#and my contribution to year in review numbers:

[tiktaalic]

The CW: The Supernatural Network. A feature length film by David Fincher. Coming Fall 2024.

[redvexillum]

A/N: I didn't anticipate writing a Vox x Reader story (much less a raunchy, BDSM theme smut). But, I needed to get this idea out of my head so I can focus on my request and my other stories. So, here we are. Also, I've noticed there is a distressingly low number of PURE Vox x Reader stories, so I wanted to contribute to the database.

Though, I apologize if my version of Vox is lacking in any way. I have made many creative liberties with my head canon version of him.

Inspired by this post/conversation with the lovely miss @redfoxwritesstuff

07.09.24 - Now that I know where I'm going with this story, I have changed the title from [Short Fuse] to Signal.

SUMMARY: You royally pissed someone off because you were receiving anonymous hate emails for the past fifteen years. How incredibly petty and...entertaining. At first, you decided to ignore them but as their hate comments got increasingly creative, the more you couldn't help but add oil to the burning, passionate flame of their hatred towards you.

Until one day, the mysterious anonymous hater (probably) accidentally revealed themselves to be the one and only TV demon, an Overlord and CEO of everything technological and modern.

WARNING/TAGS: f!reader, toxic relationship, enemies to f*ck buddies to something indescribable, dom/sub undertone, sub!Vox, dom!reader, reader is a responsible dom, Vox takes a lot of L's but he secretly enjoys it, dual POV, Vox tries to be hip but ends up being a boomer, Reader is sexually liberal and confident, Vox is the brattiest sub you will ever find, kind of fluff if your squint

“Hello, my Sexy Peeps! How are you doing on this hellish day?” A melodious burst of laughter chimed from Vox’s phone. He took a dramatic sip from his coffee, savouring the rich, dark brew, and settled into his plush armchair, preparing to lose himself in her latest video.  

“Today, I thought I’d mix things up a bit due to a very popular request!” She continued and leaned forward in front of the camera, giving Vox a generous view of her cleavage. He approved her outfit choice for today, a tight-fitting cyan blue tank top with a plunging v-neckline.  

But aside from her attire, he was interested by her supposedly “new” content. He didn’t know she took requests from her viewers. Intrigued, he arched an eyebrow, setting his cup down on the side table and leaning his face closer to his phone.  

The newest online sensation on VoxTube was about to begin. This girl had seemingly materialized out of nowhere, drawing tens of thousands of views and subscribers to her channel. Her retention rates were astoundingly high for content so banal and ordinary. Initially, Vox had suspected his network had been hacked.  

He still couldn’t quite grasp how in seven layers of Hell she had managed to manipulate the algorithm with her simple videos. All she did was try the newest foods around the Pentagram and review random merchandise in a phenomenon called “unboxing.” 

His gaze inevitably wandered to the deep trench of cleavage she prominently displayed. He scoffed. He’d seen better. After all, his partner controlled the porn industry in Hell.  

Yet, that didn’t stop him from pausing her video sometimes, openly staring at her chest for a few seconds… or minutes…or maybe he may have saved a couple (several) screenshots of her video and her photos from her Sinstagram account. Perhaps he might have even saved some of her more salacious-looking photos on his internal hard drive for private viewing. 

All for research, of course.  

“Now, I know there’s this series – the longest-running series in all of Hell…” she trailed off, her plump, pretty lips curling into a mischievous smirk.  

Vox straightened in his chair, feeling the first flutter of excitement in his chest. Could it be? Was she going to mention his most prized project, “Yeah, I Fucked Your Sister, So What?!” for free?  

Excitement surged within him, a giddy thrill that this lame, greenhorn, no-name nobody was about to mention his series to her 2.5 million (and growing) viewers.  

“Guys, guys, guys,” she laughed, raising her perfectly manicured hands in the air as if in surrender. “I watched the first season and wow–” 

Vox pressed his thighs together, waiting with bated breath for what he hoped would be a glowing review. Perhaps he should contact her, reach out, sponsor her like all the tiny, insignificant, worthless, businesses were doing.  

“I gotta tell you,” She shrugged, raised her immaculate trimmed brow, and with a hearty guffaw, said, “it’s pretty mid.” 

Disbelief washed over him as he stared at the screen. Instinctively, Vox paused the video, staring at the freeze-frame image of her with a large smile dancing across her lips.  

Mid? Mid? What the fuck did mid even mean? 

Scrutinizing the word in his mind, he thought maybe she had given his series an average score. Average. He could work with average. But judging from the comments filled with those annoying crying laughing emojis and agreement that it was bad, he realized it was another piece of slang from this decade that he somehow missed.  

Power surged through his head as his mind dove into the database, and he opened his trusty Urban Hell Dictionary. 

The definition of Mid was… 

Below average. 

Not good. 

Mediocre.  

Boring.  

“WHHHHAT?” He roared, his voice glitching in between the long-drawn-out word. Springing up from his chair, he picked up his mug before hurling it against the polished floor. It shattered into a cascade of jagged pieces, their sharp lines reminiscent of crooked, mocking smiles. The hot coffee splashed onto the hem of his pants, its sudden heat mirroring the fury rising within him.  

Memories surged through him, back to when he was alive, back when they cancelled him for not being innovative enough, for not being entertaining enough, for being… 

Being…. 

Boring.  

His eyes twitched, electricity crackled and jolted up in arcs across the surface of his head before fizzling out at the points of the antennas from his hat.  

He should kill her. Get Val to make her disappear or force her into working at his porn studio. How dare she call the fruits of his labour…b-bo-… He seethed, unable to even say the damn, blasted word.  

Vox thought of a thousand ways to torment her, relishing the idea of making her cry with her below-average, not good, mediocre, BORING looking face. Anger surged, boiled, in his veins, and he did what he knew was the best course of action when faced with this unprecedented insult.  

After all, with VoxTek, he had an image to keep of being on the side of the lowly Sinners. He chuckled, forced, but chuckled, nonetheless. It would smear his good image to go after some small, nobody of a Sinner. After all, he was an Overlord and the CEO of the largest corporation in all the five fucking points of the Pentagram.  

She was going to get so cancelled.  

That he would make sure of.  

Humming a random, jaunty little tune, you shut off the ring light and closed your laptop. Stretching your back, you sighed in satisfaction as your bones gave a gratifying crack. You giggled at some comments from your review of the popular series, “Yeah, I Fucked Your Sister, So What?!”  

There were passionate defences claiming the series was a work of art, which was far-reaching at best. It was mildly entertaining enough to watch while you painted your nails. Seriously, the show looked like it was produced for the audience in the 1950s.  

You were the first influencer to give a poor rating to the TV series, and being first meant more controversy, more views, and more money from sponsorships as you rose to the trending list once again.  

Damn, gaming the system was the best. Truly, Hell was way behind its time compared to what people did for views back when you were alive.  

Following your routine, you washed away the makeup, changed from your tight-fitting clothes into a loose T-shirt and sweatpants, and laid on your king-sized bed that was far too big for one person. Staring up at the ceiling, you were surrounded by the void of your loneliness.  

You should…go out and fuck someone.  

Preferably, someone related to the entertainment industry. All that juicy gossip about your newest fling always raked in views and clicks.  

But the idea fizzled and died as you thought about having to play the submissive role, feeding their giant egos to compensate for their shit-sized cocks. You considered visiting the BDSM club, but influential people were rarely found out in the open in those shops. There was probably a private club that you weren’t invited to…yet.  

Vain.

Empty.

Nothing.  

It didn’t change much, did it? Whether you were alive or damned.  

Everything about your life was the same.  

Sitting up, you grabbed your phone and started to scroll through Voxazon, frivolously spending thousands of Hell bucks on useless crap.  

Retail therapy.  

The tried-and-true method to stave off depression and apathy.  

You were ready for that dopamine hit as you read through the reviews of the latest dildo models, your lips pulling into a sly smirk at all the new features of VoxTek’s newest sex toy.  

A chime resounded from your phone – a notification from your personal email. Your brows raised as the sender was from anonymous666@hellmail.com 

Confused, you opened the email, wincing at the possibility of infecting your device with a virus. But that thought quickly vanished as you read the email’s content.  

Subject: (no subject)  Dear Bitch,   Retract that fucking review about “Yeah, I Fucked Your Sister, So What?!” from your video today, or you will regret it.   Furthermore, you have a “mid” face, and so are your boobs. Your boobs are super fucking mid. You probably get MORE views if you actually covered your boobs because that’s how MID they are.   And all your videos are MID. Especially the one you posted on July 7, 20XX, where you reviewed the Hellover drink. The one where you wore that shitty neon green tank top, which, by the way, is also fucking MID.   Anyway, this is my FIRST and LAST warning.   Fuck you.   P.S. Seriously. Fuck you.

Your eyes slowly blinked, once, twice, before a hearty, genuine laugh erupted from you. Oh my God. Did this prick actually hack your account to get your personal email to send such a shitty, lame-ass message? 

Breaths coming out in short, uneven huffs, you rolled over on your bed from side to side, clutching your stomach. Tears formed in the corners of your eyes from laughing so hard. You hadn’t laughed this genuinely since you fell to Hell.  

As your eyes traced over the words of their message, you laughed out loud again. It looked like you had a butt-hurt superfan.  

Humming, you rolled over onto your stomach and kicked your feet idly as you stared at the message. “Thanks for the laugh, virgin prick,” you whispered, planting a loud smooch on your cellphone screen. “Annnnd, delete!” Your index finger daintily tapped the trash can icon.  

Now, back to the task at hand. You debated between getting the glittery pink dildo or the two prong dildo. Tilting your head, you decided you deserved a treat, so you ordered both. 

As you were purchasing more random crap, your eyes glazed over, your mind fervently thinking of what to say for your next season review for that TV series. Just then, an annoying ad popped up – of course, from VoxTek – promoting their shitty Cobra vibrator. Seriously, you tried it, and it did nothing for you.  

An idea rapidly formed, growing until you jumped out of bed and ran to your laptop. No one had truly (and honestly) reviewed some of VoxTek’s terrible sex toys yet. In fact, you noticed that every single review for their sex toy line had glowing five-star ratings.  

Now, some of their toys were outstanding, making you come so hard until you were sobbing, soaking your underwear from your release. But that was one out of every five toys you purchased. Like all massive corporations, VoxTek was clearly buying reviews, giving themselves perfect scores.  

Perhaps it was time to change that. 

Your review of the series and the anonymous hate message were soon quickly forgotten. This was your chance to shake things up, to give the unfiltered, raw truth that your viewers craved.  

With a determined glint in your eyes, you started drafting your next video script. This was going to be huge, bigger than Jerry’s dick from last week, that was for sure.  

NEXT ->

💠 MASTERLIST 💠

[maple-seed]

Thrown - Chapter 45: Absence

Summary: Loki takes a trip abroad and longs for what he left behind.

Word Count: 2,059

Author's Notes: Hey everyone. This chapter of Thrown will be the last one posted until January. Holidays are taking their toll and my writing speed has slowed considerably so I'm going to take a little hiatus. My current plan is to start posting again on January 11, 2024, and hopefully returning to the once-a-week schedule at that time. Thanks again for your patience. Happy holidays to anyone who celebrates, and take care.

