#and the only reason i can think of for why someone would feel the need to jump through this many hoops

[diazwake]

okay so i have to just ramble about why i think buck and tommy have been doomed to fail from the jump.

i've been thinking about the discussion tommy and buck had right before their first kiss. tommy telling buck to stop being jealous. that he could never take the place buck has in eddie's life. that buck is not replaceable to eddie. tommy talking about how christopher would riot without buck in his life and buck going 'really?' with the brightest happiest goofiest smile on his face just thinking about how much christopher and eddie want him and need him and love him.

these are all things eddie has told buck before, but buck has so much guilt from hurting eddie in his jealousy, that the thought he might have caused the end of his most valuable friendship makes buck's past trauma rear its ugly head. in that moment buck needed someone to tell him he didn't fuck it all up and that he didn't lose his best friend.

this is where i start getting delulu. but i think it’s here, right after tommy reassures buck, that buck starts processing his feelings on what eddie means to him, what they mean to each other, and what they ultimately are. but buck, in an avoidance to fully take in and accept the reality of his feelings for eddie, performs an exercise in subconsciously pivoting those feelings onto tommy.

buck does this because he has nothing to lose with tommy, but he has everything to lose with eddie. he was just reminded of that. "trying to get your attention has been kind of exhausting" is an insane thing to say to tommy, and even tommy knows it. those words were meant for eddie.

it's buck's luck that tommy can see the gay of it all and is also a little greedy, so tommy makes the choice to fill in some of the gaps for buck with the kiss. in exchange buck takes this opportunity to use tommy as a blank canvas for what a relationship with someone like eddie could be like, without any of the risk. tommy knows buck is only going to be with him for as long as it takes for him to figure himself out, but tommy's not leaving that exchange empty handed. tommy gets to not feel alone, because he admitted he's jealous of the found family the 118 have built since he's left.

tommy knows it's temporary. i think that's part of the reason why tommy's character is so polarizing in the context of his relationship with buck, and why their relationship so far seems to superficial despite them dating the entirety of 7b. because why would tommy get invested in a relationship built on misguided feelings, fully knowing it's doomed?

[auspicioustidings]

I am sure I must have yapped about this before but consider alpha Ghost who despises omegas. Roba was an omega and he used every bit of his biology against Ghost to try and break him. He just cannot be around omegas now, he hates it when any of his pack even smells like one from being out and about.

It means their pack beta Gaz gets treated like their omega to an extent. It's not like he hates it, it's nice that they want to spoil him, but he also wants to look after someone y'know? Everyone thought he'd present as an alpha when he was growing up and he still feels the instinct to protect those weaker than him. It maybe gets to him a little that he feels like an alpha, he is a beta and he gets treated like an omega.

He does not expect to present late. He certainly does not expect an omega scent match to be the thing that triggers it. You're everything he has ever wanted and he knows he will break Ghost's heart if he brings you home. So he doesn't.

You are rejected by your scent match and it hurts. You didn't realise how awful it would be, how much it would wreak havoc on your system. Alphas can reject a scent match and not be too affected but omegas? It is horrific.

Soap smells you on Gaz no matter how much he tries to hide it. His fucking scent match and Gaz is hiding them. The others were too distracted by Gaz's new alpha scent but Johnny always did have the best nose, and he is not going to let this go. He knows Ghost's feelings and he loves the man, but he will not ignore their omega to spare him from confronting his trauma.

You don't trust him when he tracks you down. Another scent match here to break your heart all over again? He's so upset at how sick you've gotten over it, gets to his knees and begs for a chance for his pack.

Only when you finally let him take you home, Ghost growls at you. One of your scent matched alphas growls at you. You want to die. You run away while Soap and him get into a shouting match.

You meet your last alpha while you are running. Price has no idea what is happening when you crash into him as he's walking the path to home. He never thought he'd have an omega. A scent match at that? It's more than he deserves he thinks. He's happy about you running into him, you're his and it feels wonderful. Only you are wildly distressed while smelling like Soap and he needs to figure out why.

He tells you to stay put because he can feel Ghost through the bond, feel his turmoil. He should never have left you, but his concern for his pack mate took priority.

The thing about meeting all your scent matches in quick succession is that it nose dives you into a heat. But they hate you. One rejected you, one brought you to another so he could growl at you, one left you when you were in distress. You are so distraught that you can't go to them because you are certain they will only be disgusted that you would ask them for help with your heat.

