#and personally i think they should have committed to it

[ninyard]

Heyy! You said someone should ask you about Kevin under this post about Kevin's struggles from the nest of which we don't know enough... So I'm asking you about Kevin! Please tell us your Kevin thoughts! You always make very good points and I like reading your thoughts!!

cody my friend I am so glad you asked but you might regret it. i hope you're prepared from an unorganised huge convoluted MESS of a ramble

i've been thinking for a few days about this one like... what would a kevin POV look like? what is he hiding? how does he cope? WHO IS HE?

the kevin we ""know"" is a "coward", an insufferable bitch, an asshole and a hardass. other people's opinions and view of him makes up the entirety of our impression of who he is. but that's not who he is. that's just who we're supposed to believe he is.

kevin, born and bred to have this... borderline psychopathic lack of empathy, who can look his teammates in the eye after being told seth is dead or andrew is being committed and say, "what about the game?"

but when the raven's are switching districts; his sense of danger and fear is paralysing. he's three steps ahead trying to figure out how to please riko, how to keep himself safe, willing to put himself back into the centre of his abuse just to stop riko from finding him and killing him. he has to get blackout drunk to deal with any amount of riko. he's frozen with fear by being in the same room as him.

kevin knows where jean's mind and body goes to when hes panicking, knowing his worst place is right back in the nest being drowned by riko. kevin telling neil "do you know what he'll do to you?" and "he'll break you" when neil asks for his ticket. kevin's text to him before he goes into the nest, and staring at neil like he'd seen a ghost when neil returns after the nest (when he looks like the butcher). his comforting "i know what he's like" or "i know how he sees you, i know it means he did not hold back,".

kevin nervous breakdown panic attack day vs kevin smile for the cameras one track exy mind day

im so intrigued by him. how does he cope? his mother is dead, probably killed by the mafia family he was raised by. he grew up into a cult, he was only a child watching neil's father cut a man into pieces in front of him. how many other's had he seen?

how many other injuries cover his body, in places where the cameras can't see? how many rapes and assaults was he forced to watch in the nest? how many beatings was he forced to participate in? what did he have to say to jean in french that he didn't want riko to hear?

he needs someone with him all the time because of the nest. he's a "health freak" because of the nest. his sleep schedule, his anger, his anxiety.

did he say "what about the season?" re: andrew after drake because he doesn't care, or did he think "i've seen this happen too many times. and they've always kept playing,"? did he think "andrew is the strongest person i know. andrew is stronger than me. he would never let this destroy him," knowing that it has?

nobody has protected him in his life apart from the cameras and andrew.

he's scared. he doesn't know what love is supposed to look like.

he's only been a human for a year.

his scars are healing for the first time in his life and they're not being replaced by new ones, but every day he's afraid that that's going to get ripped out from underneath him. his entire life already got flipped upside down when he left the nest. of course exy is the only thing he "cares" about.

because it's the only thing that's been certain in his life, and even for those few weeks or months where he thought he would never play again, he trained and trained, and learned how to use his non-dominant hand because he can't lose this. he can't lose exy like he's lost everything else.

kevin has never had anything stable in his life except for violence and exy. now he has people he's supposed to care about, and he has to change his priorities. he has to learn how live a life that isn't fueled by self-preservation for the first time ever.

jean was only in the nest for five years; and look at him. look at what the nest has done to his social skills, his view of himself, his self esteem. look at what it's done to him, how he expects violence and contrition, coach and always waiting and waiting and waiting for the punishment to come.

kevin might not have had the same level of physical abuse that jean had, but he was there far longer. the ravens existed before him; their mindset and their abuse and their violence and their poison.

he's been drinking the raven poison since his childhood. the only difference between him and jean other than those things above is that kevin had more pressure to hide it, because he was half of the face of the ravens, half of the face of Exy; media trained or PR trained or a master at being a fraud and faking the way he speaks when he's being recorded.

kevin knows how to hide his abuse because he has always had to, and he's had quite a lot of practice at it.

kevin has only been a human for a year. kevin has only been kevin for a year.

so who is he? does he even know?

or is he just Kevin Day, Raven Fox starting striker, number two, six foot two, left handed right handed left handed, heavy racquet, stick size five? is that all he will ever see himself as?

anyways. or something like that. maybe he is just an insufferable bitch for no reason at all. who knows!