Thrown Masterlist Loki Masterlist

Loki didn't care for it, the Avengers compound. It was all much too pristine. Clean lines and straight edges. Crisp white and chrome and glass. Sterile. It felt lifeless, when compared to the meandering streets and stone buildings back in New Asgard. Perhaps worst of all, it was full of Avengers.

The tower had been superior, Loki felt. At least the tower had a certain element of grandeur going for it. He kept this opinion to himself. Something told him that may be a sore point.

This trip had been mandatory. There were things to discuss regarding New Asgard, but chief among them was the fact of Loki's continued residency. They called it a "review of progress", but obviously it was a check in to make certain he hadn't been using his freedom to plot some sort of coup. The euphemism was laughable. Loki wouldn't deny that he had progressed, in many ways quite drastically, since he came to this realm, but in what way could these men hope to measure it?

Moreover, he found it insulting that they believed if he had been plotting a coup, that they any hope of detecting it.

There had been interviews and meetings and endless questions. Thor had, apparently, written very detailed reports regarding the goings-on of New Asgard, and particularly Loki's contributions. While the descriptions in the reports were true, Loki felt they portrayed his actions in an overly-generous light.

Throughout the assessments and interrogations, Loki hadn't mentioned you. There were a number of reasons, of course. They would not be likely to understand the way he cared for you, and even less likely to understand the way you cared for him. They would wonder how it was possible that someone like you might love him. He didn't have the energy to explain that he wondered the same thing. They would suspect he had bewitched or corrupted you somehow. Possibly, they might insult you for your folly, which was certainly not something he would be able to tolerate. More than any of that, however, describing you to them simply felt wrong. You were something more precious than this. This trip here was a direct result of the most terrible period of his life. A punctuation on his misery. Even drawing the concept of you into this mire felt like it would sully you somehow.

And so he refrained from mentioning the source of his most drastic changes while here on Midgard. Thor followed his lead, and only brought you up occasionally, and then he only described you as their friend. Loki was grateful.

The days dragged on. Any time he felt that surely he had answered every question of every authority, there was someone new with something else they had to ask, just to be sure. And still that was not the most unbearable part. The most unbearable part was being away from you. This absence made him question how he had ever gone so long without putting his hands on you. It was ridiculous, in the basest sense. He had gone much longer than this without seeing you. He had gone a thousand years without seeing you. He had ached for you for months while standing by your side, but somehow this ache was stronger.

Thor relayed messages by text, and even offered to facilitate a call, which Loki accepted only once. The walls here were listening, quite literally, and there was little he wanted to say to you that he was comfortable having recorded by Stark. Still, hearing your voice had buoyed his spirits and made the rest of this trip moderately more tolerable.

One night, Loki dreamed. He was aware of the dream immediately. He was on the mountain terrace that your hiking trail led to, standing by the stream. The moon was bright and the stars were out, as they had been this past winter when you had brought them here. You were there, standing near the edge, looking out over the landscape. He breathed your name. You looked back over your shoulder, a smile breaking immediately. "Loki." It was only his name, but it carried with it all the longing that he felt. The two of you met and embraced and it all seemed so real; the air, the sky, your skin. It was an illusion, yes, but it was true enough for now, and he held you in his arms for the rest of the night, if only in his dream.

**

This morning was to be their last here at the Compound. There was another meeting, supposedly the final one, where Loki would be interrogated. Thor insisted that "interrogated" was not the right word. Loki felt certain that it was the right word when he found himself sitting at a glass table in some conference room, his brother beside him, with Stark, Rogers, and Fury seated across. Stark and Rogers seemed to be amiable enough, but Fury kept a stone-faced expression. Loki realized he had never seen the man look anything other than angry, or at best mildly irritated. It could be that his face simply looked that way. Perhaps having just the one eye was naturally limiting in expression. He and Thor should exchange notes, he thought. He was not foolish enough to say it out loud.

"I gotta hand it to you, Billy Goat Gruff, you're earning all the gold stars here." Stark wore that insufferable smirk of his. "What he means to say," Rogers, ever the peacemaker, cut in, "is that we think you've been doing very well in your time in New Asgard." "I'm grateful that my existence meets your approval." Loki fought to keep his teeth from grinding. "Oh come on, don't be like that." Stark closed a folder in front of him with a flourish. "You know why we feel the way we do. Before you showed up here in your TARDIS, the last time we met you were blowing us up and tossing us off buildings. I mean, you cut out a man's eyeball for god's sake. Completely unnecessary move, I might add." Loki looked away with a scowl, fighting back violent memories. "And now," Stark continued, "now you're carrying groceries and building homes and teaching underprivileged kids magic algebra or whatever." He leaned back in his chair. "I think it's understandable that we're impressed. You've worked so hard to overcome your natural tendencies." "Perhaps you've mistaken what my natural tendencies are." Loki muttered. "And we're willing to accept that." Rogers offered. "But you understand why we've had to take these measures." "Certainly." "That being said," he glanced at Stark and Fury, "I think we can agree that we can lighten up a bit. Less surveillance. Fewer reports. You've put in the work and you've earned a bit more trust." Loki was annoyed with himself for feeling appreciative of such a meager gesture. But he did, all the same. "Thank you."

Fury spoke for the first time. "I have a few questions first, before we loosen the leash on this would-be mass murder." Thor scowled at the title, but didn't respond otherwise. Loki nodded. "I am happy to oblige." Fury leaned forward and rested his hands on the table, lacing his fingers. "We've spoken at length about your past; the good and the bad. I want to talk about your future." "Of course." "What do you see in your future? Are you really content living in a small town on the coast of Norway? Ruling over nothing in particular? Do you truly think a prince, a god, like you won't get bored? Crave something more?"

Images passed through Loki's mind. The winding streets of New Asgard, the road that led to the mortal town, your farm nestled in the bend. He saw your studio, your kitchen, your face. A smile tugged at the corner of his mouth. "I can say with absolute certainty that everything I crave can be found in New Asgard. Even now, all I wish is to be there again."

Fury's eye bored into him, perhaps trying to judge if he was sincere. He seemed to find what he was looking for and leaned back in his seat.

It was silent for a moment, Stark cut his eyes from one person to the next and drummed his fingers on the table. "Okay, so we're done here? The wonder twins are free to go?"

**

If Loki had his way they would have made for the hangar directly from that conference room, but there were hours still to pass before departure. Thor had to pack, he had farewells to bid, and even had lunch with some of his teammates. Loki caught word that the Widow would be there and he was certain his presence would sour the mood. He abstained, and had a meager meal in his room instead. He fixed his mind on the promise of seeing you again and whiled away the hours until finally, finally they boarded the quinjet. The flight was tolerable enough, knowing that every minute brought him closer to you. When they landed he didn't bother going home at all. He said his goodbye to Thor and immediately set off down the road from New Asgard.

He opened your door and was met with the smell of baking. You were in the kitchen, one tray of cookies cooling on a rack and another about to enter the oven. His ache was soothed at seeing you, but it wasn't enough. He called your name as he crossed the room as quickly as he could.

You glanced up at him as he reached you. "Oh, hey Loki." It was much more casual than he expected. Not deterred, he leaned in to kiss you but missed his target as you turned away to place the tray in the oven. "How was your flight back?" He was stunned for a moment, but took a step closer. "It was fine." He leaned again and once more you took no notice and turned at the last moment to another counter. This time he narrowed his eyes. "No fights with Thor?" He didn't answer, instead he placed himself in your path and his suspicions were confirmed when you casually turned from him and reached up to open a cabinet. You startled when his arm shot out and snapped it shut. His eyes were burning as he loomed and growled. "If you don't kiss me immediately I will burn this realm to the ground." You considered this for a moment. "Where would you start? There are a couple places I would-" You were cut off as he looped an arm around your waist and pulled you close in a crushing kiss. He was gratified when your hands immediately found their place at his shoulders.

Once he was satisfied he broke the kiss and pressed his forehead to yours. "You are, without question, the most irritating, petulant mortal I have ever had the misfortune of loving." A smirk curled your lips. "How many mortals have you loved?" He chuckled softly and kissed your cheek. "Just the one." "Sounds like I'll be winning a bunch of titles, then." "Yes. Superlative in all respects."

He was pleased to notice that your hands didn't leave him, winding their way around his neck. You leaned your head against his shoulder and sighed. "I missed you." "And I, you. Desperately." "How did it go?" "Very well. For several days I refrained from throwing Stark out of a window. A resounding success." You laughed. "I'm so proud of you." "And how were things here?" "I wasted away, pining for my lost love." "I should expect nothing less." He stated solemnly. "I do have the remedy."

Without notice, he bent and grasped your waist, effortlessly tossing you over his shoulder. You squealed. "Loki!" He started carrying you toward the bedroom. You kicked and wriggled, to his absolute delight. "Loki wait!" "Oh, I have waited long enough, I think." You reached away from him, toward the oven. "The cookies!" "You should have considered that before you gave that insolent performance at my homecoming." You struggled some more, laughing. "At least let me turn the oven off!" He waved a hand and there was a click of a knob. With no more excuses, you relented.

He stepped into the bedroom and kicked the door shut behind him.

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[elvis1970s]

Denis Sanders, director of the cinema documentary Elvis That's The Way It Is (MGM 1970), set out to capture the Elvis Las Vegas experience from a number of different perspectives, one of which was a selection of fan interviews.

Virtually none of the contributors were identified, other than by little snippets of information they let slip during their interview sessions.

Sue Wiegert (pictured in the bottom right image with Tinkerbell the cat and Cricket Coulter), was the president of the Blue Hawaiians for Elvis Fan Club, and was interviewed together with Cricket, a friend of Elvis for 11 years, and who had actually worked for him for a while, although this genuine connection was not mentioned in the film. Tinkerbell (the cat) was described as a fan of Elvis' Vegas album, because 'it has a lot of action in it'.

One of the nicer interviews was with the mother and daughter (centre right) who were sharing the Elvis Las Vegas experience, demonstrating that Elvis' unique fan base transcended generations. "Mother doesn't like it when he stands too still, she likes a lot of action and I must admit I do too," the daughter explained. "He sends my phi beta kappa key jangling!"

The contributor in the blue cardigan is interesting. We never find out who he is, or anything about him. He's well spoken, and makes an articulate and useful contribution, yet the Village Voice, in their review of the movie, described him as 'possibly the creepiest young man ever to appear on screen'.

One of Colonel Parker's objections to the rough cut of the film, which he communicated directly to the MGM corporate head James (the Smiling Cobra) Aubrey, bypassing the director and producer, was that the fan interviews tended to distract from the excitement of the performance segments.

One segment that never made it to the final edit was an interview with some members of the cast of Hair, who apparently offered their responses by means of a slightly weird session of improvised acting...

It's interesting to compare the way Sanders treated the fan interviews in comparison to Bob Abel and Pierre Adidge for Elvis on Tour, two years later. In Elvis on Tour, there seemed to be a spirit of togetherness, in that the filmmakers put themselves, and the camera, right in the midst of the fans and on the same level; equally caught up in the excitement at the hotels, the airports, and the arenas. Denis Sanders, on the other hand, seemed to be examining them like museum exhibits, and perhaps quietly saying, Can you believe these people?

