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#and other things. eva belongs to someone else so her story is what it is but yeah
jamessunderlandgf · 4 months
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🖊 + ⚔🩸faustina🩸⚔
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FAUSTINA was gifted her name by his holiness escribar. she was an orphan and didn’t have one, so he gave her the name faustina, which means “fortunate”— which. is ironic. because she certainly is not fortunate. he thought so as a sick joke, of course.
how fortunate for her to have been found and given purpose, praise the miracle, etc etc but she is NOT living laughing or loving cs she’s in a constant state of having to prove herself and not once has it worked in her favor. the single time that it does is when she’s DYING.
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radiokathryn-if · 1 year
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how would the RO’s be in a red string of Fate AU? (cut to Nate desperately trying to cut the string off his finger bc he’s engaged lmao)
So the Red String Of Fate is one if my favourite AUs because if the origins of the myth!
In the ancient Chinese myth (and please correct me if I'm wrong!) the string is actually wrapped around the ankle rather than the pinky finger like in Korean and Japanese folklore! That the string connects you to the fate you're destined to have and with the people you belong with to achieve that fate.
My favourite “take” on this story is how it applies to all kinds of people, and even multiple people! I think that because of my understanding as a person who is not only pan(sexual) and open to polyamory but also demi(romantic) with a unique perspective through my best friend in to an aroace mindset that the thout of soulmates being strictly romantic and forever only one person is a bit bizzare──humans are people people, not person people... if that makes any sense.
I love exploring different 'avenues' of what connection means to people and how to push conventional boundaries as to what fate and destiny could be. That you have thousands of strings and they are woven together to create your tapestry of Fate (and this is where my favourite mythology comes in──greek mythology!) that is ever changing because the threads fray when you lose a connection or they gray out when someone dies, not fraying because even though they're gone they're still important to you, that the brighter strands are the people who mean the most to you.
I adore it──the introspection into human connection. (I love reading through aroace and poly story's for that exact reason!)
But back to your question! In the classic sense of the Red String Of Fate AU where it's Romantic Soulmates:
You're right, Nate absolutely detests his string──the whole concept of soulmates really. What really gets him is that he hates the feeling of no control, that there's no choice to be made that his string doesn't lead to the one he asks to marry him. He learnt a long time ago how to ignore his string, how to ignore the tug when you leave his side, how to ignore the tingles on the tips of his fingers when you're closer, how to ignore you... it's sad more than anything else──that his need for control, his vision of life, deprives you of a soulmate connection too.
As stated before, Eva truly is a romantic at her core and the thought that she has a soulmate is something she dreams of. Life, however, isn't a dream world and she also believes in agency and making decisions for herself. Though if there's anything Eva regrets it's saying yes to Nate when he proposed to her. Young naivety can only go so far as an excuse when she long for the tiny ounces of warmth you bring her when you cross paths. She keeps it a secret, but the hope that you'll snap her out of the predicament she's in keeps her heart pumping and her fingers tingling!
Mica is a little bit of a different story, considering your connection to each other already. In terms of the Original Universe, Mica might be the closest thing MC has to a soulmate that universe has, platonically or romantically. Mica loves you. Full stop. The fact that fate says you're destined to be in each others life is just the cherry on top for them. It's always been easy to be in their presence, and they will never push romance on you──if you get there, that's where fate has taken you!
The concept of 'soulmates' is... strange to Detective Han, to say the least. They don't... not believe in it but they aren't particularly bothered to chase it either. I think when they finally actually realise what the tugging and the warmth and the tingling means is when they'll get a bit... tense around MC. They don't know how to navigate this and they'll eventually be ready to try──all they ask if for your patience and with time comes their love tenfold. (As fate would have it, it turns out.)
José likes the sentiment of having a Fated One, but putting it in their real world makes them a bit apprehensive. They don't like the thought of not having autonomy and while there's comfort in knowing there's someone out there just for them (and for them to give their heart to in return) the discomfort of not knowing can be a little much. They don't like the weight of expectations. It's difficult, when they make the choice to leave your side before your connection could really bloom─and it was certainly a tough decision─but they must believe that you'll come together when you're supposed to... they're just not sure if they actually do.
Ji Han grew up listening to the stories of these myths from his mother. It's something he yearns for silently. He wants you so much he'd do anything to keep you in his heart. But he's a gentleman first and lets you take the reigns──to go at your pace. In this world he might believe he can have his love at first sight, and if he has his way the sight of his love would be his last, to bless him for his next life to be with you once again.
With Fauve fate is... subjective. In this world she tends to wear gloves. She doesn't like the way she feels when she sees her string while she's... entertaining others. It's not necessarily that Fauve hates the idea of soulmates, it's just that she can't fathom that she'd ever get to meet hers. When she was younger she used to fantasize about her fated one, and her hopes for who they were always came crushing down when it never was who she thought, in the end. Upon meeting MC she may not even realise she just met her fated one until it's too late and after the decisions she's made surrounding you freezes her heart at the thought you wouldn't want her anymore. Dilemmas, dilemmas.
For Jackson, I've chosen to believe Fate gave him a second chance string. That his first red string led him to his daughter, Cilly, and the second will lead him to you. The problem, however, is that that first experience with Fate has left Jackson both weary and jaded to the idea. That while yes, it gave him his most precious thing, the live of his child, it also left him with a shattered heart and scars on his soul. Fortunately, he's not completely closed off, like Nate is, but like Detective Han he needs time to build up trust and let his walls down──for himself!
??? adores his string and the person on the other end of it. Growing up in the way they did left them alone most of the time, betrayed by their family and sent away. They hold out their hopes of love even when their body is cold from being so far away from you and worships the feeling of warmth as the two of you get closer once again.
Bonus! The Poly Routes
Jauve (Ji Han/Fauve)──They balance each other out very well here. Ji Han allows Fauve to accept and acknowledge her feelings towards Fate sooner than she would on her own──coming to terms with it more healthily and giving her more perspectives on how to goes about her choices around her fated ones than she does on her own. And Fauve makes sure Ji Han takes his time to properly love, to savour the feeling with time and introspection and creating connection before blindly jumping into it. They let's each other believe in more ways to love people, to bask in those feelings and to become better people than they thought they were capable of.
Eva&???──for ???, there's that sort of hurt in his chest at just how much they get to breathe when with MC and Eva. ??? never really thought they'd get to even have one soulmate let alone two! The build up of emotion they feel... is like it could burst out if their chest──explode their very being at any second. So they bask in the feeling of you, fingers digging a little too deep into their hold on your connection. For both of them it's all about second chances. It feels like fate has decreed to spare them more suffering and gifted them something so wholely special. Eva especially thanks whichever god's bound her to two beings, the scars and hurt from Nate seem to just melt away when you're around and she can finally relax her heart once again...
#peoplechangepeople🧡
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scalamore · 11 months
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(Analysis/Thoughts) - Rupert’s obsession/possessiveness (a bit R15+ thoughts?)
What the manhwa does much better in than the novel, is the development of Rupert’s ‘possessiveness’. Eclair, the original novel author, stated she wrote Rupert as an obsessive/possessive character, but I don’t really see it - I just see him being a green flag all around. The manhwa, on the other hand, actually expanded on the novel’s story regarding Rupert’s characterization with manhwa-original scenes and I actually prefer the manhwa’s method. As a review, in both the manhwa and novel, it’s established from Ch 25ish and 45ish that as Rupert grew up, he didn’t have anything to call his own, and so he clung obsessively to what he did. He was always alone, and considered Tori and Louis and Fassbender as tools. As they belonged to him and has his loyalty, he’ll look out for them and use them to their fullest. As Rupert says, he cherishes things because they belong to him, not because he likes them. Things that belong to him won’t betray him. Lari realizes the best way to earn his trust was to pledge her loyalty to him by “becoming his”. She knows she can’t change his mind, and feels that this thought process won’t change anyways. So she offers herself up to him, and spends the rest of S1 and S2 trying to earn his favor and “become his”.
It doesn’t help that Rupert reminds her that she doesn’t belong to him yet, or that he doesn’t trust her, or having Tori remind her how useless she is - all this triggered her fears and anxiety, and how she’s so useless compared to everyone else. And thus the misunderstanding throughout the series: Lari believes that Rupert doesn’t trust her at all, and she has to continue to be more and more reckless in her endeavors to prove her worth to him, to earn his trust and protection. On the other hand based on Ch 115, he warmed up to her REALLY quickly. Looks like he really started trusting her by Ch 59, fell in love sometime between that and Ch 78, where he admitted he wanted to grab and kiss her. Once again, that brings up the issue that Rupert has never been exposed to any love in his life he doesn’t know what it’s like to experience or give it. So while Lari tells him that she wants to be someone he cherishes (like his other ‘belongings’), he gives it serious thought and tries his best to treat her well. But as his feelings grow, there’s another issue: his natural desire to want to get closer to her and be more physically intimate with her.
All his life, he was told that the Crazy Emperor [Loved] Eva, to the point of being obsessed over her, and possessing her to where she was stripped of her individuality and freedom, and is basically a slave. In response to that [Love], Eva was ruined and would rather die than be alive with that monstrous, depraved. Emperor. That’s what Rupert witnessed of such [Love] - physically and mentally assaulting Eva without consent, hugging with her struggling against him, grabbing on to her so she couldn’t flee, forcing kisses and intimacy upon her. Again, this abuse was so horrendous that Eva chose death.
As the manhwa suggests, Rupert already had strong feelings for Lari by Ch 78. During a moment of crisis, when she was poisoned, his desire to protect her grew even stronger, as well as that desire to hold her tight - but he couldn’t allow himself to touch her. When Eva was alive, she had told him that there would be no one in this world who would ever love him for who he is, and he accepted it. After all, who would love him, if not even his own mother did? He also knew how much Lari hated and feared him. There was no way he could act on his feelings. Despite him concluding that he’ll remain distant, to not covet her in CH 63 and 86, he still wants her to be with him. Not realizing what he feels is [Love], he stubbornly reminds her often that “she belongs to him”, in hopes that she won’t think about leaving. Because he knows that if she really wants to leave the palace, he won’t be able to force her to stay. So he reminds her of that promise in Ch 34 and Ch73ish, that she belongs to him now, and to not forget it. To me, that’s just a feeble ‘promise’ to stay by his side. It’s not like an order she’s commanded to fulfill, that’s the only thing Rupert can cling to to encourage her to stay. Besides that, as she’s denied promotions, riches, material goods, he doesn’t know what else he can offer her (he never thinks of the possibility of telling her his real feelings unfortunately, he gave up before he even tried :( ) As Lari correctly guesses - yes it’s Rupert’s insecurity speaking, not an order.
When Ch 98 comes, Rupert once again realizes how much he relies on Lari. Now that he’s this close to becoming Emperor, he feels so so empty, but as he thought, he’s so warm and happy near Lari. His heart/brain naturally headed over to her room, and it’s natural for him to stay overnight to protect her from any harm if any enemies were to target her. He decided again, to watch over her and cherish her as much as he would his own life. He will absolutely protect her from anything and everything.
Then Chapter 111 hits:
This scene of Lari and Eva is super powerful to me, in the sense that the juxtaposition of the violent, possessive nature between Eva and the Crazy Emperor with the panel of the sweet smiling Lari that’s bloodied, dripping down to literally be the blood on Rupert’s back (or it could be that he’s moving around so much that he’s reopening his wounds and they’re bleeding again <— novel)
It’s interesting becuse i always thought it was rather far-fetched that despite having witnessed these episodes of sexual/domestic violence repeatedly for years, he’s disgusted by it all, yet he treats Lari very well, and they even have a very healthy intimate life after becoming a couple.
But after thinking about the events in chapter 87 and 98, where he worries about his “possessive” feelings after that accidental hug, feeling how soft she is and how nice she smells in 87, and seeing her naked figure, clear skin, soft, wet hair in 98…. Makes me think that in addition to having Rupert having second thoughts about continuing to “own” her in a possessive way and trapping her in the palace (because he wants to keep her by his side but he’s scared of ruining her since she “hates him”), he’s having issues with the physical aspects of developing feelings for her. Readers lightheartedly say that Rupert is feeling horny in these two chapters, and I agree.
I initially thought the manhwa removed the part where Rupert tells her that he’s willing to prove his feelings to her because he wants to hug/kiss/sleep with her, but I think they did include in a roundabout way with this scene: Rupert thinks his rapidly growing physical attraction to Lari, especially after he’s hugged her and saw her bare skin, is a bad thing. He’s a normal guy with hormones, after all. He has a perfectly normal desire for intimacy, to be physically close and connected with his loved one. He wants to reach out to grab her, hug her, but he can’t - because he’s scared of becoming just like the Crazy Emperor.
Rupert thinks his [love] for Lari, is purely [lust] or even just possessiveness. He doesn’t realize that love can be a positive emotion, as he’s only exposed to the negative parts of it.
After all, as someone who’s never experienced love or romance, he wouldn’t understand the difference. All he’s seen is the Crazy Emperor’s so-called [love] for Eva, but it’s just a one-sided assault of him forcing himself on her over and over again, with Eva screaming out in pain and rejection continuously. This type of intimacy is just flat out violating a person. There’s no enjoyment. Just assault.
So with Rupert, who’s realizing his feelings now, with those feelings growing stronger when he sees her crying…. Remembers again the trauma of Eva and the Emperor.
Because with those feelings of her, he’ll end up hurting Lari. He pretended not to know, but believed that Lari’s always hated him. If he touches her, she’ll hate him more. If he forces her to sleep with him, she will absolutely hate him to death. He knows how deep Eva’s hatred for the Crazy Emperor was, and he’s absolutely terrified that the moment he touches Lari inappropriately, that innocent smile will break and she’ll resent him forever, with no chance of forgiveness.
To make it worse, in the manhwa, Rupert imagines Eva wrapping herself Lari, and threatening to choke Lari, as if saying “look, if you dare to get one step closer to her, she’ll end up like me, is that what you want? To be like the Crazy Emperor? The one who killed me?”
So of course he has to let her go, because there’s no way he could ever trap her at the palace like that.
Returning to my original point: the manhwa deviates from the novel by making it much clearer that Rupert doesn’t have yandere qualities of obsession/possession. He’s too self-aware for it.
What I see, is a very lonely, insecure guy who really loves and accepts Lari, who feels that she also understands and cares for him and wants to be exclusive with her. She’s nice and considerate to him, but he thinks that’s her character - she’s just nice and considerate to everyone, including him. She’s very pretty, and considering how there were so many men ogling at her at the debutante, there’s plenty outside of the palace who would also love for the privilege of dating/marrying her. So he just ends up acting jealous and territorial. He can’t force her to do anything, because she’ll hate him for it. There’s not much he can offer her, since she doesn’t need much. He’s too considerate of her feelings and happiness. Lari as well, doesn’t really consider Rupert a possessive/obsessive person. He doesn’t scare her, or creep her out, or makes her nervous. He sometimes says/does childish or weird things, but he’s able to be reasoned with. If he does something unreasonable, they’re able to bicker about it till he stops doing the unreasonable thing. Overall, she’s been pretty happy and comfortable by his side. After all, she’s stopped hating and fearing him since about Ch 59, and once she loses that remaining small % of doubt that he would turn in to Rasperich I, she doesn’t let those fears stop her anymore. Because she’s accepted Rupert for who he is now ^^
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lailoken · 4 years
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“In his book The Return of the Dead: the transparent veil of the pagan mind Lecouteux exposes us to older definitions of ‘body’ and ‘soul’ that are ultimately heathen in origin. He shows in detail how Christianity went about ‘de-corporealising’ the soul and making it into an immaterial thing. To our ancestors there was no such thing as an ‘immaterial’ thing. Everything had a kind of body; some of them were just denser and more easily perceived by humans than others.
Emma Wilby also touches on this when she speaks of the question posed by many witch-interrogators: ‘did you do all this in your body or in spirit?’ Although Christianity was long established in Scotland by this time, these ancient ideas seem to have lingered on up until at least the seventeenth century. Today we feel very clear about what is meant when someone says ‘body’ because we are in the habit of believing that we have only one. We also believe that whatever the ‘soul’ or ‘spirit’ is, it is something that forms the natural opposite to the body and has less reality value.
If you can try to imagine that your mental universe does not have a concept of something that is ‘without substance’ then you will find it more possible to understand how the notion of ‘more than one body’ could exist. Not only were people able to send out a Double of themself, a less dense body that could travel great distances while the other body slept, but they were also able to expel an animal form from their body.
This notion of the animal form has come down to us in modern Traditional Witchcraft as the ‘fetchbeast’ or ‘familiar’. And for those who experienced the presence of one in the past, the animal was believed to be a tangible part of the body that could be expelled through the chest or the mouth of the sleeper and cause literal effects in the world, including being seen by others.
This close connection of the animal self to the person is particularly pronounced in ‘were animal’ phenomenon, where the person experiences an actual transformation of their physical body into the form of that animal. The real, though highly plastic animal form was able to impose the experience of itself over the experience of being a physical man. So that whilst a scientist would say that the man had not transformed into a beast in his body, a person at the time might have seen a ‘man-wolf.’
It is easy to see when we think about this, how the appreciation of something like a werewolf requires at least two people, or preferably a community. It requires a man who experiences his fetch-beast’s form over taking his man form, and it requires someone to perceive his beast form as altering the status and meaning of his man-form. Today we seldom have two such individuals in one space to be able to comment on these things that were understood parts of life for our predecessors.
So let us dig a little deeper to try and better understand the older way of seeing the body and soul and the Double that goes forth. In Eva Pocs book Between the Living and the Dead she describes how the ‘Double’ of a person was a believed to possess substance, a literal ‘second skin.’ As she puts it: ‘According to the documentation, the alter ego is imagined to be a physical reality. This means that it was not a soul but a second body; and while it was of a more spiritual nature, it also had physical reality.’
But not all visitations from the dead or travelling witches was a case of this ‘second skin’, there was also the notion of ‘the Shadow.’ The term ‘Shadow’ was in the past applied to the soul that lives on after death and can become detached from the body dreams or after death. Some records on witchcraft are unusually precise about what part of the spiritual complex of a person they are referring to. In one case a woman went into the room ‘and there she could not be experienced in her person, she just walked as a Shadow.’ Or: ‘Not Mrs Moricz herself, but her image walked with me as a Shadow.’
So when it is claimed that something happened ‘in the body before the eyes’ this may often refer to the second skin that was believed to be tangible. Not all dead people or all sleepers who roamed during their dreams seem to have possessed this second skin or perhaps to have known how to detach it from their other body. The Skin was often given to the witch by a spirit, such as in the case of the gift of an animal form that a witch may henceforth project her Shadow into and go forth.
The revenant (a potent type of ghost) also had this corporeality, something derived subtly from its corpse, which was deactivated if the dead body was destroyed or dismembered. As it was not unusual for the medieval and post medieval person to believe in Shadows and the real occurrence of dreamed events (more on this below) we are hitting upon a crucial point here. This ‘second skin’ that belonged to the witch, either in the form of a Double of themselves or an animal form, is one of the things that makes the difference between a witches nocturnal adventures and those of the ordinary dreamer. The ordinary dreamer goes forth in Shadow form, something that is generally invisible but may sometimes be perceived by those with The Sight, whereas the witch is able to project the Shadow into forms, as it testified to by the old term ‘dressed in forms.’
The expression ‘turnskin’ makes a lot of sense when one considers that to our forebears this meant the literal donning of another secret Skin. It also helps us to make sense of the notion of witches appearing in ‘someone else’s form’ or ‘riding’ them. We know revenants were able to use some subtle part of the corpse to send forth a second skin and that this only worked so long as the corpse remained intact. So we can deduce that all humans have such things but that only some humans have the gift of separating it out from the other body during life. We can deduce this because of the large amount of evidence to suggest that witches often stole or borrowed other people’s ‘Skins’ to get about the countryside disguised as them. This may have been simply for revenge or to implicate somebody else other than themselves but the tiring effects of being ‘hag ridden’ suggest another purpose behind this ‘skin taking.’ It is likely that sending forth the second skin requires a large power output from the witch and that, therefore, to send the Shadow out to occupy someone else’s and use their vitality instead has its advantages. To illustrate this I will present a detailed folkloric account of a witch attempting to ‘ride’ a man. The story was originally recorded in Appalachian dialect but I’ve rendered it in standard English:
‘I’m doubting if anyone can help me now. But I’m telling you this because when I die, I want you to know what killed me. Now, you know I never believed in witches but I’m afraid a witch is going to make a ghost of me. Every night of my life for the past three months, a witch has come through the keyhole [typical for a Shadow] to my bedroom. She changes me into a horse and puts a bridle on me and leads me outside. Then, she puts her witch saddle on my neck, plaits my mane into stirrups, jumps on my neck and rides as hard as she can till daylight. Then she brings me back to bed all petered out and there’s nothing I can do about it.’
This concept of being ‘hag ridden’ is in fact a form of possession, of a living person by a living person and the notion of riding the second skin allows us to explain the difference between standard dreams and ‘big dreams.’ We all know that there are some dreams that we have which seem quite insubstantial; our forebears would say that these dreams were true but that we only attended in our ‘Shadow.’ But those of us who feel called to witchcraft have often had experiences, open eyed experiences, lucid dreams or visions where we feel that we saw with, or were still in, our body. The ‘second skin’ separating from the physical skin and becoming filled with the Shadow, something that typically feels ‘very real’, can often explain these experiences of doing seemingly impossible things. It appears, given that the Shadow of a witch is attested over and over again to inhabiting the ‘Skin’ of other people, that the Shadow is the sentient part and the ‘Skin’ a kind of vessel.”
A Deed Without a Name:
Unearthing the Legacy of Traditional Witchcraft
by Lee Morgan
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smokeybrandreviews · 3 years
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Smokey brand Movie Reviews: Super Green
The Green Knight s finally out and i can see it without having to wait a month and a half! I thank A24 for this rather quick turnaround because this thing has been on my radar fr what seems like forever! I’ve written about this before but A24 is my favorite studio releasing content. Neon is a close second and Netflix is making a real charge, but A24 releases classics. Some of my all-time favorite films are A24 products. Ex Machina, Hereditary, Under the Skin, The VVitch, Uncut Gems, Zola, Midsommar, Lady Bird, Eighth Grade, The Lighthouse, High Life, The Monster, Enemy, Climax, Room, The Killing of a Sacred Deer, The Disaster Artist, and Under the Silver Lake have all impressed in one for or another, all of them A24 offerings. This studio is f*cking amazing and i cannot sing it’s praises enough. They’ve been around for less than a decade, A24 was founded in August of 2012, and they’re brought this level of quality consistently. The Green Knight has all of the workings to slide right into my all-time list, just like Ex Machina and Hereditary did before it. Let’s see if i really love it as much as i think i will.
The Exceptional
The first thing that hits you is how f*cking gorgeous this film is. Seriously, i was immediately captivated by that opening scene with Gawain rushing for Mass. It definitely opens up as the film progresses and you are treated to one of the most visually striking films of the year. This movie could give Denis Villeneuve, Ari Aster, or Robert Eggers a run for their money. Seriously, you can frame several shots in a museum and no one would know the difference between that and the Van Gophs on display.
I r0aely mention this but it’s absolutely necessary that i do in this particular review because it was just that memorable. The sound design made this film. I’m not talking about music choice or score, but the actual sound effects for specific scenes. That sh*t was some of the tightest I've ever hear on a film and it really added to the overall experience. Just the way the Green Knight creaked and popped as he moved was more than enough to get this mention but there is so much  ore than just that. I hate that i had to see this at home because, f*ck, this thing would have sounded like god in a proper theater.
I mentioned that you can frame these shots in a museum before and a lot of that shine belongs to the cinematography. The shots chosen for this film are breathtaking. I imagine a lot of that has to do with location but even the scenes filmed in dank castles and murky bogs popped with that same, meticulous, shot composition and it really gave those scenes life. The were ties when my jaw dropped at the majesty of a scene. The one with the giants immediately comes to mind. Like, f*ck, was that beautiful to witness.
In that same breath, you have to know when to pull back. Editing is just as important to a film as anything else and The Green Knight is cut with a precision I've rarely seen. This thing has no fat whatsoever. It presents to you exactly what you need and little else. I love that. I love that this film has a story to tell and it tells it with extreme prejudice. These cuts were made with intent. That’s rare nowadays.
I also have to give a nod to the use of color and lighting. Again, it’s not something i ever really focus on but goddamn is it necessary for this review. Light plays a very important role in how this story was told. Certain scenes absolutely need it and others are perfectly accentuated by it. It takes a deft hand to juggle such a nuanced aspect of film and The Green Knight has done that the best this year. So far.
