Some of @render-me-usless' Fav Fics!
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Where to Search for Snow by suburbanmotel
(1/1 I 8,954 I Mature I Sterek)
Stiles and his Gigantic Repressed Feelings accidentally affect the weather. A lot. Like. A lot.
//
“It’s snowing, Stiles,” says Derek.
Stiles looks up. He nods. “Yeah. Yeah it is.”
Derek looks at him. “It’s snowing, Stiles. In your bedroom.”
Stiles and the Seven Wolves by SylvieW
(1/1 I 10,421 I Teen I Sterek)
Stiles is Snow White, Kate is the Evil Queen, and when Chris the Huntsman doesn't kill him, he runs off to live with seven werewolves.
Somewhere to Start by Lissadiane
(1/1 I 33,552 I Teen I Sterek)
Stiles has always known that he isn't quite human - the plant life that tends to sprout around him whenever he gets upset or excited gives it away. He's never really fit in among the regular people in Beacon Hills and is determined to wait it out, go to college, and find somewhere to belong. He's forced to abandon those plans, however, after he desperately agrees to enter into an arranged marriage to save his father's life.
An arranged marriage with an angry, sometimes furry dude with trust issues. It's all very Beauty and the Beast, without the singing candlesticks.
Waiting by isthatbloodonhisshirt (wasterella)
(2/2 I 81,018 I Teen I Sterek)
Not wanting to think on it too much, Stiles took a step forward and passed his hand between the bars, moving the bleeding side closer to Derek’s mouth.
“Not too close, he bites.”
Stiles snatched his hand away just as Derek had been about to lick at it. The snarl he got in response was not comforting.
“He what?” Stiles asked nervously, turning to Deaton.
The man looked a little amused. “Don’t worry, only if he doesn’t like you.”
“Well, he probably hates me, now!” Stiles insisted, turning back to Derek.
He looked extremely displeased.
Three Marks by sanam
(8/8 I 113,736 I Mature I Sterek)
"And then there was pain again, but this time it was in only three places—his arm, below his clavicle, and next to his heart, all on the left side. It felt like the skin was being sliced apart, ripped open, flayed off—
And suddenly it was done.
Derek looked across the room and saw the boy on the floor, looking about as bad as Derek felt."
Derek and Stiles learn that bonding is probably best done with ridiculous amounts of video games and maybe a little bit of time.
A Desperate Arrangement by mikkimouse
(25/25 I 115,506 I Explicit I Sterek)
"I'm sorry, I believe there's something wrong with my hearing," Stiles said. "Because I could have sworn you just told me you set up a betrothal agreement with the Hales. A betrothal agreement involving me. Me."
Scott smiled his easygoing smile and nodded, which told Stiles no, he hadn't misheard a damn thing.
After seven years of lengthy negotiations, the treaty between the Hales and the Argents has fallen apart and the two countries fell into war.
Months later, there's an uneasy truce, thanks to the intervention of King Scott McCall, but it won't last. In a desperate attempt to maintain the peace, the Hales sign a treaty with the McCalls to marry Prince Derek to Prince Stiles Stilinski, King Scott's brother.
In the history of the world, there have been many better ideas.
Black and Blue by charlotteinlace
(50/50 I 209,549 I Explicit I Sterek)
Stiles knows what he should be doing, finding a good Dom and seeing a few dozen therapists. But that shit can wait, right now he's got a gang to infiltrate and a murderer to find. A murderer who killed his father.
