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#and that's one of the NOTABLE things about this series is that it is hard to get thru
arckhaic · 1 year
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idk what im saying but i just think hating on a piece of media bc it's been made into a different form ( specifically book into a movie / show / play / etc ) is so limiting ... like ur not any better bc you hold the opinion that the book is better than show and picking it apart to show the differences only the proves the point that they're Two Different Pieces of Media ... interpretations aren't inherently bad they're just different
you can enjoy them both
#this is specifically about the wheel of time#i love the series dont get it twisted now i LOVE the books#i've read it twice i have like 4 copies of the first book#it's a hoot#it's also an INCREDIBLE SLOG to get thru#and that's one of the NOTABLE things about this series is that it is hard to get thru#i skipped book 10 my first go round#just the entire fucking book i skipped it#do u want an ENTIRE season of perrin going: ): it's so cold where's my girl ):#and then not dO ANYTHING for an ENTIRE sEASON ?#no u have expectations of a movie/show to entertain u and there are parts#of the novels that aren't exactly riveting and wouldn't make good tv#on top of that ... there is queer rep in the show and the issues concerning rigid gender roles is sorta flipped about iirc#as much as they could be for hollywood ig BUT THE POINT IS the story is told in another way#not the story is completely done away with or trashed#does that make it perfect?? no ... but it makes it fun#having a tv show or movie is GREAT for me to introduce someone to a series i love so then i could go#“if you liked that wait until u read the book bc it goes deeper”#bc u CAN DO THAT IN A NOVEL! NOT A SHOW!#IT'S A HIGHLIGHT REEL! AT THE MOST!#this also goes for foundation and dune .... both books i LOVE and movie/shows that i ENJOY very much#a side by side scene by scene copy from book to page would take more money it would take 400 years to produce and it would be boring#plus i personally love to see how characters are remade and how they do the cool things in the book but differently
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asidian · 3 months
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Dead Boy Detectives does a lot of things very, very well, but one thing I haven't seen touched on very much is set design. It is phenomenal, and the amount of detail that's gone into literally every scene is truly mind-blowing. I'm going to do a couple of posts breaking down the setting details in various locations I think, but I wanted to start with one that does an incredible amount of storytelling in the tiny understated details.
So let's talk about Charles' room from when he was still alive.
Some of the details are quite small, but I've circled and numbered them so that I can discuss them more easily.
First up, and this one doesn't have a number because it's the entire room, but. They have this boy down in the basement. In a cramped little space that looks like it's twice the size of a twin bed.
Then we come to all the little things that make it so much worse:
1: Charles' room is covered with band posters. If you look closely though, these aren't the kind of posters you'd buy in a store. These are the sorts of posters that they display at venues when a band is in town. Every one of them that's readable has locations/dates/sales info. These aren't someone buying Charles something of his own, to decorate his room with. This is Charles "My smile is pretty convincing" Rowland going to venues after the band has finished its run and asking for the posters to take home.
2: It's hard to tell from the angle, but it looks like he has a couple of model airplanes up on the ceiling. Okay, this one's kind of cute.
3: Again, hard to tell from the angle, but it looks like he has a shelf of sports trophies tucked away back there. This boy tries so damn hard.
4: A dart board. Huh. That's funny. Where are the darts?
5: Oh, here they are. They're outside the room! Like his asshole father! Stole his darts! And threw them at the door!!
6: Probably a boombox, presumably the one that he used to play the tape mentioned in the Devlin house episode. Notably, there are no tapes in sight. Did his father break his only tape?
7: The world's saddest bed, with a ratty old pillow and one (1) single sheet.
8: And as if we needed any more heartbreak in this scene, that's Charles' cricket bat there in the corner. His weapon of choice? The thing he picks up to defend Edwin, over and over, episode after episode, for the entire series? He's cowering practically on top of it while his father beats him. He didn't so much as touch it when it was himself that needed defending.
You're welcome. If I have to be heartbroken over set dressing, I'm dragging you all with me.
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starseungs · 4 months
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our love untold. hhj.
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hwang hyunjin x gn!reader — for those who grew up loved, it eventually becomes a norm to the point that the nuances between its types become untold.
genre/s — fluff, angst, childhood friends to lovers, college au, fine arts student!hyunjin • 3.1k words
warning/s — miscommunication as a result of no communication, children being mean for no reason lol, not much actually
note — #3 on the your love through the ages series | gave hyunjin the confession of a lifetime so look forward to that ... i want what they have </3
2024 ⓒ starseungs on tumblr. do not steal, repost, or edit.
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Hwang Hyunjin has always been a constant in your life. For as long as you could remember, a life without him was practically nonexistent. You had nothing against it, though. Spending your everydays with Hyunjin was a delight. The bond between you two was so strong that your families had no choice but to also become friends just so that they could finally satisfy both of your constant needs to be around each other. 
Fortunately, you didn’t have to do much for that setting to work out well since your families clicked in an instant. A little too well, in fact, that you may have doubted its authenticity more than once or twice during the span of your lived life. Hyunjin had his fair share of those thoughts alongside you as you caught both of your parents eating lunch together on a random Tuesday afternoon—notably without the both of you.
Granted, you should’ve already seen that this was going to happen. You and Hyunjin grew up getting significant amounts of emotional support from your parents, who had big hearts holding lots of love to share. Naturally, birds of a feather would end up flocking together; which could also exactly be said about your dynamic with your best friend. With the way you were brought up, it was almost impossible for you to turn out any more different than the ones who raised you—to which you, to no one’s surprise, did end up adopting their tendency to express love easily towards others. 
If only your younger counterpart knew how hard it was actually going to be to feel reciprocated in society.
You remember the scene like it was just yesterday, with the feeling of the soft play sand being molded by your little hands still fresh in your mind. The local playground sandbox was five-year-old you’s favorite spot in the whole world, just right beside your family home’s living room. It was a place where you felt at ease, happily sculpting clumsily shaped masterpieces from the slightly damp medium as your parents sat on a bench a few meters away, joyfully taking the opportunity to have some time with each other. 
On a normal day, things would stay that way until right before three o'clock, when one of your parents would scoop you up to go home (the parent was often your father, who pitifully had a massive losing streak on rock paper scissors). However, that particular day was unlike any other day you’ve had so far.
The anomalies started with two kids looming over you, their eyes shining with a mischievous glint. Despite the number of times you’ve gone to the playground, you have never actually interacted with the other kids there. Your family had just moved to the area three months ago, and you were still yet to enter an actual school where you could familiarize yourself with nearby children. 
While you did have thoughts of approaching the ones you saw often in the playground, your first attempts at doing so ended less than ideal, with the kids being uncomfortable with you being someone new. Due to that, you stuck by yourself for a while with the mindset that you’d be friends with whoever wanted to approach you instead. And that was why seeing those two children standing next to your sand sculptures instantly put a smile on your face. 
Their words started off innocent—simply asking why you were playing all alone. Yet when you joyfully explained why, your expectations for the interaction took a wrong turn. The two kids started teasing you, saying that you must’ve been really lame for no one to even want to become your friend. 
At first, you were mad. You wanted to let them know that you tried your best to make friends, up until you realized that it was you who wanted to be friends with them too, to which you started to become self-conscious. Thoughts like ‘what if they’re right?’ spiraled in your little mind, making you unable to say much in defense. The last straw was when one of them kicked the little sand house (which, in truth, looked more like a square hill) you were working on, making beads of tears decorate your waterline.
However, the tears didn’t actually drop until a pitched voice of a boy called out to the three of you staying at the sandbox. You watched as the new face marched in a determined manner towards all of you, only stopping in front of the two kids who teased you. Your glistening eyes watched in fascination as he scolded the other two, telling them that they were being mean to you. Thankfully, the whole exchange ended without much issue—the kids then muttered a short apology before scurrying away. The slightly taller boy stared at you before bending down to plop himself in front of your now-ruined sand house.
“Are you ok?” He says, his gaze now locked at the pile of sand between the two of you. 
You could only nod enthusiastically, again happy to have someone talking to you positively. “Yeah,” you said while scooping up a small amount of the fallen sand. “I wanted to play with them, though.”
The boy before you beamed. “I’ll play with you instead!” He reaches for a handful of sand. “My name is Hyunjin. I like the sandbox too.”
That was how your parents found you a little while later, excitedly squealing while clinging to Hyunjin with a vice grip. His parents soon followed suit, joining yours in watching him grin while listening to you plan to build a model of your dream home together with sand. Numbers and words of appreciation were exchanged, officially starting the days with Hyunjin as your closest friend.
Being best friends with Hyunjin was basically like having someone attached to your hip, with the only difference being that you also wanted to be attached to his. If possible, you liked to do everything together—there were meals that were shared at the same table, outings that were done with both of your families, and schoolwork that you did together without even needing a word of agreement. Days, hours, and seconds with Hyunjin were a norm in your life, and you wouldn’t have it any other way. 
Growing up, you never really questioned the comments thrown at the two of you. With how close you two were but looking miles different from each other to be relatives, the common conclusion people normally had of your relationship with Hyunjin was a romantic one. He was often attentive when it came to you—always bringing you snacks for lunch, spontaneous gifts just because something reminded him of you, and carrying your bag like it was the most normal thing in the world. This was often dismissed by him, though, which made you follow suit. After all, you yourself couldn’t see where the thought even stemmed from. You did acts of service for him too. What mattered the most was that you liked Hyunjin as he was, so hanging out with him constantly was reasonable in your eyes.
Well, that was until your first year in college, years after your initial meeting.
“Do you ever think it’s odd?” You start carefully, slowly pulling your hands away from his face after smoothing out his skincare mask. Hyunjin cracks open his left eye to glance up at you from his head’s position on your lap.
“What is?”
You motioned toward the situation you two were in. “That we still hang out like this. Even though we’re not kids anymore.” Hyunjin evidently frowned underneath the mask, slightly creating folds that showed his displeasure.
“No?” He replies, almost offended. “Why would I think that?”
There was truth in his words. Just like he said, why would he be offended? The two of you were never bothered by what others thought before, so why start now? You pursed your lips. Perhaps you were the only one suddenly having an issue.
It all started when you went out for dinner with a couple people from your department. The table talk was just as usual—until they mentioned Hyunjin. Some girls you went to class with expressed their jealousy towards your relationship with your ‘boyfriend', which they described as ideal. Your attempts at correcting them only ended up with you in the hotseat, being grilled like the meat everyone was eating at the moment. There was no way he didn’t have romantic feelings for you, they said. The dynamic they’ve observed so far between you two was too much to be platonic, they added. Their words only added fuel to the fire that was your frenzied state when they asked you to confirm specific scenarios that had happened with Hyunjin, to which they snapped their fingers and yelled out that it was clearly something lovers do. 