This film has a very real, very potent, atmosphere. It’s not tension, not like Uncut Gems of Good Times, but there is this unrelenting sense of dread that runs through this entire film. It’s measured and restrained but it’s always there. I appreciate that. For a film to illicit such emotion out of me is testament to the mastery of it’s visionary.
All of the praise I've given to the technical aspects of this film would be for naught if i didn’t recognize the director, David Lowery. This dude is fast climbing the list of my favorite directors. I actually listed  bunch above but, after seeing what he’s gone with this film, dude is really making a case for himself. He did the Pete’s Dragon remake which i hear as pretty good, and A Ghost Story but i haven’t seen either. Not really my cup of tea. But if they’re as good as The Green Knight, i might have to revisit that thought because, holy sh*t, this dude can direct the f*ck out of a film.
The writing is on point. I legit hesitated to put this on here because it is the weakest aspect of  everything else in this film but that is misleading. The writing is exceptional. There is no way this film could be as good as it is, if the script was dog sh*t. The material given to these performers had to the top tier in order for them to give the performances they did and and they definitely f*cking did that!
This whole cast really f*cking delivered. Sarita Choudhury as Mother and Sean Harris as the King were easily the best of the supporting cast but everyone else brought that same energy. Joel Edgerton, Kate Dickie, and  Barry Keoghan, all deliver powerful performances. Hell, this is the best I've ever seen Erin Kellyman act and i have to give a lot of credit to the overall quality of this cast delivered. That said, there are three individuals who put everyone else to shame and i say that knowing exactly how much praise i just heaped upon them all.
Alicia Vikander comes in and delivers on two roles, Essel and the Lady. This isn’t surprising at all because she always delivers. I’m never disappointed by her performances. Admittedly, i haven’t seen many but that’s because she is very particular about the characters she signs on to portray. That said, it’s weird the two performances she’s done that immediately jump out to me, are both with A24 films. Her Eva in Ex Machina, and that film in general, is what made me even take notice of both her and A24 as a studio. Here we are, seven years later, and she’s still blowing my mind. F*cking exceptional.
Ralph Ineson is almost unrecognizable in the Green Knight make-up but the second he opens his mouth, you immediately recognize that gravitas. There is a weight to this character and you f*cking feel it with every move Ineson makes. Dude isn’t in it much but the scenes he does appear in are absolutely stolen by this big, green, maestro of his craft.
More than anyone, this is Dev Patel’s film. This dude is a great actor but it’s rare someone gets a part where they can really bite into the content but that is not the case with this role. No, sir, this sh*t was tailor made for Patel and he definitely digs right the f*ck in. His Sir Gawain is just as good as his Jamal Malik from Slumdog, if not better. Seriously, this film would be nothing without Patel. As outstanding as every other aspect that i gushed about in this brilliant goddamn film, the very best is Dev Patel’s performance. Seriously, that sh*t, alone, is worth the watch.
The Verdict
The Green Knight is f*cking exceptional and exceeded all of my expectations. This year long wait was more than worth. It's the best film of the year so far, leap-frogging into my top twenty all-time and I've seen thousands of films. This thing is a masterpiece on all levels. Narrative, plot, lighting, performances, sound design, composition, editing, score; It's the closest thing to a technically perfect film I've seen in quite some time. If Dev Patel doesn't get an Oscar nod for this, there is no justice in the world because he f*cking carries this movie. Patel is easily the strongest force driving this incredibly compelling watch, but Alicia Vikander, Erin Kellyman, Sarita Choudhury, Ralph Ineson, Sean Harris, Kate Dickie, and Barry Keoghan all match that energy with f*cking gusto. I was absolutely mesmerized by the way these absolute masters in their craft, embodied and gave their respective characters life, particularly Vikander. She never disappoints.
The only issue I see that would hinder someone actually getting into this film is the fact that it's a little long in the tooth. You never really feel it, as long as you buy into the fact it's a character study and not a high concept fantasy film filled with dragons and sh*t. If you think Michael Bay and Zack Snyder are the pinnacle of cinematic excellence, pass on this. You won't make past the first tn minutes. Also, make better life choices. No, this is about Gawain and it never deviates from that core drive. Weird sh*t happens, sure, but it's nothing as fantastical as Smaug or a Balrog. Even so, this f*cking movie kept me glued to the edge of my seat. I loved every second of it and cannot sing it's praises enough. My only regret is that I didn't get to see it in a proper theater. This f*cker would have been a real experience to see on a proper cinema screen, especially that shot with the giants. The Green Knight is outstanding and deserves all of the praise it's gotten and so much more.
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jack-o-cel · 3 years
Text
I would like to officially introduce one of my OC's that live rent-free in my brain. He's a Resident Evil 8 OC. Even tho he's a fandom OC, he means a lot to me and has grown on me a lot. He's special to me :]
Also please spare me, Resi 8 is my first game in the Resident Evil series.
Forester Vein
Nickname: Ester
Biological Age: 138
Age Appearance: Early 20s
Gender: Male
Sexuality: Gay Demisexual
Place of birth: Norway
Occupation: Miranda's right-hand man. He essentially does her bidding and only takes orders from her. He also has power over the lords but is usually tasked with helping them. Besides that, he's a Botanist.
Family: Both his parents are dead. All he has is his little brother Foxglove, who looks around 7 years old.
Appearance: Forester is about 5'9". He's a twig. He's pretty pale with long white hair (It was originally brown before being implanted with his Cadou). He has light blue faded sharp eyes. He has sharp teeth (an effect of his Cadou). He also wears glasses.
When carrying out his duties for Miranda he wears a white tailcoat with gold accents, a black and white striped vest, a black dress shirt, a white and gold cross tie, black slacks, and black dress shoes with gold accents.
On his own time, he wears a white t-shirt, a beige knitted jacket, black sweatpants, and socks with sandals.
Personality: On duty, he's in what I affectionately call, customer service mode. He's very formal and helpful. He'll hold his tongue. He's Miranda's most loyal servant and does his very best to meet her expectations. On his own time, however, he more casual and sassy. He speaks his mind. Oh, and he hates Miranda with every fiber of his being (which is a lot :3).
In general, he's manipulative, obsessive, and smug. But also caring to those he loves. Would go above and beyond for them. He's a pretty serious and quiet person. Only when he's alone or with his little brother does his playful and goofy side come out. Despite his usual serious attitude, he's very expressive. His most common expression is a mocking smile.
He's very clumsy, especially when thinking about his obsession, whoever that may be. He's borderline yandere (His yandere behavior is a combination of Yuno from Future Diary, and Tsukiyama from Tokyo Ghoul).
Powers/Abilities: Enhanced strength, and regeneration.
Forester can control large thick vines (which look like large tendrils) and all plant life. He can release special pollen that allows him to control plant life (similar to Donna). The vines are different tho. He can control them without his pollen. To understand why first you have to understand how Ester's body works.
His body underneath his skin is made of vines. He also can easily regrow his limbs and regenerate his skin and hair. His vines are an extension of himself. Although his body is his main body, it isn't his core. His core is located underground surrounded by vines and impossible to get to. Vines from the core spread across the village underground. Forester can only go a few miles away from the edge of the underground vines.
The only time his core would be possible to access is when Forester transforms. His transformed state is a 50-foot tall behemoth made of vines. In this state, he's stuck where he transformed. The core is moved to just below the neck area of the vine monster. Fighting Forester is suicide in most cases. He attacks with huge vine tendrils from his arms and the base of the beast. He doesn't tire and his vines regenerate.
There are only two ways to beat him. The first way would involve killing him. You would need large amounts of fire-spreading explosives to slow him down. It makes getting to his core easier, you'll still be getting attacked tho. You'll need to be able to fly (or just about anything that's not climbing) to his core, climbing would take too long. You'll need to plant explosives where the core is sealed away. Once opened, jump in as fast as you can, the vines will close shut rather quickly.
The core is a large amber sphere. it's soft and gooey when touched gently, but if you were to attack it, it would harden. Inside the core is the shape of a man in the form of vines. That's where Forester's brain and Cadou is. Destroying that kills him.
The second method requires cooperation with Forester's brother, Foxglove. This method is to non-lethally beat him. In this method you cant use explosives, Fox won't agree to help you otherwise. You'll need a team to pull this off. You need someone, or a group, to distract the majority of the vines. You'll need a way to get to the core and something strong enough to pry open the vines long enough for Foxglove to enter where he'll take care of the rest. This method saves Forester, but kills Foxglove.
His Area: Just like the four lords he has his own area. You'll need the six-winged unborn vine key to unlock the gate that leads to his garden lab. The lab is outside with a greenhouse nearby. It's a small area. Most, if not all, would miss the entrance to his underground lair.
The underground area is seven floors down with an arena to the right of all the floors. You can peek inside the arena through 5 of the sub levels. sublevel 1 is above the arena, while level 7 is where the entrance to the arena is. The arena's ceiling is about 60 feet tall. It's used for testing Miranda's experiments abilities among other things. Forester uses it to test and train his own abilities (which is why the ceiling is so high :3).
From the main entrance to the bottom level is a spiral staircase. Each sublevel has a floor gate on the steps with a unique lock. To continue you have to find the key somewhere in the sublevel. Each level has its own tactics and enemies. They're all based on the five senses. Also, before entering you will be disarmed, one way or another.
Sublevel 1 - normal. There's an elevator on this floor locked behind a door that requires the vine key, that only Forester, and his little brother (who i'll talk about later in the post) have. The elevator goes to each level by going through hallways behind the arena walls.
Sublevel 2 - enemies that rely on sight. It'll be essentially hide and sneak kinda gameplay. If you get spotted you have to run out of sight and into a hiding place. You cant be seen going into a hiding spot.
Sublevel 3 - enemies that rely on hearing. You have to explore as quietly as possible. If a chase scene happens you have to hide in a special safe room.
Sublevel 4 - enemies that rely on smell. You'll have to regularly step into ponds that have a special substance inside that masks your scent into smelling like the enemy. But you can't get too close to the enemies there. They'll be able to identify you if you're too close. There are special rooms filled with an overwhelming amount of scents that the enemies wont enter.
Sublevel 5 - the enemies there rely on touch. They have long arms and hands that sweep across the floors. All you gotta do is avoid them. Harder said than done tho. The enemies can sense vibrations =). Dont move too erratically. Simple fast movements are best. Since they're rather big, they cant fit inside some rooms.
Sublevel 6 - The enemies here rely on taste. The key in this level is at the end of a large room that's packed with enemies with long tongues. They interact with their tongues. If they taste a human they'll attack. You have to explore the rest of the level for a vine suit to disguise as one of them. A few enemies roam outside the crowded room tho. They whip their tongues around them. It's a pretty wide radius, but it's not fast. To get past them you gave to see the whip pattern. There are no safe rooms or hide spots, besides the merchant room, in this level.
Sublevel 7 - All the above (with Forester roaming around as a treat =3)~
Arena - Boss Battle =))))))
Story: Forester was born in one of the poorest areas in Norway. His parents barely had enough to feed him, and themselves. When Ester was 10 he found a job at a garden owned by an old wealthy woman. To get the job he had to pretend to be rich. He did a lot of stalking to learn the behavior of rich kids his age; he got very good and stalking and slipping on a mask. He also stole clothes and food to look the part. The old lady was none the wiser. For 6 years she believed in his carefully constructed lie.
The old lady happened to have no living relatives, with no one else to give her wealth and belongings to, she gave it all to Forester when she died; He was 16. With his newly acquired wealth, he gave his family a comfortable home, with everything they could need and want.
Forester had always wanted to attend school, but could never afford or have time for it. Now that he could, he immediately enrolled. It was incredibly difficult. He was somewhat educated, he'd stolen books in the past and taught himself, but he was still incredibly behind. Regardless he tried his best and spent countless nights up studying. Eventually, he was able to do more than catch up, but surpass many of his peers.
After graduation, he went to college out of his country where he majored in botany and aimed for a PhD. He met Miranda in college. They had a few similar classes and got along well. Eventually, they became close friends.
After graduating from college they both went out to do their own thing, but kept in touch and traveled often together. Eventually, Forester decided to work as her assistant and learn from her.
In his early 30s, he took in his little brother, Foxglove, after their parents died. Foxglove was around a year or two years old at the time. While raising his brother, Forester felt a void in him filled. He had someone to love and take care of. Someone he could trust and love unconditionally. Both Foxglove and Eva got along well and played often together.
When Eva died, Forester was there to support his closest most trusted friend. When Miranda found the megamycete she went to her friend and explained what happened and her new plan. Forester, although wary, supported her in any way he could. He refused to go near the megamycete tho.
When he got close to it, Miranda pushed him into it. The megamycete grabbed Forester with tendrils and seemed to absorb him into it.
A few months after Eva died. Foxglove wandered into the forest nearby and found beautiful flowers. Ones that shared his name. Curious the boy ate a few of the flowers. Not too long afterward he came to his brother as fast as he could. He felt sick. Very sick. Fox explained what happened to Forester. Panicked he quickly tried his best to make a remedy, a cure, anything with what he had. But with no time or sufficient supplies on hand, Foxglove died in his arms.
It broke Forester. The void from before returned, larger than before. He desperately turned to Miranda for help. Miranda smiled, with something malicious behind her smile, and told him to go to the megamycete.
Inside the megamycete was an indescribable experience. While inside Ester could feel his body painfully changing. It also awoke something hiding deep in his mind. Something he was forced to forget. Miranda had been brainwashing him for years as an experiment in creating a truly loyal servant. He could feel his anger overwhelm him. He thought they were friends. He thought he could trust her. She knows things about him that he never said out loud before. He was hurt, betrayed, and pissed. Forester was determined to confront her, make her pay.
With his mind quieter, Forester remembered his brother. He found Miranda and approached her carefully and asked where his brother is. Miranda took him to an unmarked grave in the forest. He broke down. Miranda interrupted him, and asked him what he was going to do. Was he going to continue to wallow in despair or try to bring Foxglove back?
He clawed his way out of the megamycete. He felt heavy, but he continued. Eventually, he broke through after weeks of being trapped. With him a giant sphere like object covered in vines emerged. Upon inspecting it, he quickly realized what it was. He could believe what he saw. He had to hide it, and fast. He had looked down and had an idea.
He felt a newfound power within him, and with it, he sent his core deep underground where its vines would grow and spread. With his core safe he confronted Miranda. She initially tried to kill him, but found the effort futile. Instead, she spoke a series of words. Forester blacked out.
When he awoke he was sitting in a chair in Miranda's lab. Miranda was nowhere in sight. Desperate to find answers he returned to the megamycete. Touching it revealed the truth. When he blacked out, he was still awake, but he wasn't himself. He saw as he answered every question Miranda asked and did exactly as he was told. He calmed his growing anger and thought carefully. He needed a plan to bypass her brainwash effect.
Soon he began working on his lab and lair. He worked tirelessly on ways to bring back his brother. After years of research and testing, he was able to make an exact copy made of foxglove flowers. Forester not caring that what he created was a copy, embraced the boy and accepted him. Ester explained to the new Foxglove who he was.
Forester was content. He had his brother back. Still, the void remained. Regardless he could now focus on getting rid of Miranda. By then he had learned how to pass messages and take notes unconsciously. He informed his brother about his situation.
As the years passed, Foxglove stayed physically the same, but his mind grew.
Eventually, during the time that Heisenberg began preparing his army, Forester had Fox give him a letter explaining everything he knew. In secret, the two conspired against Miranda.
Currently: So Forester was created for an rp with one of my closest friends (@plague-doctorz). So what happened with Forester is that a war had started with three forces. Heisenberg's army, William's (Plagues' OC) army, Miranda's one-man brainwashed army, Forester. Will provoked Forester into transforming, according to Foxglove's plan. After dealing with many attack from Forester, the pair, with Lady Dimitrescu's help, formed a plan.
William acted as the distraction. With most of the vines focused on him, Alcina, transformed, swooped in through the middle, while dealing with stray vines, and brought Fox to where the core is. She pryed open the vines. Foxglove stepped inside and forced Alcina to let go. The vines shut closed. Inside Fox opened up the amber easily. Even in a brainwashed state, Forester trusted his brother no matter what.
Foxglove began flaking into leaves and flowers and flew into the crevices of the vines that made up Forester. He was able to snap Ester back to his senses at the cost of his life.
Forester had lost consciousness, and when he awoke, Miranda was already dead. He felt even emptier than before. The hole in his heart got wider when he found out what happened.
Right now, a few months later, Forester is at a state where he's on the brink of snapping. What he needs is closure, and something to fill the void in his heart. But can he have both? Will he even get either?
=)
So this is Forester! Please send me any questions and stuff if youre interested. I love to talk about him! Seriously, he lives rent free in my head.
Oh also, here's a picrew of him while I'm still working on his sketches~
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His hair down too, cause im a simp,,,
Also here's Foxglove!
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Also here's the link to a playlist on spotify based on Forester: here
one last thing
👉👈 @roxyourworld look what i did~
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nothisis-ridiculous · 3 years
Text
Take Me Home Now: Chapter Five
Chapter Five: All My Memories Gather 'Round Her
Set after the events of ME3.
A rewrite. Ao3.
FemShepxKaidan
He ruffled her hair.
Again.
It was a mistake letting her hair grow back out, now clocking back in at impressive two inches Jane was growing used to the platinum blonde locks. Sure, there were some off-handed comments, but a stern attitude dissuaded most of the direct jokes. Well, for most, it did. Roy was always an exception when it came to her.
Annoying geezer.
But was it a sense of direction or trust that guided her to follow through his every command? It was true Jane had been wary at first- she had seen first hand what the power of being made a defacto leader could do to someone. Abuse, rape, and murder. Here, at least for the time being, Roy kept his head. Even begrudged the position. Not that he shared it pubically, only mentioning it in passing to her, but she understood the burden all the same. Jane had lived it: rejected it. It was a strange sense of comfort to follow, better that the man leading was becoming a dear...
She couldn't; she had to reject that notion.
"I know you're there."
The whir of the door a dead giveaway when it came to being followed. Jane's hypervigilance had only increased with her time spent outside active combat. Sure, she still found herself battling at least on a biweekly routine, but it was nothing compared to her time on the Normandy. That person spent more time in cover than under covers.
The mousy-haired girl stared up at her, brown eyes hard and unyielding. Hell, this kid was scary.
"Do you need something, Evelyn?"
The girl harrumphed, "what are you doing?"
Leave it to the lady carrying a dying plant around to be the most suspicious thing going on in the compound, "Spectre business."
Evelyn's, not Eva's, glare worsened. Her cheeks and nostrils flaring.
"What are you doing?" Jane replied in the same smarmy tone.
"My job," she returned matter-of-factly, "even if I don't like it, and even if Papa says you are sick."
"What, are you like, three? You don't have a job."
"Seven. And yes I do! Pater gave me one," the kid smirked, sticking out her tongue.
"And what's that? Being precocious?"
"Pre- what?" Evelyn stammered.
"Being a shit," the swear already escaped before it could be altered. Thus, reinstating the belief that children did not belong around her in any capacity.
Her furrowed brow gave way to a secretive smile, "Pater said someone needed to watch you. Seems stupid, but Papa said we all have to do things we don't want to right now."
Of course, Roy would.
"You're weird," the girl stated plainly, "your face is kinda glowy, and you spend a lot of time with those aliens."
Back on Earth, it wasn't hard to forget that First Contact was a meer thirty years ago. Not that it was blame for their attitudes, but most of the humans had a hard time trusting the aliens. It was only made worse when the squadron of Turians joined them, piling them on top of the loud and aggressive Krogan; most of the natives were uncomfortable. Already the Turians and Krogan had old beefs to settle, and the dash of human fear for the Turian species quickly started a lopsided triangle. At least the Krogan adage of 'seek the enemy of your enemy, and you will find a friend' came to the humans and krogan developing a tenuous alliance.
"Those aliens are nothing to be afraid of," Jane chided gently.
The kid neither gave up nor responded, instead following the woman through the hall and into the open atrium. The place had boomed in population, the mall teeming with signs of life that would have echoed its days before the war. Voices, distant music, and the general clatter of movement greeting them from outside the confines of the sealed hallways. Once Jane could walk through here without watching a step, now she dodged other people, weaving through the crowd with ease and speed intended to dislodge her charge.
Evelyn was spry, knocking into the lady as she unexpectedly stopped. She peeked around her, watching as the red Krogan started to cheer loudly. Another alien, smaller and with a grey carapace charged at his elder, the two rather than colliding ended the charge with a weird arm hold. For a moment, the two crests rested against each other, sharing a few soft and private words.
Even weirder was The Recruit, looking over the scene sadly, a hand held over her heart. Her jaw flexed, another sharp and illuminated line flaring vertically up her cheek—another note to add to the log.
"They look so mean," Evelyn complained, unsure why Jane would be watching this sadly. It was frightening, to her they were great brutes that usually ended up destroying something.
"They really aren't," Jane countered softly, a slight crack in her voice, "if one gives you an attitude, a head butt will set them straight."
She did like that this grown-up did not treat her like a child, unlike the rest.
Both of them tensed at the appearance of a green-shelled krogan; the arrival of the male ended the short embrace between the red and grey one. Then, as usual, the aliens returned to their fierce and violent natures, turning the greeting into a shoving contest.
"Don't fu-," the adult caught herself this time, "leave him alone. He's trouble."
Jane strode forwards, picking up her pace. It was no longer weaving through the crowd, as so much a straight charge across the atrium and to the access corridor that leads to the western parking lot- deciding they wanted to stay out of the way for practicality and ease. The Turians chose to take up the ramp as their headquarters. And this is where Jane headed for her errand.
Yeah, make me, make friendly with the Turians. Screw that they respect the chain of command more than a friendly face, all arguments Jane had tried in vain against the LT to get out of this assignment,  watch me fuck this up over a plant. Jeez, why not let them grow their own garden? Fuck if I know what I am doing.
But he did have one counterargument that made complete sense and was entirely of her own fault. She was the known member of the humans in residence to have any formal diplomatic training. She was still kicking herself for that slip of knowledge.
"You should head back home," she murmured to her back, "boring adult stuff. You won't miss much."
The baggy military rags were not enough protection from the spring chill, but she would press on. Clipping up the three-story climb to reach the perched Turians. The 'outpost' could overlook the entire mall with well-placed postings, which the military-minded turians had already accomplished within hours of selecting this area as a base of operations. The forward guard used to seeing the Recruit hardly blinked, only balking in their subtle way at the package tucked into her arms.
"Recruit," the LT wasn't the only one called by their moniker, the pinkish hued Turian gave something equivalent to a grin eyes wandering down to the plant the human carried, "another issue?"
Jane pushed the plant on the turian, "pretty much. I don't know shit about these plants."
"I grew herbs in my kitchen, I'd guess too much sunlight?"
"Makes as much sense as anything else. We've learned they can't be next to potatoes, now they hate the sun," Jane glanced down at her arms, "and I forgot to wear gloves. That's disappointing- I had plans for those hands tonight."
Silva's mandible vibrated, "there are other ways to relieve tension."
So begun the dance. It always started clean, water running over her arms, a quick quip about the luxury of running water, and the application of ointment. The all too gentle rub of talons across the top of her knuckles, a lingering glance Jane couldn't quite bring herself to notice, and finally a cocky declaration of future victory.
The Commander enjoyed the relaxed regulations of the Turian military, not that Alliance would have ever forbidden forbidden a friendly sparring match it felt much better to let off some steam without fear of repercussion. One didn't have to play nice. Fringe pulling, blows below the belt, untamed aggression was all too welcome in the turian fighting cage. While today wasn't a dirty fight day, Jane was all too eager to move.
Silva made the first jab, and the Recruit absorbed it with a smile.
"The LT is going to have my head one of these days," the Turian went in for the next blow, this time the human dodged, "I'm even going soft on you."
"Come on, Shepard," Garrus mocked, weaving below her fist, "stop dancing around."
Roy didn't appreciate the fighting, even after learning they were all in good sport. The punishment of latrine duty was now part of her chores, for how much she heeded his grumbling. He blamed the bruises for too many things- headaches, sideways glances, the lack of respect she commanded for herself. Why did he care? She never asked, never expected it. But he never told her to stop, so she wouldn't.
"I can't always make it take easy on you, Vakarian," Mary retorted, sweeping out her leg to purchase at a braced turian.
The female turian's claws grasped into her arm, but she was ready, twirling around and planting her elbow into a painfully rigid chin sending the offender reeling back a couple of steps, "that's one advantage of an exoskeleton."
"Or are we afraid to bruise our pretty face in case the Major struts on by," Garrus teased, barely inching past the biotically charged fist going for his scarred mandible, "unless he doesn't know about our little fight club?"
"At least I can roll."
"I wouldn't worry, Shepard," if the Turian were human, his eyebrow would be cocked and a flashy grin across his face, "it's so much better when they are angry."
