#and like this is what it looks like in the comic but when put into trolls

[sigridstumb]

Me and Tom Ripley

The Talented Mr. Ripley. The Imposters. The Grifters. Inventing Anna. Saltburn.

I love stories about con artists, sociopaths, and imposters.

I've rewatched the Netflix series Ripley about six times since it came out.

When I was about thirteen years old, I read every book in the local public library about cons and cold reading. I read about how to win people over in business, I learned how to cold read. There were all these books out there that TEACH you how to pretend to be a normal person that someone wants to be friends with! These books teach you how to get people to trust you, to believe you!

I found these to be amazing tools. I could not get people to believe me, I could not figure out why people disliked me. I could not figure out what I was doing so wrong that made bullies kick me in the halls or throw things at me from schoolbuses. I knew it was something wrong with me, I knew I was messing something up, I knew I was failing. So I studied.

I studied how to fake the things I actually felt and believed.

The thing was, I wasn't lying most of the time. Most of the time I was using the social techniques of con artists and cold readers to get people to believe that things I meant. If I said "yes I like this song" in a way that was natural and comfortable for me, the person I was talking to thought I was being sarcastic and mean and that I hated the song, that I thought poorly of them for liking it. I did not! I liked the song! But to get the other person to believe me I had to remember to do all these extra things, like turn my body to 3/4 face the other person, to smile, to make me voice sound like a smile. I would think about cuddling a puppy in order to get the right amount of warmth in my eyes. I would lean in and raise the pitch of my voice.

There are all these extra THINGS I had to learn and remember to do in order to get people to respond to what I intended to say.

So, yes, I love media about con artists and grifters. I love watching people be good at that switch, at putting on the mask. I love watching people in a panic that they will be caught, be revealed, because that's how most social interactions feel to me -- constant worry that my mask will slip and the person I am talking to will suddenly feel that I'm lying to them, that I'm faking everything. (I am faking everything but it's to make sure they believe the truth! Which they won't believe unless I fake everything! I am an imposter, but in support of the truth!!)

Part of what I love about the Netflix Ripley is that Tom is only good at lying to other people when he has successfully gotten himself to believe what he is about to say. He practices and rehearses his lies so that he can sell them to others. I used to practice my facial expression in the mirror, trying to get them to look like other people's faces and expressions. I would practice my tone of voice and how to make it sound warm and friendly. All the things Tom does -- except the murders! and the theft! -- all the SOCIAL things Tom does, I have done those things in an effort to hide my autism and be accepted by the people whose respect and friendship I wanted.

Con artists, cold readers, and comic books taught me how to pretend to be neurotypical.

[sharkfinn]

Looking again at the posts from your au masterpost and--

I think I got a theory for what's happened here?? Maybe??

So first vecause of the sentence you wrote here "is it okay to talk about it yet?", it's a sentence from the comic, specifically the page where spots tells draxum about something that happened in the past I guess, how the rat king got the other turtles and kidnapped them. (From my understanding I guess.)

Anyway because it's the same sentence I am linking them to one another. Well what happened in the comic I think is the turtles played in the sewers(I guess lou jitsu was there to check they're okay, maybe draxum asked him to? Idk) and then the rat king came, because he lives in the sewers and there are also a lot of rats so they told him the turtles were there and he came to kindap them or something because they are draxum's and are supposed to be warriors, so they wiuld be very valuable. Anyway he came and beat lou jitsu. Now for the post I wanted to talk about--

I think he somehow got control over raph(and maybe the other turtles too? You showed only raph so we can't really know) because like, his eyes are glowing purple and... That's not normal for him, and concidering the situation I guess that is a logical posibility. Anyway he got control on raph and made him take spot so he can cobtrol him too, but then spot didn't listen and well... He had to use force, to MAKE him listen. I guess there was a fight and spot managed to get away somehow, but the others got left behind woth the rat king. Now that spot is older, and he has trained, he wants to save his brothers from the rat king's control, and to have them back.

Also when spots finds them the first time when he spies on them, it looks like the rat king is "talking to raph", like whispering in his ear, controling him. Idk if that's spots' illusion or real but I guess it's worth mentioning.

But hey, that's just a theory, a probably very very not accurate one!!

heeheehee

i guess itll be helpful if i confirm what is known so far

the rat king killed lou jitsu, kidnapped the turtles and blew up draxum's lab

(notice spots mentioning "got into our heads")

2. the rat king takes the turtles to the sewer, pixel ends up hurt, and spike is heavily influenced by his magic.

