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#and is actually fun to make a super messy sketch with color and all
rui-drawsbox · 1 year
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Hey bitches and bros and nonbinary hoes😎 I hope everyone has a great pride month, in (<-me lol) or out of the closet!
Anyways, everyone look at my pretty pretty gf +close up, sketch and my struggle picking outfits
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I don't lie when i say i was like two days fighting with the colors and patterns of the dresses /sobs
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vanessagillings · 1 year
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I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?
Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:
MY ART PROCESS!
Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)
A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!
ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.
Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:
I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):
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Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):
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I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!
You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:
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I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)
All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:
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I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)
Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.
And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:
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Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.
So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.
The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.
Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛
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choochooboss · 2 years
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Submas sketchdump! Vol. 1
April-June 2022
Literally dumping all the presentable works as promised, whether I'm proud of them or not! This is where I started, even before the first thing I posted online (That subway station one). Many of these are not on Twitter yet so there's lots to see!
The top piece above the header is my very first digital Submas artwork!! I never finished it bc I didn't know how to pull my vision of as I wanted & started modeling the train and didn't finish that either, whoops! I really want to remake this later and make it super cool!
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^^^ My reaction to breaking 500 likes & 100 followers in a single day with my first tweet (the battle subway one) all the way back in May!! I was completely floored by all the attention, oh how it skyrocketed my excitement and anxiety! Crazy times, I was so super nervous to be there with so many amazing artists and doubted if I could ever survive there ahahah!! Many had joined the community much much earlier than me, so I had arrived with a late train to PLA/neo Submas hype!
Next up is a bunch of stuff I haven't posted before:
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One of my fav sketches! Been saving this for so long bc I really really want to finish this one day!
One of the first submas sketches with an actual story behind it! The subway bosses are running late for their flight because they didn't pass the safety check! The irony!! This would never happen as bosses are always on schedule. But Emmet hadn't noticed a wild Joltik hiding under his coat, so he set up the alarm and they got examined and interrogated of smuggling! How embarrassing for them! The bosses resolved the situation by catching the Joltik, but will they be able to catch their flight anymore?? Maybe if Elesa can distract the stuerts performing the safety protocol for a minute!
More sketchbook stuff...
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In case you can't make any sense of it, Emmet's dreaming of different combinations of pokémon. Meanwhile Ingo snores louder than the train! HONK SHOO!
Top 7 every submas fan draws at some point!
Submas trademark posing
submas sleeping in a train
sad Emmet
Emmet with Joltik
Ingo with a cool solo pose
Emmet being chaotic & Ingo reacting to it
a bunch of mirrored submas poses
I sure have a full bingo card lmao, most of them you can see here XD
Next up is a sad man...
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Stay strong our friends!
My typical sketchbook pages, crammed and messy as usual. x)
Post-PLA exploration:
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A few examples of how my pencil sketches evolve.
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I've done so much art experimenting with submas. I really like this black & white painting but I don't think I'll finish it anytime soon.
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Where did you go?
The way I draw the twins' faces has changed a lot. They started with softer features and somewhat neutral emotions, because I wasn't as familiar with them or comfortable drawing them yet. Now there's hundreds of submas sketches, and they still keep evolving! My style is also kinda hard to pull off well, so their features differ from picture to picture.
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This one was inspired by some submas music videos, can't recall their names anymore. The glowing eerie eyes and yellow&orange + black&white color schemes were neat!
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I keep telling myself I need to draw more butlers, these twinks look so lean and neat and have more color and are posh with their monocles and have fun tailcoats!
(...why eyeglasses are not called binocles??)
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I was there for the vinegar chaos. Good times!
That's all for now, I hope you got something fun out of this! Still got loads more art to share but I'll save them for another time. Next round I'll bring in my first submas comic!
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chunklet · 3 months
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how do u color so nicely? sorry for such a vague question but your style and the way you color and shade stands out so much to me, its super unique, do you upload speedpaints or anything?
Lol its ok thank you so much! I haven't made a speedpaint since I was like 12 but they were fun so I could record more if anyone would be interested
My actual coloring process is hard to describe (and also generally very inconvenient but its the way I like to do things) so i will do my best to show you using this arcade drawing I never posted:
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First my sketches are reallyyyyy messy. Also i draw on a grey background because supposedly it helps you choose better colors but idk if that's true. Also here's my sketch brush for CSP if anyone is interested
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Second I put down flat colors. These ones are a little messed up since I erased them as I went later but this is the gist of it. My base coloring is messy and usually doesn't cover all the sketch since I change so much as I go anyway
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Third i make a new layer above both the colors and lines layers and just paint over it until I like how it looks. usually my rendered/realistic drawings look bad until I do this. For this piece I had THAT ^ until i decided i didn't like it so I colored over it AGAIN: (colored over instead of restarting bc I liked the face)
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NOTABLY, the most important part of my coloring process is probably color jitter. I mostly use a brush called flashito on CSP which has built-in color jitter, but you can turn it on on basically any brush you use. It basically just makes it so that each stroke has a slightly different saturation or hue based on your brush settings. It helps me get the color variety I like and works well with my insane painting process.
usually by the time I'm done painting something, I do so much that I can hide the lines and flat colors layers and it'll be virtually the exact same. Here's my arcade drawing without the flats/lines layers on
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It's a little tedious but I like how it looks. This is a long post but honestly in short I think using a brush with color jitter will do a lot for you if you like the way my coloring looks. If u don't want flashito here's how to turn on color jitter on any brush on CSP, not sure about other art programs though
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As for shading I honestly think I'm not very good at shading but i'm just critical because I'm myself. Usually i just try to remember that if the lighting is warm then the shadows will be cool or some sort of similar rule. unfortunately i love bright colors so it is hard for me to follow this
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hiro-doodlez · 1 year
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TUTORIAL/PROCESS ON..Uh… MY ART!!!
Using this recent drawing as reference!
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(Blueberror by @loverofpiggies )
OKAY HERE WE GO!
First off, I use procreate, and, surprisingly, NO custom brushes!! Almost all of them are default and you can find just by browsing around. And also, some of the tips are only on procreate, really sorry!! But i bet there are a lot of Ibis, CSP, Ect. equivalents!
BEFORE ART AND.. UHHH STUFF YOURE DOING IN THE BACKGROUND??
Almost ALWAYS when drawing, i have something happening/playing in the background like music, a show/movie that ive watched like a million times (Steven Universe), or maybe even an art stream (jakei my beloved /hj) Honestly anything in the background is nice!
More on that, if you like music, i totally suggest finding mood based playlists that is based on what youre drawing. So if youre drawing just cute fluff then put on something that reflects that!! Does it have any actual effect on the art itself? Probably not!! I just like it a lot LMFAO. You can even find tons of character related playlists on spotify you can listen to!
Also suggest having maybe a small art station somewhere! I personally have a small art area that i set up LITERALLY 2 DAYS AGO and i LOVE IT. Anywhere really works, it can literally be your bed!! I just really like the idea of somewhere dedicated to my hobbies, im a nerd :D
ALSO MAKE SURE TO STAY HYDRATED
I also suggest, especially if you tend to draw for long periods of time, to do hand stretches and stuff. (Above my desk i have a stretching guide thingy by @tizzymcwizzy that i suggest doing before during and after longer sessions)
SKETCHING AND FIRST PART OF THE PROCESS!!
First off, one thing that has always been a huge help has been keeping a sketchbook always to jot down ideas, especially in school when we���re not allowed on any personal electronics. I barely use it now that its summer, but it always has been a huge help keeping one with me almost everywhere i go! Plus, its always a lot of “woah eww” when looking back at old art, its kinda like a little archive!!
BUT THATS NOT WHAT YOURE HERE FOR PROBABLY
The big things youre thinking about when sketching down your ideas is NOT making it perfect. The sketch 99% of the time will look absolutely terrible and thats okay, and honestly preferred! Most of the time nobody will even see it, so dont worry about trying to make it look polished. Youre just trying to put the idea on the canvas, thats all youre focused on! Try to stay loose and simple!
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BACKGROUND (sometimes)
Fun fact: I usually go from sketch to background to lineart!
I do this for 2 main reasons: firstly, because doing the background can help establish the mood, and also mainly to help pick the colors later on! Although, a lot of the time i dont even do this lol, only for drawing where theres actually a background (im a fraud)
Also, for backgrounds, especially for things like landscapes, you want to try to work with big shapes to refined details, never just tiny sections at a time!
Heres the original background:
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LINEART
Cry. Cry until theres no tomorrow and hope that you make something worthy of looking at /j
OKAY ACTUALLY, HERES WHAT I TEND TO KEEP IN MIND:
Keep most lines in one big stroke, not many tiny ones
On digital, erasing is super easy, feel feee to over shoot your lines and erase back over
For things with more emphasis, make bolder lines, for example, the eyes or hands
If the lineart just isnt working out, feel free to literally just refine the sketch until it looks like lineart (I DO THIS A LOT)
Cry
Thats all I’ve figured out, lineart is still a mystery to me..
