#and in canon it might be interesting to explore their relationship

[camelspit]

Oooh why are you a Lava Cake hater? I’m so curious

😔😔😔 ive been discovered /j

I'm not even really a hater I'm just strongly. disinterested in it. It doesn't do anything for me, and I'm struggling to see how it got so popular (no hate to the shippers though lmao have fun!!!)

maybe this is gods revenge for the garvar era. punishing me for my crackship with another one. 😔

[geronimomo-spd]

the Ninth Doctor is definitely aro and maybe ace! from the latest boxset Star Crossed! (from the first episode, Swipe Left) and River's reaction to it!

(recent reactions to this post made me reconsider and my desire to only put down the facts made me understand that they only officially say he is aro, and the aceness is mostly implied, but either way!!! aromantic doctor saves the day!!!)

for years i had this headcanon and its so cool that they are actually making it offical, also of course its John Dorney like come on hehe

here so its not word of mouth anymore! the ninth doctor is officaly aro and maybe ace! (though here his aroness saves the day hehe)

[thormanick]

All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:

(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)

1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).

And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.

Feelings, emotions and shenanigans ensue.

TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).

2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.

One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.

TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.

3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.

Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).

Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.

And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.

TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.

4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).

They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.

Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)

The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.

When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.

After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.

As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.

When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.

Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.

Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.

Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.

At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.

Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.

When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).

Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.

Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)

TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.

5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).

As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.

As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.

When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).

TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).

6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).

TLDR: I just think that this setting could facilitate some character exploration that would be very fun.

7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!

But of course Alhaitham has to come back and turn his world upside down once again.

TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.

8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,

Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).

He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.

Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?

TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).

In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.

The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).

So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.

Eventually, life goes on.

Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.

Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.

The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).

TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.

That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨

Maybe in the future I will unpack some of these aus. who knows.

[divinekangaroo]

Based on your reading of the characters I have a few questions if you dont mind answering them

Will Tommy have a new love in the movie?

Did S6 make it clear that Lizzys trajectory and her relationship with Tommy has ended?

Sorry for taking so long to get to this!!

I hope not? In 3 hours max, there is so much else I would like to see than giving him a romantic arc. I also don't think erotic or romantic love is all that much of a driver for him, so to devote time to a new erotic or romantic arc would feel very strange - *familial* love is important to him. I hope the movie is about family, especially Charlie. And given the era of focus as just prior to WWII, I think there's opportunity for some very interesting setup that takes Tommy out of the claustrophobia/inner focus of the last few seasons and starts to more cleverly use the zoom in and zoom out of family and political context. I mean, I *do* think they'll probably throw Tommy into bed with someone because that, too, is a significant part of who Tommy Shelby is, but I just don't see all that much room for a "love" arc. (Also I hate the idea of "find the right woman = all his problems solved!" because of what it does to women as well as an outcome that just doesn't exist in the real world -> I think if they did throw in a new love arc in 3 hours it would be very difficult to avoid that shortcut of Fix the Broken Man with the Love of a Woman being made. That's such a crappy motif :/)

Hard to say. Structurally, Lizzie was in every season, and we know end of S6 still left her with significant power in the business as well as custodianship of Charlie, so I really hope she's still in the movie - except with a major power shift. CEO Lizzie is absolutely my bag and that's what I would totally want to see, and her moving up the social/economic ladder in every series would structurally support that kind of leap in the movie. That in itself necessitates a relationship between her and Tommy, but I'm kind of impartial as to whether it's sexual, whatever - what I'd like to see is a different relationship, because every season also showed a very, very different evolution of a Lizzie & Tommy relationship. To show a final evolution where she is the one with the power would be interesting. I think a 'marriage' arc for them is done, though. Personally I never like arcs that end in marriage as the 'goal' - I've been more interested in how S5 and S6 showed marriage as a daily thing not as a goal - so to move beyond that and show a very different relationship filter would make structural sense as well as be interesting to me. I think if Charlie comes into the movie, it'd be hard to cut Lizzie out, too, but I can also see a scenario where she doesn't come back, because within that time constraint of a movie they'd have to be really careful picking a focus.

[hellaverse-critical-confessions]

(about aroace alastor)

... aroace people can date people????? where did you people find the impression that we can't or that we don't feel romantic or sexual love /lh. information about aroace people is so limited and far / few in between that if viv were to actually canonize alastor's sexuality, he would be amazing representation alongside being shipped or canonically being in a relationship. there is so little aroace representation like that and i crave to see more!!!!

to explain further, the general definiton for aromantic and/or asexual is a "orientation defined by a lack of or limited sexual/romantic attraction". some aro/aces feel absolutely no attraction in these aspects, some feel it sometimes or only towards certain types of people, and some people have fluid/ever changing feelings.

for example, aegosexual, which describes someone who feels disconnected from the subject of arousal, generally have little to no sexual attraction, but still consume sexual content, engage in sexual fantasies, or even masturbate! another example is lithromantic, which describes someone who feels romantic attraction but doesn't want it reciprocated or loses attraction when it's reciprocated, they may enjoy romantic relationships in theory but most likely will feel no romantic attraction or enjoyment in a romantic relationship.

i beg you guys, please learn about each of the spectrums before engaging in discourse about it. there are so many beautiful and cool labels people use to describe themselves, and if someone whose on either spectrum could see themselves in alastor and ship him even so, that's another win. please

- an aroace

Oh, definitely! Thank you for the informative ask.

[kebiday]

of course ppl have no obligation to care about characters they don't like... & fandom is about doing what you want and having fun... & it's inevitable for fanon to simplify the cast into little cardboard cutouts...

but i Do wish that ppl who pour a lot of love & effort into analyzing + developing the relationships of + having empathy for the circumstances of the main characters would extend more than a fraction of that to other characters. like my favorite girl kevin day 🐈‍⬛

[miraculouslbcnreactions]

Do you think it's weird that I was fine with Roxas finding out he was Sora's Nobody in Kingdom Hearts, but Adrien not being what we thought he was triggered my ick factor a lot? Do you think it's because we learned that about Roxas before we had a lot of time to get attached to him?

I was initially going to say that I can't answer this because I've only played Kingdom Hearts 1, so my knowledge of the later games is pretty limited. Then I remembered that my little brother is both obsessed with those games and the Mycroft to my Sherlock*, so I gave him a call and got the expert opinion (and a reminder that I need to play the Kingdom Hearts games so that my brother can talk about them with someone who understands story telling because those games apparently make a lot of... interesting choices.)