The turian cackled; today the hits were much easier to connect. Or was the human not trying? She could be like that, destructive. Silva kept the hits low and softened the severity in which she delivered them. Jane struggled to keep her hands where they belonged, one threading and rubbing through her hair each time they disconnected to reset their stances.
"Like I care what the M-" her friend's stern glare shut her down, "don't jealous Gar-Gar."
Jane tumbled to the ground, nose trickling the strange red color. It was time for this fight to be over, the human shook underneath her grasp. But the too expressive species wore a brave face, "Jane."
"Two hundred years later, and still nobody talks about fight club," Mary after close inspection, did notice that the Major strutted, "I'm disappointed I wasn't invited." The handsome human specimen winked at the Commander, his sideways grin all-knowing.
"It's fine, probably enough for the day."
The female moved out of her grasp, turning around to wipe at her face. Silva pretended not to notice Jane went for her eyes first.
"Well, that was quick," the turian was a little disappointed, "you're different for a human."
Jane deaned to turn her head back for that comment, cocking an eyebrow at her, "you must not have left Palaven, or whatever your colony was, much."
"No, ma'am," the turian hesitated, "at least, the rest of your group doesn't seem interested in us."
"How would you feel if this was Palaven?"
Her mandibles vibrated.
"Now add your species being attacked thirty years ago by this species you suddenly have to get along with," Jane smiled softly, she was too harsh, "plus we're a bunch of cranky jerks."
Silva laughed deeply, "and add a war that has crippled an entire galaxy, it is a wonder we aren't all fighting."
"It's the krogan," Jane mused.
"Spirits bless, the krogans being the most level-headed."
"After Tuchanka, they probably feel at home," damn her words, "it was the Salarians all along."
"I mean, that's some deep level conspiracy, but it checks out," her companion tried to keep up the fading mood.
"Just give us some time; we're people of action only that really means something," to which race the words were meant for was moot.
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lyranova · 4 years
Text
A Fractured Diamond
Episode 5: The Escape
——-
So I have no excuses for this chapter. It’s very bad and I can’t defend it at all. The next one will be better i hope, but this chapter made me so angry that I decided to take a break from this series for a few days. I apologize profousley and maybe you all will enjoy it?
Word Count: 2,893
Warnings: Violence and Language
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“ Eva...You ok…”
Neva frowned slightly, that voice sounded so far away, she felt like she was sinking further and further into a sea of darkness. She couldn’t breathe, she couldn’t struggle, all she could do was lie there as it slowly pulled her under.
“ Wake up...Neva...you have to wake up!” There that voice was again, it was calling to her, beckoning her to come towards it, a part of her didn’t want too. But the other side knew she had people that were relying on her, that needed her help now! So she opened her eyes and began to swim out of the darkness the best she could.
Neva couldn’t stop the small moan of pain from escaping her lips, she was hurting like hell. Her head, her back, and especially her stomach were about to do her in. But she felt a warmth envelope her and she opened her eyes to see Mimosa using her recovery spell, she looked around and noticed her Diamond protection spell was gone and replaced by a shell of water.
“ Oh good you’re awake! How are you feeling?” Mimosa asked, her happiness clear on her face. ‘So that was the voice I heard.’ Neva thought as she tried to sit up before wincing and laying back down. “ Stay still, you were hurt pretty badly! But luckily you’re almost healed so you’ll be ok soon.” Mimosa added.
Neva looked and noticed that the silver haired girl, Noelle she believed her name was, was standing in front of them with what appeared to be a magic item in her hand. She instantly frowned, so she was a water mage? That annoyed Neva actually, she knew the reason why it annoyed her, but kept it to herself for now. Neva then looked past the girl and her eyes widened.
Yuno and his friend, Asta, were currently fighting the mystery soldier. She sat up and, like the others, watched the fight in awe. She heard Noelle say something about Asta being able to nullify magic and her eyebrows raised in surprise. Neva had never even heard of that kind of magic existing before! It was quite interesting. She rolled her eyes as Klaus began trying to belittle them. Again.
“ Will you just shut up and be grateful they were here to help us?!” Neva finally snapped, causing all but Asta and Yuno to look at her in surprise. She blushed and rubbed her neck nervously. She hadn’t meant to snap, but she wasn’t going to apologize for it either. Luckily what she had said shut Klaus up, for a while at least, and they continued watching the fight unfold.
When Neva thought they had finally gotten the upper hand the mysterious man, Mars, she thought she heard Asta call him, decided to use one of his major spells. A giant suit made of crystals, that moved! She paled considerably, she couldn’t make anything like that in her wildest dreams! Let alone be able to move something that big! It made her realize how weak she truly was, and how much she still needed to learn.
‘There’s no way we’ll be able to be that! No way!’ Her mind screamed, but she was proven wrong as she watched them swiftly defeat Mars and his little crystal dolls stopped moving. She watched as Noelle removed her protective spell and she quickly stood up, but she made sure to stay on guard in case the dolls decided to attack again.
“ This treasure belongs to the Clover Kingdom!” She suddenly heard Asta shout, she couldn’t help the small laugh that escaped her lips. Even though he took one hell of a beating he still somehow managed to stay positive, she had to admit, it was quite inspiring.
“ You’re correct on that I will admit,” Klaus said suddenly before he bound Mars using his restraining spell. “ But it was the Golden Dawn who recovered the treasure, so this victory belongs to us.” Klaus added smugly, Neva frowned. ‘Seriously?! You want to bring up that petty bet now?!’ She couldn’t help but think with a shake of her head.
“ Great. Now they’re arguing.” She muttered to herself as she watched Klaus and Asta argue over how to enter the dungeon, she heard someone walk up next to her and she glanced over her shoulder to see Yuno.
“ Hey, you ok?” He asked in concern, she blushed a little, not really used to someone other than the Captain being so concerned about her. She shuffled her feet nervously before nodding.
“ Y-Yeah, I’m ok. Honestly I’m just really sore, but Mimosa’s recovery spell really helped.” Neva muttered, she noticed he still had that concerned look on his face and she smirked before placing a hand on his shoulder. “ Don’t look so worried, it’ll age you.” She teased before they were suddenly called by the others.
“ We figured out a way to get through thanks to Luck.” Noelle said before nodding to the young blonde boy beside her, Neva noticed her hair stand up as though there were static in the air.
“ How?” Yuno asked before crossing his arms, Asta smirked before rushing forward and breaking what appeared to be a magical barrier with his blade. Everyone couldn’t help but be amazed by it.
“ Impressive.” Neva muttered before walking inside the treasure room with the others, she had to admit she wondered what was inside here that was so valuable that both the Clover Kingdom and the Diamond Kingdom wanted it.
——-
Neva had to admit, she wasn’t sure this was what she was expecting.
A room full of gold, jewels, and valuable treasure? She had initially thought that maybe it was just a magic item that was being held in here, but after seeing this, she realized why both kingdoms wanted this treasure. Hell, she even wanted this treasure, and she wasn’t even a greedy person! She looked at the others and noticed they were just as amazed as she was about this. Neva decided this was the best time to explore and see what all was hidden in this place. Apparently the others were thinking the same as they all dispersed and began digging through the small mountains of treasure. ‘Maybe I’ll find a magic item that’ll make my diamond stronger, like that Mars guys!’ Neva thought as she began digging through the gold.
‘But, do you really want to be like him though?’ That little voice in her head told her, she stopped her search and frowned as it continued. ‘I mean, his magic is scary and dangerous, he enjoys hurting people with it. I mean, sure it’s cool and powerful. But do you truly want to be that kind of person?’ The voice questioned, Neva shook her head, of course she didn’t want to be that kind of person. But after seeing how his crystal magic was stronger than her diamond one, it made her angry, very angry.
‘I don’t want to be like him no, but how else am I going to protect everyone when I’m not strong enough to even defeat someone with a similar magic to mine?!’ Neva argued, that was the whole problem; she wanted to be able to beat someone who had a similar magic to hers. She had watched Yuno defeat another wind mage easily, Mimosa too, and even Klaus. They were all able to defeat enemies with the same affinity, and yet she couldn’t. It was almost embarrassing.
“ Hey, Neva right? Did you find anything interesting?” Noelle asked as she walked over, Neva blinked before looking up at the girl, her eyes narrowed. She seemed to like the girl so far, but her magic, that was a different story.
“ Nope. Not at all.” Neva said rather coldly, causing Noelle to jump a bit and make her own eyes narrow.
“ Geez sorry I asked.” She muttered before walking away, Neva let out a small sigh before going back to looking through the gold. When she suddenly felt a surge of mana come from the back of the room, she looked around the pile and her eyes widened.
Yuno was glowing. Literally. His grimoire and whatever object he was holding were glowing this bright green, Neva stood up and walked over to him as he returned to normal, but he had a confused look on his face.
“ What was that all about?” She asked him, he shook his head and held out the scroll to her.
“ I’m not sure, I picked this up and it had some writing on it in a language I couldn’t understand. But now it’s vanished.” He told her confused, she took the scroll and looked over it herself. It was completely blank. She made a ‘hm’ sound before finally handing it back to Yuno.
“ Hang on to it. Maybe Captain Vangeance can tell us what exactly this was.” Yuno nodded before placing the scroll in his robe. When suddenly they heard Luck shout.
“ Guys watch out!” But it was too late, Klaus, Yuno, and Luck himself were suddenly surrounded by crystal. Neva’s eyes widened before she quickly made a dagger out of diamond, as she went to try and cut Yuno free she froze. There was no way she’d be able to cut him out without hurting him. ‘Dammit!’ She turned to face Mars and she blinked.
“ He can use fire too?!” She shouted without meaning too, the others looked just as surprised as she was. “ Great. Now my magic is really useless.” She added as she walked forward a bit in front of Yuno so she could at least try and protect him.
“ What do you mean?” Noelle asked as she held her magic item tightly in her hand, Neva sighed.
“ Well, my Diamonds are made of carbon. Carbon burns. So if he has an offensive fire spell, he can burn my diamond which will cause a toxic gas to fill the air, and if I try to use my ‘diamond shell’ to protect us, he will literally cook us alive because diamonds are actually a good heat conductor.” Neva explained, she noticed everyone looked very confused at her explanation and she sighed. “ Nevermind its science stuff.” She muttered before preparing for the fight ahead.
——-
Things were not going as great as they could’ve been.
Noelle was severely injured, Asta wasn’t in great shape as he was knocked through a wall, Neva herself was pretty banged up, and the others were still locked in their crystal prisons. Neva had been trying to use her ‘Diamond Palisade’ to at least buy Mimosa some time to heal Noelle, but he kept breaking through them. Neva began to pant, she was getting exhausted.
“ Had enough yet?” He mocked as he continued to heal himself with his flame magic. Neva smirked, this entire time she had been watching Asta and the others not give up, so why should she even though she was exhausted?
“ Heh. Sorry, but I don’t think so.” She scoffed before closing her eyes. “ Paragon Armor: Effervescent Stage!” She shouted suddenly, this would use all the mana she had left. The armor was a product of a year’s worth of training, she hadn’t been able to test it out in a real battle though, so she wasn’t really sure how well it’d hold up.
“ So now you’re getting serious.” Neva smirked before suddenly sprinting forward. She suddenly appeared on Mars’s right side and she smirked, apparently he wasn’t quite expecting this. She quickly landed a punch to his face before sprinting again and clocking him on the other side.
This was the reason she loved this version of her armor. It allowed her to be quick and agile enough that she could easily block and dodge attacks if needed, but it also allowed her to land multiple punches in short succession. She had to admit, she was very happy at how she was able to take him by surprise and actually land a few punches. That was, until he grabbed her by the ankle when she went to kick him across the face. Her face paled while he smirked.
“ So predictable.” Was all Mars said before he threw her across the room. Neva heard multiple shouts as she landed in front of Mimosa and Noelle, her armor shattering in the process.
“ Neva!” She heard Mimosa shout, Neva was able to get on her knees and she shook her head.
“ I’m alright Mimosa, but I’m out of magic power. There’s nothing i can do.” Neva told her weakly as Mars approached them, they were screwed and they all knew it. She could hear the boys struggling to get out of their bonds and she smiled sadly, this was it for them, this was where they all died. Neva closed her eyes in acceptance, she didn’t want to watch as Mars sliced them in two.
But it never came.
Neva’s head shot up as she saw Asta suddenly appear in front of them ready to protect them, and she felt a huge gust of wind fly past her and hit Mars. She turned her head and her eyes widened, Yuno was able to break out of his bonds, but what was that next to him? Was it a fairy? She squinted her eyes to try and get a better look but couldn’t really tell. Neva watched as Yuno and Asta quickly ran at Mars and began to fight.
It was funny, their fighting styles were different, their personalities were different, and yet they were surprisingly well matched. Neva couldn’t help but admire their teamwork as she watched them, it truly was amazing that a boy who held no magic power at all, and one who seemed to be blessed by it could be so well in sync.
‘Finally! It’s over!’ Neva thought as they defeated Mars once and for all, she sighed in relief and the others cheered, she watched the crystal that held Luck and Klaus finally disappear. After a small exchange between Yuno and Asta, Noelle ordered Mimosa to heal him.
“ You don’t have to Mimosa, I'm fine!” Asta tried to argue but Neva shook her head.
“ No you’re not. Just do what they say, it’s a lot easier than to argue.” Neva told him, he nodded and let Mimosa begin to heal his wounds. Yuno walked over to her and held out his hand.
“ Can you stand?” He asked her softly, she nodded and took his hand. She noted how surprisingly soft it was, ‘Wait why are you paying attention to that kind of stuff?!’ Her mind shouted at her, she shook her head and tried to hide the small blush that crept onto her face.
“ Yeah, thanks.” She muttered before the room began to shake. “ Are you kidding me?!” She shouted before Yuno let go of her hand and created a small wind vessel for them.
“ Let’s get out of here.” Yuno said as they all climbed onto it, he turned to Neva. “ Do you have any magic power left?” She frowned for a bit.
“ I might have a little that's built back up, why?” She asked in confusion, it wouldn’t be able to make anything really strong.
“ Can you make a small cover above us? So that way if any debris falls it won’t kill us?” He asked and she nodded as she made a small diamond cover that floated above them.
———
Neva had never been so happy to be outside in her life! She wasn’t the only one who felt that way, since Mimosa and Noelle both had similar looks on their faces as well. They were able to make it out alive, barely at least.
“ Woo! That was an adrenaline rush huh?” Mimosa said with a small laugh, Neva and Noelle nodded in agreement.
“ The next time the Captain sends us out on a mission like this, I might just decline.” Neva laughed.
“ Yeah I won’t be as lucky with my captain.” Noelle said almost sadly before she seemed to look past Neva’s shoulders with raised eyebrows, she turned to loo and her eyes did the same.
Klaus was hugging both Yuno and Asta, apologizing for how he was treating them the way he had. Neva’s face softened and a true, genuine smile appeared on her face. She heard a small gasp next to her and looked to see Mimosa staring at her.
“ You’re smiling! I don’t think I’ve seen you smile even once in these couple of months that we’ve worked together!” She exclaimed in surprise before the others came over.
“ She’s right, I think it’s the first time I’ve seen you smile as well!” Klaus said as he pushed up his glasses, Neva quickly frowned.
“ I’ve smiled before!” She argued but Yuno shook his head as well.
“ No, I don’t think so.” He agreed with the others, and Neva couldn’t help but huff and cross her arms.
“ W-Whatever! Let’s just go home!” Neva said as she turned on her heels and began to walk away, she couldn’t believe her squad was teasing her about her smiling!
——
I apologize for the poor ending and I know I didn’t describe what her armor looks like and thats because I don’t really know myself, its gone through at least three changes, maybe I’ll try and draw an idea up or something. But maybe you guys enjoyed it, and i apologize if you didn’t! Hope you all have a good day~!
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somedayonbroadway · 4 years
Note
aaa hii! i was wondering if you could do the hercules au, please? thank youuu 💕
Hello, friends! This is an AU based off of @racetrackhigg original Mood Boards that you can find right here!
Hercules AU
Tumblr media
Characters
Spot Conlon — Hercules
Racetrack Higgins — Megara
Jack Kelly — Phil
William Snyder — Hades
Morris Delancey and Oscar Delancey — Pain and Panic
Also, DeMarius Copes is all of the Muses. He just is.
So…
We are basing this off of the Disney rendition of Hercules, for the most part, even though their telling of this tale is very much modified for younger viewers. I mean, who are they kidding? The Greek Gods aren’t the loving, family friendly types that Disney tried to trick us into thinking they were when we were children, but it’s fine. We’re gonna roll with this, maybe change a little bit of it. And it is going to take place in modern day (excluding quarantine, because in fantasy worlds, worldwide quarantines don’t exist) because, why the heck not?
Back when the world was new, the planet earth was down on its luck. Chaos reigned and earthquakes and volcanoes ran amok. But then along came Zeus.
Ya’ll know the song.
There’s a party on Olympus, one of great importance. A son has been born to Zeus and Hera. A son they’ve named Hercules. Every single God shows up to celebrate the child’s birth and congratulate the ruling couple of Olympus who is adored by all but one; Zeus’s brother Hades.
Despite typically never leaving his kingdom, Hades has made a special exception on this joyous occasion to meet his new nephew, a new golden boy who is showered in gold and glitter already, although only having been born the day before. Zeus had even fashioned the child his very own flying horse, which he calls a Pegasus. Everyone adores the child and Hades dismisses him, looking disgusted at his very existence.
See, Hades knew something that the other gods didn’t. Hades just so happens to be great friends with the fates. He had a meeting with them prior to this celebration he had never intended on going to. The sisters explained to him that the great plan he’d been wielding could be successful, that one day the planets would align, making way for his rule over Olympus and then Earth. There was only one problem.
Hercules.
That fateful day when those planets aligned would be eighteen years from that very night. Hercules’s eighteenth birthday. And on that day, should Hercules fight, Hercules would win.
Hades saw only one solution. If there was no Hercules, there was no fight.
On Olympus, Hades has all eyes on, giving his two right hand men the opportunity to hide on the great mountain and wait out until nightfall where they would steal the child and force him to drink a potion that would make him mortal.
That night, chaos erupts among the Gods and Zeus cries, sending a storm down onto Earth as Hades men carry out his plan, taking the baby down to the land below and forcing the potion down his throat, knowing that he must drink every last drop to become truly mortal so that they can kill him.
Unfortunately for them, a young couple comes running when they hear a baby cry. The two henchmen drop the potion before the child can finish it and shapeshift into snakes before going to bite the kid and kill him. Having not drunk the whole potion, however, Hercules held onto the strength he’d been born with and was able to protect himself from the two monsters, sending them slithering back to their master.
He then gets taken in by the couple who’d been praying for a baby that they were unable to have. They claim him as their own and name him Sean. Sean Conlon.
The occupants of Mt. Olympus are crushed at the news of their prince becoming mortal. Still, they carried on, watching as their Hercules was raised from afar in a city that never slept, one he grew up to adore. Brooklyn, New York.
Growing up for young Sean, however, was anything but easy. With a physical strength he couldn’t begin to understand or control, he seemed to make a mess anywhere he went. People were wary of him. Kids his own age didn’t like him and he so he didn’t like them. He closed himself off from the world and hid himself away, only entrusting his parents with the fear that he didn’t belong there, that he was too different. It was beginning to get to the point that people were truly frightened of him and his abilities.
Sean didn’t have any friends. He didn’t have a phone. He didn’t need one. He didn’t have anyone to talk to. Girls would sometimes get flustered when they saw him because of the muscles he seemed to get from nowhere, but the second they realized he was the freak he was, they ran the other way. Sean didn’t mind. He could never look at the girls the way the first looked at him.
Eventually, while accompanying his father downtown, he destroys an entire building. He doesn’t understand what’s wrong with him. So his parents finally came clean. They admit to him for the first time how they found him, how he was all alone and already had these abilities that they didn’t understand. He asks them why they never told him and they don’t have an answer. They can only offer him a small necklace that had been around his neck when they’d stumbled upon him, one written in Ancient Greek. One that Sean can read, having never read Greek in his life.
It says Hercules.
Running off, feeling scared and alone and so confused, Sean finds himself wandering into the woods where he is met by a man wearing a white suit with a golden tie. The man claims to be Zeus, his father.
Initially laughing at this, Sean tries to leave, but is pulled back by an invisible force as Zeus takes him in, studying his face for the first time in nearly eighteen years. He looks happy to see him and tells Sean what happened, how he had been stolen from his home and in order to return, needed to prove himself to the gods. Sean is still a bit skeptical until Zeus whistles for a horse to come out of the shadows.
It isn’t until Sean sees Pegasus that he thinks there might be some truth to this man’s story. All his life he’d been obsessed with what he’d thought was a mythical creature. He’d made drawings of it, studied their mythology, had even learned to ride horses when he was young.
Pegasus missed him.
While reuniting with his old friend, Zeus tells Sean of a man he needs to meet in order to ensure his return to Olympus, where he belongs. He described the man as the son of a demigod, one who trains heroes and teaches them how to hone their skills and use them for the greater good. So Sean takes Pegasus up into the air, going to seek out this man, Jack Kelly.
When he manages to find the man’s apartment with Zeus’s help, he lands Pegasus down on the roof and knocks on the man’s apartment door.
The man is less than willing to open it up for him.
Jack tells him to go away, obviously not much of a people person. But Sean persists, finally calling out that he needs help and that Jack was the only one who’d be able to do such a thing.
Recognizing this desperate plea, Jack reluctantly opens up the door, asking what Sean wanted. To Sean’s surprise, the man is very young, probably only five years older than himself. When Sean admits he needs someone to teach him how to be a hero, Jack tells him that he’s closed for business and would never reopen.
That’s when Sean begs him for help, claiming to be the son of Zeus. He explains that he never fit in on Earth and needs Jack’s help to make it to Olympus. Jack has the same reaction Sean had to the news. He laughs, not believing it. Not until he hears lightning crackle outside.
With no other choice than to believe him, Jack tells Sean that he’s not the first kid that had come knocking on his door. Jack explains, while painting a picture of a girl that lives in the apartment across from him that he’s fallen madly in love with despite never having spoken to her, that his father assigned him with the task of training new heroes and keeping them safe on their quests and adventures, something Jack loathed greatly as he wished to have his own life and go on adventures. However, after one hero in training had been reckless and stupid, a demigod, son of Ares, he’d died, making his father angry.
Jack had been cursed after that day. He can’t die. He can’t age. Most people would consider immortality a blessing, but Jack explains that it’s not a blessing when he’s been trapped in New York City, unable to leave as there were invisible barriers specially catered to keep him inside. He’d always dreamed of running away and seeing the world, and it was as though that dream was being dangled right in front of him, just out of his reach. He’d been stuck in an endless cycle of nothingness for years and he didn’t want it to get worse. But Sean makes Jack a deal. If he were to train him, he’d ask his father to lift Jack’s curse and allow him to continue aging and growing like normal while also being able to see the world.
So Jack agrees, still skeptical, but slightly hopeful. He tells Sean that they would begin the next night in the woods where Sean had met Zeus and he better not screw this up for either of them.
To Jack’s surprise, Sean is a much better hero than he’d originally thought. He admires the boy’s strength and endurance and constantly tries to push Sean to his limits to see how much he can take. He never found a breaking point. He teaches Sean how to use a sword as well as a gun, he trains him mentally and physically for every situation he can. He explains that his own strong suit is knife throwing and archery. Sean begins to look up to Jack and treat him more as a friend than anything else. He likes Jack. Jack is the first person who didn’t go running the second he’d walked into a room.
So after weeks of training and testing, Jack tells Sean it’s time for the real deal. They’re gonna go see what Sean can do in the real world to help real people. Sean asks how they’re gonna do that and Jack replies with “Have you eva’ walked around New York?”
They begin to explore, trying to find any kind of trouble they can until they stumble onto an alley where a young man, about Sean’s age, is struggling to get away from an older guy who’s literally pinning the kid to the wall. Jack tries to help Sean come up with some kind of plan before Sean just runs off, leading Jack to resign himself to the fact that he’s doomed and his curse will never be lifted.
Sean goes in and demands the man get off only to find that when the man turns around, he’s got three eyes and a snake's tongue. Sean pulls out a knife only for the kid to tell him that he can handle himself, calling Sean “Wonder Boy” before the monster in front of him throws him to the ground and punches Sean in the stomach, sending him flying back into a wall. Jack can only watch from afar, not allowed to help any hero in his battle.
The monster turns back to the boy who tries to scramble away. It is clear to Sean that the monster is trying to take advantage of the kid sexually. So he steps back up, plunging his knife into the monster’s back before picking him up and throwing him into the opposite wall. He then scoops the boy up into his arms and rushes him over to Jack.
