing on stable ground with Mystra, before realizing that it was easy to ruin and never stable to begin with. At the same time, though, Mystra thinking that she had Gale exactly where she wanted him and then realizing that he was going down a path she wouldn’t support. But instead of helping him rebuild she just let him sit with his destruction.

“There was a litany of reasons why/We could've playеd for keeps this time”

both with Mystra and Gale, either of them could’ve fought to maintain the relationship. But Gale was the only one who actually… did.

“I know I'm just repeating mysеlf/Put me back on my shelf/But first, pull the string/And I'll tell you that he runs/Because he loves me (He loves me)”

Gale constantly says the same thing over and over about Mystra and their relationship. He has hope! But he knows she’s going to ‘put [him] back on [her] shelf’ and no longer play with him. She/Tav pulls his string (like Woody/Jessie, pulling their string makes them say their pre-recorded phrases) and he just repeats the idea that he can gain her forgiveness again and that she can love him again. I also relate the ‘repeating myself’ and ‘pull the string’ to one another, too. No matter how many times you pull the string, the doll just repeats the same phrases over and over again. In this case, we know Gale can and does change his tune if you let him, but if he doesn’t and he explodes he keeps the same exact idea for the rest of the game.

“Once I fix me/He's gonna miss me”

crying because Gale consistently thinks that if he does everything Mystra asks that she will forgive him and things can go back to how they were.

“Just say when, I'd play again/He was my best friend down at the sandlot/I felt more when we played pretend/Than with all the Kens/'Cause he took me out of my box”

In a heartbeat, Gale would go back to Mystra and return to their dysfunction. Their relationship was like ‘playing pretend’ and when brought back to reality it was much harsher. He felt more because it was so unrealistic and not expected to last, much like how when you made up stories playing pretend, you would start new ones over and over again. She ‘took [him] out of [his] box’ only to ‘put [him] back on [his] shelf’ but the idea that he was wanted was what made it worth it.

“Stole my tortured heart/Left all these broken parts/Told me I'm better off/But I'm not/I'm not, I'm not”

this is a prevalent theme in all of the album, being ‘stolen’ or ‘taken’ and then being ‘broken’ or ruined, before being casted aside for the idea of being ‘better off’. Gale thinks he’s not better off and would prefer being taken and toyed with, but in reality it’s more beneficial to him. It’s the process of it that hurts.

down bad;

I cannot even begin to comprehend this one. In Taylor’s explanation of this song she states that the metaphor for love-bombing is of an alien taking someone and showing them the galaxy and then sending them home when they really liked it there. And that is just. UGH.

“Did you really beam me up/In a cloud of sparkling dust/Just to do experiments on?/Tell me I was the chosen one/Showed me that this world is bigger than us/Then sent me back where I came from”

THIS. “Tell me i was the chosen one” She did!!! She literally picked Gale as her chosen and then told him to “be contented” as if he wouldn’t be striving for more. She gave him a small slice of godhood and expected him to not want more?

“Now I'm down bad, cryin' at the gym/Everything comes out teenage petulance/"Fuck it if I can't have him"/"I might just die, it would make no difference"”

Gale locked himself in his tower for a whole Year, nearly dying because he was so depressed over everything. Yes, he also nearly died because of the orb, BUT he mostly locked himself away because of his mourning the relationship.

“Down bad, wakin' up in blood/Starin' at the sky, come back and pick me up/Fuck it if I can't have us/I might just not get up, I might stay”

Had Tara not been there, I do not think Gale would’ve lived. 100% he would’ve died after that first year because he refused to get out of bed. He just wanted Mystra and to have the Weave and without that he was willing to die.

