Something I find so wild about being autistic is that you can discover things that affect your sensory experience even into adulthood. I am in my late 20s figuring out that I don’t like the feeling of water on my hands when I wash dishes and that my brain loves it when I stack my hair on the top of my head and off my neck.
I’m a childhood diagnosed autistic and I’m STILL playing the game of oh wait that’s a thing? So if you are late diagnosed or not at all, don’t feel bad! I don’t know what my brain wants either and I’m learning more about myself all the time.
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So I heard we were redesigning the Scooby gang for funsies. And character design is my passion so… Have this college au!
I honestly think that Velma would be the only one who’s actually a criminal justice major or going to school for a similar field, but I also think she’d minor in like robotics or something. She’s got a full scholarship bc she’s like a super genius or something.
Daphne is a fashion design major but dabbles in a few other things when she isn’t doing mystery stuff with the gang. I’ve always seen her as a jack of all trades type who can pick up skills p easily tbh. She’s just girlboss like that. Also the fact that Shaggy wears socks and sandals drives her nuts.
Fred is a theater kid and if you think otherwise you’re wrong. Idk much about theater majors but I think he’d focus more on the technical side of things, but he’s still a pretty good actor.
Shaggy just seems like they’d be the type to be a culinary arts major bc y’know… food. He’s also on the college track team bc that also makes sense to me. And Scooby is their emotional support dog. Anxiety service dog??? (I’m not all that familiar with the terms and what is considered like a service animal or not so I’m so sorry if that’s not correct.) Also baggy clothes to hold all the snacks.
I imagine that the gang is still solving little mysteries while in school since chaotic stuff just gravitates to them via the power of being main characters, but I also think it would be fun to have like an overarching mystery as well. And I think it would include the gang noticing that despite the normal lifespan of a dog, Scooby doesn’t seem to be getting any older…
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It’s a little bit ‘I was the match and you were the rock, maybe we started this fire/We sat apart and watched all we had burn on the pyre,’ and ‘Do you understand that we will never be the same again?’ from Bastille’s The Things We Lost In The Fire
and a little bit:
‘A l’instar de son aîné, Caius Antonius sait se montrer délicieux. Il est cultivé, intelligent, plein d’esprit, gracieux, amiable. Surtout, il appartient à la même génération que Brutus, au même milieu. Depuis le départ de Cassius pour l’Orient, il y à quatre mois, Marcus a vécu avec des hommes dont il pourrait être le père, ou avec les soldats, des bas officiers plus âgés mais qui ne sont pas de son monde.’
and also
‘En juin, Cassius a enlevé Laodicée et définitivement défait les forces de Dolabella. Jugeant les autres à sq propre mesur, le beau Publius Cornelius s'est souvenu de ce qu'il avait fait subir à Trebonius…Cassius passant pour un homme violent et rancunier, pour un ami fidèle aussi, Dolabella s'est dit qu'il allait payer la mort horrible de l'ancien gouverneur.’
Brutus: Assassin par idéal, Anne Berner
actually it’s mostly about how my entire playlist for the road leading up to Philippi (after both Brutus and Cassius leave Rome after the assassination of Caesar) is Bastille’s Bad Blood album on repeat. I want their relationship to get messy. There’s another version of this scene that gets a lot more teeth to the subtext of the conversation, but I wanted to play around with it first before committing to like. room layouts. there was originally a couple of transitional panels before the last 2 because I wanted Brutus to really chew on this thought he has, but augh. stairs. didn’t feel like drawing those.
ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app
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For the Royal AU Twinyard backstory... Maybe Andrew, as a second son, was sent away for study? He could have become an apprentice to a knight or a scholar when he was young, maybe even with the Spears, and that's where Bad Shit Happened. And then he could have returned when he became of age, or when their last parent dies and Aaron needs a familiar (ha!) face around
*excited* okay okay this has been brought up a few times now and every time I read it the idea grows on me more, you’re all so smart for it
(I was gonna put the art at the end but this got a lot longer and sadder than I anticipated so. Sometimes Andrew likes to do stuff like this when they’re stuck talking to important boring dignitaries)
(It’s the main reason Aaron develops an incredible poker face)
tws this time are all canon compliant
Honestly yeah! I do think this is great because I want the twins’ father to be around after birth and for a while, because the whole point of Andrew being sent elsewhere is probably so they can give that extra attention to Aaron and raise him as the heir to the throne. So it’s a perfect balance, in my mind, of a family that cares enough to get Andrew an education/proper upbringing and a father that doesn’t care enough to spend time on a second son.
