#and not pre written ones for general use

[harpyface]

My thoughts on the volta do mar

In-game, the Volta do Mar method was created to travel through the pale, being first used in the first successful voyage into the pale. Apparently it took years to develop the method, a "strict psychological regimen imitating the creation process of poetry."

In real life, the volta do mar is a Portuguese (volta do mar is Portuguese for 'Return from the Sea') sailing practice of, in simple words, sailing further out into the sea to avoid sailing directly against the wind and then catching winds that then move in the correct direction (useful since portugal is slightly north of the equator, blah blah wind directions)

While watching a playthrough, Joyce's description of Lely's tattoos reminded me of this 'return from the sea' business. Lely's tattoos are a history of his service, but originally the tattoo was a custom of sailors "mark[ing] their bodies to map their travels." "The sailor's soul would use it to fly back home if they should die abroad. This is a sort of… contraption. To be reeled back in by." If a sailor died, their soul would 'return from the sea'(😮).

The pale is likened to the ocean many times in Disco Elysium, so these tattoos and the volta mantras are very similar. They are linked even more when we see that the tattoo custom was begun "right after the discovery of Insulinde," so the creation of voltas and the creation of this tradition kind of bookend the eighth expedition. Likening the irl volta do mar practice and this in game example got me thinking about how exactly in-game voltas are used and created.

(Interesting note, Joyce describes these tattoos as "the silver cord" linking the soul and home, whereas irl, the concept of the silver cord is supposed to link the soul and the body.)

Personally, the concept that is pale was hard enough for me to grasp (even with it being an established fictional concept with, like, words to describe it.) It's "the opposite of reality," it's a property that suspends other properties, and it can damage human minds. According to Joyce, dialectical materialists argue that "pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter."

"They call it the *blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even… The human mind becomes over-radiated by past."

We can assume that this 'blend-over of the self' is true because of the Paledriver, who is observably pale-radiated and lost in worlds in lives that her body hasn't lived.

Operating on this theory, the pale is made of information, and I would also like to argue that pale is made of not only past information, but also future information, and information about alternate timelines.

In the moralist vision quest, we hear entroponetic crosstalk of Kim from the future *and* arguably an alternate timeline if he ends up in the hospital and doesn't end up at the islet. So pale is basically all information and possibilities.

The only explicit example of a Volta do Mar is from the Insulindian Miracle thought, and it's song lyrics from What If by Teho Teardo & Blixa Bargeld. This thought establishes that voltas are 1) Taught in schools and 2) Repeated like mantras while travelling. The voltas aren't mentioned in Sacred and Terrible Air, by name at least. Zigi does sing Helvetti, by Kauko Röyhkä & Riku Mattila, in pale, but that's explicitly a song and not a poem, and obviously he doesn't need to resist the effects of the pale (and if fact doesn't want to drive away the pale, based on his reaction to Nilsen's 'Communism is white' speech when it started to ward off the surrounding pale.)

When Joyce says that the method is a "strict psychological regimen imitating the creation process of poetry," my thinking was that it can't be as simple as reciting poetry while travelling through the pale. It might be, but wouldn't the process *be* the process of creating poetry and not 'imitating' it? Of course, it could just be referencing the research it took for the explorers to be able to safely traverse the pale, but I wasn't satisfied with that.

(I'll admit, when I first began building this theory, I didn't know that we had an explicit example of a volta, and it stumped me for a bit, but I think it works still.)

I've seen interpretations in which the poetic nonsense of voltas force the person to focus on reality/on their own mind, to focus on the next word in the sequence. But using the real world volta do mar technique as a base, I started building my own theory by considering that the voltas mirror the technique of the irl volta do mar. Voltas would be  performed by a person going deeper into the pale (whether mentally or physically) in order to somehow escape the effects more easily.

Having already established that the pale is information, it makes sense that the way to manoeuvre it would be via words and concepts. Prior to remembering The Insulindian Miracle thought, my theory was that, instead of pilots being *taught* previously written mantras, they were taught to create poetry while immersed in the pale. The pilot's mind would then grasp the floating information that is pale to string the words together into a distinct phrase/poem, intentionally going deeper into the pale to get enough material to work with. With the resulting phrase, it would be grounding enough to bring the pilot back to reality.

However, all of that is irrelevant when you consider the volta that Harry was taught.

Or is it?

The Insulindian Miracle solution says that "you were taught it at school. It is one of the Volta do Mar mantras repeated on the voyage that lead to the discovery of the Insulindian isola." I could interpret it as saying that voltas are written in advance, or that *historical* voltas are taught in grade school, just like we're taught historical documents or literature. Maybe children of Revachol are taught about the voltas that the discoverers of their isola used simply for academic knowledge. 

And as Joyce says, the Volta do Mar is also used by "other troubled souls even to this day." Ordinary people may not have access to the bank of information that is the pale, but they do have their own troubling thoughts that they can pick words and concepts from to still go through the same process that I've described in order to calm themselves or relieve stress.

I do want to analyse Kim's Volta do Mar skill at a later time using all of this, but right now this is what I have to offer :)

(An excellent post that I was inspired by is about the connection between water and memories by @/57sfinest, which I would like to briefly reference at the end of all this analysis. Imagine it as a triangle, one point is the ocean that the sailor's souls would have to return from (or the irl ocean that the volta do mar was used for, if you like), the second point is the past and memories, and the third point is the pale, the "rarefied past." It's all connected.)

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[thedisablednaturalist]

Unfortunately all chatgpt is good for is interview/job application stuff which I think says a lot about the hiring process as a whole

[unproduciblesmackdown]

ideal scenario is that i like thinking about this like, essential short story adventure where winston and tuk hook up w/a couple [that bachelorette party] members, and as a foursome/quartet because they have these parallel stories of two pairs of friends who are like "sure i'd have sex with you if things aligned for that" and now are living that short story about expanding a dynamic & becoming closer friends for the end of it (of course billions only wrote winston as standing next to tuk next episode, instead of rian as he's often written to be standing with incl in a previous finale, to shove him out of the path of getting material and let taylor have confusing nonresolution w/rian based on this proximity and coincidence instead. but who can't say that that, And winston next not even trying to sit with tmc in the last finale appearance which at this point is probably for the best and instead again hanging out with tuk and then ben, isn't about having been closer for whatever all happened there in obtaining casual sex together)

and they can have perpendicular stories of also just having some nice chats and enjoying other interactions together such that maybe it's just fun for this one night of crossing paths, maybe anyone stays in touch at all, who even knows, if winston or tuk are dating anyone it's probably only going to come up again in how they were last dumped for being too much effort for how unepic they are, so godspeed to offscreen unmentioned dating. but just friendly acquaintanceship, or again this one-time spontaneously crossed paths night's acquaintanceship, is also a lot of fun. and why not imagine that winston "he's not allowed to not feel self-loathing or, by doing basic things like talking or initiating Or oppositng anything, Not operating as though he's too low in a social hierarchy here to be allowed thusly" type of material where his spontaneity, vivacity to bon vivantocity, self-assurance that is apparently arrogance/aggression to every who thinks he ought to be self-effacing instead, etc, is actually just a social success in other less wretched non-work situations, and his personality is taken as a contribution to the proceedings even before anyone takes up his proffered contribution of himself as a potential sexual partner. and lending confidence to tuk as like one person who won't, at any given time, go into hostile mode with him or even like take up the position of issuing this criticism, which is an inherently elevated (over tuk) one when it's a unilateral thing. such that tuk's personality can be a potential contribution as well. and winston and tuk's Friendship Developing Moments can be happening then, too, b/c Maybe they've hung out outside work on their own aleady, but also maybe they've never really been interacting with a larger group outside work, such that that group is less likely to include some people, or entirely people, who will suddenly go sicko mode on either or both of them. and then meanwhile, who knows anything abt this bachelorette party, could be already a cohesive friend group who all see each other all the time, or people who see each other more infrequently meeting up on this trip, or a mix; could be fun and chill or something so scheduled/demanding it's kind of like a work trip, or fluctuate....and of course zero info abt the individuals such that imagining anything abt them is entire OC territory, and i'm bad at that, or at coming up with stories, so not exactly a lot of details here from me but godspeed if two of them unlock another tier of friendship here b/c like parallel to winston and tuk, they're like hmm okay so we're mutually down re: potentially having a foursome here, and spending some time away from the larger group

(or of course the scenario that tuk and winston can also have that moment but just as putting "and/or: a threesome?" as an option, and that tips the scales for someone who might've otherwise felt more indecisive like "hmmmm casual convenient hookup, or spending more time out & about like this / whatever other activity...." but then is like oho Well, if it's a threesome, i'll seize that opportunity, sure....such that then maybe afterwards [winston and tuk hanging out together] happens sooner, if the third member feels more third wheel about things lol, since now they'd be the only two who already know each other. like ooh who knows, round n+1 in the aftermath just one on one (and/or i mean, maybe another thing the third party's still around for, re: further casual sex opportunities that don't just fall into your lap every day), and/or talk, watch tron together, go back out on the town even. where the conclusion of this truly is the essence of "it Is easy to imagine that winston and tuk are real Genuine Friends for the implicit further offscreen time spent together outside work / interactions between them here. and fun" and with that flair of "and give that a juxtaposed parallel in it being the same for a couple bachelorette attendees, why not, good for them"

[racefortheironthrone]

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

[becca-alexa]

god i hate having to do course evaluations

[ms-demeanor]

Tech how-to article written like a recipe. Is that anything? Fuck it.

Old-Fashioned Setting Up a Password Manager

For this project you will need:

One computer

One full-featured browser

One pre-made email account, not shared and logged-in

2-5 possible passwords

5-10 accounts to get started with storing passwords.

Before you begin pre-load your computer, logging in to your email account. You can save later prep time by having your primary social media accounts, banking information, email account, and online bills ready to hand.

Go to bitwarden.com and select "create account"; be sure to select "free account" - you can jazz it up later but we're learning the basics now.

Create the account using your primary email address as the login name and one long (but not complicated!) password that you are certain you can remember but is not widely shared online. This is a great way to use information about your favorite movies or songs, not a great place for your kid's or pet's names.

Set up your password hint with a good reminder; be sure to note any punctuation you added, for instance a comma to separate lines of a song or an exclamation point between words of a movie title.

Verify your email account with the password manager, then set up a new password for your email. You may need a phone or access to your extant 2FA tools for this step. Create a login in the password manager, add your email address, and generate a new password, then save the entry. Go to your email account, select "security" and "change password" - enter your old password to confirm then paste your new password manager generated password into the provided text boxes, and save. Log out of your email account, then log back in with your new password. You will need to do this on all of your devices, so make sure you're using a password manager that is accessible across platforms - Bitwarden is recommended for a reason, this is a place where you don't want to skimp when making substitutions!

Repeat the process of resetting passwords to taste; you don't need to do everything all at once, but it's best to start with a serving of 5-8 to get used to the process.

Time: 30min to 2hr DOE Expense: Literally Free Value: Priceless i never have to remember a fucking password again and now neither do you.