Colonel Parker was very complimentary about Denis Sanders' professionalism and commitment, despite their creative differences. Elvis biographer Peter Guralnick suggested that Denis Sanders might have had 'an implicit contempt for his subject'. A bit harsh maybe....

[emma-watson-blog]

Overview:

Born:

April 15, 1990 · Paris, France

Birth name:

Emma Charlotte Duerre Watson

Nickname:

Em

Height:

5′ 5″ (1.65 m)

Mini Bio:

Emma Charlotte Duerre Watson was born in Paris, France, to British parents, Jacqueline Luesby and Chris Watson, both lawyers. She moved to Oxfordshire when she was five, where she attended the Dragon School. From the age of six, Emma knew that she wanted to be an actress and, for a number of years, she trained at the Oxford branch of Stagecoach Theatre Arts, a part-time theatre school where she studied singing, dancing and acting. By the age of ten, she had performed and taken the lead in various Stagecoach productions and school plays.

In 1999, casting began for Harry Potter and the Sorcerers Stone (2001), the film adaptation of British author J.K. Rowling's bestselling novel. Casting agents found Emma through her Oxford theatre teacher. After eight consistent auditions, producer David Heyman told Emma and fellow applicants, Daniel Radcliffe and Rupert Grint, that they had been cast for the roles of the three leads, Hermione Granger, Harry Potter and Ron Weasley. The release of Harry Potter and the Sorcerer's Stone (2001) was Emma's cinematic screen debut. The film broke records for opening-day sales and opening-weekend takings and was the highest-grossing film of 2001. Critics praised the film and the performances of the three leading young actors. The highly distributed British newspaper, 'The Daily Telegraph', called her performance "admirable". Later, Emma was nominated for five awards for her performance in the film, winning the Young Artist Award for Leading Young Actress in a Feature Film.

After the release of the first film of the highly successful franchise, Emma became one of the most well-known actresses in the world. She continued to play the role of Hermione Granger for nearly ten years, in all of the following Harry Potter films: Harry Potter and the Sorcerer's Stone (2001), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Order of the Phoenix (2007), Harry Potter and the Half-Blood Prince (2009), Harry Potter and the Deathly Hallows: Part 1 (2010), and Harry Potter and the Deathly Hallows: Part 2 (2011). Emma acquired two Critics' Choice Award nominations from the Broadcast Film Critics Association for her work in Harry Potter And The Prisoner Of Azkaban and Harry Potter And The Goblet Of Fire. The completion of the seventh and eight movies saw Emma receive nominations in 2011 for a Nickelodeon Kids' Choice Award, and for Best Actress at the Jameson Empire Awards. The Harry Potter franchise won the BAFTA for Outstanding British Contribution to Cinema in February 2011.

2011 saw Emma in Simon Curtis's My Week with Marilyn (2011), alongside a stellar cast of Oscar nominees including Michelle Williams as Marilyn Monroe and Kenneth Branagh as Sir Laurence Olivier, in addition to Eddie Redmayne, Dame Judi Dench, Dougray Scott, Zoe Wanamaker, Toby Jones and Dominic Cooper. Chronicling a week in Marilyn Monroe's life, the film featured Emma in the supporting role of Lucy, a costume assistant to Colin Clark (Redmayne). The film was released by The Weinstein Company and was nominated for a Golden Globe for Best Motion Picture - Comedy or Musical. In 2012 Emma was seen in Stephen Chbosky's adaptation of his coming-of-age novel The Perks of Being a Wallflower (2012), starring opposite Logan Lerman and Ezra Miller. This independent drama centered around Charlie (Lerman), an introverted freshman who is taken under the wings of two seniors (Watson and Miller) who welcome him to the real world. The film premiered at the 2012 Toronto International Film Festival and received rave reviews. The film won the People's Choice Award for Favourite Dramatic Movie and Emma also picked up the People's Choice Award for Favourite Dramatic Movie Actress. Emma was awarded a second time for this role with the Best Supporting Actress Award at the San Diego Film Critics Society Awards where the film also won the Best Ensemble Performance Award.

In summer 2013, Emma starred in Sofia Coppola's American satirical black comedy crime film, The Bling Ring (2013), opposite Katie Chang and Israel Broussard. The film took inspiration from real events and followed a group of teenagers who, obsessed with fashion and fame, burgled the homes of celebrities in Los Angeles. The film opened the Un Certain Regard section of the 2013 Cannes Film Festival. Emma also appeared in a cameo role as herself in Seth Rogen's apocalypse comedy This Is The End (2013). The film tells the story about what happens to some of Hollywood's best loved celebrities when the apocalypse strikes during a party at James Franco's house.

2014, Emma was seen in Darren Aronofsky's Noah (2014), opposite Russell Crowe, Jennifer Connelly, Ray Winstone, Douglas Booth, Logan Lerman, and Anthony Hopkins. The film told the epic, biblical tale of Noah and the ark. Emma plays the role of Ila, a young woman who develops a close relationship with Noah's son, Shem (Booth). Noah made an outstanding $300m since its release in March. In 2015, Emma starred in Regression (2015), written and directed by Alejandro Amenábar. Also headlined by Oscar-nominated Ethan Hawke, and set in Minnesota in 1990, Regression tells the story of Detective Bruce Kenner (Hawke), who investigates the case of young Angela, played by Emma, who accuses her father of sexual abuse.

In 2012, Emma was honored with the Calvin Klein Emerging Star Award at the ELLE Women in Hollywood Awards. In 2013, Emma was awarded the Trailblazer Award at the MTV Movie Awards in April and was honored with the GQ Woman of the Year Award at the GQ Awards in September. Further to her acting career, Emma is a Goodwill Ambassador for the UN, promoting gender equality and the empowerment of women. Emma graduated from Brown University in May 2014.

2017, Emma starred in the live-action Disney fantasy Beauty and the Beast (2017), one of the biggest movies of all time in the U.S., and the dramatic thriller The Circle (2017).

Family:

Jacqueline Luesby(Parent)

Chris Watson(Parent)

Relatives:

Freda Emma Watson (Duerre)(Grandparent)

Toby Watson(Half Sibling)

Lucy Watson(Half Sibling)

Nina Watson(Half Sibling)

Alex Watson(Sibling)

Trivia:

Has kept a painstakingly detailed log of her everyday life since her film career took off, as many as 30 journals in total.

Favorite Harry Potter book is Harry Potter and the Prisoner of Azkaban.

Best friends with Harry Potter co-stars Daniel Radcliffe and Rupert Grint after practically growing up with them on the Harry Potter set. She calls them her 'brothers'.

Was offered the titled lead in Cinderella (2015) but turned it down.

At the age of fifteen became the youngest person to appear on the cover of Teen Vogue magazine.

Paris at the time of Emma's birth. Emma lived in France until the age of five, when her family returned to the United Kingdom.

Was named the 'Highest Grossing Actress of the Decade' by the Guiness Book of World Records. Her film work in the past decade has grossed over 5.4 billion dollars worldwide (2009).

She achieved eight A* and two A passes in her GCSEs (exams British school pupils take in their last compulsory year of secondary school).

Prefers to sign autographs for fans rather than taking pictures with them.

Auditioned eight times (at age 9) for the role of Hermione Granger in the Harry Potter films, playing opposite five prospective sets of Harry's before landing the part.

Was offered the role of Mia in La La Land (2016) but turned it down to play Belle in Disney's live-action Beauty and the Beast (2017). The role then went to Emma Stone, who won an Academy award for her performance. Ironically, she replaced Stone for the role of Meg March in Greta Gerwig's Little Women (2019) after Stone was unable to take the part due to her scheduling conflicts in promoting The Favourite (2018).

Both of her parents are lawyers.

Emma's favorite movies include Notting Hill (1999), Love Actually (2003), Bridget Jones's Diary (2001), Four Weddings and a Funeral (1994), About Time (2013), Giant (1956), Breathless (2008), Amélie (2001), Pan's Labyrinth (2006), The Fountain (2006), The Shawshank Redemption (1994), Gladiator (2000), Braveheart (1995), The Curious Case of Benjamin Button (2008), Philomena (2013), Blue Jasmine (2013), Rush (2013), 12 Years a Slave (2013), The Great Beauty (2013), The Woodmans (2010), Closer (2004), Pretty Woman (1990), Chicago (2002), Romeo + Juliet (1996), Moulin Rouge! (2001), Dirty Dancing (1987), Grease (1978), Shrek (2001), Ice Age (2002), and Finding Nemo (2003). school and local teams), skiing, painting, cooking, singing, and dancing (has twice competed with her school in Rock Challenge 2006 and 2007).

Entering Brown University, Rhode Island, U.S.A. after completion of the Harry Potter Movies (July 21, 2009).to study literature.

Emma's favorite actors are Johnny Depp and Russell Crowe.

Her parents divorced in 1995; each parent has since remarried. On her father's side, she has a younger half-brother, Toby, born 2003, and half-sisters (identical twins) Lucy and Nina, born in 2004. Lucy and Nina played the younger version of her character Pauline in Ballet Shoes (2007). She also has two stepbrothers through her mother's remarriage.

Has said that she'd like to work with directors Alfonso Cuarón and Guillermo del Toro.

Is a certified yoga and meditation instructor.

Is a fan of The Golden Compass (2007) and the rest of the fantasy trilogy 'His Dark Materials' by Philip Pullman.

Emma's favorite actresses are Julia Roberts, Renée Zellweger, Sandra Bullock, Rebel Wilson, Goldie Hawn, Nicole Kidman, Cate Blanchett, Helena Bonham Carter, Natalie Portman and Meryl Streep.

Is the former roommate and current best friend of America's Next Top Model (2003) Cycle 18 winner, Sophie Sumner.

Attended The Dragon School, a renowned preparatory school in Oxford, between September 1995 and July 2001. She then went on to attend Headington School, a private all-girls school, between September 2001 and July 2006.

She enrolled in a Shakespeare course at The Royal Academy of Dramatic Arts during the summer of 2008.

May 25, 2014) Graduated from Brown University with a bachelor's degree in English literature.

Emma's favorite television shows include Friends (1994), Sex and the City (1998), Girls (2012), Gossip Girl (2007), America's Next Top Model (2003), Mad Men (2007), House of Cards (2013), Pride and Prejudice (1995) and The Crown (2016).

Has two cats, one is named Bubbles and the other is named Domino.

Emma Watson has stated that, since her audition at age 9 through the completion of 8 Harry Potter features by age 22, the hectic, educational experience consumed over half her life.

She was named after her paternal grandmother, born Freda Emma Duerre who, after marriage, became Freda Emma Duerre Watson.

Was in a relationship with Will Adamowicz from 2012-2013. The couple met while studying at Oxford University in 2011.

Took AS levels in English, Geography, Art, and History of Art in May 2007, and has now dropped History of Art to pursue the three A levels.

When she made a promotional appearance on a Dutch TV talk show for Harry Potter and the Order of the Phoenix (2007), the interview ended with her joining the Dutch illusion act Magic Unlimited, who sawed her in half.

Has the same birthday as her Beauty and the Beast co-stars: Luke Evans and her Harry Potter collaborator Emma Thompson.

Is taking legal action after private photos of her trying on various outfits were stolen and posted online.