You find the nearest shelter. It's a crumbling shed out the back of their property. It doesn't do much to keep out the cold, there are leaks that get worse when it starts to snow through the night. You wish there would be more because you are burning.

The snow storm muffles your scent. The only reason you don't die is because Ghost braved the storm to go grab more firewood from the shed.

There he is, the alpha who hates omegas with his scent matched omega in heat, in pain and in danger. He walks away. You accept death would be a kindness now.

Except you don't die because he sends the others. You don't die because even though he cannot stand to be around you or to smell you, he gives his pack to you. He sits in the armchair all night listening as his pack bundles you into the pack bedroom and knots you through your heat while desperately trying to combat the hypothermia that was setting in.

It's months and months of angst and tension and misery as the pack tries to divide their love between their pack mate and their omega. Ghost hates himself every time he growls at you and scares you. You hate yourself for tearing this pack apart.

There doesn't seem to be a happy ending here until a pair of betas visit town. Maybe Ale and Rudy are just what this pack was missing to make it whole. Maybe they soothe all those frayed edges, act as a buffer. And maybe, just maybe, one day Ghost and you realise all at once that somewhere between you starting to growl right back at him and him starting to make an extra cup of tea for you, you fell entirely in love.

The rest of the pack can't believe it took you two idiots so long to realise it.

[suplicyy]

heyy hope you’re gonna take this request, can you write something about canon kuroo confessing?

No time skip please. Like with a female reader which doesn’t act in love with him like the rest of the girls, she’s not pick me or stuff like this.

So Kuroo can do nothing but finally talk to her because he can’t stand the fact that she’s different from other girls.

I can’t really picture canon Kuroo confessing, that’s why I’m asking, I really like your writing!

Thank u so much

Notice me Please!!!

Kuroo Tetsurou x Reader

— Summary: He has his eyes on you, but for some reason you don't look back.

— Tags/Genre: Fem!Reader | Fluff

— Warnings: None!

Kuroo drums his fingers impatiently on his desk, and with one hand resting on his chin, he stares at your figure across the classroom. You seemed quite entertained listening to music, which he has no idea what it is, but that sight makes him feel something inside him.

Frustration. He admit that he can't stand seeing you like this, because you're never like that when he tries to talk to you, and that made him feel a kind of jealousy, even if it was for something inanimate.

Every time you talked to him, you seemed indifferent, almost as if you were uninterested. Damn, why don't you look at him with the same twinkle in your eye when you're listening to something on your stupid headphones?

It's been a while since Kuroo started to have strong feelings for you, your heart skips a beat every time you pass each other in the school hallways, with Kuroo always looking back when you pass by him. But he never revealed that to you of course.

And no matter how many bad jokes or flirtations he told you, how many little gifts he left in your locker or on your desk in secret and then hinted that he was the one who left them there, it seemed like you never cared about his desperate actions for your attention.

At first, he thought this was just the way you acted, that you were more shy and reserved. But then he noticed the giggles you had with your friends, how talkative you seemed to be around them.

Now he thinks the problem is with him, that maybe you hate his presence, or just don't care about him.

He is a relatively popular person at school. His volleyball team reached the Nationals, which gave great prominence to all the team members, especially him. So it's no surprise to hear girls gossiping about Kuroo in the hallways.

To tell the truth, he didn't care much about it, sometimes he would even tease Yaku for having more fans than him, but that was it.

The only person he craves attention from is you.

But he doesn't know if you feel the same way, or at least care about his existence.

So that's why today would be the day he would bring the whole truth to light. His only option now would be to confess to you. Maybe it was a last choice made out of desperation and doubt, but he can no longer bear your indifference towards him.

Your club activities are over, so you can finally go home after a tiring day of boring classes and uninteresting people.

Now, you were walking towards the school exit, but you soon stopped when you saw a certain boy with a peculiar hairstyle standing at the gate, almost as if he was waiting for someone.

You figured he was waiting for Kenma to go home since they were best friends, so you didn't care much about it and continued walking to the exit.

"Hey, [Name]!"

A familiar voice calls you. And as you turn to the side, you see Kuroo walking towards you, waving at you.

"Let's go home together, shall we?" you look around, and then you look at him again, raising an eyebrow. "Aren't you going with Kenma?" "He said he needed to go somewhere else to buy a new game, something like that. And since I'm alone... I thought about going with you."

He gives you a smile that would make anyone fall in love immediately, but it never seemed to have any effect on you.