Here is the sum of my brother's analysis:

The two properties handled the concept of personhood and artificial beings in such wildly different ways that it would never even occur to him to compare them (though it was an interesting question once posed). A good portion of the later Kingdom Hearts games revolve around asking what a person even is. Should they try to make the Nobodies into people? Do the Nobodies even need to change to be people or are they people already? What makes Roxas different from other Nobodies? These questions start being asked very early on and, for all the story's flaws, you can tell that the writers are aware that they're dealing with a serious topic and that they're trying to do it justice.

Meanwhile, Miraculous introduces artificial beings who don't have true free will and then... completely ignores all of the ethical implications of that plot point. Emilie and Gabriel are good parents. The fact that the heroes have been killing off sentimonsters isn't concerning. Gabriel's commands are just a minor inconvenience to Adrienette and not anything that needs to be explored in a deeper way. He's still totally redeemable and it's fine that Adrien never learned the truth while his father was alive so that he could decide what that meant for their relationship on his own terms.

Given all of that, it's really not shocking that Kingdom Hearts makes you feel invested while Miraculous repulses you because the Miraculous introduced human sentimonsters for cheap shock value to the point where I firmly believe that it was a retcon. Meanwhile Kingdom Hearts planned major elements of the plot around the concept and set it up right from the start of the second game. If Miraculous had done the same kind of thing, then I doubt that most salters would be deeply upset by the concept. They still might dislike it, but it would be seen more as a matter of taste than as a true flaw.

*For those who don't know, Mycroft Holmes is Sherlock Holmes' older brother. Sherlock openly admits that Mycroft is the smarter and more observant of the two siblings. The same can be said of my sibling when it comes to story telling. Everything I can do, he can do just as well or even better. He's never seen miraculous, but knows the major plot beats from a mix of cultural osmosis and reading the occasional fanfic when an author he likes crosses fandoms. He is highly amused that no one he follows does anything save for fix-it type stuff and says it tells him everything he needs to know about canon's writing quality, an assessment I fully agree with.

[aasperitas]

Uhhhh hi lil oneshot comic i made for my secret valentine on the pit discord server :> This originally had like 10 more pages but i am a college student, my time is limited. Also i had to switch drawing programs twice through drawing this and went overboard on colours so yeah, no, i scrapped those. The original idea is that kokichi has been stuck in a time loop that resets whenever shuichi dies, and, in the canon game (one of the later loops) before trial 5, he writes a letter to shuichi basically explaining this super vaguely. He throws it out though, not expecting shuichi to actually find it. But he is the ultimate detective, and comes across it entirely by accident while investigating The Incident with the hydraulic press. This makes him realize the truth and he regains all his memories from past loops. I kinda implied that Kokichi actually told him in a previous loops about this but he died and forgot the one right after. Kokichi's whole plan with the press was to offset that changing one variable; whether shuichi wins or loses at the game, and also his own survival. If shuichi seems ooc with how he just ditches kaede, well i wouldve needed more than a page to even begin exploring that relationship and i had 3 exams last week plus two the week before, cut me some slack lmao As I said before, I had to cut it down a lot, but I still have the other drafts and might finish them?? idk if people want to see this but if so ig i will anyway have a good day and i hope someone out there finds my random sudden inspo interesting??

[aethon-recs]

Themed Rec List | Tomarrymort Recs by Horcrux ⚡👑🏆🔒💍

I wanted to put together a rec list of Harry/Tom fics with a core focus on horcruxes outside of Diary Tom (the most popular horcrux) and Voldemort himself. Please enjoy these 22 fics that feature one of Tom's horcruxes and their special relationship with Harry.

There’s a ton of interesting variation that can be explored within a Harry and horcrux Tom ship — from where the horcruxes are located and when Harry can conceivably meet them in canon (for example, the Cup horcrux is harder to access than the others); to what age they were made by Voldemort and how that would shape their personalities and interactions with Harry; to the different magical properties that they might embody, depending on the vessel that was chosen.

Finally, it looks like Scarcrux and Locket are the most popular choices (after Diary Tom), and we absolutely need more Cup horcrux fics!

*

⚡ Scarcrux

Amensalism by @cindle-writes (E, 6k, complete)

Scarcrux becomes sentient after the encounter in the Ministry in Harry's 5th year and takes Harry for an adventure.

Bolide by @vdoshu (T, 3k, complete)

On October 31, 1981, a tiny piece of soul attaches himself to Harry Potter in order to survive. This is his story.

Creatures of the Dark we are by @hikarimeroperiddle (M, 28k, complete)

Banished to his cupboard at age 4, Harry learns to listen only to the Voice in his head. Its teachings warp all Harry could have become until no more than dark magic and devotion remains. Visions of a wraith with red eyes complicate matters, especially when Harry and the Voice follow it to Hogwarts so Master can get his hands on the Philosopher’s stone.

Eulogy by @meles-merrivale (E, 6k, complete)

You run through the things you have to do for the day. It is, admittedly, a very short list. Wake up. Be clean. Be ready. An empty life, some might call it. You don’t. It is the life He has given you, and so it is what you deserve.

last rites by @cindle-writes (E, 5k, complete)

Harry has an hour before he walks to his death in the Forbidden Forest. The horcrux in Harry’s scar decides to take matters into its own hands.

Look at me. by @crowcrowcrowthing (M, 1k, complete)

A dark night of the soul.

Pitch Black by @kagariasuha (E, 2k, complete)

The proximity of Horcruxes can influence anyone - especially Harry.

sandpaper kisses, paper cut bliss by @xodahafez (E, 27k, WIP)

Harry Potter survives the Killing Curse, but so does the horcrux within him. And this horcrux has been dangerously infatuated with Harry for seventeen years.

saw you in a dream by @duplicitywrites (E, 2k, complete)

Harry has had this dream before.

*

👑 Diadem

A peculiar way of fitting together by @being-luminous (T, 2k, complete)

“Aren’t you going to ask me why I’m wearing a diadem?”

Dance Me On and On by @duplicitywrites (E, 19k, complete)

In his first year at Hogwarts, Harry overhears Quirrell interrogating Binns about an artifact from over a thousand years ago. Five years later, Harry uncovers Rowena Ravenclaw's Diadem in the Room of Requirement and finds himself pulled into a kingdom in the throes of a mysterious masquerade ball.