Was ranked #3 on Empire Magazine's '100 Sexiest Movie Stars' list.

She and her Harry Potter co-stars Daniel Radcliffe and Rupert Grint were named #9 on Entertainment Weekly's Best Entertainers of the Year in 2005.

Ranked as having one of the most beautiful famous faces by "The Annual Independent Critics List of the 100 Most Beautiful Famous Faces From Around the World." She was ranked #2 in 2010, #12 in 2009, #27 in 2008, #30 in 2007, and #54 in 2006.

In 2008, BoyDestiny wrote and sang the song "You Got Me Going", also known as The Emma Watson Song.

Sixth highest paid actress of 2017 with $14 million.

Passed her driving test in the U.S. in 2008 and drives a Toyota Prius.

Was named the face of the 2009 Fall/Winter Burberry Campaign.

Radio One's movie critic James King named "Ron Weasley" and "Hermione Granger", played by Rupert Grint and Emma Watson, as number 4 in his Top 5 Movie Couples list on The Colin and Edith Show (2006).

Emma's style icons include Jean Seberg, Mia Farrow, Kate Bosworth, Diane Kruger, Jane Birkin, Edie Sedgwick, Grace Kelly, Audrey Hepburn, Lauren Bacall, Sofia Coppola, Cate Blanchett, Tilda Swinton, Françoise Hardy, Charlotte Rampling and Michelle Obama.

She served on a jury to select the 2004 teen-aged film-makers' First Light Film Awards. The ceremony was held in London's Leicester Square. Other jurors included Pierce Brosnan, Kenneth Branagh, and Samantha Morton.

In 2007, Forbes Magazine estimated her earnings for the year at $4 million.

Has worked closely with the organic and fair trade pioneer People Tree.

Announced that she would be collaborating with People Tree, a Fair Trade Fashion Company, as a creative advisor for the new Spring/Summer collection.

Emma's favorite filmmakers are Richard Curtis, Alfonso Cuarón, Guillermo del Toro, Sofia Coppola, Darren Aronofsky, Danny Boyle, David Fincher, Lynne Ramsay, Ang Lee, and Tom Hooper.

Emma Watson has combined/hyperactive type ADHD, for which she has been medicated ever since she was 5.

Has spoken in the United Nations Organization in favour of Women's Rights, including abortion.

Was ranked #8 in Portrait Magazine's 'Top 30 Under 30' (2009). 'Harry Potter' cast mates Evanna Lynch, Rupert Grint, Bonnie Wright, Tom Felton and Daniel Radcliffe also made the list on the 3rd, 5th, 7th, 14th and 18th place respectively.

Was ranked #15 on Forbes List of The 20 Top-Earning Young Superstars.

Ranked #4 by Portrait Magazine for favorite celebrities by fans' vote. Her Harry Potter co-star Bonnie Wright Had also Ranked #5.

Includes Justin Timberlake and Alanis Morissette among her favorite singers.

She was the front-runner for the role of Yelena Belova in Black Widow (2021), but it was given to Florence Pugh.

Was ranked #3 on Moviefone's '25 Hottest Actors Under 25'.

(April 24, 2011) Her publicist, Vanessa Davies, said that Emma will transfer from Brown University to another school in the Fall of 2011.

Was ranked #3 on 'Yahoo! List of the 10 Most Popular Stars of 2007'.

Was ranked #69 on Maxim magazine's Hot 100 women of 2011 list.

Once accidentally mistook Jimmy Fallon for Jimmy Kimmel.

Was born at 6:00pm (GMT + 1 hour) on a Sunday.

Voted #17 on Ask Men's top 99 'most desirable' women of 2012.

Ranked #94 on the Maxim magazine Hot 100 of 2008 list.

Was Entertainment Weekly's "Entertainer of the Month" for the month of July (2009).

She was ranked #8 on Portrait Magazine's 'Top 30 Under 30' list.

Ranked #29 on Askmen's list of the Top 99 Most Desirable women for 2013.

She was ranked #3 on Teen Vogue's list of the Best Dressed celebrities of 2009.

Ranked #15 in the 2011 FHM Australia of "100 Sexiest Women".

Was ranked #97 on Forbes List of The Celebrity 100.

Ranked #23 in the 2011 FHM list of "100 Sexiest Women in the World".

She was ranked #6 on MSN's list of 'Best Dressed Stars of 2009'.

Was ranked #28 on Entertainment Weekly's '30 Under 30' the actress list.

Ranked #29 in the 2010 FHM UK list of "100 Sexiest Women in the World".

Was ranked #26 on Empire Magazine's '100 Sexiest Movie Stars' (2007).

Named #1 on 'Sexiest Movie Stars" Poll on Empire Magazine voted by over 50 000 people around the world.

She was considered to voice Coraline Jones in "Coraline", which later went to Dakota Fanning.

Salaries

Beauty and the Beast (2017) - $15,000,000

Harry Potter and the Deathly Hallows: Part 2 (2011) - $15,000,000

Harry Potter and the Deathly Hallows: Part 1 (2010) - $15,000,000

Harry Potter and the Order of the Phoenix (2007) - $4,000,000

Harry Potter and the Prisoner of Azkaban (2004) - $125,000

Harry Potter and the Chamber of Secrets (2002) - $125,000

Harry Potter and the Sorcerer's Stone (2001) - $125,000

[anincompletelist]

year in review: favorite lines! :D

hi friends! so this is entirely self-indulgent (both the part where I share my own work and the part where I tag you all to do the same) but I feel like we all have those special pieces of art/fics that just mean a little more to us but don't really get a chance in the spotlight. plus, any time is a good time for a bit of shameless self-promo and supporting friends! rules and my own contribution below! <3

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RULES: there are no rules! I am quite literally making this up as I go so please don't take this too seriously ksjhdkh. feel free to share your top three/top five/however many favorite snippet(s)/line/quotes/paragraphs from your published fics (or wips, I don't care!) and don't forget to share the link of course! see below for an example.

here are mine!

from Sure As the Stars in the Sky:

They’re both honest people, sometimes to a fault, but Henry’s truths are private, quiet, and Alex’s are loud. From the day Henry met him he’s been brash and earnest, unafraid to speak his mind even when he’s scared, without making sacrifices or harboring fear of punishment for doing so. It’s both intoxicating and infuriating.  Alex screams to a crowd of thousands of supporters, holding up bright posters with encouraging messages, and Henry screams into his pillow. When Alex speaks everyone listens, when Henry does he’s stifled, told to quiet down, to get back in line. Alex tries and succeeds. Henry tries. And tries and tries and tries and tries and still it isn’t enough to make any real difference. His whole life he’s felt linked to Alex in a number of ways. He’d taken comfort in their similarities despite their disagreements on more than a few occasions, because it’d been so nice just to have the knowledge that someone out there in the world had some idea what he was going through. That maybe he wasn’t as alone as he often felt. He and Alex’s paths converge at many points, but this is not one of them.  Henry rolls over and presses his face into the pillow again, stays there until all of his senses have redirected toward something else, until all he feels is the constricting of his airway and the rush behind his eyes, until his instincts force him to lift his head again, to take a breath, to survive.

from take my hand if you can take me as I am:

And it’s probably just a power play. It’s probably just something that Henry enjoys in the bedroom that’s unrelated to anything else. Lots of people like choking, Alex reckons.  But here, now, it feels like— it feels like Henry, Prince Henry, who holds a tremendous amount of power over the whole of his entire country, Henry Fox who tries so hard to balance it all on his shoulders without ever complaining or asking for help even when it’s ripping him apart, Alex’s Henry who shows up in shifts at the oddest of times with his sweet words and his soft, kind heart and his quiet hope — it feels like all of those versions of Henry, each with an equal amount of power, handing a bit of that over for a moment. Like he’s letting Alex have another little piece of him, offering it up like the most precious secret, asking nothing in return. Like he trusts Alex to hold it, to hold him, because he knows he’ll push him only as much as it takes to shake off the dust so he can shine again, never enough to shatter him beyond repair.

from praying our bridges don't make waves:

Alex’s chest burns. Here he is, standing in a bedroom Henry never asked to be in, with someone that’d never been a part of his plans, putting his gentle hands and tender lips on Alex’s roughness even when he’s dirty, even when he’s broken. Even when he doesn’t have anything to offer him but that. Even, even, even. Even when Alex is drifting somewhere miles away, Henry draws him back.

from but I can count on you to tell me the truth when (I've) been drinking and you're wearing a mask:

The ceiling of Alex’s dorm room is cracking in one corner. He knows because he stares at it a lot these days, in between going to classes and lacrosse games. It hadn’t been there when he moved in but it’d steadily grown since that first year. Alex wonders if somehow it’s his fault.

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tags: YA'LL THERE'S NO PRESSURE AT ALL BUT ALSO PLS DO THIS SO I CAN APPRECIATE YOU AND YELL AT YOU IN THE TAGS! @affectionatelyrs @hgejfmw-hgejhsf @firenati0n @kiwiana-writes @daisymae-12 @read-and-write- @inexplicablymine @happiness-of-the-pursuit @heybuddy-drabbles @firstsprinces @sparklepocalypse @littlemisskittentoes @getmehighonmagic @wordsofhoneydew @nocoastposts @zwiazdziarka @luainthewild @england-would-fall @iboatedhere @magicandarchery @gayrootvegetable @raysletters @tintagel-or-cockleshells @eusuntgratie @ninzied AND ALSO ANYONE ELSE WHO WOULD LIKE TO SHARE PLS TAG ME ! also might try to come up with some writer asks for end of year stuff too, but we'll see.

I'll see you all for wip wednesday! I hope you're all well! :D

xx

[earhartsplane]

Since we're all talking about plagiarism now, I'd like to share this video which came out last year about a paper accepted at the CVPR 2022:

For the people not in the know, the Computer Vision and Pattern Recognition conference is the biggest conference in computer science. Last year, in 2022, the paper featured in the video got accepted. A few days later, this video was posted. The first author, a PhD student, apologized and the paper was retracted and removed from the proceedings. Hilariously, the first reaction of the co-authors, including a professor at the Seoul National University, was to say that they had nothing to do with it.

My point here is that scientific papers are not rigorously checked for plagiarism, and a background in academia tells you absolutely nothing about whether or not someone will be diligent in avoiding plagiarism. The biggest difference is that there are consequences if you're caught.

I also don't want people to be too harsh on the first author of this paper, or to think the situation is equivalent to the whole Somerton debacle. For starters, you don't get paid for publishing papers, you (or more commonly your university) pay the publishers. But the phrase publish or perish exists for a reason, and everyone in the field wants to get published in the CVPR, because it's supposed to show that you're great at research. Additionally, the number of papers and the prestige of the venues they're published in criteria on which you will be evaluated as a researcher and a university employee.

The way I see it, there are basically two kinds of plagiarism that are shown in the video. The first one concerns sentences that are lifted completely unchanged from other papers. This is bad, and it is plagiarism, but I can see how this would happen. Most instances of this appear in the introduction and on background information, so if you're insecure about your mastery of English and it's not about your contribution anyway, I can understand how you would take the shortcut of copy-pasting and tell yourself that it's just so that the rest of the paper makes sense, and why waste time on phrasing things differently if others have done it already, and it's not like there are a million way to write these equations anyways.