You looked at him with an enigmatic expression, almost as if you want to read him through his actions and words. "Um, sure." You say as you adjust your backpack hanging on your shoulder, soon starting to walk, with Kuroo by your side.

Your house wasn't that far from the school, but in the situation you were in, it felt like an eternity had passed since you left the school gates and started walking.

Neither of you exchanged a single word, except for Kuroo who was humming some random song.

"Y'know..." he says after a moment, which made you direct your gaze to him, who was still staring at the path ahead.

"I once heard you listening to this song. You turn your music up so loud that anyone who passes by can hear it coming from your headphones." your expression changes to one of surprise.

"S-Seriously? I never realized that..." you laugh awkwardly, looking away to the floor.

"Yeah... but it's not because of music or headphones that I called you to walk with me." Kuroo stops walking unexpectedly, making you stop too.

Looking back, you notice his expression is more serious, almost as if he is a little nervous.

"Actually, there's something I wanted to talk to you."

His tone of voice seemed to have changed too, which left you confused, or even a little nervous, as much as you didn't want to admit it.

"I...like you, [Name]." As he uttered these words, it was almost as if a weight had been lifted from the boy's shoulders, his previously tense posture allowing himself the luxury of relaxing, even if for a brief moment.

However, the opposite seemed to manifest in you. Previously unconcerned about what this simple walk would offer you, it was almost as if your breath was suddenly caught in your throat. Your heart soon feels like it's leaving your body, hammering in your chest in a fast, nervous rhythm.

"Huh?" you say in disbelief at what you heard. Shock quickly turns to annoyance, his eyebrows furrowing in disbelief. "Look... don't think this kind of joke is funny, because you won't hear me laugh about it."

"Joke? Why would you think that?" Kuroo says this right after with a nasal laugh.

He walks closer to you, and you instinctively step back, until your back is in contact with a large tree that was close to the sidewalk. He stops right in front of you, and looks at you with a touch of doubt, almost as if he had heard something incredible.

"Why do you think I would make fun of something like that? You- my feelings for you... would never be a joke to me." he says with an affectionate tone, his eyes softening for a moment as he maintains eye contact with you.

"Maybe this could have been just a challenge your friends arranged for you, like in those cliché movies." your tone conveys sarcasm, but with a touch of bitterness "Or maybe some pretty girl rejected you, and is now looking for solace in anyone even remotely close to you..." "Or even-"

Your words are cut off as you feel Kuroo's lips land tenderly on your cheek. His hand reaches out to cup the other side of your face, and the other lands on the tree behind you, pinning you there.

"I like you, [Name]." he whispers in your ear, sending a shiver down your spine. "And I will tell you this until you can't prove otherwise."

Kuroo takes his hand off the tree and takes your hand, then looks at you seriously. "And I mean it."

You feel your cheeks heat up, but you quickly compose yourself, and a small smile appears on your face, but this time it's genuine.

"Hmm, so you want to win me over, huh?" you push yourself away from the tree, placing your free hand on his shoulder. Your sudden closeness makes Kuroo surprised, making him suddenly feel shy.

"Only words won't convince me... you better work hard for it, Tetsurou." you move away from him, and start opening your backpack, looking for your headphones.

You give a small wave to Kuroo, but without turning towards him, focusing only on the path in front of you.

Dumbfounded, Kuroo waves back, his cheeks dyed with pink in embarrassment.

"Thank you for accompanying me, but I can go on my own from here." You say as you fit your headphones onto your head, putting on a random playlist that you made in honor of your little crush, who is definitely not Kuroo Tetsurou (it is).

— A/N: Uh........hi........I'm back.............

First of all, I want to apologize a thousand times to whoever sent me this request, I'm really sorry it took me SO LONG to post this. In addition to apologizing to everyone who follows me here, for not having given any sign of life for more than a month....😭

I really don't have a real excuse for doing this other than a total of 0 creativity and several hours of my life in hell (school), so I really needed to take this time for myself, until I felt more comfortable coming back here again.

I'm currently feeling quite creative artistically, mainly because I'm watching MHA again (which I'll probably bring here on my page) and also because I'm reading the Haikyuu manga. Plus, I passed pretty much every subject at school, so I don't have to worry so much about grades.

So...I'm officially back now!! I apologize again, and in compensation for this, I am already writing 3 more new things for you (2 are from MHA😜😜🤪); and I also won't open requests until I finish writing these, so stay tuned!!

[yandereunsolved]

Yandere Daryl Dixon w/ immune reader— 'we're all infected, why does it matter if you're the cure?'