“Did you take all my old clothes/Just to leave me here, naked and alone/In a field in my same old town/That somehow seems so hollow now?/They'll say I'm nuts if I talk about/The existence of you”

THIS??? She took away his abilities (his old self) and left him with, essentially, nothing. And then expected him to just be in Waterdeep and be fine? And then when he’s abducted, if you don’t romance him and/or have him explode for you, he LITERALLY gets called crazy for talking about Mystra. Literally. I’m 90% sure you can tell him to shut up when he tells you the truth about the orb.

“I loved your hostile takeovers/Encounters closer and closer/All your indecent exposures/How dare you say that it's—“

AUGH. Whenever Gale talks about Mystra and how she appeared to him, no matter how much she’s hurt him, he still loves her? He still reminisces on those moments with love and adoration for her despite all the pain that came with it. Everything they did he loved, and her tossing him aside Hurt. Also the sadness in her voice as she says “how dare you say it’s—“ because she ALMOST says ‘over’ but it’s choked back because if she says it she’ll start crying. The same with Gale. He knows in his heart that it’s over but this part of him can’t handle the fact that it is and that Mystra would end it like that.

“I'll build you a fort on some planet/Where they can all understand it/How dare you think it's romantic/Leaving me safe and stranded/'Cause fuck it, I was in love/So fuck you if I can't have us/'Cause fuck it, I was in love”

Gale was SO ready to explore more with Mystra and have her in her entirety. Was it a bit selfish trying to be a god to do that? Yes. BUT she literally left him completely alone after having the orb!! He wanted so much with her and wanted to be able to expand his abilities to match her and instead she tossed him aside like she was “helping” him but really she was destroying him. He was so in love with her (and, yes, the weave too) that he would’ve done everything. Then as the game goes on you can see his progression to understanding how she hurt him and how he’s allowed to be angry about it.

so long, london;

this is one of my FAVORITE songs on this album. the intro is so beautiful and so haunting. this song also makes me SO sad.

“I saw in my mind fairy lights through the mist/I kept calm and carried the weight of the rift/Pulled him in tighter each time he was driftin' away”

UGH OKAY. Metaphorically, the fairy lights were like that light at the end of the tunnel. But the mist blocks them out, making it hard to tell if there really is this fantasy-like future ahead or if it’s your mind playing tricks on you. With Gale, he wanted so desperately to have a happy ending. And yes, he does eventually get it depending on how you play, but when it comes to Mystra and everything, he really… doesn’t? He tries so hard to carry the ‘rift’ or the breaking of their foundation. Every time Mystra pulls away from him, he tries to pull her close and hold onto that fantasy he thinks he’s going to have.

“My spine split from carrying us up the hill/Wet through my clothes, weary bones caught the chill/I stopped tryna make him laugh, stopped tryna drill the safe”

CARRYING US UP THE HILL? SISYPHUS (‘thanK you aIMee’ also has a similar lyric that makes me think of sisyphus as well but that will be saved for that song). Punished to forever push that stone up the hill with no end, never being free from the weight. Not only is she trying to push and carry this weight up, she also is soaked and her bones are tired. She has so much on her own plate that trying to keep up this relationship and keep it going is only making everything else worse. In the same sense, Gale kept trying to keep this dying relationship going. Rather than it being easy, everything just kept piling on top of one another and pulling him down more and more. Eventually, he let’s go of it and stops trying to win her over. He stops trying to ‘drill the safe’, or, stops trying to get something that was never his to begin with. Something that is locked away for a reason.

“Thinkin', "How much sad did you think I had/Did you think I had in me?"/Oh, the tragedy/So long, London/You'll find someone”

MYSTRA THINKING HE COULD HANDLE IT ALL? And then just leaving him. Leaving him to deal with it all on his own. The ‘so long, London’ to me is both Gale saying goodbye to the Weave AND Waterdeep. Obviously he returns to Waterdeep (if he doesn’t explode) but it’s not the same as how he went in. He’s much different when he returns. Also, he knows Mystra will find someone else. He has no worries about that. In the same sense, Mystra knows Gale will find someone else too. Even if he’s still holding onto parts of her.