[joelsgreys]

splash

Post Outbreak! Joel Miller x Female Reader

snapshots masterlist l fic notifs

summary: You come home from your first day back out on patrol and find Joel giving your daughter a bath.

warnings/tags: 18+ ONLY, MINORS DNI. JACKSON ERA. GIRLDAD!JOEL. established relationship. this specific work does not mention reader’s age (other works in this series may mention she is younger than Joel), no physical description of reader, Rosemary comes with a slight physical description (she has Joel’s hair color/hair type and eye color, no mentions of her skin tone). brief mention of Sarah, brief mention of Joel being a single father pre outbreak, Joel and Ellie are fine because i said so and it’s what he deserves, okay? general fluff and a lot of cuteness, brief smutty themes, but nothing explicit. minimal editing.

word count: 2.3k

a/n: short little thing, but this feels like the cutest thing i have written in a while. if you enjoy it, please consider reblogging or leaving a comment <33

Joel sighs to himself as he scrapes the remnants of Rosemary’s lunch into the bin of food scraps beside the kitchen counter—the neighbor’s chickens were in for a real treat tomorrow morning when he dropped them off on his way to patrol. He had just about coaxed his two and a half year old daughter into eating the crust of her jam sandwich when Ellie walked into the kitchen with a soccer ball tucked under her arm, a trade he was fairly certain she’d made more for the toddler’s sake than her own.

She was sixteen now, spent more time with her friends than she did with her family lately, but her soft spot for the little girl always, always brought her back home.

“Hey kid, look what I’ve got,” Ellie had grinned, holding the ball out for the child to see. “What do you say we go out back and kick this thing around? Sound like fun?”

He frowned, the creases between his brows deepening.

“Ellie, can’t you see I’m in the middle of feedin’ her—”

But it had been too late.

Rosie’s dark brown eyes widened, and she squealed in delight. “Down! Down!” she had exclaimed, whacking her teeny hands down on top of her wooden high chair on either side of her plate. “Daddy! Down, want down!”

Joel decided to put his foot down.

Well, he had tried to put his foot down, anyway.

“Not ‘til you’ve finished every last bite, babygirl. Y’gotta finish your sandwich and eat all your carrots, alright?”

“M’all done,” she’d insisted, placing both hands on her belly. Although Joel would have preferred she clean her plate, you had taught him to honor her fullness cues.

“We have to listen to Rosemary,” you’d told him. “If she says she’s full, then she’s full. The last thing we want to do is force her to keep eating when she’s not hungry, Joel. Her relationship with food starts with us, after all.”

“You’re startin’ to sound like that goddamn child rearin’ book,” he had teased you, earning himself a stern glare.

He liked to give you a hard time about it, but the truth of the matter was, that parenting book you found in the library turned out to be pretty helpful for both of you—while this wasn’t Joel’s first rodeo, the last time he had been around a child this young was over three decades ago. With Sarah, he’d flown through her childhood by the seat of his pants, went through a lot more trial and error scenarios than he liked to admit.

Often, Joel found himself feeling guilty. He tried to give some credit to the clueless young man in his twenties, the one who had been left to raise his baby girl all on his own when her mom couldn’t take it anymore after one year. Things turned out alright, but whenever he sees you with Rosemary, takes in the way you pour your entire heart into being a good mother to yours and his daughter, he can’t help but reminisce on his first life, on all those moments he felt so hopeless—all of those moments when he didn’t know what to do, and had no one to turn to for help. No one to lean on.

Oh how he wished Sarah could have known what it was like to have both of her parents at her side.

Like Rosie does.

Sighing, Joel places her plate in the sink, along with his own. He turns and glances at the clock on the wall—it’s half past noon, and he knows your early morning patrol group should be arriving back to the town’s main gates any minute now. Sure, caring for Rosemary had served as a decent distraction, but every so often, his anxieties would creep up on him. He worried about you being out there on the other side of the wall. And if you being out there wasn’t bad enough, you were out there without him.

“I’m back on the patrol roster next week,” you informed him one evening while the two of you were cleaning the kitchen after supper. You winced when he dropped the plate in his hands into the sink, the loud clanking noise bouncing off the walls. You wasted no time in pleading your case. “It’s been almost three years, Joel. I have to get back to pulling my weight around here. As much as I’d love to, I can’t stay home forever, and you know that as well as I do.”

Slowly, he’d spun around to face you, the muscle in his jaw ticking—he wasn’t happy. “Find another job,” he bit through his teeth. “Somethin’ in town. Somethin’ safe.”

“Joel—”

“You’re a mother now!” he hissed, angrily.

“And you’re a father,” you’d countered without missing a beat. Knowing Joel’s reaction was only coming from a place of concern, you walked up to him and placed a hand on his heaving chest, right over his racing heart in an effort to calm him. “Look, I’m just capable of getting myself home safely as you are, alright? And if it makes you feel any better, I’ll be partnered with Tommy. He’ll have my back.”

He’d found very little consolation in that.

Joel sighs again and reaches for the faucet.

“Uh, Joel?” Ellie’s voice comes from behind him.

“What?” He turns around, his jaw dropping open when he sees her standing there, carefully holding Rosemary out towards him by her underarms. She’s covered from head to toe in mud. “What the hell did you do to her?”

“You know how it was raining for like three days?” Ellie shoots him a sheepish smile. “The ball went into a mud puddle, and well, she sorta went in after it.”

“Jesus Christ, she’s filthy!” Exasperated, Joel narrows his eyes at her. “Why weren’t you watchin’ her?”

“I was, but she was too fast! Kid’s a little speed demon, man. Aren’t ya, Rosie?”

Rosie giggles and kicks her dangling feet, mud dripping off her tiny, leather oxford shoes and onto the floor with an audible splatter.

“She’s gonna be home from patrol any minute now,” he says, shaking his head. “If she sees Rosie like this, she’ll have my ass, and yours.” Carefully, he takes Rosemary from Ellie’s hands, holding her out and away from him. He jerks his chin towards the dirty floor. “Clean up this mess while I take her upstairs and give her a bath. We might just be able to get away with this.”

She gives him a thumbs up. “You got it, old man.”

“C’mon, Rosie Posie. Let’s get you all washed up before mama gets home and puts all three of us in a timeout.”

She gives him a wide, toothy smile. “Okay, daddy.”

Groaning, you shove through the front door.

You had underestimated how difficult it would be to get back in the saddle of a horse after almost three years of not being in one.

It would take some getting used to—again.

“Fuck,” you hiss, closing the door and leaning against it for support. Your knees. Your thighs. Your lower back.

There isn’t a single part of you that isn’t aching.

After taking a minute to collect yourself, you push away from the door and toe off your old, brown leather boots, leaving them there near the entryway. You call out, “I’m home!”

“Oh hey!” From seemingly out of nowhere, Ellie comes speeding down the hallway, skidding to a stop in front of you with her backpack slung over her shoulder. “Just the person I wanted to see! Mind if I head over to Dina’s for a while?”

“How long is a while, El?”

“She invited me to stay for dinner.”

You raise a knowing eyebrow at her, a smirk tugging at the corners of your mouth. “Again?”

Flushing, Ellie nods. “Yeah.”

“Did you ask Joel for permission?”

“Aw come on, man! Do I really have to ask Joel?” She huffs and rolls her eyes. “I can hear him bitching at me already.” Dropping her voice several octaves, she starts to mimic him, accent and all. “Y’been spending every fuckin’ night over there. Don’t you forget you’ve got a family, kiddo.”

Amused, you chuckle and lightly nudge her shoulder. “I have to take his side on this one, Ellie. It would be nice for the four of us to have dinner together. You know, like we used to before Dina came into the picture?” 

“I’ll stay home for dinner for the rest of the week,” Ellie swears, clasping her hands together. “Please?”

Sighing in defeat, you step aside. “Alright, go ahead. I’ll hold you to your word though, alright?”

“Thank you!” she grins as she breezes past you and out the door, slamming it shut behind her.

Shrugging out of your jacket, you hang it up in the hall closet and then head upstairs. “Joel? Are you up here?” There’s no answer. You pass by Rosemary’s room first and peek inside only to find it empty. Furrowing a brow, you head a bit further down the hallway into yours and Joel’s bedroom. That’s when you hear his voice coming from the en suite bathroom.

There, you find him kneeling on the tile floor beside the tub, his back to you as he gives your daughter her bath. Hours ahead of her normal schedule, you realize.

Casually leaning against the doorframe, you cross your arms over your chest, and quietly watch them, your lips already curling into a smile.

“What’s this?” Joel asks her, holding up a yellow rubber duck. It’s almost comical how small it looks in the palm of his large hand.

“Duckie!” Rosemary answers, enthusiastically.

He nods. “S’right, honey. It’s a duckie. And what sound does a duckie make?”

Craning your neck, you catch a glimpse of her sweet little face as she stares at him, her expression a mingle of equal parts curiosity and confusion.

“C’mon now, babygirl,” Joel prompts her, handing her the toy. “Mama taught you this already, remember?”

She looks at the rubber duck and thinks, thinks, thinks. 

After a minute, Rosie gasps and shouts, “Quack!”

“S’right! Good job, Rosie,” he praises. Leaning over the edge of the tub, he presses a kiss into her damp, dark brown curls. “That’s my girl. You’re so smart.”

“Quack!” Giggling, Rosie lifts her chubby arms over her head, bringing them down into the water with all of her might, splashing Joel. She does it over and over again, soaking his face and the front of his denim shirt as she chants, “Quack, quack, quack!”

“Alright, alright, alright!” Joel laughs, shaking his head. He lifts an arm, wiping at his face with the sleeve of his shirt. “S’enough, my little duck. Daddy already had his shower today.”

Grinning, you saunter up behind him, and with a bit of protest from your back, you bend over to kiss the top of his head. You say in jest, “Without me?”

“Mama!” Rosie cries happily, reaching for you.

“Hi baby, I missed you!” Leaning down further, you kiss her cheek, the soothing, calming scent of her lavender soap invading your senses. Drawing yourself back up to full height, you glance down at Joel with suspicion. “Is there any particular reason you’re giving her a bath so early today?”

You can tell he’s contemplating lying to you. That is, until your eyes flicker over to her muddy clothes, which lie in a heap next to the hamper.

He’d forgotten to get rid of the evidence.

“Joel? What happened to my child?”

“We, uh, we had a little problem earlier this afternoon,” Joel explains, his ears burning red. “She was out in the backyard playin' with Ellie and she got into one of the mud puddles.”

“Rosemary Miller!” you playfully scold her. Placing your hands on your hips, you ask,“Is that true, young lady? Did you get into a mud puddle?”

Rosie beams. “Yeah!”

Rolling your eyes, you laugh and shake your head. “You silly girl.”

“Thought you’d be mad, darlin’,” Joel admits, peering up at you in relief.

“Joel, all that I ask when I leave her alone with you and Ellie is that I come home and she’s still in one piece,” you tease him.

Dipping his hand into the water, Joel splashes you, and of course, Rosemary decides to follow his lead and she does the same, bursting into another fit of giggles.

“Get her, Rosie, get her!” he encourages her. 

“Hey!” You jump backwards, almost tripping over your own feet. “Cut it out! You’re getting water everywhere!”

About an hour later, once both Rosie and the bathroom floor are dry, Joel puts her down for her long overdue afternoon nap. He heads back into the bedroom where you’re digging in a drawer for a pair of clean leggings and a sweatshirt. He comes up behind you, his arms snaking around your waist as he nuzzles his nose into your neck. He inhales deeply. 

“Ew, Joel, stop it! I’m all filthy,” you say, wiggling to get away from him. 

Joel holds you tighter. “Mm, I love it when you’re filthy, baby,” he smirks. “C’mon. She’s out for at least an hour. We’ve got some time to ourselves.”