In Just a Moment, You’ll Be Mine by @dividawrites (E, 34k, WIP)

Tom has been stuck inside the Ravenclaw's Diadem for decades, alone, with nothing but his slowly fading memories. One day he feels a pull towards someone and gets interested. And then he gets obsessed.

Death is not an Escape by @whitepinkdandelions (T, 2k, complete)

The Lost Diadem of Ravenclaw is full of endless wisdom, so it only makes sense that it gets its hooks into Harry much faster than the rest of them.

*

🏆 Cup

Thirst by @obsidianpen (E, 27k, complete)

Things go awry when the trio beaks into Gringotts. Harry finds himself trapped, locked in the Lestrange vault, wandless and alone... With a horcrux.

*

🔒 Locket

Arson by @rudehellion (M, 8k, complete)

The hunt for Voldemort's Horcruxes is going poorly. In need of some space to think, Harry offers to take the first watch over camp and slips out into the snowy night. Unable to shake his dark thoughts, Harry finds himself drifting and he begins to dream. What he sees changes everything.

knock it off (part 1) / crave gets slaked (part 2) by @theonceandfuturequeenoftarts (E, 6k, complete)

At some point during Harry's time with the Dursleys, pain got crossed with affection. A kick from Dudley or having his arm yanked by Uncle Vernon at least means they’re acknowledging his existence. It’s not love, but it’s something. Too bad for Harry he carries that through to his less dysfunctional relationships.

The Cost by Blood_Stained_Fingers (M, 8k, complete)

The cost of making a horcrux was steep and when Voldemort manages to kill Harry, destroying the horcrux within, Harry finds out the exact price of losing a piece of your soul. It made a cruel joke that if Voldemort loved his horcruxes, Harry should love them too.

The Dead of Night by @cybrid (E, 6k, complete)

An empty house. A glint of gold. A dream. Or: running away from Privet Drive goes terribly for Harry.

The Ties That Bind by @mosiva (E, 8k, complete)

Harry finds the locket at Grimmauld Place, but it has a curse laid on it. When Harry triggers it, he finds himself trapped with the locket version of Tom Riddle, both of them stuck within the enchantment until they can find the way out. Or so Harry thinks.

Whole by Emriel (E, 20k, complete)

The horcrux hunt goes wrong and Harry fails to destroy the locket horcrux. Tom Riddle hands him over to the Dark Lord as a present for they know he holds part of their soul. In their care, Harry learns that feelings, no matter how toxic, are hard to get rid off.

*

💍 Ring

Personal Assistant by @phantomato (E, 10k, complete)

“And that’s it? I call ‘Tom’ and you show up?” “Yes,” Tom answers.

shelter from the storm by @cindle-writes, @duplicitywrites (E, 7k, complete)

After being left behind by the Dursleys, Harry stumbles upon an empty shack in the middle of nowhere, where he finds a mysterious ring underneath the loose floorboards.

*

[mynnthia]

compiling my headcanons for what video games dungeon meshi characters would like, if they were gamers in modern day

some taken from this post and my reblog additions there. added more characters, with some suggestions by friends/mutuals (marked by *asterisk ).

this can also be a games recommendation list based on your fav/most relatable characters too, if you want

characters that are not are included are bc i dont have ideas for them. if i only list the genre name but not any specific titles, its bc im not familiar enough with the character/genre to pick a specific game.

this list is, of course, biased towards games im more familiar with. feel free to ask me to elaborate on my choices or make suggestions in the comments

Laios' party:

Laios: plays lots of Monster Hunter. loves Spore but he doesnt often play past the tribal stage. likes Pokemon but he's more focused on catching the pokemon than following the story. played WolfQuest and DragonFable back in the day. enjoyed the concept of Bugsnax but wasn't interested in dealing with the NPCs

Marcille: mainly Dwarf Fortress, RTS games, some colony sims. but also sometimes The Sims, and dollmaker dress-up games. i could see her also enjoying Rollercoaster Tycoon and making elaborately-themed parks. might also occasionally indulge in some visual novels if she's in the mood for narrative she has Stardew Valley so she can have something to play co-op with falin, but its not a game she plays a lot of otherwise. when playing with falin, marcille micromanages the farm to maximize productivity, and does the decorations

Chilchuck: puzzle games and hidden object/escape room games as a video game-equivalent to finding/dismantling traps and lockpicking. i think he'd also enjoy Bejeweled.

Senshi: mainly Wii games and Cooking Mama. occasionally plays Snake on his 15-year-old nokia phone. i dont think he would enjoy games like Overcooked or restaurant manager games, because he likes to take his time making food, not stressing about customer service

Falin: some *Legend of Zelda games – she likes the exploration aspect in Breath of the Wild and Tears of the Kingdom, maybe also some of the toon zelda games like Minish Cap or Wind Waker she also plays Pokemon (*Pokemon Go when she's traveling), and i think she would enjoy some indie games, like Penko Park or Chicory: A Colorful Tale. plays Stardew Valley co-op with marcille – falin mainly takes care of the animals, mining, and picking the crops. occasionally makes improvement suggestions that marcille didnt think of

Izutsumi: i could see her enjoying games with parkour mechanics, like *Assassin's Creed, or Mirror's Edge. or maybe something simple but requiring cat-like swipes, like Fruit Ninja. despite her impatience, i think she could also enjoy action games with interesting longer narratives, as evidenced by [this omake] (relevant portion pictured below), so maybe *Final Fantasy 7 – my friend who's familiar with the game said "she’d find Cloud and Vincent relatable"

[ID: a dungeon meshi omake, where laios' party watches a nightmare monster manifest marcille's dream. there are snippets of dramatic soap opera-like dialogue. the rest of the party are initially enthusiastic but get bored over time, meanwhile izutsumi remains enthralled]

Kabru's party

Kabru: definitely Crusader Kings. maybe also some rpgs with relationship/faction mechanics, such as *Fire Emblem (one of the older ones or FE:3H) or Fallout: New Vegas (hes maxing out the speech stat asap) i think he would also enjoy mystery games like Pentiment and Return of the Obra Dinn – he would love the process of getting familiar with the many characters and deducing "who did what" in both games.