Yandere Daryl saw your scraggly ass aimlessly wandering through the abandoned pharmacy he needed to raid. Walkers, five of em', and you fought them off bare fisted. Pretty badass, and fucking stupid, if Daryl has anything to say about it. You're bleeding from your neck more than any living person should.

A bite. You're bit.

No wonder you could care less if one of the rotting corpses bites on ya.

He wants to put you down like he should. He lines up his crossbow with your head, and like a deer caught in headlights, you flee.

Goddammit all.

Shouldn't matter anyway. You'll become another walker. At the most you got some gauze.

It had to be months again before he saw you on another run. There you are—banged up and just a lil more than skin n' bones, but there you are alive none the less.

Yandere Daryl admits to himself that it's the first time he's been intrigued by someone in a long while. Maybe that's why he's insisted on going on runs by himself these past few months. Maybe just maybe deep down he wanted to see you again.

It isn't hard to simply surprise you from behind and disarm you. He knocks you out and lowers you to the sidewalk. He doesn't see any walkers near, so he can check your wound out easy.

You still have gauze over it, but it has long since needed a change. It's drenched in fresh blood and covered in old. He unwraps it to see the damn bite. He can't tell if it looks better or worse now.

"Poor sap, what am I gonna do with you? Whats good a cure if there's no docs, only greedy men in this world." He tsks.

Yandere Daryl picks you up and carries you back to the group. He wraps a slightly torn shawl around your neck. It's one he found near the store you collapsed at. There's a reason you have been out here all these months.

You could'a just given up and died.

You could'a found a group.

Instead you found him again.

"Must've been fate, huh?" He chuckles humorlessly.

The way you looked at him. You're runnin' from somethin'. He just has to figure out what.

Yandere Daryl decides you're his to take care of. When he carries you into Alexandria, he doesn't let anyone else get their hands on you. He doesn't answer anyone's questions while he walks in and towards his house. He locks himself in and tells anyone that comes by to piss off.

Screw the rules and whatever the fuck.

You're a mystery that he has to solve.

So he grabs a change of clothes and some food for you. He plops them down on the table and sits in the opposite chair.

He doesn't mind waitin' for a while. It gives him plenty o' time to think. Somethin' in him is just stirrin'. He just can't decide what.

Yandere Daryl calms you down after you wake up. You can barely form words on those pretty lips and tongue of yours. Naturally, you question him and his motives. You're defensive and don't elaborate at first.

It takes just a handful of threats about exposing you and spreading around the fact there is an immune person to unravel your need for secrecy.

Somewhat.

You only tell him that you're being hunted by a group you were once with.

"Mind elaborating, hun?" Daryl draws out while looking over your figure for what feels like the thousandth time.

"I'll tell you—but I swear to God if you use this against me I'll stab you through the head a dozen times over."

"Fair nuff."

"They would—If you get bit and are injected with... well, enough of my blood then it acts as a cure..."

They fuckin' what?

Yandere Daryl vouches for you, and you end up in Alexandria. You get no ifs, ands, or buts about it. They assign you to his house. Daryl definitely convinced Rick that since you're a newcomer and you trust him more, he could keep a watchful eye on you. It totally isn't because there's this strange all possessing feeling that keeps latching onto his heart when you're around.

He keeps your secret safe n' sound. He manages to steal enough makeup from rundown stores to keep your healing bite covered up. He makes sure you are eating and getting healthier. He checks up on you before and after he gets done with a run. Hell, he reminds you of shit he forgets about all the time.

This does extend to him killing people to keep you safe. They looked at you wrong. Maybe one of the residents feels suspicious about you. They may even have confronted Daryl and questioned him. Oh, well. Just another one pushed to the biters.

Daryl has never had a strict moral compass. So he doesn't feel bad about murdering people who he is supposed to consider his neighbors.

Of course, those who came with him to Alexandria get the privilege of questionin' you just a bit. He's quick to shut that shit down, though.

Carol is the only one who is close enough to knowing that you are immune. She knows that Daryl has something more than platonic towards you. She also knows that you were injured with something that looked suspiciously like a walker bite mark when Daryl first lugged you in. (She snuck in and looked through your scarf while Daryl wasn't aware.)

She just isn't looking for trouble. She doesn't want to believe it, as it doesn't seem plausible. There have been too many false hopes from the CDC to Eugene.