Jack immediately tries to check the kid over to make sure he’s okay, but the boy just seems mildly annoyed, making sarcastic comments about how The Incredible Hulk over there just saved a damsel in distress while he watches Sean fight the monster with the hell of Pegasus who helps him kill the thing.
Realizing that this other boy was genuinely concerned for him, the blond kid softens just a little as Sean walks back over to him. He introduces himself as Antonio, or Race as his friends call him. At least they would, if he had any. He calls Sean a variety of flirtatious names as he thanks him, including “Spot” because of Sean’s freckles. Spot introduces himself as Sean Conlon, or Hercules as he’d been named by his godly father. He offers Race a ride to anywhere he wants to go on Pegasus, but Race refuses, admitting that he’s terrified of heights and is a big boy that can take care of himself, but still thanks Spot for coming to his rescue.
Sean falls a little bit for him much too quickly and much too easily before Race gives him a wink and a wave and walks off, seemingly fine.
Jack then tells Sean how stupid he is before leading him off further into the night and forcing Sean to listen to him even though the boy’s mind clearly kept drifting off to the mysterious stranger he’d just met.
Meanwhile, Race is off to the woods where he is met by two young men he refers to as Morris and Oscar and Hades himself, who is wearing a grey suit and a blood red tie. Morris and Oscar force Race to bow to the god after the boy initially doesn’t. Race fights all the way until Hades snaps his fingers and forces him to submit, having full control of the boy’s body anytime he wants it.
The king of the underworld asks Race why he doesn’t have the monster that he had requested an audience with by his side and Race explains that the monster made him an offer he had to refuse. Hades takes the boy by the chin. He loves to manhandle Race whenever he can, reveling in the fact that the kid would fight back against his hold only to have nowhere else to go. He tells Race that instead of removing two years from his sentence, he’ll be adding two on. In attempts to save himself, the kid blames the stranger who’d saved him, calling him Hercules.
Morris and Oscar, the shapeshifters originally responsible for the murder of Hercules, pale at this as their master burns with rage. Hades demands to know what happened after his servants lied to him only to turn to Race and tell him that he still had use for him. Race rolls his eyes, still defiant after nearly three years. Still, he has no choice but to do as he’s told.
A couple of days after rescuing Race from the ally, Spot and Jack are once again exploring the city, trying to find more trial runs for Sean, who Jack has taken to calling “Spot” to tease him. Spot’s doing rather well, especially considering he hadn’t died yet. So Jack is ready to start getting him attention before they hear a commotion in front of them.
Race rushes towards them, near in hysterics. He is relieved at the sight of Spot and begins begging him for help, stating that two little kids got trapped under a collapsed overpass. Without even waiting for Jack’s help, he whistles for Pegasus who reveals himself to the world in broad daylight and Race hesitates, still terrified of heights, but Spot grabs him and puts him on the back of the flying horse, asking him where to go. Race clings to him as he screams out street names.
Jack is understandably annoyed at being left behind and is forced to run in order to meet them at their destination.
Meanwhile, Spot lands Pegasus and Race crumbles to the ground, nearly vomiting as his entire body is trembling from being up so high.
Spot manages to get two small children to safety and does not stop them as they run off, unbeknownst to him, right to Hades.
Race crawls over to a nearby wall to support himself as he catches his breath and silently prays for Spot to get out of there while he still can.
A crowd gathers nearby, applauding Spot as they’ve just witnessed his heroism. Jack runs up to find Spot unsure of what to do. Before Jack can help him a hiss falls over the crowd. He pales before trying to scream at Spot to get out of the way, but the minute he reaches for Spot’s sword, his hand is burned. He’s not allowed to help.
So Spot grabs his own sword, turning around to find a monster rising from the fallen overpass. Jack recognizes it as a Hydra. Spot just starts swinging at it. After cutting off one head, he believes the fight to be over only for the thing to grow back with two other heads at its sides.
Race can do nothing but watch as Spot is nearly beaten and eaten alive by this monster he’d lured him to. He is horrified at himself, finding that he actually likes Spot. The guy is sweet and loyal, but Race knows he can’t fall for him. He knows he can’t.
Spot continues cutting the Hydra’s heads, even as Jack yells at him to stop.
Hades is watching from afar with a grin on his face. He is ready for the Hydra to kill the only thing standing between him and his eternal rule, but Spot manages to burn the monster alive, effectively killing it.
Race is relieved at that and barely manages to hide a smile as he saunters back up to Hades who is furious at the turn of events.
After this, Spot is made famous throughout the world, having been on camera whilst fighting the Hydra. He is asked for interviews, he’s given money, he’s made a hero in the eyes of the public.
This goes on for months.
Spot revels in the light of being the main attraction after being an outcast for so long. Jack is annoyed with him, but sticks by his side as his own life depends on it. Eventually, Jack just starts to roll along with it all as it becomes more and more stressful for Spot to keep up with his own fame as he continues his training and continues fighting monsters. It becomes abundantly clear to Jack how protective he’s becoming over the younger boy and he doesn’t like it, so he gets harder on Spot and pushes him further, only tiring Spot out faster.
Race watches every minute of it, finding himself enthralled by the man who’d saved him all those nights ago.
Hades, however, is not happy in the least. His two servants have given up and his slave is falling for the boy who would be his undoing. Race teases him smugly, telling him that he might as well accept defeat. This just makes the god even more angry. So Hades orders Race to find him a weakness. Race laughs at him.
So Hades reminds him why he’s there in the first place. He retells the boy the story of a child, a merely fourteen years old runaway who’d fallen in love with another, three years older than him. When the elder boy had tried to prove himself to the gods, he’d gotten fatally wounded and Hades had come to collect him. Unable to cope with the loss of his love, the child who knew nothing about the gods or love, for that matter, begged and pleaded for the god of death to take him instead. The god accepted, letting the not-so-heroic-hero live in exchange for the other boy’s soul for the next hundred years. Finding out what the young child had done, the resurrected hero ran off, finding another to worship the ground he walked on while the boy who’d given everything to save him rotten in possession of Hades, the cruelest god there was.
Race insists that he remembers and that he’d learned his lesson and would not be making the same mistake twice. So Hades hands Race a cellphone with a picture of Spot on it and explains to him as though he were a child that all he needed was to know what Spot’s weakness was. Race does not respond. So Hades leans in close to his ear and promises Race the one thing he craved above all else in exchange for this simple task.
His freedom.
Race drops the phone at the words, having never expected to hear them outloud. So he does as he’s told.
Back with Spot and Jack, Jack is trying to work out Spot’s schedule while Spot wallows alone in his mansion after speaking to his father in the forest again. His father tells him that he has not yet proved himself worthy and must still remain on earth.
Breaking into the giant house, Race finds Spot who is relieved to see him after so long. He asks Spot if he wants to get out of here. Spot is hesitant, because he’s supposed to meet with Jack for training, but Race convinces him to take a night off and run away with him.
And Spot can’t say no.
Exploring the city, Race flirts with Spot and Spot is the perfect gentleman, only making life so much harder for Race who wishes that this boy could’ve just been a jerk who deserved all of this. Spot buys him flowers and makes him laugh and makes him feel free for the first time in years.
While they’re walking, Race accidentally trips, falling right into Spot’s arms. Spot carries him to a bench to inspect Race’s ankle even though the other boy insists that he’s fine. He explains that he has weak ankles and flirtatiously inquires if Spot has any to which Spot replies he doesn’t think he does and he scoops Racer up again, putting him back on his feet to make sure Race is okay. They dance beneath the stars for a long moment before Jack flies overhead on Pegasus and jumps down in between them.
He screams at Spot and tells him he’ll be training like hell for the next week and he warns Race to stay away, feeling bad about it later as there’s something in Race’s eyes that tells him this was not the whole story.
Spot gives Race a kiss goodnight and leaves and Jack goes to follow him before feeling too guilty and turning back to apologize. And he accidentally hears a conversation he was not meant to hear.
When Race is alone, he has a sinking feeling in his chest and feels as though he’s floating on air all at once. He knows he has fallen for this new hero and he stares at the flowers Spot gave him before he is forced to stand by the air around him and he looks up to find his master waiting in front of him.
Race tells the god that he quits, that he won’t keep doing this. Hades only laughs and cruelly reminds the boy that he owns his mind, soul and body and Race has no choice in the matter. The boy tried to explain that Spot doesn’t have any weaknesses. He says it proudly, blushing as he twirls the flowers around in his hand.
That’s when it hits Hades. He smugly tells Race that he is sorely mistaken and snaps his finger, vanishing right along with the boy.
Having only heard a small piece of the conversation, Jack rushes to warn Spot who calls him a liar and a jealous, ungrateful loser who will never be able to talk to the girl that he’s in love with. Hurt by this, Jack leaves, knowing he’s not wanted or needed anymore. It shouldn’t matter to him what happened next.
Spot goes outside to train, trying to blow off some steam, knowing he needs to apologize to Jack but not fully knowing how to.
There’s a man waiting outside. One that Spot recognizes.
The man’s name is William Snyder, a business man who’d been around town for the past couple of months. Spot had no idea that Snyder was a god, just like him. Hades, to be clear.
Hades begins talking to Spot about his heroism and strength and says he wants to offer him a deal. Spot initially refuses, trying to walk away only for Hades to reveal that he has leverage. With a snap of his fingers, a stunned and scared looking Race appears right in front of him. Race tries to run to him, trying to tell him not to listen to this man, but Hades waves his hand and Race goes silent, chains wrapping around his body and mouth immediately, rendering him helpless.
Hades then snaps Race to him and manhandles him, trying to enrage Spot even more. He tells Spot that if he doesn’t want to hear the deal, he’ll just take Race and keep him like that forever, claiming he likes Race in chains better than anything else. So Spot agrees to hear Hades out, all the while asking him to let Race go.
Hades grins and tells Spot to consider giving up his strength for a day, the next day, in order to save Race. Spot asks if people are going to get hurt in which Snyder simply smiles. So Spot asks that Race be left out of it. Hades gives his word that no harm will come to Race should Spot accept.
So Spot accepts, shaking the gods hand to finalize it and falling to his knees as his strength is drained from him.
For a moment, Race is left in chains as Hades has his fun knocking around the mighty Hercules. But Spot croaks out that he has to let the boy go, to which the god laughs. He complies, saying to Race that a deal was a deal and that he was now free of his sentence before he draws Race to him and gloats to Spot about what a wonderful little actor the boy was.
Race struggles against him, trying to get away and explain, but Spot just walks away, heartbroken.
Though his strength is gone, Spot still feels obligated to fight against whatever attack was headed for them. He goes on his own to the center of the city where the titans have begun to roam free after Hades released them. Though the crowd cheers at his arrival it is quickly made apparent that he is no match for these monsters and he will not win this fight.
After trying and failing to stop Spot from fighting, Race rushes off to find Pegasus. His legs are already shaking in fear just looking at the thing that had been bound by Hades before. He releases it and Pegasus senses that something is wrong, so he allows Race to climb onto his back. Race screams when they take to the air.
Finding Jack wandering around, oblivious to the takeover happening behind him, Race begs him for help. Jack initially refuses, revealing to the boy that he knew who Race worked for. Race quickly explains the situation to Jack and Jack takes the reins, flying out to find a passed out Spot in the middle of the chaos. He ignores the burning of his arms and scoops Spot up, flying him to safety so Race can plead with him to wake up.
When Spot does eventually wake up, he scrambles away from Race only for Jack to tell him that this wasn’t Race's fault and he still needed to fight. They couldn’t let Hades win. So Spot goes out to fight again only to get knocked down in front of a car speeding to get away. Race panics and rushes to push him out of the way, taking the hit instead nearly getting stomped on by the titan Before Spot screams and rushes to his rescue, catching the Titan’s foot before it can kill Race.
Jack rushes in to get Race out of the danger and Race lets him, curling into him in pain.
Not understanding what happened, Spot rushes to the boy he quite possibly loves who explains to him that Hades promised he wouldn’t get hurt and he had. The deal had been broken.
Hesitant to leave Race, Spot looks to Jack for help. Jack promises to stay with Race while Spot rushes off and fights.
That’s when Race starts crying. It’s the first time he shows weakness in front of Jack and Jack can’t help but cry along with him, trying to promise him that everything’s gonna be okay even though they both know it won’t. As he starts coughing up blood, Race begs Jack not to let him die alone and Jack holds his hand and pets his hair back, promising him that he’d be right there the whole time.
Race is scared when he dies. His cries about not being able to breathe and can’t move without being in pain. It’s the most heartbreaking thing Jack had ever witnessed. When Race takes his last breath, Jack presses a kiss to his forehead and closes the boy's eyes for him, hugging him to his chest and telling him how sorry he was.
Flying up to Olympus with Pegasus, Spot frees the gods who are being held captive by the Titans and helps them trap the monsters once again before flying after Hades who tries to get away. It’s only when Spot remembers Race that he stops, rushing back down to earth where he finds Jack crying over Race’s body.
So Spot does what he has to do, even as Jack begs him to come back. He flies down to the underworld (how he knows where to go? I don’t know… but he does. Maybe he walked a long way, around the back. That ain’t easy walkin’, Jack. It ain’t for the sensitive of souls— oh wait…) and demands that Hades tell him where Race’s soul is.
Still smug and arrogant as ever, Hades reveals Race’s soul in the River Styx and tells Spot that he is more than willing to let Spot dive down for him. It’s only after Spot does so that Hades calls after him any mortal to enter the river will die.
Spot swims down for Race’s lifeless soul. It breaks his heart to see the boy so lifeless. As he reaches for him, a power surges through his body, making it easier to move and breathe. He pulls Race to him and holds him in his arms, stepping out of that river as a god with the love of his life in his arms. When Hades goes to stop him, Spot punches him down and walks out with Race’s souls, climbing onto Pegasus again and flying back to New York, where Jack still sat with an unmoving Race on the sidewalk. Everyone else was so busy with their own concerns, no one paid them a second glance.
Returning his soul to his body, Spot waits patiently and Jack watches with so much hope in his eyes it hurts. But then there’s a glorious sound of someone taking in a gulp of air.
Race opens his eyes.
He launches himself at Spot who holds him tightly in response and Jack laughs in relief at the sight, letting Race hug him too before Spot confesses he has to go. Race refuses to let him go so Spot takes him along, flying back up to Olympus where he is greeted as a god and Race is left standing awkwardly all alone at the gates, proud of the other boy, but sad that he may never see him again.
But Spot kneels before his father, asking to be blessed with mortality so that he can live his life with Race and Jack. He asks that his father lift Jack’s curse and allow them to live in peace because he finally found where he belonged.
Zeus, although a bit sad, agrees, and sends Spot and Race back to Earth where they meet Jack and take him to the border of New York to show him he is no longer cursed.
Race and Spot and Jack are friends for the rest of their lives. Spot reconnects with his adoptive parents. Race and Spot get married. Jack finally meets the girl he’d fallen for and marries her.
And they all live happily ever after.
Thanks for reading!
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howlingmoonrise · 4 years
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Thoughts on Petshop of Horrors: Wandering Ark volume 3
(crossposted from dreamwidth)
me realizing a whole-ass 25 pages of the last volume of the papa series are just sensei's travel logs:
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what did i do to deserve this, honestly? sensei i love you and all but THERE WERE SO MANY OTHER THINGS TO COVER ABOUT PAPA. AND YOU DIDN'T TOUCH THEM. AT ALL.
To start with, there's only two actual chapters in the volume, keeping in line with the previous volumes. A whooping total of 103 pages out of a 128 page manga - except, a good portion of one of them is pretty much just rehashing the events of the last volume of the original manga, so it's not exactly like they're overflowing with juicy new content. Vesca and Victor fans will be pleased at a new glimpse of them both though, with emphasis on Vesca. 
Oh, you wanted an explanation for the ark? For why Papa was going around supposedly through "space and time", with a reason other than "well, I wanted to draw stuff from other eras but I don't want to write a whole new manga with a D from back then"? There's none. N-O-N-E. Zilch. Zip. Nada. Niente. Nothing about his relationship with Sofu (though they do briefly meet on Victor's funeral - and wow, am I surprised Sofu deigned to show considering how much he loves humankind), nothing about D or Papa's relationship with him beyond an outsider's point of view on the events of the last manga, nothing about the D species in general or glimpses at previous Ds that were likely alive before our D came into being.
Another bad point: what the hell was up with the cover art? 
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The top portion of it is fine, but why does the rest of it look like whoever painted it forgot how to shade things? Look at that belt. Look at those sleeves. That's all I have to say on this subject.
On to the chapters themselves!
--
First chapter:
Papa D helps with The Bachelor. No, really. It's literally a Bachelor-style show, recorded for TV, with one single man and twenty ladies competing to become his wife. Trigger warning for almost-rape in this chapter.
I'll be honest, I liked the main character for this chapter. She's a go-getter, and a survivalist, and prefers stuffing her face with food instead of flirting away the night. Honestly? Mood. I really liked the butler too. I was going on a "oh, is he going to be the actual love interest?" line of thought since he looked interesting, and then went "nah, they're not focusing on him at all beyond that one (1) scene where they were dancing, guess he's just a side character after all", only for him to actually turn out to be the final love interest. That was. Hm. To say that it was majorly underdeveloped is to put it lightly, but the "prince" wasn't great either. The attempted rape felt as if it was shoved in because they were running out of pages though, since the rest of what we saw from his personality seemed a lot mellower than that.  
The ?prostitutes? were an unexpected bright spot, even though they only showed up for a couple of panels, but it was nice that they gave her food (however dismissively) and tried to get the other guy to leave her alone, and that they were simply described as "beautiful" instead of anything else.
OH BUT. Papa hitting the would-be rapist over the head with an oar was great, it actually gave a bit more dimension to him since the Ds are usually so unwilling to dirty their own hands when it comes to violent business: at most they would usually let their pets do the work for them.
Which actually brings me to another question.
I've already said before that Papa is at most a side character on his own series, and that he actually barely gets involved at all apart from a few nudges here and there - but it's kind of jarring that he almost never "sells" a pet in this series. On all volumes including this one, there are only two chapters where he gives away a pet that was already with him and that didn't initially belong to someone else that he was just returning: the dogs from the Austria chapter, and the bird from Empress one (who was actually said to be given by Sofu, but I'm calling bullshit since he had long hair and this is supposedly a time-travelling ark). It's definitely a weird choice for a manga whose title is, quite literally, "Petshop of Horrors".
Also, for a FLYING ark there sure seem to be a lot of water-related incidents.
Thoughts on the family thing down on the general thoughts section. Also, WHY IS IT AN OAR AGAIN? WHERE DID THE BUTLER FIND AN OAR, SINCE IT SEEMED LIKE IT WASN'T PAPA LENDING IT TO HIM? I can't say the penguin thing was a huge twist considering previous chapters, but it makes me wonder that so many of Papa's stories are directly about either humans or animals, but rarely the conjunction of both apart from brief exceptions. 
--
Second chapter: Nice callback to the original PSoH on the first page: I'm extremely fond of that description of the Ds, and it's fitting for a final chapter of a PSoH series. 
This chapter is a cameo for Victor (from the Sofu series which I haven't read yet but know some things about), and a full appearance for Vesca. Victor seems to have chosen the same path as Leon, though arguably he'd actually have the money for it since he's a baron. Travelling the world following rumours and sightings, in search of someone they considered to be dear to them? Sign all three of these blonds up, because it seems to be a tradition at this point. The Ds really have a type, huh? Truth be told, from what I heard of Victor I didn't think he'd be the adventure-seeking sort, so this was a bit of a surprise. He looks cute and happy piloting planes and running from rhinos so I guess that's all that matters though.
BUT WHY DID HE HAVE TO DIE POOR. He looks like a huge cinnamon roll so I feel super bad for him, I bet they all resented the money he spent trying to chase Sofu D across the globe once the Great Depression hit :/  
And then, bam! Sofu cameo. This is the chapter where EVERYONE gets a cameo, copy-paste of the last chapter of OG PSoH or otherwise. He's cryptic as usual, and I REALLY didn't expect him to remember Victor's name, much less show up to his funeral. Not that he even looks like he's grieving; he pretty much only speaks of Hitler and Eva Braun's kirin, to Papa's seemingly frowning disapproval (I haven't complained about the round art style on this volume's commentary yet so consider this to be it: the only reason why Papa even looks put out is because he has a Very Clear Frowny Line, because otherwise he just looks normal... and round). 
And then finally, some actual Papa content! Or, er, Vesca content. Both. Let's go with both. I don't want to make myself sad thinking about how little we saw of Papa on his own series. Here we see once again mentions of extinction and of resurrecting species, and finally a throwback to why the ark is an ark: "Noah's Ark". It took me RNS' translations of OG PSoH to understand the reference back on the original, because on Tokyopop's mangled translation the ark is merely a flying boat. 
It's nice to see that Vesca has a strong sense of justice similar to my dear boy Leon Orcot, since it was a bit iffy on the original manga. He's righteous (and right!) about the other Professor using Papa's research, and how Papa should have the benefits of it for himself since he was the one doing the studies. Papa, however, cares little about money or glory: even now his focus is on recovering the blind bird species from their trip to Greece (see: Shin PSoH), and here we see once again his hopeful view that one day he may be able to help them see again. Parallel to his own family much? Honestly, I feel for him.
WHAT IS IT WITH PEOPLE SHOOTING PAPA? At this point he's trying to reach for Leon's record - and failing, because Leon gets shot and mauled a frankly unholy amount of times during the original PSoH, so no one else can ever really compare. What really breaks my heart here is that he actually asks why. Sofu and D would both have simply taken it for granted, but Papa (seemingly, up until this point) doesn't automatically assume the worst of every human being he comes across. That pained why kills me a little bit, here, and soon after he grows cold and allows the more murderous side of that contract to go loose.
That page with Vesca going into the FBI really throws me back to the panels on the original PSoH right before/right when Leon decides to chase after D. Part of the background is blank, the other part a faint image of the city and Chinatown, with a sense of detachment associated with them. I could probably take the time to place them side by side and compare fully, but uh. I may or may not be stretching my workday bedtime a little too much to finish writing this, oops.
Also, an echo to the original PSoH with Papa's death, called back with him nearly being shot in the middle of the forehead. The actual event is brought in shortly after Vesca gets to mind-rant about the Ds and his search for a few pages, and then flashback flashforward time! A whole six pages which are just portions of OG PSoH's last chapter redrawn from another angle. It's implied that Vesca was able to board the ark like Leon did due to a similar scene with lying in the clouds and sighting the ship amidst them, though whether he was able to stay or not is a whole new story. This is where the actual story ends.
--
Sensei's travel logs: I'm not going to bother going into these. It was nice to see some glimpses of my son (forever a Leon stan here!) and a cameo for Taizuu also showed up a little later on if you're one of the people who liked him (personally, I would trade Taizuu in for a cornchip and a ball of lint). I'm going to make the executive choice of pretending that the D/Leon bits are what's actually happening right now after Leon caught up to D. It's lovely to see them on vacations, and Leon has mellowed out a little bit while D seems extremely comfortable and content with his favourite ex-detective's presence =v=
--
General thoughts: All the series so far seem to have some sort of theme, which kind of ties into the main character of it and their own arc. The original PSoH, for one, was focused a lot on family and greed and love and desire: our D, similarly, had plenty of unresolved issues surrounding his bloodline and things that he wanted but that he couldn't/was not allowed to have because of that very blood.
You'll have to forgive me if my interpretation of Shin is spotty since I only read around half of it (online scans only went up to volume 6 or so, physical versions of the Tokyopop translations were discontinued, and ruthlessnightsscans started scanlating it after I’d already read the available chapters for Shin), but from what I remember of it it seemed to bring in softer, more loving and lighthearted stories, usually tied around romance and being kept apart from things they want/love. The two non-Leon chapters that immediately spring to mind are the Romeo and Juliet Mafia AU, and the one where the lady got pregnant from her dead husband and was able to live on due to that renewed hope. D himself seems to have turned a new page: he hangs around humans on his leisure time (bless those drag queens), takes a vested interest in happy endings for others even if not for himself, and seems overall less inclined towards gruesome murder.
(You'll have to forgive me, but I actually haven't read the Sofu series at all yet so I can't analyse that one. I wasn't even aware RNS had scanlated it until recently, but then again I hold a lot of rage against that slimy bastard (Sofu, not RNS, RNS are baby) and so I'm putting it off indefinitely. Oops?)
And then there's this one. It's probably no coincidence that so many of the stories are about reproduction and birth and continuing a dying species: this is something that chases Papa all the way from his college days not even considering his childhood, which we don't actually don't know about but can make an educated guess at down to his issues with his son and the faint madness of his last years. Even his death plays into this theme, with it ultimately working as an way to keep the D line alive. It makes me think that Papa being kept from his position as a main character in his own series might actually be somewhat purposeful, though the decaying quality of the latest PSoH mangas makes me think this is not the case. I'll have to read the Sofu series to make a better judgement on this, depending on whether or not Sofu is or is not treated similarly. 
