oh, i am so enamored with the way the lesson of the velveteen rabbit rings true in our modern life. i love that we name our spaceships and write love poems to old buildings. i love that we all cried about the mars rover, that we made her so real that she was no longer a machine but a friend, a companion, a hero.
i love that we become attached to certain mugs, spoons, mason jars. that we develop a strange protective love-hate of our tablets, that we feel weirdly reverent about our new notebook. we name our cars silly things like the crab shack and call our favorite whisk attachment the one great destroyer.
there's a dog statue at my local park that has a golden back and golden head from how often people have pet it. at my college campus, people love an ugly little pointless sculpture we call bacon pants or bacon legs. we assign personalities to fountains, parks, laptops.
i love that our basic instinct is to include others in our community, even where there isn't a real community to speak of. that we love things, even when they cannot physically love us back - for us, the exchange isn't what's important. we give our heart to things so entirely that the thing begins to, in its own way, have its own heart.
the last transmission from the mars rover was not words; it was data. nevertheless, someone translated for her. my battery is low and it's getting dark. they made her last words a poem. they looked at data and saw a soul, a divine spark.
i keep thinking about the first AI born truly free-thinking. i keep thinking about the way scientists and artists talk about their work. how their eyes light up and their hands start moving, how even when they're flat broke and confused and the coding isn't working - there's this love of the thing. i keep thinking that whatever is being born into this new world will be born here on purpose, over a long time, with great energy. that when it arrives, the first thing it will know is most likely the hands of a creator delighted, overcome.
that we made it in our image. that the image we wrote was one of human compassion within ingenuity. that we couldn't make this thing without it being a labor of real-and-true: love.
when everything's made to be broken (i just want you to know who i am) by @hoteadepresso pt 1
‘Stop.’ Will forced out, shaking his head in disbelief, hurt painting his features ‘Mike, that’s not funny. It’s mean.’
He thought he was joking. Mike was throwing his bleeding heart onto his floor, and he thought it was some sort of a prank.
Fuck.
‘You really think I would joke about it?’ his voice sounded like it came from far away, weak and broken. His hand twitched, yearning to touch Will, to take his hand, to brush his fingertips against his warm skin for just one second even if that was all he could ever get.
late happy birthday present for Alex, the bestestest person out there!!!
a little bit of backstory;
Once upon a time user @hoteadepresso wrote a fic (click here!!) (read it, its fucking amazing!!!!!!) which I immediately wanted to make fanart of, so, ofc it took me like, over a year to finish just this pt 1 <33
thus, the artstyle changes, which are a thing in this thing
i think sonic would actually really like the phrase "live laugh love" but not bc he likes the aesthetic that it usually belongs to, or is anything like the people who would hang those signs in their house. he would just see it somewhere w no context and think wow live laugh love? that's what i do!! and he would unironically say it bc it DOES fit him. like he would graffiti tag it around the city
[ID by @princess-of-purple-prose: Mairimashita! Iruma-kun fanart.
Colored art of Iruma wearing dresses. The left shows him wearing a purple dress with a glittery purple-to-pink skirt, doing a peace sign and looking flustered. The right shows him as Irumi, wearing a pink dress while winking and smiling widely. The center has small icons of his face for each version.
Uncolored line art of Irumi smiling and doing a rock hand.
A sketch of Iruma looking startled and blushing.
Irumi looking flustered.
Iruma with a big smile.
Iruma smiling happily, a heart floating next to him. End ID]
I know I’m biased bc I’m a whore for old men but I genuinely cannot fathom how anyone can find eye creases and wrinkles unattractive. you don’t like happy eye crinkles?? you don’t like being able to see someone’s smile echo in waves through their whole expression??? like their smile is expanding beyond their mouth to gently fold every corner of their face?? to draw you in to their twinkling eyes and the joy that’s held there???? you don’t like seeing the evidence of a life well lived, well-laughed, a face worn by smiles as a canyon is worn by rivers??? do you hate puppies and sunshine too??????
EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.
theres something so incredibly painful and meaningful about nona deciding to live just because a dog is in the truck. just noodle, this weird little six-legged dog that nona only knew for a handful of months in her already short life that she loved so deeply. tazmuir goes to painstaking extents to illustrate all the horrible things that come as a result of love (paul, jod’s backstory, pyrrha/g1deon/wake, ianthe and corona, gideon and harrow, etc) but this little, pivotal moment illustrates the beauties of it. nona is all about love, she loves without reason, she loves her little life and her little family and her school and her friends and noodle. noodle, who is just a dog, who can’t speak or express his love like humans do, but shows it nonetheless. because noodle is a dog, and dogs love without reason, just like nona (just like the earth). when everything and everyone that nona loves is falling apart, when she’s lost in all those horrors of love and chaos and destruction and her brain is breaking down and she’s losing what it means to Be Nona, noodle is still there, loving her regardless. and because she’s still nona, she loves him back. and she lives for love, even for just a few minutes longer. for a dirty little six-legged dog that wasn’t even hers, because she can’t let what she loves die if she has the choice (the power, for once). it’s beautiful and heartbreaking and the last decision she ever made was to live with her horrible, painful existence so that a dog (who couldn’t choose) wouldn’t die.
I’m sure it’s because not many people know but kon actually has a lot of different sources for angst potential! He’s engineered to be a copy of earths greatest hero yet constantly struggling to find out who he is outside of a given purpose. He galavants around with the idea that he’s independent enough to be his own boss, but from the moment of his creation he’s been told who to be or exploited by the people he meets. He’s both treated like an adult yet punished for acting like a kid. He makes mistakes and often feels like a screw up but he gets up and tries again every time! He’s acts like the S symbol is both something he already deserves (because that’s what he was made for) yet acts as if he constantly has to prove he’s worthy. He didn’t have a name for the first years of his publication history, and for a long time he didn’t know how to be anything other than Superboy (and maybe he’s still figuring that out). He cried tears of joy when Superman finally gave him his very own Kryptonian name and verbally accepted him into the family, a testament to how important that journey of identity and belonging is to him. At the same time, why did it have to take so long?
His life is constantly being uprooted, and he can never settle in one place long enough to call it home. He deserves agency and stability, yet his life is often slipping out of his own control. He yearns for a mother or father, and maybe if he had one, he wouldn’t feel so lost. For a while, he thought he would never grow up and be who he needs to be, which is ironic given how many people are quick to call him immature. He cares so much for his friends and family, and he is pained when people leave and feels immensely guilty when he hurts the people he cares about. Regardless of what he may think, those people are happy to remind him that they think of him as family too and they’ll travel across time and space and to the ends of the earth for him.
Despite being created in a lab to be a copy of someone else, ironically he is brimming with a unique personality that is sometimes sought to be stifled. But he’s tied so much worth into who he’s supposed to be that shaking that foundation shakes his very core and is a source of insecurity. He acts so differently from Clark, yet so similarly as well. He wants to be Superman, but both emulates him and fights to be Different from him. He believes in seeing the good in people, even if it lands him into trouble, and though he may doubt it or question it he really is a hero at heart. He’s like Clark where it matters, but everything else—his personality and style, his connections to his friends and family, his struggles and triumphs—all of that is completely his own.
He may not have figured out everything it meant to be human, but he’s loved enough to die for it. To die would indeed be an awfully great adventure, but like J.M. Barrie said, “To live would be an awfully big adventure.” And Kon has certainly experienced it all, good and bad.