Rin: she takes pride in being an indie gamer (translating her disdain for upper class magic academy mages -> disdain for AAA games). given her chain-lightning magic in canon, i think she'd enjoy games with AOE-type magic, so maybe games such as Vampire Survivors. my mutual also suggested she might enjoy indie mystery visual novels like *Paranormasight, and that her AAA guilty-pleasure would be *Final Fantasy 14 – that rin is "a hardcore ff14 raider. would join PUGs and shot-call every week. #holm and diya might also play ff14 casually with rin but holm would be fishing mainly"

Mickbell: mainly Bethesda games like Fallout and Skyrim– enjoys the bootstrapper power fantasy in them. the type to go out of his way to pick up all the loot he can, to later sell

Kuro: enjoys the same games as Mickbell, but for the open-world exploration and investigation factors

Toshiro and Tansu's party:

Namari: her interest in fighting and weapons could translate to brawler/fighting games and action games with a focus on weapon stats – so maybe *Street Fighter, *God of War, and/or *Dark Souls. might play *Monster Hunter with laios but for the weapons. i could also see her occasionally enjoying truck simulators

Toshiro (Shuro): has the perseverance for soulslikes and other high-difficulty action and/or metroidvania games, but would take his time overthinking item/weapon synergies sometimes. given [his fondness for bugs], i could also see him enjoying Hollow Knight

Tade: would enjoy the cute aesthetics and lighthearted gameplay of Animal Crossing and Katamari. would also like idol anime rhythm games

Kiki: i think she would enjoy horror games such as Resident Evil, but would play it while super chill. i dont have much reasoning for this aside from vibes

Canaries:

Mithrun: plays Doom. got into Hollow Knight but still hasn't finished it because he keeps getting lost. senshi introduces him to Cooking Mama later on, which he finds surprisingly therapeutic

Cithis: plays Hitman and enjoys staging elaborate accident kills. i think she'd also enjoy The Cosmic Wheel Sisterhood, with her background as a devious fortune-teller

Fleki: surreal indie games like Hylics. also plays Team Fortress 2, and is a scout main. occasionally joins lycion in Animal Jam

Lycion: active WolfQuest and Animal Jam player. occasionally joins fleki in tf2

Pattadol: plays Stardew Valley – shes comparatively a normie, but on the meticulous side. she would enjoy perfecting her in-game farm

Otta: plays Genshin Impact. the serious reasoning is because of her (earth) elemental magic and how genshin has an elemental magic system (from my understanding. ive never played it). the joke reasoning is how some genshin players play to collect "waifus", and how otta goes through a lot of women in her dating life

Other:

Leed: runs her own guild in World of Warcraft

Winged Lion: god-games like WorldBox or Simmiland. and Darkest Dungeon (this ones mostly a joke)

Thistle: plays the original Plants VS. Zombies. also plays Minecraft and is very serious about it, but hasn't updated his game in years (translating the fact hes a 1000-year-old kid frozen in time -> playing "slightly old" games popular in the early 2010s)

[ID: tweet reply by twitter user ranchuppi – "thistle calls it lord delgal's server but he is the only mod. whole royal family is locked in spectator mode. Hell. living hell on earth."]

[daistea]

Heyyyy! What would it be like if reader is pregnant with Mithrun's child, post story mithrun?

Tw pregnancy / children lol / 

˚. ✦.˳·˖✶ ⋆.✧̣̇˚.

Whether the pregnancy is planned or not really depends on you and your relationship.

If you want a child on purpose, it would take some time and patience and convincing to get Mithrun on board. Pre-dungeon he was far too busy doing hot girl stuff to think about starting a family. Post-dungeon he was far too busy trying to stay alive and getting revenge to think about anything else. Post-canon, give him some time. He needs to figure out how to live. Once he’s settled for a bit, he’ll hear you out. 

If you’re a tall-man or some other short lived race, then he’s even more opposed. Not because you’re not good enough to have a baby with, or that he’s afraid of what society will think, but because how they age is so different. It’s a huge challenge. And halflings have difficult lives. It feels a bit cruel. He wouldn’t usually care whether or not he’s cruel, but this is different. This is one of his new purposes in life and he refuses to mess it up. 

However, in the end a child is still a product of love. You just discuss the ethics a lot. Even if you’re a long-lived race, he still takes into consideration the world and your families and how you’re living.

If the baby is unplanned… You break the news to him and he just disappears for a few hours. He was walking through the woods in silence. He made eye contact with a deer that had a fawn. It was a very spiritual moment. 

He returns ready to take on this challenge, exhibiting 2% more enthusiasm and motivation than he does most things. 

Mithrun is already quite protective, but it gets more intense once you’re pregnant. He watches you like a hawk. It’s actually kind of annoying and you have to tell him to chill out (he does not, but he will stop hovering so you don’t get stressed out)

As you get further along, he accompanies you when you leave the house. He prefers to be near in case anything happens, despite how safe Melini is in general. However, if you’re far along then you probably don’t want to be walking around anyway. 

Already, Mithrun is willing to do anything for his partner— as long as it doesn’t get in the way of his or your shared goals. He’s partly willing to do anything because that’s just the nature of his lack of desires. Yet, one of his new desires is to please you, so his willingness is also just for his own enjoyment. (I might develop this idea further sometime, the ensuing issues from complete willingness would be interesting to explore.)

So, it’s two in the morning and you want a very specific snack? Mithrun is already very nonchalantly pulling on his boots and leaving to get it, without you even having to ask. You stop him though because he’s about to go knock on a merchant’s door so they’ll open just for him. But if something is open, he’ll get it. If it’s possible for him to make it himself, he’ll make it. 

On his journeys to retrieve your snacks, though, he gets lost. Many times Melini guard or a friend has shown up at your door with Mithrun in tow like ‘is this yours?’

Mithrun doesn’t hide his emotions, per se, he just doesn’t connect with them enough to display them most of the time. So his anticipation for the baby doesn’t show much. It’s through his actions that you realize how he’s feeling. He touches your belly a lot, waiting for the baby to kick (he is very determined and very focused on the matter) and of course, as I said, he’s determined to give you whatever you need. Sometimes, when he’s kneeling in front of you, touching your belly, he furrows his brows a little in this small expression. It’s as if he’s confused as to why he loves this little baby so much already, when he hasn’t even met them. Parenthood is a very unfamiliar concept to him and he has trouble connecting with the idea, despite his decision to do well. 

He contemplates his own childhood a bit during this time, something he wouldn’t usually bother doing. He approaches the matter objectively, not feeling much of anything about how he grew up. He doesn’t really psychoanalyze himself. But he does make the decision to raise his child a bit differently than how he was raised. 