Another theme: being haunted by the dead. I think this is actually present on almost every chapter of the Wandering Ark series, though we may disagree on the levels on which it was shown and how easily it is or is not divorced by my previous point. A reader that reads this series on its own will likely find Papa a very bland character and will not grasp onto the nuances of these themes and how they are connected to him, IMO. These conclusions and these hypothesis are drawn by virtue of the first manga alone; it's because of it that we're aware of how Papa himself lives for the species who are long gone, his own kind included. Most of the characters on Wandering Ark push through the suffering and the sorrow of their dead to go beyond their limits and become greater and independent, which is another parallel to Papa since he's the only one of the Ds who has an objective beyond simple (and inefficient) vengeance.
Overall, there's little else I can say that I haven't said already, either here or on my previous post for the first two volumes of the Wandering Ark series. There's a real sense of isolation and detachment on Papa's side (though he seems more benevolent than the other two Ds were), but as I said I'm not sure if it's meant to be purposeful or not, though Sensei's choice to not give him an actual companion thorough his series is also telling. The pacing was also better than in the first chapters of this series, though there was that issue with the ending of the first chapter of this volume. I also still can't say this enough, but it's really strange that Papa is such a side character on his own series??
Final thoughts: we were robbed.
At least Sensei hinted that her journey with the Ds might not be over yet, though if we get another Sofu manga I can and I will riot.
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silenthillmutual · 4 years
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Well, sure, I also thank you for saving my life, kind sir. Hats off to you... “I’ll have a chance to put my life to good use in the near future.” That’s what they all say, right?
Jesus Christ there’s a lot to unpack with this. I want to go from the bottom up, because I actually screenshot most of this conversation with him.
It wasn’t I that have saved your life, Mark Immortell. I want everybody to hear that! I would have killed you if I could.
There’s so much animosity and contempt in this line, directed to a guy I’ve spoken to I think a total of three times - by which I mean an actual conversation was held, as opposed to opening a dialogue that goes nowhere.
Is this just because of the pantomimes he directs? I can’t imagine this is a special dialogue option because I opted to take Artemy’s ending. Are we supposed to get the impression Daniil actually tried to kill Mark and found that he couldn’t? 
Farewell, puppeteer. Best of luck in your creative endeavours ...Is that how my line is supposed to sound, right?
I know this option was probably just meant to be in response to seeing himself portrayed in the pantomimes at night, but this certainly makes me feel A Way about how Mark as a character is used in Pathologic 2. Like Daniil has gained self-awareness. 
I still don’t get it. You are an entirely different creature - how come you’re in the same boat with the Utopians? 
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What is there not to get, oh esteemed and wisest of bachelors?
So I guess the contempt is mutual. 
You were a puppeteer. Your Masks foretold our future - or maybe they imposed it upon us, in all honesty, I don’t see the difference. All this time I was absolutely positive you were connected to the plague.
I wish they’d actually explored this answer in-game in Daniil’s route instead of just sort of dropping this in out of nowhere at the end. I guess they assume the idea will cross your mind at some point in time, and it does make sense for Daniil to think this given that the mechanics of the game are explained to you by the executors and tragedians, who then show up later in the game when the Theatre is being repurposed, outside of peoples’ doors when they’re sick, and then, of course, as pantomime actors. 
(I also think it’s kind of interesting that Daniil doesn’t see a difference between having your future told to you, and having it imposed on you. I think he sort of has a point: if you tell someone what they’re going to do, you’ve put the idea in their head. If they follow through, retroactively it’ll look like you managed to predict something, when it’s just as likely you’ve put your will in their mind. You didn’t necessarily know anything, you just brought it to life through manipulation.)
I thought that the whole point of the Utopians’ ideology was neglecting the laws of fate and the limits it imposes upon us.
So in other words, Mark doesn’t fit as a Utopian because he was the one directing fate and imposing its limits. 
Which means that the Utopian ideology is fake. Daniil’s attachment to it is based on the fact that he wants people to be able to pick their own fates, down to being able to decide for themselves when it’s their time to die. Isn’t that supposed to be what the Polyhedron represents to him? The fact that stands and exists when it shouldn’t be able to is meant to be proof that limits can be overcome, but like with Aglaya’s reassurance that no one here can really tell the future - a segment that further proves Daniil’s point that Mark simply imposed his will on the world - this suggests that there must be a much more mundane explanation for the Polyhedron’s existence. 
The Utopians are all charlatans. Peter can’t explain to you how the Polyhedron works, Andrey doesn’t really do anything to protect his brother or Eva despite his bold claims that he can and will do anything - something you can call him out on, Maria can’t really predict the future (wasn’t she the one giving you your list of Bound? isn’t it just a little too much that she happened to put herself, her family, and the people she needed to use to reach her end goals on the list? and that there’s absolutely nothing you can do to save Eva, because Maria makes sure to get her out of the way?), Georgiy is lying to you, Victor doesn’t even want to be there, and Eva is now dead. 
I think this circles back to Artemy & Daniil’s bickering in the opening dialogue. Artemy says “Any choice is right, as long as it’s willed,” which didn’t really leave any impression on me when he first said it because I thought, ‘Aren’t all of their actions willed?’ And, to a degree, they are; but Daniil’s actions aren’t his own will. He’s acting on someone else’s plans, and has been for the entirety of the game. His whole route is about being manipulated, and once you can unravel it from this conversation, you can take that string a lot farther. Aglaya does mention that it seems a little too convenient for you to arrive when you did, and she doesn’t buy The Powers That Be’s claims that you & her & Block being sent there was for completely unrelated reasons to them hating all three of you.
But you weren’t sent here by The Powers That Be. Their timing was serendipitous. No, you came here because your colleague sent you a letter that seemed too good to be true and was certainly too relevant to your work for you to ignore, right when you needed it most. And when you get there, both your proof and your colleague have died, and conveniently your continued existence relies entirely on a family that desperately needs you to run all their personal errands.
Does anyone else question the legitimacy of the letter you receive from Isidor? Georgiy claims both that they were unaware Isidor had sent a letter to you, and also that Simon was preparing to meet you. Then later on, he also says that they’ve been following your work in the Capital. Isn’t that a little, hm, suspicious? Your timing isn’t just great for The Powers That Be who want to get rid of you, it’s also fantastic for a family that wants to make a power grab and needs someone completely ignorant of local customs and politics on their side. Clara says, “Those who favour hard logic and direct action are bound to be misguided” - and she’s right, because your “unbiased” approach to the Town and the issues at hand make you easy for the Utopians to manipulate to their cause. Artemy says, “You will act justly, but your justice will blind you” - and he’s also right about that. Daniil isn’t lying or wrong when he says he’s going to follow the truth and restore justice: the problem is that, as an outsider, he isn’t going to get the full truth from anybody. He has shreds of the truth that he can follow, and the fact that he can’t access an entire story also makes him easy for everyone - all of the ruling families, the other healers, the Bound, Aglaya - to manipulate, and they all do. 
The reason saving the Polyhedron isn’t the “right” choice isn’t just about morality, it’s also about the fact that it isn’t your will to do that. You haven’t been acting on your will for any part of the Bachelor’s route. You haven’t been an active participant in the story, you’ve been an object. You’re just an instrument someone else is using. 
But I also want to make this clear: as many jokes as I see about this, I don’t think it’s fair to use this as evidence of Daniil being evil or stupid, etc etc. But I’ll get into that elsewhere.
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You are correct, oh the keenest of the astute! So what? I have cognized this side of Existence from backstage, so to speak; from where the strings go and the machinery is hidden - and yet I willingly swore allegiance to the Utopia. Does that tell you nothing?
That you think you’re god? Are you aware you’re a toy, and trying to overcome that?
I don’t believe you’ve changed. And you being with them is fearsome to me. You are an alarming tone in the jubilant orchestra of creators. 
Is this Daniil realizing for the first time that he’s been manipulated?
It doesn’t tell me enough. You are, as always, a double-dealer...
Interesting. I wonder if he’ll talk more to the other characters in their routes that will make this have more sense to me.
Pff... You know, I’m glad you’re leaving. You are a dangerous person, dealing with you would be and arduous task...
Seems like he’s admitting that, for as easy to manipulate as Daniil was, he’s not entirely stupid. Like Daniil would be a threat if he stuck around longer, had the full story. But this is also a hint that the Utopian ending isn’t actually Daniil’s ending. After all, he’s leaving. He’s not a part of the end at all.
You’re back to being annoyed already? And I was just planning to ask as to what you’re going to do with your life.
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Me? Hahaha... That’s ridiculous! And it’s very tactless of you to ask me a question like that! Oh no, no offence taken... by me; you haven’t offended me, after all - you’ve offended the Scarlet Mistress herself. My life belongs to Maria now... And I am merely her humble servant... always at her service.
This loops back into implying that the entire route has been orchestrated by Maria, proving Aglaya’s point - and Daniil’s - that she can’t tell the future, and that foretelling the future is indistinguishable from imposing it on people. Maria did what she could to make sure things went her way. By “telling” the future, she made it happen. 
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hutchingsb · 4 years
Note
fake political trophy husband AU for diego & hutch 👌😉
Diego Rodríguez García is a young upstart and the name on everyone’s lips. He’s got connections, he’s got wit, and he has the ability to put a crowd at ease. He came out as bisexual two weeks ago to further his campaign, to the shock and awe of the public. But more than anything else, he’s got the polls on his side. He’s going to win.It’s all Momma needs, a martini clutched in her hand, to latch onto an idea.
She stirs her martini slowly as if it’s necessary and not that she’s buying her time to make this whole thing stick. Hutch doesn’t mention that it’s not strictly necessary to convince him, he knows he doesn’t really have a say in the matter. The Booth-Bakers’ image has been falling. Small scandals build up, and the gossip never really goes away. Momma needs something to change, her ambitions not yet sated. Her campaign is going well, but she needs that push. These are hard times, and no one is completely sold on Mrs. Booth-Baker’s reelection as governor, not now that she’s newly without her husband.
“Don’t you think Mr. García could use some additional funding?” 
Momma takes a sip of her drink through her smirk. Hutch sighs. He owes her, he knows. After the stunt he pulled when his father first left, he owes her something good; something she can use.
“When do I meet him?”
Later that night, while he lies in bed, he will think, ‘it doesn’t have to be real.’
                                                             - 
Momma moves quickly because there is no time to waste when you’re down in the polls. She reaches out to the García campaign, offers them a fundraiser – hosted, of course, by the Booth-Bakers, for the charity of Mr. García’s choice. They would be fools to turn it down, and Hutch does not take the up-and-coming congress hopeful for a fool.
The campaign’s formal reply is an immediate yes, and Momma makes the arrangements. The woman’s connections know no bounds.
Two days later, Hutch gets a text that Diego (and when the fuck did it become Diego, and not Mr. García) is interested in talking about a mutually beneficial “business” deal, and Hutch tries not to throw his phone across the room and go back to sleep. But there’s a knock on his front door a couple minutes later, and he knows it’s some immaculate suit that his mother has picked out because it will match the color of Diego’s eyes, or some shit. He begrudgingly opens the door. At least he can pretend to entertain himself with work before this hellish night begins.
                                                              -
The suit is perfect. For all her downfalls, his mother knows style, and Hutch feels like he belongs at this party. Like he, too, is a political player, and not just some research analyst for his mother. He holds his own for a while, drifting between senators, the senators’ wives, and journalists. They’re all waiting for something big and newsworthy. And Hutch sighs, because it’s not a something, it’s a someone. And when the door opens and Diego Rodríguez García finally steps through the door, the whole party halts, waiting.
Except for Momma. She waits for nothing.
She is by Diego’s elbow in seconds, handing him a glass of something and talking to him quickly, quietly smiling as she gracefully manhandles him around the crowd. The whispers begin and Hutch suddenly feels like downing the glass of whiskey that he’s had for hours now. 
It takes her some time, before his Momma makes her way towards him. But the buzz in the room starts to intensify, and Hutch does his best not to fidget.
“Mr. García, have you met my son?” Momma coos loud enough for those around to hear. She knows full well that Mr. García has not.“I can’t say I have had the pleasure.” Diego’s tone is pleasant, but his smile is genuine when he turns to Hutch with an outstretched hand. Hutch grabs the man’s hand and mimics his smile. Diego’s hand is warm and strong, and not even the least bit sweaty. His smile is perfect, white teeth and smile lines. His eyes are a dark brown and Hutch realizes that, once again, he was right. His dark navy blue suit compliments the future congressman’s eyes to a T.He truly hates his mother.
“The pleasure is all mine.” Hutch lets his voice be just loud enough to be heard. He may not be a player, but he knows how to play the game. Diego’s smile becomes guarded again as Momma lays a hand on the other man’s upper arm.
Hutch spends the evening by Diego’s side, at his mother’s demands. But he finds he quite likes it. He’s a quick study. Starts to pick up on when Diego’s tone gets a little too tense, or when his laugh almost sounds genuine. At the end of the evening, Diego slips Hutch his number and leaves him with a gentle squeeze of the arm.And Hutch cannot help but think oh God, I’m so fucked.
                                                              -
Diego texts him two days later, suggesting a lunch. Something public, in the middle of the daytime. Hutch likes the little bistro he’s recommended but doesn’t add that in his text back. Sends a simple sure, instead. Diego comes back with a time, and just like that, it’s a date.
                                                             -
The lunch itself sneaks up on him. He lets Clover parade him in different outfits through their shared apartment. She keeps snapping pics of him and texting them to Mar; loudly explaining that he has to look good if he’s going to be on the cover of whatever gossip rag his Momma sells this story to. He hates her because he knows she’s right. He says as much, and she smirks at him. When the outfit is sufficient, she snaps one last picture and shoos him out the door.
“Good luck! Remember you shouldn’t put out on the first date.” 
He flips her the bird.
                                                            -
The conversation is easy, the food divine. Hutch, for all his nerves and fears, finds Diego incredibly easy to talk to. They talk about Diego’s career, his family, his childhood best friend. Hutch laughs at a story of Diego almost getting set on fire.Diego asks him about his work; how it is, living with Clover; what’s the last book he read.
For a brief second, Hutch can convince himself that this is a date. That Diego is genuinely interested in what he has to say. Time passes quickly, easily, and Hutch begins to savor the moments he makes Diego laugh – but it isn’t long until it all comes to a screeching halt. They pay the bill – or rather, Diego pays the bill – and, as they exit the bistro, he slips his hand into Hutch’s. And it’s then that Hutch sees her. The photographer is well disguised, likely to not cause so much disturbance as to be kicked out. His heart sinks a little as he remembers why this whole charade started in the first place.
Diego turns to him, lifts their joined hands to his mouth and plants one quick kiss on the back of Hutch’s hand. His heart lurches as he realizes with surprise just how dangerous of a player Diego is in this game, why Momma’s so fond of him in the first place.“I had a very nice time with you.” Hutch tries to force down his stupid smile at Diego’s words. (Later, he’ll tell Clover it was for the camera when she flashes him a shot of him looking particularly starstruck.)“Yeah, me too.”
As he walks away, hand stuffed in his pocket as if trying to physically distance himself from the offending member, he realizes that this is going to suck.He’s going to fall in love with this man.Diego will break his heart.
                                                           -
Momma greets him with a hug and a smile, which means good news.She doesn’t have a drink in her hand this time, which means great news.
She ushers her son in, herds him into the living room and then further still into her office. It’s more full than it usually is, papers and monitors cluttering the way from the door to her desk. Raine throws up a hand in greeting before he’s pulled back into work by Eric. Eric doesn’t acknowledge Hutch’s presence, but that’s not anything completely new. He bites back a sigh as his mother, with all her grace, flutters back over to him, a tablet in her hands. Eva must have handed it to her from over the desk.
“Look at these numbers,” she coos at him, and Hutch just nods approvingly. He knows he doesn’t need to speak. Not really.
“And for Mr. García as well.” Eric is by his side in a second, brandishing a different tablet.
“Hello to you too,” he mumbles quietly, and Eric flashes him a smile that’s got too many teeth in it.
He is shown numbers until it all bleeds together: projected wins, voter statistics, who might prompt Mrs. Booth-Baker’s reelection. It’s enough for Hutch to get the memo – he’s doing a good job, and more importantly, he should continue to fulfill it.
He pulls out his phone when he thinks no one is looking and whips out a quick text.
>> Have I ever mentioned I hate my mother’s choice in data analysts??
He shoves his phone in his back pocket quickly, as Eva approaches with a smile and yet more data. His phone buzzes almost immediately and he smiles.
>> Yes.>> On multiple occasions.>> But please do let me know what the grievance is today, I’m on the edge of my seat.
Texting Diego makes the evening go by faster, somehow. Hutch pretends he doesn’t realize that he’s never texted the man for anything other than planning outings before. It feels too new. Eva, the saint that she is, doesn’t comment on his goofy grin every time his phone buzzes, but her eyes sport a knowing look.
                                                           -
They are in the back-stretch of the campaign, and the tension that follows is palpable. Hutch can see how stress lives in Diego’s shoulders, how he fights more to keep his face happy and charming. When they’re alone, Diego slumps more. Lets his eyes close as he breathes.Hutch hurts for him. For all the stress Diego’s under, Hutch can do so little to help.
“There’s a party,” Diego starts, shooting an already sympathetic look towards Hutch. They are alone in his office – Lola is the only one still in the building, and she’s more than busy managing what could be the next big PR scandal (but won’t be). Hutch just nods. He knows his part by now. He is Diego’s date, the little bit of joy that his followers can latch onto and root for. Because really, who finds love in the middle of a campaign? “We don’t have to stay long…” Diego says, and Hutch realizes he’s tuned out most of what Diego’s been saying. He smiles, pats Diego’s hand where it rests on his arm. “It’s fine.” It feels like that’s all he can say at this point. All he’s been saying, because it is fine. It’s fine because Diego needs him and he’s asked. “Maybe it’ll even be fun.” They both laugh, and Hutch’s heart clings to the sound.
                                                          -
For the most part, the party is in fact fine. Mostly, Hutch entertains himself by shooting pictures of incredibly drunk senators to Mar and Clover. He’s lost Diego thirty minutes ago after he ducked out to grab them another round of drinks, and the alcohol has already provided him with a warm buzz. He stands to the side snickering at Mar’s latest reply, without Diego next to him, and he is a nobody. No one gives him a second glance.
He looks up only to spot Diego, all fine-tailored edges and welcoming smiles. Hutch offers him his drink, places a quick peck on the other man’s cheek. Under the mask of professionalism, Hutch can see something is off. He presses in closer to him, wraps his arm through Diego’s.
“You must have some sort of plan, right, Mr. García?” Hutch drags himself away from studying Diego to listen to the conversation at hand. “The girl was from your district, was she not?” And suddenly it clicks.
“We are working hard to help the police in their search for miss Tarry.” It’s a canned reply, something Hutch has helped Diego practice. Hutch hears the strain in the other man’s tone. His heart lurches. The stranger opens his mouth to speak again, something more insistent, and Hutch acts before he can stop himself.“I’m terribly sorry, but I think I need some air.” The reporter’s mouth snaps shut, shifting to form a thin smile, but Hutch doesn’t let the sincere apology drop from his features. He turns and tugs Diego along with him. “Babe– if you don’t mind.” And before Diego even has time to react, Hutch is pushing him out of the ballroom and into the hallway.
“Are you okay?” It’s just the two of them, and all pretences can be dropped. Diego’s shoulder slumps forward, and Hutch pulls the other man to him as the tension finally rushes out of Diego in a wave.Hutch pulls him towards another door, opening it with the hand that isn’t clutching Diego, and pulls the pair of them into a coat closet. He feels Diego breathing against his throat as the other man struggles to retain composure, and Hutch wants to scream that he doesn’t have to. He cannot do much for all the stress and pain he knows Diego feels, but he can do this. Let me do this.
It is quiet for a long time, in the dark of the closet, Diego resting against Hutch’s chest until finally, he pulls away. There is a pain in his eyes when he looks up to meet Hutch’s gaze. A broken sob catches in Diego’s throat as he speaks.“I didn’t do enough to save her.”
Hutch doesn’t know more of the story than what he’s heard on the news. Doesn’t know the part Diego’s played in the case of the missing girl. He didn’t want to push. Didn’t feel like it was his place to do so. He doesn’t fully recognize this version of Diego, this broken version with too many self-sabotaging things on the edge of his tongue.
Diego opens his mouth to speak again, and Hutch pushes in. Closes the distance between them to let their lips crash. He feels Diego freeze underneath his touch, but as Hutch brings his hands to fist into Diego’s hair, he softens. His mouth goes pliant and willing, and Hutch takes. 
He cannot do much for this version of Diego, but he can do this. He’s always been able to do this.
Hutch cannot stop the little moan that follows when Diego licks into his mouth. He pushes at the shoulders of Diego’s suit jacket until the other man gets the message and lets it slip to the floor. Hutch closes the gap again, slipping between Diego’s legs to press as much of his body against the other. He lets his teeth sink ever so gently into Diego’s bottom lip and sucks, and the gasp that follows is worth it. He can feel it in his gut, a new warmth that spreads through. He can do this. “Let me do this,” he whispers, biting down at the spot where Diego’s jaw meets his throat, earning him another gasp.
Hutch drops to his knees and smirks at the groan that accompanies it. A hand comes to lay on his head and scratches down, and Hutch pretends the mewl that comes out of him isn’t at all embarrassing. He hears him swallowing thickly, as he lets his own hands dance over the waistband of Diego’s slacks. He cannot help the wolfish grin that finds its way to his face. He glances up, seeking Diego’s approval, and he gets it with a small nod and a sigh, and Hutch thumbs open the button on Diego’s pants and slides them down.
He mouths at Diego’s hip bone, nips his teeth against the skin; runs his hands along the newly discovered territory of Diego’s thighs. He lets his lips ghost over the fabric separating him from Diego’s half hard-cock. Diego’s hips stutter forward, chasing the feeling, and Hutch lets his forearm stop the motion. When he looks up, Diego has his head thrown back against the wall, and he cannot stop himself from relishing the sight.
In one, slow pull, he pushes down the boxers, emboldened by a rare-found confidence. He lets his tongue drag over his own lips, before he lets them catch around the tip of Diego’s dick. There is a stunted sound that happens above, and a sharp scrape of dull fingernails over his scalp again– and Hutch can’t stop himself, he sinks down in one quick movement taking all of Diego into his mouth. It doesn’t take long after that. He clutches at Diego’s hips to steady himself as he begins to bob his head, the rhythm growing faster, the sounds dirtier. Diego has his hand in his mouth, biting down hard to stop from making too much noise. And his breathing is ragged, broken; a beautiful contrast to the earlier heartbreak.
Diego’s hands slip to Hutch’s neck as he swallows, a calculated move that earns him the moan he was looking for. Diego’s hands move to Hutch’s head, pushing him slightly. It’s a warning, Hutch knows, but he ignores it. Takes him deeper still, lets his throat tighten and flex around the intrusion. Diego comes with a broken sob.The sound is even better, this time.
                                                         -
The drive home is quiet, but not painfully so. Hutch cannot bring himself to look at Diego, only manages to shoot sideways glances from under his eyelashes. Diego does not look at him, either. The car stills in front of Hutch’s house, and he moves to undo his seatbelt. A hand stops him, Diego’s thumb and finger forming a loose circle around his wrist. “Thank you,” is all he says, letting his thumb shift to the pulse point on Hutch’s wrist. His heart jumps and he wonders if Diego can feel it. Hutch nods, no words able to form when he cannot take his eyes off of the point of contact between them. Diego squeezes once before he pulls his hand away, and the skin on Hutch’s wrist burns. He excuses himself from the car.
It still burns as he stands on the sidewalk, his hand holding his wrist, as the car speeds away into the night.
                                                        -
The room is buzzing with it: they’ve won. Hutch isn’t sure when he started thinking of himself as so involved.
The only one still working is Evan, frantically putting the finishing touches on Diego’s victory speech, while the rest open a bottle of champagne. Lola shoots them all a look, a warning that speaks to the fact that they still have an event after this and that no one is to get too drunk. Hutch is silently amazed how much she can portray with just one glance. The twins have four glasses between them already, and Hutch tries not to wince when he sees champagne pooling on the floor. Even Grey has come out from behind their computer with a drink in their hand. They deserve it; they’ve worked hard for this.