“I didn't opt in to be your odd man out/I founded the club she's heard great things about/I left all I knew, you left me at the house by the Heath”

Gale went into it thinking he would have her forever. At least, his concept of forever. He didn’t want Mystra or the Weave if it meant that, one day, he might be closed out from it all. He left everything behind for her, and yet she left him behind in his tower to rot.

“I stopped CPR, after all, it's no use/The spirit was gone, we would never come to”

He tried so, so incredibly hard to bring the relationship back to life. But, eventually, he had to give up and realize that help wasn’t coming, it was long gone, and he had to let go. “And I'm pissed off you let me give you all that youth for free” THIS LYRIC ALONE. And the way Taylor says ‘free’ with the shake in her voice… This is. I feel like, deep down, Gale is genuinely hurt and angry with Mystra for all she did. And not just her, Elminster, too. If someone would’ve realized what was going on, he could’ve been saved. But, instead, he dedicated all his youth, his time, his energy, all to her. All to the Weave. Only for it to mean nothing in the end.

“And you say I abandoned the ship/But I was going down with it/My white-knuckle dying grip/Holding tight to your quiet resentment”

THIS?? Mystra saying that Gale was trying to usurp her authority or take over her magic when in reality all he wanted was to love her? Her accusing him of essentially trying to kill her when really he just wanted to be closer to her. He literally was willing to do anything for her, even after she hurt him he was willing to die for her. He tried holding on so so hard, that ‘white knuckle dying grip’ showing how tightly he was gripping onto this relationship. For better or for worse he was willing to drown if it meant he still had a piece of that relationship.

“And my friends said it isn't right to be scared/Every day of a love affair/Every breath feels like rarest air/When you're not sure if he wants to be there”

UGGHHHHH. Tav telling Gale pretty much that he doesn’t have to do this? He doesn’t have to hold onto Mystra and follow her every beck and call and he has to realize that. Every day Mystra finds someone else or focuses her attention on another Chosen, he’s so scared he’s going to lose her forever. Every moment she doesn’t speak to him or ignores him, he fears he’s going to have everything taken away from him. UGHHH.

“You swore that you loved me, but where were the clues?/I died on the altar waitin' for the proof/You sacrificed us to the gods of your bluest days”

THIS. LYRIC. TOO. Mystra promised him that she loved him, that she was essentially as devoted to him, but every moment Gale spent waiting for her to prove that, to show the same amount of love that he held for her, she failed him. She left him at the altar alone with all his hopes and dreams. She sacrificed him, or wanted him to sacrifice himself, really, for her. So she could keep going and not have to deal with him anymore.

“And I'm just getting color back into my face/I'm just mad as hell 'cause I loved this place for”

GALE FINALLY BEING ABLE TO BE HIMSELF AGAIN!! When he realizes he can trust Tav and doesn’t need to hide these parts of himself.. and then he tells them his secrets and he apologizes for keeping them but he was so wounded from his last relationship that he doesn’t know what to do. Then he gets color back into his face and he’s finally able to heal from it all. And he’s so mad because he loved the Weave and he loved being so talented with it but it’s all in the past and it’s all lost to him now. Even though he still has it but.. you get the picture. UGHH THIS SONG. THIS SONG!!

If you made it this far, thank you for sticking along! My mind works in weird ways when it comes to analyzing/reviewing lyrics. I tend to take things very literally so some of my interpretations are viewed that way!

Either way, I hope you enjoyed. Be on the lookout for tracks six through ten next!

[fadeintocase]

i know your music is really personal and there's stories behind songs that you give when asked, and a lot of them seem really heavy. have you ever seen other interpretations that actually made you upset or disappointed that you weren't being understood?

There's always a little bit of ambiguity in meaning and subsequent leeway in interpretation with any creative thing you do. I am generally cool with whatever people wanna pull from things, and get impressed when people connect the same dots i was when i'm writing something.