“I’m so sore,” you whine. “From riding a horse all day.”

His lips find the shell of your ear and he whispers, “Too sore to ride me, darlin’?”

Biting back a tiny whimper, your head falls back onto his shoulder as wet heat pools between your thighs. He lightly nips at your pulse point, his teeth scraping your tender, delicate flesh.

“Jesus,” you breathe when he presses into you. You feel him against the small of your back—he’s already hard. “Can you at least let me bathe first?”

Joel hums. “I’ve got a better idea, baby.” Spinning you around, he reaches for the buttons of your shirt. “How’s about we save some water and shower together?”

“Thought you already had a shower today,” you remind him of what he’d said earlier.

He pushes your shirt off your shoulders and licks his lips. “I’m sure as hell up for another one.”

divider credit to @/saradika 🩵

[duc-kie]

Could you write about Lando after his p2 in Singapore and he goes full dominative on you? Maybe that you went out before with Carlos and a couple of the other drivers to celebrate the Singapore podium and you have been teasing him the whole night and he’s completely done with it?

Okay I know I took a really long time to answer and I’m genuinely sorry. I’ve been going feral over the video below. It also inspired me to make this blurb🤭

This looked better in my head tbh. Written it just feels really random and idk. Still hope you like it though!

THE FINGERS, THE RING, THE GENTLENESS, JUST HIM IN GENERAL

---------------------------------------------------------

You were enjoying yourself on the dance floor with some of your friends, while your boyfriend Lando was celebrating his podium with some fellow drivers. This whole night has been crazy, full of sexual tension and teasing touches between the two of you.

You've been craving Lando the whole day. All you wanted was his touch all over you and he knew it. You tried to seduce him but he wouldn't give in, so you decided to wear the sexiest dress you own to the after party for his Singapore P2 finish.

His eyes widened when you arrived with your girlfriends. You enjoyed a few drinks and were quite tipsy and consequently even hornier so you made your way to the table where Lando and his friends were chatting and having drinks. You greeted them all before sitting on Lando's lap and taking a sip of his whiskey. Licking your lips, you leaned down to kiss him.

When you started moving your hips and rubbing yourself against his already semi hard dick he had enough. He excused you both and basically dragged you to a just slightly more private corner and pinned you against the wall. His knee found it’s way between your legs, pressing on the spot where you’ve been craving his touch for a while. "You still wanna play games?" he asked wrapping a hand around your neck. "but what about all the people Lando?" you asked looking around to see if anyone is looking at you. "you didn't seem to care before, did you?" he asked and before you could answer he shoved his tongue down your throat.

You couldn't help but start grinding on his knee that was still between your thighs. letting our quiet moans.

You pulled away from the kiss catching your breath and looking around wondering how many people are watching you. he grabbed your chin and turned your head to face him telling you to keep your eyes on him. "these people are too drunk to care what we're doing, don’t worry" he reassured you before taking your hand and leading you through the crowd to the VIP area.

There was no one there so you felt slightly more at ease. Lando didn’t waste any time and quickly continued what you started. Pinned against the wall you felt his fingers drag your panties down your legs. He took them off and stuck them in his pocket.

His lips then quickly found their way to your neck. He knew where all your sweet spots were and he made sure he left a mark on every single one. Moans and needy whimpers left your lips from the wet and warm feeling on your neck. Your hands made their way up his arms to play with his hair.

Lando reached down to gently rub your clit, soaking his fingers in your pre-cum. "mmm so wet" he quietly murmured into your neck. "Lando please" you moaned out, desperate to have his fingers shoved deep inside you. "what do you want princess, use your words." he encouraged you, continuing to rub your pussy painfully slowly.

"I want you to finger fuck me" you said, adding a "please". That wasn't enough for him though. "beg for it" he said looking straight into your eyes. You were so desperate for at least just a little more friction in your sensitive areas, words and pleads just spilled out of you. When you were practically on your knees begging, Lando was finally satisfied.

He stopped rubbing your clit for just a minute to quickly taste you on his fingertips, humming in satisfaction. A finger quickly found it’s way into your pussy, and he was quick to add another one. They slid in with ease since you were so wet you were practically dripping on the floor from the buildup of desperation throughout the whole day.

You were clenching around his fingers, chasing release. It didn’t take long for you to reach your high and spill cum all over his soft fingers. Moaning his name you grabbed his shoulders for support, nearly collapsing. While you were trying to catch your breath he shoved a finger into your mouth expecting you to suck it clean, and you obviously obeyed.

After you regained balance he walked you out of the bar. Your cheeks were extremely red walking through the crowd of people that probably saw everything, not to mention you were in a really short dress without panties underneath.

You can probably imagine how the rest of your night went after you came home.

[erwinsvow]

𝐜𝐨𝐟𝐟𝐞𝐞, 𝐛𝐥𝐚𝐜𝐤, 𝐭𝐰𝐨 𝐬𝐮𝐠𝐚𝐫𝐬

summary: aaron hotchner is a lot of things. in love with you is one that you never saw coming.

word count: 7.1k

author's note: bau!reader + hotch is my favorite combo ever. i haven't written and posted in, like, two years so please be nice :) i've written so many other versions of hotch but this one just wrote itself. inspired by the amazing @luveline and so many breathtaking hotch stories and isabel (alisdas on ao3, not on here anymore i think :( ) who wrote of terrible coffee and late-night rides which i think started all of this and my immense aaron brain rot when i read that fic, like, three years ago. enjoy!

This was wrong, Aaron thought to himself. He seldom committed acts that others might say were wrong, or argue they could potentially be wrong, but this was different. Aaron felt wrong, a feeling he was not used to.

“I’m worried about you, that’s all,” you had said quietly on the jet early one morning. You two were sitting across from each other on the flight back from the team’s latest solved case, an excruciating long ride home from the coast of Oregon.

Your book laid open on your lap, unread and a bookmark tucked between the earlier pages. The spine was cracked, like you’d read it a hundred times before. He knew that wasn’t true though, it was just a used novel probably from the thrift store around the corner of your apartment.

You had told him once, back when you first started—back when he was still married and you were less affected by this job—that you liked finding used (pre-loved, you call it) books and picking the most worn out ones to take home. You said it means that someone used to love this book.

It felt wrong because you were too young for him, and too innocent to be mixed up in his life. What could you know about his thoughts? About the love of his life that divorced him and his son he only sees once in a while.

The rest of the team makes jokes with you, in particular JJ and Penelope. He’s even heard Emily pitch in, about your not-so-secret fondness for your boss. For him. 

Back when you had first started, it was nothing. Passing glances, working extra hard to please him and earn his praise—which was never given out generously. He hadn’t even taken the time to notice, never paid more attention than any other member of the team. What he did notice was your work ethic.

Being among the youngest of the team had instilled a drive in you to prove your worth. You always stayed an hour extra, came early, and spent  nights working the case even when you were yawning every few minutes. The most attention he’d given you back then was commenting that you’d had a good insight into the unsub, commending you on well-written reports and briefs, and offering you a cup of coffee when it was just you and him left in the sheriff’s office. He’d be rereading seemingly endless pages of the case reports and you’d be diving headfirst into the victim’s lives.

Your specialty was always understanding why the victims did what they did, figuring out their routines and ascertaining important details from their personal belongings. He was used to you flicking through diaries and boxes of mementos that were once treasured by another young girl, not so much older than yourself. 

He’d be lying if he hadn’t thought it was impacting you—reading through the journals of dead women who had been very similar to yourself, with similar hopes and dreams. It was depressing, he knew, and yet if you were bothered by it, you didn’t show it in the slightest. At least not to him. 

And back then, he’d never notice the sweet smile that always graced your face when he was asking you if you’d like coffee. You’d shake your head no, and take sips of water between your yawns. You didn’t even tell him that you don’t drink coffee until a few months later, after he asked if you’d ever like a cup when he offered. He can remember it clearly even now.

“Actually, Hotch, I don’t drink coffee.” Your cheeks were tinged with color like you were embarrassed to even be admitting this to him.

“Why didn’t you say anything sooner? I would have stopped asking three months ago.” If he sounded stern, he didn't mean to. The burning on your face deepened.

“I didn’t want to be rude. I drink tea though, but I didn’t think to mention it. It’s not as easy to make.”

“Well, let me know if you need a cup of hot water then.”

You had smiled at that, and he had turned around to take another picture on the bulletin board. He smiled a little too.

“You don’t need to worry about me,” he said, maybe a little too gruffly. He didn’t mean it, again, but it just came out that way. He thinks some part of him is trying to warn you to stay away before you get too close.

“We’re all worried. You went through something really big and didn’t tell any of us and even if you don’t care about us like that, I care about you. I just want to make sure you’re okay.” 

Aaron’s gaze casts around the rest of the jet.  Derek has his headphones in, staring out the window and trying to resist sleep. JJ and Emily are playing cards—they should be sleeping, but they had a little too much espresso a few hours before. They’re too far away to hear you and Aaron speaking, but he notices JJ’s eyes darting over every once in a while. Spence is asleep, and he realizes that’s why it’s so quiet. Dave is reading a book, too, but he’ll stop and interject into JJ and Emily’s conversation.

He looks back at you, sleepy-eyed and wrapped in a warm, boxy pullover from your alma mater. He thinks a little bit too much about you these days, and he can’t get it to stop. He shouldn’t profile anyone on the team, they have a strict moratorium on that, but especially not you.

You, who never fails to try to make anyone feel better when they’re down. You, who doesn’t make it seem like you’re analyzing their behavior, but rather observing and offering comfort in hard times. You remember everything the team tells you about their likes and dislikes, never forgetting a birthday or special occasion. He can distinctly recall fresh chocolate chip cookies on Derek’s birthday, carrot cake from the Italian bakery Rossi loves to celebrate when his latest book became a bestseller, and a new knick knack for Penelope’s office after a particularly brutal case.

You say it’s all in passing, but he knows it’s not. You’re trying your hardest to keep the team together in the little ways, strengthening bonds that extend beyond coworkers. You want to fit in and be accepted, and you worry so much that you won’t. This is your way of trying to show that you’re a part of this team too, not just the new girl and one of the young ones. 

Aaron blinks twice. You’re looking at him expectantly, and he wishes you wouldn’t. All he’ll do is disappoint you. 

“You don’t need to worry,” he repeats. “I’ll be fine.” 

“I wish you wouldn’t say that. Why is it so bad for us to worry about you?” You look like you’re starting to get upset—it hurts Aaron more than he realized it would. It’s not bad for the others to worry, it’s bad for you. If you get attached, if he lets this get unprofessional, he doesn’t think he’ll ever forgive himself. Hurting himself is one thing; hurting you is another entirely.

“Let it go, Agent. Try to get some rest.” He looks out the window. He can see the sun coming up, and realizes he hasn’t slept since the night before last. He still needs to drive home—not really home, he remembers sadly, his empty apartment— and work on reports before he can even see Jack. He doesn’t think resting now is a good idea, and yet his body is so tired.

When he looks back, you’re reading your book again but your eyes are really paying attention to the words on the page. You’re just skimming, and blinking rapidly, and he realizes then he’s made you tear up.