Let me be clear. I don't approve, or condone. It's still erasing the work of the people who took the time and pain to phrase these things. It's still plagiarism. But I understand how you could get to that point.

The second kind of plagiarism is a way bigger deal in my opinion. At 0:37 , we can see that one of the contributions of the paper is also lifted from another paper. Egregiously, the passage includes "To the best of our knowledge, this is the first [...]" , which is a hell of a thing to copy-paste. So this is not only lazily passing other people's words as your own, it's also pretending that you're making a contribution you damn well know other people have already done. I also wasn't able to find a version of the plagiarized article that had been published in a peer-reviewed venue, which might mean that the authors submitted it, got rejected, and published it on arXiv (an website on which authors can put their papers so that they're accessible to the public, but doesn't "count" as a publication because it's not peer-reviewed. You can also put papers that are under review or have been published on there as long as you're careful with the copyrights and double-blind process). And then parts of it were published in the CVPR under someone else's name.

I think there's also a third kind of plagiarism going on here, one that is incredibly common in academia, but that is not shown in the video. That's the FIVE other authors, including a professor, who were apparently happy to add their name to the paper but obviously didn't do anything meaningful since they didn't notice how much plagiarism was going on.

[lazywitchling]

Alright, here we go. My review for The Dabbler's Guide to Witchcraft by Fire Lyte

Final rating: ??/10 - it broke my numbers system.

TL;DR - I like the book. I'm angry at the author. It's great for new practitioners. If you're going to get it, please get it from the Spiral House Shop, get Alex Wrekk's two witchcraft zines to go with it, and go look at/reblog/contribute to the original Dabbler's Week project.

(Also I think this is the longest review I've written yet. I'm sorry.)

This book is very good. I'm mad about that. The author is an excellent writer. I'm mad about that. I want to dislike this book but I can't, and I'm mad about that.

So let's get into the breakdown of why.

First up, a housekeeping thing: "Fire Lyte" is a pen name that I don't believe the author uses anymore, so I will be referring to him as Don Martin, the name he is using on his current projects. I know he's on TikTok, formerly of Inciting a Riot podcast, now of Head on Fire podcast.

Second, some links relevant to the review-which-is-actually-just-a-rant:

The breakdown of things I found that were taken uncredited from Tumblr

I COULD be making this up and reading it in bad faith, but this bit about 'heteronormative marriage' has my alarm bells ringing

Why I hate the title of this book

The original Dabbler's Week project links

Anyway.

I picked this book up specifically because of the title. It's been 3 years since it was published, so it took me a while, but I remember looking at that title when it was first out and thinking "Hey... the timing of this... did this person just wholesale lift the 'Dabbler' idea from Tumblr?"

The answer is: Yes, probably!

(He also summarized the Malachite Dick post from February 2020, but he actually credited Tumblr along with relevant usernames, so that's good and also made me laugh.)

But... yeah. The fact that he's crediting Tumblr from something that specifically happened in February 2020, when the original Dabbler's Week was from late January 2020 and seems to have inspired his whole book? Don, would it have killed you to mention ANYTHING about that project and the people involved?

He's very big on talking about following trails of information, listening to podcasts, listening to the podcasts of people talked about on those podcasts, reading books talked about on those podcast, and so on. But if he doesn't start off by saying "Dabbler's Week was a project issued by asksecularwitch on Tumblr", then how is anyone supposed to follow THAT chain of information, hmm? If his whole advice on finding good witchcraft resources is to follow the chain of people who are sharing information from each other, but he makes no mention of where he got the whole idea for his book, then what?

Side rant: I'm real tired of how Tumblr information is simultaneously treated as too shitty to ever bother reading or mentioning, but good enough to screenshot, repost on other sites, recite word-for-word on tiktok, and apparently write a book about.

ANYWAY. I'm angry about it. I'm gonna be angry about it. Here, please look at these links to the shenanigans that began the original Dabbler's Week, because Don certainly won't tell you about this part.

Anyway.

Some bad things:

I mean, the plagiarism. I keep hesitating to use the word 'plagiarism', because to me that seems like wholesale lifting entire works and slapping your name on them, when all Don did was fail to credit a few Tumblr users he quoted. But then again, if I did that on a research paper in college, it would be called plagiarism, so.

This book is in fact not a great guide for 'dabblers'. The point of Dabbler's Week was that if someone didn't know if they wanted to commit to witchcraft but wanted to fuck around with casting some spells for a week to try it out, there were week-long guides on things someone could do to try that. This book is not for fucking around with magic, it's for people who are already sure that they want to make this a thing in their lives. It handles some heavier topics (e.g. vetting mentors and not getting sucked into a cult) that are very very important for someone who is BEGINNING, but may be too much for someone who just says one day "lol I think I'll cast a spell for fun". A far more accurate title would have been "The Beginner's Guide to Witchcraft", but then he'd lose that punchy and marketable and googleable term 'dabbler'. (Yes, I'm going to be petty about this.)

"Wow Jes, it sounds like you really hated this book."

NO I DIDN'T, AND I'M SO MAD ABOUT THAT!

Some good things:

The author has a writing style that I enjoyed very much. This is a personal preference, but I like when books are either written so that the author is fully invisible (Bree Landwalker's books do this wonderfully), or the author is fully visible, like they're sitting at the table having a conversation with you (Kelly-Ann Maddox's 'Rebel Witch' comes to mind, as does Alex Wrekk's 'Brainscan 33: DIY Witchery'). Don Martin is the table conversation kind. That makes this book very easy to read, while also getting information across in an easily-understood sort of way.

This book fills a very necessary gap in modern witching books. It talks about the online community of witches, and a lot of the pitfalls that have come along with the bonuses of having so much witchcraft available at our social-media connected fingertips.

He gets very in depth with things like cultural appropriation. That's something that you can find in a lot of modern witch books, but Don actually spends the time breaking the concept down and explaining WHY it's harmful, HOW it affects people, and quotes people from the affected minority groups. I have seen the appropriation topic come up in a lot of the witch books I've read, but Don is the one who has covered the topic the best, imo.

He spends time on topics that I myself would have been dismissive of. The example that comes to mind is the chapter 'Can I Make Sh*t Up?' My knee jerk reaction was "Yes, you can make your own spells, you don't need to get someone else's permission. Next question." But Don goes through the full breakdown of yes you can make up your own spells, yes you can make your own correspondences, but no that doesn't mean you can just throw a water soluble crystal in your water bottle because you think it's good for cleansing.

Actually on that topic, he covers a lot of the why not just the what. It's not just 'appropriation is bad', it's 'and here's why'. It's not just 'research your herbs', it's 'here's some examples of things that can and have gone wrong.'

SPELL CANVASES! There are 11 'spell canvases' in this book, and they're pretty much all just kids/teens science experiments (e.g. dissolving an egg shell in vinegar, lighting a tea bag on fire so it flies, and using food dye to color a white flower). He does not give intentions for these spells, but gives a spell technique and then some examples of how you could apply your own purpose/intention to it as needed. It's actually pretty smart, and now I wish there was more stuff like this.

He actually explains what UPG means. Man, 'UPG' is one of those things that I keep seeing as a 'I don't know what that means and I'm to afraid to ask' blog post. When someone pops into the witchy social media circles, we can throw the term 'UPG' around as if everyone knows what it means, and forget to actually explain that it's Unverified Personal Gnosis and what that means. Don's got us covered. Good on you, Don.

The one throwaway line about why you don't have to buy fancy witch things. Tucked away in chapter 12 is this almost nothing-sentence mentioning why you shouldn't be "going broke hoping to buy your way into 'effective' magic" (pg. 161). I have seen, reblogged, probably written posts about 'No you don't need the fancy tools! You can just use whatever! But you CAN buy them if you want, you just don't NEED them.' And we've all seen those around, right? But damn, if Don didn't just get to the heart of it. You can't buy your way into skill. YES, Don, THAT!! THANK YOU.

Alright. I'm running out of words. This isn't a review, it's a rant. Holy shit. Let me shut up with a TL;DR

Almost without doubt, Don liked Tumblr's idea enough to write a book about it, but failed to give credit. But he's an excellent writer and covers a lot of topics that are not often written about in printed books, and to get those blogosphere-ideas onto bookshelves is invaluable. This is a good book for beginners starting out in witchcraft, but not for dabblers who just want to screw around with some spells. Do the pros outweigh the cons? Is it ethical to buy a book when the author gets royalties but the bloggers he got the idea from do not? I don't know. I can't tell you that. You'll have to weigh all this against your own moral compass and decide for yourself. My recommendation is that if you're going to buy it, please buy it from the Spiral House Shop, because if Don Martin's going to get paid for this book, Alex Wrekk should too. Buy Alex's zines. Reblog Sec's posts. Links are up at the top.

[thehighpriestexx420]

What do they think/feel about you?

Pick A Card - General Collective Tarot Reading

Take a moment to consider each picture/pile number and see which one calls out to you. One may pop out more than the others immediately. This indicates this pile will significantly resonate with you and you're meant to see this.

You may feel drawn to more than one pile and that works too. Take what resonates and leave the rest. This is a general reading for whoever sees this and every detail may not be for you as an individual.

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Pile 1

The Hanged Man clarified by The Star, The Devil clarified by 3 of Swords, 2 of Wands clarified by The Tower, 7 of Pentacles clarified by The Magician, Page of Swords clarified by 10 of Wands, & The World clarified by Ace of Swords

This is an ex. They're being faced with a decision as to whether or not they should pursue you. They want to but the heartbreak and grief from the breakup is holding them back and clouding their mind. They were unfairly critical towards you only due to the stress of the breakup. They don't truly think that of you and need to work on managing their emotions.

I saw 444 when I was doing your reading. The meaning of this number further clarifies some things. They're currently thinking about you too. You're mirroring eachother and may be twin flames, a member of the same soul family, and/or have soul-ties.

You both have deep love for each other and are meant to teach each other what it means to be whole, complete, balanced, and in harmony. You're the whole world to them and you're everything they could ever want. A main message for you is to trust in your intuition and the guidance you've been recieving from your guides/angels. You're right to have faith/hope for this relationship. Change is coming soon.

They're of 2 minds about this connection but their faith and trust in what they're seeing is growing. It's currently the dominant perspective, even if slightly. They know what you are to eachother, that the difficult times you've gone through served as lessons, and that you're meant to continue on eachother's path. However, they still have to gather their courage and determination in order to fully test that theory. Overcoming the pain and loss of confidence they're experiencing isn't easy.

They're thinking and contemplating a lot about this connection. Their mind feels really scattered and it's like they're fighting themselves and for clarity. They're obsessing, stressed, and guarded.

They're going to reach out when they can't take it anymore just to find relief and get out of their head. At this point, knowing your response is worth whatever rejection may occur. I'm feeling that they're actually going to explode and reach out within days - around 5 for alot of you.

Their mind reminds me of ADHD, anxiety, and depression so if they have these it largely contributes to their scattered mind and what they have to overcome in order to reach out to you.

They find you very attractive and like to watch & admire you. They want to have rough, even harsh, sex with you.