[sweetismyaddiction]

Part 1 | Part 2 | Part 3 | Part 4 | Fic masterlist | Masterlist

SUCROSE

Paring: Spencer Reid x Fem!Reader

Summary: Spencer gets courage to tell what he truly feels (They live in the same building, in the same corridor, just in front of one another… which helps the friendship but couldn't stop Dr. Reid from falling in love)

Word account: 1271

Warnings: Fluff, friends to lovers, anxiety, 

A/N: English is not my first language. Reblog, like, and comment. I am accepting suggestions for the next parts. Please be nice. The Gif is not mine. Credits to the oner

Chapter 4: Declaration

Spencer’s Point of View

As soon as we are back to the job, it seems that the only thing people know to talk about is her.

I am glad they liked her. It is a good thing. But I can't help that little jealousy lingering in my stomach.

One of the things that makes everything worse is the fact that right now, I am in the jet with the team, going for a case away from her, away from my most sweet Sugar, that I daydream about actually tasting.

“So, that girl… she is marriage material.”

“Rossi is the one to know. He has ben married so many times”

Morgan chuckles at his own joke.

“Which makes me an expert, I recognize marriage material when I see it. And that girl…”

“Rossi is right, she is the type to commit.”

Why is Hotch interfering? He usually separates personal involvement and work place.

“Can we stop talking about it?”

“Reid, if you don’t step on, make a move… you may lose the chance. A woman does not wait forever.”

“Why is everybody getting so involved in my personal life?”

“Because you don’t have much of a personal life.”

“I have so much not one of you knew about her until I introduced her and she has been my friend for years.”

“Do you want to be her friend, or do you wish to be more?”

“If you feel insecure, just let me remind this genius brain that she proudly said you are friends and affirmed that she does love you, and that she felt no shame admitting it.”

“It amuse us that you ain’t a couple yet.”

—-----------------------------------

The conversation keeps repeating in my head, and I should take the risk, she deserves to know about my feelings… I don’t want to ruin our friendship… we could be more, I wish to be more… be breve Spencer, she never will be mean to you, there is no reason to be afraid. I will write a letter and hope for the answer.

—-----------------------------------

Dear Sugar

"In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you." - Jane Austen, from "Pride and Prejudice"

As much information as my mind can contain, nothing seems enough to describe my feelings for you. I am aware of your taste for Austin, I even consider receding her books to you but I fear my mouth will betray me, that my feelings will take over and my nerves will stop me from doing what I so much want to.

I will not be able to tell you all the thoughts that run in my imagination when I think of you. You. My Sugar. Not truly mine, but I strongly wish for that to become true.

Sugar, I am yours, I am all yours, body, soul, mind, beliefs… I pray that, if there is a haven for me to be blessed with your presence, because you are my paradise. You are my love. My muse. And so much more

"Love is the poetry of the senses." - Honoré de Balzac

You awakened me, I didn’t know the world could be so cozy, that being alive could be so wonderful, until we met. A rainy day, that a stranger just took under my umbrella. Change all, that simple act, that smile, the bad jokes… the more I know you, the more I want.

You are something I never thought to get in my life, cause I didn’t even know it existed, they don’t talk about it, they don’t write about it, they don’t paint it. They try, as I am doing right now. And we all fail, cause it is impossible to describe. I didn’t believe in the impossible until I met you.

"Love is an irresistible desire to be irresistibly desired." - Robert Frost

I wish for you to want me too, for my Sugar to love her Sugarpout. 

I may not have much to offer you, but I offer all I have, I give you all I have. I donate all my being for you.

"Love is that condition in which the happiness of another person is essential to your own." - Robert A. Heinlein

I wish for you to be happy, even if I am not your happiness.

I would never interfere with your well being, all I wish is the best for you.

I love you.

Love you so much.

If you ask, I am out of your life, even if that is not what I want.

As much as I want for you to be mine as I am yours.

What I truly, dearly and onest want and wish for is for your safety and happiness.