His phone goes off—Haley, and he feels guilt building up in his chest, almost overwhelming him. He steps away to answer and talks quietly. He doesn’t want you to overhear and worry even more. When he comes back to his seat, you’ve fallen asleep. He takes the book from your hands gently and puts the bookmark in, closing it and resting it on the seat beside you. He watches you sleep and wonders if he’s making a mistake trying to hide from you. He thinks, and not for the first time, that you see right through him.

The plane lands an hour and a half later, and everyone is beyond exhausted. Even Spencer, who normally doesn’t need much energy or caffeine to start talking fast about something interesting he noticed about this case and this unsub, is unusually quiet. They’re all running on fumes, staying up two nights in a row profiling and then catching the unsub with the latest victim at one in the morning, and then boarding the jet soon after.

Aaron makes a decision, everyone can work on their notes from home and the report is due no later than day after next. Derek pats him on the shoulder and says no one is to call him for the next twenty-four hours. JJ and Emily exchange a laugh. Y

ou, he notices, though he wishes he wouldn’t, go up to Spencer and talk with him quietly. When you’re done, he beams at you and you at him. He wonders what you two talked about when they’re all heading out, listening to Spencer ramble about how the unsub’s use of his childhood spots as disposal sites offers insight into the abuse of his youth. Prentiss tells him to save it for the report. 

He and Rossi are walking back to their cars when Dave speaks up for the first time.

“You’re wondering what she said to him, aren’t you?”

Aaron stops for a moment. 

“You should know better than to profile me.”

“Oh, I’m not profiling. This is just me being observant. You should stop fiddling with your ring finger when you talk to her. It’s a dead giveaway.”

“Dave, I don’t need to tell you that this conversation—“

“I know, I know. I won’t mention it again if you don’t want me to.”

“Thank you. I’ll see you tomorrow, then.”

“See you tomorrow, Aaron. And by the way, she offered to write his notes for him if he wanted. He said it’s hard for him to write about unsubs with schizophrenic tendencies and she said she can try to help, if he wants. That’s all. Let me know when you’re ready to talk about this.”

Aaron gets in his car and doesn’t stop thinking about you the entire ride home.

-

You wish you could make it stop. The way you feel about your boss. It started so long ago, it’s almost a part of you now. Aaron is stern and his disposition is frightening, to the say the least. But only at first, you’ve realized, after so many late evenings spent discussing the case with him, breaking down the tiniest details, and him paying attention to your every word when you discuss the victim’s demeanor and behavior to try to figure out what had really happened.

It wasn’t supposed to be like this, you thought. You had gone to the overpopulated state school with the hopes of entering the medical field. You were a true empath, and there was no one’s suffering you couldn’t relate to, no one that you wouldn’t try to make feel better. All your life, people cried on your shoulder while you offered up words of comfort. And because of this, everyone thought you were a shoo-in for nursing or medical school, where you could help people through the worst days of their life.

All it took was a few days at the hospital where you had been working, a string of murder victims being wheeled in one after another, for you to reconsider your life’s work. None had survived the incident, but the killer let them live just long enough to be seen by the doctor, who then had to declare them legally dead.

Something about the victims seemed familiar to you, how they’d all come from wealthy families and were sliced up in their expensive clothing, expensive jewelry and watches smashed to bits instead of being stolen. You mentioned it to one of the officiers, who told someone else, and somewhere in that chain of events, your insight helped them catch the killer.

It was then, you thought, that maybe you should be working on the other side of these situations. Stopping the killer before it ever got to this. 

Then you’d done a one-hundred and eighty degree spin on your career, electing to pursue becoming an agent. You had been young, and motivated, and you chose to overlook when everyone told you this job might become your whole life, leaving no time for a husband and kids and a family.

You had ignored it all, working your way up from the local field office to child crimes in just a year and a half. The transition out of sex crimes to homicide was disturbingly hard, because at least before you’d had a victim to interview. You were no expert, not yet, but a unique asset altogether, combining a true mission to uncover the best in each victim, and figuring out their behavior patterns from bedrooms and diaries.

It was a unique skill-set, acquired mostly because a lot of traumatized children didn’t offer much to go off of. You had to turn to their childhood homes, toys, and scribbles to figure out what had been going on in the first place.

You reflect often on why you decided to leave child homicide when news spread that the BAU had an opening for one more agent. Truthfully, you hadn’t considered it at all, since you were more than happy with your current position and coworkers. You were solving cases, delivering justice, and bringing whatever comfort you could bring to grieving families.

In fact, you had been requested specifically. You, out of a hundred or more well-established, intelligent agents that could be a huge asset to the team. You were never special, and you didn’t like to think of yourself in that way either, but you couldn’t deny how good it felt to hear that the team wanted you. 

And when you transferred over, everyone was so nice. The team was inviting, they respected your opinion, and especially in cases with younger victims, they revered your knowledge. You felt included, and invaluable, and as hard as you worked, you wanted to work even harder. 

Your boss was a brilliant agent and profiler, and so hardworking that you wanted to do anything you could to make his workload a little easier. You wrote the most detailed reports, so he would have to edit them as much.. You offered to pick up extra briefs, so he took home a couple less papers. And no matter what you did, acknowledged or not, you knew you were making the kind of difference you’d always dreamed you would. 

Aaron—he was only ever Aaron in your head, and Hotch the rest of the  time—liked you as an agent, and it made you happy. A little happier than you should be, considering he was happily married with a toddler and a perfect life outside of work. It was almost wrong, but it didn’t stop you from trying to impress him with your work ethic.

You always put aside your other feelings and focused on the team, and somehow in all of that, you felt like you were finally making your difference. You were close with the team and close enough with Aaron, that you hadn’t been worried to start that conversation on the jet now that all these circumstances were changing. Haley had asked for a divorce and he hadn’t muttered a word of it to anyone.

He’s so tired, you can see. You wonder if everyone else notices it too, or if it’s just you observing so closely. He has dark circles now, because he never sleeps, always working, and the furrows on his forehead are seemingly etched in and permanent. He misses his wife and his son, and you know it, and maybe it’s wrong to care about your boss so much that your heart hurts when you see him glancing at the framed photos of his family on his desk, or the tiny polaroids in his wallet, but you do. You think you’re in love with Aaron Hotchner, and you don’t know how to make it stop. 

You’re gonna get hurt, you remind yourself every now and then. 

Aaron and Spence have just come back from the prison, where they had an encounter with Chester Hardwick that they won’t really talk about. You’d been with the rest of the team in Indiana, and then two days later in Oregon. 

Aaron and Haley were divorcing, and it hurt him so much, you knew, because it wasn't for a lack of love. It was a lack of time, a shortness of hours in the day. He couldn’t be the husband Haley wanted and the father he thought Jack needed while being an agent for eighteen hours a day. It hurt you too, seeing him like this. You wish he felt better. 

The days and weeks seemed to blend into months. Somewhere in between Hotch’s divorce and JJ’s pregnancy, you had become complacent with your relationship with Aaron. Walking in together from the parking lot, leaving together at the end of a long day—usually alone and sometimes joined by Emily or David. Sometimes you’d have a frothy drink from a nearby coffee shop in your hand—to which you always hear, “My coffee’s not better than that stuff?”

“It’s not coffee, remember-”

“I know, you don’t drink coffee. That stuff is full of sugar. I don’t need you bouncing off the walls like Reid and Garcia too.”

You laugh, and then you wonder if it’s because he really cares or if it was just a passing comment. You share a lot of little moments like that. 

When his eardrum was nearly blown out after New York, you almost offered to drive back with him from Ohio to Virginia. It was instinct, because you just didn’t want him to be alone. You had exchanged a glance when he handed you the plate of brownies from the victim’s mother, and you knew he had read your mind. But he didn’t say anything, and you left it at that. You’re not nearly stupid enough to think that your boss reciprocates your feelings for him. Hell, most days you don’t even know what feelings you have for him.

Your seats on the jet are almost permanently fixed; near the coffee machine towards the cockpit. You sit across from each other, and sometimes you don’t even speak. He’ll bring you a cup of hot water, and he doesn’t ask if you need a tea bag from the make-shift coffee station, because knows they’re in your go-bag. 

When it’s his weekend with Jack after two weeks of back-to-back cases, Aaron is always working on the reports on the jet. It’s because he’s trying to reduce how much work he has to do at home, and even when everyone’s fallen asleep and your eyes are close to shutting, you get up and make him a cup of coffee. He’s never once told you how he takes it, and he doesn’t know if you’ve seen him make it either, but somehow you know, and it’s always right. When you offer him the steaming paper cup, he looks up at you with an entirely new look—something you’ve never seen before. You two don’t exchange so many words.

He says it all with his eyes, sometimes, even when you’re not looking. It’s gratitude. (When you get off the jet a few hours later, you tease Morgan about his snoring. Derek asks you where his cup of coffee is, and you shove his arm so hard he almost drops his bag.

In the end, it was you who had figured out there was something wrong with the Reaper’s last few victims. 

“Why would a nineteen year old girl date her teaching assistant?” You had questioned, looking through a file that everyone’s eyes had already seen. “An honors student, a freshman, I mean, none of this points to an illicit affair with faculty. She knew it was against the rules and her roommates said she’s never so much as skipped class.”

“That could have been because she wants to see him,” Derek interjects. “If they were truly in love like Foyet said, she’d take every opportunity to be with him.”

“But in an environment where no one can know you two are together? I mean, if she was in love and close to getting engaged, wouldn’t she tell her best friends? Her parents? How many teenage girls keep something like that just to themselves?”

The pieces of the puzzle that had once fit together so nicely were coming undone. It felt like the blink of an eye, from catching Foyet to him escaping. Everyone was on edge, no one more than Aaron, and your empathy still knew no bounds. Where you had once been able to focus on work and dedicate all your thoughts to the cases, you now were distracted and distant. Every other thought was about Aaron, as wrong as that might be. 

Canada had been something else entirely. It was difficult for the entire team to fathom, but nearly impossible for you. You had lost your temper twice—something you’d never done before— and thrown up when the team discovered all the shoes. JJ had run after you but in the end, Aaron was the one who found you outside.

“I’m sorry, JJ, I’ll be fine—I-I just need a minute,” you breath out, chest heaving and tears brimming. 

“It’s okay,” Aaron says, “take your time.” 

You turn around so fast, your breath catching, and you hate this situation. You could never hate Aaron but you hate this, you hate that he followed you and that he’s seeing you like this. You look weak, after two and a half years of trying to prove to him that you’re strong—strong enough to handle this job, do what needs to be done, and not cry at a crime scene.

“I-I’m sorry, I-” 

“Why are you apologizing?” He doesn’t sound mad, or like he’s belittling you, and you don’t know why that’s what you expected. This is Aaron, your Aaron, and even though he’s not really yours it doesn't seem to matter much right now.

“I’m making a scene. I-I shouldn’t be throwing up on the job or screaming at those unsubs or anything else-”

“It’s okay. It happens.” Aaron says it so concisely, you almost feel better for a second. Isn’t this what it’s always come down to? You need Aaron like air, and somehow he always knows what you need to hear. He doesn’t treat you any differently compared to the others but it feels different today. You can’t describe it in words. If JJ or Morgan had followed you out here, you would have said the same things, but you wouldn’t have felt this way. Like if you crumble here today, Aaron will be there to pick you up.

“Take your time, please,” he repeats. “I know you think you have something to prove to me, but you don’t. You’ve proven it already, to all of us. Admitting that all of this gets to you isn’t a bad thing. That’s what separates us from them.”