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BASIC COLORING!! (Yayy coloring the best part)
First what i do when putting down basic colors is just try to figure out what would be the best general colors, sometimes you can use those little dots on character sheets and use that to figure out what colors would look best together
Youre not going for perfect and youre just jotting down the colors, keep it messy n stuff, no refined details allowed!
After you finish putting down the colors, your new bestfriend in procreate (idk about other equivalents) is the curves, color balance, and hue saturation and brightness function (found in the second dot on the top row). These let you adjust the colors very easily!! I love them a lot!!!
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BASIC SHADING
(Sometimes)
Now, a lot of the time i use the basic Multiply layer method, where i just use a dark purple and set the layer to multiply, but recently ive been doing it a BIITTT differently
Basically, take the base color from the previous step and increase the saturation, and decrease brightness, like this:
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And then, lower the opacity of the brush down to MAYYYBEEE 5%, take that new color that you have, and take the… hue?? Maybe?? Like, blue green purple ect, but keep saturation and brightness mostly the same. Then, layer layer layer with those different colors, or dont! Use funky colors and shading in places where they shouldnt be, make it crazy!! Dont let it make sense!! There are no set rules for this part AT ALL!! Youre just having fun now! >:)
I totally suggest looking at @yo-honne s art for coloring inspiration. I base mine off theirs A LOT.
TEXTURING N STUFF!
Pro tip for this: spiderverse.
OKAY BUT ACTUALLY the spiderverse movies style is INCREDIBLE, i highly suggest just staring at it and taking mental notes on practically everything
For texturing, i tend to go kinda crazy. I like to use the grid and decimals brushes for shading and lighting respectively on procreate
For this part, you can use mostly random colors, and there are literally no rules!! Youre SUPPOSED to make it look crazy!! No rules man! Put it in random places and HAVE FUN! Go fast and try not to think much about what youre doing!! Dont use the right colors EVER!
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FINAL DETAILS AND TOUCHUPS
At this part, you marry procreate.
Overlay layers are your best friend, experiment with them A LOT because that REALLY help making your art pop! Especially with overlay gradients
On procreate, theres a thing called chromatic aberration, that can make colors look blurred and glitchy, use that with errored characters! Or dont!
Use halftones feature!!! It really help!! If you wanna do lighting, you can use an airbrush brush and then use the halftones feature, or just use the decimals brush!!
For lighting try to use layers like screen or add! Or dont, make it random colors for lighting! Go and have fun!
On a new layer, set it to something like vivid light, hard light, ect. And use very vibrant colors to go over lines and areas you feel need more emphasis in the artwork!! Especially if, like in this one, the characters colors are so dark you can barely see the lines
Mess with random brushes in your app and use those to your advantage!
Work fast and try not to stress! Take breaks and take care of yourself!
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FINAL NOTES
I can not stress enough, EXPERIMENT!! Try to put random elements of art and stepping out of your comfort zone as much as you can! Have fun and go random! (I think thats my new catchphrase)
Reference things if you want to try something new. For a while i thought references really only meant for weird poses, but it can be for anything!! For this one, i literally looked up spider punk spiderverse and used that as reference, and for the background (before i put filters on) i referenced samdoesarts!
If you feel like messing with colors, make the background something random and try to make the character look… well with the background?? Kinda hard to explain lolol
This is a general guide for my art, and i hardly ever even follow it myself. I fluctuate with my art a ton, taking outisde influences to put into the art and never staying with the same thing every time. My art process is wild and random and very much confusing even to me, and i like it that way!
This whole thing ive developed mostly on my own, and by taking tons of inspiration from other art i found appealing! So some of it might literally be wrong!! SORRYY
Would like to note ive never made ANYTHING like this so… sorry if it sucks!!
(((( @overthinkingintrovert-blue ))))
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your-local-uwu-artist · 10 months
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HUGE doodle/art i havnt posted yet dump!
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random blueberry
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based on this fic all of the authors tadc fics are top tier i lowkey wanna make comic adaptations of them lmao
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to kiss the homies goodnight with
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miku sketches
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oc! her name is crumpette sugar blossom she's super cheerful and nice unless if others are mean to each other than she will explode
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novi stars una verse redesign! (plus what if goregous bjd-esque dolls) I did actually share this at one point cause i needed help deciding the skirt color (shout out to @/the-anxious-axolotl for the advice that decided what I went with :3) anyway! I wanted to really go with the 'diva' theme plus make her more alien, I decided that all the additional little moon like gemstones are extra eyes fndkja. and I think she'd have those like: shiny tinsel strands in her hair. and I also think her hair would be rooted and not a wig: but it could work either way. anyway: her skirts a super sparkly tule material and the beads are permantly attached to the skirt and shirt. the earings i think are glued on too but the headband tiara thing would be removable. also her skin would be like, dusted with sparkly white freckles <3
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ari roma novi stars redesign: tbh I have mixed feelings on how this one came out. I iike a lot of the concepts but something bout it looks... messy? unfinished? I think it justs needs a little polish and maybe I'll do that at some point. anyway, I really wanted to keep her original hair (they're called afro puffs I think??) and the one super long strand. I thought it'd be fun if they were all decked out with hair clips and bows and a decora amount of accesories lmao.
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one last novi stars thing! the base for all the bases!
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random character design: I really like designing vampires <33
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precure redraws of official art
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i have litterally SO MANY thumbnail sketches these are just a few
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sketches of some redesigns of ocs from an old concept for a series. I call it 'kowai kawaii' and it's about weeb supernatural creatures being silly. the main trio is Maybelle the ghost, Luella the vampire, and Okami the werewolf. Maybelle leans into the dark comedy side, she died at a young age and is very much like, a fucked up little ghost child. shes very cruel and enjoys others suffering. actually shes a little bit like jax from tadc lmao. Luella is super energetic and happy go lucky. she also writes fanfic. Okami is an amnesiac and a cosplyer as a play on the phrase 'wolf in sheeps clothing'
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MUTEKINOEGAODEARASUMEDAI FNDSJKFS a continuation of those 'me if i was a cover artist' drawings
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my dad asked me to draw 'hefty smurf as a demon slayer' idk man: but who am I to disappoint? next thing you know I'll draw smurfette as nezuko
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fraternum-momentum · 1 year
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Okay, so let me ramble abt making the last comic, cause that was an absolute behemoth to work on, and I have a lot of thoughts in my head. Man, I don't know how those webtoon artists do it every week. They scare me now.
This is super long btw, so get cozy if you want to read :]
Starting off, I actually got this idea from my lil 'ol diary I keep by my tableside :] I like writing down what I feel so I can see it in a more concrete(?) manner, helps me cope i think. One time, I really did cry for someone because I guess I just really liked them a lot. Having crushes is fun, but catching feelings isn't.
I always get this giddy feeling of being head over heels for someone. Every interaction is so exciting. Intoxicating even. And I couldn't get enough of it, but after that few seconds of bliss I immediately think to myself that all these scenarios in my head will never happen, not in a million fucking years. I just preemptively reject myself without ever telling the person what I feel. I know what the outcome will be anyway, and I'm afraid of what will happen if I did say anything. It's just too risky.
The second half is completely made up tho, I will never ever kidnap someone... unless? (For legal reasons, I will have to clarify that this is a joke, Thank you.)
Now onto the comic itself!
The composition is probably the easiest and the most fun part. I love, love, love, how versatile you can be in the webtoon format. Figuring out how to transition the panels is super fun, and it sucks that most of the webcomics I see on tapas or webtoon, etc. are just sticking to those boring box formulas over and over again when it has so much potential, although there are exceptions like, for example, Lore Olympus. While it has it's fair share of flaws when in comes to other aspects, you can't deny the artist's talent esp when it comes to knowing how to place the character in an illustration, (again) the compositioning etc etc. (ep. 8 is p good. They stick to the box stuff during dialogue but gets more experimental in some parts. I haven't been keeping up with it, so idk any other good eps)
One of my only big regrets is that I wish I had made the space between the '...but I love it." and "And soon..." parts longer. I think it changed scenarios way too fast and your eye immediately moves onto the next piece of text,, but eh, it is what it is, and I can't be bothered to edit it so ig I gotta learn to live with it.