"Love is not just a feeling; it is a calling, a force that can transform and redeem even the most broken of souls. It is the fire that burns within us, the light that guides us through the darkest of nights. Love is the eternal thread that weaves together the tapestry of our existence." - Fyodor Dostoevsky, from "The Brothers Karamazov"

Infinity yours, Sugarpout.

"Love is the joy of the good, the wonder of the wise, the amazement of the gods." - Plato

—------------------------------

I sent the letter to her, and my heart sinks in my chest, anxiety runs to all my cells. The air seems not to get to my lungs, I can only imagine her.

Hope for a positive answer.

Hope she understands my feelings.

Hope she won't leave me.

—------------------------------------

Y/N’s Point of view

My eyes couldn’t believe it.

My heart skipped beats,and then it has never beaten faster.

It is a love letter.

Sugarpout wrote me a lover letter.

I am excited, happy… there are so many emotion.

I am knocking at his door. And I can not restrain myself, just using my key and open it, searching for my love.

As soon as my eyes land on him, is like if the sun is kissing me. I hold his letter in one hand, and my letter in the other.

He is looking at me, expectant, anxious.

I rise my piece of paper, that contain just a phrase, well… two phrases.

—------------------------------

I LOVE YOU

Ps: Yes, I want to be your girlfriend.

—------------------------------

He is also smiling, looking my letter that practically covers my face, with a gentle touch he takes the paper from my hands.

“I know I could have written something better, but after… I was just so anxious. I love you Spencer Walter Reid. I love you Sugarpout. My Sugarpout”

“I love you. Deep. Infinity. Just as gravity binds celestial bodies together, love intertwines souls in an invisible cosmic dance. And I hope to dance with you in the infinity and beyond that"

“May I touch you?”

“Yes.” Hands on my back, as I hug him back, letting my hand touch his soft hair. “May I kiss you?”

“Yes.”

His lips find mine.

It is as if life itself had touched me for the first time. Like the gentle brush of a bee against a flower, a love kiss, the delicate touch of life awakening. The electric current surges through our veins, igniting our souls with a spark of divine connection. In that fleeting moment, lips meet, and the universe holds its breath, as if time itself bows to the sacredness of this intimate union. It is the whisper of eternity, the language of the heart, speaking volumes in a single embrace. A love kiss, like the touch of life, breathes vitality into our existence, reminding us that in the realm of love, we are truly alive.

--------------------------

A/N: This is the end of my first fic. Hope you enjoyed reading it. Maybe I will do more fics... let's see what happens.

---------------------------------------------------------

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Tag List: @mikitsuki

[scintillyyy]

☕️ on good and bad jobs for Dick Grayson

ooooh fun. i'll say something controversial on bats and jobs in general & that's that i think that the focus on what jobs would be good for them have a tendency to focus on like. full-time Good Respectable careers as potential jobs for them (& i think it stems mainly from bruce being a CEO & people thinking that the batkids should follow suit to maintain a civilian persona or w/e). and the truth is that they're all rich af and nobody is checking for whether the 'wayne kids' are gainfully employed, so there's no need for them to ever pursue. careers. on account of it would probably get in the way of their more important job. (also, there's something about the careers usually chosen for them that implies. well, nobody is ever choosing retail worker for them for some reason despite the fact they have the means to pursue literally anything & not struggle for it).

i'll start with good:

so all & all i think a good job for dick is one where he can connect with the public & forge community bonds. that being said, i am drawn to part-time work such as bartending or being a gymmastics coach (which i believe he's canonically done both of those) as the ultimate best jobs for him as they're generally low commitment, low stakes ways for him to get that involvement with his local community.

we could also lean into his love for math & make him an accountant, but like one who does a ton of pro-bono work and focuses in on helping his local community with retirement planning & taxes (little bit too high stress & busy, especially around tax season, for my taste but dick does like to make his life hard so.). or like. economist or health economist? maybe someone who is contracted to help cities with budget stuff.

if he does work a municipal job of some sort--any sort of seasonal recreational job would be best for him over anything else imo. let him be a lifeguard or something. again, none of them can commit to the hours needed to work full time for the city, but taking a job that would promote good in the city (being able to keep pools open for kids) would be a good, relaxing thing for him. i'm sure he'd appreciate being able to save kids from drowning, too. or a city planner. that sounds fun for him for some reason.