At that moment, a dam bursts. Tears flow down your face like they haven’t in so long, as long as you can remember. You think you should feel embarrassed, crying in front of your boss, but Aaron takes you into his arms and you can’t remember the last time you felt this safe. Cheesy, you think, but this is everything I thought it would be and more.

You’re not sure how long he holds you there, but eventually once the front of his shirt is covered in your tears and he offers you a tissue (Does he just carry this around waiting for one of us to cry?) and you head back together. This is the embarrassing part, you think, bracing yourself and biting your inner cheek. But if the team is judging you at this moment, they certainly don’t show it.

You join JJ and Emily inside the house, who ask you if you’re okay when you sniffle for the last time. Spencer asks you later, on the way home. Derek tells you to call him if you need anything. Dave tells you, “You’ll be okay, kid,” and somehow, you believe him. Penelope texts you once on your phone, checking in and promising a distracting, gossip filled girl’s night out soon.

Aaron walks you to your car, and says goodnight. You’re delusional, you think, once you're back at home. You’ve taken the longest, hottest shower imaginable and your record player is emitting the scratchy sound of your favorite Beatles album. You’re in a big shirt that’s getting wet while you brush your freshly cleaned hair and all you can think about is how it felt to be wrapped in Aaron’s arms a couple hours ago. 

You are delusional, you remind yourself. You’re checking your phone every couple minutes like a love-sick teenager. You think Aaron’s going to call you to check in, you almost feel it in your bones. You leave the ringer on incase he calls later—maybe he showered and sat down to work on some reports before sleeping. You fall asleep thirty minutes later, exhausted down to your bones, and wake up startled by your phone going off. In your sleepy delirium, you answer without looking who it is—assuming it’s Aaron.

“Hotch?” 

“Hey, sorry it’s JJ. We have another case, I’m sorry.”

“Oh, JJ, um, okay, I-I’ll be there in ten. Text the address, okay?” Your cheeks burn at the slip.

“I sent it just now. Listen, I’m sorry, but can you try Hotch’s cell? I called and texted and he’s not answering.” You feel your stomach turn, first because Aaron isn’t answering and he always answers, and second because JJ thinks he’ll answer if you call.

“I’ll try him now. I’ll call you back.”

You try him twice while changing and another time in the car. Your only explanation is that maybe he went to see Jack and put his phone away, but even that doesn’t check out. 

When you get to the scene, you inform the others about Aaron not answering.

“Alright, let’s split up for now and I’ll keep trying Hotch,” Derek says. They don’t seem that worried, and maybe that lulls you into not worrying either. After all, they’ve known him a lot longer than you have.

You end up with Spencer and Emily at the doctor’s house, combing through patient files Garcia sent over. There’s tens of dozens, and even though you want to go with Emily to Aaron’s place to get him, you know your experience with kids and in the hospital is vital. You and Spencer start working, but something feels off. You just can’t place it. 

In the end, you attribute it to your nerves from the last case. Your fear of embarrassing yourself carried into today, and even though you know no one judged you for losing it in Canada, the feeling lingers. Spencer answers the phone from Emily and says that Hotch was busy with something at the bureau that now requires Emily too. In the end, you and Spence figure it out just in time. Your body is so tired, it hurts, and then on top of that, Spencer gets hurt. You can barely process what’s happening, and you don’t feel better until the doctor says it’s through-and-through.

“God, Spencer, never do that again,” you say, your hands wet with the blood from his wound. You wipe it on your clothes, thinking you’ll change soon. 

“Guys, guys listen to me, something’s happened to Hotch.” The blood drains from your face and your breath stops in your throat. 

“What?” 

“Emily told me not to say anything until we got the unsub, but he’s in the hospital.”

The next hour is a blur. You all show up to the hospital, and Emily is talking to a bunch of agents. Their faces are blurred because you can hardly think straight. 

“Em? Is he okay?” your words must be coming out frantically because everyone’s looking at you like you’re about to crumble. 

“I’m sorry, I couldn’t say anything because I knew we wouldn’t be able to think straight about the case, I know it’s wrong but-”

“Is he okay?” You didn’t mean to cut her off, it just happened like that. Your mind is so clouded right now with a petrifying vision of Aaron dying alone on the floor of his new apartment that he hates so much, while you were waiting for a call for him.

“He-he hasn’t woken up yet.” 

You sit on a chair by Aaron’s bed. He looks like he’s sleeping, and a part of you had always wanted to see him like this. It would be comforting, if he actually was sleeping. You’d imagined it a little differently—you thought for sure he snores and sleeps on his side. You always notice sleep lines only on one arm when you guys have just woken up and continue working on the case. You stare extra hard when he rolls up the sleeves of his dress shirt on particularly hot days. Everyone would moan and groan about another case in the heat of Texas or Arizona, but not you.

It seems like those memories were a million years ago. 

When he wakes up, everyone pours in and it distracts you for a few heartbeats. When they realize what Foyet is actually after, the terror is apparent on everyone's faces. You realize how long it’s been since you last saw Haley and Jack when they finally step into the room. You and Emily leave to give them privacy. 

Later that night, you’re back in that chair. Aaron wakes up for a few minutes at a time, and when he finally stays awake, he notices you.

“How long have I been out?” 

“Thirty minutes. Give or take.”

“Is there water?”

“Yeah, yeah.” You scramble up to get the pitcher and pour him a glass. There’s a straw too, which you put in the cup and hold still for a second so he can drink.

“Thanks.”

“Yeah.” He can see all your emotions on your face. It doesn’t take him long at all, not anymore. You’ve been crying and your clothes have blood on them. He’s alarmed again.

“Is that your blood?” he asks, swallowing hard.

“No, no, Hotch. We had a case, the-the unsub shot Spence. He’s okay though, it just got on me and I haven’t been back home to change yet.”

“Why don’t you? Go home?”

“I didn’t want to leave you.”

“I’ll be fine.”

“I let you go home alone yesterday and look what happened.” You smile meekly at your own joke, hoping he appreciates it. He lies still though, not smiling. 

“I think you should go home. Get some rest after everything.”

“You know, Hotch, only you would tell me to go home and rest up when you’re the one who’s currently in the hospital.” 

“I just think-”

“Do you want me to leave? If you do, I will. I swear.” There’s silence between you two for a moment.

“No.” 

“Good, because I wasn’t going to.” The corners of his mouth turn up a little. You barely even notice it. “I can’t leave now. I don’t want you to sit alone here.” You should stop talking, you think to yourself. But you don’t. “You know yesterday, I got home and the whole time I sat there wondering if you were gonna call my cell. I even turned the ringer up all the way so I didn’t miss it. And I know that’s stupid because why would you call me? But I had this feeling. And now all I can think is why didn’t I call you?”

“Don’t think like-”

“Don’t think like that? Yeah, I knew you would say that. But if I had called you like I wanted to, and asked you to come over like I wanted to, maybe this wouldn’t have happened. But I didn’t because I was scared and I don’t want to be scared anymore. And I know this is the last thing you need to hear right now, but I guess I can’t hold it in any longer.” 

You want to clamp your hand over your mouth. Your favorite cheesy rom-coms have infiltrated your brain, and you can’t fathom how stupid you must sound right now to Aaron. He’s just almost died and the kid who was the last to join his team is declaring love for him on his hospital bed. But it won’t stop coming out.

“Can I tell you something Aaron? I mean, more than I already have? Emily said she didn’t tell me you were hurt because she knew I wouldn’t be able to think straight about the case anymore. About anything, anymore, if I knew you were missing or that you were hurt or dead. And I’ve been trying to hide it for so long, because I know you don’t need any more complications in your life right now, but, I think I have feelings for you, Aaron.” Hot tears stream down your face. You try to stop them but you can’t. They’ve been building up for two years.

“Please don’t cry. I don’t have a tissue for you this time.” You smile through your tears, but your entire body is still tense. It’s because you’re still expecting bad news, still waiting for the other shoe to drop. 

“Do you want me to leave? I can call Emily, she’ll sit with you if you don’t want to be alone.”

“I don’t want you to leave. And you don’t have to tell me these things, I already knew them.” Another few tears drip down your face. Aaron’s chest hurts more than it has ever before. He thinks back to your conversation on the jet that day, when you told him you cared about him and he hadn’t said much of anything at all. “I hope you know that I have feelings for you, too.” 

“You mean you care about me and the team?” you question half-heartedly. You think you’ve already gotten your answer. “I mean I care about the team a lot. And I care about you more than I should, more than what’s right. More than a superior should care about one of their agents. And I think if this hadn’t happened, I would have called you last night. Not because of the case, because of you. Because I need to make sure you’re okay.”

Your heart thumps uncomfortably in your chest. Aaron reaches out his hand a little, and you take it into yours. You sit like that for a long time, and you know there’s so much else going on, but a small part of you sighs in relief. Aaron is okay, and he feels about you how you do about him, and maybe everything will be okay in the end. 

The months after Haley’s funeral are tough for everyone. It’s weird going to work and not seeing Aaron. Sometimes you inadvertently make a cup of coffee how he likes it and have no one to give it to. You started drinking some, even though it tastes bitter and terrible, it makes you feel close to him.

How stupid is that, you wonder one day, sipping the coffee and looking over files with JJ. If the rest of the team thinks you're stupid, they haven’t shown any signs of it yet. You’re sure they mostly feel bad for you and your pathetic behavior. You’ve gotten sloppy because you can’t stop thinking about how Aaron is doing. 

You and the team will go visit him and Jack at his new place. You make cookies, snickerdoodle for Aaron and oatmeal raisin for Jack.

“What kind of a kid are you?” you questioned, helping Jack scribble in his Captain America coloring book. He’s munching on a cookie while you try to figure out what part of the shield is blue and what part is red. “I mean, who likes oatmeal raisin cookies at the tender age of 5?” 

“I did,” Spencer says, taking another one out of the tin. 

“You don’t count, genius,” Morgan says, and then directs his gaze at you. “And I mean come on, no chocolate chip for me? None at all? That hurts.”

“I made you some like two weeks ago! I have a job, you know,” you fire back. Aaron laughs, eating the snickerdoodle after dipping it in milk. It’s so domestic, you feel yourself staring. You only turn away when he catches you looking. 

When he comes back, you wonder if it’ll ever feel normal again. That silly routine you two had, the chairs on the jet near the coffee machine that you still sit in, walks to your car. 

At first, it just feels strange. So much has changed yet the team’s dynamic remains the same. You get through cases with the same ferocity you had when you first started, eager to prove your worth again. Your reports detail every detail and then some, and you stay even later than Aaron some nights. You need something to focus on, and your cases seem like the best option. The other option is to have another conversation with Aaron about your feelings and you think you might die if that happens.

When it finally does happen, it’s plenty embarrassing. You were so sure about your theory about this unsub, so sure that he would confess if he was confronted about his crimes and reminded of the humanity of his victims—three little kids, all under ten. Maybe that’s why it bothered you so much, and that’s why you stormed into the residence even though the rest of the team was screaming at you not to. In the end, you talk him down, but Aaron runs in behind you anyways and nearly spooks the unsub into suicide.

“You do not have the authorization to make calls like that,” Aaron yells at you, and though you had once thought you would die if he yelled at you, it’s all too easy to yell back. 

In that moment, when you had known what would happen, dealing with your area of expertise, he stormed in and questioned you and your abilities as an agent and as a profiler.