It's still messy in,, a lot of parts actually, and I still can't do lineart to save my life, but i kinda tried just cleaning up the sketches instead???? I mean, it kinda works, but it isn't really smooth so,, And there are small mistakes here and there that I could've fixed or colored stuff in properly or whatever. But at that point, I'm just done with it. No more. Am tired and want to draw other shit now. Maybe boobs n dicks n pussy-
Oh actually i have another comic in my wip folder that I started before the sad Kylar crying one. Here's some of the thumbnails for it:
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the fucking lisa simpson looking ass face just cracks me up every time I see it LMAOQJSJQJ I just wanted to show it to u but stay tuned for that ig
I eventually want to make little comics like this for other characters as well! Like Sydney, who is also one of my favorites cause of the whole religion aspect to them, and I would like to tackle that topic with yet another super personal experience of mine that for some reason I'm comfortable with sharing with a bunch of ppl lmao
I also really want to make a full on nsfw one, like gut rearranging, carnal fucking, hardcore banging,, ok ill stop. But I do need to do more,, uh, "research" on that,, i swear it's research, i have no clue how im gonna draw it. Hell, I already struggle with drawing people fucking and imagine adding cool transitions to that. Guess even my masochistic tendencies extend to this shit too.
And I think that's pretty much it? I'll probably just stick to b and w or monotone with a few accent colors because i just know that it would break me if i did a fully colored one.
Okay, thank you for reading this ramble, I'll go ahead and answer some asks now,, Here's your prize though!
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sward-iak · 1 year
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Intro Post!
Hello! Some of you may know me from somewhere else, and to that (unless you're a super close friend of years now) I say nay! You do not!
I am a in my 20s concept art/writer hobbyist. I work a full 40 hours with week, sometimes with overtime (so if I'm MIA, that's why!). When I'm not at work though I thoroughly enjoy reading, writing, drawing, playing video games, and hanging out with my family/friends!
Writeblr/Main: @sqeedledob
Request Info
I've been getting some DMs about my requests so hopefully this will clear things up! Commissions are always more of a priority than requests, and people who Donate to my Ko-Fi are my second priority. Requests will be completed at my leisure.
Primary Requests: CLOSED
Primary requests are in my typical style and can range from concept art to simple illustrations. These requests are actually colored and finished to varying stages just depending on how I'm feeling. I try not to spend more than a week on a request but if I'm really vibing with it, I'll probably finish it
Examples of what you can expect for a primary request
Sketch/Ask Box Requests: OPEN
Sketch requests take me a max of 20 minutes and I usually use them as a means of warming up. So if you'd rather quick art of an OC or character instead of something that could take anywhere from a few weeks to a few months, this is the way to go! These are only accepted through the Ask Box and MUST include a reference!
Examples of what you can expect for a Sketch/Ask Box
Below the cut are rules/expectations for requests, thank you guys for reading!
Also because a few people had asked for this, I am going to link my Ko-fi. There's no pressure to tip, I do all of this for fun, but if you want to I won't stop u! xD [Click here for da Ko-Fi]
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PRIMARY REQUEST RULES
This is a request, not a commission. I will take the requester's input in mind when drawing, but I will not do revisions
Any fandom, cross over, and oc is welcome. I will do my best to characterize/draw them even if I'm not into the fandom myself, and you might just introduce me to my new favorite show/book!
NSFW requests are allowed, however keep in mind:
- I WILL NOT draw beastiality/Zoophilia - I WILL NOT draw Loli/Lolita or anything related to CP - I WILL NOT draw Furry NSFW. I have nothing against furries, furry NSFW just personally makes me uncomfortable and I do not like looking at it much less drawing it (this includes Ponies) - I WILL NOT draw anything for a franchise that is directed toward younger audiences, ie: anything rated PG or TV Y7 (PG-13 is Acceptable, DEPENDING ON THE FRANCHISE. ie: Marvel) - I WILL NOT draw Non/Dub Con, or anything that would cause someone to use the Dead Dove tag - I WILL NOT draw irl people in NSFW situations, ie Youtubers, Streamers, etc. Fictional Characters only IF A REQUEST SHOULD MAKE ME UNCOMORTABLE I fully reserve the right to Deny it, even if it is not on this list
If you do make an NSFW request, I will make a SFW version to post and send you the NSFW privately. I try to limit how much NSFW I share on this account
I can draw anything from landscapes to robots, humans to creatures. (Just cause I won't draw NSFW of furries or Ponies doesn't mean I won't do SFW art of them!) I fully enjoy testing the bounds of my artistic abilities and I invite people to help me challenge them!
Humans, robots, furries, dragons, anything. Put anything in here.
And to reiterate: Primary requests can take a while, especially since my queue is pretty long right now! I will make another post when my Queue opens up a bit!
In progress (Commissions): Tank (Color Picking) Simon (Line Art Clean Up) Wolfie (Sketch) Surplus (Sketch) Beth (Sketch) In Queue, not started (in order): @frlituj @jessica199616 @we-dont-talk-about-potato-nonono @lovablenatsume @princeasimdiya12 @airfriedfruitcake @hallwriteblr
Sketch/Ask Box Requests
This is a quick request to help me warm up and will usually take max 20 minutes. So it'll be fast/messy!
Any fandom, cross over, and oc is welcome. I will do my best to characterize/draw them even if I'm not into the fandom myself, and you might just introduce me to my new favorite show/book!
NSFW requests are not allowed for this one, just so I can keep it simple and quick without having to put too much thought into it
Humans, robots, furries, dragons, anything. Put anything in here.
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sirnavergi · 6 months
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1: is that a fancy threat? or a weird prophecy?
2: neither
2: its a choice
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fun fact! soleil’s main design hadn’t received an actual redesign since she was first created in 2021! while i changed super minor details along the way (bc i refuse to look at my own ocs references) he stayed fundamentally the same up until now! This still has many details from their og design but I simply gave it more character, I think! I’m frankly really happy with it ^_^
More yapping below
Sorry Its One Big Wall Of Text
One issue I had with Soleil’s initial design was that it was supposed to look a little weird. Like something your avg person wouldn’t wear 24/7. I couldn’t have her change outfits bc by the lore another weird thing he does is simply never change clothes. Their old design SURE was something your avg person wouldn’t wear everyday it was still lacking that ,, weirdness factor I think? It was really clean. I wanted her to look both organic and alive yet not exactly in a way that makes sense? Something graceful yet also just. flesh. Sol is cool bc. I associate her heavily with a lot of meat and flesh but she isn’t even flesh and bone herself. N that plays into the weirdness of it all too? I think. Its 1 am right now sorry if this is very badly worded LMAO Sol also acts as a good parallel to AZIMUTH actually in this design ideology bc . hes also supposed to look out of place and odd. But he looks out of place in a polished-almost out of your computer screen kind of way. Hes colorful (and he actually changes clothes very frequently. Too Frequently.) N thats a well contrast to sol.. I think.. Fun. Very Fun. Anyways yeah back to sol. Sols hair started out fairly tame but along the refusing to use references the art telephone game tm with myself it became very sharp and pointy and just. messy. and thats just not what i think he should look like ?!?! So i fixed up his hair. The tiptoeing thing was jist sumn that came to me while i was sketching N i was like OH this is it! That will add to the Weirdness Factor or something. I’ve walked on my tiptoes basically all my life n ppl always made huge of a deal out of it so ik from experience people notice it n perceive it as. odd behavior 🤧 I was thinking of mayb going for an anatomically correct heart silhouette or something but. Im very attached to soleils generally Very Symmetrical silhouette i didnt wanna touch it much… I think i incorporated enough <3 hearts to make up for it though! OH AND. Downturned her eyes! Ive been not drawing characters with downturned eyes for a while . Unsure why it became less frequent of me to draw them. Figured they fit her so. Thats a win for me bc i always love trying to make sure my ocs have unique ish traits within their circles. VERY LIKELY the design will get simplified as i draw him in the future. We’ll see i guess. That’s all i think maybe. Goodnight from the Key
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ennaku-sirri-da · 1 year
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Uyir-kaga eluthukal ( Letters for life )
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[ ID: Small sized digital fanart of Putunia Mollar, Jimothan Botch and Trencil Varnnia from Smile For Me the game. Trencil and Jimothan are close to game style while Putunia is more in the artists simplified semi realistic one. The sketch is somewhat messy and is flatly colored.
The changes to her are scruffier hair, a visible big nose, a toned down reddish-brown skin tone and the dress she wears is simply patterned like a purple petunia such as the skirt bottom having a splash of spotting.
Jimothan gestures to the first vowel of the Tamil alphabet written in a book that is 'A' pronounced like the 'u' in 'nun'. There are papers, pencils and a rubber scattered behind this book. Jimothan is saying," A for Annam" which means swan. Putunia is sitting in his lap and leaning forward horizontally to the open alphabet book. She says "A-A-A..." but Jim corrects her," No baby it's "Ah"..."