3. spots at some point tried to run or retaliate, and the rat king ordered spikes to put him in order.

4. draxum was barely able to rescue spots, but none of his brothers. they are still with the rat king.

[havendance]

Okay, I want to play too. Building off of @dustorange's post and @silverwhittlingknife's post

I think, how I would play this: the circus still happens obviously.

And then Dick dies when he's 16 in circumstances similar to Batman #408, where Dick is shot by the Joker and it causes him to fall to his death. (Dick has to die by falling. To me.) Bruce isn't able to catch him.

Bruce is obviously devastated. Going off of Silver, we'll say no Robin!Jason in this AU. Jason can get away with stealing the tires off of the Batmobile of an extremely grieving Batman. As a treat.

Tim is also devastated. I usually have Tim being 3 at the circus, so I guess he's 11-12 when this happens.

I think the fact that Dick was the only Robin in this scenario means that Tim is more reluctant to push himself as a replacement Robin. That and the fact that his HERO Dick Grayson died means I think that he's slower to act.

Eventually though, things get bad enough in Gotham that he does just because someone has to and he ends up as Robin. We'll handwave the details for now.

I think that Dick should get to come back to life during the Knightfall Saga. As a treat.

He comes back to Gotham just in time to see that there's a new Robin and watch Bruce get his back broken.

Tim's been Robin longer before Knightfall in this AU, so he's got a little more experience, but he's also 14, and while Bruce is lying in the Batcave and they don't know whether he's going to wake up or not, and he's fetching the medicine in that one comic, he runs into this unknown, edgy looking vigilante who blames him for Bruce getting his back broken and it's just everything he's been thinking to himself.

Dick sticks around in Gotham long enough to see that there's a new Batman and of course Bruce has someone else he can get to do that. Of course he doesn't need Dick. He runs off to go do like, black-ops vigilante work somewhere.

I think he and Tim do run into eachother once more before Dick leaves town though and Tim's like 'I know I'll never be as good as the first Robin, but that just means I need to learn everything I can' and tries to bother Dick into teaching him stuff because he can tell that this mysterious vigilante is way more skilled than him.

Dick mostly avoids Gotham, but I think they keep running into each other, coincidentally. Tim ends up teaming up with him during Contagion instead of Catwoman and they're both in Paris at the same time etc etc.

And eventually on one of these team-ups, Dick does a quadruple somersault and Tim sees it and everything clicks together and he imminently runs away because that's Dick Grayson and Tim has been talking up the first Robin all this time and it's a lot okay?

I think this is about when No Man's Land happens so Tim goes to go hide in Gotham and help out Batman and become a National News story and all that jazz instead of thinking about it.

But afterwards, Tim is ON THE CASE. I think he doesn't tell Bruce about this because if Dick hasn't told Bruce then he probably has his reasons? And what he was actually wrong? (Even though he knows he isn't)

And then, um, let's put the Dick and Bruce finally confronting each other during Bruce Wayne: Murderer/Fugitive because Dick comes back to Gotham when he hears that Bruce murdered someone because he doesn't want to believe it, but I think he also can't have that same bone deep belief in his innocence that he does in canon because of all the estrangement.

So he attacks Batman and demands to know the truth (without revealing who he is) and Bruce won't answer. Bruce also doesn't know how this mysterious vigilante knows he's Bruce Wayne/got accused of murder, so he low key suspects DICK of framing him, which normally he'd be too busy being Batman full time to care, but here he also recognizes some of Dick's fighting style so he starts investigating him to uncover the mystery.

Meanwhile, Tim noticed that Dick is back in town, so he's trying to recruit Dick to help him get to the bottom of this. He knows Dick's identity now, but he doesn't tell Dick that, he just drops various hints that he knows and hooks Dick up with a line to Oracle (who he has also not shared his conclusions with other than a vague 'there's something about him')

And hmm somehow this all resolves with like, Dick's identity getting out and him and Bruce talking face to face. Bruce is just so desperately amazed that Dick is there, meanwhile Dick still has various issues that are not resolved and it probably ends with Dick running away again and Bruce holding himself back from chasing after him like he desperately wants to. Because if Dick doesn't want anything to do with him then that's just his right because Bruce WAS the one who got him killed.

He does stalk Dick from afar though. Just without initiating contact. Tim and Barbara are more pushy about trying to hang out/talk with Dick in the aftermath.