But what was exactly so wrong with best friends still having sleepovers in their early twenties? Was there a problem with the two of you making plans just for the two of you that lasted the whole day? So what if he had the tendency to buy you both matching items? Sure, his parents call you often to check in, but isn’t that normal? You’ve watched how your parents treated their other friends with love in similar ways during (limited) times you’ve met them too, so why were you now so conscious of everything Hyunjin did ever since that dinner?
“I don’t know,” you said meekly. “It’s just that I feel like I’m taking too much of your time. These are things you should be doing with your significant other, not your childhood friend.”
When Hyunjin scoffs at your words, your eyes widen. “Well, I don’t have a significant other, and I’m doing this,” he points to his facemask, “with you right now. You can worry about it when the time comes.”
You didn’t know why, but somewhere deep in your heart, you never wanted that time to ever come.
Life always comes with surprises, though. The moment you unconsciously dreaded came sooner than you expected it to—just a whole year after your conversation over skincare in your tiny apartment room. Your fear came in the form of a student shifting to Hyunjin’s major, her skills catching his attention that was normally on the both of you. First came the comments, with Hyunjin complimenting her outputs in their classes together, telling you that the new girl had serious talent and how she should’ve majored in fine arts from the beginning. Next came his gaze; curious eyes always landing on her whenever she appeared in the vicinity you two were in. A growing feeling clawed at the pits of your stomach that made you nauseous every time you saw his interest cement on her. 
How amazing was that for you, because now you had to distance yourself from someone who was basically your other half, just because you couldn’t handle the ugly thoughts you had for your best friend’s happiness. The last thing you wanted was to hold Hyunjin down—he deserved to freely like who liked, and decide who he wanted to be with as he wished. And until your brain gets the memo to agree with it, you were going to stay out of his sight for as long as possible.
Hyunjin, on the other hand, was a complete mess. The poor man was lost; the past few nights were spent pondering over what he could’ve done wrong for you to avoid him so obviously like this. It had only been two weeks, but Hyunjin felt as if you had gone M.I.A. for two years instead. He had never gone this long without you, always making sure to contact you as frequently as he could when physically apart. To be fair, you still did answer to his texts, even if they were riddled with ice and coldly cut short. You had gotten skilled at dodging his visits too; always either out of your apartment or having found different routes out of your department’s building when he stubbornly waited outside. A few of your class friends gave him looks of pity whenever they saw him still adamant to see you, telling him to hang in there and that lovers’ quarrels don’t last that long.
Lovers. That was a familiar description Hyunjin has heard over the years of your friendship. He had always denied them politely out of respect for you, but they were always kept in the corners of his mind. Truth be told, the thought confused him endlessly. What was it exactly that others saw in the way he acted that he didn’t? His parents always told him to treat everyone he appreciated with love, and that he did—especially with you. He’s seen the way his father showed his appreciation for his mother and aimed to imitate that (yes, his father loved his mother romantically, but his father also gave gifts to his friends, so what was so different?), but all that ever did was bring suspicion over you two. 
But you were happy with his acts of care, and it made him happy too. Shouldn’t that be the only thing that matters? Clearly, not with the way he was stuck in front of his blank canvas, the eerie color of plain white glaring at him to complete his painting project. Except that Hyunjin found himself completely unable to do so. His mind was barren, with not a single inspiration in mind. And this worried him.
On any other day, he was what you would call the epitome of a creative soul. He saw the world around him in a naturally imaginative way, easily piecing stories in his head from the smallest of things. It was the same reason why he chose to be in fine arts, majoring in studio arts, where he could relay his own vision. In short, Hyunjin had no clue as to why he was even struggling this much. He found himself comparing his skills to those of the new student in his department once again. Oh, how he wishes he could go and ask them for advice—her work served as an ignition for him to do better. 
As one of the best students in the program, he found himself seeing her as a rival of sorts. Not anything negative, though. A healthy one-sided rivalry, if you will. Groaning, he shifts his gaze from the canvas to give his eyes a break, casually scanning his previous works propped up in a nearby corner. As he continued to work his way through them from afar, his mind floated over to think of you. 
In that split second, something seemed to click in his brain.
You watched your clock tick at an even pace, the hands displaying the ungodly time that was judging you for still being awake. Granted, being awake at two in the morning was miles better than still being awake at four, which was just asking for an eventual headache since you still had class in the morning. The past few days have felt odd, to say the least. Despite knowing exactly why that was, you refused to acknowledge it—still hung up on the thought that you should get rid of whatever you were feeling before you would face Hyunjin again. Yet, it was times of the day like these when you wondered how he was doing without you. Probably still well, right? If it’s Hyunjin, then he would have no problem getting along just fine with other people.
A frantic knock on your door made you jump out of your thoughts with the way it echoed through the silent space. Like any other person would, you were automatically on guard. Who in their right mind would visit you without warning in the depths of the night? It was only when you saw your phone turn on with a message notification that you scurried to fling the door open.
“Hyunjin!” You fussed over him, gripping his arms firmly to give him a thorough lookover. “Is everything okay? Are you alright? Did something happen? Does something hurt—no, did something hurt you?” The words seemed to roll off your tongue so easily, preventing you from snapping out of your worries to see what expression he had on. All your mind was telling you was to find a way to chase whatever problem he had far, far away from here, where it could hurt him. But your rambling came to a halt when you felt his body slump against you, feeling the way he shook as suppressed sobs were forced out of him. Alarm bells immediately rang in your head.
“Let’s go inside first—”
“I’m so sorry,” he hiccuped. “I’m so sorry. Really sorry, Y/N. I don’t even know if I’m apologizing for what I’ve done for you to avoid me like this, or for not even knowing why you’re avoiding me in the first place, but I’m so sorry.”
“Hyune, no—”
“I know I can be an idiot at times, but I swear I didn’t mean to hurt you like this,” he said, still crying his heart out. “I was struggling to find something to paint about for my project earlier, and I can’t believe it took me this long to even figure it out. I can’t go on with meaning in my life without you, Y/N. You’re everything to me. You’re my world, my muse, and my light. For the longest time, you have been, and I would even risk saying that you have since the moment we met on that sandbox. All that I am has pieces of you deeply imbedded in my soul, and the reason why I see my surroundings in vibrant colors. Everything reminds me of you, and us, and all the times we’ve spent together and losing you would be the same as losing me. Y/N, I love you in a way I could never give to others—”
“Hyunjin.” You cupped his face, coaxing him to breathe. An imaginary string inside of you stretched and tightened as you looked at his mesmerized face, looking at you like you had hung the moon up in the sky. His eyes showed an emotion you were well acquainted with, yet the intensity and fervor burning inside were unfamiliar to the ones you had felt before. 
This was definitely love. And it was the type of love you had spent the past couple of years pondering. The answer finally came to you. Hyunjin breathes.
“—It’s you, and always will be.”
You closed the gap, the touch of both your lips saying more than what was ever confessed from when you were five to the present.
It was your love untold.
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SERIES TAGLIST ━ STATUS: OPEN — ASK OR COMMENT 🫶
@fairyki @hysgf @euncsace @comet-falls @starlostseungmin @ameliesaysshoo @hyunverse @djeniryuu @lixxpix @xocandyy @heaveniseverywhere @kayleefriedchicken
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sweetteainthesummerx · 4 months
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THE LOVE LASTS SO LONG (9)
In which Aubrey gets interviewed...
series masterlist
★・・・・★・・・・ ★・・・・★
ellemagazine posted
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ellemagazine Our June edition features Aubrey Yang on her directing debut, the trajectory of her career and new friends in Formula One. Full article linked in bio.
tagged: aubreyyang
liked by formula1, olliebearman, mckennagraceful and 80,944 others
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user1 ON MY HANDS AND KNEES BARK BARK SHES SO FINE
aubreyyang thank you for having me Elle! always a blast 💋
-- aubberieloverss MOTHERRR
dior.n.goodjohn ILY UR SO BEAUTIFUL AND ETHERAL
-- aubreyyang stawpp ur making me blush
formula1 thank you for the shout out! hope to see you in the Ferrari paddocks soon 🏎️
liked by aubreyyang
-- f1wagsupdates BAHAHA f1 admin ur brave for that one
lilymhe prettiest girl
-- aubreyyang me and dior miss u tons! can't wait to see u soon
mvertsppdudu can ollie fight ill catch him in the paddocks
ELLE MAGAZINE
NEW ISSUE
INTERVIEW WITH AUBREY YANG
Aubrey Yang, the multi-faceted actress debuts her talent and grit for directing and screenwriting in her short film Pelt, winning the Best Screenplay and a notable nominee for the Best Film during London Film week. Since we've last seen her at Elle New York, she has turned 18, nearing 19 now, and made some drastic changes to her life.
Since her film, Yang has not been in any other production as talent, but teases us with a new project "that's coming soon, don't worry". She adores her new found love for being a creative, and is scouting to get her hands on more projects in Hollywood on that side of the camera.
Her studies continue at New York University and she is set to graduate early, next year. When asked about her ability to balance school and work, she smiles knowingly and tells us that "it's important to take breaks, but more importantly, I've chosen things I love to do".
During these breaks, Yang is often seen with fellow young actress Dior Goodjohn and international pop sensation Olivia Rodrigo. But 18 has brought a new hobby: Formula One.
"I met Lily [Muni He] and Alex [Albon] at a gala, and we hit it off. They're like my parents" she answers adoringly. She has been seen multiple times in both the Williams and Ferrari garages visiting with fans and learning about the mechanics of racing.
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"I've met some wonderful people; I never really got to be a regular teenager because I was working and going to university early. They've really helped teach me about having fun and letting loose."
Next year when we inevitably feature her lovely face again, we'll see the new changes to her life.
MESSAGES
ollie
I read ur article it was great
sad I didn't get a shout out tho :(
aubrey
sorry boo
PROMISE TO GIVE YOU ONE NEXT YEARR
ollie
okay :)
anyways r we still on for the trip?
aubrey
yes mr. bearman
ollie
I was thinking Charles and Alex might want to go w us
aubrey
YESSS MY FAV MONAGESQUES
ollie
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gotta go but talk later? ☺️
aubrey
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kk cya bearman
ollie
bye yang :)
MESSAGES
alex 🖼️
cou cou chérie!
(hey dear)
aubrey 🎬
AHH ALEX J'avais l'intention de t'envoyer un texto ! On part en voyage en Europe ?