Jim is wearing a baniyan and blue dhoti. Behind him Trencil garlands his arms around Jim's neck, listening to it all with a neutral expression. The background is a pale gradient of green, yellow, red. End ID]
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HAHA get it, get my pun, does anyone get my Tam pun🥸( disguise emoji with glasses and moustache indicating amusement in this context)
But yeah since Tunia has the heritage, but due to her circumstances she does not know her parents and didn't have a chance to learn her mother tongue, later on Jimothan teaches her from scratch best as he can. He isn't a teacher by job but he sure can darn try atleast for the basics. Tunia calls it's her "Tamil Tution" with "Jim-Appa"!!! He isn't a 100% serious and boring in it all the time, come on guys this is our community daughter. He does uppu-muttai with her, which is like.
You carry around someone like a 'salt bag' and keep asking how much people will pay for them, like those guys who sell things on the road. However once he gets a high bid Jim simply says she's too precious to give sorryyyyy X ) (X eyed face emote with smile ) !!
And you know, I projected here BUT I think since he did not like, grow up a Lot in Russia in my HC but was US-raised then as for his own language, Habit can speak reasonably well in casual conversation but more formal stuff and bigger words are lost on him. He can write the script from muscle memory since he was taught when young but he didn't use it much later anymore in an English world, so he cannot form many written words on his own. And he can't read very well. So yeah there's a lot of room for improvement if he'd like and I'm learning too hdjdjdh yanno.
BUT! He has an accent doesn't he? Correct me if this sounds contrived BUT for that one I reasoned that his parents were just-arrived immigrants, so he probably picked up their speech patterns ( But mostly from his mother and also his uncle who helped her raise him in the early years as her husband's brother-in-law and her own brother ). Uncle Grigory lives back in Russia though( I'll figure out a specific place) and later on he only sees him during month-long vacations. And the last thing was that Habit really did not interact well with so many people as he grows up more so that relative isolation might be a factor too. That said considering everything( it would fade) the accent probably isn't like thick, but noticeable if you listen.
Anywayyy what I wanted to say is that Habit probably tries to learn more about this stuff too either self taught or with help and I like to imagine Putunia and him bouncing off what they've learned that day with each other. Also they make each other say things in the other's language just to hear them butcher it LMAO Putunia I BET as a Certified Baby Kid just, catches Habit's face and pulls it around to make him say the sounds like stretching him for " EEEEE" SHES PUPPETING HIM 🥺 ( pleading emoji )
Fun fact: There is actually a Super Special Hatch at the back of Habit's head and if you find it, open it, and stick your grubby hands in then you can PUPPET HIM AND MAKE HIM SAY WHATEVER STUPID THING YOU WANT!!!!!!
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egophiliac · 2 years
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Can you give like, a "style guideline" for how you do the unique magic posters? It can be as rough or developed as you want, I'm just curious about your thought process
I'm not sure if I can explain it very well, but I'll try! there's definitely a skill to being able to explain The Process in a way that makes sense to other people, so apologies in advance if this just ends up a confusing mess of words!
since these are about each character's unique magic -- though some of them are. looser. than others -- that's a pretty obvious starting point. I try to stay away from a literal "here's a picture of them using their magic" and go for more of the tone and feeling of it. like...the ones I did for the twins don't really have anything to do their magic at all, because I decided it was more interesting to make it about their twinny-ness and their eyes, and having them bookend Azul. so...their magic got relegated to the background as the teeth/tails from the kanji, rather than anything relevant. :') but they look nice and creepy, which was more important to me!
I always start by doing a bunch of thumbnails to get the idea down and figure out what exactly I want to do. for these I go to colors straight off the final thumb instead of doing a tighter sketch; things tend to change a lot and get moved around and shapes and silhouettes get refined as I go, so I just try to get the idea and the important shapes down and worry about fixing my wonky anatomy later. the style is so flat and minimal that it's fun to lean into that, use a lot of symmetry and lack of depth to push the shapes a lot further than with lines! my only rules for it are that 1) the character should be prominent, and 2) facial features are in limited supply and only to be handed out when necessary (both eyes? don't be greedy). other than that it's anything goes!
here are the final thumbs I went with for each if you're interested! some of them stayed pretty close, and some of them still ended up changing a lot during painting:
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once I feel good about that, I come up with two or three main colors + an accent color + a "black" and a "white". (I don't use pure black or white for these, I use dark and light shades of other colors. like for the poms, the "white" is a super pale green and the "black" is a super dark blue. it looks richer and blends better with the rest of the palette that way!) I try to use the same colors within the dorm groups (except for the scaras) to keep some internal consistency, but they don't have to be exact or anything.
color is something I tend to really struggle with so I like to have a palette to start with, even if I end up getting away from it. :x I don't restrict myself from adding more shades and colors as necessary, but I try to be mindful about it -- pops of contrasting color immediately become a focal point, so I don't want to overuse those and make it distracting. the little rimlighting highlights are in the "white" color, and just there for fun and to make things a little less 100% symmetrical for some of them! they're easy to overdo though so I try to use them sparingly.
the actual process of painting is mostly thinking about shapes and silhouettes. because there's no lines and no real depth, clarity is really important; a lot of it is making sure the shapes all look satisfying and there aren't any weird little messy areas or anything. and pretty much all of the fonts I go over to add bits too or change slightly, to make it less stock-looking and integrate it more! there's just a lot of trying different stuff and havin' fun, seeing what happy accidents happen. (like...the heart shape in the milk on Trey's was not planned, it came out kind of heart-shaped by accident and I went YESSSS PERFECT and cleaned it up to make it look more intentional. stuff like that!)
uhhh what else. I do everything with one brush (except for some of the little grungy font touchups on the twins), constantly check my values with an adjustment layer on top at 0% saturation, and horizontally flop the canvas to make sure it isn't looking weird or skewed. the paper textures are a final thing, they're a couple of paper layers on top set to soft light and are mostly the same across the board (just slightly adjusting for each) so they don't take a lot of thinking about. the nice thing about doing a series like this is I only have to figure out sizing/borders/etc once. >:)
so...yeah! I don't know if that all made sense or was satisfying, but that's the way I can think to express it! and if nothing else you can enjoy my stupid doodle of Rook making a weird clown face. 👍
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shirecorn · 3 years
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how about 17 and 24? what inspires you and how do you deal with art block?
Long post warning.
Art block...
I don't actually get art block, which is probably a combination of neurodivergence and drawing every day for the last 3 years
I wrote an entire tutorial about how to do that, but didn't feel like illustrating it. Would people want to read it even without visuals?
Maybe... I'll just start rambling.
There's a couple different types of art block, and it's really just a philosophy puzzle to get past them. I'm going to assume that the things I think of slow days, or art mud, is a milder form of art block and work through that.
Art block is a symptom, not a disease. You probably have something deep inside that you don't want to face, or don't know how. Sometimes you need to discover the cause, sometimes just power through.
Method 1: Rest
Let yourself just Exist. The act of consuming art is part of the process. Watching shows and playing games, taking a break and going gardening or focus on school. This is what you need for burnout-induced art block.
Method 2: Action
I always choose action, sometimes it means a tiny 2 min sketch per day. Ugly or super simplified. As long as I don't stop moving.
Toss everything. Start every piece thinking you will throw it away.
The act of drawing moves you forward; pinning it to the fridge does not. Don't work things until they are perfect. Work them until they are there.
Art block causes and solutions:
- No Inspiration
Not sure what to draw, nothing seems appealing. Art won't come out like it used to.
Do studies from life or photos. Sketch, paint, digital, traditional, doesn't matter. Rocks, fruit, figure drawing, landscapes, buildings, anything.
Study and copy professional's work. Old masters are best, like rubens, michalangelo (only his men tho) etc because they will teach you anatomy while you work. If you copy someone with a lot of flaws, you will repeat those flaws.
Trace to learn, not to earn. Trace photography and art from anyone you want. Don't post it unless you have the artist's permission or they are dead, whichever comes first. This is strictly work for yourself, on yourself. It's not about the finished drawing.
Find an artist with a fun style and try converting stuff into their style. Don't make that your new style though and especially don't start selling it. Your style is a chimera of everyone you love, not a clone of one person.
Take blurry photos. You don't need a fancy camera or good skills or beautiful subjects. Doing studies from your own photos can spark life into your workflow.
Make challenges for yourself. Randomly generate things to combine. Try fusing characters! Don't try to make it look good, just be fun.
Doodle patterns, swirls, lines, random stuff. Try looking up art warmups and doing some of those.
- Everything Sucks
You finally see how bad you are. Or somehow you got worse. Every piece is a fight and you spend hours trying to get something right only for it to be stiff and disgusting and STILL wrong.
Why are you trying to draw good? It's enough just to draw.
Accept that your art is bad. Every artist can see flaws in their work. Your problem is that those flaws outweigh anything remotely worthwhile and hurt to look at.
So what? You're in a period of growth, not a period of production. Keep that wonky second eye. Let them have hot dog fingers.