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kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.
and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.
and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?
hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.
it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh
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Rafayel is not queer coded because he has (supposedly) feminine aspects to his demeanor and personality and face, he's queer coded (to my burdeningly biggest bulging noggin) (and/or at least a good allegory for queer people or ig certain other minorities i don't know enough about to go on as much about) for having always been about breaking free (or trying) of rigid boundaries and passionately exploring the new even if it's forbidden (the sea's surface, land, the red of the blood of his beloved people mixed in the sea, MC)
one of few who's faced identity-centric pressures even higher than most already do (as a born god whose red strings of fate and love were meant to become puppet strings for a "follower" he once thought would simply be a bride)
and he's disliked the shallowness of humanity even when he's been forced to assimilate and after he's gone through such lengths to understand it in theory
and, you know, sea creatures have a higher tendency to be fluid (badumtss) about "gender", or even when some have binary-centric roles it can be in a way dissimilar to most humans', and queer people of all sorts have always been mistaken as inhuman and monstrous
and Lemuria is literally described as a place more centric on love and freedom
and he accepts change, but would never truly change only for others, as even with a few facades he is overall all about authenticity even with the sometimes smallest things (paint, loving MC not just because of the lost history but the present he does acknowledge as more important) even whenever it's more inconvenient or downright dangerous or makes others have trouble liking him.
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overall i think i enjoy the multiple protag au stuff even if it's making me go back and forth on some of my preferred worldstate choices.
however, it also kind of makes that decision for me in some areas i think?
in general, the characters i've ran so far & have been the loudest in my head, don't neglect that part lmfao have tended to stray more to the side of letting shadowheart's parents die in her personal quest. she's ended up leaving shar each time, yeah, but that's been consistent. with haelryne, she felt so weird about overstepping like that. her personal relationship with her parents is... pretty fine? but as a general rule i think she's someone who leans towards a more hands-off approach with everyone's choices. yes, she's got opinions & will voice them if appropriate, but she's acutely aware that it's Not her or her life & she doesn't entirely trust that she can have some of those opinions with her context as an outsider. she's not part of that family, how is she supposed to form a rebuttal when they ask shadowheart to let them die?
velrith is kind of the same, except oh my God the choice paralysis in this moment. absolutely insane. because up until then she's been relying heavily on her oath & if not that, pure pragmatism. usually a combination of the two. but this feels like a no-win situation to her & it's not one that's covered by either of her typical decision-making mechanisms. she's also personally just got a lot of baggage surrounding family, despite not remembering it actively or being aware of it (something about cell memory or stains on the soul, take your pick). she also feels deeply out of her element here & can't even begin wrapping her head around a choice like this. because letting the die for the sake of freeing her friend from shar makes sense to her! they're telling shadowheart to do it & it seems to come from a place of love, she can see that her mother is actively deteriorating, and it also takes care of that wound on her hand. but she doubts herself, because she can also see how emotionally taxing this is even if she lacks that frame of personal reference & that feels bad. maybe the logical choice on paper isn't actually What she should allow here, even if it seems to be better on an individual level...? she killed her parents, even if it was compelled out of her. she doesn't think this should be up to her & ultimately finds that she's unable to say anything at all.
and then tertiary to all that, you have ashlanna, who is Fully acting on a selfish impulse when she's like '??? are you serious? get them Down we can solve your hand later, i refuse to believe there isn't a loophole & it's not worth letting them go after everything in your life you've suffered.' like. she loves shadowheart & yes she is notably vain & selfish and doesn't apologize for this, but she's also surprisingly family-oriented. she loves her own father so damn much & wouldn't hesitate or feel the need to ask the audience if she were in shadowheart's position. it seems like a no-brainer & i honestly can't see her being able to keep quiet while this conversation was happening. unlike the others, she's not hung up on making choices for other people; she runs theatrical productions on a regular basis. if she's not in charge, she's probably incapacitated because other people simply Cannot get anything right, not without heavy guidance from her anyway. which absolutely Can get annoying at times & i think there's probably also a part of shadowheart that's even miffed in the moment but also like. thank god for Someone at least feeling an appropriate amount of 'what the Fuck?' towards the whole thing & sure yeah maybe she's smug about what she did but it's coming from a loving place.
so i think yeah this is definitely something that changes wildly depending on who's there. sometimes you need your unhinged theatre girlfriend to cut you off mid-sentence to shake you out of your emotional ruminating, consequences of your actions be damned.
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