However two stories come to mind, one funny and one emblematically frustrating.

The funny one

way back when Smoke Damage blew up from some nightcore stuff, i got an influx of attention. I got an email sent, i can't remember through where, asking about the meaning of the line "looking at the present's fucking sad" in that song. They wanted to know, genuinely, if i meant "present" as in current, or "presents" as in gifts, like christmas presents. I guessed this person was very young. And explained plainly but lightly, "The song is about not being happy with the current situation you're in." To which i got an email back, "Ah, so it's about presents? is it like a christmas song?" To which i. had no idea how to respond to.

The frustrating one

There's an OC of mine i thought up when i was a dark and edgy teenager. I wrote several posts about them on here, their connection to my mythos broadly, the things that inspired them, i joked about how it was ultimately a bullshit dark and edgy character. God of pain and suffering, physical form covered in scars, bleeds black, destined to become the soul at the heart of every star and feel the eternal suffering of burning for eternity, to pull other damned souls into the stars for them to also suffer, and feel the weight of every black hole as a pit in their stomach. Evolved after several lifetimes of samsara until they become the most archetypical form of theirself. A friend of mine once told me they thought about what a higher god viewing a person on earth would have to look like, and it would involve a lot of spinning. having to sync up with so much spinning just to peer into the lives of this planet.

I ended up writing a song about this character, The Astrocartographer, about this god of suffering watching all the people destined to suffer for their destiny. (They are also introduced in chapter 3 of PAN, my story about dragon aliens from another universe and a bug robot that talks to them.) At some point recently, someone on here posted a comic of lyrics from the Astrocartographer, not crediting me by my artist name, and in the description just kind of, making up what they thought it was about.

And that did offend me a little bit. That something that was a deep expression of some shit i came up with when struggling with my childhood, that eventually evolved into part of my sprawling fictional universe that i'm proud of. Like i put the effort in this a character who's spoken through stories and ARGs and music of mine, the subject of my most recent album, got glossed over because they were more comfortable with the thought that it was written about a ship they like, because a few keywords lined up for their interpretation. I don't mind interpretations, but i do get frustrated when people make a point to drown out my stated intention, ignore it, and claim my intention was their interpretation. Especially when it represents my own work i have been trying to get out there. long answer, but thanks for the question!

[c0tards--s0luti0n]

Musics... what songs you like... I need... recs..

YAY YAY YAY YAY OKAY THIS MAY BE LONG

Steam Powered Giraffe . they're a robot band with a ton of lore but you dont have to know any of it to enjoy the music !!! if you wanna get into the lore i suggest listening to the albums in release order , but if not just shuffling em is good !! even if you decide to get into the lore later you can still just shuffle for now , the songs dont really spoil anything , theyre mostly connected to the robot's feelings and not events . except Vice Quadrant . if you wanna get into the lore i suggest leaving The Vice Quadrant alone until you listen in album release order . all of the lore is on the website below in the lore and comic tabs ! ^_^

Kabaret Sybarit . theyre a danish dark cabaret band with two narrative universes . the first narrative is in The Poodle and The Grand Finale , huge trigger warning for rape and sexual topics in these two . the second narrative is Akt 1: Rum Nr. 13 , the whole thing is in danish but google translate works fine for the lyrics . Akt 1 was unfortunately only act one of a story that was supposed to be longer , but the band separated and they never finished it . what it is is still really good though ! heres the music video for the first song in The Poodle:

Paul Shapera ! he has a few narratives over all his albums , but the only one ive listened to personally is New Albion . the New Albion trilogy is: The Dolls of New Albion, New Albion Radio Hour, and The New Albion Guide to Analogue Consciousness. there's also The Room Beneath New Albion but its not as long and not necessary to understand the main story . theres also more New Albion past those four but i havent gotten into anything outside the 4 . content warning for incest in act 3 for Dolls of New Albion (its not really explicit ever but the main character of act 3 expresses romantic love for his grandfather) . bandcamp link for the first one in the trilogy !