So she let's Daryl foster his feelings towards you while watching out for you both. If Daryl ever oversteps a boundary with you, Carol will be there to knock him up side the head, call him a stupid redneck, and threaten him in the most motherly way possible. 

Yandere Daryl never saw you have so much terror in the eyes as the day he mentioned The Saviors. It clicked in his mind immediately. He has only felt that rage one other time in his life: when he learned Meryl had been handcuffed to the roof and left for dead.

He didn't think, but he acted. He held you and refused to let go. It's just so fuckin' unfair. He loses everyone that has a semblance of importance to him. Not you. Not this time.

His only thought was that he was going to burn every one of those fuckers to the ground—innocent or not.

[masterqwertster]

I so agree, with your thoughts about Ashton!

It's odd, to me, that Ashton in particular has garnered so much hatred. If you look back on all of Taliesin's characters across every campaign, he's ultimately not that different in personality from the others, save maybe Caduceus. Percy, Molly, and Ashton are all people who have been deeply beaten down by the circumstances they were forced into, and they gained a rough exterior to protect themselves because of it.

They're snarky, and try to act aloof to keep people at an arm's length, but at their core, they still have bleeding hearts that love much more deeply than they probably wish they did. In other words, they are interesting, multilayered characters, that don't just have one note. It's strange then, that these same characteristics are so widely celebrated with Percy and Molly, but are treated as reasons to hate Ashton in the same breath.

Taliesin is a master at making characters that make you think, and I think Ashton deserves to be celebrated as such, just as much as the others!

To be honest, I can't speak much of previous PCs' reception since I only got into CR Tumblr around Bells Hells arriving in Yios, but I think the difference is framing.

Taliesin has stated that his through-line on his PCs is the characteristic Confidently Wrong.

I would guess that the reason Ashton is catching flak is because:

a) they've got shit Charisma and Taliesin plays that as Doesn't Know What to Say and/or Doesn't Know When to Shut Up. Which on a disillusioned/cynical punk is... abrasive to say the least. They tell their truths with little to no filter, or much thought at times about how true those things are for others. Meanwhile, Molly and Percy are charming in carny and nobility ways respectively, while Caduceus has a calm, homey charm. Ashton is semi-intentionally off-putting, and pretty constantly cranky to some degree from chronic pain.

and b) Recently, Ashton is Confidently Wrong about a subject any attentive watcher can tag as being wrong and has major consequences on the world if acted on. Like, yes, you don't want a heartless, powerful murderer to push the Doomsday Button. But your group of caring, weak(? not really anymore) chucklefuck friends pushing the button doesn't change its doomsday nature or really make it any better. Also, all your information on what the Doomsday Button does exactly is suspect. I don't think any of the other's Confidently Wrong subjects were so potentially devastating for more than themselves or their parties rather than the globe. It's easier to grant grace when you're fucking over less people.

Now do I wish Ashton would get a clue that releasing Predathos is bad, period? Absolutely. But I also have been watching him and when they get an idea in their head, he tends to stick to it until proven wrong (think the Spark mess. Fearne hesitated last second, Ashton didn't). And the idea in their head right now is: The gods need to leave, their thrones need to be destroyed.

I think part of Ashton's rage at the gods that fuels this idea is wanting someone to blame that isn't himself for his shit life, and finding the gods a good target for blame, as Taliesin has mentioned on 4-Sided Dive before. And I think part of it is that FCG did a lot of proclaiming to be on the anti-Ludinus/Predathos stuff to save his goddess, and then he died as part of their missions, and then Ashton was shown a video about how the gods absolutely will sacrifice their followers to save their own asses. Which is kind of the situation FCG died in, if you slant it a bit and act like FCG wasn't mainly choosing to save their friends in the moment rather than the gods long-term. So it probably feels better to Ashton to throw some of that anger about FCG making the sacrificial play that he's been trying so hard to prevent at the gods who FCG was trying to serve.

And I get that not everyone wants to do the analysis on why Ashton is picking the path he is. That they don't want to take time to acknowledge his lack of social graces and the bias of his views, and would rather just get to attacking the faulty, insensitive rhetoric Ashton's spouting at the moment. But like, there's reasons Ashton is the way they are, and it doesn't hurt to acknowledge them even as you hard disagree with what's being said or strived for.

[abyssal-author-and-artist]

I love the Gravity Falls fandom because, like, you can headcanon any character as trans in any direction with like. Three exceptions.

Uh, headcanons below cut I guess

Dipper? We can make a good case for trans masc and trans femme. I tend towards trans masc because he's a little guy and just like me fr fr, but like, I like her, too, I find her cute in the punt-that-small-child-(affectionate) way.