bad jobs:

listen, as much as i actually do like the cop job for dick, not in a he's there to reform the police department like dixon tried way, but in a 'i like when dick makes decisions that are fundamentally a bad idea for him that will eventually blow up in his face' way. cop is a terrible choice for dick lbr.

any flavor of paramedic/emt/firefighter. god, i think i've told you this before, but i genuinely think this is the worst possible job for any of them. ever. especially dick. don't be fooled by media that shows only the heroics. this is a job where, while you do save people & that's very important, it's more about having to be okay with all of the people you can't save. of which there are a lot. this is a job that requires so much ability to dissociate from being called too late/failing/etc in order to go about your daily life, that none of them would be able to do it without constantly ruminating on the person who they tried & it was impossible to save them from the start. these are fantastic jobs to make dick hate himself, i'll give it that.

on a related note, physical therapist/any healthcare job in particular. trust me on the physical therapist. (seriously, though, it's another job where it's like. u have to be okay wuth the fact that you'll never be able to help everyone.) but really any healthcare job in general....like dick would do much better in a job where he can make tangible change in healthcare and how it works to make people's lives overall better over healthcare itself. u think dick is going to do well in a job where he has to cut off someone's rotator cuff repair treatment because insurance decided the person was done 3 months in. no. any healthcare job would demoralize him too much.

any sort of influencer/model/social media personality. it doesn't make sense.

aerialist trainer. listen this seems like it'd be good for him, but bad things tend to happen when he goes back to circus stuff. let him not be traumatized for once. (slightly joking)

spy. sorry. but spy.

[sideblogfornothing]

I don't think these people understand what censoring Israel feels like. It's like if people started censoring ch1n@ or Am*r1c@ or 1r*l@nd -_- ...do you see what I mean?

Imagine your just existing, than you see a post with 10k notes that has the name of your country censored, like imagine living you life knowing that outside of your country most people seem to hate you so much that they refuse to even write the name of your country.

Israel isn't an evil organization, it isn't a political party, it isn't a couple of cultists in a trenchcoat, committing genocide. It's a fucking county full of normal, human civilian people.

Hating Israelis, sending death threats to young Israeli people, sending r@pe threats, and telling Israeli kids to kill themselves, is bullshit. and you can't use "Zionist" as an excuse. Like imagine if I went up to random German children and called them evil "Nazi's." Like that's wrong! Thats straight up evil to accuse random kids of being apart of a genocidal political party that started in their country like 80 or so years ago. Or even right now, imagine if I accused random Palestine kids of being hamas. Like, משהו לא מסתדר

So, my point makes sense if you don't have an understanding of what a Zionist is. Like most of you. there are two definitions of Zionist, 1. A person who believes that Jews have a right to have a country of their own, because we can't exist in other countries, and everyone hates us no matter what. 2. A person who believes that Jews have a right to the land of Israel specifically.

A lot of Israelis are Zionists, but being a Zionist isn't really a bad thing. It's purely the belief that Jews should have a country.

And if you know any Jewish history at all, you would know that Jews do need a country for themselves. When we live in literally any other country, we aren't allowed to exist. No one wants us, so why be so mad that we have a tiny scrap of land?

Israel is tiny, you could drive from one end to the other within 6 hours. It's much smaller then a single us state. So why are people so content with not even letting us have this small scrap, that was originally half dessert and half swamp?

Palestinians have like 20 country's, we have one tiny sliver of land. Why are we made responsible for them?

Anyway, I know it might be hard to believe, but most Israelis hate the government. No one like them.

This post got a bit off track but eh who cares, people are gonna be mad regardless of how much I sugar coat stuff. People will send death threats even if the only thing on this post is the word Israel.

Anyway, it's Yom hatzmaut today, so fuck all of you. Unless your cool.

[not-poignant]

Hi! Big fan of your work and writing blog :) I have a question re: fanfic reception. I like writing fanfics about villains on the receiving end of noncon, and I sometimes get feedback that makes me feel weird and I dunno how to respond to it? It’s along the lines of "thanks for giving [character] the pain they deserve" "it’s good that you aren’t nice to [character] like those other fanfic writers". (Part 1…)

(Part 2…)I kind of feel like they’re complimenting my morals instead of my writing, but I also could be overreacting, because I mean it’s fine to seek out fics where a character you hate gets tortured? No hurry answering this, and thanks in advance if you do. I hope you’re doing alright on your break from UtB. I am using the time to reread and am loving it!