He’s caught up in the thrill of it all, sipping on his second glass, already feeling lightheaded, when Diego grabs his hand and pulls him along. Hutch laughs freely and follows, the alcohol already making him feel light and loose. He lets himself be guided, their fingers entwined, and Diego smiles, bright and happy. He doesn’t stop pulling until they’re both in Diego’s office and he’s so goddamn happy it hurts.
“We did it–” The way Diego’s voice hitches like it’s only just now settling in makes Hutch’s heart stop and start.“You did it,” he agrees, nodding as he smiles. And he cannot stop smiling. He meets the other man’s eye, and it’s like a tipping point. Diego pulls him closer, wraps his arms around him and sighs into the crook of his neck. He freezes for a moment, before he lets himself fall, soften; clenches his hands at the back of Diego’s finely pressed dress shirt, the fabric clutched in his fists.
“I couldn’t have done this without you,” Diego whispers like it’s something for just the two of them. A confession. And for a second, Hutch believes him. Believes that Diego needed him, not just Momma’s money. “Thank you.” Diego pulls back, cups Hutch’s face with his hand. “Thank you,” he repeats, letting his thumb trail slowly over his cheek. Hutch tries not to gasp.
And then someone calls on Diego from outside, and he pulls away; out of the door and into the fanfare, and all Hutch can do is watch.
His traitorous brain supplies the rest for him. This is it, it sneers, this is the end of you being needed.
                                                       -
He’s still pining when Lola all but forces the group out of the door and into six matching Ubers. One day he’ll ask how she manages all this so effortlessly, but he knows he won’t get a true answer from her anyway. She’ll fix him with a look and a smile, maybe pat his arm.
He ends up sandwiched between Diego and Evan. They’re talking over him, pointing at the recently finished speech, and Evan has a pen in his hands. Diego keeps looking to Hutch for his consensus on something or the other, and all Hutch can do is nod and try not to focus on how Diego’s leg hasn’t stopped moving since they entered the car.
                                                      -
The speech ends to a deafening roar of applause, and Hutch has been smiling so damn much. But then Diego turns to look behind himself, searching the few members of his staff for something – someone. His eyes lock onto Hutch’s and he reaches out his hand, and Hutch is a fool because he takes it. Diego pulls him to his side and flashes those pearl-white teeth – and then he’s leaning in towards him, Diego’s lips finding Hutch’s own, and he parts his mouth and sighs into it, lets his eyes flutted closed; lets himself have this.
The hoots and hollers from the crowd amp up tenfold: he is the voice of the young LGTBQ+, now, and they came here in droves.
“And,” Diego turns to the mic, his face plastered with his Professional Smile, so different from the one he shared with Hutch in his office hours ago. “–I couldn’t have done it without this man.”
It’s the same sentiment from Diego’s officer earlier, but out here? For the consumption of these strangers? It feels wrong. It feels too much like an act. Hutch smiles, holding on to Diego for dear life, but his gut twists into something ugly and sad.
His parents played this game: Mr. Booth-Baker, the rock that stood behind Mrs. Booth-Baker; the two of them shining in their leading roles as a loving couple. But the world did not see them at home, his father, gone all hours, and his mother, drunk and crying when she thought Hutch had gone to bed.He told himself he would not become another pawn in this game. He would never let his mother use him as such. But it took mere seconds for Diego to unravel his resolve, and Hutch feels used. Raw. Broken.
And– fuck– in love.
The rest of the night goes on without much incident. But Hutch feels like he’s traveling through a fog. He feigns a migraine when Connor comments on his distance, and it’s easy enough – the champagne is already making his temples throb. He tries not to meet Diego’s eyes whenever the other man shoots him a quizzical look.
He excuses himself early, and doesn’t respond to Diego’s text.And if he curls into bed and tries not to cry, so be it.
                                                     -
Mar all but drags him out of bed. Clover must have called in reinforcements. Which is only fair, he muses. It’s been three months since Diego won his seat and Hutch has been useless ever since.Mar sits at the end of his bed scowling as he shuffles through his clothes, delaying the inevitable. “We’re going to The Last Drop, not your funeral,” she admonishes. She’s perfectly put together, but it looks effortless, as if she’s just rolled out of bed. Hutch has always been envious of her easy style.“I’m moving as fast as I can,” he whines, but it’s not believable.And, as if right on cue, Clover is at the door, “–No, you’re not.” She has her phone out in her hand. “I told Raine we would be there ten minutes ago, and if you make them wait I’m never forgiving you.” Hutch sighs and throws on a shirt Mar has tossed his way.
                                                    -
“So, you’re still pining right?” It’s Raine that breaks through his fog-addled thoughts, and Clover is outright laughing at him. He grimaces at her before turning back to Raine. “I’m not pining.” He grits his teeth as Clover laughs harder. Raine’s face twists in confusion.“I thought you guys were in love or something,” they manage, and if Clover wasn’t already doubled over, she would be by now.“Oh, they are,” Mar responds. She doesn’t even look up from her phone. She’s texting her new boyfriend, Sam, who was meant to meet them here later. She doesn’t even dignify Hutch’s scoff of disagreement. “But our friend Hutch here is a big fuckin’ idiot.”Raine nods knowingly, an oh falling from their lips. He’s known the Booth-Bakers for a while, working for Hutch’s mother. They know that to be true.“I did not come out to be belittled.” Hutch huffs, slinking down into his seat more.“Then maybe you should tell your fucking boyfriend how you feel.” Clover has stopped laughing to look at him pointedly.
Hutch sighs and takes a drink. Pointedly doesn’t say anything about Diego not being his boyfriend, not really anyway.
                                                   -
By the end of the night, he’s almost having fun. Almost. 
                                                  -
It’s the last event on the calendar. Hutch has been dreading the day as it approached, faster and faster. It’s a simple wrap-up interview, something to solidify Diego’s success story. To make it consumable for the masses. It will have no mention of the Booth-Baker money that helped finance his campaign, but it will have many a mention of Diego’s heartstopping romance that made the man seem so goddamn human during the whole campaign. Hutch has to come as a show of support: the gossip rags have more than noticed his recent lack of presence in Diego’s life.
The magazine is not a gossipy thing, but a legitimate paper and the journalist is good – DeSouza, Hutch thinks his name is. Momma vetted them all and picked this one, so he has that going for him. And he starts the interview off easy, makes a few passing jokes at Diego, asks him to call him Romeo. Hutch tries to stomach the jealousy he feels at the easy conversation that he so dearly misses. He’s been responding to Diego’s texts more, guilt after his night of drinking with Mar and Clover, but it isn’t the same.
“And what about your man?” Romeo laughs at the foolish wording at it, and Diego joins him. Hutch’s heart lurches forward in his chest.
“There is so much to say.” Diego is still laughing, and Hutch cannot help but feel like he’s being cut open. This is fate’s sick joke for agreeing with his mother’s meddling; he’s sure of it. “He stood by me through everything.” Diego searches behind the lights for Hutch’s eyes, finding them and smiling, big and true. “He’s the reason I’m here.” Hutch closes his eyes, and breathes. Tries to stop the flood of emotion, but he can’t. Not here, not now.He runs.
Diego catches his hand before he can truly escape. He’s only made it so far as the hallway anyway. Diego looks hurt and confused and apologetic all at once like he’s not quite sure what Hutch needs from him – and all Hutch can feel is his manic need to getaway. “What’s wrong?” Diego is still too calm, even as his voice hints at the distress under the surface.It stops Hutch dead in his tracks.
“How can you lie like that?” 
He wants desperately to be angry, to throw it into Diego’s face, but he can’t. He’s tired and heartsick and all he can manage is something that sounds so desperate he wants to hide.Diego looks at him with confusion, and then deep, heartbreaking understanding. His face softens into a gentle smile, the kind Hutch has only ever seen when they’re alone. “I’m not lying.” He tugs on Hutch’s hand, and Hutch gives in. Because he’s a fool, but… maybe he’s not a fool about this.“You weren’t lying?” he parrots back, and Diego chuckles softly, bringing a hand up to cup Hutch’s face.“No.” 
It’s all he needs to hear, he pushes forward catching Diego’s next laugh with his mouth. And he sighs. 
He’s a goddamn fool.
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Carlos VS Francisco
So, I would like to say this because I feel like it. I keep seeing around nasty comments about Carlos, about how toxic and psychotic and bad he is, and how wonderful, perfect, and Prince Charming style Francisco is. Yes, they did dirty to Carlos this season, they made him go too far and did things he would never have done it, if the writers didn’t intend to go with this ugly storyline. But people shouldn’t forget the mistakes Francisco also did. He’s not Mr. Perfection, and yes, he has always supported Lidia because it has always been extremely easy for him to do it. He had never had anyone who tried to manipulate him, in particular not an evil mother who conspired against him and the person he chose to spend his life with, Lidia. Carlos has always had. It has never been easy for him.
If you remember, in season 1, Francisco cheated on his wife as soon as he found Lidia again. People may ignore it because he did that with Lidia, but this doesn’t change the fact that he’s a cheater. And later, he was trash with Lidia as well, thinking she owed him anything just because they were together 10 years before. He threatened her to leave Carlos or he would reveal her true identity to him, and all because she didn’t want her to be with him. Out of jealousy. And he also told her he couldn’t trust her just because she chose Carlos. And he was quite aggressive at doing that.  He stalked her everywhere, too.
In season 2, he played with Lidia’s and Carlos’ feelings for each other, trying to make both of them move on from each other, and yes, then he realized it was time to back off, but he did that anway.  And in season 3, even though he did get better, he didn’t think twice taking advantage of Lidia’s and Carlos’ break. He kissed her back, knowing they broke up, and mostly seeing Lidia so upset. So he makes mistakes, just as Carlos does. And he’s not better than him. 
Carlos is naive, impulsive, vengeful when he’s vulnerable and heartbroken. But he never forced Lidia to do things she didn’t want to do. And if there’s something he hates with passion is lies and people who do things behind his back and THAT’S THE REASON THAT PROVES THEY MADE HIM OOC in season 4. And they used obsession as excuse for him to do it. They made him crazy, although his intentions weren’t certainly the same of his mother. Let’s keep this in mind, people. He never meant to hurt Lidia, he never meant to hurt Eva, he never meant to hurt Francisco, either. In fact, he worries about him, too when he learns his mother looked for him. He cares about Francisco, too, you can see it by how happy he was when he woke up, by how he wanted to pay his treatment using the money he owed his mother.. And certainly no one can doubt of how much he loves Lidia and Eva.
The problem is they purposely turned him into an insecure and vulnerable man who would give the moon to the love of his life, but she seems not to see it because she’s focused on something else, that involves someone very important to her, and that made him scared as hell of losing her. And she did talk to him too late to keep him from doing the mistakes he did. But if there’s something Lidia makes clear in that letter is that Carlos is GOOD, he’s easy to manipulate because he’s good, and he was at his weakest point. He never lies to Lidia as a mean son of bitch, you can see he’s conflicted and he’s not happy about it. Even though, it doesn’t hurt any less.  He’s drowned into a trap he can’t escape of, just as much, I would say, Lidia was in season 1. He’s never possessive with Lidia, he lets her go wherever she wants, despite wanting to go with her everytime and everywhere. He never yells at her, he’s never violent with her.  When she decides to leave he admits being guilty without second thoughts, he’s not abusive or aggressive. He’s desperate. He wanted to protect his family so much but he ended up doing in the wrong way. He trapped himself in a net that couldn’t let him go. And anyway, obsession is a desease. It destroys you.
Speaking of Francisco in season 4, well I don’t think they did good to him, either. I mean, yes everything in the end turned out great for him, it’s like he got an award for saving Eva and having being a coma for a year.  But they gave him amnesia, it’s like a 17 year old kid in the body of a man.  He remembers Alba and it’s obvious he does everything she needs to, what else would he do?  He just remembers her. He gets Carmen’s plan because he saw Lidia’s pic at the Company and realises he was tricked. What hurts the most is that they gave him Alba, destroying completely Lidia’s growth in 3 seasons. He pretty much waits for Lidia and Carlos to go separate ways, drinking a tea. Because that’s what it is: Lidia and Carlos go through their angst, they face obstacles, they deal with shit, they make mistakes, they move the story. And Francisco is there waiting for the best time to make his entry. And Lidia turns to him when things with Carlos are at worst,
Lidia and Carlos never took a breath.  In season 1 they fell in love but she was lying to him and that turned them apart, making them hurt each other, making them have bad choices, even sleeping with other people, but then she found out she was pregnant and picked him because, even though Francisco is her first great love and never thought she would be able to fall in love again after him, everything changed since Carlos happened to her.  Carlos has always been the man who made her feel like she belonged. And then that monster  of woman did everything in their power to separate them. With Eva, crashing their wedding, and now this. Francisco in a coma and the consequences of it: Lidia’s obession, which makes her unable to let herself enjoy her happiness with her family because Francisco ended up like that, in order for her to get that happiness. Carlos’ insecurities that turned into obsession, very well increased by his mother and his sister. Where do you find such a story between Lidia and Francisco? And I meant from the very beginning when they find out each other in Madrid, when she made clear she didn’t want to be with him. When so unexpectedly she fell in love with Carlos. I think you can’t find it in Lidia and Francisco.
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parabellumrpg · 4 years
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                                          JOAQUÍN ALEMAN
                                THIRTY-FOUR – CARTEL BOSS – ALEMAN CARTEL
warning: kidnapping
Joaquín Aleman didn’t grow up with money. His parents were hardworking people in Jalisco, where they made ends meet by working excruciatingly long days. Joaquín and his brother went to school whenever they could, but it wasn’t long before working became the number one priority. All of the hard work that Joaquín did as a child didn’t make him bitter or resentful -- instead, it made him strive for more. There had to be more to life than just working yourself to death. And his older brother, Gabriel, was the first one to take that leap of faith -- to change things for the better of their entire family. Gabriel did what was necessary so that his family would survive, even if it meant rubbing shoulders with all of the wrong people. Despite his older brother’s warnings, Joaquín simply couldn’t help himself -- he had to get involved, too. 
Both brothers started off as low-level employees for a local cartel. But Gabriel, always a thousand times smarter than anyone else in the room, quickly moved up. Joaquín followed in his brother’s footsteps, proving to be a valuable asset -- one that the cartel simply couldn’t afford to lose. Their parents had no idea what the boys were up to, and it was best if it stayed that way. To their mother and father, Gabriel and Joaquín were employed by a wealthy local, not realizing that the boys already had blood on their hands. They were on the cusp of seizing a fucking empire. 
By the time Joaquín was twenty-two, his brother already had an empire at his finger tips. They expanded aggressively in Mexico, staking their claim on whatever territory wasn’t protected enough. They bought cops and politicians, practically ensuring their own immunity at the start of their criminal careers. Joaquín, like his brother, was hungry for success. He fully immersed himself into the organized crime scene, welcoming the lifestyle with open arms. It was exhilarating, dangerous, fun. Joaquín was placed in charge of the drug operations, and Joaquín focused on shipping internationally. He was incredibly charming, able to smooth talk his way out of almost everything. He was fluent in both Spanish and English, so when he crossed over to the states, he was the perfect, all American man. Back in Mexico, he was a native, familiar with the territory. Joaquín and his brother were untouchable and eventually set up a semi-permanent base in southern California, where they oversaw their day to day operations. And, as they expanded, they never forgot where they came from. Joaquín loved his parents fiercely, and the moment that he and his brother started making good money, they bought their family a lavish mansion with more acres and staff than they could have ever dreamed of. Their mother and father never had to work another day in their lives. They gave back to their home town, pouring thousands of funding into the local schools and eventually donating enough to have a schools and scholarships named after the pair. They were loved and admired by the locals, but their philanthropy didn’t stop there. When they settled down in California, they made sure to contribute to the local communities there. They maintained a pristine public image -- a vast majority of people had no idea who the Aleman brothers were, or where the true source of their money was. 
It was at a charity event where Joaquín would meet the only woman who’d ever made him feel something. Eva Calderon was passionate about her causes, and she made sure that both Gabriel and Joaquín heard what she was saying. It was actually Joaquín’s idea to put her on the Aleman payroll. She could be the face of their charity events. And with Eva in charge, she’d ensure that their money went exactly where it mattered the most. In between all of the meetings and the planning, Joaquín found himself harboring a dangerous amount of affection for Eva. He’s never uttered a word of it, to anybody, and it’s a secret that he keeps tucked away, hidden from the rest of the world. She was truly kind -- the type of woman who’d give up everything she had if it meant helping others. Joaquín anonymously donated a generous amount of money to Eva, enough so that she’d be able to start her own non-profit organization. And he didn’t stop there, either. Joaquín had one of his attorneys deliver some cash to her parents. There was a whole story behind it -- a distant relative had passed away, and their estate now belonged to the Calderon family. Joaquín understood that Eva would likely never be with someone like him, but that didn’t mean he wouldn’t do anything he could to make her happy. 
The Aleman brothers were expanding quickly, and they had their eyes set on a new target: Chicago. It was well established, corrupt as it was, and there was nothing stopping them from taking it. There were two feuding families there already, breaking each other down -- and with a little help from both brothers, it wouldn’t be long before they could take Chicago and make it their own. The set up couldn’t have been better. A union between both families. Joaquín quickly went to work, orchestrating the kidnapping himself. He’d never shirked away from the dirty side of the business. 
Once they had Paityn Costello, Joaquín and Gabriel watched as both families went to war with one another. The entire city of Chicago was in ruins, scrambling for any sign of their beloved mob princess. Meanwhile, she was quietly tucked away, being looked after by only their most trusted employees. The brothers remained faceless, instead using a trusted associate to question Paityn. And whenever they did make their presence known, it was behind a mask. They had every intention of giving her back -- after they got what they needed from her. Someone needed to take the fall for this, and thankfully, they had someone ready, clearing the Aleman brothers of any crime should they ever be suspected of it. 
Joaquín and his brother have purchased several high profile properties in Chicago: a hotel, restaurants, clubs -- some of them within walking distance of existing Costello and Sinclair establishments. Despite this, they’ve kept somewhat of a low profile. No one suspects them of anything (yet). They’re just two incredibly wealthy entrepreneurs with hearts of gold, wanting to change Chicago for the better.
                                           CONNECTIONS
-- Relationship Status: Single -- Siblings: Gabriel Aleman -- Other: Alondra Aleman (Sister-in-law), Eva Calderon (Interest)
FC: Peter Gadiot
The role of JOAQUÍN ALEMAN is currently TAKEN.
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rivalsofnycupdates · 4 years
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“We are each our own devil, and we make this world our hell.”
■ ABOUT. ■
name: Kalli Liu age: thirty-three occupation: Costume Designer for Sweet Kiss Studios gender: cis-female pronouns: she/her sexuality: utp
■ HISTORY. ■
Kallie was born and raised by a single father.  Though he loved her with all of his might, he worked too often to give her the attention that she needed.  At such a young age, she couldn’t fathom why she didn’t have a mother.  Unbeknownst to her, her mother had passed away when she was only a few months old.  The exact reasoning, of course, was completely unclear and it haunted her father throughout his life.  Her father had been a loyal and loving husband; a dedicated father with a job to support his growing family.  And though they lived check to check, their home had at one time, been filled with love.  It wasn’t until Kallie was older that she decided it was time for her to take on the world.  To attend university, Kallie went off to New York City.  She had been warned that it was a bad time to be there but loved the idea of an adventure and the risks that came with it.  
However, she slowly developed a manipulative personality that made her increasingly difficult to befriend. Kallie acted as if she didn’t belong with her roommates– as though she was better than them. The hot-headed young woman then rebelled against her school system. As she began to go out at all hours of the night and wouldn’t come back for days. She would find someone else to occupy her time until she grew tired of them. It entertained her for days at a time, and sometimes even weeks. It was during the final year that she dropped out, deciding that school just wasn’t for her, and she would prefer to live her life by her own standard of rules.
Kallie is and always will be a big fan of nature.  She loved to take walks, though only in areas that weren’t heavily populated by people.  She is partial to animals and once had a pet cat that was simply a stray that frequented the steps of the strip club that she worked at. Friendly, a bit of a chatterbox, she tries to befriend everyone — especially people that she believes need a friend.  She isn’t the best listener and when given the opportunity, can be rebellious.  Her curious nature often isn’t fulfilled due to her ever-present anxiety.
■ WHOSE SIDE ARE YOU ON? ■
It was while working at a strip club that she fell in love with a man who showed her all the wrong things and soon found herself with newfound drug addiction. However, when she could no longer afford her addiction, the Devils ordered their recruiter to take her in once they realized her predicament. Deciding that the best way to resolve her lack of funds was to recruit her as one of their actors for Sweet Kiss. However she was not only flattered, but she soon realized that she was doing what she had always done. She was simply being paid much better than she imagined and could now put all her talents to use. Kallie doesn’t believe that the Devils is the group that she would like to be associated with, though she feels the exact same about the Royals.  Plagued by Generalized Anxiety Disorder, she is often terrified when met with the rival gang’s members; even if they’re kind to her.  The strange men repulse her enough, but after the death of one of her close friends by a client, she became more and more petrified of what would happen if the wrong person chose her.  Lately, the dark-haired woman has been looking for an out.  With no family, no trustworthy friends, and no allies in either gang, she has begun to feel more and more hopeless.  
■ KEEP THIS AWAY FROM YOUR ENEMIES ■
Unable to lose her last string of faith, Kallie took on a hobby to pass her time.  Interested in fashion, she started to make her own costumes for the nights that she worked at Sweet Kiss to cover a shift. Impressed by her skills, her producers often give her a night off to make them for the others. Her only saving grace. It was during this time that she met Travis, the two falling in love. However, she hid her life from him, deciding to create an entire fantasy story so he would never know the truth about her. It started out light-hearted and easy at first, but soon months went by and she had lied about her job, claiming she was a teacher at a local school. As well as lying about her drug addiction, her association with the devils and her job. It was durin this time that she got pregannt, and though their relationship was new, the two decided to move forward as a family. Nine months later, their little baby girl Remy was born. However, it seemed her double life refused to be neglected and it came to head the very next day after he had proposed to her. The lies coming to the surface, when someone within the ranks of the Royals discovered her secret and outed her to Travis. The look of betrayal of his face still haunts her, and the two haven’t spoken since, while he took total custody of their daughter due to her drug addiction. But it would be a lie if she said she was over him, but she knows she broke his trust and that forgiveness is hard to come by. It seems all her friends from that life and everything she lost still haunts her, and if the Devils ever found out, she was a dead woman.
■ RELATIONSHIPS. ■
■ Payton Fischer: Out of everyone in the group besides Travis, she was closest to Payton. Their friendship strong, so when everyone cut her out of their lives, it hurt most to know he wouldn’t return her calls. They had helped each other through some dark times, and he was the only one who knew about her drug addiction.
■ Camille Rodriguez: The two used to be close friends, however when it came out that Kallie was lying about her double life, she was cut off from everyone. The only person know who will answer her texts out of the group is Camille. Though she wishes she could reach out to others, she is thankful for the woman.
■Jane Mercer: They met while both attending school, and though they were good friends, the two of them went their separate ways. However, they still stay in contact, and Kallie considers her one of her best friends even if their lives are so different now.
■ CONNECTIONS. ■
■  Travis Patterson > Ex-Fiance
■  Jamie Gomez > Friend
■  Patrick Fischer > Ex-Friend
■  Eva Nelson > Annoyance
■  Aleki Kalama Torch > Friend
Kallie Liu is an OPEN character and is portrayed by Janel Parrish who’s FC IS NON-NEGOTIABLE.
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ladyseaheart1668 · 5 years
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Endless Summer Book 4 : Daughter of Vaanu (Chapter 43)
Description: There is no rest for the good.
Um...yeah. Hope nobody hates me at the end of this chapter. At least it came out faster than the last one, right? :-P
Tagging: @endlesshero1122 @mysteli @whatmcsaid @xo-endlessmayhem-xo @feartheendlesssummer @tigerbryn11
Chapter 43: First Blood
Tahira
The day my life changed, I was late for work. I missed my train and did my makeup on the bench while I waited for the next one. This Thursday morning, I'm late again. And I'm pretty sure that under the circumstances, Grayson will let it slide. In fact, I know he will since he explicitly told me to take the day off. But frankly, I think I'd rather be at work than alone in his apartment, especially when he has to be at work.
I didn't get much sleep Tuesday night after the fire. Unable to safely be treated for any potential smoke or chemical inhalation at the hospital while we were still in disguise, especially with Michelle still on her honeymoon, Dax insisted on dragging us into the lab at Prescott Industries and running tests. Marci had cleared me of any damage long before I even arrived, but Dax wanted to be safe rather than sorry, and Grayson agreed with him, so I relented. Eva took care of checking on the kids, and claimed dog-sitting privileges for herself.