Pile 2

Judgement clarified by The Devil, 5 of Swords clarified by Temperance, The Moon clarified by Ace of Pentacles, The Hanged Man clarified by The Hierophant, 9 of Swords clarified by Death, & The Devil clarified by 7 of Wands

It's interesting that you choose the picture with fire and your reading contains a lot of firey energy along with fire imagery. There's a lot of anger and conflict here. For the large majority of you, you're the one who needs to learn how to manage your emotions and they're the passive one and/or the one who walks away during arguments.

You've been arguing and yelling alot and this is endangering your relationship if they haven't broken up with you already. They've been seeking advice from their friends/family and this has made it harder for them to figure out their own thoughts and use their best judgement.

They don't want to walk away from *you*, they want to walk away from the screaming. They want a new beginning with you that's healed and harmonious. They see the value of this relationship and want to work on it with you. But that means you have to be willing because they won't stay around for the mistreatment.

This is a deep seeded issue you have and you have to consistently show the change you want with your actions in order to ease their concerns and worries. They need some space to themself and to find the courage and inner strength to communicate their desire to you.

Pile 3

King of Wands clarified by Ace of Wands, 8 of Chalices clarified by 2 of Swords, Ace of Swords clarified by 3 of Pentacles, 8 of Swords clarified by 10 of Wands, 7 of Pentacles clarified by 3 of Swords, & The Hanged Man clarified by The Devil

Your person is currently in a relationship with someone else. Deep down they know they have to leave the relationship but they feel trapped and confused. They pride themselves on being loyal and supportive with whoever their current partner is so they may even be suppressing and denying their passionate feelings towards you.

They need to change their perspective about this situation in order to see the way out of it. You can try to deny reality but at the end of the day, in order to truly live, you have to have the courage and determination to go after what you want. You're being asked to trust in their ability to do this. They'll come to you, just have patience.

They need to get past their guilt and anguish to see that they can't help how they feel and the only reason to feel guilty is if they stayed in a relationship where they're not honest about having feelings for someone else. The extremely high passion they feel towards you will push them to rise above this.

Pile 4

The Hanged Man clarified by Death, Page of Wands clarified by 8 of Wands, The World clarified by Daughter of Wands, Judgement clarified by Temperance, 5 of Pentacles clarified by 7 of Wands, & 7 of Pentacles clarified by Ace of Swords

Your person is someone from your past - likely an ex. You had a falling out and they want forgiveness, healing, harmony, and renewal in your relationship.

They're done hanging in limbo. They want to work on your relationship, learn from the obstacles that caused you to fall out, and rise above them. The clarity they've gained about this after taking some time to reflect on this situation will have them reaching out to you very soon. They'll express their romantic love for you and their desire to heal the relationship.

They see you as their whole world, attractive, and vibrant. They want to have a home with you and see you as their home. Although it's important to not get on your bad side, they see the love and care you have for them. You make them feel safe, protected, loved, and comforted.

You may be overly protective of yourself & misinterpret things due to needing to heal your inner child and work through trauma.

Although they're afraid of rejection and things going wrong, they have the passion, courage, and strength to reach out to you. Losing you has caused them to hit rock bottom and go through a difficult grieving period. It's made it hard for them to have motivation for alot of things, including reaching out to you because of the hopelessness that depression brings.

[scotianostra]

Happy Birthday Bill Forsyth the Scottish film director and screenwriter.

Born in Glasgow July 29th 1946 and educated at Knightswood School. On leaving aged 17, he answered an advertisement for a “Lad required for film company” and spent the next eight years helping make short documentary films.

Leaving documentary production in 1977, Forsyth wrote the scripts for Gregory’s Girl and That Sinking Feeling in the hope of breaking into feature films.

Obtaining finance, however, proved frustrating and problematic. The BFI Production Board rejected Gregory’s Girl three times. Forsyth later said, “I remember one torment of a meeting when I tried to explain that Gregory’s Girl was really a structuralist comedy… I suspect my script was too conventional although nobody actually told me as much.”.

That Sinking Feeling was eventually made in 1979 with amateur actors from the Glasgow Youth Theatre, including John Gordon Sinclair (who later took the lead in Gregory’s Girl , its tiny £5,000 budget was raised from a variety of sources.

Forsyth’s distinctive voice as writer-director is already apparent in this tale of a robbery of stainless steel sinks by a gang of unemployed Glasgow teenagers - intensely humanistic and humorous yet with an underlying seriousness of purpose. This ability to create a self-contained yet believable world with a keen sense of the absurd and bizarre in the everyday is perhaps only rivalled by the work of British television writer Alan Plater. The film opened to great popular and critical success at the Edinburgh and London Film Festivals but was unable to secure more widespread distribution.

Gregory’s Girl was Forsyth’s breakthrough film. This acutely observed story of adolescence and first love set in a Scottish new town was rapturously received by both critics and public alike. Forsyth’s reputation seemed to be secured by the success of his next venture, Local Hero, a first collaboration with producer David Puttnam.

In 1999 he made Gregory’s Two Girls as a sequel to Gregory’s Girl, with John Gordon Sinclair playing the same character, but it received mixed reviews.

Gregory's Girl, to me, is still a very funny film, but it feels dated, that's not to say that it hasn't stood the test of time with some folk, indeed The Glasgow Film Theatre (GFT) showed a 4k version of the 1980 cult classic last August 1which was followed by a Q&A session with some of the cast including Gordon Sinclair(Gregory), Clare Grogan.

In 2022 the popular Scottish actor Peter Capaldi spoke of how Bill Forsyth saved him from living off pakora and lager after featuring him in Local Hero. The Doctor Who and The Thick Of It star praised the Scots film director in an acceptance speech after receiving a Bafta Scotland Award for Outstanding Contribution to Film & Television.

I love Capaldi's affection for our country, speaking to the audience while holding his Bafta, Capaldi said the award was “for getting lucky, and for being lucky enough to be born in Scotland”.

He said: “Forty years ago I was just up here (in Glasgow) as an art student, living off pakora and lager for breakfast.

“Bill Forsyth scooped me up and put me in Local Hero.

“It was an act of kindness and confidence that baffled me and much of the industry to this day, but I wouldn’t be here without him and nor would a lot of others.”

Capaldi landed this breakthrough film role aged 24 playing Danny Oldsen, a naive young oil industry executive, in the film.

A number of actors, including Dee Hepburn, will be a part of a celebration of the films of Bill Forsyth at the Outwith Festival of music and arts which takes place in Dunfermline from September 3-8. It will also screen That Sinking Feeling and Local Hero at the city’s Carnegie Theatre.

[dustedmagazine]

Listed: Amy Rigby

Photo by Bert Eke

The singer-songwriter Amy Rigby got her start in the late 1980s and early 1990s in spry, New York-based country throwback groups Last Roundup and The Shams. Starting with 1996’s Diary of a Mod Housewife, Rigby has steadily released solo work that can break your heart with the contagious ache in her dry, distinctive voice or make you laugh out loud at the concussive put-downs she doles out. Rigby has a particular knack for turning the quotidian mythic and reminding us that the mythologized are ultimately just some guys. The music has remained rooted in country, but not confined by it. Hers is a guitar-forward style that can incorporate the bright highs of acoustic pop rock, crunchy roadhouse grooves, R&B, and even jazz. Alex Johnson, in his review of Rigby’s most recent release, Hang In There With Me, called the album “tough, witty rock and roll…[that] catalogs a lifetime of drags, uncertainties and disasters, but returns, again and again, to the people, moments and experiences that make it worthwhile, or bearable enough.”

Here are some things that Rigby has been listening to lately.

Warmduscher — “Eight Minute Machines”

Discovered via an online review of their Brooklyn show last year, one that made me want so badly to be sweating in a crowd with this band onstage.

Amelia White — “Get To The Show”

One of my Nashville pals and I love this track from her latest album. Amelia is always out working and rocking, written with the great Gwil Owen… Sometimes I really do miss Nashville!

Daniel Romano — “Impossible Green”

You know when you discover an artist and think wow, this kid’ll go far, then realize they’ve been at it for years, made tons of records, play all the instruments, write, sing and tour their ass off? That’s how it is for me with Daniel Romano. This track comes from his 2017 album Modern Pressure.

Gina Birch — I Play My Bass Loud

Gina’s debut solo album came out just a year ago — I’ve been a fan since hearing the Raincoats in the late 1970s and getting to see them live when they came to NYC back then. She’s one of my heroines for being an artist and uniquely herself in whatever it is she does — music, video, painting. The bass and her opening line: “Sometimes I wake up, and I wonder — what is my job?” Pure Gina/genius!

Wreckless Eric — Inside The Majestic

He’s my husband and labelmate so what the hell — this is from his most recent album Leisureland. People know Eric for his voice and lyrics and guitar, but this is an instrumental track that’s just glorious. I want to see the movie it soundtracks, or at very least a choreographed dance routine with Eric at the piano in a tuxedo.

Michele Stodardt — “These Bones”

A big attraction for me with the Magic Numbers was Michele Stodart’s bass playing and cool vocal contributions, love hearing and seeing her do her solo thing.

Meshell Ndgeocello — The Omnichord Real Book

For the last dozen years, I was bartending/selling books at a small shop in New York’s Hudson Valley. The first time Meshell came in I was tongue-tied, knowing her as a bass playing legend and poet, and thought if she lives here, it’s kind of the center of the universe, right? I really hope to see her play live sometime.

TBHQ — “Planet of Pain” from TBHQ

A radio host on a show I guested on was playing this great track when I walked in. “I really like that,” I thought, and then realized it was my daughter Hazel Rigby who records under the name TBHQ. She’s been performing and recording for years, often instrumental/noise but her voice and lyrics are so wise and honest.

Dory Previn — “The Comedian”

There’s never been anyone like Dory Previn, the pain and ridiculousness of being a human so acutely depicted in song. There’s a new documentary about her, On My Way To Where, by my friend Julia Greenberg with animated segments by Emily Hubley, just making its debut out there. She had a fascinating, fruitful, difficult beautifully productive life and I can’t wait to learn more about her.

Mary Timony — “Dominoes” from Untame The Tiger

Love everything about Mary Timony’s latest solo album Untame the Tiger — the songs, the guitar playing, her voice, the cover!

Swamp Dogg — “Synthetic World”

One of my favorite tracks of all time. Jerry Williams (Swamp Dogg) is still out bringing his music to the people. I’m looking forward to seeing the new documentary Swamp Dogg Gets His Pool Painted — there’s just nobody like this guy.

[wonderfulworldofmichaelford]

Is It Really That Bad?

2023 was a really rough year for Disney. Marvel had two of the biggest flops, Quantumania and The Marvels, with only the phenomenal finale to the Guardians of the Galaxy trilogy wedged in between to give audiences faith; Star Wars didn’t fare much better, with divisive works like the third season of The Mandalorian and the first season of Ahsoka splitting the fanbase as usual; the live-action remake of The Little Mermaid floundered with critics and audiences alike, while Haunted Mansion was dead on arrival; the final Indiana Jones film got middling reviews, with some even saying it made Crystal Skull seem better in hindsight; and Elemental nearly burnt out at the box office due to abysmal advertising, only getting a second wind from positive word of mouth. Keep in mind, 2023 was the studio’s big 100th anniversary. Flopping this hard with all their major brands was not a good look. Thankfully, they had a really special animated film dropping for this historic anniversary, a film that was a big love letter to Disney history. It’s ostensibly a film about the origin of the wishing star other characters in other films wish upon—a novel concept to be sure! How did this premise pay off for Disney?