He becomes a little clingy at this time. Even before the pregnancy, he always found some way to be touching you, but it becomes more pronounced. He’ll have his hand on your stomach a lot, or pull you into his lap and bury his face in your hair. 

Mithrun is very prepared when you’re on outings together. You meet up with the Canaries for dinner or something and you need… Idk what pregnant people need. Napkins? Nausea medicine? Water, obviously, and good shoes. He has snacks too. He nonchalantly reaches into this overstuffed bag and pulls out what you need and the Canaries are like oooooooooo

Fleki asks if they should call him Daddy now. Mithrun doesn’t bother protesting because he knows they’ll do that no matter what he says. 

You and Mithrun are mamá y papá. Fleki and Lycion say they’re your free trial children. Modern au they beg to go to Mcdonalds and you’re like ‘ask your father’ so Mithrun pulls into the Mcdonalds drive through to shut them up. They cheer. He orders a single black coffee and drives away. 

If you get nausea early on in the pregnancy, he doesn’t really know what to do. He’ll hold back your hair if you need it. 

He does some research on what you can and can’t do while pregnant and becomes a know-it-all. 

Mithrun gives girl-dad energy, but he wouldn’t care what gender the baby is in the end. 

He doesn’t really know how to physically handle you. He’s never hurt you or been rough before (unless you wanted that) but he becomes way more gentle. 

If you headcanon that his parents are still alive, I feel like he wouldn’t really care whether they know about the baby or not. They’d probably find out through his brother. 

In fact, he doesn’t tell anyone the news. You and Mithrun visit his brother randomly and there you are, pregnant, months along, and his brother is like …Mithrun? Is your wife.. Pregnant? He just glances at you, then back to him, completely unfazed. Yeah. She is. 

Or his brother visits after the baby is born. He knocks on the door and Mithrun answers with the baby in a little carrier hanging from his chest. He doesn’t even acknowledge it or the fact that his brother had no idea, not unless his brother acknowledges it first. Mithrun’s just casually giving the baby a bottle or toys and his brother is waiting for him to explain why he thought it was a good idea to not inform his family that he was expecting?!

There was no pregnancy announcement. You were just with child one day and the world had no choice but to accept that. 

Modern au, he might have a very simple banner that says ‘it is a baby’ with a few sad, half-blown up balloons taped to the wall. You’re both just awkwardly standing beside it, staring into the camera. He texts this to his family or the Canaries with no caption then proceeds to ignore the ensuing panicked phone calls. 

He does not care what you name them as long as it’s not stupid.

Until a name is decided, you both just call them a placeholder name. (“How’s The Bean doing today?” “They’re kicking more than usual.”)

After they’re born, Bean sticks and turns into an affectionate nickname!

Mithrun walks around with the baby strapped to his chest. If you have twins and someone comments on the baby strapped to him, he just turns around and there’s another baby on his back. Yeah he open carries brandishes his son or daughter

Since he’s awake most of the time, I think he’d take over night duty a lot. He might fall asleep with the baby cuddled up in his arms or against his chest. 

He has to be taught how to change a diaper, but he learns quickly and becomes quite fast and proficient at it. 

He does not care if he’s covered in baby drool. He doesn’t get icked out easily. 

He’ll be feeding the baby, and if he needs his hands for something else he’ll just casually stick the spoon in his mouth to free up his hands. Some baby food tastes so bad but he can’t really taste it anyway. 

He can be found holding the baby often, with them usually leaning over his shoulder, held up by one of his hands (when they’re old enough to lift themselves a bit, of course.)

He is very careful with them as a newborn. 

He’s also very prepared at this point as well. He will be the one carrying the huge diaper bag most of the time. 

When they’re born, his first question for you is ‘are you okay?’ (You’re not, you just gave birth, idiot) but once that’s out of the way, his second question is ‘why does our baby look like a lumpy potato?’ as newborns frequently do.

In all, it’s a complicated subject for him. But he eases into the idea and the life, and he tries his best. He’s not the most emotionally present father, he’s imperfect as we all are, but he thinks things through and tries to make decisions that will benefit the growth of the child. He’s willing to make sacrifices. But he still gets very lost when going out to grab milk and your child is like ‘is daddy ever coming home?’ and you’re like sigh. Come on let's go find your father. 

[mias-back-from-the-dead]

so this was a line in a fanfic I recently read but it has me fuckign crawling up the walls and watching D&W in a new light

it's part of a larger oh/oh moment paragraph rant wade goes on but the line is:

"I would have happily gone on assuming that this Wolverine is canonically a fuck machine who only sleeps with women ever and that I could hit on him to my dick’s content and never have to worry about the possibility of real rejection"

and that last line COMPLETELY reframed half of wade's actions for me in the movie.

Cuz on the surface level there's the hee-hoo deadpool hits on every single hero joke of it all, which is probably all the writers were thinking about when those lines and directions went onto the script. They needed the throughline of wade being seriously still hung up on vanessa for plot reasons but didn't want to give up all the ridiculous flirt jokes.

From a hollywood writer's perspective, the solution is an easy 'Okay, he flirts with dudes ONLY, no prob, there's a Logan shaped comedic 'straight man' for him to do that at for 90+minutes'

But like. There's Implications to that as a Choice, when you characterize a dude that's so rejection avoidant and purpose-seeking that an avengers' dismissal kills all motivation for putting the suit on at all.

Pointing affections at literally any direction other than people who MIGHT take him seriously. Flirt on his favourite heroes, antiheroes, maybe even a TVA employee or two instead. It isn't that he's not ACTUALLY into Colossus's giant metal ass or Logan's oiled up tits, I'm sure they rev the engines like anything else, but I'm super willing to explore the idea that he's way more comfortable in throwing himself in directions where the rejections aren't 'real' to him. If the writers never thought about that implication, I'm going with concept that Wade doesn't even realize he's doing it at all unless he's in a fanfic universe with a decent oh/oh moment.

It makes me wonder what style of bluescreen he'd go through the second Logan yes-and's in a way that might be interpreted as flirting back. It makes me think of the countless number of dudes he's hit on in the comics despite most of his longer-term relationships being with women. Don't get me wrong, I KNOW the Doylist perspective is likely that most writers go down the straight relationships, gay jokes avenue but it's SO much more interesting to play it watsonian here. it's just a really good fanfic direction to lean down, this fucker is made up of exactly 50/50 emotional anguish about rejection and shitpost dick humour and I just wanna read more works where they feed into each other instead of being tackled separately

HHHHHHh I dUNNO IF I KEEP WRITING IM JUST GONNA GO IN CIRCLES JUST GO READ THE FIC ^

[goldenmetstli]

What would Seto Kaiba be like if he were in love?