To skip ahead, I think Bruce leaves Dick the Batmantle after he 'dies' as this last ditch attempt to share how much he loves and respects Dick.

And this getting long so I think I'll call it here.

[ecoterrorist-katara]

i have always wondered what happened behind the scenes between the show and and the comics. in the show, while s3 definitely relegated her to trophy for the main character to win in the end, she still was competent and her own person. the comics though? the writers actively hated her and it always felt like a very personal 'fuck you' from the writers to the (female) katara fans. there is such a huge difference in how they treated her, it still breaks my heart. she deserved so much better.

I think it’s telling that so many Katara fans take her post-ATLA lobotomy arc very personally. So many young girls loved her, looked up to her, saw her as the epitome of Girl Power TM because when ATLA was airing, that was the pinnacle of pop culture feminism. And that’s great, honestly, because she’s an amazing role model.

Let’s not forget that ATLA, despite its all-ages appeal, is a franchise for children. Unlike adult media, children’s media should have morals, and role models, and aspirational narratives. Katara is more than a fictional character: she’s a fictional character carrying the burden of not only representation, but aspiration. We want girls to look up to Katara and relate to her and put themselves in her shoes (and that’s why I never got the “self insert” argument wrt Zutara — if girls relate enough to Katara that they want to be like her, and shipping Zutara is a manifestation of that, how is that a problem?). We want girls to stand up for what’s right, to be brave, to embrace their own power and their agency. Which is what happened in most of the original ATLA, like you said.

and that’s why Katara’s later arc is such a slap in the face, because here’s a fictional character that so many girls looked up to…and now the narrative is going to relegate her to, what, a girl who follows her bf around and never does anything of note? A woman whose biggest contributions to the world happened when she was fourteen? A woman who begins to inexplicably take the backseat, again and again, whether it’s supporting her friends or maintaining world peace or even just making sure some groupies don’t hit on her boyfriend?

To be clear, I don’t give a fuck about the “what about the children!!!!” argument for most media, because most of it is just pearl clutching and purity politics, but children’s media is the one place where actually, you should ask, what message are we sending to the children? And apparently the answer here is “fuck you girls, no matter how accomplished and cool you were, you get married and have children and never do anything of note again. Leading a country? Saving people? Forget about it!”

[xoxotlou]

there’s something so special about seeing yourself in a character- i truly resonate so deeply with ellie for so many reasons and i thought i would just talk about that for a bit because i think it’s really cool 🫶

-her relationship with joel mirrors that of me and my dad, the first time he called ellie “babygirl” i cried because that’s what my dad used to call me.

-her relationship with dina struck me too, the way she loved her so deeply. ellie goes all in when it comes to emotions ive noticed, much like i do. she would do anything to protect dina, including leaving her. the scene where dina tells ellie shes pregnant hit me so hard, because she cares so much about dina and yet she gets angry and hostile because she’s so upset.

-this is a bit of a jump- but the way she wanted her immunity to mean something. i have a lot of times in my life where i will go through hell to get something, and if it doesn’t end up working out i feel useless. i always have to be the bigger person and help others; much like how ellie wanted to make a cure, even if it would kill her

- her journaling- i’ve been doing it for years and it’s so important to me to have pieces of myself and my life physically on paper

-her love for pus-

-i look a lot like her which was cool to see, we have a lot of the same features and the exact same face shape and nose so i love cosplaying her :)

-her violent tendencies, i was put in sports at a very young age and it was my whole world- but oh my god i was intense about it- i got into so many fights as a kid too, usually to protect my friends and myself(im not like this anymore dw!!! bad childhood phase-)

-the way she interacts with jj reminds me of when my sister was born :(((

-her half up bun hairstyle is literally my signature!!!

-her nerdy ass is so funny to me- i’m also obsessed with comics, dinosaurs and space

-

thank you for coming to my ted talk.

[tardis-technician]

Doctor Who Ghost!AU

The absolutely mortifying ordeal of being known (<-- has never written fanfiction before). This is inspired by the talented @g1ngerbeer's wonderful doctor who ghost au, specifically the aquarium comic from this post. Donna and ghost ten going on little outings means the world to me. It’s not actually a full fic, just a drabble that sort of got away from me. Hope you enjoy!

In the past week, Donna had gone to a natural history museum, a science museum, and the zoo. She hadn’t been to any of them since she was a kid, and hadn’t had any desire to go to them since. However, the two of them had recently discovered that the Doctor could leave the house as long as he was tagging along with Donna. Ever since, he’d been begging her to take him to all sorts of places she’d never go on her own. She’d made a fuss about it, but the poor sod was dead (probably) and good company (when he wasn’t getting her into trouble.) It seemed like the least she could do.