~

Hi anon!

Oh this is an interesting quandary to be in, because I'm certain at least some of those people are very much being moralistic about it.

Tbh when it's 'thanks for giving (character) the pain they deserve' you can probably ignore that if you want, because yeah, they might have revenge fantasies and find that very satisfying.

But when you get people going 'thanks for being mean / not nice to this character like other writers' - if you're the kind of person who responds to comments and feels uncomfortable when someone is using your space to shame other authors (because that's exactly what's happening) you can choose - if you want - to take the time to say 'I have no problems when people enjoy this character being hurt, however, I do not tolerate when folks shame other authors and readers for what they enjoy in fiction. Please don't compliment my fic by putting down other people, that's not what a compliment is' or something similar.

As soon as a reader brings in other people and shames them, that's absolutely when you can take a stand and see a clear issue.

I see this a lot for two different things:

Writing realistic kink, and so many readers being like 'omg thanks for writing realistic kink there's so much unrealistic trash on here' and these days I always make a point of saying 'oh thanks! but I write and love unrealistic trash too. This is a fictional site and no one should be expected to write realistic kink here!' It shuts people down amazingly fast. But also makes them realise that perhaps they just shouldn't be throwing stones when we're all in a very glass castle on AO3 lmao

Writing realistic trauma recovery, so like 'thanks for showing how awful and evil rape can be unlike those people who write it for fun' - now how I end up with these readers with my actual writing history, I don't know, but I take the same approach of like 'thanks BUT I LOVE writing rape as titillation! I enjoy both!'

You don't have to be as blunt as me, and you don't have to address it at all, but any reader who shames other authors or readers in your comment section can be addressed directly because it's just a shitty thing to do. And people don't say shit like that in public if they don't secretly hope that one of those people will see the comment and feel bad about what they like.

So yeah, with your first example, they could be feeling moralistic, or they could just want a revenge fantasy and really enjoy noncon! The second example is a clear cut example of shaming, or stepping on other people to pass you a compliment, and you're never ever over-reacting when that makes you feel uncomfortable, or makes you feel like it's not really a compliment. Because all it really is, is a version of: 'you passed my moral standards, thanks' and that's not actually a compliment at all. (Or like you say, it's complimenting your morals, it's like having a weird fandom policeman come by and glare at you and be like '....okay you're committing no crimes, as you were' and moving on. It's just weird).

Anyway *shakes hands for weird comments that shame other readers/authors in the form of a compliment* - I do think you're right to feel uncomfortable at least sometimes when this happens. It's up to you how you choose to address or not address it, but I will say personally that if you aren't going to address it in comments, maaaaybe consider deleting the ones that shame other readers/authors, so that when those people read your fics they don't feel alienated. It's obviously your choice! But just something to consider if you want to be curating your space. And best of luck writing all the noncon-villain fics! They can be a lot of fun :D

[papermonkeyism]

Poking at the dinosaur project thingy, this time with some production technicalities point of view.

Here be musings.

I originally thought of the project as a calendar, then a series of calendars that could be collected into an art book once enough art had been made for it, and at some point I thought of just skipping the calendar part and going straight for art books.

I've been going back and forth between those options multiple times over the years, and it's still kinda open. Like on one hand a simple calendar with just thirteen illustrations (twelve months plus cover) is the easiest and cheapest option, though pretty limited (what to do once the year presented in the calendar ends, and you still got unsold leftover stock?), and the other hand art books are big projects requiring lots of work, even more money, but be a lasting and very satisfying thing to have.

Maybe I should take a middle road and make a zine instead?

Maybe.

Though, this is where the shape of the actual project comes in.

I've always planned the project as having a slice of life style format, with little story and more focus in exploring the setting. Kinda just looking in and enjoying the view while you go. But I've noticed that keeping the "narration" as illustrations kinda keeps the immersion at arm's length too. While that is fine and dandy for a calendar where the space for any narrative would be very limited anyway, if I was going to do more with the setting, I kinda need something deeper. Even if the audience is fine just looking at pretty pictures, with ADHD it would be better to have something deeper to help keep me personally invested enough to actually plan, plot and produce the materials needed.