Stan and Ford? Well, they're identical and I've seen a lot of them both being transmasc which I love and trans femme Stan and Ford actually make me feral. I need to do some things with transfemme Stan and Ford actually, I've seen them floating around and they're so cute and wholesome. Old trans sisters to me.

Side headcanon, Stan and Ford are extremely accepting even if they're cishet. Like Stan to me knew queer people in New York who died in the AIDS crisis. Like he can name people on the AIDS quilt to me and the only reason he wasn't hit by it and didn't die to it is he had to move to Gravity Falls. And Ford has a weird conception of gender that's shockingly progressive because multiverse.

Soos, okay, well, I haven't seen trans Soos around but like. First of all, super neglected character (I say as I do nothing with him). And second of all we are SLEEPING on trans Soos. A couple of the reasons for transfemme Dipper hold up here, mostly being the going-only-by-a-nickname thing. But also like, Soos's abuelita seems like just the most tolerant person ever and would so just go "Oh. I have a grandson/daughter now." and move on with her life. And also can someone draw transfemme Soos because I have a vision and if you saw it you'd agree because I can't get over her but like I can't even describe it it's just. Transfemme Soos in a corset. Transfemme Soos putting on a skirt for the first time. You feel me? Oh, and nonbinary Soos, too, just like. Soos went from very cis to the most gender human being ever to me very fast.

The three exceptions to me are Wendy, Mabel, and Pacifica (and it's up for debate whether Pacifica's even an exception).

Mabel is always transfemme. She can't for the life of me be a guy and I can't explain why. She's either transfemme or cis. Sorry, that's a girl to me and she always will be.

Wendy is either a cis woman or a trans man, and probably honestly falls on either extremely-masculine-man or tomboy-cis-woman for me. I can't really see her as transfemme.

And Pacifica is trans masc to me. I don't even see him as cis, he's just a guy. A man. Alternatively, the reason he's one of the execptions is because I was working on Divine Falls stuff and I went "what if he's genderfluid lol" and then "oh wait that's actually cool" so he's either a trans man or genderfluid to me, but like. He's genderfluid in the "getting my tits cut off and taking hormones does not make my gender one thing, I am unknowable and my gender is whatever pisses you off the most" sorta way. (Unrelated I think genderfluid Pacifica would do great on Tumblr)

[howlsofbloodhounds]

So glad someone else sees the weirdness of people being gross about fem body nightmare it always comes off as somewhat fetishy too bc they reduce him to just being hot

Yes! Absolutely. Seeing the weirdness not only in how nightmare is treated, but also how killer is treated! If he supposedly respects his boss, then why the hell is he drooling over him and treating him vastly different just because nightmare has tits now?

I also see this a lot with female killer or feminine killer—female killer always has huge breasts and small waist and it hardly seems like killer. Even when it’s just normal killer wanting to dress or express himself more feminine, it makes me uncomfortable when it’s done in an overly sexual manner for no reasons?

And of course nightmare and killer are adults, so there’s absolutely nothing wrong with being attracted to them or writing/drawing them in adult situations with eachother or others, it’s just that it feels very fetishized and hyper sexualized to have characters drooling over nightmare when hes just existing and also has breasts.

Even with killer as he is now, vastly hypersexualized as a character for not even any real reason either. He only flirted like once or twice in his canon drawings, clearly as a joke even and mostly because people asked rahafwabas to draw those things with killer, and yet it somehow became his entire character. Not to mention how people took “flirty” and “romantic” and immediately went “lustful creepy pervert.”

To the point where people just cant seem to let these aspects of killer’s character be just that; aspects, something interesting and fun, but not his whole entire character.

Don’t yall find it interesting to explore how a character who views themselves as emotionless and is dissociated from themselves and their actions most of the time navigates things like physical intimacy?

Especially when this character has very likely not felt any kind or comforting touch that wasn’t just a way to keep him further manipulated and controlled? How his experiences with abuse and torture and control have become so normalized it taints every aspect of his life, from the ideas of consent to the idea of boundaries.