NOTES: I wrote this with a Reader Insert in mind, but to be honest you can also read it just as a general headcanon! Reader Insert is gender neutral.

I tried my best to write him as close to canon as I could because I think it's pretty interesting to explore how a man like Seto Kaiba feels romantic love (´｡• ◡ •｡`) ♡

★ He doesn't register his feelings and would never cross his mind that he likes someone. He is a little obsessed with them, that's all. And even then, he sees it as "being focused"

★ He doesn't know how to have healthy and normal relationships, not only romantic ones but friendships too.

★ He would never fall in love at first sight, it takes a loooooong time for him to even trust a person enough to consider them worthy of their time. He is the kind of person who sees everyone as a means to an end.

★ Seto has an obsessive, competitive, and antisocial personality, so in his mind, he associates liking someone with wanting to prove that he is better than them.

★ Every time Seto sees you he feels a mixture of excitement and smugness. He knows he would say the perfect thing that might disarm you and make you feel like an idiot but is always a little bit delightful if you have a comeback.

★ As his feelings grow, he notices that he NEEDS to see you. The fun thing about Seto is that he always has the perfect excuse to convince himself that there's a bigger reason why he randomly appears at a place that you frequent or why he knows a lot about you.

★ I don't consider him yandere because he doesn't have bad intentions, he is just navigating his emotions in his own way (he leans more into the tsundere territory). But as I said: he does get a little obsessed with you.

★ Would he ever acknowledge his infatuation? Well, after many situations and even comments from Mokuba pointing out his odd behavior (and that is saying a lot), in a moment of solitude where is just him and his thoughts, he might question for a moment if what he is feeling is attraction.

★ He then would laugh at how ridiculous that sounds and that would be the end of it lol It needs to pass more time for Seto to actually confront himself with his feelings.

★ Seto has been single his whole life, and even if his emotions have always been pretty intense (when he is angry he gets furious, when he is frustrated he gets desperate, etc) he doesn't register feeling romantic love for anyone, so this is new territory.

★ This man goes through all 5 stages of grief just by accepting his feelings for you and desperately tries to find a logical reason as to why he feels this way. Is uncomfortable, and awkward, and at times he gets angry at you.

★ It depends on the situation, on who you are, and what is happening around him to say if he would ever make a move.

★ But if he doesn't then he can live without you, he deals great with loneliness but that doesn't mean Seto would stop trying to see you on any occasion. He would just get better at controlling his feelings.

★ But what if his feelings grow to be LOVE? Then we are in trouble.

★ Another 5 stages of grief lmao poor guy HATES not being in control, and emotions are confusing, weird, and annoying. Why does he, of all people, have to deal with this? He hates you. But also don't. He hates your face, but he likes to see it, he despises your voice but he gets weird tingles when you talk to him. He admires your resilience but also wants to throw you from a cliff.

★ It depends if you are another duelist, an employee, or a normal person with a profession as to how he would act but I can see him being more aggressive towards you.

★ If you two are DUELISTS then he would get even more competitive and intense during your duels.

★ If you are an EMPLOYEE, Seto will raise your position to one where he needs to supervise you and create a lot of challenges for you to overcome (is his way to revenge for what you are making him feel).

★ If you are a NORMAL PERSON with a profession, he would make excuses to make your company work for him and feel near you. This is his way of making him feel like he is in control of his emotions and the situation...

★ Well! That's all for now! ε(´｡•᎑•`)っ 💕 This is getting really long, so I might write in the future a second part as to how Seto would act as a boyfriend

[yanderes-galore]

rose quartz (SU) with human darling (Platonic/Romantic) Hcs 🪲 [Shiny Bug Anon]

Oh cool :0 This could be fun, lol. I haven written for Rose before...!

Yandere! Rose Quartz with Human! Darling

Pairing: Platonic/Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Overprotective behavior, Condescending behavior, Clingy behavior, Fear of loss, Isolation, Blood mention, Dark themes, Jealousy, Forced companionship/relationship.

Rose has been known to have a fascination with humans.

This is evident in the show where she's curious about them, often learning about them through Greg.

She sees humans as cute and funny... they're adorable little creatures to her.

I imagine she gets with Greg at some point for the sake of Steven, but imagine if she was fond of another human first?

Before she and Greg got together officially, she found you.

You're younger than Greg and might even be curious of her like she is of you.

Rose is described as caring and loving of those she's close to.

She's curious and sees beauty in all life.

Yet humans seem to be her favorite.

When she looks at you, she thinks you have a natural attractive beauty to you.

She wants to know you more.

In fact, it's canon that Rose isn't quite sure how human love works compared to Gems.

Be that platonic or romantic love... she isn't quite sure how either works.

Which makes her unsure how exactly to act upon her feelings towards you.

I can see Rose accidentally being condescending towards you.

She tries her best to see everyone as equal... but she can't help but coo over you like a pet.

She just thinks her human is so darn cute.

Although... she does worry about getting attached at first-

After all, you're human.

Your lifespan is so short compared to her.

But we'll get into that later....

Eventually she can't help herself.

You're too interesting for her and she can't help but be drawn to you.

Due to her curious nature, Rose may also be a bit... invasive.

She struggles with boundaries, often curiously prodding at you and asking invasive questions.

You try your best to keep up with it... she is an alien, after all.

Rose listens to every word you say with sparkles in her eyes.

She likes to learn more about you and humans in general.

She's adventurous and may even want to take you along on exploration.

Well... on anything that won't get you hurt.

Rose doesn't seem that bad, she's actually caring and adores you...

Unfortunately, things do take a darker tone eventually... this is still Pink, of course.

Rose is deceptive and a bit selfish.

She worries she'll lose you due to how fragile humans are.

She know doubt learns of your fragility by an accident.

Imagine Rose took you out to explore an area, only for you to get hurt.

The Gem freezes when she looks you over, seeing blood seep out of a few cuts you have.

The good news is she can heal... but seeing you with anything from bruises to a broken bone freaks her out.

It reminds her that humans aren't like Gems.

Your life can end much easier than hers can.

Rose's obsession is not just driven by curiosity... It's also her fear.

This was the reason she didn't want to be attached in the first place.

But... she can't help it.

You look so cute in her arms... your curiosity reminds her of herself.

Rose would do anything to protect those close to her.