In my head the Spears would be almost always overbearing, partly because Andrew is the prince and they Do Not want to disappoint the royal family and partly because Andrew is the prince and they immediately assume this little five year old they get on their doorstep is going to be a spoiled brat. Even though he isn’t. And, as you may guess, the only thing they turn a blind eye to is Drake. Drake, their own son, probably the real spoiled brat that gets his way in all things, even with the young prince. Faces no consequences, even when Andrew tries to tell someone. It’s probably his governess or nanny at first (either way, it’s not really important what the role is, just that she’s there). And this woman has been Andrew’s biggest advocate since he arrived, she genuinely cares about and is worried for the little prince with his bruises and fear. She cares enough to bring this up to Duke Spear - maybe he really is dumb enough to just be unaware, she hopes - and confront him about Andrew’s treatment. But of course the duke doesn’t do anything to discipline his son. Instead, the governess is fired and a new woman takes her place, a woman that isn’t as outspoken and won’t ever question the authority of the Spear family. Andrew learns soon enough that trying to tell someone or speak out only makes things worse for himself. Sometimes he still wonders where that first governess is, if she’s doing well.
Meanwhile at the castle, Aaron is going through his own rigorous training. A lot of the same stuff as Andrew is learning, honestly, with a few added duties and lessons and a lot more official meetings he attends with King Minyard. It’s a pretty average upbringing for an heir, I think.
Then maybe when Aaron is around the age of ten or so, King Minyard passes. This wouldn’t normally be a political issue, since it’s expected of the Queen to take over and divide the king’s half of the duties as she sees fit until either she remarries or has an heir become old enough to take the throne, at which time she may pass it to the child or continue to reign until she either passes or is deemed unfit. And, politically, this is exactly what happens. What most don’t see is how grief stricken she becomes and then remains. She can’t pull herself from her grieving, and instead of passing duties to more fitting people, Queen Tilda simply lets young Prince Aaron take on as many duties as he can without breaking down. (Though he has, before. Likely a few times. A kid being pushed past his limit again and again.) Aaron grows up so much faster than he ever should have. He’s thirteen now and sometimes he shakes with stress.
Then the queen finally gives into her grief and passes as well. If it weren’t for Katelyn, Abigail, and Betsy, Aaron might have been next to lose his mind, leaving the throne empty. As things are, Aaron swallows everything down just long enough have word sent to the Spear family. He wants his brother back. A familiar face and his quiet, desperate hope: someone to just help.
And return him they do. Andrew’s been perfectly competent with all his studies, they say, they’d even managed to break that stubborn streak. (They didn’t like he wouldn’t speak or shake hands when instructed. They didn’t like being told no.) And yes, it’s a familiar face. Aaron sees the carriage door open, sees his twin for the first time in eight years, but he isn’t sure he recognizes Andrew. Andrew isn’t supposed to have bags under his eyes like this. Andrew didn’t hold his jaw so tightly. And Andrew certainly didn’t answer questions like some kind of unthinking, unfeeling shell.
The first thing Andrew says to Aaron getting off that carriage is “No.” It’s quiet, but he does say it. Aaron is confused - he’d thought they’d still be allowed to hug each other, or shake hands at least - but he does step back and instead ask if Andrew wants to see his room. He can see Andrew relax.
It might hurt Aaron a little when he watches the Spear boy get a hug with no protest, or how Andrew quietly addresses the duke with more than a one word sentence. But he’s not going to ask about it for a while. He’s the stranger to Andrew here, after all.
(I think Andrew does let him ask. The most he tells Aaron about it - maybe as much as a year later - is that the younger Spear had been much worse at listening than Aaron ever is. It is much better here. At least you and Nicky understand the meaning of ‘no’. Leave it at that. And after that Aaron is even more supportive of Andrew’s wide bubble than he was before. He enforces it himself when he has to. And growing up together for longer, with no looming secrets or much reason for animosity between them - it isn’t Aaron’s fault King Minyard decided to hand Andrew off and the twins are both mature enough even at that age to know it - means the twins are much closer than in canon. I don’t think it would be a typically ‘fond’ relationship, because they’ve both still been through it. But they support each other in all things, no questions asked, and always get through problems together.
It doesn’t take much longer than that first year for Aaron to earn the right to touch Andrew, even if he does need to give or show warning before he does. Andrew never says it, but he’s grateful that Aaron is generous with his shoulder pats. It feels a little like the validation he never got anywhere else. And Aaron never says it, but he’s grateful that Andrew is always at his side to tell people ‘no’ when Aaron is technically not allowed to.)
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