Will Wood and The Tapeworms ! ive only listened to Everything Is Alot , but its really good ! some songs i really like from it are White Knuckle Jerk (Where Do You Get Off), 6up 5oh Cop-Out (Pro / Con), and Front Street !

Shayfer James !!! i recommend Counterfeit Arcade, it has definitely some of my favorite songs ever in it (like Weight of the World and Diggin Up Hatchets) ! and Room by Room !

Sarah And The Safe Word ! im more of a casual fan of them , but some of my favorite songs by them are Sick on Seventh Street, Formula 666, Old Lace, Bottom of a Bender, and Red Hot & Holy !

The Cog Is Dead ! theyre a steampunk band with some lore but its decently less than Steam Powered Giraffe . most of their songs are one off stories with no connect to a greater plot . you can go whatever order for them but i do suggest listening to the albums and not just shuffling them ! website:

Scene Queen ! i suggest just shuffling her it doesnt really matter how you listen to her music . warning majority of her music is very sexual though

Set It Off ! they have so many different styles of music across their albums , i suggest listening to the albums in full for the full experience but it doesnt really matter , they dont have a narrative . except for Elsewhere . for Elsewhere , i suggest exploring the website if you wanna figure out the lore ! its really cool and visually interesting .

The Mechanisms ! they have a ton of lore , most of which is in their albums . for them you kinda have to listen to the albums in full you cant really shuffle . unless you dont care about the lore then do whatever ! you can listen in whatever order , but i STRONGLY suggest leaving Death To The Mechanisms for last . i started with that and i basically fucked up my whole experience :pensive:

[bizlybebo]

Hellloooo. are there any csh songs you associate with certain characters

HELLO

FUNNT THAT YOU. THAT YOY ASK THAT.

seriously there’s. so many. and it’s only jrwi characters get me out of here. but yeah if there’s one thing i’m more annoying about than jrwi it’s cshr. i kept them separated by album and also added a read more so it didn’t clog peoples dashes ^__^

(twin fantasy)

honestly i think every song in this album could apply to nearly any character or ship cause it’s so. yknow. it’s twin fantasy. but cute thing is especially wilkiam wisp to me

(my back is killing me baby)

stoop kid and something soon- william wisp

happy news for sadness- demonkicks in general

(nervous young man) oh boy

boxing day, broken birds (rest in pieces), and some strange angel- ashe winters

i wanna sweat- william wisp

afterglow- kian stone

crows (rest in pieces remix)- timothy rand but honestly all the bitb boys in general too

knife in the coffee- vyncent sol

homes- chip bastard

dreams fall hard- dakota cole. idk why it just reminds me of him a lot

(monomania)

overexposed (enjoy)- chip bastard

times to die- albatrio in general, from gillion’s pov

maud gone- demonkicks

sleeping with strangers- william wisp

misheard lyrics- keeperschampion

(how to leave town)

the ending of dramamine- drey ferin. also bitb boys and also partially demonkicks

beach monster thing (love isnt love enough), kimochi warui, and hey space cadet- ashe winters

i want you to know i’m awake/i hope you’re asleep- fnc but also mark winters kind of

(teens of denial)

destroyed by hippie powers- ashe winters, william wisp, honestly. pd in general

state park 1937 and the ballad of the costa concordia- william wisp

cosmic hero- gillion tidestrider, dakota cole, and william wisp

connect the dots (the saga of frank sinatra)- emizel and timothy rand

(making a door less open)

what’s with you lately and there must be more than blood- mark winters

life worth missing- ashe winters

[pamela-lntt]

please ramble to your heart's content on spiderbit and orpheus eurydice

Sorry for the late reply, I needed to get home first before I could properly write this all out xd

First of all, I wanna preface this by pointing out that this whole ramble will be based on putting qCellbit and qRoier in the position of musical Orpheus and Eurydice (to be more specific, the Broadway version of Hadestown since the character's personalities do vary on every album) and I've been a HUGE fan of Hadestown for years now (my first introduction to this musical was the live album, I heard it for the first time while at the airport but that's besides the point) and I connect basically anything I like to it in some way so I've given this a lot of thought and love.