Show everyone! Show no one! No piece of art can ever be a reflection of the artist. Not their worth, not their skill. The only thing your art says about you is "Held and moved a pen for a bit."
Make bad art. It's ok. Most of the time, the pressure to perform and get things Right is what made them wrong in the first place. Relax.
- No Motivation
The #1 killer of artists everywhere. On some level you think you should draw, on every other level you think you should stay in bed.
You are not lazy. You wouldn't have read this far in a post about art block if you were lazy. You wouldn't CALL it art block if you were lazy. Laziness is wishing you didn't have to do anything. A block is wishing you were doing something. If you think you can namecall Yourself into productivity again, you're wrong and You need to unionize so that you don't treat You like that anymore.
Consider Mental Illness. Losing interest in something that brought you joy can be a symptom of depression. I know it seems obvious, but if you're waiting for a sign that it's "bad enough," it's bad enough. Seek care if you have the means. Forgive yourself if you already know this.
Selfcare. Examine yourself for neglect. Nutrition, exercise, enrichment, social need, and sleep are all part of the art process. Eat three meals and sleep 8 hours. That's your gaymer fuel. You deserve it, I promise. Depriving yourself of your needs will make your blocks worse, not kick you into making them better.
Identify potholes. Sketchbook falling apart? Tablet cord frayed? Half your pencils missing? Chair uncomfortable? Desk hard to reach? There's a lot of things that you tell yourself to work around and get over. Just because you CAN workaround something, doesn't mean you SHOULD. A difficult work environment can cause secret dread deep inside that you don't recognize and just think you're lazy. What you think of as "no motivation" might actually be "I don't want to deal with my tablet disconnecting every time I move it wrong and I have to wiggle it for a few seconds to make it work again." These little things are like potholes in the road. Sure you CAN still drive through them, but eventually you're going to look up and realize you haven't voluntarily left the house in weeks.
Repair potholes and roadblocks. You might feel bad about buying a new pencil, headphones, tablet, car, etc because technically the old one works if you hustle. But if you're running into so many potholes you've ground to a halt, it doesn't Actually work anymore, does it? Invest, save up, request, and require working equipment and suitable conditions. This stuff isn't just cushy privilege, it's an investment in yourself and your art. You are worth the effort it takes to clear the way. If you can't afford reliable (reliable! not perfect or luxurious) equipment, then say it. If cardboard is all you can afford, draw on cardboard. But know that you deserve canvas, and one day you might be able to make the jump. Acknowledge that sometimes, if you don't have it in you to smear burned twigs on wet cardboard, the problem isn't motivation, but opportunity.
- Haven't Drawn in So Long
A unique type of art block that self perpetuates. The thought of starting again is so stressful you can't do it. Or maybe you'll do it tomorrow. Yeah. Tomorrow for sure.
Face your fears. Are you ashamed of your lack of drawing? Are you anthropomorphizing your paper and thinking it's going to judge you, like "oh NOW you come back >:/" I internalize voices I hear and project them onto other people, concepts, locations, and inanimate objects. Your paper, computer, WIPs folder.... none of that is judging you.
Reframe your WIPs. Do you feel shame when you see "unfinished" projects? Why? Who says you MUST bring everything you start to Finish? You don't have to. A sketch is a finished art piece; it's called a sketch! If a sketch is a fully realized creation, pages that are half colored, 75% lined, or partially rendered are all fully realized creations too. Unless paid otherwise, art is done when you're done working on it.
Lower the stakes. Draw a chibi or grab some crayons. Get messy and slowly ease yourself back into the flow over the course of a couple days. It's fine.
Get a buddy! Find an art meme, do an art trade, get a study subject, or just wing it. Drawing art alongside someone can help you get past that block.
Pretend you never stopped. Don't think about the gap, how long it's been, or rustiness. As far as anyone knows, you drew the mona lisa yesterday and didn't break a sweat. Today, you drew a starfish on your hand with a gel pen. Keep up that streak, good job!
Just keep drawing. Make a goal to do one sucky drawing per day on the back of a napkin. Don't make up for missed days, just pretend they didn't happen. Who's going to judge you? The calendar? That's pieces of paper; it doesn't have an opinion. Draw a cat on it. Done. Keeping up the momentum is a great way to prevent art blocks in the future.
TLDR: Draw imperfectly and toss it. Selfcare is king. Draw often and don't judge yourself.
Art is a process, not a product.
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anemo-writes · 4 years
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hello travelers! again, thank you for putting up with my inactivity, it’s been hard to write lately haha. anyways, i thought this would be something fun to post and for everyone to enjoy, whether you celebrate Valentine’s Day or not :) (note: this will probably be more fanon than canon so please bear with me, i’ll make it as canon as it can be :’) i also kept this pretty short, so hopefully that’s okay too,, and sorry for this being late haha—i wrote this very late at night so don’t mind any typos you find please)
much love,
~ anemo-chan <3
(The Playable) Genshin Impact Characters on Valentine’s Day (Romantically)
super romantic; gifts you a bouquet of flowers and takes you out to eat at a fancy restaurant/cooks for you.
Diluc
He is nervous. He’s never paid close attention to the countless amount of people who have lined outside the tavern to ask him to be their Valentine, only to be rejected. There was absolutely no way that he would turn to Kaeya for advice, so unfortunately this was something he would have to figure out for himself. He figures that it wouldn’t hurt to go traditional, so that’s what he does; he buys a large bouquet of roses (which he had to get from Donna, seeing that at the hours that he ended work were very late and Flora’s shop was not open at the time—yeah, that was not fun) and presents himself outside your doorway, to which he invites you to join him for a late dinner—which he makes!
Lisa
She leaves a letter on top of your nightstand, paired along with a singular rose. The letter states for you to meet her outside of Good Hunter, where you find her sitting at a table with a candle dimly-lighting up the surroundings. She greets you with a warm smile, gesturing for you to sit down—the two of you enjoy a candle-lit dinner as well as bolognese she specially requested for Sara to make for the two of you to enjoy together why does this remind me so much of Lady and the Tramp,,
Tartaglia
Oh boy. It’s always a fun time spending a holiday with him, seeing that it could go two ways; one, he would be too busy to celebrate it with you on the day of, and he would take you out the day after, or two—have a store’s entire line of merchandise presented to you outside your doorstep, in which a very, very smiley Tartaglia hidden within the pile (after all, he was the best present!) After you’re done moving all of the gifts into your house (it took up the space of your entire living room), he tells you to cover your eyes and follow him. He takes you to one of the most well-known restaurants in Liyue (which currently doesn’t have a name because it is very late here!), and insists that you order whatever you want, and however much you want.
Zhongli
Over the years, he’s witnessed many, many couples celebrate this holiday and every year he’s wished to do the same. He finds the perfect opportunity to do so when Valentine’s Day is around the corner, and boy does he plan it out for the two of you. He’s even made sure to have his wallet on him at all times—it would be extremely rude for you to have to pay if he happened to forget his wallet. He makes sure to stop by to pick up a bouquet of flowers, as well as a bottle of perfume (not in a bad way, just to clarify) from Ying’er’s shop that he recalled you liked. He makes sure to pick you up early from your work place to make sure you made it to your appointment on time; after all, being late to an appointment was similar to breaking a contract, no?
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surprises you with homemade sweets.
Fischl
Oh, she is so nervous—of course, she doesn’t show this. The entire week, she spent researching recipes to create a special batch of chocolate-dipped strawberries just for you—she even sent Oz to the nearby farms to “borrow” the freshest strawberries for the treat (the farmers were too scared to confront the talking bird who “borrowed” their strawberries, so luckily they got away with it). She dips them in a purple-colored chocolate (because what other color would she use, really?) and drizzles on a dark-chocolate syrup to top it off. She’s too shy to actually give it to you herself though, so she has Oz drop it off for her.
Ganyu
Even though she’s quite busy, she’s somehow found time to whip up a special batch of chocolate just for you! She shapes them into Glaze Lilies (which she found quite hard, which is why there are so few of them) and presents them to you in a neatly-sealed box. She’s quite modest when your eyes widen and tell her it’s the best chocolate you have ever eaten, claiming that she only followed a recipe, when she really made it from scratch.
Keqing
Like Ganyu, you have no idea how she finds time to create a perfect array of chocolates, which she made herself! However, with her tightly-packed schedule, she has to drop it off at your house in advance, to which you accept happily. She tried to decorate them with designs of cartoon-versions of your faces, but they’re a bit...messy. Nonetheless, they’re tasty, and to her relief, you enjoy them.