(I was meaning to text you, are we on for the Europe trip?)
alex 🖼️
yes but I have smth to ask
aubrey 🎬
um not the English what's wrong
alex 🖼️
DO U LIKE OLLIE
aubrey 🎬
UM BYE WHY
alex 🖼️
bc I have to watch him text u and its dégoûtant
(disgusting)
aubrey 🎬
bro idk
dior thinks we like each other
its just hes becoming such a good friend
he makes me smile
and hes so sweet and kind and gentle
hes not like any other guy ik
alex 🖼️
its going to be such a long trip 😔
aubreyyang posted on their story
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olliebearman replied to your story
cute 😊
aubreyyang
ikr shes my cousins baby
olliebearman
oh
very cute
wanna play 9 ball on message
aubreyyang
YOURE ON
bearyfast_04 posted
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bearyfast_04 I think im ready to be a father
liked by alexandrasaintmleux, leosdad and 10 others
leosdad fatherhood is hard
-- landoakabob u have a dog
-- leosdad u take that back hes my son
pastryboy SIR U ARE 21 WDYM CHILDREN
-- bearyfast_04 but look at her 🥰
-- arthuranddw another fallen soldier
★・・・・★・・・・ ★・・・・★
Taglist: @callsignwidow @iloveyou3000morgan @honethatty12 @taygrls
© sweetteainthesummerx.tumblr. all rights reserved. unauthorized copying, translation, or claiming of my writing or any works as your own is strictly prohibited.
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sillyassboy · 1 year
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i should post here more ive grown too accustomed to twitter's character limit
anyway something that's been on my mind about bugbo recently is the way ive tried to kinda shift the perception of the series one way a bit too hard. when i saw even the slightest chance of people seeing bugbo as a horror series or an ARG with deep lore or whatever , i wanted to put it out there multiple times that this wasn't my intention at all and that bugbo was mostly just a stupid fun series in the style of old 2000s flash animations.
anyway im kinda worried now that people are using this to dismiss Any possible meaning behind the series. i love seeing people's interpretations, and there Are genuine things I want to convey through the characters. theres still no meta deep lore, that's for sure, but there a few characters, most notably bugbo and gerbo, who i have very specific ideas for in my head of what kind of people they are. if there's anything in the series to analyse, it's the characters.
I am kind of a dumbass sometimes so a lot of things in the series might contradict each other, but I really want to make sure at least the characters remain consistent. the worldbuilding is absolute nonsense, yes, and a lot of what happens in the series is comedic and stupid and played for laughs, but i really hope I can give everyone a concrete idea on what the characters are like. so far I think it's been relatively successful but im also worried that my constant re-iterating of bugbo just being Stupid Fun may have fucked with that a little bit. there is very much a certain way I want you all to see bugbo and gerbo, who I consider the two main characters.
and while im rambling about bugbo I wanna say here, don't get used to the tone of a familiar foe. as proud as i am of what we did for that episode, i consider it the tonal limit for the series right now. future episodes will be more in line with the feel of episode 1-2, and they will Definitely be shorter for the most part
ok bugbo ramble over
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clarionglass · 5 months
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so i have been bitten by the sam reich!master bug courtesy of some phenomenal art by @northernfireart and uh. as is too often the case i had to write something otherwise if i didn't get it out of my brain i would go absolutely insane
(there may be more vignettes coming if i have ideas..... there are definitely other episodes i'd like to give the Treatment to, plus with the new dw series coming out on the weekend i may have ideas for how to incorporate the dw gang! however, i promise neither more writing or no more writing. that said, this was a lot of fun so there'll probably be more at some stage :D )
this has full spoilers for the game changer ep "escape the greenroom", but hey that's been out for a while now so,,,, if you haven't seen it i'd highly recommend it as an episode!
so, without further ado:
--
Samuel Dalton was a complete fiction, of course, but that didn't mean that when Sam Reich snuck back upstairs to get tied up in the “out of order” bathroom, the Sam that remained on the monitor, laughing at the contestants, was a pre-recording. And if Brennan, Siobhan and Lou had snorted at the idea of a time-travelling evil magician great-grandfather (for good reason), going in with the actual truth of the matter would have sounded like jumping the shark.
It sounded bizarre, but the time travel bit was the only part about his new partner in crime that was confirmably real. Admittedly, the jury was still out on “evil”—he gave off a weird vibe at times, but so far, no lines had been crossed, and it had all been funny as hell—so for now, Sam was willing to roll with it. But perhaps most surprisingly, there wasn’t even the possibility of blood relation between Samuel Dalton Reich and the guy who had shown up out of the blue one day with his exact face and a plan to really fuck around with things on Game Changer.
Yeah, the whole alien thing had really ruled out that particular prospect.
There had been various bits and pieces of confirmation that this guy wasn’t human through the time Sam had known him, but the final nail in the coffin for that one was when his doppelganger had looked him dead in the eye and tried on one of the heart rate monitors—sorry, “range extenders”—for As a Cucumber. The damn thing had literally sparked up, then died completely. Trying to process input from two separate heartbeats at once would do that, apparently. 
His doppelganger was a Time Lord, or so he had nonchalantly said one afternoon in casual conversation, though Sam still wasn’t sure if that one was a joke or not. It was hard to tell, sometimes, because he said the wildest things with the straightest face, and so far, most of them had turned out to be one hundred percent certifiably true. The time travel, the space travel, even the changing faces thing—it sounded objectively insane, but the proof was undeniable. 
There were some notable exceptions, though. Saying he’d been trapped for aeons inside Neil Patrick Harris’s gold tooth went just that bit too far to be believable, though Sam did appreciate his double’s slightly warped sense of humour.
It was that offbeat line of thinking that lent itself well to game design, as it turned out. He had a knack for coming up with ideas for Game Changer episodes, albeit with the occasional suggestion that went way beyond the bounds of good taste, and, as in the case of Escape the Greenroom, had devised some blinding twists on concepts Sam had already half-formed. The letter puzzle unlocking the secret door? It was perfect.
Understandably, Sam’s doppelganger had wanted to observe the fruits of their labours in real time, rather than watching the recording later. It happened, sometimes, particularly when it was one of his ideas that had made it through to the episode list—they’d swap places for a session, with nobody being any the wiser. Watching those edits back always felt a bit weird—it was uncanny how flawless the mimicry was—but hey, the guy was right. It was always fun.
Escape the Greenroom, specifically, with its “Samuel Dalton” conceit, provided them with a unique opportunity. Instead of swapping out the camera feed for a recording when the cast piled into the tiny secret room behind the wall, as per the original plan to get Sam in position to be discovered in the bathroom, they could just swap out the people. Sam would go upstairs, and his double would take his place at the podium, ducking out of sight when everyone came back to the main stage to “defuse the bomb”.
Sam was keen—hell, if their situations had been reversed, he’d want to be there to watch, too—but caution raised a flag. “You don’t think it’s too risky?” he’d asked when the subject was first raised. “Both of us being in the same place?”
His doppelganger had shrugged one shoulder with supreme unconcern. “The crew won't notice.”
At the time, Sam had shot him a sceptical look, but right now, Sam-Reich-in-a-purple-tie and Sam-Reich-in-an-orange-tie were standing backstage post-record, clearly visible and and calmly chatting, and not a single member of the crew had given them so much as a second glance. 
…Hardly even a first glance, come to think about it. If anyone looked over their way, their eyes seemed to… not exactly go through them, but slide over the two of them like water. He was tempted to wave to Nico or Ash or someone, just out of pure curiosity, but something in the back of his mind told him that wouldn’t be the world’s greatest idea. He had a funny feeling he wouldn’t like to see what would happen next.
(He’d given the prop bomb back to the crew once the cameras stopped rolling, and though it looked the same as the one he remembered from before he’d headed upstairs, it felt different in his hands. Heavier, more… serious, somehow. He was sure nothing would have happened—but at the same time, he was suddenly very glad that the cast had cut the correct wire with no less than a minute fifteen to go.)
(The jury was still out on evil, after all.)
“Worth coming in for?” he asked instead.
“Absolutely,” his double replied with relish. “Locking those three in a small room for an hour? Brilliant, fantastic. Inspired. It was absolute chaos.”
“Have you seen up there?” Sam asked, a smile starting to spread across his face. “They messed up the set real bad.”
His doppelganger smirked at him. “You know it took literally two seconds from you telling them to escape the greenroom for Lou to smash that guitar?”
Sam shook his head. “Oh my god. Yeah, they were stressed.” 
“Mmm. Some real panic in that room,” his doppelganger agreed, and Sam chose to ignore the faint note of satisfaction in his voice.
He shifted his weight, settling back to lean against the table behind the set, in the exact instant his double decided to do the same thing. It really was freaky how similar they were, down to the smallest mannerism—like looking in a mirror, only weirder, because the face that looked back at him was truly his own face, not mirror-reversed. Even now, it still caught Sam off guard from time to time, but at least it had faded into a more comfortable kind of strange. He had an exact lookalike who was an actual time-travelling alien. Cool. Doesn’t everyone?
The pair shared a companionable silence for a few moments, before a thought Sam had been turning over for a while rose to the top of his mind. He shifted again, this time on his own, and he felt his double’s regard swing up to fix on him like a magnet. 
“Okay, real talk,” he started, and his doppelganger frowned back in an approximation of confused innocence. “What’s all this for?”
“Who says it has to be for anything? Aren't we just having fun?”
Sam hummed, considering. “Yeah. No, I'd believe that, if I didn't sometimes walk into production meetings and find out I'd apparently been very specific about the people I wanted for certain episodes.”
“Point for Sam,” his doppelganger acknowledged with a grin. “You got me. Wasn’t hard to make a few phone calls on our joint behalf.”
“Yeah, but why?” Sam pressed. “I mean, Siobhan, Brennan and Lou are always great comedy value when you put them together, and it was awesome to have them for this, but I get the feeling you’re thinking of something other than making good content.”
“Who, me?”
With that, his double gave him a look of such overdone pantomime innocence that Sam suddenly and thoroughly understood why, not half an hour earlier, Brennan had very seriously threatened to push him down the stairs. 
He rolled his eyes, which earned him a smirk for his troubles.
Dropping the act, his doppelganger continued. “I’m expecting an… old friend, I guess, to show up at some point, and—well, I’d like to put on a really special show for them. I thought it would be a good opportunity to try a few things out, you know?”
Ominous pause aside, that was actually kind of sweet. Sweeter than he’d been expecting, that’s for sure—he was half anticipating the revelation that he and his cast were subjects in some weird experiment. Hey, that still couldn’t fully be ruled out, but still.
“Okay,” he acquiesced. “Well… just let me know, next time? Before you start ordering in my cast like takeout?”
“Who says they’re your cast?” his double shot back with a twinkle in his eye, and Sam snorted.
“Fine. Our cast, then. But seriously, let me know?”
His doppelganger nodded, which, if not quite fully convincing, was good enough. 
“Oh, and do you know when your friend might be arriving?” Sam asked. “Because if you wanted to plan something, we can—”
“I don’t know,” his doppelganger interrupted. “So yeah, we’ll have to move fast when they do get here. But I’ve got it under control.”
He broke off, then shot Sam a mischievous grin. “In the meantime, though, I’ve had this fun thought about time loops…”
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dandydeya · 1 year
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Ksbd Posting.