She had to admit, it was slightly more interesting than the school trips she’d gone on as a kid. For reasons neither of them knew, the Doctor had a vast and random collection of knowledge, some of which Donna knew to be true, some of which sounded like it was probably true, and some of which was completely bonkers. 

“They don’t mention the witches.”

“What?” replied Donna. 

It was the first museum they’d gone to. The discovery that he had a strange amount of trivia in his brain, and then the information itself, had been interesting at first. However, they were getting close to hour three of walking around (or floating for him.) She’d been zoning out a bit, considering offering to get him something at the gift shop in an effort to get him closer to the exit. 

“Nothing in here,” said the Doctor, gesturing around the Shakespeare exhibit they’d found themselves in, “says anything about the witches.” 

“What do you mean witches?”

“Well they gave him some trouble, didn’t they?” he said, looking perplexed. 

What ensued was a ten minute debate in which the Doctor absolutely insisted that he remembered hearing somewhere or reading somewhere that Shakespeare had a spot of trouble with witches, but that it was all resolved in the end except for the fact he never did get a chance to finish that play. Donna, convinced he was messing with her, allowed the argument to reach a volume at which people started staring. She sometimes got weird looks while she surreptitiously tried to whisper responses to the Doctor, but she’d forgotten herself to the point it looked like she was gesturing angrily at thin air. 

In an effort to avoid getting kicked out, they decided to agree to disagree. Or the Doctor had decided that, and Donna had decided it was a lost cause. She was able to persuade him out of the museum by letting him pick out a snow globe. At that point, he had a working theory that he used to be some sort of historian. But then everywhere they ended up going he seemed to be an expert in some sort of field, barring some outrageous historical claims and his seeming inability to separate whatever sci-fi he’d watched on telly from actual facts. He’d given up the theory, but seemed pleased by the fact that whoever he was had been very clever, and even more pleased about being able to show off. 

A few days later they’d gone to a planetarium, and the Doctor started spouting off facts as soon as they walked in the door. Donna had mostly stopped reading information where they went, just listening to the Doctor ramble instead. He went on about the formation of the moon and the planets, relative ages of things and what compounds they were made of. They’d made their way to the theater, where you could sit back and they’d put on a projector to make it look like you were in space. Donna had actually been the one to suggest the idea for their latest outing. Her grandad loved stargazing, and he’d taken her to the planetarium all the time as a kid. It’d been a while, and it looked like the technology had gotten a bit of an upgrade since the 70s.

The Doctor had been grinning madly, still going on about supernovas, but when the projector turned on he stopped mid-sentence. Donna looked over to see him unnaturally still, gazing at the stars. 

He looked absolutely lost. 

She tried to whisper his name, get his attention, but it was like he was somewhere else. She suddenly wanted nothing more than to be able to reach out and hold his hand. When the lights finally came back on, he flinched like someone had hit him, but still didn’t break his gaze from the ceiling. She waited for the theater to clear out before trying to talk to him.

“Doctor?” she asked. “Are you ok?” 

“I don’t know, I-”

He still wasn’t looking at her, just staring up at where the stars had disappeared. Eventually, he turned to face her again. She couldn’t be sure with the soft glow coming off of him, but she thought there might’ve been tears in his eyes. 

“Donna,” he said quietly. “I think I lost something.”

[sparklecarehospital]

For the maintenance, I'm curious if you'll be editing the comic page URLs or navigation at all? I've always found navigation within a volume very difficult, since to navigate via URL you need to input both the update AND page number in the URL so if you do the math wrong or don't know where a longer or shorter update was then you're screwed, or to navigate via the buttons you've got to switch back and forth between clicking two different buttons.

yes, that will be updated. here's the changes planned for comic reading itself SO FAR:

you will be able to input the page number without the update and it'll auto-redirect to the proper page inside the update (confirmed, not implemented because i still have to put all the pages together)

the pages will be organized differently, instead of just /comic/ or /comic2/ it'll be a lot cleaner (confirmed, already working on it)