Then came yesterday. That was the real headache, and the real reason I barely slept last night, which is the reason I'm running so late this morning, and nearly took Grayson's advice to spend the day in bed. But here I am, on a bench at the train station, gazing into a compact mirror in my left hand while carefully brushing my eyelids with dark purple eyeshadow.
I hear the soft sound of unhurried footsteps on the platform and feel my heart start to beat faster. It's after ten in the morning, on an open-air train platform, on a weekday, and the next train is due in fifteen minutes. All of these facts should put my mind at ease about who might be coming toward me, but I guess I'm still on edge. I try to ignore it, but then the footsteps stop a little too close to me. I let my gaze slide away from the compact to find Caleb standing over me, arms folded, glowering. I scowl back.
“Can I help you with something?”
“If what happened to those kids is what your help is worth, I don't want anything to do with it.”
I feel myself slumping. I sigh, unable to look him in the eye. “...How did you find out about that?”
“Never you fucking mind how I found out about it. Doesn't even matter that I know about it. The point is that those kids are in foster care. Separated. And you let it happen.”
“I didn't let anything happen, Caleb!” I snap. “I wasn't even there! All I know is that the story somehow came out at the hospital, and one of the staff called social services. ...Once the priest recovers, he'll be able to appeal to get them back. Meanwhile, Dylan and RJ are still together, as are Ysabel and her brothers.”
“That's exactly what they didn't want, and you know it! And how long will it take before they're all back together where they belong?! Most likely scenario, they won't all be back together until Dylan turns eighteen!”
“What do you expect me to do?!” I snarl, getting sharply to my feet.
“Be fucking hero, maybe?” he growls back.
“By what, kidnapping five kids? Because that's sure to keep me in a place where I can do my job effectively!” I lower my voice as I step close to him, drawing myself to my full height. I'm already at least half a head taller than he is, and he knows what I'm physically capable of. I see him shrink slightly, but he doesn't quite back down. “For your information, my people are in pretty hot water with the DA for not turning you over to rot in a Prescott-designed cell for the rest of your life. You want me to risk the situation deteriorating further?”
“You don't need the DA.”
“Actually, I do. Not all of us are content to be anarchists and vigilantes. And if people like us and the police are too busy fighting each other, civilians are going to suffer.” I blow out a frustrated breath through gritted teeth, taking a step back. “...Why do you care so much about these kids anyway?”
His scowl deepens. “Why don't you care more?”
“I care more than I am letting on to you. And I'm probably letting on more than you're willing to see. Caring is what I do. Nobody's surprised when I care. But you've got a reputation that doesn't run toward caring. What about these kids has you so invested?”
He scowls, shoving his hands into his pockets. “You know fuck-all about my life, Tahira. ...We all start out as kids, don't we? Naked, bloody, screaming babies shitting ourselves because we don't know better. We all start off so damn innocent, just looking for someone to protect us and love us. But we don't all get lucky like that, do we.”
I don't really have a reply to that. He's right. What he's saying is correct. And while it doesn't exactly give me a complete answer, it feels like a lead in the right direction. Like Caleb taking a single brick out of his wall and giving me a narrow but significant look at what's underneath. Overhead, the announcement comes over the PA that the next train will be arriving shortly. Caleb turns his side toward me as I glance down the track at the approaching lights.
“...You're lucky, Tahira. You got a mom who loves you. Raised you. Stuck around. Didn't run off. Didn't get taken from you.”
“You're right. I am lucky.” The train glides into the station, sending back a rush of air that lifts my hair off my shoulders. The noise as it screeches to a halt would have swallowed anything else I said, so I wait until it has settled before I send another glance at Caleb. “...My birth parents died when I was a baby. I'm actually adopted.”
As the train doors hiss open, Caleb remains silent. I gather my things and climb on board, not waiting for a reply.
* * *
As expected, Grayson chides me for coming into work today. About halfway through the day, I realize I probably should have listened to him. Can't focus on anything, and it isn't hard to get his permission to leave work early so that I can visit Father Le in the hospital. I stop to buy flowers on the way, a bouquet of calla lilies and pink carnations in a pale blue vase. I get to the hospital and step into a room that looks like it's being converted to a florist shop. Father Le is propped up in bed, his rosary beads in hand, his lips moving languidly as he prays under his breath.
“Father Le?”
He pauses, turning his head to smile at me. “Tahira. Come in. Are those flowers for me?”
“Yeah.” I manage to find a space for them on the windowsill and set them down carefully. “Seems like I'm not the only one who had that idea, though.”
“My parishoners have been very generous. Come sit down.”
I do as he says, taking a chair beside his bed. “I hope I'm not interrupting your prayers.”
“There will be plenty of time to pray when visiting hours are over. ...I understand I have you to thank for saving my life.”
I smile a little. “Yeah, well, don't go spreading that around in here unless I come in costume.”
“Of course. You know your secret is safe with me.”
“...Do you remember anything about the attack?”
“What little I can remember, I have relayed to the police.”
“Right. I shouldn't press you. ...How are you feeling?”
He sighs, closing his eyes. “The doctors tell me I should make a full recovery.”
“You don't sound very happy about that.”
“I'm happy that I'll have my health back. ...But I have been informed that the children were placed in foster care.”
I can't help wincing. “...Yeah. But surely once your recovered you can get them back? Like, I know it wouldn't be easy, but you could apply to be their legal guardian, couldn't you? Now that they're in foster care, I'd think that would be your next move, wouldn't it?” When he hesitates, I can't resist reaching out to grasp his hand. “I mean, you'll try, won't you? For their sake?”
The priest sighs. His free hand comes over to pat mine. “Of course I will try, Tahira. ...But I fear I am unlikely to succeed. ...It has occurred to me that I may have been acting outside the law when I took those kids in. I don't know for sure what charges they could bring against me, but I didn't actually have legal custody over them. And since they already ran away from their first foster homes...”
I swallow against a rising lump in my throat. “...What if I put in a good word for you with the DA? ...Not that I'm exactly in her good books at the moment...”
Concern flashes across his face. Somehow, I know it's concern for me and not himself, and that somehow makes it worse. “Why is that?”
I close my eyes to clear the film of tears that's gathered over them, but only end up letting a couple salty drops leak out. “...I decided to put my trust in someone she thinks needs to be locked up.”
“...Do you agree with her that this person needs to be locked up?”
“I...I don't know. I've been giving him the benefit of the doubt, and so far he's come through, but...what if she's right? What if he's playing me, and he goes back to how he was before?”
“Life is never without hope, Tahira.”
I can't help snorting just a little. “I don't know how helpful that is, Father.”
“My apologies. Try this then: you cannot know the future. You cannot know if a person will change, but every person has the ability to change. Your forgiveness of any past wrongs he did is a gift you give, not because he deserves it, but because you want to give it out of the goodness of your heart. Your trust, on the other hand, is not a gift. It is a privilege that you have every right to make him earn. If his past crimes have earned him a prison sentence, he deserves to serve that sentence. But something has stopped you from handing him over to the police.”
“Yeah. Something has.”
“...Can you name what that something is?”
“Honestly...I have a feeling I can.”
“...Do you feel that you can tell me?”
I am quiet for a long moment. “...No, Father. I don't think I can. Because it's not anything that I think I could make you understand without revealing way more than I should about people whose secrets I have no right to reveal.”
“I don't need to understand entirely. But perhaps telling me what you can will bring you some clarity.”
“...I think he has a part to play in a bigger picture. He's...a part of what I'm a part of. I have to think beyond just laws and authorities. What happened to me that night...the thing that made me what I am...it's got a reach beyond anything I could have fathomed that night. I've learned so much about it since then, and...I need this person, Father. I need him on my side, within my reach. Because he's a part of this.”
“It sounds to me like you've made up your mind.”
“...Maybe I have.” I sigh, standing up. “I should leave you to rest. I have...things I need to take care of.”
“Of course. Thank you for visiting me. I hope I will see you again.”
“Hey, you can count on it. Promise.”
I offer the priest my brightest smile, but I leave the hospital feeling melancholy and exhausted. I feel heavy and too full and hollowed out and empty all at the same time. I just want to go back to Grayson's apartment and have him there with me. I want us to curl up in bed together and shut out the rest of the world. Maybe I should call him and ask him to come home. I'm sure he would. We could spend the evening together, just the two of us, order something to eat, watch a romantic movie, slip naked into the hot tub...
My phone buzzes in the hip pocket of my jeans. I tug it free and see Grayson's name on the screen. I answer, feeling myself smile as I put the phone to my ear.
“Hey, handsome. I was just thinking about you.”
“...Tahira...” Immediately, my heart sinks. Something's wrong. I can hear it in the way he says my name.
“...What is it? What's the matter?”
“Well...Dax has apparently been monitoring police radio frequencies or something...” He sighs. “I didn't know he was doing that. Did you?”
“Well...no. Not specifically. I'm not sure he should be.”
“Neither am I. But, that isn't the point. The point is that he picked up some chatter, and...it seems Dylan and his family have gone missing.”
My heart drops into my belly with a sickening splash. “Missing? Wh-what kind of missing? When were they last seen?”
“Dylan apparently went to pick up the others and walk them home from school, but they never made it back to their foster homes. Later, the police got a tip from a concerned citizen that he had seen five kids get into a black van. He wasn't sure there was anything to actually worry about since the kids got in without hesitating, but...he described the driver as a white male with shaggy brown hair smoking a cigarette.”
It's all I can do not to sink to my knees on the pavement right there. “...Caleb,” I whisper. “Oh god, Caleb, what have you done...?”
Jake
A few weeks ago, Alodia and I hired a photographer to do a little photoshoot for us at the beach house. Something sappy and romantic to commemorate the impending birth of our first child. It was a pretty fun day, even though obviously Alodia proved far more photogenic than me. I mean, I could hardly object to spending most of the time watching my wife posing and being her gorgeous self.
Honestly, in the chaos and emotional rollercoaster that followed in the weeks after, with the wedding and then the disappointment and worry that followed her last OB appointment, I had kinda forgotten about the photos altogether. Until Friday morning, the day I'm supposed to leave to pick up Sean and Michelle from the island.
The other half of the bed is cool when I wake up, but I can smell something mouth-watering downstairs. I inhale deeply through my nose. Yup. Definitely bacon. And coffee. Clearly, Mike or Diego must be up too, since Alodia hasn't touched a cup of coffee since she got pregnant, and I don't think Varyyn has ever liked the stuff. There's something else in the air, too. Something sweet.
I get up and throw on a shirt and a pair of pants, running a hand through my hair before making my way downstairs. In the kitchen, I find the coffee pot three-quarters full and still warm. There's also  pitcher of orange juice and a couple of chafing dishes on the counter beside a stack of three plates. I lift the lids on the chafing dishes to find plenty of bacon and pancakes. I sniff at the pancakes, and get a noseful of apple and cinnamon. And that's when I notice the rusty-brown cinnamon and sugar blend in a small bowl beside the dish.
I hear voices from the den. I can't quite make out works, but it's definitely Alodia and Diego. I pour myself a cup of coffee and wander into the den. Diego is lounging on the chaise portion of the sectional with the TV remote in hand. Alodia lies with her head in his lap, a plate of pancakes and bacon balanced on her swollen belly. She's using an upside down laundry basket on the floor beside her hip as a makeshift table for a glass of orange juice and a jar of peanut butter with a knife sticking out of it.
On the screen is an image of her on the balcony overlooking the beach. Her shoulders are bare, her modesty preserved by a white sheet wrapped around her body. One hand holds the sheet closed at her chest while the other cradles her baby bump and she gazes at the sky with a peaceful, contented expression.
“I like that one,” Diego remarks. Alodia wrinkles her nose a little.
“Hmmm...it's not bad, but that one little strand of hair is kinda driving me crazy. It looks like it's going into my mouth and I keep wanting to just brush it off.” She reaches lazily towards the screen, flicking her index finger as if she can will the offending hair off her photographed face.
“I think you're the most beautiful thing I've ever seen,” I declare. I make my way to the sofa and set my coffee down on her laundry basket table before sitting down and drawing her feet onto my lap. She smiles at me.
“In the picture, or right now?”
“Yes.”
“Good answer. You are rewarded with bacon.” She takes a piece off her plate and holds it toward me. I lean over to take a bite, and look back at the screen as I chew.
“Are these the finished product?”
“Not quite. They're the initial edits of the ones Nora thought were the best. Found them in my email this morning. She wants us to go through and pick our favorites.”
“Of course, if your wife has her way, there won't be any,” Diego complains. “She's found something to object to in every single picture she's in.”
“Not every one!”
“Oh, right, I forgot. You like the one where you're in silhouette and we can't see your pretty face.”
“Just go to the next one.”
I sip my coffee as we go through about a dozen more pictures, and it's made clear that Alodia's going to be pickier about these pictures than I am. There are some she does like. Most of the ones of us together meet her approval, as do a series of very sexy shots with her nude and posed so that nothing actually shows. Though, unfortunately, my favorite in that series doesn't seem to impress her.
“I've got a simper,” she declares flatly.
“A what?”
Diego rolls his eyes. “She means because her lips are parted. Just because your lips are parted doesn't mean it's a simper, Allie. That's not a simper.”
“It is the simperiest simper that ever was a simper!” she insists, grabbing the jar of peanut butter and dunking a chunk of bacon into the brown goo. “It looks like I'm trying to make you believe that I'm moaning all sexily. Look, I'm even trying to give bedroom eyes.”
“Yeah, I'm not seeing the problem here,” I quip.
“You see, Allie? It's a sexy expression that does just what you want it to.”
“I don't like it.”
“Yeah, well, you're drunk on peanut butter. Maybe look at it again when you're sober.”
She sticks her tongue out at him, and looks down at me. “Did you get some breakfast?”
“Just the coffee so far. But since you mention it, I am getting hungry.”
“You should eat. We made plenty so you and Mike could get a good meal in you before you fly today.”
I feel a frown crease my forehead. “...You're still okay with me going? I know it's still a few weeks 'til showtime, but...”
“But nothing. You'll be easy to contact, and you're flying to the Caribbean, not Asia.”
“I'll be back tomorrow,” I promise.
“Yes, you will. And we'll be at the airport to pick you up. Now come here and kiss me.”
* * *
After breakfast, Mike, Alodia, Diego, and I pile into the car and Diego drives us to the airport. I'm glad Alodia comes along, even though the trip takes longer than it would otherwise thanks to our unborn child elbowing her in the bladder every twenty minutes. That combined with California traffic means that it takes about an hour and a half to actually reach the airport. But it isn't as if we're flying commercial after all.
The plane is fueled and waiting for us. It's just up to me and Mike to carry out the final checks and get her in the air. Mike gets our things on board—just a small bag each for a couple days away—and I give my wife a lingering goodbye kiss outside the plane.
“I expect this looks very romantic,” she chuckles. “A handsome pilot kissing his pregnant wife outside the plane before he takes off, against a California background.”
“Minus the plane, I'm pretty sure there were some similar pictures from our photoshoot,” I reply. I try to grin, but it isn't coming out quite right. “...I don't like leaving you. Not just because you're pregnant, either. I just...don't like leaving you.”
“I know.” She doesn't need to say anything more than that. She knows why. “I love you, Jake. To the stars and back.”
“No land, no sea, no one can keep us apart. I love you, Alodia.” I drop slowly to one knee in front of her, cradling her belly in my hands, and plant a slow kiss in the center of the swell, just above her navel. “I love you, River. Don't get too eager to come out, okay? Your daddy wants to be here to meet you.”
I gently rest my cheek against her belly and feel a few soft pats from tiny limbs. Alodia winces.
“I think she's a daddy's girl already. Feels like she's trying to get out so you can hold her.”
“No, River, I said not yet!” I scold mildly. “Not until Sunday at least. Give me time to get home and some sleep.”
“I hope she'll wait a little longer than that.”
“Hey, Grandpa!” I get to my feet, turning to see Mike waving at me from the plane. “The sooner we fly, the sooner we can get back, and it's a long way to Santo Domingo!”
I sigh. “Unfortunately, he's right.” I give my wife one last long kiss. “I love you, Princess.”
“I love you, Top Gun. Go on. I think I need to hit the bathroom again anyway.”
We finally manage to untangle from each other's arms and go our separate ways. I join Mike in the cockpit and set about doing my final checks. It's a few minutes before I happen to glance over and notice something grim and distracted in his expression that sends a brief shiver of unease down the back of my neck.
“Hey...you okay?”
“I...got a text from Rebecca.”
I raise an eyebrow. “You getting texts from my sister now? How long has this been going on? Do I have to lecture her about cradle-robbing?”
Mike rolls his eyes. “She's had my number since we sent Lundgren to prison so we could keep tabs on your dysfunctional ass. And how many years are there between you and Alodia again?”
“Ouch. Okay, what's she got to say?”
“Check your phone. She sent it to you, too.”
I'm about to ask what, but realize it would be faster just to pull out my phone and check myself. Sure enough, there's a text from Rebecca to both me and Mike.
Rebecca: Got word this morning, thought you guys should know. Rex Lundgren was stabbed in a prison fight this morning. He's dead.
For a long moment, I can't think of what to say. My first instinct is relief. Even elation. But I can't hold onto that. It's not that I feel any remorse that he's gone. But I haven't forgotten how the same information played out with Rourke.
“...You think it's real?” I ask softly. I know he knows I don't mean whether it's official or if Rebecca believes it. He shrugs.
“I want it to be real.”
“...Lundgren was only in with Rourke on the island out of necessity. He was planning to turn on him in the end...do you really think they'd be working together now?”
“I don't know. I don't know if Rourke could pull the same trick he pulled with Lundgren that he pulled with himself to fake his death. Or...the trick we think he pulled. I can't imagine Lundgren going along with that.”
“Maybe not. Besides, it's not like a prison fight isn't a likely way for him to go, right? He was such a goddamn bully, I'm sure soon as he got in, he started clawing his way to the top of the inmate heap.”
Mike looks over at me. “...You don't have to come. There's enough time to get another pilot to cover for you.”
“...I ain't keen on sending a stranger to the island.”
“I would still be there. I'd keep whoever it was away from the village.”
I do consider the offer, silently weighing the pros and cons. A big part of me thinks I really should stay here. Stay here with Alodia. But I know it would be so much safer not to let strangers on the island. Besides, Alodia has Varyyn and Diego with her, and Rebecca not too far off. I trust them to have her back. I don't really like the idea of Mike making the journey with no one but a stranger watching his. I sigh and reluctantly shake my head.
“I think we're making ourselves jittery. Come on. Let's not leave Sean and Michelle stranded. They got a flight to Tokyo to catch.”
Tahira
My team spends Friday searching for the children, trying to turn up any leads we can, but we're not having much luck. I've tried to reach Caleb using the number he's been calling me from, but it goes straight to a generic voicemail, and the police haven't been able to track its signal either.
“People who don't want to be found have ways of staying hidden,” Eva muses when I express frustration at our lack of progress. “Caleb's been evading the law since way before I even started stealing. And we all know this isn't the first time those kids have run away from foster care.”
She's right, of course, but it doesn't help. They're treating the situation as a kidnapping on account of Caleb's involvement, which doesn't bode well for him. The kids would be considered runaways otherwise, especially given their history. The most comfort I can give myself is to tell myself that they wouldn't have gone far with Eva still looking after their dog. But that even that doesn't help a whole lot, because I don't actually know if it's true.
I can't make sense of how cut up I am about the whole wretched situation. I want to shut myself in my apartment and keep the world at bay, and I haven't wanted to do that since Mom told me I came through the Prism Gate as a baby. Those kids are orphans because of a battle I was part of, but I can live with that. I didn't start that battle, and I did what I could to stop it. But this...what's happening right now...it feels like failure. And failure cuts like a knife.
Jake
It's a little after 7pm local time when we land in Santo Domingo, seven hours later. We'll spend the night in a hotel and then set off for the island tomorrow morning. I call Alodia as soon as we land to check in and reassure myself that everything's all right. I also tell her the news about Lundgren. She takes it...carefully, is probably the most accurate way to describe it. Mostly wants to know how I'm feeling about it. I confess my concerns, and she admits to sharing them. We end up spending about an hour just going on about nothing in particular, just listening to each other speak, reassuring ourselves that we're all right. During that time, Mike and I are able to get to the hotel, check in, order food, and have it arrive. At that point, Alodia admits that she should be getting ready to go to a dance class. Recitals are coming up in May and the costumes are starting to come in. We exchange 'I love you's and reluctant good-byes, and then we hang up. I eat my dinner, watch a little TV, then decide to hit the hotel's gym in an attempt to burn off some nervous energy. I exhaust myself on the treadmill, spend too long in the shower, and finally crawl into bed.
Sleep doesn't come easy. When I do sleep, I have a distressing dream that my sister is dying of some rare disease and she's only got a day left to live, and it happens to be the same day that I'm meeting the half-sister I never knew I had who's the result of an affair my dad had that he never told anyone about, and it all sucks because I'm devastated that Rebecca's never gonna meet her niece, and I'm not sure I like this new half-sister because she's kinda snobby. I wake up sweating, and it takes me a few minutes to convince myself that Rebecca isn't actually dying. And that I shouldn't actually call her right now because it's about 8am here and three hours earlier in California, and if she's not on duty, she's probably asleep. That's when I realize that Mike's bed is empty and I can hear retching from the bathroom, where there's a sliver of light under the door.
“...Mike?” Concerned, I push back the covers and flip on the light, wincing at the sudden brightness. I make my way to the bathroom and tap on the door with my knuckle. “You okay in there, buddy?”
“You want an honest answer?” he croaks back. I open the door and find Mike slumped over the toilet, sweat shining on his ashen skin and soaking through his undershirt. Another spasm goes through him and he chokes something up into the bowl.
“Jesus!” I grab a washcloth from the rack and run it under the tap, wring it out, and press it to the back of his neck.
“Thanks,” he mumbles. “That's...nice.”
“Just months ago, I was up with Alodia doing this every morning.” I frown. “But what's going on with you? Did you go get drunk after I fell asleep? Pretty sure you're not pregnant.”
“You're lucky I'm not up for punching you right now,” he scoffs, wincing. “I'm not sure what this is. Something I ate, or some kind of stomach virus. Didn't drink anything last night. Just woke up and I had to hurl.”
I gently ease him upright and put a hand to his forehead. It's clammy with sweat, but it doesn't feel warm. “Don't think you have a fever. Maybe that fish last night was off.”
“Maybe.” He wipes at his forehead. “...Think I'm empty now. ...What time is it?”
“Getting on a quarter after 8.”
He groans. “So no time to sleep it off before we hit the water. Never mind.” He starts to struggle to his feet and I move to brace him.
“You sure you should be getting on a boat if your stomach's off?”
“I'll be fine. If I puke again, I puke again. But I'm sure I'll feel better after I've had a shower.”
“Well...we'll see. I'm gonna go get us packed. You holler if you need me.”
He snorts. “Yeah, like I'm gonna call you to help me shower.”
“I'm serious, Mike. You know I saw worse than your skinny naked ass in the Navy. And if you pass out in the shower and crack your head on the tap, I ain't gonna worry about your dignity. I'll call an ambulance and leave everything on display for the paramedics.”
Mike gestures ruefully at the skeletal bionic legs and feet that descend from his flesh-and-blood thighs. Cutting edge prosthetics that attach permanently and use some kind of advanced robotics to communicate with the nerves that still exist in his thighs. Alodia has speculated that the Endless' right hand was of a similar design.
“Great as these are in general, they don't lend themselves well to showering without a seat most of the time. I won't be in any great danger of slipping.”
“You better not.” I leave him to it, returning to the room to gather our belongings. I don't hear any alarming thumps, but ten minutes later, I realize I can hear him retching again. I knock on the door again.
“Cover up, kid! I'm coming in!” I don't wait for an answer before I push the door open. The shower is still running, but Mike has a towel wrapped loosely around his waist, preserving his modesty.
“Wanted some water to rinse my mouth with. ...It didn't sit well.”
I shake my head. “Well, that settles it. You're gonna stay here and sleep this off while I pick up Sean and Michelle.”
“You can't go out there alone.”
“It's fine. It's just about a three-hour sail there, and then I'll have Sean and Michelle on the way back. I'll have plenty of food, water, gas, and life vests, and if anything goes really wrong, I can call the coast guard. You won't be any use puking your guts up under the Caribbean sun when you can't even keep water down. You know that.”
He sighs. “I guess dehydration in the middle of the ocean wouldn't be very helpful.”
“Damn straight. Stay in here with the air conditioning on and get some rest.”
“Yes, Grandpa.”
“I trust you're gonna know when to panic?”
He rolls his eyes as he gets to his feet, but he does offer a weak smile. “Yes, Grandpa. Now if you're gonna go without me, go. I'm gonna go back to sleep.”