6 Juggernaut Star Scours the Universe, White Chain, trans people, and nihilism (This is gonna be a long one (Spoilers Ahead))
(I’ll be mostly using She/Her when referring to Juggernaut)
I think Juggernaut Star is such an interesting character that never really gets talked about, despite showing up in many of the series’ best moments and I do fear that her story could be left open-ended in lieu of the fate of existence that Allison currently faces.
I mostly want to talk about the full reveal of her true form in King of Swords and how it contextualizes her character and actions leading up to that. 
Also, due to the fact that she is ultimately a side character, never acting as a main antagonist even in her final fight. Most of the things I say about Juggernaut will be in comparison to WC.
When we first meet Juggernaut it’s easy to see her as an antithesis to WC, in all fairness that’s what she ends up being but at this point in the story and for most of it leading up to the tournament in KoS. Juggernaut acts as a very real possibility for what WC could end up becoming. More importantly, this also means that White Chain represents what Juggernaut could have possibly been (Or even may have been at one point).
Focusing on Juggernaut being similar to WC. I want to talk to about their forms. WC is ridiculed for her human and feminine appearance. While Juggernaut appears as a flaming skeleton clad in armor, ultimately they appear much more human than the other angels. It’s almost comedic how intense they are, arriving on a motorcycle made from the still living skeletons of sinners, before removing the front wheel and executing someone with it. One ends up asking why a being of such hatred for humanity and weakness would have their true self represented by something so human.
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This particular aspect of Juggernaut’s character hit me pretty hard after seeing her true form. It felt like an experience that I and likely other trans people can relate to when trying to present as a gender that isn’t theirs. Like a jacket that’s a few sizes too large, it’s awkward to live and act in, and people start to notice that it doesn’t fit you. WC attempts to do something similar, literally casting her face/humanity to the side but still ends up in this awkward in-between that isn’t sustainable.
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Furthermore we see that Juggernaut’s form seems to waver based on her composure. When she loses the fury, the flames fade away to reveal a softer, feminine, and more human side.
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Also notably in KoS, we see her trying to retain her form while being beaten. Even in this state she attempts to retain her appearance putting her in a state resembling her true form but attempting to suppress it with the armor of her skeletal form. This also made me notice that she is the only one of the angels (beside the unnamed thorns members) to still wear armor outside of their physical bodies. This could just represent the power gifted by becoming a Thorn Knight however I don’t think it’s a coincidence that the power of a thorn can only be achieved by covering up one’s true self in armor covered in spikes. 
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However, it’s not just her form that acts as a façade, I don’t believe that Juggernaut, disdains humanity, at the very least not as much as she lets on. This should be fairly obvious due to her form but I believe that she may not be aware that this disdain is false. I think her hatred stems from a sort of jealousy. A jealousy at others being able to freely enjoy what she feels is impossible for her to ever accomplish along with an ignorance to the nature of the world. 
Juggernaut will have to suffer if she is to be herself, possibly endlessly as she does not have the same friendships and connects that WC has. This is then compounded by the fact that the universe remains on an infinite loop controlled by people far more powerful than her. 
I know I’m probably reading into this too much but it feels like it can be easily compared to many feelings that can often swirl in us as trans people. The knowledge that who you are can be controlled by someone with little to no say from you along with the jealousy that can stem from seeing cis people and even other trans people exploring gender when you cannot can cause some terrible things to solidify in a person. I have met people like this, and quite embarrassingly have been this person at some points in my life.
How this manifests in Juggernaut Star is an intense nihilism. If the world will not have her than she will do her best to usher its end. The only control she can have is through destroying the people attempting to pursue what she feels she may never have. I think it’s rather fitting that one of her weapons/forms is the wheel of her motorcycle, aka the supposed shape of the universe. She is quite literally taking the wheel/universe into her own hands. However, as Zoss says “He that masters the Wheel cannot break it”. 
During the tournament arc we see WC begin to go down this same path. Growing increasingly frustrated with Allison and shortly taking the opinion that humanity or at the very least Allison is unworthy and cannot be trusted. At the peak of this after defeating Allcio, she takes on a similar intense linework and hatching that we see in Juggernaut.
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She of course immediately realizes her mistake and feels remorse.
In comes Juggernaut Star.
In the ensuing fight, WC rejects her stone body (aka the body/gender assigned to her by humanity) as her reality and confronts Juggernaut with them both in their true forms.
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I do want to talk about some aspects of Juggernaut’s true form. One, compared to WC she looks much less like a warrior. Despite how “soft” she may look, in every one of White Chain’s iterations it has always been clear she can still kick ass. However, Juggernaut appears in a long flowing dress, her features are thin and she walks with an almost ballet like stance. One could say this design just matches with her dexterous fighting style but as far as we know Juggernaut is the only angel to wear clothing. Two, she sports two clipped wings. While I’ve spoken on the skeletal form being a façade it still has done real damage to her. traveling down this path has removed her freedom to choose her own path keeping her grounded and chained to Metatron’s whims. 
Anyhow, in this confrontation WC attempts to give Juggernaut the same help and connection that helped her change for the better. Juggernaut meets this with her own nihilism stating that no final happiness can be achieved and shows that she has decided to place herself comfortably within the grasp of hopelessness, just waiting to be crushed under those with more power than her.
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As she rejects this final chance at personhood, she once more cloaks herself in the anger before being defeated by 10 Vigilant Gaze. Somewhat fittingly we get a few panels of her struggling after being hit by his attack but ultimately giving up and retreating to the void.
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That last bit I talked about is because I wanted to express that even if we can feel sympathy for Juggernaut Star it is still her choice to take the path she has gone down and in accordance with this comic’s ideals we see that it is the coward’s path that brings one under the full weight of the wheel to be crushed.
I’m not sure how to end this so I’ll wrap it up with the idea that made me write this whole thing
6 Juggernaut Star Scours the Universe is canonically a doomer trans girl  and becoming a Thorn Knight is essentially taking the blackpill.
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tyrantisterror · 6 months
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I think one of the things that gets lost in the big, endless internet conversation about whether or not heroes should kill their villains is the fact that killing villains off robs you of a lot of story-telling potential. The Joker died at the end of his debut story in Batman - imagine what Batman would be if he stayed dead. No Joker in Batman 66, no The Killing Joke which means no Barbara Gordon as Oracle and no The Dark Knight, no Mark Hamill Joker episodes of BTAS (so many of them were based on his comic appearances, after all - the laughing fish is a direct adaptation of a comic), which means no Harley Quinn and no Return of the Joker, on and on it goes.
Like, you can argue the morality of heroes sparing their villains till you turn blue - god knows this site does it at least a thousand times a day - but on a purely pragmatic story-telling level, the minute you kill ANY character, you kill all the story potential they had. And yeah, it's fiction, you can bring them back from the dead if you really need them, but that's a pretty hard story beat to pull off without hurting your story. You don't want to fill your tale with "Somehow, Palpatine has returned" moments.
And you can just make new villains, sure, but again you have a problem with that - a new villain has to establish themselves and has to stand out from who came before, which means you can't go directly to the storylines you could have had with a villain who stuck around AFTER their introduction. A recurring villain is capable of doing things that one-off villains can't.
youtube
I'm going to illustrate this with a character from a fandom I'm not even a part of - I never played the Ratchet and Clank series and am only vaguely aware of it, but one day I saw a supercut of scenes starring one of its recurring villains, Dr. Nefarious, on twitter, and I was like "Oh shit, that's the guy who plays Quark on Deep Space Nine, isn't? This guys a hoot, let's see if we can find more clips on youtube." Which brought me to this hefty video here from one of the more recent games in the series.
And, like, as a person who "doesn't even go here," it's obvious this goofy little fucker has a history. His opening scenes have him ranting about how much it sucks to lose repeatedly - a lampshade on the "flaw" of a recurring villain, i.e. that their threat diminishes the more they come back because, by the nature of their role in the story, it means they've suffered a lot of losses. So how cool is it that as this supercut chugs along you can clearly see this is a theme of the game - that this is a story about the virtue of losing, a story that is enriched by having an antagonist who fans of the series know has lost a LOT?
The true antagonist is an alternate version of Dr. Nefarious who's won every fight in his life so far, apparently with little effort, and I love how they differ on a design aspect. They're both technically mad scientists, but notably, Emperor Nefarious, the winner, has a more imposing and "heroic" build, but a smaller brain-dome for his robot brains. Because winning may make him look strong, but if a mad scientist's real power is their mind, well, which Nefarious is really the strong one here then?
Dr. Nefarious gets this juicy arc about realizing the virtue in his repeated failures that corresponds with the heroic characters struggling to find a way to win against a seemingly invincible opponent, as well as contrasts the true villain, Dr. Nefarious's explicit counterpart and foil Emperor Nefarious, who has never once lost and is a total piece of shit for it. Again, not my fandom, I don't go here, not an expert on Ratchet and Clank, but even as a relative stranger to it who's just watching a big supercut, I fucking love this. This is an excellent story.
And it's one you can only tell with a recurring villain. Without Dr. Nefarious, this story works significantly less. You need a villain with a history the audience has seen to really sell this.
Anyway, I made this post because, ironically enough, I saw another tweet talking about how some fans think Dr. Nefarious should have been killed off in his first appearance, and, like... that's just fucking baffling to me, as a person outside this fandom looking in. Recurring villains deserve more love, man, they give us so much.
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raayllum · 21 days
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I've touched on this before in regards to TDP, at first just in regards to Claudia's consistent thing with fragmentation and then further in my meta regarding Rayla-Leola parallels, but I want to talk briefly about the Fixing vs Broken dichotomy TDP has been running with more subtly till S6 said, "Sit up and pay attention" so let's get into it.
First: what breaks things in TDP?
If you're a magical object, it's probably Callum but when it comes to people, things get a bit more complicated. We see the literal act of dark magic break people and families apart, both literally and metaphorically:
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This on the one hand makes sense. Of course the characters and by extension their family dynamics or magic use is going to reflect the landscape of Xadia itself: literally split and divided down the middle, initially, due to dark magic use and how the elves and dragons chose to handle things. A broken continent and broken people.
Therefore, we see characters who want to fix things, particularly in TDP shorts featuring Claudia:
Her brother squirmed. “Clauds, Biscuit’s—” “—I know. But I fixed it. Now we can still play with her.”
Reflections Vol 1: Rise Again
It will be just like before, only this time, you won’t be able to fix him… [...] “Do not fear,” the Startouch elf had said. “You are a dark mage, powerful and potent. With my help, there is nothing you cannot fix. Not even death.” [...] “Let’s go,” Claudia told the creature. “I can fix this. I can fix anything.”