Mona
Somehow, she’s managed to scrape up enough mora to buy you a necklace; yes, a necklace, and a real one at that—none of that fake, costume jewelry stuff! She even added a pendant shaped like star, just so you could be reminded of her whenever you fiddled with it or even glanced at it. She’s quite flustered when she gives it to you, ignoring the way you ask how she managed to save this much mora to be able to buy something like this, changing the subject on how you should never-ever take it off (because it looks great on you.)
Noelle
One word: pancakes. (Have you seen the ones she makes for her special dishes? They’re frigging amazing) As a dutiful maid should, she wakes up especially early to prepare a homemade breakfast just for you, to which she serves to you just as your wake up in bed. The fluffy stack of pancakes are decorated with fruits cut up in heart-shapes, as well the words, “Happy Valentine’s Day, Y/N”, written neatly with chocolate syrup—it’s quite a sight to see, to be honest, and utterly delicious. Lucky you!
Xiangling
The day before, she tells you to meet her at the restaurant around noon. When you arrive, the restaurant is adorned with Valentine decorations, as well as a terrifying amount of food; she insists that she only made it for you, so you better eat up! Before she can show you the other dishes, the restaurant is suddenly filled with a strong, bitter smell—something burning. With a yelp, she runs into the kitchen, coming out a few minutes later with a tray of half-scorched cupcakes, their Gouba-shapes adorned with...a lot of burn marks. Oh well, it’s the thought that counts, doesn’t it?
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buys/makes a present for you.
Albedo
Without your knowledge, Albedo has been creating a collection of artworks throughout all the time you had spent together. The pieces include portraits of you, portraits of you and him (sucrose helped with this), as well as just random sketches of the little things that remind him of you, such as the bare, snowy-white terrain where the two of you first met, as well as its flora and fauna. If you request it, he’ll even make the painting come alive (literally), and the two of you run to Sucrose’s dwelling, who is very shocked to see the pair of you running from a Frosted Lawachurl when she peered out her window to see if she could pinpoint the sounds of distant screaming.
Amber
Is there anything better than a matching set of wind gliders? Not only that—they were homemade! She spent the last couple of weeks putting together a pair of gliders for the two of you, customizing them to your tastes (which she nailed!) She quite literally drags you to the nearest hill to test them out, and the two of you end up challenging each other on who can get back to the Knights of Farvonius Headquarters the fastest—spoiler alert: she did.
Barbara
Oh, she would make the cutest card for you—the envelope is decorated with cute stickers (some of them even had her face on it; there’s nothing like promoting merchandise, am i right? jkjks) She also pairs it off with a box of chocolates that she bought from Sara—however, what she didn’t know was that in the box was a special-edition spicy chocolate truffle. With your luck, that was the first one you chose—and boy, were you met a surprise (it was so bad that you were begging Barbara to use her Vision on you, which she refused of course). Fun times.
Chongyun
He’s real sweet. After his expeditions and commissions, he opens the freezer (yes he keeps them in there, don’t judge him) to an array of ice sculptures, shapes varying from flowers, hearts, and such—although it’s quite the simple gift, he’s put a lot of effort into them, even putting in the extra effort to cast a spell to make sure they would not melt; it’s all worth though, when he sees the absolutely giddy expression on your face, and the look of pure awe as you pick one up and study it closely, admiring all of the details and work that’s he put in.
Ningguang
She sends out informants to find out what you like, whether it be something that your gaze settled on for too long or something you’ve mentioned while talking to her—on the day of, you open your door to a mountain of gifts, with Ningguang herself peering out from behind it with a calm smile and a wave (which was the opposite of your reaction, because who has that much mora to purchase all of these gifts?!?)
Razor
He doesn’t have a clue on what the holiday until Lisa asks him if he’s planned something for the two of you during one of his lessons. When he shakes his head no, Lisa suggests that he make you something, to which he sets out on an adventure to do, looking for flowers and flower stems to weave into a pair of matching bracelets—they’re not the prettiest, but he is pretty proud of it; after all, it was his first time making something like that. He’s quite nervous to present it to you, afraid that you might not like it, but all feelings of worry melt away when you slide it on with a huge smile on your face, insisting that he wears his too.
Sucrose
At first, she considers gifting you a present that she created herself; of course, with her work being alchemy, she isn’t sure if that would be the safest option, despite being talented herself. And so, she resorts to buying a present for you—she is very picky with the present though, insisting that it should be perfect since she could not make one herself. She even consults Albedo when selecting some of the presents (he doesn’t help her unfortunately; he believes that she should figure it out herself haha). Like Razor, she’s quite nervous to give it to you, but lets out a huge sigh of relief as you thank her happily for the gift, wiping a bead of sweat from across her forehead (sucrose bby anything you give us would be perfect,,)
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whisks you away somewhere sentimental, where the two of you can enjoy a special date.
Beidou
It’s ungodly early in the morning when Beidou presents herself in front of your doorstep, announcing that you’ll be joining her and the crew on a special ride. She tugs you along beside her until you reach the harbor, where you are met with the sight of her ship adorned with streamers and banners, varying between shades of pink and red. Onboard, there is a table filled with goodies the crew collected and made, and boy do they look delicious. The group sets out to sea, and you take your place next to the captain, who even lets you steer the boat (momentarily, at least.)
Bennett
He takes you to meet his dads; yes, yes—he knows that it’s not the most romantic thing to do on a day dedicated to lovers, but he figures it’s just as important. Besides, they’ve been asking about you for quite a while—they even set up a small party within the Adventurer’s Guild, with the help of Bennett, of course. You spend the day listening to their old adventuring stories, as well as bits from Bennett’s childhood (poor boy is flustered from all the information his dads are spilling, but he’s still happy either way; after all, he’s with the most important people to him.)
Kaeya
He quite literally kidnaps you; one second you’re walking in the streets of Mondstadt on your way to work when suddenly someone grabs you by the waist and pulls you into an alley way (that sounds so creepy but i swear he means it in a good way). He only chuckles and shields himself with his arms as you punch him lightly, retorting that he scared you. He doesn’t care that the two of you have an overwhelming amount of work to do—after all, Valentine’s Day only comes once a year, right? Surprisingly, he doesn’t take you the tavern, but instead...Dawn Winery! Diluc received quite the surprise when he is met with the two of you standing outside his gates, with Kaeya requesting a wine/grape juice taste-testing. Yeah...you guys didn’t get any of that, but you did manage to snag a couple of grapes on your way out! Good for you!
Venti
You wake up in your bed, opening your eyes to see a very-smiley Venti laying beside you, chin propped up against his hand as he watches you yawn sleepily as you force yourself out of bed. You’re then presented with a handpicked-bouquet of Ceceilias, the freshest of the bunch, if he may add. You barely have time to thank him before he hoists you up in his arms and out of your dwelling, gliding over the city of Mondstadt as he whisks you away to Starsnatch Cliff, where he’s prepared a special performance just for you (and no, you don’t need to pay.)
Xingqiu
While he’s not the most romantic, he does have a clue on what people look for on Valentine’s Day; after all, that’s what cheesy-romance novels were for, right? Unbeknownst to you, he takes you on a date very similar to the one the main characters in his favorite novels partook in—and you don’t find out until you catch him peeking into the pages while you weren’t (you were) looking. Again, it’s the thought that counts—
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doesn’t celebrate Valentine’s Day.
Jean
Sadly, she probably forgets about the holiday. She’s too busy holed-up in her office to notice the couples gathered up in the courtyard, sharing moments with their lover. It’s not until she walks out to take a breather that she notices the commotion—she immediately calls you over, apologizing frantically. Of course, to this you respond that’s it’s okay, but that you would much rather her take the rest of the day off to spend time together, to which she reluctantly agrees.
Xiao
“I do not have time to celebrate silly human traditions like that.” He would say as you bound up to him, exclaiming that it’s Valentine’s Day, the day where you can give sweets to your loved ones, and asking if he had someone special in mind to spend it with. He’s irked when your gaze falters and the grip on the object you’re hiding behind your back tightens—he only grows more irked as you mutter to yourself how you’ll give the chocolates you made to someone else. He scoffs loudly, avoiding your gaze as he lays out his hand in front of you to accept the chocolates (just because he doesn’t celebrate the holiday doesn’t mean he can’t get jealous!)
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fangirlovestuff · 4 years
Text
Butterfly Effect - Steve Rogers x reader
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a/n - Hey lovely people! this is for @holylulusworld​​‘s 10,000 followers celebration, congrats!! (even though you have a lot more now lol). the divider is by the amazing @firefly-graphics​. italics are for thoughts / flashbacks, and the first parts are all in chronological order. Enjoy!<3
Summary: The words on Steve’s arm point to the circumstances in which he will meet his soulmate, and they’re very specific, or so he thinks.
Prompt: 11 - soulmate AU
Word Count: ~2,070
Warnings: reader gets a tatoo but basically this is just a huge fluff fest:)
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"That's a cute owl you're drawing there."  