(atm this is a theoretical feature, i haven't actually fully figured out how this'll work yet.) i hope to include the ability to preview pages in thumbnails and be able to scroll through them as you're actively reading to quickly find pages if you remember what they look like. this will also be an optional feature you can toggle on/off in the event you don't want the next pages spoiled or something

navigation buttons will be above and below the pages by default, but you can toggle where they're placed if you want them only on the top or only on the bottom. (confirmed, already implemented)

hovering over the navigation buttons tells you what the button does so you don't have to guess as a first reader (for example, the next button has a tooltip that says "next" when you hover, first in update has a "first in update" tooltip, etc)

YOU WILL BE ABLE TO SAVE/BOOKMARK YOUR CURRENT PAGE AND YOU CAN LOAD IT WHEN YOU REVISIT THE SITE for when you go back to read again. (confirmed, already implemented)

not related to navigation necessarily but there will be the ability to toggle content warnings and set categories of what you want to filter or disable all of them entirely (confirmed, already implemented)

[sososososososomething]

(A Comic I Drew Based On What I Envision When I Listen To) YOU KNOW WHAT THEY DO TO GUYS LIKE US IN PRISON

Three Cheers is an album that makes me see a movie in my head whenever i listen to it, & i thought i might as well put what i see when i listen to Prison into a comic. The gist of the song in my mind was always that the main character of the album, upon getting arrested and going to prison, develops a relationship & escape plan with his cellmate that kind of mirrors the relationship he had with his wife, death included. I'd imagined that this song might represent the possibility of the album's main character abandoning his mission to kill a thousand evil men, but it ending with the devil having other plans. everything here's obv a creative liberty given that the song itself doesnt REALLY have any of this in it. but welcome to my twisted mind.

The characters in this comic are meant to mostly resemble the characters on the cover of the album. The cellmate's design was pretty obviously inspired by Bert McCracken from The Used, but I do hope that i distinguished the character designs enough that they don't look like one-to-one recreations of people.

[kayhi808]

More Than Our Scars - Florence Italy

Series Masterlist

It's been a while since I wrote for these two. They're my favorite couple. Murder Boyfriend & his Brave Girl. 💕

The culinary course that Billy enrolled you in is so challenging yet so rewarding. This was your dream and the amazing thing is now you have Billy by your side to share the experience. You thought champions & heroes only belonged in fairytales and comic books, but you found one of your very own. Not only did he save you from The Kingpin, but he also taught you how to love again. He built up your confidence and made you believe in your dreams. He adores you, his brave girl.

Billy found the most charming apartment with views of the Duomo, the 3rd largest church in the world. It's not a luxury apartment like his loft back in Manhattan. It's charming & quaint & old world. Turning into the courtyard, it's a 3 story walk-up that you don't mind at all. Letting yourself into your home, you dump your keys on the entry table. Hanging up your jacket, you make your way to the kitchen, to place your bag on the counter & go in search of Billy. "Billy? I'm home."

"Hey, babe!" Dressed casually in a dark green sweater & jeans, Billy walks out of the room he set up as his remote office. He envelopes you in his arms & drops a kiss on your lips. "How was your day?"

"Good!" Squeezing him around the waist, "better now that i'm home.

Billy walks you backwards to the kitchen, stopping by the bags, "What have you brought me to eat?" Letting you go, he rummages through the bag. Whatever you learned to cook that day, you brought home for Billy's lunch for the following day. He always looks forward to it.

"Cacio e pepe."

"Nice! Thank you." Cracking the lid of the container, he smells it & puts it in the fridge. "That's going to be good." Turning back around to you, "What do you want to do tonight? Want to wander?"

"Sure! Let me get changed." To change into something warmer. March evenings are still chilly in Florence. Matching Billy with a sweater & jeans, you apply some lip gloss & re-braid your hair, you're ready to go.

"All set?" You excitedly nod. Bill helps you on with you jacket & you leave to go exploring. Hand in hand, you make your way out to the cobblestone path. You've visit marketplaces in the neighborhood, grabbing fresh produce, bread, cheese...and an abundance of wine. It's such a great feeling to be out in public. You were kept prisoner by Kingpin for 3 years and spent months in hiding with Billy while he plotted your freedom. You had a small taste of freedom when you and Billy spent a couple days in Beacon, NY after James Wesley's murder. But this. This was amazing! Now you're in Florence strolling through markets, fingers entwined with Billy's, living the life you only dreamed of.

*****

The sky starts to darken on your way back home, as you pass Osteria del Flore, Billy's new favorite restaurant. "Do you want to stop for dinner?"

"Bill, we just bought a bunch of groceries"

Wrapping his arm around your shoulders & leaning down to press kisses into your neck, "But you've been cooking all day. Do you really want to cook again?" Billy already starts steering your towards their doorway, even before you can get an answer out.