Reflections Vol 2: Lost Child
as well as in show canon:
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This is reflected in magic use routinely throughout the series, as mages inherently use magic (primal or dark) to fix their problems and help those around them. Callum uses magic to try and fix Rayla's problems with her family; Claudia uses magic to 'fix' Soren and Viren's physical conditions, and is confused and upset when it isn't enough. Bringing Zym back to Zubeia 'fixes her "irreparably broken heart" (3x08) and starts to heal the continent. Wanting to fix things or keep things from breaking apart further is something that drives many of the main characters, most notably Claudia and Karim in their steadfast attempts to hold onto, or restore, what they still have to the way it 'should be':
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This "I need/want to fix it" mindset isn't exclusive to the villains, but wanting to go back rather than move forward — heavily resisting change — does tend to be more common for antagonists (versus Viren's "I have changed") and more counterproductive when protagonists engage in it ("She's been trying hard to get things the way they were" "But things aren't like they were!").
Part of this, of course, is because breaking things isn't (or is rarely) exclusively bad in TDP, or that not breaking things is always Good.
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And all of this comes back to, I think, one of the most interesting scenes in the whole show in both a "character perspective as an individual" standpoint and in a broader narrative way of thinking: Sol Regem's assessment of the world in 6x04:
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Which of course begs the question: what is broken in Xadia, and what does Sol Regem think is broken in Xadia?
I'd be willing to wager given that Sol Regem seemingly reported and/or testified against Leola to the Cosmic Council that it's about magic use, but it could even be about the First Elves themselves leaving and the "long slow spiral to chaos" that's ongoing. For us as an audience, our context of what is broken (re: not functional and wrong) — especially by the end of S6 is the Cosmic Order system because it's not fair, the division between elves and humans, and the splitting of the continent, which is why Ezran argues for elf-human reunification, Callum uses primal magic for good, and Rayla loves her human family. Because what fixes things, routinely, is love, compassion, self-reflection, and mercy. That's what breaks the cycle, and allows people to fix themselves and their world views, their families, their mistakes. That's what allows healing.
We also know canon is gearing up towards something given Aaravos' endgame is some kind of great shattering, and given what it implies, both immense suffering and good will likely come out of it:
I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky.
—TDP Reflections Vol 1: Patience
Because Sol Regem is both right and wrong.
Xadia is broken — but our team of heroes can and will save it.
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chaifootsteps · 1 month
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I know it's a natural side effect of everything good about the pilot definitely not being written by Viv, and series!Charlie being a supposedly "nice" character being written by a notably not nice person, but I really never got the sense that Series!Charlie gave a damn about the common sinner if they couldn't contribute toward helping her white savior-ass "fix" the demons.
The only time she actually cared about somebody's past was when HER girlfriend used to be an angel, and never told her despite that being a secret that could get her killed if she told the wrong people. She doesn't care about how many people Angel's probably given cement shoes, she got him to quit doing drugs so it's all fine.
Her ideas don't go any deeper than making the demons (who are all perfectly content to live in hell, they just don't like being murdered every year) act vaguely palatable in a Christian manner, there's no focusing on the inherent immorality of eternal punishment, no considerations of a purgatory or reincarnation, or making hell just fucking bigger which they can definitely do, holy shit, just do that, by all means, she acts like a sheltered, apathetic child inserting herself into everyone's lives until its made evident the heaven system is BROKE broke and sacrifices like Sir Pentious' are meaningless when nobody knows the criteria for getting into heaven.
Like the key difference is, if Pilot Charlie caught Alastor blatantly eating one of the inhabitants of the hotel, that would probably the last time anyone sees him alive, but if Series Charlie saw that happening, at worst she'd be kinda annoyed at the bad press. And that's not a bad concept for a character, but it's clearly not the one they were trying to go for, and constantly portraying her as all pure while ignoring her short-sighted and selfish tendencies makes them stick out way more and become hard to root for.
All of this. Pilot Charlie didn't have a spotless track record when it came to knowing what her subjects needed (read, throwing out an addict's pills) but she at least had a more selfless and more adult understanding of it than series Charlie. She paid Angel for his time the first time they met, said the right things, and didn't force everyone to sit around roleplaying Sunday School scenarios and playing clap games.
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ineffable-opinions · 3 months
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MAME & BL Literacy Part 1
Another MAME show is airing and I thought it was good time to discuss what makes that author controversial.
As usual, critiques and corrections are welcome.
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For those who don’t know MAME is a unique Thai BL creator. I have discussed in a previous post (that can be found here and here) how Thai BL is lacking in BL literacies. MAME is one of the exceptions. This is because:
she is a BL author & hence, one of the creators of BL literacies
she studied BL and its production academically [you can find her research output by searching her name: อรวรรณ วิชญวรรณกุล]
then she started producing live action BL.
In an industry which is lacking in BL literacies, what she brings to the table is fu-culture (BL fan culture) in all its glory. Unfortunately, the live action audience who are fans of sweet BL, have a hard time adjusting.
This is an exploration of response to her works, starting with the review of Love by Chance @waitmyturtles discussing all the ships in that series: AePete, TinCan, TarTum and KengklaTechno. This pretty much ties up what I identify as the first issue with BL literacies deficiency and MAME’s knowledge.
Here are some typical narrative progressions for a (Japanese) BL:
あまあま – sweet
ユニーク – unique
シリアス – serious
邪道 – evil road (Jadō)
王道 - royal road (odo)
Any theme/one-line plot can choose to take any of these narrative progressions. Moreover, Thai BL usually originates online which allows for innovation in narrative progression.
AePete
In Love by Chance AePete follows the typical sweet BL narrative progression. Sweet BL is characterised by an overall sweet flavor (characters, mainly the pairing, would be sweet in behaviour and motivation) and relationship progression is pretty smooth. This is the narrative progression that GMMTV sticks to. I have discussed their reasons as well as why it might not be a good thing in the long run here.
KengklaTechno
Their story follows jado narrative progression.
Quick note about Jado BL & Kengkla as a kichiku seme
One or more characters in a ship being emotional aggressors, physical abusers, sexual predators or outright villains is a very common trope in BL genre. These are popular sub-types (most notable: brute kichiku 鬼畜) of seme/uke/riba with these specific attributes and they have dedicated fans who thoroughly enjoy such characterizations. But these are clearly not everyone’s cup of tea. Some BL fans find these themes unbearable. That is why GMMTV and other BL live-action producers who don’t want to upset any of their audience members usually:
avoid such characterizations all together especially with sweet narrative progression
tries to soften such characters into more universally palatable forms
tries to redeem those characters by getting rid of those with odo – this is what currently airing My Stand-In would do.
make them villains – never making them the protagonists who gets any kind of happy ending
This is done not to trouble the average audience’s worldview (世界観) and is clearly a low effort and low skill (in terms of BL literacies) approach. But since a lot of audience don’t appreciate villain-like characterization, it is clearly low risk, no chance of a backlash from angry audience and the best method for assured money making.
Occasionally BL live-action producers venture into the risky terrains, especially with jado. The Japanese does it a lot, usually in movie format. China and Taiwan also delve into jado fairly regularly. But live action Thai BL seldom does anything commercially dangerous.  
In a jado BL, a character might do terrible things and manipulate the other character(s) in the ship. But won’t feel remorse, apologize and improve for better. This is a violation of the expectation placed on characters on sweet narrative progression. Sweet BL audience do not expect characters in a ship to be anything but good to each other, especially after they have become a couple. While audience don’t mind characters making mistakes, in this narrative progression audience also expect characters to learn from their mistakes and to grow closer by earning and giving forgiveness.
In jado BL that focuses on characters being villains, there are no such expectations. These BL work within the confines of their own worldview which don’t necessarily match with our IRL worldview. Characters are allowed to act in ways that goes against our everyday perception of what is right and what is wrong. Neither the characters nor the audience expect the characters to right their wrong, to apologize or to get punished, through judicial procedure or otherwise. Happy endings are not after reparations and resolution of issues, it would be in spite of those. Bad endings aren’t necessarily punishments for bad actions committed throughout the narrative, that’s just the ending of that story. Unlike with the BL with sweet narrative progression, these BL are not necessarily stories of two or more guys falling in love. Neither is their love (if at all there is love) expected to be healthy and wholesome. (It can be wholesome but it is just as well if it is not.) There are expectations from such narrative progressions too and resolution to most issues aren’t among those expectations. Clearly not everyone’s cup of tea, especially if they expect BL to be didactic like fables.
Problem getting papered over is the expected approach in jado. When characters get together/get back together with “problems” never really dealt with, it is proper meriba (merry bad ending). Plain bad ending where there is no resolution is also typical in jado BL.
Moreover, it is difficult to sell BL with jado and other narrative progressions. It becomes even more difficult to sell branded pairings when the characters they play are not impeccable. It is unlikely that actors playing bad guys can sell products for advertisers. (Imagine the characters from The Effect being in ads together!) It is even more unlikely that fans would go broke behind wicked characters and would want to attend fan-meetings and concerts featuring them in some way.
Kengkla is two-faced and an excellent yandere. He appears to be a cute and innocent junior in front of Techno. Audience also gets to see him in Machiavellian mode. This is something that Techno doesn’t have access to, at least in Love by Chance. Techno’s brother is his facilitator in the narrative, which in turn makes him two-faced too. Techno is not omniscient and Kengkla manages to trap him. And that’s where Love by Chance ends.
TarTum
There pairing is an excellent example of MAME’s skilled employment of BL literacies. TarTum is a sweet BL, complicated by them being step-brothers. While their pairing is barely odo, Tum as a character has a complicated odo progression. Horrors from his past haunts him. The journey is going to be complicated. It won’t be linear. There would be slip up on his part and that of others. But there’s light at the end of the tunnel. Those who love odo do so because of the pleasurable pay off, much more than sweet BL. It is a rollercoaster, and that’s why fans like it.
TinCan
This is another pairing with sweet narrative progression but with a rare dynamic: weak seme x weak uke, i.e., neither of them is strong in their pursuit. This is a notoriously tough dynamic to write, so much so that there are relatively few BL with this dynamic.
Multiple Pairings in a Piece
This is something I personally appreciate a lot. It is not often that we get a piece with different pairing with different types of narrative progressions. Authors choose this method and build universes so that they can reach the biggest audience.
A lot of people enjoyed Love by Chance because they could enjoy AePete. While I understand, I don’t relate to that. AePete was my least favourite pairing among them all. I enjoy dangerous characterizations over subdued ones and prefer a meriba over a happy ending. While there are plenty of BL media with those, they are rare in live action. In my first watch, I was constantly tempted to find fan-edits of every couple other than AePete. So, what is time wasted for some is actually really enjoyable moments for another. MAME gets that and I appreciate her for that.