Such a trait sounds selfless... yet towards you it's selfish.

Why?

Well, Rose refuses to acknowledge that all life... including yours... has an end.

A known power of Rose, other than healing, is resurrection.

If she doesn't want something to die... she'll change it.

Imagine if Rose is so scared of you dying... She makes you immortal.

She's too fond of you to just let you die.

Which means she'd use her powers to make you live longer.

Sure, you'll be a pink color now...

But you'll still be hers, in fact, the color you have now only proves it.

Yeah, this is what makes her behavior selfish.

She curses you with a longer lifespan to keep you as hers longer.

Not only that, but she probably begins to isolate you.

She is definitely one to tell you that all of what she does is for your benefit.

In reality... she doesn't want to let her human go.

It only works in her favor when people distance themselves from you due to your changed appearance.

It's true... that pink tint you have now is like some sort of brand.

Soon you're not hanging out with many other humans other than Greg.

Rose is always around you, when she can't be, the Crystal Gems are around you.

Rose is selfish about her human.

She purposefully takes your attention away, often feeling jealousy towards you interacting with other humans.

It's a... toxic emotion.

She knows she should allow you to thrive with your kind.

Yet in the end she claims you as hers, again, oddly like a pet or toy.

Perhaps she keeps you at the temple/beach house?

She is still very affectionate and curious as ever... even if you feel dejected due to what she's done to you.

She doesn't let you leave her home.

Maybe she even keeps you in her room?

She can create whatever you want there.

Rose just wants you to be happy.

Although... it often seems like she prioritizes her own happiness most of the time

When you're alone she holds you close, her touch delicate and soft as though you'll break.

When you ask to go outside, she turns it down.

The only time you're free from captivity again is when she makes Steven.

Imagine if you were still affected by her obsession even after she creates Steven.

She does imply in the show that she influences Steven's emotions (iirc-).

So... what happens if her obsession develops in Steven?

I'm talking Steven feels drawn to you but isn't sure why.

Of course it's platonic for most of the events of the show.

But it could change in Future when he's older.

You're cursed with being forever young... all because you got too close to an alien.

Now you have a Gem/Human hybrid who won't leave you alone.

But that's just a thought!

Overall, Rose may seem very interested and kind with her human obsession.

Yet catching her attention isn't really a good thing...

Especially if it means you'll never leave her... even when she's gone.

[queerfables]

Taking away the glass?

Oh gosh I'm actually so keen to talk about this so thank you for the opening!

Context: Responding to akaitsukicat's artwork of Crowley and Aziraphale separated by a glass wall, I said that the reason we're all such wrecks over their kiss is because after 6000 years in canon and 33 years in real life, that kiss was "taking away the glass".

The glass is a metaphor that media scholar Henry Jenkins uses to explain the appeal of slash, originally published in 1993. Here, "slash" refers to queer re-interpretation of heterosexual media, including transformative works exploring those readings.

This is what Jenkins says about the glass:

When I try to explain slash to non-fans, I often reference that moment in Star Trek: The Wrath of Khan where Spock is dying and Kirk stands there, a wall of glass separating the two longtime buddies. Both of them are reaching out towards each other, their hands pressed hard against the glass, trying to establish physical contact. They both have so much they want to say and so little time to say it. Spock calls Kirk his friend, the fullest expression of their feelings anywhere in the series. Almost everyone who watches the scene feels the passion the two men share, the hunger for something more than what they are allowed. And, I tell my nonfan listeners, slash is what happens when you take away the glass. The glass, for me, is often more social than physical; the glass represents those aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men, which block the possibility of true male friendship. Slash is what happens when you take away those barriers and imagine what a new kind of male friendship might look like. One of the most exciting things about slash is that it teaches us how to recognize the signs of emotional caring beneath all the masks by which traditional male culture seeks to repress or hide those feelings.

The vid I refer to, inspired by Jenkin's comments, is The Glass by thingswithwings. It's a beautiful vid, sad and hopeful and empowering, with a very moving commentary on fandom history. It was originally published in 2008, which is relevant to understanding the position it takes in the dialogue around queer relationships in media.

Here's thingswithwings' summary of the vid, as it appears on YouTube:

Henry Jenkins, speaking of the Spock death scene from Star Trek II: The Wrath of Khan, said, "slash is what happens when you take away the glass." It has been said, in response, that death also happens when you take away the glass. ie, if you took away the glass Kirk would die of radiation poisoning too; the barrier between desiring men cannot be removed on pain of death. Homosexuality, or just loving touch between two people of the same gender, is equivalent to death in this media narrative. One of the interesting things about slash is the way it takes away the glass, then puts it back, then takes it away, then puts it back, often pleasurably. I think this is both problematic and powerful. It is problematic because it reasserts the impossibility of the touch (it fetishizes oppression in a negative manner); it is powerful - and good - because it dwells on and thinks about and removes the glass (it fetishizes oppression in a transformative manner). One of the interesting things about mainstream media is that it continues to put the glass back up, no matter how hard we try to tear it down. Queer desiring touches have been, and remain, imaginable but impossible. TL;DR ALTERNATE SUMMARY: THERE SEEMS TO BE SOME KIND OF INVISIBLE BARRIER IDK WHAT IT MIGHT BE

In regards to Good Omens, it's relevant that this entire conversation about homosocial relationships in media takes place within the 29 year period between the publication of Good Omens the book and the adaptation of the story to screen. The vid was created 15 years ago - which is to say 18 years after the book was published and 11 years before season 1 was released - and it talks about realised queer desire in mainstream media as being so impossible that it is equivalent to death. That is the kind of resistance that queer representation in pop culture has been up against, these last three decades.

Crowley/Aziraphale, as depicted in the book, is such a classic example of slash. I've seen some people who read the book in a contemporary context saying they didn't necessarily pick up on any subtext between the characters, and I suspect this is a mark of cultural expectations. Firstly, because the cultural references that the intentional subtext relies on have become obscured over time - see Neil Gaiman's explanation of the "consenting cycle repairmen" line. But more importantly because the audience's frame of reference for unintentional subtext has shifted, too. What is unsayable and which silences are emotionally loaded has changed over time. Even if you are intentionally using a queer lens in your reading, you might not see subtext in the same places that someone would even 10 years ago.

For example, take this passage from the book:

On the whole, neither [Aziraphale] nor Crowley would have chosen each other's company, but they were both men, or at least men-shaped creatures, of the world, and the Arrangement had worked to their advantage all this time. Besides, you grew accustomed to the only other face that had been around more or less consistently for six millennia.