These are the words that were imprinted on Steve's arm since the moment he was born. When Steve could finally read, he asked his mother why are the words there.
"These words are very important," Sarah explained. "They are the first words your soulmate will ever say to you."
"What's a soulmate?" asked a confused Steve.
"A soulmate," his mother answered, "is someone you're gonna love very much. They're the person you'd probably choose to spend the rest of your life with. Their soul is connected to yours in inexplicable ways, almost as if they were one and the same. This," she pointed at the words, "is the sign for you to realize when you'll meet them. Somewhere out there, there's someone with the first words you're gonna say to them."
"So I'll be drawing an owl when I meet my soulfriend?" Steve asked.
"It's soulmate, dear. And I guess you probably will."
"And this… soulmate, will they buy me ice cream?" Steve asked hopefully, not quite getting the point.
Sarah giggled at her son. "Yes, I think they will if you'd want that. But also, they would love you so much, and you'll have the most fun in the world with them."
"Was da your soulmate?" Steve asked.
"He is," his mother answered, the smile on her face tinged with a little sadness that Steve hadn't picked up on.
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Okay, so two round eyes, and then the body, and I should add some feathers and –
"Mr. Rogers!" the math teacher said sternly. "I haven’t assigned any equations yet, so I would appreciate it if you'd keep your attention on me instead of your notebook, for now."
"Yes, Ms. Williams," Steve replied sheepishly.
"You know you've already met everyone in this class right? No one here is your soulmate," Bucky whispered once their teacher turned back to the board.
"But I still want to get better at it," Steve shrugged defensively. "She's gonna say it's cute, Buck. For that to happen it needs to actually be cute."
"I don't get your whole fuss around soulmates Steve, but whatever. Suit yourself," Bucky rolled his eyes.
"You don't believe in soulmates?" Steve asked.
"Well, I wouldn't strictly say that, it's just… my words are 'watch it, weirdo.' Call me crazy, but I'm not that stoked to find that person," Bucky chuckled.
"Mr. Barnes! Something to share with the rest of us?" Ms. Williams said.
"No Ms. Williams, I'm sorry," Bucky said timidly and Steve snickered.
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Steve could draw owls in his sleep if he needed to. Right now, his pencil was sketching over the page, lightly shading the wings of the owl and the –
"Rogers! You're on in five!" the stage manager called out to him.
Steve sighed and snapped his sketchbook shut. He kept hoping that maybe it was one of the girls on tour with him, but so far it wasn't going so well. The government-mandated entertainment had quite enough free time so Steve could draw as many owls as he wanted to in between shows.
He put the notebook aside and slipped on the cowl they had him wear. The Captain was needed on stage.
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"So people take art classes… for fun?" Steve asked, puzzled.
"Yeah," Natasha answered. "Lately you're always drawing away in your little notebook, so if you want to, I could help you sign up for a class. Maybe they can teach an old dog some new tricks," she smirked.
"Ha ha," Steve answered dryly. Yet he couldn't help considering the idea.
The thing was, Steve wasn't sure if his soulmate was still out there to be found. You'd think he would feel a difference, some indication if his soulmate was dead, but when he went out of the ice, Steve felt nothing different. There was still a part of him that was hoping that maybe, just maybe, fate planned this. That his soulmate was still out there.
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"That's a great color scheme, Steve," the instructor said, and Steve nearly jumped out of his skin.
"Thanks," he smiled, albeit a tad shakily.
This was the fifth class Steve took this month, and yet, no luck. He wasn't even drawing an owl, and yet the start of that sentence made him jump as if he didn't have super… well, everything.
But that doesn't mean he was giving up. His tattoo was still in place, even after all of these years, it hadn't faded. So he had to believe he could still find his soulmate.
These times were a lot more different than his. People here weren't always inclined to live by that philosophy of "soulmates". Some people chose to simply disregard that and find someone they loved regardless. Steve admired that, but he couldn't say he understood. If you're offered your perfect partner, why walk out of that?
"It's called instant gratification," Nat chuckled when he raised that question to her. "People like to have what they want as soon as possible. Besides, some people don't believe it's real, or don't believe it'll work for them. So, they take matters into their own hands."
Steve was more patient than the average person. He waited decades in ice, what's a few more years to find his soulmate?
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Bucky had found his soulmate. Steve couldn't believe it.
Sure, he was happy for Bucky. When he came back today from the store with nothing but a small slip of paper, Steve had half a mind to smack him upright the head for not getting anything. Probably forgot his wallet.
But when Bucky showed him the paper he read the words scribbled onto it – "call me, weirdo, xx" and a phone number, Steve pulled Bucky into a tight hug, patting him on the back.
"Congrats, pal," he smiled.
Bucky beamed. Yes, Bucky Barnes, the terrifying Winter Soldier was beaming and his eyes were shining like a high-schooler in love. And Steve wished that could've been him.
He really was happy for Bucky. That's the thing – this was a good thing. Besides from his best friend finding the love of his life, it also meant that Steve's soulmate is almost definitely out there. But he couldn't help feeling a spark of resentment deep inside of him. It made him feel guilty, but he couldn't help the bitter thought that Bucky was never too keen on finding his soulmate while Steve did everything in his power to find them. And yet, Bucky found his while Steve's still in the dark.
So, to get out of his own head a little, Steve decided to go paint in the park.
To be honest, it was a wonder that Steve hadn't gotten awfully tired of drawing by now. But he still loved it, loved the quiet it cultivated in his mind.
Steve set up a canvas and looked around. People weren't noticing him, busy in their own endeavors. He almost started drawing an owl out of instinct, but he couldn't bring himself to do it. Steve wanted to forget about the whole soulmate business for a while and just draw.
He saw a butterfly fly over and land on a nearby bush. Steve focused on the butterfly, trying to remember as much as he can. The rest he can improvise. The butterfly fluttered its wings for a few seconds before flying away.
Steve started drawing the butterfly. Once he had the pencil sketch, he started filling it in with the paints he had brought. He started with the little circles on its wings, filling them in so the shade will be just right, and he was about to move on to the rest on the wings when –
"That's a cute owl you're drawing there."
"It's a butterfly," Steve turned around, puzzled, before realizing what you had just said to him.
Your mouth opened in a gentle gasp. Your hair and clothes were a little messy from your long day at work. And at that moment, when you were caught completely off guard, Steve first met you. You were the most beautiful thing he has ever laid eyes on, and he was an artist. He stared at you in utter shock while you returned him a similar look.
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"Are you sure you wanna do this?" your friend asked, sitting next to you with a worried look.
"I'm tired of looking for my soulmate. Do you know how hard it is to make conversation about butterflies?" you looked back at her. "I want to do this," you told her.
The tattoo artist came closer. "Okay ma'am, you wanted a simple butterfly, right?"
"Yes," you answered decisively. "On my left wrist." Your right hand had your words on it. "It's a butterfly." Maybe if you had a tattoo your soulmate would see it, would find you.
You closed your eyes and braced for what came next.
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You weren't sure about this blind date thing, but why not. You trusted your friend that she set you up with a nice guy, at least.
You set up to meet in a park, and from there walk to a nearby restaurant. Right when the guy showed up, there was a butterfly next to you.
"What’s that?" you asked quickly, pointing towards it.
Your date turned his head to look, but by the time he did the butterfly was already flying away. "I don't know, it was probably a bug or something."
You stifled your groan of disappointment. At least you'd get a dinner out of this.
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You and Steve were staring at each other in amazement. Finally, you were the one to speak up. "You're Steve Rogers," you said, frowning in disbelief.
"And you're my… soulmate," he returned the same disbelieving look.
You introduced yourself quickly, smiling at him timidly when you finished.
"So, you wanna get ice cream or something?" Steve asked, unsure of what exactly to do. But apparently he said exactly the right thing, because your face lit up.
"Right now though? You're in the middle of your painting and I wouldn't wanna –"
"It doesn't matter," Steve said quickly and stashed the canvas and paints underneath a bench nearby. "No one passes here anyways," he shrugged. "Until today," he smiled and you giggled.
You made your way to an ice cream shop across the street from the park, walking side by side.
"So, what is the great Captain America doing drawing owl-looking butterflies in a local park?" you asked, smiling.
"I was just looking to clear my head a little," Steve said dismissively. "To be honest, the fact that you didn't find me drawing an actual owl is very ironic, looking back," Steve chuckled. "I spent pretty much my entire life drawing owls, attending painting classes, anything I could to find you," his gaze met yours and he smiled softly. "And I find you in a random park while drawing a butterfly."
"Don't underestimate nature's camouflage," you chuckled. "And hey, you think that's ironic? Butterflies are so scarce I got this," you rolled up your left sleeve a little, revealing your butterfly tattoo.