"Signore Russo. Signora. Bentornato (welcome back)." The hostess greets you upon arrival & leads you to a table. The food has been incredible since you got to Italy. Billy jokes about the weight you guys will be gaining. It's almost sacrilege to have anything but wine while in Italy, but the beer selection here is excellent. Bill is so American. So New York. He wants his steak & a beer. You can't help but give him a besotted smile. You like seeing him so relaxed and happy. You both suffered so much, you deserved this blissfulness.

*****

Full bellied & a little tipsy, Bill's arm is thrown around your shoulders. Your fingers intertwined with his. Leaning into his side, you make your way back home. "Once your classes end & we return stateside, what do you want to do?

"What do you mean? I'll look for a job. I can't keep mooching off you."

"Shut up!" Curling his arm, bringing you closer so he can kiss the top of your head. "Where do you want to work?"

"I haven't thought that far yet. I'm concentrating on doing well here." Mulling it over, "I guess it depends on whoever hires me, that's where I'll go," you shrug.

"I'll make sure you have a driver available to take you to & from work."

"What?! I can get myself to & from work."

"Remember the last time you walked home from work?? You're getting a driver." The last time you walked home, Kingpin's men snatched you off the streets.

You whisper a soft, "thank you."

"What about private chef?"

"Those are long hours. Breakfast, Lunch, Dinner? I'll never see you." You hear a low growl, which makes you smile.

"Or maybe I can buy you a restaurant."

"Are you crazy? No, Bill." You stop in the middle of the sidewalk, letting go of Bill's hand. "I'm serious."

Bill laughs, hitching the tote full of wine & groceries over his shoulder. "You can be your own boss. Make your own hours. Have plenty of time to spend with me." He tugs your braid, wrapping it around his fist, pulling you closer to him, to capture your mouth in a kiss. He only stop when he hears a soft whine escape you. "Don't you like the sound of that, sweetheart?"

Burying your face at the base of his throat, inhaling the smell of him, "I know nothing of running my own business. I'm still learning to be a chef."

Wrapping you in his arms and swaying with you in the moonlight, he dances you into the courtyard. The unevenness of the cobblestones makes you clumsy, but Billy doesn't let you fall or falter. "One day when you're ready, I'll help make it happen."

Laughing, "You spoil me."

"Anything for you, my brave girl."

@imagine-a-fictional-boyfriend @e-dubbc11

[ryssbelle]

Inspired by these comics by @zivazivc and this comic by @chongotheartist

This has been chilling in my mind since I first saw ZivaZivcs comic and I finally got the energy to make it XD

[walrus150915]

I feel like a lot of people in the fandom tend to forget this, so I'm just here to give a kind, thoughtful reminder :]

Ambrosius Goldenloin in the movie is an East Asian man (Korean-coded), his skin is tan, his eyes are monolid and his nose is big

He's voiced by Eugene Lee Yang - a Korean-American actor who also has Chinese and Japanese heritage. Eugene Lee Yang looks like this:

During the production, when Ambrosius was decided to be East Asian, artists looked up queer East Asian-American men, and based Ambrosius off of them. Ambrosius is literally drawn to look like Eugene Lee Yang

Please draw him as such, thank you

[dashing-through-ecto]

The difference one and a half years can make

My first comic

My latest comic

It's been absolutely staggering to see the differences even though these panels have the same vibes.

[luck-of-the-drawings]

DISTRACTIONS sometimes its the drive to help and save our friends that pushes us to learn and to succeed. unfortunately its normally ''unethical'' to replicate that in a classroom setting. I ONLY JUST FINISHED THE LAST PAGE HERE, THE FIRST TWO WERE LITERALLY FROM LAST YEAR, N A FEW MONTHS APART. LOOOOK AT MY EVOLUTION. im very proud of this and bled REALLY HARD FOR THE LAST PAGE. PLEASE ABSORB THIS.

[prettyupsetnerd]

(her mom was her best friend)

[warriorfujoshi]

please see my vision

bonus: Heathcliff smile collection

[cuteniarose]

Personally I find it really funny that based on what the twins said in the Book 2 finale re: having to tell their mom about what happened to Unalaq, it's literally canon that Unalaq's wife a) exists, b) is alive, and c) is just chilling in the Northern Water Tribe

She took one look at all the spirit fuckery her husband was getting up to and went "Well that's none of my business" and honestly I respect that