Queerness, heterosexism and ‘Asian’ culture
@waitmyturtles also discusses “a kind of macro cishet perspective on AePete relationship” in relation to “Ae’s randiness and jealous tendencies” and Pete’s response or lack thereof as well as “Ae not being able to take Pete’s help, and Ae’s tendency towards stereotypically masculine POVs and behaviors” tied to “MAME’s story structure here is based in Asian cultural homophobia, in stereotypes of how the queer community should act by way of societal expectations in Asia.”
To unravel that:
I don’t know what “cishet perspective” means in relation to AePete, a pairing consisting of two androphilic male characters. I also don��t know what were the expectations on Ae and Pete in terms of randiness and jealousy.
More interesting I think is the question underlying the statement about Ae’s performance of “stereotypically masculine POVs and behaviors”. Now, what does that mean? In order to understand that it is important to figure out which type(s) of masculinity Ae would subscribe to based on his class, ethnicity and where he comes from (Thai masculinities show considerable variation with location). It will be meaningful to evaluate Ae’s behaviour with respect to: a) what he thinks is the “manly” thing to do b) what Pete does
Take “Ae not being able to take Pete’s help” for example. In their 2021 paper ภาพแทนชายรักชายในนวนิยายยาโออิ เรื่อง รักนี้บังเอิญคือคุณ [The Representation of Homosexual Men in the Yaoi Novel: My Accidental Love Is You] Phuwadech Doungmanee, Panunda Lerlertyuttitham & Natthanai Prasannam goes deep into this:
MAME employs four typical prejudices against male homosexuality perpetuated within the Thai society to create conflicts within the plot: 1) male homosexuality unacceptably deviates from the social norms 2) male homosexuality must not be “out” 3) male homosexuality brings disappointment and shame to the family, and 4) male homosexuality cannot earn true love; love must be purchased instead.
Pete trying to purchase Ae’s love is implied when he is offering ‘help’. This is a stereotypically masculine behaviour and an elitist one at that. As with other stereotypes listed above, this one too gets treated well (with Ae’s refusal to accept) even thought it might not seem so from a Western heterosexist lens.
Along with discursive clashes challenging earlier beliefs, those who hold the prejudices tend to be judged by poetic justice. The author thus educates the society and reading public on alternatives views in relation to male homosexuality. (source: The Representation of Homosexual Men in the Yaoi Novel: My Accidental Love Is You)
There is no one Asian culture. Here are the three popular types of masculinities in Thailand (these are very different from Malayali and Tamil masculinities I am personally familiar with):
Monk
secular male - chaai chatri (ชายชาตรี): embodies typical masculine features such as ‘authority, courage, self-assurance, physical and emotional strength, and sexual prowess’ as well as someone who ‘would under normal circumstances control his sexuality as much as possible and be loyal to his family.’
lower-middle-class - nak leng (นักเลง): ‘a man who is brave, daring, risk-taking but also fair.’ In more recent decade: ‘a man who is tough, loyal to allies and a playboy with numerous sexual affairs.’
Both Ae and Pete are very masculine in very different forms. MAME is not only familiar with different forms of masculinities and femininities, and their region-specific variations, but also plays around with it a lot. The male femininity is also achieved in both the characters in a similar manner. All of this might easily escape the audience members who have limited understanding of Thai masculinities and femininities.
Pete isn’t shown to be unsettled by Ae’s randiness because it is an interplay of two different masculinities done with grace. Pete not only plays the polished, prince-role to a kunlasatree (กุลสต กุ รี; a stereotypical good woman, defined as ‘proficient and sophisticated in household duties; graceful, pleasant, yet unassuming in her appearance and social manners; and conservative in her sexuality’), he is also an out-and-out chaai chatri.  
Physical Relationships and Explicit Content
One of MAME’s contributions to BL is in the toppling of certain beliefs, guided by sexism, BL live action creators were operating under prior to her.
Sathaporn Panichraksapong, an MD of GMMTV, a major producer of BL series, claimed that audience members who are mainly heterosexual women look for romantic relationships among the characters rather than sexual relationships.
We know that our audience are [sic] women. Women want to see only two boys having romantic moments together. They don’t want to see sex. Sexual relationships in BL are for a gay audience. That’s why in SOTUS the Series we have only two kissing scenes. With only these, audiences were already screaming. This is enough for them. (Interview with Sathaporn, GMMTV, 10 Aug. 2017)
Jirattikorn, Amporn. “Heterosexual Reading vs. Queering Thai Boys’ Love Dramas among Chinese and Filipino Audiences.” (2023).
As Jirattikorn goes on to highlight, this [wrong] perception about the audience (“women”) have changed ever since.
While early BL series tend to portray pure love without showing many sexual relationships, later BL series started to show more sex scenes between the two male lead characters.
Jirattikorn (2023)
Trauma & Porn
Itai Itai Itai (if you know, you know)
To claim that it is Asian cultural homophobia that MAME leveraged in Love by Chance through the inclusion of gang rape, incest, and unhappy ending is doing a disservice to BL and other queer genres including gei comi, all of which are well known for both trauma and porn. Aof Noppharnach and Cheewin’s lack of BL literacies is evident in their works. The way Aof Noppharnach shamed the use of the term เมีย ‘wife’ in Bad Buddy in spite of its usage by queer people, especially the little people among them, is evidence enough of the contempt and disregard he can bring in through his positionality as an “auteur”. To compare him to MAME is a little callous, especially when MAME constantly questions positionality and power through the stories she tells.
MAME’s trauma or lack thereof is none of anyone’s concern. So is what she does with it.
But the assumption that trauma in BL is a product of an author who themselves went through it is ludicrous and ignorant because BL from the days of tanbi (and its predecessors) have been engaging with it. There is already half a century’s history of BL with trauma and taboo themes.  
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you can find the review discussed in this post here:
This is Part 1
Part 2
Part 3
Part 4
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white out is probably one of the more notable episodes of she ra bc it's just catra at her absolute worst behavior, like objectively the portal had far greater consequences but i think the cold got to her in this one bc she's such a fucking menace. "looks like you're mine now adora" "always so perfect, look at you now. you're coming back to the horde under my command" "i wonder which of your friends i'll have you annihilate first" "I'VE GOT CONTROL OVER ADORA. I'M NOT GIVING THAT UP." like when corrupted she ra throws catra at the ground like a ragdoll she deserves it, 100%, no questions asked. there isn't even a time/space anomaly making catra act up, they just put her in outpost 31 from the thing with her ex and suddenly she's the homoerotic joker.
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even scorpia's briefly like "ahahah maybe i don't want to have a crush on catra after all" bc she's acting like such a freak. but also scorpia spends the entire episode trying to ask catra out, and tells adora, "you two, even when you're trying to kill each other, you can tell there's a real bond" and she is JEALOUS of that?? actually you know what this is also a catradora at their worst behavior episode too, like the way they immediately start trash talking and then ditch everyone to scrap the second they see each other is beyond unprofessional. catra's favorite number is canonically 42069 (confirmed by nate stevenson) and adora knows this by heart. if those two idiots were in the same room for five minutes while adora's on loopy mode the show would actually just end, and this episode fucking KNOWS it and refuses to give us the satisfaction. bro. scorpia telling loopy adora that catra is misunderstood and shouldn't SHE know that better than anyone else is just like. wow. ouch. rude. scorpia is actually the mvp of this episode she straight up judges adora to her FACE for abandoning catra and swears not to do the same, even though honestly she probably should, because catra fucking SUCKS in this one. scorpia reveals that "catra once used my rock-hard exoskeleton as a nail file" why?? why would you let this happen?? stop simping she's not worth it!! but scorpia is still the mvp bc at the end of the episode she just straight-up realizes that catra is out of her goddamn mind and breaks the 'controlling she ra' disk for catra's own good bc clearly something about low temps and her ex makes catra go 25% more feral than usual and it's pretty cringe. it's like when i dispose of the dead fly my cat has been antagonizing for the past twenty minutes like babygirl i don't like the person you become when you're in these conditions!! and of course OF COURSE we get literally two seconds of sober wordless communication between catra and adora that's just like ohhhh adora's gonna remember this one, you're going to be doing the dishes for the first fifteen years of your relationship once this galactic war shit wraps up and you save the universe by kissing with tongue. oh my god, what the fuck is with this show. how does this show exist. how does this episode exist. how does catra exist. they put this gay catgirl in an environment under 32 degrees farenheit for one episode and it's enough to make her say some of the most toxic, deranged dialogue in the entire series. i think soup would fix her, and also a cocktail of psychiatric medication and cognitive behavioral therapy. she sneezes like a kitten and needs a weighted blanket in the evil uber away from cringefail summit as she's mentally drafting the 'i fucked up' email to her boss. she thanks scorpia and shares the blanket with her bc she's so exhausted by her own bullshit. she ra and the princesses of power season 2 episode 5 white out is for the cold gay heartbroken bitches and it might just be one of the series' best. looks like you're mine now adora, good fucking night.
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spacesapphi · 2 months
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HES Trio Headcanon Time! (HCs below the cut, this is a long one)
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TW for mentions of bullying, death, parental death, car accident, drinking, and neglect
Elliot
- he's 30yrs old and 6'0, very lanky and tall and covered in freckles. His hair is curly too!
- HC for his voice has to be Raoul from Phantom of the Opera, just has that romantic voice that fits him so well
- his family is of Irish descent and his last name is Lillis, which he finds sounds VERY romantic!
- growing up he was so obsessed with classical literature that he would often pretend his life was a novel, narrating his daily life in his head
- LOVESSSS pride & prejudice, Phantom of the Opera, and Les Mis, he'll talk your ear off about them if you let him
- was unfortunately bullied a lot for his interests growing up, even at home. He tried not to let it dampen his spirit, but it was difficult. He channels a lot of that pain into his writing
- his parents never really respected his hobbies, and his brothers weren't that kind in general. Elliot often felt alone in his house, like he was a misunderstood outcast that didnt have anyone. One of his favorite book series as a kid was Anne of Green Gables, as he connected to her feeling out of place and different from everyone around her
- pretty much canon, but he's a lightweight. One drink and he's GONE. Hes gets silly and giggly when he's drunk too
- he's autistic (I feel like everyone in the HES trio is) and his special interest is around literature, specifically romance literature. Anytime he sees something notable happen in town, or a couple do anything he goes "Oh this is just like x character in x book!" And he'll infodump about the story to anyone who will listen (usually Leah or Penny)
- he gets along well with Penny and shes actually been his test reader and editor for many of his published pieces! He always puts her name in the "special thanks" section
- takes much pride in his appearance, especially his hair. Before the farmer arrived he was the one practically keeping Pierre in business for self care products because he REFUSED to go to Joja bc "Do you know how many CHEMICALS are in those things?!"