Can he even feel much sensation that is too gentle, would it send him reeling in discomfort and disgust at first. would he hate how his body reacts even if it’s something that feels good—wouldn’t he feel viscerally unsettled if someone could provoke bodily reactions like flushing cheeks or a beating “soul beat” or even genuine arousal from him.

wouldn’t he think with contempt if his body reacts positively or negatively to receiving comfort. wouldnt he try to find a way to maintain control and detachment because too much stimulation or stress or feeling threatened or trapped or controlled or afraid for his safety and life could trigger higher stages and he lashes out and literally could kill his partner(s) because his mind mistakes the situation for something else. wouldn’t he need a level of either trust or control to willingly engage in something that feels deeply threatening.

Anyway i got off topic, but you’re absolutely correct. I love female or feminine Sanses, especially with the apple twins, and i don’t think there should be any need to hyper sexualize and fetishize the female body. (especially if these feminine/fem presenting or female bodies also happen to be trans/queer bodies; such as with transfem dream.)

like just let nightmare exists as nightmare, regardless of if he happens to have breasts or not—and don’t have his subordinates drooling all over him and behaving super strange just cause nightmares got boobs now.

(and I also don’t wanna see any situation where nightmare who usually doesn’t have boobs has boobs one day and the gang make a big deal about it, since nightmare is a shapeshifter and all. he could realistically just decide he wants boobs one day and the gang could just go “interesting. Anyway..” and hardly even that.

unless it’s to like, ask for today’s pronouns or something, i don’t see no need to comment on the breasts unless in the context of, nightmare is engaging in intimacy with their partner(s) or something. a context where it would make sense. Anyway just be normal about female/fem killer and nightmare please.)

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[literatureloverx]

One of the things I find curious about Fyodor is that in the latest bsd guidebook, he describes himself as the color white like his hometown's snow. Fyodor still remembers his hometown, after all he's gone through and after all this time. And he describes himself as the color white like its snow. That with his character's disconnect from people, makes me very excited for when Asagiri decides to reveal his character's backstory. Of course he probably means snow in a more way of "purity" than sentimentalism for his hometown itself but omg he mentions his hometown which is something enough. Not "like snow" which would convey purity enough but "like the snow from my hometown". Maybe it's because he found his faith there? Maybe he just wants to pay respect to where he was birthed? Idk but there's much to theorize. What are your thoughts?

-��� anon

I agree, 🎪-anon!♥️

I don’t know if it’s because he found his faith there, but I think that is very likely and seems reasonable.

However, I also believe he was born into a religious family to begin with. I’ve thought through other aspects as well. Let me break it down for you:

Purity and Fyodor’s inner moral code:

Fyodor describing himself as the color white, especially like the snow from his hometown, speaks volumes. It hints at his complex inner moral code—he engages in dark actions under the belief that they serve a greater good.

This idea of “purity” contrasts sharply with his behavior. But does it?

In my humble opinion, he is well aware that what he does is evil, but his inner moral depiction is influenced by Machiavellian tendencies.

He does whatever he needs to do to cleanse humanity of their sins. Therefore, his actions reflect Machiavellian principles.

In short: the ends justify the means (The Prince by Niccolò Machiavelli).

I’m imagining it like this: God has given him the enormous power of being immortal—never truly able to die.

God also gifted him with an intelligence that is above any other human being.

This means he must be someone important.

This means he is meant to be the rightful hand of God, tasked with creating a world that is worthy of God’s beauty.

Therefore, he wishes to help God’s creations, cleansing them and this sinful world of all their sins.

This is one reason why he says that he likes all humanity equally. Because he really does.

They are all the same to him—fools who could do better. Fools that could be worthy of God’s perfect world.

What fascinates me the most about him is that, even though he is doing all of this out of pure self-assurance and his own complex inner moral compass, he still claims that he is doing it for the whole world. And I believe he does.

I can totally see this being his ultimate end in the future.

His Hometown and it’s significance for him:

By referencing his hometown, he reveals a more humane side to himself.

If you haven't already, l'd recommend you read THIS and THIS posts of mine, where I explained very clearly how I perceive Fyodor's humane side.

It shows that he yearns for connection and perhaps misses the simplicity and innocence of his past.

This duality makes him such a fascinating character, caught between his dark pursuits and the remnants of his humanity.

Imagine feeling like, or even knowing that you're "the chosen one," only to end up isolated, dehumanized, and lonely, with nothing to hold onto but your belief in your God.

You can't die, because the only way for you to do so is by your own hands, which is considered the greatest sin.

You can't die. Not until you take your own life.

How deep must his religious beliefs run for him to be this dedicated to his goal, mentally able to endure and live for hundreds, maybe thousands of years?

This made me so emotional. I want to give him a hug. My precious love.♥️

[wyvchard]

Birds of a Feather...

