#and she doesnt know

[hoshizoralone]

reflection

[letoilepourpre]

twitter liked this one

[buttercups-revenge]

The (un-fucking-hinged) conversation that Snow had with Haymitch REALLY puts Peeta’s hijacking (SPECIFICALLY against Katniss) into perspective. Snow could have hijacked him to hate the rebellion, or district 12 or even himself. But no, that old loser just HAD to finally prove to one of those district 12 boys that their girl didn’t really love them, JUST like his didn’t really love him. Was it a smart move to potentially have Peeta attack Katniss on sight? Yes. But more importantly, it allowed Snow to control Peeta in a way that let him live out his own fantasies about being unloved and having power over his girl.

[kendrysaneela]

Oh god. Oh no. I just realized. Helena thought Mark liked HER. She thought that because Mark liked Helly that meant Mark liked HER cause Helly is her. Helly is part of her. That’s why she called for Mark when Irving was pulling her toward the water. She thought Mark would save her. And now she has to rectify with the fact that Mark didn’t love or even like her. Their whole thing was only because Mark thought she was Helly. Mark doesn’t care about Helena at all. And she’s gotta deal with that in her head now. That’s another person in her life who doesn’t love her. And this time it’s even worse. Because he likes someone who IS HER! It’s her body! It’s her brain! But he still doesn’t love her. She’s still not loved. But another version is loved so much by three whole people they’re willing to sacrifice themselves!!!!! Helena is loved by no one. She even had to almost beg Milchick to save her. No one was coming to save her. Because they don’t love her they don’t even like her. They love Helly.

[stealingpotatoes]

I love your art! Do you think you will ever do more of the Owen and Anakin as good brothers?

thank you! i absolutely will and here's proof:

(commission info // tip jar!)

[neapenning]

First morning on the Express 🚂

[erros429]

MARCILLE'S DESPERATION FOR FALIN THE ENTIRE TIME. TO THE POINT OF NEEDING TO BE HELD BACK SO SHE DOESN'T RUSH IN AND GET HERSELF KILLED. THINKING THAT FALIN, HER FALIN WOULD NEVER HURT HER. GOD.

THEN DEFENDING HER DURING AND AFTER FALIN IS MERCILESSLY KILLING PEOPLE IN FRONT OF THEM AND BEGGING THEM NOT TO KILL HER. GOD. SAPPHICS PORTRAY DEVOTION LIKE NO OTHER

[datcravat]

have you ever seen a woman so beautiful you started crying

[tumatawa]

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[chloesimaginationthings]

FNAF movie Vanessa wants to meet Glamrock Bonnie..

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[pisstorymuseum]

rare fiddauthor happiness moment

[foxx-queen]

as much as I get why lucanis is positioned as the one needed to kill ghilan'nain as the mage killer etc, I can't help but feel like it should've been davrin

like. there's something about the dalish elf with andruil's vallaslin, a grey warden, a monster hunter, hunting down the mother of all monsters, who creates monstrosities with the blight, who was once andruil's beloved.

ghilan'nain created the halla. she still cares for the halla, despite what she's become, despite being unable to create them anymore. davrin cared for the halla under his uncle's tutelage. assan cares for and nurses a sick and dying halla. assan, who's name means arrow in elven, when andruil's weapon was a bow, who's hunting instincts give way to something more protective.

davrin was taught the way of the three trees. it was created by andruil. andruil, the goddess of the hunt, also known as the goddess of sacrifice. davrin feels like a weapon sharpened to make that final sacrifice against the blight, a tool that once drove andruil mad, and has twisted ghilan'nain into something unrecognisable. andruil, blood and force, who loved a mortal for her creations and raised her to godhood.

would ghilan'nain see andruil in him? would that offer something more to her character than just oh she's evil?

the dalish tell a legend of ghilan'nain and a hunter who bested her. maybe it was a prophecy instead.

[nekovale]

So, this thing happened because in the same day I discovered that: - Chuuya's voice actor is Granrodeo's singer - Chuuya used to call Dazai "Osamu" when they were younger and Dazai wrote down and hid this in a time capsule I took it well

[blondie-drawings]

(Worf voice) SLAY