- maladaptive daydreamer for sure. He gets frustrated with the way he cant stop daydreaming, and how music always seems to intensify it. On one hand, it gives him ideas for his writing, on the other it makes it hard for him to interact with others. When he's home alone in his cabin, Finding him pacing around, listening to his favorite CDs and records is common
- his love language is sentimental gifts. They don't need to be elaborate or expensive grand gestures. If you mention loving a certain food he'll make it for you, he'll get you things in your favorite color just to make you smile. Hes a very sweet man!
- he has a beautiful laugh!
- wears dangly earrings all the time. He likes very sparkly ones with jewels, ones that make him feel like he's in a romantic period piece. He has a killer collection of them!
Harvey
- he's 35yrs old and 6'2, though you can't tell because he's often slouched over (bad habit, he knows. His back hurts all the time). He's a chubby guy too, which makes him feel self conscious, but he learns to love himself :)
- My HC for his voice is Simon Petrikov, specifically the way he speaks in Fiona and Cake, I cannot imagine it any differently LMAO
- Harveys family is of Italian descent and his last name is Russo!
- grew up with just his mom and grandpa. His mom was a doctor and his grandpa was a retired pilot who helped spark his love for flying. He died when Harvey was 12, leaving some model planes and that radio he keeps in his office to him with a note telling him to always reach for the skies.
- Harvey has a bit of a lisp, and spent a lot of time in speech therapy as a kid. Words with lots of "s" sounds are tricky for him
- he actively went through so much testing to be a pilot, but when he got to the actual flight test where he had to get into a plane he got so anxious he threw up and ran away
- he realized then and there that he couldnt do it, and it was a hard reality to face. A lot of crying, and a lot of struggling to accept his dream wasn't attainable. He felt like he was letting his grandpa down, but his mom promised he wasn't
- when he decided to go to medical school, he couldn't decide what his focus was going to be to save his life, he changed it constantly. It took about two years to land on primary care physician and even then he still kept researching other tracks. This would come in hand once he got to pelican town and became the only doctor
- often too exhausted to cook for himself, which is why he buys so much processed food. Shane gives him a lot of shit for it every time he sees him at JojaMart ("don't say SHIT to me at my next checkup if you're going to buy that")
- his eyesight is so bad. He can't see a foot in front of him without his glasses. He's also incredibly clumsy and falls and breaks them often (I mean where did you THINK all those broken glasses you were fishing up were from?)
- like Elliot, was a victim of bullying in school, especially highschool :( Nerdy guy with a plane interest that stuck to himself was unfortunately a prime target, and he found himself in a rough situation. It actually got so bad that he took a special test to be able to graduate early so he didn't have to deal with it anymore. He passed it in tenth grade, and put all his energy into studying to be a pilot until he was old enough to join courses for it
- his mom was his biggest advocate, and was regularly down at his school to yell at administration for letting the bullying get that bad. She loved her son more than anything and would do anything for him. She was the one to suggest testing out of school, not wanting him to go through all of that for years.
- hes still close with his mom, and they regularly call and write letters to each other to keep up. Since Harvey lives so far now, they mostly meet up on important days like birthdays, holidays, and to go visit his grandfather's grave every once in a while
Shane
- he's 30yrs old and 5'7, and he hates both of those facts. Being the shortest man in town and one of the oldest single ones is a bit of a blow to his self esteem. He's pretty bulky too, a combination of muscle from working on the ranch and as a stocker, and fat from drinking and diet
- I go back and forth on his voice HC constantly, but I like the common fan interp of him sounding kinda like Nick Miller from new girl, it fits too well
- Shane is Pennsylvania Dutch on his mothers side and his last name (along with Marnies) is Yoder!
- that being said he knows very little of the PA Dutch language, though Marnie speaks it fluently. He has a bit of an accent from growing up with her
- croc wearer, don't tell me otherwise. He has a few everyday pairs, a fur lined pair for when it gets cold, and what he calls his "formal Crocs" (literally just black Crocs with bowtie jibbits this man is so fucking corny). He has normal shoes too, like sneakers and boots for the winter and work, but nothing beats his Crocs
- Jas has tried to call him dad a few times, but it makes him sad. He doesn't feel good enough to deserve that title, and he feels like he'd be disrespecting his friends by trying to take it over.
- Was in the accident that killed her parents. They took him out to celebrate his 25th birthday, going to a Tunnelers game. They were hit by a reckless driver going far above the speed limit on the way back home, and he was the only one who made it. One moment Shane was having the time of his life with his best friends in the world, the next he's waking up in the hospital finding out they're gone. As a result, his birthday has become a bit of a sore subject, hence why he "was hoping he'd forget" anytime he gets a birthday gift
- his leg got really hurt in the accident, and though its healed, he still often needs compression braces to deal with chronic pain from it. Working at Joja and on the ranch aren't exactly low impact after all
- Marnie is his only bio family thats alive and on speaking terms with him. She practically raised him for the most part, with his dad gone and mother having passed when he was little. His mother was Mona, the same Mona from the cemetery. She was Marnies twin sister, and the photo in secret note 11 is her and baby shane.
- He and Emily were childhood bestfriends growing up, and dated in highschool. They realized after about a year that they just worked better as friends though, and remain besties to this day
- he's transgender he told me himself
- Marnie was also incredibly supportive of his transition and she's fiercely protective of him. He may technically be her nephew but she sees him more as a son and thus goes full mama bear when it comes to him
- even though he doesn't take great care of himself, he makes sure jas is well taken care of, especially after he starts recovery. His clothes may be threadbare and worn, and he may look like he hasn't slept in a year, but Jas will *always* have everything she could ever need... and want. Ngl he kinda spoils her a little, especially after he cuts back and can afford it more. He feels bad saying no to her given all that she's gone through. She has a doll collection that could make the most avid collectors jealous
- he makes sure he spends time with her too, taking days off for festivals because she wants him there, taking the day off for her birthday, and trying his best to be there for her. It's an upward struggle for him to get better so he can be there for her, but he's trying
- after Joja closes down, Marnie offers him a full time job at the ranch, including pay and board. He takes the offer IMMEDIATELY, and does an amazing job at it. She's certain she'll be leaving the ranch to him once she's retired
- if you want to get him to do anything, tell him him it involves chickens in some way. Chickens are his special interest for SURE. Chicken print socks, corny puns, joke tshirts, he has it all. He practically becomes the organizer of the Egg Festival yearly once he's started recovery, putting a crazy amount of work into it to make sure it goes well. Same with the Valley Fair's petting zoo. The amount of pride he gets talking about the animals to tourists is unmatched, and it's one of the few times Marnie gets to see him look as happy as he did before the accident. Those moments are fleeting, but everytime she can see that light in his eyes she feels like everything will be ok.
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waterloggedsoliloquy · 5 months
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protag johnny truant talks a lot abt his sex life and the girls he fucks, seemingly without a direct relation to what he footnotes. but theres always this weird dissociative vibe to it and a lot of ppl think he's lying to sound better than he is (smth he admits to having done, telling insane stories abt how he got his disfigurements is part of his (often unsuccesful) pickup routine), but i ask what does he have to lie about in footnotes no one is ever going to see? my theory is that they are things he thinks happened, or things he is afraid of happening, and writing them out is his way of assuaging the anxiety brought on by delusion or ocd
notably these alleged fantasies are not particularly flattering or satisfying. they are under bizarre or unideal circumstances, involve him feeling deeply ambivalent and lonely, and explicitly mentions not finishing. a woman he doesnt remember becoming friends with uses him as revenge sex on her fiancé. so i find it hard to believe hes doing it to bolster an image or even an ego. if they do happen, even in part, these are not healthy or even necessarily coping mechanisms that make him feel better. often they make him feel worse, lost, alone.
I won't deny that Johnny's parts can be hard to get through. He can be crass, misogynistic, uncomfortable, unhygenic, dissociative, painful, ugly, and sometimes there's just plain bad sex. But I think it's unfair to discount these sections as entirely discrete from and unrelated to Zampano's paper on The Navidson Record. Johnny's story is included in House of Leaves for a reason. It's a part of the whole. There's a lot to be said about Johnny, whose life has never had any security to begin with, whose life is a series of winding pathways that leave him substance reliant and unsure of his place in anything-- in space in time in other people's lives-- reading a book about a movie where this upper middle class nuclear family moves into a new house and immediately have their own sense of domestic safety completely and totally shattered.
Here he is, speaking about his disfigurements (the things he has to tell ludicrous, pulpy stories about in order for people to not recoil away from him):
"All of it true too, though of course scars are much harder to read. Their complex inflections do not resemble the reductive ease of any tattoo, no matter how extensive, colorful or elaborate the design. Scars are the paler pain of survival, received unwillingly and displayed in the language of injury."
Here's him talking about that lady who has him as revenge sex:
"Before I left she told me our story: where we'd met-Texas- kissed, but never made love and this had confused her and haunted her and she had needed to do it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing there anyway? I left, considered jerking off, finally got around to it back at my place though in order to pop I had to think of Thumper. It didn't help. I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly "Ashley" causing her to stop pushing me and ask "yes?" her eyes bright with something she saw that I could never see though what she saw was me, and me not caring though now at least knowing the truth and telling her the truth: "I've never been to Texas.""
I don't know. I just have a profound compassion for this guy. Maybe it's my own history with abuse and neglect and dissociation and unreality but it kind of shocks me to see how many people respond to this guy who desperately needs help and isn't going to get it, who is deeply terrified of other people and wanting them and hurting them or himself... as an imposition and annoying. It's such a fundamentally different read, one I hadn't even considered.
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twistmusings · 2 months
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Character Analysis of the Twisted Wonderland Dorm Rooms - Scarabia
Dorm Room Character Analysis Series
Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia
Kalim Al-Asim
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Kalim's room is notably organized, to start with. Whereas with Floyd, I theorized his room was largely his doing, due to the sporadic organization of it, I believe that Kalim's room being as organized as it is is very likely through Jamil's intervention, given what we know about their relationship.
Kalim's room is designed for company - he doesn't have a desk set up, but he does have a pillow and an ottoman set out for having people over. He also has a tea set at hand and ready for guests. Considering Kalim was raised by a wealthy family, you can see touches of it throughout the room - particularly here. Kalim likes to be a host for other people, and he likes to make them feel welcome. That being said, with how much Jamil is told to take care of Kalim, it's not hard to imagine that he also gets roped into taking care of guests - something I will go into more details about when I actually talk about Jamil's room.
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Kalim has a frankly ridiculous amount of pillows, and none of them match. (I counted 15 of them.) I suspect that in large part, this is to show the eccentric nature of Kalim's personality. Having many, vibrant patters from a design perspective lends to a bright, slightly spacey personality, which fits in well with Kalim and how he presents himself.
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Kalim also has quite a few books. The books in Twisted Wonderland are generally easy to identify by their shape and size - and it's important to note that this seems to be mostly a personal collection. What this tells us is that while Kalim seems to be a bit turned off of studying, he does show an interest in reading if it's something that interests him. Again, I would say most of these are probably organized by Jamil, so it's hard to say if there are any he would reach for regularly.