“I don’t need authorization, I knew what would happen, and I knew how to talk him down without this ending in gunfire—”

“I don’t care what you think you knew. This is a team, and we don’t make decisions that jeopardize a case without agreeing on it!” “You mean you have to agree with every decision I make? I had it handled, Hotch, you almost blew that whole thing up because you didn’t believe in me!”

“That’s not what this is about,” he fires back, and it feels strange to be yelling at you. He can’t recall the last time he’s ever done this. The rest of the team is just packing up in the police station, trying not to overhear but not really having any choice in the matter.

“Yes it is! You don’t trust me! Not to make decisions for this team and for our cases, or for anything. You just proved that back there. You don’t trust me.” It’s happening again. Tears brew in your eyes. They spill down before you can stop it. Aaron softens before your very eyes at the sight of them. “Stop! Stop feeling bad just because now I’m crying, they’re not tears for you, they’re angry tears and I can’t control it-”

“Of course, I trust you.” His voice has dropped from a yell to just above a whisper. “How could you think that I don’t?”

“I’m not stupid, Aaron. I know what I’m doing. My plan was going to work and you shot me down in front of everyone because you didn’t believe in me,” you say between tears. “Nothing’s changed.”

“And what do you think would happen if you stormed in there and I lost you too?” His voice is gentle. You hadn’t noticed that he was so close to you now. You can see the eyelash on his cheek and feel the heat radiating from his body. 

“That’s not what this is about.”

“That is exactly what this is about. You think I don’t trust you, so I won’t let you walk into a confrontation alone? That I think you don’t know how to profile, how to handle these unsubs, so I get into a screaming match outside a crime scene? Tell me, does that check with any of my behavior in the years I’ve known you?”

“I don’t know, Hotch, I don’t profile you.”

“You call me Hotch in front of everyone, and especially when you’re upset with me. When it’s just us you use Aaron. You know how I take my coffee even though I’ve never told you, because you pay attention even when no one else is looking. Cases with children affect you the most, especially when it takes us longer to work them, because you think you should be quicker and figure out the unsub faster since you worked with kids before joining the team. You remember the little things everyone says because you don’t want them to think you’re not paying attention to them. You cry about cases when you feel like there’s something more you should have done, even though there’s nothing else any of us can do. And you cry about me the most of all, that time on the jet, in the hospital, and just now because you think I don’t share your feelings. You think I know all this because I’m profiling you, but it’s not. It’s because I pay attention to those whom I love.” 

Shell shocked. You are shell shocked at Aaron’s speech, eyes wide and mouth open. You’re sure the rest of the team, hidden behind a bulletin board and the conference table is much the same. 

“I’m going to kiss you now. And that’s the end of the conversation about me not trusting you, okay?” You nod dumbly. Aaron’s lips are sweet and taste like his coffee—black, with two sugars. You feel another tear falling but it’s only because you hadn’t expected any of that. 

“That took long enough,” David says from behind the partition. 

and voila <3

[navybrat817]

Focus

Pairing: Motocross!Steve Rogers x Motocross!Female Reader Summary: You have a crush on Steve Rogers, but you don't think you're his type. Word Count: Over 1k Warnings: Crush, longing, slight insecurities, swearing, nicknames, Curtis is a good friend, Motocross!Steve Rogers (he's a warning, okay?) A/N: Finally an intro for Champ and Daisy in our Dialed In AU! Took me how long, @yenzys-lucky-charm ? Not beta read and written on my phone, so any and all mistakes are my own. Divider by the talented @saradika . Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated! ❤️

A 450 rider like Bucky with a lot of wins under his belt, Natasha was serious when she said Steve was one of the best riders in his class.

It was one of the reasons people called him “Champ”, a nickname he wasn’t overly fond of since some of the guys liked to tease him after races where he didn’t place first. It also gave him flashbacks of when he was younger and smaller, virtually ignored or told he wouldn’t excel in anything physically.

With a lot of heart and a late growth spurt, he proved them wrong.

Bucky said once that his nickname should be “Adonis” because of his now statuesque looks and the pit lizards fawning over him or “Golden Boy” because of his success and admiration.

Steve never let any of that get to his head and refused to let the pit lizards distract him. He worked hard to get where he was and continued to give it his all on and off the track every single time.

His determination was one of the many reasons you found yourself drawn to him. He was the kind of rider and person many aspired to be.

Your crush only grew the day you two actually met.

A rider yourself, you earned the nickname “Daisy” thanks to the flowers on your helmet and general sweet demeanor.

The helmet was the very thing Steve complimented you on when he walked by you at your first pro race.

You hadn’t meant to stare when he walked by, but his reputation preceeds him. Clad in red, white, and blue like a patriotic God, his blonde hair sparkled in the sunlight and his eyes looked like the sky on a cloudless day.

The sheer size of him almost made you whimper when he got closer. How a man was able to walk with such confidence and dominance yet still had an air about that said he was humble was a gift.

He even stopped to speak to a few kids who were eager to meet him and you couldn’t stop smiling when one little boy wrapped his arms around his legs in a tight hug.

Who wouldn’t fall for him?

You were certain you still had a dopey smile on your face when he looked your way.

“Beautiful.” The deep timbre of his voice sent a shiver down your spine when you realized he was speaking to you, which you tried to blame on pre-race jitters. “Your helmet. It’s beautiful,” he said when you didn’t reply.

You deflated slightly because of course he didn’t think you were beautiful. You were just a rider and not like the girls who flocked to him.

“Oh, thanks,” you croaked, clearing your throat immediately to try and save face. “I like daisies,” you added, mentally kicking yourself for stating the obvious. Why else would they be on your helmet?

The lopsided grin he gave you brought your smile back to your face. “You’re Daisy. Heard good things about you.”

Biting your lip and glancing away briefly, you didn’t catch his gaze following the movement. “You have?” You asked, slightly surprised that your name made the rounds.

“Yeah.” He nodded toward the track. “And I’m eager to see what you do out there.”

Your stomach did a somersault, but you held your head high. “I’ll try not to disappoint.”

“I doubt you could disappoint anyone,” he quietly spoke, looking over his shoulder when Bucky called out to him. “Gotta go. Good luck out there, Daisy.”

“Thanks, Champ,” you said, shifting back and forth on your feet when he stood up straight and flexed his gloved fingers. Maybe you shouldn’t have used his nickname. “I mean, Steve.”

You couldn’t read his expression, but you felt better when he gave you one more lopsided smile. “Champ sounds nice coming from you,” he said before he walked away.

You tried not to swoon or check out his ass when he went on his way, but Curtis clocked you immediately.

“You might wanna wipe that drool off your chin before your race,” he said, nudging you with his shoulder when you glanced at the ground. “Nervous? Don't be. You’re gonna kick ass out there.”

“Not nervous,” you said, biting your lip again. “He said he heard about me.”

“Yeah. Riders talk, you know that. And the guys saw you practice, so they know you have skills,” he said, sighing when you lifted your head and longingly stared after Steve. “Look, don’t let him distract you.”

“I’m not letting him distract me,” you argued, moving your helmet between your hands. “It’s just nice to get a compliment from such a skilled rider,” you said, especially since a lot of guys had a tendency to ignore you once they knew you loved to race.

Curtis narrowed his eyes. “I’m a skilled rider and I compliment you. I don’t see you walking around with hearts in your eyes and having a little crush on me.”

Your cheeks flamed before you hit his arm. “More like you bust my nonexistent balls. That’s not the same thing,” you said.

He didn’t move an inch when you hit him, the wall of muscle that he was. “Perk of being my friend,” he deadpanned, looking in the direction that Steve went, too. “I’m not one for gossip, but Champ is single.”

You put your helmet on so your friend couldn’t see your face. “Good to know, but I doubt I’m his type,” you said.

Because why would he like you?

“Rogers is a fucking idiot if he doesn’t want a girl like you,” he said sincerely before he hit your helmet with the palm of his hand, the familiar grumpy stare back on his face. “But enough of that shit. Get out there and win your fucking race.”

Which you did.

Steve's heart skipped a beat when you removed your helmet and smiled.

Because the truth was, you were exactly his type.

And he’d sweep you off your feet if you let him.

They're sweet, okay? Love and thanks for reading! ❤️

Masterlist ⚓ Steve Rogers Masterlist ⚓ Ko-Fi

[eyesofshinigami]

3, 2, 1, Fight!

Rating: General Audiences

Tags: Meet Ugly, Steve and Dustin are brothers, pre-relationship

Written for the STWG daily drabble prompt: not a meet cute but a meet ugly

This is not at all how Steve pictured his Saturday going. He could be anywhere, instead, he’s standing in a comic book shop, fighting over a toy with another grown man who looks like he’s going to beat Steve over the head with it.

“Let go!” the guy yells, trying to tug the action figure out of Steve’s hands

“No, you let go!” Steve yells back, yanking it back. He has to give the guy props, though. He’s just as relentless as Steve is.

The guy sputters, an attractive shade of pink coloring his cheeks as his curly hair falls in his face. Wait, what? “Fuck off, why are you even here? Don’t you belong in a gym or something?”

Steve scoffs, still yanking. “Does it matter why I’m here? Just let go already!”

Dustin had been asking for this action figure for months now, talking about it and showing Steve newspaper clippings and TV commercials. Steve, being the good big brother he is, promised their mom that he would do his best to get it for him for his upcoming birthday. He’d be damned if he was going to let some punk, albeit a very attractive punk, take it away from him. Why did they only put three out on the shelf anyway?

They play tug of war for another few minutes, until the bewildered clerk, who had been watching their exchange, finally butts in and says, “Uh, I think I might have another one in the back? Can you wait here?”

They both nod, neither of them letting go of the toy. “I wish he would have said that in the first place,” Steve grouses, watching the clerk disappear behind a door. “Why they only put out a couple of copies of a toy I will never understand.”

It’s Hot Guy’s turn to sputter. “Toy? TOY? This, sir, is the limited edition statue of Kas the Betrayer that Wizard of the Coast put out to celebrate the anniversary of his DnD release! Not that you would care about any of that, you troglodyte.”

Steve has no idea what any of that means. “Oh, so that’s why Dustin wanted it. Makes sense now. He loves that guy.”

“Wait, it’s not for you?”

“Uh, no? It’s for my kid brother’s birthday. He loves that Dorks and Dragons game and he ran a Kas… uh… campaign? Last year? It was his first time. Kas is kind of a big deal to him.”

The other guy starts to look a little contemplative, but that’s when the clerk appears with another, much less rankled looking box. Steve immediately lets the one in his hands go and takes that one instead. “Thanks, man. I appreciate it.”

The clerk shrugs and heads back behind the counter. Meanwhile, Hot Guy tugs his hair in front of his face. “Uh, look. I’m sorry I said such shitty things over a toy. It’s just, Kas is kind of a big deal to me too. You could have just said.”

Steve waves him off. “No worries, I get it. But now we both have one.” He pauses and considers a second. It’s worth a shot. “You could make it up to me over lunch in the food court.”

Hot Guy’s eyes go wide. “Are you serious?”

Okay, wow. “Well, I was, but you can just say no, you don’t have to-“

“No, no, no!” Hot Guy says, waving his arms around, nearly dropping the box he fought so hard for. “No, I’d like that. Eddie,” he says, holding out a hand. That pretty pink flush is back. Steve kind of wants to see how far it goes down.