On it's face, this line suggests that the relationship between the two of them is a matter of convenience more than desire. Maybe that's the intended reading and maybe that's how it started or how they justify their association to themselves, but taken together with how deeply they know each other and how they are always each other's first thought in a crisis, suddenly "neither would have chosen the other's company" sounds like an extremely British way to say they care about each other far more than they were supposed to. Plus, this is Aziraphale's take on their relationship, and it plays rather beautifully against Crowley's much simpler expression of the exact same sentiment:

Aziraphale. The Enemy, of course. But an enemy for six thousand years now, which made him a sort of friend.

To go back to Henry Jenkin's wise words, what we're seeing here is Aziraphale thinking about Crowley through the glass - through the "aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men". If you came up in slash fandom at a time when seeing queer relationships in canon was unthinkable, you probably find it easier to identify the gap between how Aziraphale thinks about his relationship with Crowley and how their relationship actually functions. That gap was where a lot of slash lived.

You might say that the book shows Crowley and Aziraphale watching each other through the glass, and season 1 is them pressing up against it. They're still prevented from showing the full depth of feeling between them, they still hunger for more than they're allowed, but they are reaching for it. We see the history of their relationship developing through the ages. The unsayable is still left unsaid, but we feel the weight of it in everything they do. They come so very close but they still can't cross that threshold.

And then there's season 2. Within the text, Crowley and Aziraphale are not just pressing against the glass, they're actively trying to dismantle it. They're searching for a door to the other side. They're inspecting for weak points where they could cut their way through. And then suddenly they're out of time and out of options and the glass is still between them, and there's nothing they can do.

As the audience, you feel that desperation. You feel that grief. And if you're someone who's been watching the glass go back up on every relationship you thought might stand a chance of tearing it down, it hits hard. You're longing vicariously with the characters, but you're longing for yourself too, to see queer desire made possible. To see queer touch made not just imaginable but real.

And then, with all hope lost, Crowley throws himself through the glass. It doesn't matter that it doesn't save them. They kiss and it changes everything. Queer desire is no longer up for debate. Queer touch is no longer impossible. They kiss and the glass shatters, entirely and irrevocably.

This is why it matters so much that they did kiss, even though the love between them was already undeniable. For thirty years, Crowley and Aziraphale were part of a media landscape that relentlessly reinforced the glass at every turn and flooded fatal radiation through any crack they couldn't fix. In a different context, that kiss would be less vital to affirming their relationship. But in the world we live in, with the specific history that this story has, I don't think anything else could have done what it did. The glass between these characters had been reinforced over decades, in a culture that made the barriers to open intimacy between men inescapable. Their kiss was what it took to break it.

And by shattering the glass, this story has fundamentally rewritten what is possible. It proves the rules preventing true affection between people of the same gender can be defied. Queer people are already becoming more visible in pop culture; we're no longer reliant on slash reimagining queer longing between heterosexual leads. But Crowley and Aziraphale's kiss is cathartic and vindicating in an entirely different way. It turns slash into intentional queerness. It takes a fetishisation of oppression vacillating between problematic and transformative, and finally stands up on the side of powerful, empowering transformation. It confronts the barriers that once rendered this desiring touch impossible, and breaks through them once and for all.

That's what taking away the glass means. That's what Good Omens did.

[no-psi-nan]

One thing I never see people talk about is that canonically, Terusai is super one-sided...

From SAIKI'S side.

Over the course of the series, Saiki's respect for Teruhashi grows with every interaction. He bends over backwards to prevent her feelings from being hurt, he puts less and less effort into avoiding her, he looks after her safety and happiness, he risks his reputation by publicly rescuing her, he's fascinated by her beauty the one time he gets to admire her, she galvanizes him into action when he's in shock about the meteor and the "return" of his powers.

On the other hand, Teruhashi starts caring about the fake fanboy version of him she invented, and over time, grows comfortable with the fake silent glum mask he projects. She doesn't find him physically attractive and she struggles to compliment him to his grandfather. She likes how safe he makes her feel, and finds his presence comforting, but at no time does she know his actual personality, nor does she really make any real attempt to get to know him better, instead focusing on ways to impress him and make him "offu". She knows that her fanclub could put him in danger (hence tossing her chocolates out the window) but still calls on them to force him to hang out with her on multiple occasions.

In order for them to have a real relationship, Teruhashi would have to learn Saiki's actual personality and decide whether she likes it as much as the fake versions she fell in love with.

But for that to happen, Saiki would have to reveal his powers (prerequisite for showing his real personality), which would immediately force Teruhashi to face three MAJOR crises:

The INCREDIBLE mortification of blindly chasing after someone who could hear every one of her mean/rude/bizarre/thirsty thoughts and who was trying to let her down gently the whole time for SIX FUCKING YEARS, all while she made SO much trouble for him

The subsequent reckoning about what it means to be a "perfect pretty girl" after finding out someone was watching her struggle and fail at it, plus the possibility that people only like her because her beauty is a magical power like Saiki's ESP, and NOT because any inherent goodness or effort on her own behalf

The fact that her fans almost killed both Saiki and Nendo when he was "powerless", and the realization that the Kokomins (whether part of the club or not) have almost certainly hurt many people on her behalf, and that she herself has mobilized them against Saiki before. Also the fact that they actually control her almost as much as she controls them, because she has to work so hard to meet and exceed their expectations

While Saiki already knows and likes her for who she is, Teruhashi (who regularly goes to mental and physical extremes to maintain her persona) is going to have to grapple with her own sense of self before she can even really find out what Saiki's actually like, much less have a healthy relationship with him.

And meanwhile Saiki knows that dating Teruhashi would be a major risk for him, as much as he might like to, because she attracts so much attention that it would constantly risk his identity.

There's so much baggage they have to work through in canon in order to finally be on the same page, and so much to explore psychologically, especially when you remember that Teruhashi is also apparently only 5 minutes away from starting a cult based on like every canon AU hsfjdlshfks.

She's under a huge amount of stress! Has been for a long time! And then if the guy she thought she knew turned out to be a god, sometimes even The God she prays to, what's that going to do to her psyche??

Anyways this post got away from me but there's so much fertile ground for really interesting analysis and character development! But I've never seen anyone tackle any of this so I figured I'd type it up in case people didn't realize just HOW bonkers it all is lol!