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There are two possibilities for this box right here. Either this is a first aid kit. We know that one of Jamil's major duties is to ensure that Kalim isn't harmed under his watch, so it's possible that Jamil stuck this here. (Not to get too far into video game lore, but I can see why there wasn't a cross placed here - because of geneva conventions it gets sticky to use the symbol of a cross on an item in a video game because it is not permitted for use in a context where medical services are not being offered in a real life context. Still, this leaves some questions as to what this is.)
Or, this could be a piece of mail for Kalim, likely sent by Kalim's family. We don't get to see much of the Al-Asim family when it came to the Firelit Sky event, but this would seem to imply that Kalim's parents are doting enough to send him a care package with a little heart drawn on it.
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Kalim's secret Mickey is just above his bed on the wall below the windows.
Jamil Viper
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So, like the other members of the dorms who aren't dorm leaders, Jamil shares his room with someone else, as seen by the second rug and desk to the right-hand side of the frame.
The first thing I want to point out, Jamil's room shows the hallmarks of being a room that is intended for a single person, as opposed to Kalim's. In fact, this room is a very solitary, closed-in room, with very little decoration and very little personalization. Jamil, likely, spends very little time here between tending to Kalim and doing his regular school activities. I wouldn't go so far as to describe it as prison-like, but it certainly feels stifling. That's worth examining, as not decorating a room is actually telling from a psychological standpoint - people who don't decorate tend to be more avoidant personalities than people who do. While I don't want to get too far into spoilers so far as the Japanese release goes (iykyk, otherwise you'll find out soon), but this actually tracks with Jamil - he tends to deal with his problems by not dealing with them until he can't avoid them anymore.
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Jamil actually ties and hangs his shoes! I think this is a neat detail. Speaking to real life inspirations, it's very common courtesy in Muslim households to remove your shoes on entering a home, and to my knowledge it's a common practice throughout the Middle East. So, more than likely, Jamil and Kalim both likely remove their shoes at the door and walk through the dorm using slippers or barefoot. It's a thoughtful touch to include a little detail like this for Twist characters as well.
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While Jamil is noted to like music and dance in canon, I think it's interesting that in his dorm room, he is one of the few people who has a boombox and headphones. In fact, it's one of the few personal touches we do see in his room. This is on his desk, so likely, he listens to music while he studies. I also believe there's a bit of symbolism here - as Jamil is likely using this as a method of shutting himself off from the people around him, as well. Generally speaking, Jamil's room paints him to be the solitary sort, and I think it's worth considering that Jamil is likely an introvert.
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Jamil also has one of these boxes in his room. As I said before, this could imply one of two things:
If this is a first aid kit, and Kalim is in Jamil's room frequently enough that Jamil felt the need to put one in his room as well. If so, Jamil has not gone out of his way to make his room any more comfortable to Kalim to be in.
Alternatively, if this is a package, that means that Jamil's family or Kalim's Family also make a point to send this mail to Jamil. Since we can only guess as to the contents of the box, it's hard to say which it is. There are a few possibilities that arise from this:
1. This packaging is the standard packaging for post coming from the Scalding Sands. This is a little unlikely because of the heart on the box.
2. This is a package that whoever sent it has gone through the effort of drawing a heart on it. This indicates it's likely coming from family.
3. Because the boxes are the same and appear to have the same writing on both, it's likely if it is a package that Kalim and Jamil's families packed these care packages together and send them to both of them.
Again, because it's a bit nondescript and hard to say for certain whether this is medical supplies or if it's a package, I would say this is up to interpretation at this point! Unless we get confirmation one way or the other, let your headcanons run wild.
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Jamil's hidden Mickey is in his scrying orb on his desk.
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amalgamate-exe · 4 months
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Dye Dye My Darling
IRL's plz dont read ^^
Eli -Hawk- moskowitz x M!reader
This is like my first full fic so enjoy!
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Warnings: Unedited, Earlier series hawk, Flirting some and a whole lot of hair dye.
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Hawk and you have been dating for about 6 months which would make you the luckiest girl in the entire tri-state area if this was some cheesy rom-com, but alas that's not how life worked out for you two. Unfortunately hard-core Karate kids and of course… kyler wouldn't be so chill with you two together, but that was beside the point. You were sitting with your friends at lunch admiring Hawk from afar Admiring him, the way his liberty spikes stood larger than life, the way his nose crinkled when he was laughing, probably about the Miyagi- do kids, or some new internet video that hasn't become post ironic yet, His cleft lip his-
“Earth to Y/N?” One of your friends ask 
“Hm sorry? Yeah what's up?” you ask still wanting to keep an eye on your boyfriend, you had no reason to stare but he was just… so pretty, like a Greek sculpture with his liberty spikes seeming to tower on forever
“Did you get the answers for number 6 for Math? You’re a nerd and like- Hey are you even listening to me?” Your friend follows your gaze to see “Oh for the love of gods Y/N I understand you want to live out your little romance but how many times do I have to tell you? He’s taken and… no offense, You're not his… his type!” this was almost a weekly conversation at this point, your friends and anyone else just assumed you had a crush on Hawk, but it didn't matter you two had each other and he invited you over to his house to hang out and play Tekken, and maybe… just MAYBE he’d let you dye his hair, his roots were overgrown and his hair was more of a blue-green bleached color rather than the aggressive red or any other color he has had in the past 6 months. 
“Sure thing F/N, anyways here are the answers for the homework,” You say keeping an eye on Hawk. And sliding F/N the answers
The rest of your classes after lunch went by fairly quickly, nothing interesting or notable except that on Friday there would be a huge party at the creek. The final bell rang as you started walking to His house, when you heard the clop-clop of heavy boots on the pavement behind you you turned around and see Hawk 
“Hey! Were you just gonna walk off and leave me back at that hell hole?” He asks giving you a playful nudge in the side
“Oh sorry I figured you wouldn't want to be seen with me, social hierarchy and stuff,” you say with a smirk, understanding the cliques in high school are very important, just like 80’s movies. 
“Not that I don't want to see you! I get like during lunch where you’re playing all stealth, but I love seeing you, I crave you” he says with a smirk as you walk back to his house.
Once you get into his house you both drop your bags and sit on the couch next to each other, you start playing Tekken 7 on his play station, He selects Devil Jin and you select King, as you two start playing and getting into the groove of the game, you decide to pop the question,
“Hey Pigeon~,” You ask in an almost sing-song voice
“yeah, babe?” He asks Lasered focused on the game, some things never change
“I was thinkin’ like your hair is just bleached now all the colors faded out, and I was wondering if I could dye it for you?”
“No way in hell” Responds quick and toneless
“Aww, why not?” You ask attempting to counter His attack and failing miserably 
“Because you're going to mess it up then you made a fool out of both of us! I'll trust you a lot, however my hair dye, my spikes? No one touches those”
“Well, you weren't complaining when I was touching them the other night!” You quickly retort back
“That's– that’s beside the point,” he says slightly flustered “No one touches my hair for upkeep except me!”
“So you're saying that you trust me to give you a PERMANENT tattoo over more or less Temporary hair dye?” You ask with a smirk
“What-? No, that's not what I'm saying at all!” He seems annoyed but that could be because you're beating him at video games rather than you attempting to get permission to dye his hair
“I've been dying my hair since I was like 13 if anyone knows anything I do. Also, would you rather have a little purple on your forehead or the weird half-blond green with roots you have going on now?”
He thinks for a moment as he hits a combo on you, the TV plays a little sound and goes “Player 2 WINS!” 
“Wanna know what, Fine, you can dye my hair ONCE” and if you fuck it up you will have to be the one who goes out to buy black box dye to fix it, AND deal?”
You smile and steal a kiss “Deal” 
You guys go to his bathroom and he changes into his hair-dye shirt, 
“Can't you just be topless?”
“No! You're going to be messing with MY hair. I don't need your eyes somewhere they shouldn't be!” 
“Oh sure! I'm the one ogling you when your shirt is off, I swear if you think i'm bad you should SEE your teammates when you take off your Gi top”
“Well last time I checked, I wasn't taking my teammates to bed with me” he responds with a smirk as he takes the bright Red hair dye bottle from under the sink and hands it over to you, then he kisses you on your cheek, “Ok now don't make me regret letting you do this… ok”|
“Fine” 
After you start mixing the dye and put on gloves you start applying the dye to his head,
“Are you sure you didn't forget a step?” he asks with a smirk as you apply the dye to his hair
“Well if I did it's too late now… here my phone is in my pocket. play some music” You shift your weight so he can take your phone out of your pocket and he plays something, the noise of chiptune and 8-bit music fills the room, it is lively in its way 
“Hey this is kinda good what is it?” you ask about halfway done slopping (painting) on the red pigment to his hair
“You're not gonna believe me,” he says with a smirk
“Oh come on, you've seen my taste in music at times, this is good, what is it?” 
“It may or may not be the undertale soundtrack by Toby Fox?” he says almost embarrassed, which causes you to burst out laughing
“God pigeon, no matter how much of a karate badass you are, you're still a nerd at heart… I could kiss you right now” 
“Now now, focus on my hair, need your blood in your brain…’ he looks you up and down “Other places,” he says smirking and giving you that damned look of flirtation 
“You know you’re making dying your hair seem like way more of an in-depth process than it is… also for your hair being bleached so many times it's still soft” You liked the conversation also the silence no matter how long you've been together still felt off-putting, he smiles 
“Thanks the hair dye I use has some conditioner property or something, also I use a shit load of conditioner you know it couldn't damage your hair too much if you wanted to dye your hair too” he was just straight flirting with you now but he seemed genuine with his offer causing you to blush, a lot 
“That doesn't sound like a ‘no’ to me, c’mon we can match,” he says with a smirk that you could never say no to. The way his cheeks moved, the way his-
“Hey space cadet, can I dye your hair while mine is setting?” He asks while he's turning his head making sure every bit of the hair is saturated with the crimson dye’
“Yeah, that would be nice… though you better not fuck it up,” you say playfully.
Once you are done dying your hair and rinsing it out, the bathtub looks like a murder scene, with red dye along the bathtub and partially up the wall
“Holy shit your mom is going to kill me!” You say looking back at the mess you've made, hair dripping in front of your eyes, which causes Eli to scoff
“She's fine with it, who do you think took me to buy the dye in the first place? It just needs some TLC and it’ll all be good, baby” He says in a playful tone of voice while wrapping his arms around your waist. “The red streak looks cute on you too,” he says kissing your cheek, it feels nice his hands around your waist, and you lean more into him 
“Hey since you don't have to get going for a few more hours, wanna watch a movie? Something cheesy like clueless or… 10 things I hate about you?” He shrugs holding you close
“Both sound perfect”
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