Ramble under the "read more", I can't promise to be short:

Alright so, the myth of Orpheus and Eurydice, as told through the musical, in short is: The seasons are off-balanced making summers short and winters long due to Hades and Persephone having a rocky marriage, Eurydice arrives to wherever Orpheus lives in search of warmth from the winter, Orpheus and Eurydice fall in love, Eurydice makes a deal with Hades in exchange for protection from the harsh weather aka she dies, Orpheus travels to Hadestown by foot instead of taking the train like others would to get Eurydice back, Orpheus convinces Persephone and the Workers to hear him out which leads to Hades hearing him out, Hades and Persephone's love gets re-ignited by Orpheus' song, Hades lets them leave with the condition that Orpheus can't look behind him to see Eurydice is coming with or else she'll stay in Hadestown, Doubt comes in and Orpheus turns around.

With just the plot in mind, people would immediately jump to qCellbit as Eurydice and qRoier as Orpheus because of what happened at the end of Purgatory (qCellbit staying on the island), but I see it as the other way around especially when taking into account Orpheus and Eurydice's backstories, personalities, and train-of-thoughts, in other words, why they chose to do what they did.

I'll justify both of them separately and at the end I'll weave them together on a nice little conclusion

qRoier as Eurydice

I'll start with qRoier since I'm more familiar with his character because I watch Roier's streams a lot.

Eurydice in the musical is introduced as "a lonely girl coming in from the cold" and her whole character has an emphasis on loneliness being a prominent constant in her life before meeting Orpheus alongside always being followed by The Fates (which is a more poetic way to say she is always on the brink of death due to her nomad lifestyle). I see qRoier as a survivalist, which is my way of saying that if he lived in this universe (the Hadestown universe) he'd definitely take a similar approach of survival as Eurydice especially if qSpreen and qQuackity's betrayal also occurs in this storyline: "People turn on you just like the wind / Everybody is a fair-weather friend / In the end you're better off alone / Any way the wind goes"

When it comes to meeting Orpheus, at first she jokes with him due to how upfront he was on proposing to her the moment they met, but ends up being wooed by him with the help of Hermes wing-manning a bit and Orpheus' song alongside Orpheus' positivity of the world and devotion to her. I'm positive qCellbit wouldn't have as much positivity as Orpheus does, but the devotion and the song is still there and the song was what sealed the deal for Eurydice because she was impressed and captivated by how a simple melody could create a flower out of thin air. Whenever I hear Eurydice's jokes in the song Come Home With Me I can totally see qRoier making the same jokes and playing along just like Eurydice did in Wedding Song.

Jumping ahead to Eurydice's decision to take Hades offer of going to the underworld, Eurydice has faith in Orpheus, faith that he'll finish the song and spring will indeed come again, but they still need to survive the winter. qRoier has faith on qCellbit, always has, even before they got married: "I can give you time, man, no worries. I can trust you, 100%, man." But, as the Fates say "You can have your principles when you've got a belly full / But hunger has a way with you / There's no telling what you're gonna do when the chips are down"

I'll talk about the rest of the story soon...

qCellbit as Orpheus

Like I mentioned before, I am positive that qCellbit doesn't have the same positivity Orpheus has, but the devotion is still there. He was the one who proposed to qRoier (thanks to some nudging from Richarlyson) and constantly brings up they are married. I'd even take into consideration that one clip of Cellbit telling Richarlyson that it was obvious they would get married by day 2 of them knowing each other, like Orpheus sings: "I don't know how or why / Or who am I that I should get to hold you / But when I saw you all alone against the sky / It's like I’d known you all along" Even his wedding vows are similar in meaning to something Orpheus sings to Eurydice: "I'm gonna hold you forever / The wind will never change on us / Long as we stay with each other" and both qRoier and qCellbit would 100% go to the ends of the Earth for each other.