It bombed, with a net loss of $131 million. Keep in mind that films like Raya and Encanto, which also did poorly, had less time of theaters due to COVID. Also keep in mind Wish was advertised like crazy. Toys, clothes, ads, this movie got it all! And all of that likely contributed to how bad a financial failure it was. To make matters worse, critics were extremely mixed on the film, and the opinions of audiences weren’t much nicer. People had been skeptical from the first trailer, and so the film had an uphill battle to begin with, and sadly that uphill battle turned out to be a Sisyphean one, with the boulder slipping and rolling all the way back down to the bottom for Disney.

I genuinely had zero interest in ever watching this, and keep in mind I have access to Disney+ so it isn’t like I’d be paying specifically to see it. But I have a little daughter who became obsessed with the movie, and so I had to watch it about a dozen times. And with how much of a disaster this was for Disney, after the umpteenth viewing I decided I may as well give my thoughts. Is this movie any good, or is that just wishful thinking?

THE GOOD

I think it’s safe to say King Magnifico is the standout performance of the film. Chris Pine is clearly having an absolute blast playing the guy, and he manages to deliver a fun, upbeat, poppy villain song that succeeds despite some really bizarre and nonsensical lyrics. Sure, he’s not an S-tier villain or anything, but he’s a lot more fun and enjoyable than any of the mediocre twist villains Disney plagued us with during the 2010s. He’s an enjoyable asshole, consumed by his own ego.

Aside from his villain song, I do like some of the other music. “At All Costs” is a very nice, tender song; “Knowing What I Know Now” is a heroic “shit just got real” song, with a foreboding aura that nicely contrasts the villain’s lightehearted number; and “Welcome to Rosas,” a fun little iintro song for the story. Now, all of these songs have some issues (we’ll get tot hose in a bit), but they’re definitely fun and enjoyable if you can overlook some of the flaws.

I’m sure a lot of people found the numerous Disney references to be a bit much, and maybe even distracting, but I think they can get a pass just this once since this film is meant to celebrate one hundred years of Disney magic. Asha wearing the Fairy Godmother’s robe? Magnifico getting turned into the Magic Mirror? Peter Pan just randomly showing up for no fucking reason as a cameo? Sure, why not? And this all leads to the ending credits, where every Disney animated canon movie that isn’t a sequel gets represented (except for Meet the Robinsons, The Rescuers, and The Bkack Cauldron). You’ll see constellations of all your favorite characters, like Milo Thatch, Jim Hawkins, Yzma, Tarzan, and Yokai! Remember Yokai? From Big Hero 6? Clearly he was the right character to spotlight for this! I can’t harp too much on this, because every time I watch this I applaud and clap when Chicken Little appears.

THE BAD

So there are a few good songs, I admit. But for every good song, there’s two more that just plain suck or are entirely unfitting. “At All Costs” sounds like a a song about love and romance, so of course it plays… over the scene where Magnifico shows Asha all the wishes. Huh? What sense does that make? But a decent song being out of place is small potatoes compared to how absolutely bad the lyrics are. Even in the songs I like, like “This is the Thanks I Get” and “Knowing What I Know Now” there’s just something off with a lot of the lyrics and the rhyme scheme. But nothing in them is quite as egregious as the song “I’m a Star.”

“I’m a Star” might genuinely be the single worst song in any Disney animated film ever from a lyrical standpoint. The entire song is nothing but word salad; nothing in it makes any sense, and not once does it answer any of the questions it has posed. While some of the other songs have sloppy writing, they still are easily able to communicate core ideas that help progress the story. This song, though? It’s meaningless drivel made to pad the runtime. The absolute worst bit is this verse near the end, though:

Here's a little fun allegory

That gets me excitatory

This might sink in in the morning

We are our own origin story

If I'm explaining this poorly

Well I'll let star do it for me

It's all quite revelatory

We are our own origin story

None of this means anything. Like yeah dude, you are explaining this poorly. What the fuck are you trying to explain here? And while this is the worst verse, the worst lyric is right near the end where they painfully force a rhyme by having someone sing “Here I are” with “I’m a star.” No matter how many times I listen to these songs, this one coming on fills me with dread because of how painfully bad it is to the core.

I think the issue here is the lyrics were written by Julia Michaels, someone who typically works with pop, R&B, and EDM. She’s written for Britney Spears, Gwen Stefani, Justin Bieber… but notice she hasn’t written for any musicals. Say what you want about Lin-Manuel Miranda, but he knows how to write fun, poppy songs that would not sound out of pace in a stage musical---a core part of the appeal of the best Disney songs. The songs Michales wrote really don’t fit that vibe, and feel more like repurposed radio friendly pop tunes than something that belongs in a Disney movie. And maybe this wouldn’t be too bad of an idea if this weren’t supposed to be the big centennial celebration film.

But hey, maybe the songs are bad… which isn’t great, because a Disney musical with bad songs is on thin ice, but whatever! Maybe the characters can redeem this? Ehhhhhhhhh… Unfortunately, none of the characters in this film really do anything particularly special. Asha is cute and determined and all, and she’s definitely more compelling and less annoying than Raya, but she lacks a really solid identity. It honestly feels like she does things simply because the plot demands her, and not because it is in-character for her to do so—something that would require her to have a character in the first place. And despite being the best part of the film, Magnifico is a victim of the wonky writing as well. While it’s great he isn’t a twist villain, the writing really just makes the whole idea he’s bad guy seem stupid. I resent the idea his goal is in any way reasonable—he’s certainly an overly paranoid dick with an inflated ego even in the most charitable interpretations of his actions—but the movie still manages to make him somewhat sympathetic via his backstory only to have him grab a sled to slide on down that slippery slope. I don’t know, it just feels like these characters shift gears at the drop of the hat because the plot demands certain actions and roles from them.

Then we have the cutesy kid appeal characters, Valentino the goat and the wishing star. Valentino, played by Alan Tudyk in his millionth Disney role, is not nearly as insufferable as I’d feared he’d be. Unfortunately, he isn’t really good either. It really is sad how Disney keeps pushing him as their answer to Pixar’s John Ratzenberger yet refuse to give him good or fun roles to make an impact like Ratzenberger does. The guy hasn’t been utilized well since Wreck-It Ralph, it’s just getting sad. The wishing star is just a cutesy non-speaking plot device meant to sell marketable plushies, and pulls out new powers from its ass as the plot demands; it’s responsible for the awful “I’m a Star” as well as a cringeworthy chicken musical sequence. These characters really do feel like they exist solely to sell toys to children, because everything else aside they don’t really add to the experience—which is especially bad for the star! This is supposed to be his story!

And, look. Get it. They wanted to stick to something that is incredibly formulaic to pay tribute to all the tropes Disney codified for animated movies. But did they have to make the whole thing so predictable and safe? You can predict exactly what’s going to happen at any given time; there’s no real big twists or turns to be seen with this one. This is strictly formula, a very basic Disney story that couldn’t be more “paint by numbers” if it tried. You’d think they’d try to be a little more bold and daring after a hundred years, but… nah.

IS IT REALLY THAT BAD?

I think calling this movie “bad” is a bit harsh. It’s not exactly good, it’s messy and stupid and all that, but after seeing it so many times I really don’t think it’s as egregious or repugnant as something like, say, Pocahontas. But taking everything into consideration, the movie is extremely disappointing as a centennial celebration, and isn’t that worse in a way?

This was meant to be the film that pays tribute to a hundred years of animation, a love letter to a studio that has made some of the greatest artistic achievements in cartoon history, and it ended up like this? I think it’s pretty safe to say a better tribute would have been to return to hand drawn animation and make something like their classic output instead of a cliché storm of tired plot beats and nonsensical songs. The film feels really bland, safe, and corporate, like they were more concerned with selling merch and coasting off of the novelty of being the big animated release during the hundredth anniversary. And look how that turned out! My daughter spent a month earning enough cash to buy a King Magnifico doll, and it didn’t sell out in that entire time—and this was recently, too! Wish has long since left theaters, and the toys are getting their prices slashed because no one is buying them! Even kids, for the most part, don’t care about this one.

It’s just a bummer. I don’t think it’s unreasonable to expect more out if the richest company on Earth, is it? It really is a harmless, boring film, but it just feels so much worse than it actually is because we all know Disney can put more effort into their work and produce films that far outstrip this in quality and yet this is what they chose to represent them for a historic milestone. It really is rated fairly up there, it’s about what it deserves, but I hardly blame anyone who rates it even lower. It’s definitely not the worst Disney movie, but it sure is the most disappointing.

I’m glad my daughter likes it though, and honestly she’s probably why I’m not quite as harsh on the film as I was at first. Her enthusiasm for it is honestly infectious, even if at the end of the day I still think it’s kind of a lame movie. There’s definitely worse things to show your kids than Wish; if nothing else, it can make a decent gateway into other Disney movies. But that’s as charitable as I’m willing to get for Wish.

[i-write-hurt-not-comfort]

Diabolik Lovers — A systematic review (sort of) of all the times the Diaboys cried in HDB, MB, DF, LE and CL

So, this (long) post is exactly what it says — it’s a count of all the times the Diabolik Lovers characters cry. Except Yui because she’s in every route and that would’ve made this a lot harder. It is excluding VC and LP as they are not story games and I don’t think they’d be crying over anything worth noting down.

I came up with this idea when I started my third year pharmacology dissertation which is a systematic review. The data extraction for this involves screening large numbers of papers for certain data, and I came up with the idea of doing this for the DL games and how many times the characters cry, since I was interested to see who cries the most (besides Kanato, obviously. I knew he’d come out on top by a long way before I even started.)

In order to do this properly, I needed an inclusion and exclusion criteria. Things to exclude are times other characters cried in the individual routes. I identified crying moments by Ctrl+F “cry” / “tears” / “cried” / “sob” / “snif” so there’s a chance something will be missed, especially since some CGs which show crying don't describe the crying in the text. Sometimes it wasn’t clear if they were crying or if it was just implied, in which cases I checked the walkthrough if there was one to try and hear it and it was only included if I could hear something like crying. I also recorded a brief reason for why they were crying. It took a while at first but once I got into it, it was easy.

This list will contain mentions of all canon themes + spoilers. Thank you to all the translators who contributed to the game translations on Tumblr. Any excluded routes/parts due to lack of TL are listed. Here is the masterlist I used.

Here is a link to a Google docs file containing all the times they cried. And now I’m going to talk about what this data represents and the best way to interpret it!

So, we could take these numbers at face value. Below is the breakdown of the raw data (data before any analysis).

There’s obviously some bigger criers than others and to very little surprise Kanato is top. So let’s simplify this data and rank it.

Now, we could take this as the final rankings and I guess if you were counting who cries the most times overall, that’s your ranking. However, is this really a reliable way of ranking them?

It’s not, because each character is in a different number of games each. The Sakamaki’s are in 5 games, the Mukami’s are in 4, the Tsukinami’s are in 3, and Kino is only in two. So is it fair to compare say, Shin’s 1 cry in 3 games to Subaru’s 2 cries in 5 games? How do we know Shin wouldn’t have had a couple more cries if he’d been in more games?