Should I make an actual story, with plot and stuff? Feels kinda unnecessary for a thing focusing on just illustrations, and I don't know if I really "click" with a text heavy picture book format. I kinda feel it would make comic as the best option, though that has its own downsides. I've always wanted to do full colour paintings of the dinosaurs, yet going comic it would have to simplify a lot and make it grayscale just to keep me sane. And, as someone who has done well over 250 pages of a long form comic, that's still a HUGE commitment I don't think I have the resources - mental, physical nor financial - to pull off.

I also kinda feel having a plot story would sort of detract from the "exploring the world" aspect and put more heavy focus on characters, which. Well, it's not *bad* exactly, just not quite what I want.

(Also I am aware the dinosaur clan I have has a kid character, and I don't want to make her the point of view character for the story. I have no interest doing a childrens' book. I mean, I am perfectly fine if kids do eventually end up liking my stuff, but I don't consider them my target audience. My target audience is me, an adult person in their later 30s, and a handful of nerds I consider friends and/or mutuals.)

Another option I've been toying with is kind of a double edged sword.

Those who got the Almost Real speculative evolution zine volume 5 got a bit of a taste of this, as I kinda tried it out there.

So... I've gone to pretty great lengths as a layperson to work in the setting of the project thingy. It's always bothered me when dinosaurs get just dumped into a story with no regards to when and where they actually lived, making for an anachronistic hodgepodge of what's popular forming into a mismatched fantasy setting, usually with throwing humans into the mix. I don't like that. I'm more interested in seeing the actual animals as they were, when they were and where they were, where the focus is in the dinosaurs themselves. Thus the limit to Two Medicine formation (with some of the surrounding areas included too, though still keeping to the same time period).

I do not want humans in my dinosaur stories. Period.

But what if...

So, imagine a research journal. There's a scientist visiting the clan of Singing People the project focuses on, with the mission of studying them, their life and their world. The book or zine or whatever could be a story of the dinosaur clan introducing themselves and their life to this person. An outsider point of view to excuse learning about them by them teaching this POV person how their world works. There could be some interaction and maybe interviews, and of course illustrations because you need to document your subjects after all.

Like, I'm kinda excited about the idea. It would let me get into the details I want to picture without getting too into the heads of the characters to limit the chances of artistic exploration. You gotta document the surroundings your study subjects live in after all! But you'd still get to know the characters because it's the job of the POV person to learn about them. Win win!

It's just that I don't want to put too much attention on this hypothetical scientist. Like I said before I don't want to mix my settings. The dinosaur project thingy's world IS Laramidia in the Campanian period of late Cretaceous, it's not meant to be a scifi setting, nor do I want to have any focus on any time travel.

Wonder if it would be possible to leave the scientist character vague enough to never actually get explained? They're just nameless outsider from undetermined time and place who's interviewing some dinosaurs. Maybe with some peronal opinions or musings but no anecdotes about their own life or themself. And whenever there's interactions between the scientist and any of the Singing People it just gets handwaved away. (Of course the Singing People are curious about them too, but that's not the point of the study so it just doesn't get documented or something?)

I don't know. Could that work?

[alatismeni-theitsa]

There are many things I will never forgive Rick Riordan for but the number 1 (one) thing I will always hold against him is how he treated WWII in the entire series.

To quote the PJO wiki, "[...] World War II, in the books, is described to be a huge fight between the children of Zeus and Poseidon on one side and the children of Hades on the other.

The events of World War II resulted in the pact of the Big Three, because their children were affecting the course of history too much. It was decided more demigod children would be dangerous for the mortal world."

Just. What the fuck. There are so many things that are wrong with this.

There is nothing that he can do to excuse or salvage this. He could rewrite the whole series, I don't give a fuck. This should not have happened in the first place.

I don't care if he wrote the first book in 2005, he was and still is a grown ass man with a high education from what I've read, he has no excuse. WWII has affected millions across the globe with the descendants of all too many families even having to deal with the generational trauma that came from that time period alone AND dealing with heavy deniers of the many atrocities and war crimes that were committed whilst their grandparents and great-grandparents are having hallucinations of all of their traumatic experiences (can you tell i'm speaking from experience?).