“Steve. Now let’s go, before any more wayward nerds decide they want to fight us over these.”

Eddie, dork that he is, bows and motions towards the cash register, “By your leave, my prince.”

Steve rolls his eyes. He always did like the nerdy ones.

[lovers-tucked-into-a-quiet-cafe]

I Know You Like Her Too [Series Masterlist]

Poly!141 x fem!Reader

Content:

On-Going Series, Military!Reader, Polyamorous Relationship

No use of Y/N, Reader's callsign is 'Rabbit', Very Minimal Physical Character Descriptions, Canon-Typical Violence, Mentions of Abuse, Semi-Graphic Torture Scene, Happy Ending :D

This story was written pre-MW3 and has been modified to fit the timeline and some parts of that campaign. With that said, the campaign is a nice suggestion, not a rule. Major canon-divergence here.

Pairings:

Johnny "Soap" MacTavish (pre-established) Simon “Ghost” Riley Kyle “Gaz” Garrick Captain Jonathan Price

Bonus Chapter Pairings:

poly!141 x Alejandro Vargas + Rodolfo “Rudy” Parra

and possibly more ;)

NSFW [18+]:

SoftDom!Ghost, SoftDom!Price, Switch!Gaz, Switch!Soap, Switch!Reader, Threesomes, Group Sex, Hair Pulling, Bondage (Ghost gets tied up heh), Lots of Praise, Body Worship, Oral (giving and receiving), Overstimulation, Aftercare

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Pre-Story Headcanons and General Information:

Personnel Files

141 & Rabbit Headcanons

-

Main Story Chapters:

Chapter One | 3.5k Words

Chapter Two | 2.9k Words

Chapter Three | 5.3k Words

Chapter Four | 3.3k Words

Chapter Five | 2.4k Words - PLEASE NOTE

Chapter Six | 2.5k Words

Chapter Seven | 2k Words

Chapter Eight | Coming Soon

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TAGLIST:

Please interact with this post to be added to the taglist for this story!

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<3

[svltaf]

no, miss appleton did not single-handedly ruin japanese soy sauce forever

there's a popular post going around this week about a ghq (general headquarters, the administration of the american occupation of japan after wwii) employee, a certain ms. blanche appleton, single-handedly changing the taste of soy sauce. while her story is fascinating for sure and i await further developments on the part of the op, and had a hand in the history of soy sauce, the premise is quite a bit exaggerated, and the general narrative so far in the framing by the op somewhat problematic.

tl;dr: as with most things, this is a confluence of factors, with producers, scientists, politicians, (possibly underworld,) and administrators all having their own agency in this story. i find it unusual to sideline so many parties in favour of presenting a single foreign administrator calling the shots in the op's posts.

i've made an initial response here. i will continue my findings in a separate post here.

1. jack daniel's is swill, but it's still whiskey

i think i can distill my issues with this plot so far down to one statement in the original post:

There should be records of her policies, there should be legal documents in America which record how she apportioned out American exportation of soy beans to Japan, there should be sources talking about this woman's ability to transform Japan's soy sauce production so heavily that today only 1% of all soy sauce is made with pre-WW2 traditional techniques.

this transformative impact of one administrator is entirely overstated. this comment led me to a promo blog post where some of the original claims can be seen, and the op mentions that traditional soy sauce was made in kioke barrels, and the this method of production has dropped to about 1% now. this is true, but it appears that at least one source put the decline as starting around the end of the edo period (xvii-xix centuries). [1] sources traceable to yamaroku puts the decline more recently, at about a century ago [2, 3]

this japanese paper on fermented food production is quite clear in stating that wodden barrel production declined from the meiji period (1868-1912) onward.

江戸時代までに一般化した木桶・木樽の使用形態は、明治期以降、一般の生活や各種製造現場で近代化が進む中、コンクリートや金属、プラスチック、合成樹脂等の材質によって代替されていく。 The use of wooden vats and barrels, which had become common by the Edo period, was replaced by materials such as concrete, metal, plastic, and synthetic resin from the Meiji period onward, as modernization progressed in ordinary life and various manufacturing sites. (deepL translation)

another source from a professor on food production in japan suggests that shodoshima (where yamaroku is made) is the area that has most completely preserved the wooden vat method of production.

this survey (oguri) written by a member of the national museum of nature of science in tokyo dates the supplanting of traditional method in more industrialized regions by 1913

1913（大正2）年：栂野は「最新醤油醸造論」の中で、九州、中国地方では桶の代わりに煉瓦又は石でタンクを作り使用していると記述。 1913 (Taishō 2): Tsugano, in his "The Latest Soy Sauce Brewing Theory," wrote that in Kyushu and Chugoku regions, instead of vats, tanks were made of bricks or stone and used. (deepL translation, p.148)

1918年：西二の蔵（ヤマサ印）の建設に当たり研究中の内面塗料が完成したので、これを採用し仕込桶を角型のコンクリートタンクに改めた。 1918: The internal [coating] that was being researched for the construction of the Nishi Ni no Kura (Yamasa brand) was completed, and this was adopted and the brewing vats were replaced with square concrete tanks. (deepL translation with edits from @literaryreference, see translator's note 3, p.148)

i think it bears repetition that soy sauce production was industrializing as japan was industrializing from the meiji to early shōwa periods. as alluded to in the title, a lot of modern soy sauce is like jack daniels: industrial products that evolved from traditional methods alongside a nation's overall development.

2. babe wake up, a new semichemical soy sauce just dropped, and appleton's role in history (a corroboration of @/inneskeeper)

it seems like the plot on the original poster's part has gone to the american side, so let's try to follow the us-japan interaction but from japanese sources.

the survey cited earlier (oguri) has a lot of information that supports the original post. blanche appleton did exist, and does appear in more anecdotes from that era of the soy sauce industry.

(also, this bibliography has more sources on her time in japan, will require institutional access to japanese universities)

to start, there are two methods of semichemical soy sauce production. the first, 新式1号法 shinshiki 1-gō method (i will call it sc1) was invented in the taishō era (1912-26).

大正の末期頃になると、酸やアルカリの化学薬品を併用することによって、速醸の目的を達成しようとする研究が盛んに行われ、その代表的な「新式1号」が出現する。 Toward the end of the Taisho era, there was a flurry of research into the use of acid and alkali chemicals in combination to achieve the goal of fast brewing, and the "Shinshiki No. 1" [sc1] appeared as a representative example of such research. (deepL translation, p.158)

in the time immediately after the war, there was a shortage of supplies, and its allocation was controlled by the americans

駐留軍の総司令部 GHQ（General Head Quarter）は、1948年の春調味料の原料として「エロア資金」（占領地域経済復興資金）により、大豆ミール2万tを放出する方針を打ち出した。このことにより、その配分をめぐって醤油業界とアミノ酸業界は熾烈な競争をすることとなる。 The General Head Quarter (GHQ) of the stationed army announced a policy of releasing 20,000 tons of soybean meal as a raw material for seasonings in the spring of 1948 through the EROA (Economic Rehabilitation in Occupied Area) Fund. This led to fierce competition between the soy sauce and amino acid industries for its allocation. (deepL translation with edits by myself, p.159)

the "amino acid industry" mentioned refers to the monosodium glutamate (msg) industry (glutamate is the ion of an amino acid). essentially, in the early 20th century, both msg and soy sauce (and chemical "soy sauce") production methods have converged to all requiring many soybeans due to their protein content and fermentation properties.

this is where appleton makes her entrance:

GHQは両業界の調整窓口として、「経済安定本部」の経済科学局で調味料と乳製品の需給を担当していたミセス・ブランシェ・アップルトンをその任にあてた。アップルトンは、醤油醸造協会の茂木啓三郎とアミノ酸業界の大内鋼太郎を招いて意見を聴取し、原料の配分を「醸造醤油2、アミノ酸業界8」とすることを内定し、上司のマーカット局長に報告した。この報告内容は醸造醤油にとっては死活問題であったが、内定の根拠は次のようなものであった。 GHQ assigned Ms. Blanche Appleton, who was in charge of the supply and demand of seasonings and dairy products in the Economic and Science Section of the "Economic Stability Headquarters," (?) to serve as the coordinating contact between the two industries. Appleton invited Keizaburo Mogi of the Soy Sauce Brewers Association and Kotaro Ouchi of the amino acid industry to hear their opinions, and informally decided that the distribution of raw materials would be two for brewing soy sauce and eight for the amino acid industry, and reported this to her boss, Maj. Gen. W. F. Marquat. The content of this report was a matter of life and death for brewers' soy sauce, but the rationale for the informal decision was as follows. [...] (deepL translation with edits by myself p.159)

essentially, appleton originally intended for only 20% of the soybean meal to be handed out for soy sauce due to its relatively inefficient usage of materials compared to msg production. this would've crippled the existing soy sauce producers, and they set out to find solutions to save their industry.

醸造醤油側は、醸造醤油の「日本人の食生活における重要性や醸造醤油そのものの品質の良さ」等を強調したが、GHQはただ「脱脂大豆が有効に活用されるのはどちらか」という尺度だけで判断したのである。このような醸造醤油の存亡の危機を救ったのは、もくもくと研究に携わっていた技術陣が開発した「新式2号法」であった。本法を発明したのはキッコーマンの館野正淳、梅田勇雄等である。新式2号の製法は新式1号と同様に、蛋白質を弱酸でペプトンやペプチド程度まで分解し、その後は麹の酵素により分解してアミノ酸の形態まで持っていく半化学、半醸造による醤油の製造法である。 The brewing soy sauce side emphasized the importance of brewing soy sauce in the Japanese diet and the quality of the soy sauce itself, but GHQ made its decision based solely on the basis of "which [industry] would use the defatted soybeans more effectively". What saved brewed soy sauce from the brink of extinction was the "New Formula No. 2 method" developed by the technical staff who had been working diligently on the research. The inventors of this method were Masajun Tateno and Isao Umeda of Kikkoman Corporation. As with Shin-Shiki No. 1 [sc1], the Shin-Shiki No. 2 [sc2] method is a semi-chemical, semi-brewing method for producing soy sauce in which proteins are broken down to peptones and peptides with weak acids, and then decomposed by enzymes from koji mold to the form of amino acids. (deepL translation with edits by myself and @literaryreference, see translator's note 4, p.159)

this development, the invention of the 新式2号法 shinshiki 2-gō method (sc2), led to another round of discussions:

ミセス・アップルトンは「キッコーマンが画期的な技術を開発した」ことを聞き、新法による醤油とアミノ酸液による化学醤油を消費者に提示し、その調査結果に基づいて決定を再考しようと上申書を提出した。醤油の 味、使用テストは神奈川県の鎌倉市と逗子で行われたが、消費者の8割が新法による醤油を支持した。この結果に基づき、アップルトンは両業界で話し合って結論を出すように「正田・大内会談」を開かせた。 Mrs. Appleton heard that "Kikkoman had developed a breakthrough technology" and submitted a petition to reconsider her decision based on the results of a survey that presented consumers with both the new method of soy sauce and a chemical soy sauce made with amino acid solution. Taste and use tests of soy sauce were conducted in Kamakura and Zushi, Kanagawa Prefecture, and 80% of consumers supported the new soy sauce. Based on these results, Appleton had the "Shoda-Ouchi Conference" held so that the two industries could discuss and reach a conclusion. (deepL translation, p.160)

this source seems to suggest that the original decision was under higher-ups' pressure:

当初の提案2対8のアミノ酸業界絶対優位の配分比率は、「新式2号法」の出現により、最終的にGHQは「正田・大内会談」の「7対3協定」を認め、ここに醸造醤油の歴史的危機は回避されることとなった。醤油業界のミセス・アップルトンの評価は従来大変厳しいものであったが、後の調査で彼女は醸造醤油の良き理解者であり、当初の配分比率も上司の強い指示に抗しきれず提案したものであったようである。再度の上申は、彼女の日本の伝統的な醸造醤油への深い理解と思い入れによるものであったと考えられる。 As for the proposed allocation of 2 to 8, due to the [sc2] method, GHQ ended up deciding on the “7 to 3 Agreement” from the “Shoda-Ouchi Conference” instead, thus averting the historical crisis of brewed soy sauce.Although the soy sauce industry had been very critical of Mrs. Appleton in the past, later investigations revealed that she was a firm supporter* of brewed soy sauce and that the original allocation ratio was a proposal she made because she could not resist the strong instructions of her superiors. It is believed that her renewed offer was due to her deep understanding of and commitment to the Japanese tradition of brewed soy sauce. (deepL translation with edits from myself and @blackamite, see translators' note 1, p. 160)

the term 良き理解者 "good friend" (see bolded) i think could mean connoisseur or enjoyer here, will need help in clarifying.