But just like Orpheus, qCellbit can get engulfed in his work and not notice the things happening around him: "[...] Poor boy working on a song / [...] He did not see the storm coming on" which was ultimately what led to Eurydice's death, Orpheus was too preoccupied trying to finish his song that he didn't hear Eurydice's cry for help. And yet, if qCellbit found out qRoier was in trouble?: "Just how far would you go for her? | To the end of time / To the end of the earth" + " [...] But that ain't easy walkin', Jack / It ain't for the sensitive of soul / So do you really wanna go? | With all my heart"

I'd even consider Orpheus' ability to get Persephone and the Workers on his side something qCellbit is fully capable of doing as well, especially with the knowledge that in Quesadilla Island he's a pretty respected person due to his determination of taking down the Federation and leadership in The Order, a mindset similar to that of Orpheus towards Hades and his industrial empire: "And the ones who speak the words / Always say it is the last / And no answer will be heard / To the question no one asks / So I'm askin' if it's true / I'm askin' me and you / And you / And you / I believe our answer matters more than anything they say"

qCellbit & qRoier as Orpheus & Eurydice

From now on I'll focus more than anything on Orpheus and Eurydice's trip out of Hadestown and it's conclusion and how it fits with the actions qCellbit and qRoier would take in their respective roles.

Just like I've mentioned that qRoier has a deep trust and faith on qCellbit, qCellbit does as well on qRoier, but qCellbit knows he himself is flawed, something he got reinforced with the whole situation with killing Abueloier and how everything went downhill between them after that only for them to pick up the pieces and try again. qCellbit told qRoier about his past, and qRoier accepted it and didn't love him any less for it and reassured qCellbit about it (even supporting him on his hunt for the Federation workers).

But, anyone would question if their lover trusts them the same way after betraying them, in a way. qCellbit, just like Orpheus, was unable to come to their lover's need which led to their death and they can't be sure if their lover even wants to go back with them after that. However, of course qRoier and Eurydice want to go back, their trust didn't waiver because they came looking for them, they came to get them back: "Are you sure you wanna go? | Take me home."

Nevertheless, that doesn't stop doubt from creeping in from the corners: "Every coward seems courageous in the safety of a crowd / Bravery can be contagious when the band is playing loud / Nothing makes a man so bold / As a woman's smile and a hand to hold / But all alone his blood runs thin / And doubt comes- doubt comes in"

qCellbit, just like Orpheus, would start questioning whether this is true, if the literal god of Hell actually allowed them to leave or if it's simply a trap, it's in his nature to question, after all: "Who am I? / Who am I against him? / Who am I? / Why would he let me win? / Why would he let her go? / Who am I to think that he wouldn't deceive me just to make me leave alone?" + "Is this a trap that's bein' laid for me? / Is this a trick that's bein' played on me?" And within that questioning would resurface the uncertainty of qRoier and Eurydice's trust towards them: "Who am I? / Where do I think I'm goin'? / Who am I? / Why am I all alone? / Who do I think I am? / Who am I to think that she would follow me into the cold and dark again?"

Meanwhile qRoier and Eurydice are right behind: "Orpheus / Are you listening? / I am right here / And I will be to the end" + "Orpheus / You are not alone / I am right behind you / And I have been all along"

In the end, qCellbit and Orpheus turn around, and lose qRoier and Eurydice forever, but qRoier and Eurydice's love for them never faltered.

"Think they'll make it?"

"I don't know"

"Hades, you let them go"

"I let them try"

(I hope this makes sense I tried to not write too much / ramble about Hadestown itself but I have a lot of feelings for this musical aaah)