Ironically he holds (Ancient) Greece on such a high pedestal, calling it the birthplace of Western Civilisation (it isn't), and yet you can tell he obviously knows very little about the damn country whose culture he's been appropreating for almost two decades now. Making Hades the father of 3 (three) terrible war criminals in the war that, you know, Greece had been and still is greatly affected by to this day. Which is, you know, his fucking home. That he and all the other characters supposedly care about oh so much (I have so many bottled-up negative emotions about these books and absolutely no safe space to let them out, theitsa, you have no idea).

You may think I'm overreacting or taking this too seriously but I honestly couldn't care less. This is not a topic you can just joke about or treat light-heartedly. Yes, it was mentioned as an atrocity in the books, but it was still mainly treated as just "Hehe silly fight between gods! Secret History ooo!~".

Simply saying that WWII was bad is not enough, Rick, it's actually the bare minimum. You need to show it at the very least some respect by not undermining its consequences to simply "This is why we don't have kids anymore!". But you're obviously not ready to hear that yet. It still baffles me that his fans are just now discovering he is not the saint they thought he was. "How could he be a zionist ??" they all ask in unison, meanwhile the signs were all there since 2005 (at the very least).

Anyway, you don't have to answer this ask if you don't feel like it, I understand it can possibly be overwhelming. You're the first person I've seen that's actually not afraid to point out Rick's bullshit despite initially liking his books, and also the fact that you are a Greek educating people on actual Greek culture, so I felt safe sharing my thoughts with you. Thank you for your time! Καλές γιορτές! 💕

You're overreacting, especially when it comes to the World Wars! In ww2 1 in 10 Greeks died in the famine, and almost everyone I know had someone in their family executed or tortured by the Germans/Bulgarians/Italians triple occupation (not to mention getting hurt or killed in battle). These situations traumatized generations of Greeks, but Rick had the immense privilege of not considering this while writing! He treated the wars like they were play-dough for his little cutsy lore, he made our arch-enemies the children of our gods, and he can go to hell for this.

I am here for all the righteous Greek αλάτι, so if you have more thoughts, bring it on!

[starbuck]

the fact that they could have had Nacho fake-seduce Lalo to further gain his trust without changing ANYTHING plot-wise and they DIDN’T is the biggest missed opportunity i have ever seen and it’s gonna keep me up at night for years

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[worstloki]

Loki unable to secure a marriage because of unworkable socialisation and awkward ulterior motives 🤝 Sigyn unable to secure a marriage because people keep slipping up and snitching on themselves

[carnivalcarriondiscarded]

ah yes! the joys of executive dysfunction and something being Fundamentally Broken In Your Braincase!

[caffinatedstory]

I think that the sooner people embrace "boring" and "old people" hobbies or interests, the more fun the world around you can be.

Feeding the local birds and watching them from your window? Sure, at first they all look alike, but then you start to notice little difference and even personalities!

Stamp collection? Well sure... They are just tiny pieces of paper... But they're also little piece of artwork from (potentially) all over the world!

Gardening? Well sure it can be hard work, but it's rewarding to watch things grow. And you grow pretty things, useful things, tasty things or just plain weird things! Find your niche!

Life is so much more beautiful and fun if you decide to take an interest in the small wonders around you.

[abyssalzones]

you guys need to tell me if I ever go fully off the rails artistically. I won't change my actions or behavior but I should be informed about it

[roobylavender]

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today

[quietwingsinthesky]

that's why i'm always like :/ when the great crime of 'sam is rude to dean sometimes' is brought up like. idk, it reads to me as A) siblings are Like That And It's Literally Fine and B) that the stuff sam says glances off of dean cause he also Gets It, that sometimes sam's mouth runs ahead of his filter, that sam feels comfortable enough with dean that he is letting go of that rigid hold he usually keeps on it and being a bitch about things. and what counts to dean is never sam teasing him or being mean, what counts is what sam does, that he is gonna have dean's back when it counts.

[brookheimer]

……starting to think a lot of you do not know what the word empathetic means