Alodia
Diego drives me to the dance studio on Saturday morning. I'm capable of driving myself, but try telling that to a houseful of loving, overprotective men who saw me dissolve into stardust five years ago not to coddle me when in my last month of pregnancy. I don't begrudge them a little fussing, and letting them chauffer me around inconveniences them more than me most of the time. At least this morning, Diego isn't just dragging himself out of the house to be my driver.
“I've got a few meetings with students on campus,” he explains as we get into the car. “Midterms are coming up, so naturally everyone's starting to get nervous.”
“Midterms for you, recitals for me...remember when we used to experience these things from the other side?”
“I definitely don't miss midterms from the other side.”
“...I kinda miss recitals,” I admit.
He smiles at me as he pulls on his seatbelt. “I have a break around noon. Wanna get lunch?”
“As long as it's somewhere nostalgic. What was that place we used to go when we cut class in high school?”
“Waterfall Cafe. I haven't been there since the last time we went together. I don't even know if it's still open.” A quick check on my phone assures us that it is. “Then that's where we'll eat. I'll pick you up around 12:30?”
“It's a bestie date.”
* * *
I remember costume-fitting days being something close to magical when I was a student. The first time we pulled the costumes on, they were a work-in-progress, straight out of their bags. We endured several minutes of teachers and assistants pinching and safety-pinning fabric, noting where it needed to be let out or taken in. The elastic shoulder straps came attached only at the front of the costume, and they too were pulled snug and secured at the back with safety pins. As soon as we were allowed, we scooted away to do our barre exercises in our glittering tutus. We may have been full of safety pins, without headpieces or stage makeup, but we were getting our first glimpses of how we would appear on stage just a month or two down the line. And in the final weeks before the recital, the costumes would come back complete. As a child, I had no concept of the amount of work that teachers and volunteer parents had put into altering the costumes to make them fit just right, and putting needle and thread to countless elastic shoulder straps. They might as well have been completed by Santa Claus and his elves picking up some extra work in the off-season. All I knew was that after the second fitting, the costume was mine forever.
Of course, now that I'm a teacher myself...
“Hold still a second, Ji-hu,” I say for what feels like the fiftieth time as I try to get a safety pin into the side of his black-and-yellow striped tunic. “Can you hold your arms out to the side for me? Atta boy.”
“Bzzzzzz! I'm a bee!” Ji-hu yells, although his announcement is pretty much lost in the din of a dozen other similar announcements from his classmates who are already decked out in black and yellow stripes. At last, I get him pinned and give him permission to go running out onto the dance floor with his friends. I wipe at my sweaty forehead and rise to my feet, wincing a little.
“Are you all right?” I turn to smile at Olivia, the woman in charge of costumes for the entire studio.
“I'm fine. Knees are just protesting a little. All this extra weight is getting to be hard on the joints.”
“If you need to rest, you can go ahead. You've kinda got the perfect excuse, you know.”
I shake my head. “I'll rest while Vikki's getting them warmed up.” But I can't resist putting my hands to my lower back and stretching backwards slightly. “So, who thought it was a good idea to move the five-year-olds to the early slot on Saturdays, and who thought it was a good idea to give them the Honeybees dance? Not the same person, I hope.”
“Hey, you had your chance to veto the Honeybee idea at the meeting five months ago. Just be grateful you don't have Ivan's class set. His five-year-olds are rainbows, and for some reason, he thought it would be a good idea to let them dance with flags.”
“Oh, god! You can barely trust the advanced classes with props!” I laugh ruefully and sigh, steeling myself for the next one. “Megan, sweetheart? Come here and let me pin your straps!”
Jake
There appears to have been some sort of confusion at the docks regarding the yacht I'm supposed to be sailing to La Huerta. It gets cleared up in the end, and I am finally supplied with the Rourke International vessel I was supposed to have in the first place, but I lose an hour and a half in the confusion. I radio Seraxa to let Sean and Michelle know I've been delayed, and set off from Santo Domingo in a foul mood. I don't arrive at the island until after two in the afternoon, but the journey itself is unremarkable, and the sail calms me down. Sean and Michelle are all ready and waiting for me when I hit the dock, their suitcases already packed and piled up on the platform.
“Ahoy, lovebirds!” I call. “We're running a little behind, so if you guys wanna drag your stuff aboard while I give 'er a little more gas, that would be really helpful.”
Michelle frowns a little. “Is Mike not with you?”
“Oh, geez, did I forget to mention? Mike stayed back at the hotel. He was puking his guts up this morning, didn't think a boat was gonna be the best place for him.”
“You were probably right,” Michelle assures me. “Do you know what the cause is? Did he eat something off?”
“Not exactly sure. He didn't have a fever, at least not as of this morning. But he couldn't even keep water down.”
She frowns. “Well, that'll be concerning if it's still going on tomorrow, but it sounds like it could be as simple as a stomach virus. I'll give him a once over when we get back to Santo Domingo if you guys have time. When's your flight back to California?”
“Nine tonight. Though, worst case scenario, we miss it and call Aleister or Estela for a chartered flight.”
“But let's try not to make that necessary,” Sean remarks, gathering up a couple bags. “I'll take these down below.”
Tahira
I give myself permission to wallow a little on Saturday. I keep my phone on so I can be reached if there's trouble, and I at least shower and get dressed. But I otherwise stay curled up on the sofa in my apartment with hot drinks and finger foods, trying to read or watch TV.
Unfortunately, I can't really concentrate on my book and there isn't much that appeals to me on TV. There appears to be a marathon of superhero movies on my favorite channel, and that's obviously out right now. I try to watch stand-up comedy, but that doesn't get much more than a half-hearted chuckle out of me. I actually spend the longest amount of time on a documentary about the American Civil War, but I have to turn it off when it finally registers that the endless quotes from soldiers' letters are just making me feel worse.
Maybe staying in isn't actually the best idea. Although it takes some effort, I manage to stuff my supersuit into a messenger bag, put on my coat and gloves, and drag myself out of the apartment. I don't know where I'm actually planning to go. Maybe Grayson's apartment? The Grand? Maybe I'll just go for an aimless walk.
I'm about a block from my apartment when my phone starts to vibrate in my pocket. It takes a surprising amount of willpower to make myself answer it. Particularly when I pull it out and see that it isn't a number I recognize. Before I became Dragonness, my policy was usually to let unfamiliar numbers go to voicemail, figuring that if it were important, they'd leave a message. But since we officially formed an alliance with the police, Dax has all our calls routed through some kind of service center that scrambles our numbers or something so they can't be traced back to our civilian phones, and in the process, that sometimes scrambles the caller's number too. I summon my energy, and thumb the green button.
“...Hello?”
“...Tahira?” The voice makes my heart wedge in my throat. I know this voice.
“...Caleb?!”
“Hey...”
“Don't 'hey' me! Where the hell are you?! Where have you been?! What have you done?! Do you have any idea how much trouble you're in?!”
“Uh...are you alone right now? Because I can hear traffic.”
“It so happens that I am out taking a walk, not that it's any of your business. Answer my questions!”
“I will, I will. But not over the phone. ...I need you to meet me where we were both held captive. Come alone. And come as you, not Dragonness.”
I am quiet for a moment as I find a quiet corner to slip into. “Why should I come alone?” I whisper. “Why shouldn't I bring anyone with me?”
“Because I'm asking you not to,” he answers softly. Softly enough that I can hear a note of quiet desperation in him. “Please.”
“...Just tell me this, Caleb: are the children with you?”
“Yeah. They're here. They're safe. Tahira...I'm counting on you to be a hero right now.”
This feels like a bad idea. A very bad idea. But I already know what I'm going to do. “...Hang tight. I'm on my way.”
Diego
“I'll see you Monday, Danielle. Good luck with your other midterms.”
“Thank you, Mr. Soto. See you Monday!”
Danielle gathers up her things and heads out, leaving me alone in the lecture hall where I am holding my classes this semester. Sitting in a rolling desk chair at the computer, I lean back, stretching my arms over my head and giving a good yawn. That was my last meeting of the morning, and it went quicker than I expected. Now it's about time I get ready to meet Allie for lunch. As it stands, I'm probably going to be early to meet her, so I take my time getting myself packed up.
“Diego Soto?”
I look up to see an unfamiliar young man standing in the doorway. He looks about the right age to be a student—and he's dressed like one, too—but I can't say that I've seen him anywhere around campus.
“That's me. Can I help you?”
“I'm Gabe. Gabe Madigan. I'm just visiting this weekend, but I'm gonna be transferring here next semester. They told me you'll be teaching your course again next semester?”
“That's right. I'm here the rest of the school year. You interested in taking it?”
He grins. “Well, yeah. I wanna be a screenwriter, and I'd be pretty insane not to take the opportunity to learn from a best-selling author on storytelling in film.”
“I'm always happy to have another film enthusiast in the class, no matter who they are.”
“Actually, I...” He gestures a little sheepishly at the backpack secured on his shoulders, “I have my copy of your book with me. Could you possibly sign it for me?”
“I'm sure I can spare the time for that.”
I head over to the desk to take out a pen while he takes his bag off to search for the book.
“You know, I was still in high school when all that stuff in the Caribbean went down. You know, the whole thing with Rourke International...”
I pause for a moment before pulling out a chair sitting down. I hold my hand out for the book. “I certainly haven't forgotten.”
Gabe hands me the book. “Is that a sensitive subject? Sorry. I just remember how close my family followed the story. My older brother was a Hartfeld student at the time. He'd entered the Rourke contest. He was pretty pissed off he didn't win. But once the story broke that you guys had gone missing, he actually felt pretty lucky.”
I can't help shifting awkwardly in my seat as I flip the book open to the front cover. “I won't lie. It was a...harrowing experience.”
I put my pen to the inside cover page and scrawl a quick note: “To Gabe: I look forward to seeing you in class next semester. Keep writing! – Diego Ortiz Soto.”
I see Gabe gazing at the array of personal items I have decorated my desk with: the two action figures Vaanu gave me on the island, a group picture of the Catalysts and friends this past New Years' Eve, one of me and Varyyn at our Vegas wedding, and the picture of me and Allie on the first day of third grade—one of the pictures that first heralded her return. Gabe points to that one, his finger hovering over Allie's eight-year-old face.
“Who's that?”
“Believe it or not, that's Alodia Chandler. The student who went missing on that trip and didn't come back for five years. And that kid she's with is me.”
“She's the one you dedicated your book to. So you knew her before the trip?”
“She's been my best friend since we were in diapers.”
“...That must have been hard, losing her like that.”
“It was. It was the hardest thing I've ever gone through. ...For five years, almost everything I did, I did in her name. For the longest time, the only way I could let myself be happy was by reminding myself that she would want me to be happy. So for a long time, any ounce of happiness I could feel was a dedication to her memory...” I trail off, suddenly embarassed at having gotten so personal with a stranger. I close the book and hand it back to him. “But she's home now. And actually, I'm supposed to meet her for lunch soon, so I should get going.” I pull open the desk drawer to retrieve my wallet and keys.
“Alodia Chandler and her Catalysts...”
Every hair on my body suddenly stands on end. My heart starts to thump with alarm and my stomach goes cold.
“...Gabe, where did you hear tha--”
Before I can finish, I am pulled back hard against his body. His forearm presses against my adam's apple, and a damp cloth obscures my mouth and nose. I struggle, but he caught me by surprise, and I'm being held at a distinct disadvantage.
` “You know the problem with you lot—the Catalysts, I mean—is that you're all so...insecure. There's no challenge in exploiting your weaknesses, because you all wear them on your sleeves.”
I reach for my desk drawer. My keys are sitting just there. If I can get them, maybe I can jab them into something soft and sensitive on his body. But he sees where I'm reaching and drags me off the chair with a sharp tug. I feel the ground tilting beneath me as the room starts to swim before my eyes.
“Don't get me wrong, you've all shown marked improvement since she came into your lives. But you were still entirely too responsive to flattery. It makes you vulnerable, being so desperate for praise.”
My vision is starting to narrow, filling with static at the edges. The voice in my ear is becoming distant, overpowered by the rush of my blood against my eardrums.
“Don't worry,” he sings as I start to fade. “You will see her again. As long as she behaves...”
Alodia
My twelve-year-old class is not as out of control about costume-fitting as the four-year-olds, but no one is immune to the excitement of that first look at performance-wear. And as Graceful Willows, their shimmery green costumes are decorated with soft frond fringes that awaken their playful sides. Wrangling them and getting costumes pinned still takes time, and I start to realize about 12:15 that I might not be ready when Diego gets here. About 12:30, as I'm helping the students out of their costumes and carefully putting them back in their bags, I check my phone. No messages from Diego yet, but he's probably on his way. I tap out a text: Hey, things are running just a little overtime here, but I should be out soon.
Fifteen minutes later, I'm still clearing things up and I check my phone again. No new messages, but I don't think anything of it, I just send another text. Just come inside if I'm not waiting for you when you get here. Just getting costumes sorted.
Ten minutes later, we finally finish up. Diego hasn't come in, so I put on my jacket and head outside to the parking lot to look for him. At this hour, between classes, the parking lot is nearly empty. It doesn't take me long to see that Diego isn't here. But Divya Gupta is, sitting cross-legged on a bench, hunched over a book that sits open on her lap.
“Hey, Divya, can I wait with you?”
Divya looks up and smiles. “Sure. My mom's coming to get me, but she's running late. Says traffic is really bad.”
A sense of relief floods through me. If traffic is bad, that's most likely the reason Diego's late. He's also scrupulous about not texting and driving.
“I'm guessing my friend is stuck in the same traffic,” I remark ruefully.
“Is your friend picking you up?”
“Yeah. We're going to go to lunch together.”
“What about your husband?”
“He's away until this evening.”
Divya turns her face toward me, propping her cheek up in her hand. “How long until you have the baby?”
“Oh, not more than a few more weeks.”
“Is it gonna hurt?”
“It will probably hurt some,” I answer honestly. “But there are a lot of ways to ease the pain. One of the advantages to living nowadays.”
“...It's a girl, right? Your baby?”
“That's right. We're going to name her River Skye.”
“That's a pretty name. My grandma says she can't understand why anyone wants to know if the baby is a boy or a girl before it's born. She says it spoils the surprise.”
I chuckle. “My husband's father says it's like opening your Christmas presents before Christmas.”
Divya laughs, then turns her eyes back to the parking lot. “Oh, I think your friend might be here.”
I look up to see a figure crossing the parking lot—and immediately I feel my veins turn to ice. The figure coming toward me is not Diego. She is not a friend. But I know her. I haven't seen her in years. She looks different now, her long dark braid replaced with a stylishly layered cut, and a combination of skintight jeans and a leather jacket taking the place of her high-tech military uniform. But I know her. Familiarity is a deep, bubbling dread in my gut. She smiles.
“Hey, Alodia,” Fiddler purrs.
“...Jeanine.” I'm surprised that my voice doesn't quiver. I speak to her with measured calm. “I wasn't expecting you. I thought Diego was picking me up.”
“He's going to meet us,” she says simply. “We should get going. Don't want to keep him waiting.”
“Not until Divya's mom gets here. I can't leave her waiting by herself.”
“It's okay, Miss Alodia. I'll be all right.”
“No, Divya,” I reply firmly. “I'm your teacher, and until your mom gets here, I'm responsible for you.”
“Oh, it's no skin off my nose,” Fiddler assures her cheerfully, though I'm pretty sure that's bullshit.
We lapse into a tense silence as I draw in a slow, calming breath. I don't know what Fiddler wants. But she's here and Diego isn't, and that's enough to let me know that something is very wrong in this situation. I search for Varyyn's presence in my mind. If I can find a memory close to the surface of his mind, I can slip into it and speak to him directly, the way I did so many years ago at the Vaanti tribunal.
I can feel right away that he is distressed. Even panicked. The most prominent memories are extremely recent and disjointed, but what I can pick up on puts together an increasingly alarming picture:
A phone call. Diego is...sick? Injured? A frantic rush to the hospital. But Diego isn't there. No one can tell him where his love is.
I find a place to plant my psychic projection, in the lobby of the hospital that Varyyn left in tears only moments ago. But in this moment, he is arguing with the receptionist, his fear and distress rising with every word.
“Varyyn!”
He turns to face me. The receptionist, as well as the rest of the hospital lobby's faceless population, continue with what they were doing, going through their motions like recycled animation.
“Alodia! I cannot find Diego! They told me he collapsed at the school, that he was taken to a hospital...”
“I'm pretty sure whoever told you that was lying. Fiddler is alive, and she's here with me.” I hold out my hand to him. “Keep your mind linked with mine, and don't forget anything that is said, do you understand?”
Varyyn, reading between the lines, nods and grasps my hand, his panic quickly replaced with grim determination. With our minds linked, I return to my own consciousness.
“Bye, Miss Alodia!” Divya calls as she trots over to her mother's car.
“Good-bye, Divya,” I manage to call back. “I'll see you next class.” The car pulls away from the curb, and I am left alone with Fiddler.
“So. Are you going to come quietly?”
“Where is Diego?” I hiss.
“Safe. For now. Whether he stays that way depends entirely on you.” She grasps my upper arm, and gives me a subtle but firm tug. “Come with me.”
I go where she's leading me. I'm walking straight into danger, but I don't have any choice. She has Diego. I can't leave him, and in my current condition, I can't fight her. I have to place my trust in Varyyn.
“If you harm a single hair on his head, you're a dead woman, Jeanine. That's a promise.”
“Listen, sweetie. I would love to cut your throat right here. Take out Wolf's skinny blonde hussy and his grubby little brat in one go. But someone's got a lot of stake your crotchfruit, and I've got a good take coming to me if I bring you and it in whole and healthy. But if I can't kill you right now, you'd better believe I'll take a lot of pleasure in breaking you by hurting your little gay puppy in front of you. Now, I don't have to do that if you don't give me trouble. But ask yourself this: how loosely do you think I'll define 'trouble' if it gives me an excuse to watch you suffer?”
I don't have to fake the way my breath quickens at her implications, even if the submission in the way I lower my eyes is a complete lie.
“...I won't make trouble.”
“Good girl.”
She's led me around the back of the building, to a driveway that is rarely used, except by savvy local drivers who know it can be used to illegally avoid a long traffic light about a block away. There is an ambulance parked dead center of the driveway, blocking potential traffic from both ends.
“Now, from here on out, I can't allow you to have any contact with your blue freak friend. Don't worry. This won't hurt your precious cargo. But it is gonna hurt like hell.”
Before I can respond, the palm of her free hand slaps against the back of my neck. Searing pain floods my senses, and then I drop into darkness.
Caleb
Okay, so I may have gotten in a little over my head when I helped the kids run away from their foster homes. I'm not exactly equipped to take care of them, and I don't really know where to send them. The clocktower isn't safe anymore. I doubt this place is going to be safe for long, either. Plus, I'm not exactly thrilled about hiding out in the same place Silas Prescott held me captive. But at least for now, the kids are out of the cold. The first night, I went digging through a few charity basements and came up with enough blankets to keep them comfortable, and I got enough money to feed them for a little while, but it won't last indefinitely. I just gotta hope Tahira will have some kind of plan. I just gotta trust her.
The silence is awkward as the six of us sit on the floor, stuffing our faces with McDermott's. Ysabel and the younger boys got kiddie meals, with the prize inside being action figures from some popular cartoon. I kinda gotta wonder how long it'll be before they start making action figures of Dragonness and her team.
“I miss Zelda!” RJ announces.
“She's safe. Minuet's taking care of her.”
“Yeah, I know, but I still miss her.”
“I don't like it here,” Alex whimpers. “It's cold and scary.”
“Hey, look. It's not gonna be for long. Our friend Tahira is coming. Remember her? She'll know how to help.”
“How do you know?”
“Because, she's really smart and she's Grayson Prescott's girlfriend. Grayson Prescott basically owns this city.”
“It's his dad who owns the city, not Grayson,” Dylan mutters.
“His dad's in jail,” Ysa points out.
“Well, he's not actually in jail,” I correct her. “He's under house arrest.”
“What's that mean?”
“It's like being in jail, except he just has to stay in his house.”
She wrinkles her nose with obvious distaste. “That doesn't really sound like a punishment.”
“Maybe not, but it still means that Grayson's in charge now, so he can help us.”
RJ frowns. “If Grayson's the one who's gonna help us, why did you call his girlfriend?”
“...Eat your fucking chicken nuggets.”
“Don't swear at my brother!” Dylan snaps. I sigh, rubbing my hands over my face. Where the flying fuck is Tahira? Finally, my burner phone buzzes in my pocket, and when I pull it out, I see Tahira's number flashing across the screen. I answer.
“Tahira? Where are you?”
“Caleb...hall...the...hall we escaped from...Hurry...”
Okay...that doesn't sound good at all. Alarm bells are going off in my head like there's a fucking air raid. I quit the call.
“You kids wait here. I'll be right back.”
I take off for the corridor at a run. I'm not sure what I was expecting to find there, but I was right about it not being good. The hall is pretty dimly lit, but I can still make out the figure that is unmistakeably Tahira slumped on the floor against the wall, and the smell of blood is sickeningly strong.
“Shit, shit, shit!” I rush to drop to my knees at her side. “Tahira, where are you hurt? Lemme see...”
Her eyes flutter and she nods weakly downward. Her hands are pressed to the lower right side of her abdomen, where I can see blood pooling between her fingers.
“Think...I'm gonna need you...to be the hero...this time...”
Jake
I mostly leave Sean and Michelle alone. They're still on their honeymoon, and I didn't come here to be the third wheel. I grab myself a beer from the minifridge belowdecks and head back to the bridge to keep an eye on our progress. It's about an hour into our sail that my phone starts to ring. The sound makes my pulse spike, and when I see that it's Varyyn calling, that only makes me more anxious. My first thought is naturally of my pregnant wife, and the possibilty that she's gone into labor while I'm miles away in the middle of the Caribbean Sea. I snatch up my phone.
“Varyyn? What is it? Is it Alodia? Is she in labor?”
“...No...” Varyyn's voice is quivering. “I'm afraid it's worse than that, Jake. ...She and Diego have been abducted. By Fiddler.”
All the blood rushes out of my head. I actually feel myself fall to my knees as my vision tunnels.
“...No...no, God, please. Please, no...”
“Alodia linked her mind with mine just before she was taken, but then...Fiddler did something, and now I cannot reach her.”
I taste bile at the back of my throat. I can't breathe. This can't be happening. “Wh-what does that mean?!” I choke out. “Is she dead?! Did Fiddler kill her?!”
“No. I don't think so. I can almost feel her presence still, but...it's as if there has been a wall put up between our minds. I cannot speak to her, I cannot see where she is.”
“Fuck...Okay.” I shake my head hard, trying to clear it. I can't help Alodia by panicking. “Okay, Varyyn, listen. I need you to call my sister. She'll know where to start. I'm gonna make sure Mike and I got a plane on the tarmac soon as I get back to Santo Domingo 'cause no way am I waiting around for a commercial flight.”
“Yes. Yes, of course. I will call Rebecca.”
I don't wait for him to say goodbye before I hang up the phone and climb unsteadily to my feet. Jesus, where the hell did my sealegs go? I still feel dizzy and breathless, and my stomach is threatening to rebel, but I force all that to the back of my mind. How I feel doesn't matter right now. Alodia is all that matters.
“Sean!” I call as I stumble toward the staircase that leads to the lower deck. “Michelle! We got a problem--”
I feel myself stumble and I stagger against the side just as my phone starts to ring again. Mike this time. I answer.
“Mike, we have a problem...” My tongue is starting to feel heavy. It shouldn't be feeling heavy. I've only had one beer.
“Jake!” Mike's voice comes through the speaker as a harsh whisper. “G.Q.! Bingo! Find another port!”
“Mike, Jeanine's alive. She has my wife.”
“Just promise me! Don't come back to Santo Domingo, Jake! Promise—ungh!”
“Mike?!” Only the distant sounds of something shuffling answer me. “Mike, buddy, say something!”
There's another moment of silence. Then another voice comes through the speaker. “Hello, Wolf.”
My blood goes cold in my veins. “...Lundgren...?”
“Surprised? You should know I'm not gonna die while you and Mouse are alive. How ya feeling, anyway? Dizzy? Hazy?”
I grasp the side of the boat, struggling to pull myself up, but my legs seems to be made of rubber. My vision is blurring, the horizon doubling before my eyes.
“Wha...what's...?” I feel the phone slip from my grasp as I slump back to the deck, trying to gather my scattered thoughts. Michelle...Sean...where are they...? Alodia's in trouble...Diego...Mike...I have to...
There's a figure approaching. An unfamiliar figure in an Arachnid uniform. The last thing I am aware of is a man's tenor voice: “We're just about done here, Commander. The wolf's going under. Sit tight. You'll have your prize soon.”
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