その後醤油醸造協会の正田会長は、1948（昭和23）年7月23日に「新式2号法」の特許公開を懇請し、当時の中野社長の決断により、「新式1号」に続いて「新式2号」についても無償で業界に公開されることとなった。同年8月から講習会が全国12ブロックで開催され、約2,500社の業者が技術を習得した。 Later, on July 23, 1948, Mr. Shoda, president of the Soy Sauce Brewers Association, requested that the patent for the [sc2 method] be made public, and following the decision of then [Kikkoman Inc.] President Nakano, the [sc1 and sc2 methods] were made public free of charge to the industry. In August of the same year, training sessions were held in 12 blocks throughout Japan, and approximately 2,500 companies learned the technology. (deepL translation with edits by myself, p.160)

the main sources the survey used are a manuscript, 醤油醸造技術の近代化 by 永瀬一郎 Ichirō Nagase, kikkoman inc.'s own historical record (キッコーマン株式会社八十年史; a shorter version can be found here), and a history of choshi shoyu inc. (銚子醤油株式会社　社史). i think this confirms a lot of information the original post put out there about ms. appleton and her involvement with soy sauce. plus, it shed more light into how exactly she interacted with the condiment industries.

perhaps @/inneskeeper will find some shady dealings in their research; when you mix a foreign military force, the collapse of existing institutions, and social upheaval, you're likely to find corruption. ill keep my eyes peeled for that development.

3. no, kikkoman is not "fake" soy sauce, but you might be able to find some echoes of the past

so what happened to semichemical soy sauce now? the survey document does not track its usage after its invention and at the surface level, it seems that the original claim was right, the semichemical method has persisted since the american occupation and we're all just drinking sussy sauce.

in fact, this seemed so obvious that this rumour circulated in japan and was debunked by aficionados two years ago.

the link to kikkoman's own record earlier states that sc2 sauce was discontinued in 1970, and the japanese blog post above repeats that, adding that it has reverted back to honjōzō (本醸造) sauce. this paper in the journal of the brewing society of japan (日本醸造協会誌) has this to say about what became of sc2 sauce:

また，キッコーマンの新式 2号しょうゆ製造法の特許が公開されたのも 1948年で， しょうゆ業界は混合醸造しょうゆおよび混合しょうゆを製造することにより効率よく旨味の強いしょうゆを安価に製造し， しょうゆ原料不足の時代を乗り切ったと考えている 。現在，大手メーカーでは食の安全性や本物志向から混合醸造しょうゆおよび混合しょうゆの製造をやめ本醸造しょうゆだけを製造している 。一方，全国の中小しょうゆメーカーでは，製造設備を全て本醸造しょうゆに切 り換える資金力に乏しく．一旦，消費者に定着した混合しょうゆのニーズにより本醗造しょうゆに切り換えることが出来ず，現在も混合しょうゆが主力商品となっているのではないかと考えている 。 The patent for Kikkoman's new [sc2] soy sauce manufacturing method was also published in 1948, which allowed the soy sauce industry to overcome the shortage of raw materials for soy sauce by producing mixed brewed soy sauce and mixed soy sauces efficiently and inexpensively. Currently, major soy sauce manufacturers have stopped producing mixed brewed soy sauce and mixed soy sauce, and are producing only honjozo soy sauce, due to food safety and the desire for authenticity. On the other hand, small and medium-sized soy sauce manufacturers nationwide do not have the financial resources to convert all of their production facilities to honjozo soy sauce. Once a demand for mixed soy sauce has taken root among consumers, they are unable to switch over to honjōzō soy sauce, and even now, it's possible mixed [kongō or kongō-jōzō] soy sauce might be the top [soy sauce] product. (deepL translation with edits from myself and @literaryreference, see translator's note 2, p.78)

the three types of japanese soy sauce production methods available today are honjōzō (本醸造, fully fermented), kongō-jōzō (混合醸造, mixed fermented with amino acid added prior to fermentation, closest to sc2 method), and kongō (混合, one of the previous two types with additives). [wiki, academic source] these production methods are in parallel to the traditional varieties of sauce, which rather describe the mash and added taste; these elements of the production, rather than the fermentation process, are usually what define the lineage of the sauce in both japan and other soy sauce-producing cultures.

instead of supplanting "genuine" fermented soy sauce, the industrial descendants of sc2 sauce have become their own type of sauce and have carved their own niches in the consumer market. as someone who is not from japan, i would be careful about making any judgment on whether it is "authentic".

4. clarifications

there were a few statements by the original poster that i think need further context for a more accurate understanding. any bolding and italics are mine.

During World War 2 there was a push to industrialize the Japanese soy sauce industry to be better for mass-production. This innovated the chemical fermentation technique and the semichemical fermentation technique utilized by Kikkoman; rather than ferment for four years in gigantic cedar barrels, kioke, instead fermentation takes place for six months or a year in stainless steel barrels which utilize electrolysis to artificially speed up fermentation processes.

the first part is correct, but the word "rather" introduces a false dichotomy; soy sauce production is very diverse and progresses at different paces in different regions (see part 1 of this post). the sauce op has is simply one from a region that has kept their manufacturing method unchanged.

"four years" is arbitrary: different producers have different fermentation periods.

the last part of the statement is not universally true of industrial production; ac current may be used in brewing.

A single American woman named "Ms Appleton" was given total control of apportioning all American soy bean rations to companies, how much, and to who. She had no knowledge of soy sauce, allegedly.

we can lay that last part to rest. it appears that she does. i will also have to mention that "soy sauce" has been imported from china to the usa since the 30s.

She apparently had so much power over Japanese soy sauce production that she could singlehandedly shape its future by threatening to not give soy beans to any company, family, or factory which did not utilize her specific requirements of semichemical fermentation (reduced from chemical fermentation, since it was that abhorrent). These days, the term soy sauce is distinct from traditional shoyu, and requires distinguishment because of such a radical difference the two products are.

is girlboss applesauce really that powerful on her own? this statement was not wrong, but she did have the military that just nuked japan behind her.

did appleton specify one method over others? probably, but i think the dependency went the other way: the invention of sc2 sauce was the only way the industry could be efficient enough for ghq standards.

that last part is just straight up wrong dawg what the hell i was nicer in my first reply but im not feeling it today

[...] Because there should be way more information on her if this was the case; she was apparently powerful and influential enough during the occupation that she could singlehandedly enforce whatever arbitrary rules she wanted on the soy sauce industry and they had to comply or else have no product at all. That level of power is fucking insane. Imagine having so much raw influence over Japan that you could order them to completely renovate and change how they produce and make SOY SAUCE, literally one of if not THE most important thing in Japanese culinary history--[...]

holy exaggeration batman, this is almost insulting. as with most things, this is a confluence of factors, with producers, scientists, politicians, (possibly underworld,) and administrators all having their own agency in this story. it is incredibly unusual to sideline so many parties in favour of a single foreign administrator calling the shots.

5. what now?

i think there's much to be found out about appleton's dealings, and it would be an interesting story if there did end up being underworld dealings in those negotiations coming to light. i think it is a fascinating slice into that era and how society and institutions interacted in such a fraught situation. overall, i encourage @/inneskeeper's historian work.

that said, it is very important for people to not put a narrative ahead of the facts. i think it is human nature to be attracted to stories that have a clear causality and linearity, but it is something we need to be very careful about when communicating history to a large audience. to anyone who would like to present their findings, consider what your framing of events imply about the state of the time and place you research, and if you are doing all parties justice.

and for the love of god, cite your sources.

if there are any translation issues, please reach out to me and i will edit accordingly and post errata.

erratum 1: jack daniel's is tennesee whiskey, not bourbon, thanks @drdementogrl.

translators' note 1: 良き理解者 could also be translated more literally to “good understander,” thank you @blackamite, @monstrousgourmandizingcats, @leatherbookmark, and others who have given similar notes.

erratum 2 and translator's note 2: @literaryreference has indicated that 一旦，消費者に定着した混合しょうゆのニーズにより本醗造しょうゆに切り換えることが出来ず，現在も混合しょうゆが主力商品となっているのではないかと考えている 。 is more equivocal and did not state an outright larger popularity for kongō/kongō-jōzō type brewing, so it's possible it might be the top product. they also suggested removing redundancies and pointed out a copying mistake from the original source (left out a bit of the japanese text).

translator's note 3: @literaryreference let me know that 塗料 would more accurately be interpreted as "coating" and also gave me a link of the sauce brand mentioned.

translator's note 4: @literaryreference has provided a better translation for GHQはただ「脱脂大豆が有効に活用されるのはどちらか」という尺度だけで判断したのである, and i have made edits from their translation as well for better context.

[battlekidx2]

I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.

Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.

The first fanfic writer I want to shout out is @prince-liest (ao3 link)

I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).

Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )

Happily Ever After, and Other Shit Nepotism Can't Buy

The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)

They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.

They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.

Anything they write from Lucifer's POV is gold too! My favorites are:

Take Two and Leave a Voicemail!

The Care and Keeping of Homo Angelus

I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!

The second person I want to shout out is @grayintogreen (ao3 link)

Their series Red Roses and Dead Things consistently gut punches me.

Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).

The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.

I can't say enough good things about their series. Genuinely go read it.

I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.

My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)

LeDiz also has a lot of one-shots/collections of one-shots that are very fun.

The Cure for Inexorable Boredom

Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)

Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)

Don't Say It

I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.

I also like their fics Dumpster Baby and Bitter Grapes.

I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).

These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D

[ryin-silverfish]

One nerd's musing about Chinese religion and "respect"

-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".

-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.

-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."

-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."

-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"

-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.

(Everything below applies more to Daoism + associated folk religions, but by the time most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)

(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)

(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)

-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.

-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.

-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.

-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.

-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.

-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.

-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.

-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.

-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.

-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!

-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.

-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.

-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"

-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).

-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.

-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.

-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.

-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.

-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.

-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.

-At the risk of being guilty of the same insertion of Abrahamic religion where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.

-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.

-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.

-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.

-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.

-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.

-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.

-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.

-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.

-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.

-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!

TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.