Steve's eyes widened. "It's beautiful," he automatically reached out to trace the lines on your arm, then withdraws his arm when he understands what he's doing. "It's not as beautiful as you," he says with a smile on his face.
You avert your eyes to the ground in front of you. "Thank you," you bashfully say.
You and Steve got your ice cream, and you exchanged plenty of stories of your adventures in search of each other, most of which were devastating when they happened but when you look back at them now, they were actually pretty funny.
"I hope I can see you again," Steve said when it was getting a little late.
He looked so hopeful, but the question in itself made you want to laugh at the obviousness of the answer. Instead, you rose onto your tiptoes, and planted your lips on his soft ones in a sweet kiss.
Once you parted you took a napkin and wrote down your number. "I sure hope to see you soon," you smiled.
"I'll call you, butterfly," Steve grinned and you beamed at the nickname.
And that night you both went home with huge smiles smeared across your faces. Finally, your quest to find your soulmate was at an end, and you could start a new journey, together.
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Taglist:  @horny-nd-bored​ @shannon124 @perfectlyharolds​ @wintersoldierslut​ @iceebabies​  @sleepingpapermouse @steverogerswasalwaysworthy @holtzkinnon @angelicl-y @stydia-4-ever @thatoneperson5000 @fangirlfree​ @kaitcordx25 @bequeening​ @steve-barry-damon-logan​ @itscrazycherryblossomcollection​ @hollandxmarvel​ @stargazingfangirl18 @readsreblogsfics @onetwo3000 @beritmetal @harrystylesholland @jazbot2000​
if you wanna join / be removed from this taglist, comment/message me! much love <3
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h2bakugou · 4 years
Note
Hiii! I was curious if you could write a fem(or gn I don't mind)artist! reader x kiri, todo, and shinsou hcs (separately) where the reader was working with red paints or general inky supplies and the boys think they hurt themselves until the reader explains? I got maroon paint on my hands in art today and this hit me
a/n: hiya!! of course! this is actually a really cool idea, thank you so much! i love painting lol, i’m not super great at it but it’s really stress-relieving.
headcanon: them with an artist s/o
key: (y/n) - your name / (f/n) - first name / (l/n) - last name / (e/c) - eye color / (h/c) - hair color / (y/q) - your quirk
warnings: fluff, swearing, one mention of dadzawa, mentions of blood
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eijiro kirishima
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Kirishima is really supportive and loves watching you make art. Seeing just how creative you are, really fuels him to be open to creating!
So naturally, you’re in your dorm, painting, messing around with new colors, and trying out different styles.
It’s so much fun to just start a random project, even if there’s no clear future. Letting the paintbrush guide you, you let it lead, allowing the paint to just flow off the brush.
Hours could go by before you genuinely feel tired. Red paint covers your hands and your knees, smiling at how messy you’d been.
It’s not unusual to be kind of messy when painting, in fact, most of your room is somehow stained with paint, and you’re pretty sure you have paint on your training uniform somehow.
Needless to say, you had a fair amount of red paint on you, and taking a shower was just going to be the easiest way to remove it all. 
Taking all that you needed and heading downstairs, you were ready to give the day a sort of close, and be able to relax after while your current painting dried so you could add to it again tomorrow.
Without hesitation when you appeared downstairs, Kirishima was going to come say hi, until he saw red all over your hands and knees.
“Are you okay!? What happened?” Kirishima is gripping your shoulders, reaching to examine your hands as he sees red, and what he assumes is blood.
“K-Kiri!” You yelp at hi eagerness, quickly trying to catch your falling clothes as he reaches for your hand.
“It’s paint!” You reassure him, smiling as you angle yourself to show him that you’re fine.
After your shower prepare to cuddle this boy, because he was really worried.
“Don’t scare me like that again.” Kiri huffs, pouting as he snuggles into your side while your fingers run through his hair.
“I won’t. I’m sorry I scared you.” You hold him closer, thankful to have someone so caring by your side.
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shoto todoroki
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Art is an interesting hobby for Todoroki. Considering he didn’t come to U.A. to make friends, and then his predicament with how he ended up in a relationship with you, he sees it odd to have hobbies.
But that doesn’t stop him from changing his mind.
He enjoys watching you paint or draw, he loves how soothed you look when you’re creating something.
He really loves when you make him art, he has little pieces scattered around his room.
So when you emerge from your room, covered in red paint to get a snack, he’s concerned.
He knows you usually do art and make a mess, but it’s a dark red color and he’s concerned.
“Are you okay? Are you hurt?” Todoroki is reaching for your arms, inspecting them to see if you’re hurt or bleeding.
“Sho-”
You can’t help but giggle at his seriousness. He’s patting you down, looking for some sort of wound.
“You’ve got bl-”
“It’s paint Sho.” You kiss his cheek and show him that you’re fine by running your arm under some warm water. 
Watching as the color washes away and reveals your skin underneath, Todoroki is relieved.
“You scared me.” He’s not big on PDA but he wraps his arms around your waist from behind and presses a small kiss behind your ear.
“I’m sorry. I’m gonna wash up and grab a snack and then we can hang out if you want.”
Afterward, you hand with Todoroki in his room.
He’ll lay in your lap as you play with his hair, braiding small sections and genuinely just messing with his hair as the two of you talk about random things, Soba mostly.
»»————- ★ ————-««
hitoshi shinsou
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Art is something Shinsou enjoys.
I feel like he enjoys the art of music, but he also enjoys a good coffee and painting session.
But you also enjoy art. And Shinsou could watch you paint, draw, sketch, even sing for hours.
You’ve got some of his art pieces hung up in your dorm room as does he. He especially enjoys your cat painting you did for him.
Aizawa was jealous.
So one afternoon, you’re painting in your room, and Shinsou is already on his way, having not told you he was coming over.
With your hands, knees, and even some of your face coated in maroon paint, it looks a little like blood.
You were fixing to go wash it off when you open your door and see Shinsou.
His face drops when he sees all the red stuff, which he assumes is blood.
He begins to panic thinking you’re hurt.
“Oh my god are you okay? Babe-”
Shinsou’s touch is gentle but worried. He’s grabbing your hands and making sure they’re okay.
“It’s just paint baby.” You smile, licking a clean finger to show him you can rub it off of your skin.
“I was fixing to wash up but you showed up.” You watch as Shinsou sighs, relief washing over his features, replacing where he was worried.
“I’ll be right here when you get back, but you owe me for scaring me.” Shinsou smirks.
You know what’s about to happen now.
After washing up, you return to see him snuggled up under your covers, patting the space next to him for you.
You smile and head over to him, cuddling next to him, holding him next to you as you lay your head on his chest.
“Don’t scare me like that kitten.” Shinsou kisses the top of your head and watches you trace little shapes on his arm.
“I won’t. I’ll make it up to you with a new painting.”
»»————- ★ ————-««
masterlist
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robboybot · 3 years
Note
art ask game - 1, 8, 16, 17, 23 🥚
OOGH you have given me many!! thank you for this!
1. how would you describe your style?
I often find the most common description I give my style is 'comic book style' but if I were to push that I'd say it's specifically american comic book influence, but I've definitely taken tips from older cartoons (vintage and 2000-2010's styles) as well as 3d game models of various kinds haha. super smash bros and typical 'anime style' is kinda where I started!
here are two super old pieces to show where I began (with image descriptions in their alt text):
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8. what’s the most fun and the least fun parts about your process?
GOd. the least fun is definitely figuring out anatomy and getting the flat colors down, I absolutely hate both of those LMAO. Sketching is fun at first until I have to make it LOOK accurate and fix the proportions. Flat coloring is also just STUPID tedious LOL
the most fun I have is LIGHTING! I love love love adding the finishing touches with light, slapping all the beautiful light refractions, highlights, glow, shadows- you name it! lighting makes me happy and I have fun with it. By far way more easy to be messy about and have it look good than the other processes!
16. favorite media to work with when drawing traditionally?
markers!! I actually really enjoy ink pens and markers! There's something about the way the ink bleeds over the paper that makes my brain happy, it just lends itself to solid pleasing aesthetics to me. Also ink pen sketching has a unique quality that ballpoint and pencil doesn't have!
17. what do you love getting compliments about?
First off: everything and anything, if you compliment anything about my art I WILL LOVE YOU FOR IT. But I think my two big favorite compliments are having my art style praised in some way and also being told my art was impactful to someone. If I'm told a piece I made really stuck with someone it means so much to me! I also love in general if people point out details, because it's nice knowing someone really saw my work longer than a glance haha.
23. what’s something you hope people notice when looking at your art?
Honestly mostly the feeling of it! I want them to really FEEL what I'm trying to put into my work, or draw a feeling from it! I also hope they appreciate and notice my lighting details haha, but what people notice will always be different. Also, yknow, being told people can see my hard work is nice :P
Art ask game!
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