On top of that, because of people’s routes not being translated fully, I may not have included some cries. For example, only 1/6 of Yuma’s LE is translated, so Yuma’s cry count is across 3.15 games, whereas Ruki for example has complete translations and therefore we’ve searched through all routes.

So let’s average that, and get “average cries per game”

In the real world of statistics, this data is pretty useless because each character cries different amounts of times. And I can’t really work any more averages such as which game includes the most cries per character because the data range is so large. Kanato skews the data massively, especially when Kanato and Subaru are both Sakamaki’s and Kanato has 31 cries (probably more, actually. I definitely missed some of them with the search terms) and Subaru only has 2.

But, here’s the new order.

In general, this order is best for comparing each character since it takes into account the different amount of content for each character. So, this is order is what I’ll be using to talk about it.

Again, Kanato having the most cries is really not surprising here. 6 cries per game is roughly one cry every 5 stories – with that said, excluding CL which he goes a bit loopy in (and it doesn’t help that he loses his memories), Kanato’s cries do go down from 8 per game in HDB to 4 in DF and LE each. So, does he get his shit together a bit? Maybe!

Now, Laito did surprise me with how many cries he had actually. He’s a bit of a cry baby, huh? With that said, it’s interesting how averaging out the games puts Azusa in our number 2 spot. I want to hug Azusa, a lot of his cries were really sad ;;

Kou doesn’t surprise me a lot either because he’s pretty unstable. But it did surprise me when I averaged out the games and Ruki kicked Shu out of the number 5 spot? Ruki comes off a lot as much more composed so it’s surprising to know he’s actually a bit of a softie when it comes to showing his feelings.

Shu has on average 1 cry per game which is pretty decent — actually listening to a lot of Shu’s cries are pretty gut wrenching because when he does cry, it’s for about 5 minutes straight.

After that, everyone has less than 1 cry per game. Reiji and Ayato seem to be pretty tough when it comes to crying, although the CGs where they do cry make me really sad.

Subaru having such a low cry count actually makes me pretty damn sad? There’s so many moments with Subaru where he so very close to crying and a couple of times I think it’s implied that he was or is going to be crying alone. But I wish he cried more y’know? He’s hurting a ton in a lot of these games and he should let it out ;;

Honestly what shocked me the most was that Shin actually cries once? Because holy shit, I was not expecting that to be honest. And with Carla and Kino… well, I’m not surprised at all.

That’s pretty much all I have to say here. I wrote this out instead of revising for my actual statistics exam on Tuesday. Don’t take this too seriously - I explained it's limitations and such in my discussion - and feel free to ask any questions <3

To top it all off, have some CGs of everyone crying.

And some Yui cries :) 

[thehubby]

Introducing Dextra

Like many gamers, it has long been a goal of mine to develop and publish my own game, to add a minute something to the fabric of our culture, but especially to the hobby which I have enjoyed for a very long time. At long last, through a confluence of self-determination, assistance from friends, and an environment more friendly to independent publishing than any yet, the time for that dream is now. It gives me great pleasure to introduce you to the my first role-playing game, Dextra.

What is Dextra? It is a very rules-light narrative-focused tabletop RPG. It is designed for players who are most interested in a game system that helps them structure telling stories, not crunching numbers and trying to figure out optimal builds. In fact, telling a good story is the only objective and "win" condition in Dextra. Even if the land is ravished, the villain escapes and the heroes perish, if the table tells a satisfying tale, the table wins.

How does Dextra play? Dextra is designed for casual players (even if they do take their stories very seriously!), and is intended to address one of the biggest problems I personally have had with tabletop gaming over the years: rules bloat and accessibility. There is only one hard rule in Dextra: every facet of the game (including contributions of the players) must be subservient to the story at hand. Between the 15 pages of basic guidelines and 65 pages of support materials, there are many recommendations of how to proceed, but you are free and encouraged to ignore any and all of them as befits your need to tell the story.

There are no lists of classes, powers, equipment and such in Dextra, no codified character abilities, spells, races or anything else. It is a game truly limited only by the imagination of the players at the table. But you need not worry about your fellow players abusing this potential to create overpowered monstrosities, because they don't make their own characters. Each player provides a name and class -- any class, from fighter to fae emissary, wizard to werewolf hunter -- and character sheets are passed around the table where everyone else gives them the attributes, powers and abilities, equipment and items, and traits and quirks that make them who they are. It's a little like Mad Libs, except instead of dubiously entertaining jibberish, you're likely to end up with something cool like an Infernal Bloodline, a Ruggedness ability score, or Spear of Lightning.

Taking actions and overcoming challenges is done using 2d6 (two six-sided dice for any newcomers out there), adding the character elements that the player feels are appropriate to their roll, and comparing it to a predetermined difficulty that the Game Master establishes for the action. GMs don't need to look up any tables; they simply estimate the difficulty of an action (assuming it is one that carries a risk of failure at all) from 1 to 10, and add 5. There are guidelines for combat, hit points, character conditions and so on if desired, but Dextra does not contain realistic or complicated battle mechanics. If that's your jam, this may not be for you.

Is Dextra free? No, it is not free. Yes, it is. Though It took nearly a year to conceive, write, edit, format and ultimately publish the game, and I believe in fair compensation for myself just as for any other writer or creator, the market spoke after release and I determined it is more important to me that people be able to play the games I create than an occasional payout. Dextra and all of my other published games are free.

Where can I get it? Dextra is currently offered at Itch.io (link provided). It should be published on DriveThruRPG (link provided) sometime within the next three days after their review and approval. It is currently only available as a digital PDF download (preparing print-on-demand copies involves some software and expertise I do not currently possess). If you wish to obtain a copy of the game and have a preference between these two sites, by all means go with that. If you have no preference, then my recommendation is Itch.io, as they not only take a smaller cut of the sale, but have more features available (such as complimentary community copies and easier means to send free codes to users).

Where can I get more information? If you have questions about the game, send me an Ask on the Dextra-RPG Tumblr account. You can also check or follow that account for occasional posts of information and to find out how you can contribute to a crowd-sourced character creation project to be offered as a free download to potential players.

[plain-as-pandemonium]

Questions and statements: what did draw you to bedannibal in the first place? At which point of watching the show did you go “yes these two!”? Is there anything else you particularly enjoyed about the show?

QUESTIONS AND STATEMENTS!!!!! 🥰🤩🖤😁

(thank you, darling, and so sorry it took a minute 😘)

*ahem*

short answer: it wasn't until my second (close, considered) watch of the entire show that i passed The Point of No Return™️, following which these two took up remuneration-free residence in my braincase without the possibility of removal

long answer, which requires centrifuging my psychic cocktail shaker to separate a number of ingredients and their relative contributions to the severity of my brainrot, to-wit:

the importance of thomas harris's written works to adolescent!me

the all-consuming crush i had on gillian anderson whilst at uni

my documented predisposition in adulthood to Fannish Thoughts and Feelings about clever, self-contained, calculating female characters who could kill you and might decide to do it

particularly when said female characters have partners who will stop at nothing to protect and care for them

now, combine all of those ingredients and you will have what amounts to Fannish TNT.

however, the fuse on said TNT remained unlit during my first watch of nbc hannibal, which i picked up as a dvd box set in the sale sometime in 2018, i think? i enjoyed it, of course, but i didn't feel the need to go looking for fic about it, let alone start writing any of my own.

it was maybe a year or two later when i chanced to reconnect with @galacticcoyote, a friend from my previous fandom, who mentioned she was working on a longfic involving some characters from this show hannibal, had i seen it? i had, i said. because we had previously beta read each other's works, she asked if i'd be willing to look this one over, maybe help work out where to go with it? absolutely, i said.

it was an immense privilege to read that work, which i still hope dex will one day post because it is amazing. i was probably not much help in reviewing it, sadly. however, as part of my beta-reading due diligence i rewatched the show with a more ... let's say ... analytical/storytelling eye.

that's where they got me.

the match was struck, the fuse burned down and BOOM. my hyperfixation fixed itself good.

on that second watch, it was the vulnerability and trust of hannibal's therapeutic relationship with bedelia that really got me. for therapy to work, you have to be willing to reenter dark and painful places in your mind, places you locked up for a reason, and then you have to examine what you find there. and you have to know that the person who is guiding this examination can a) handle whatever comes out and b) help you handle whatever comes out. hannibal may be a monster, but he's also a person with a greater-than-average amount of trauma. their early sessions must have convinced him to trust her, that she was worthy of his trust, and they must have helped him somehow because he tried to bind her to him with the whole neal frank thing and then he refused to accept her retirement. thinking about how they got to that point, as well as filling in gaps in the canon timeline of their relationship, has provided me many happy hours.

that's what drew me to them as a pairing, and what keeps me thinking and writing about them: vulnerability and trust. because no matter what they're doing--sitting in therapy, covering for each other when the fbi asks questions, getting on a plane together, kissing each other goodbye in florence--you have two powerful, amoral people who nevertheless look to each other when they need help. who place their soft, unmasked, unveiled, unarmoured essence in each other's hands and say, "this is where i am weak, please don't hurt me." for an imagination like mine, that is a line of magic powder to be inhaled over and over.

as for what else i liked about the show? i loved the fact that the creators went all in with the cerebral/visceral pretentiousness of it all. i love all the symbolism, all the layers. i love the fact that they didn't dumb anything down, which is so often the case in modern media where films and tv are meant to appeal to the widest possible audience. i love that it's like literature you can watch. is it perfect? no. there's plenty to criticise. but i appreciate a tv show that doesn't talk down to its audience. that's rare.

[lauren-ashley-howard]

I’ve never had to share personal information on here, but my family is dealing with a crisis, and I’m desperate, so here goes.

My fiancé immigrated to the US from Haiti as a child. His mother made an enormous sacrifice, giving up her *only* child and arranging for family to take him in and raise him. He left at age 9, and they weren’t reunited until he was finally able to travel back to Haiti to visit her in 2022.

After becoming a US citizen just a few years ago, he started the process of filing paperwork to bring her to the US. I don’t need to tell you that our immigration system is deeply broken. I might, however, need to tell you that Haitians in particular have an extremely difficult time getting visas due to a number of reasons. After their president was assassinated in 2021, things became exponentially worse. Gangs took control of Haiti’s capital, Port-au-Prince, terrorizing its citizens and displacing thousands.

Just as my fiancé’s mother was finally cleared for an immigration interview, the violence escalated to the point that the US shut down its only embassy in Haiti. No embassy means no interviews. So, we changed course and applied for Form I-134A, AKA “The Biden Program,”a new review process specifically for Haitians, Nicaraguans, and Venezuelans. Basically, it’s a lottery for expedited travel, no interview needed. For months, we waited for an update.

Which brings us to this Tuesday, January 2nd. As we were getting ready for work, we got the call that she had suddenly become violently ill and had been rushed to the hospital. An hour later, she was dead.

We’re traveling to Haiti to bury her next week, but even after tapping into our honeymoon fund, the funeral costs are beyond what we can cover. So, we’re asking for help. A close friend set up a Gofundme for us, you can find the link below. Anything at all that you can contribute will help us greatly.

Thank you.