Agent Phoenix found themself displaced in time after waking up to Reginald's younger self. Chaos ensues.

Content Warnings: Canon Typical Violence, guns, restraints, Reggie's field days, Phoenix chaos

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"Are you doing alright?" Agent Phoenix groaned as they woke up in a rough bed feeling far worse than the time they stayed up until daylight. They took a deep breath to calm down in order to observe their surroundings. It wasn't as clinical as a typical Zoraxis base, a relief to them.

"Nothing too unfamiliar. Where am I?" They glanced at the source of the voice, suddenly pausing when they finally registered a familiar looking face peering at them with worry.

"Is there something on my face?" He raised an eyebrow, crossing his arms to show his disapproval. "If you think these bandages look horrible, you should take a good look at yourself."

"You look like someone I know... just... younger. It's not what you think. I know I look horrible but believe me, I can manage." They looked away, taking a deep breath to focus on something other than their heavy limbs. "I've been through worse."

"You were found unconscious in the middle of nowhere. What could be worse than that? Actually, I take that back."

Phoenix gave him a sympathetic smile before getting up, much to his panic. They chuckled at his fussing. "You remind me too much of my dad. I'm sorry for laughing. He frets a lot."

"Who wouldn't? I know I can be stubborn as a mule but you seem to be on another level."

"Well, I'd say I like to take things on another level." They smirked, amusement spilling all over them, only for them to frown when they felt their ear emptier than usual.

"We confiscated your earpiece. For some reason, it caught the attention of one of our technicians we're taking a poke at it a little bit."

"I'm getting it back, right?"

"If you can get R&D to return it, that is. Speaking of, I have to go. Please stay here? I'm sure some of doctors have plenty to be curious about. Would it be alright if you satisfy their curiosity a bit?"

"I don't have much of a choice, do I? All I can do is sit up at the moment." They mumbled, shooing him off. A part of him remains unconvinced but he has somewhere to be: Roxana is waiting for him.

Phoenix absolutely hated the probing that came moments later. They miss the fact they didn't have to answer questions that weren't "where does it hurt? Have you injested anything you shouldn't? How are you even alive?" or any of the sort.

They so badly wanted to grab the clipboard from the doctor with their TK but that was classified information that mustn't come out, so they put on a smile and answered as best they could without releasing anything classified.

They really wish to know who that young man was, seeing as though he looked a lot like the older photos of their beloved handler.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Reginald..." Roxana stared at her friend who approached her with a silly grin. "You know you really shouldn't have taken their earpiece. Who knows what it is made of."

"You are curious about it as well. Don't give me that look." He stifled a huff, watching as she hands him some schematics. "Roxana, you know I don't understand any of this."

She sighed, pointing at a stool nearby a table with an open sewing kit. "The earpiece is definitely more compact than anything the agency is capable of producing at the moment." Her eyes darted to him working on one of the tears she accidentally created when it was snagged by a tool. She really needs to make a case to allow a bit of leeway in the dress code.

"That's not what I'm interested about. Why is their earpiece so tied to my own? I know I don't pay attention to the other agents as much as I should but I'm sure I can recognize someone like them."

"What makes you say that?"

"Well-" His words were cut off by a transmission. "I have to go. My handler is telling to check out the source of a distress call in the building."

He gently put away the repaired garment and rushed outside, leaving her alone.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Agent Phoenix is currently curled up in a corner, one spare radio borrowed from the "supply closet" (empty and unused office) they barricaded themself in.

They need to get evac there. Immediately. Everything felt so familiar yet so wrong. There were some places where they can delude themselves they were back in their office, bullet holes and all. Yet it was too new to them, as if someone patched up the structural failings on the surface.

They held their breath, really hoping that the mail slot there wasn't going to have a-

"Woah! Gun safety rules aside, it's me. Come on. Please get outta there." He sounded surprised at the fact his gun was practically ripped from his grasp in the mail slot although here was a hint of reprimand.

"Leave me alone! I wanna go back. I miss him so much." They covered their ears, still shivering from how similar the young man's voice was to his.

"There isn't really much to miss there. A lot of things you can shoot at point blank range. And I don't think he's around."

They counted the seconds, internally cursing at the fact they need to use their TK to open the door in order to escape.

Despite their preparation, they managed to falter, earning him a chance to tie their limbs with a rope.

"Let me go! I swear I only want to go home." Indignation laced their voice as their struggled. "Please. I'm sure they're worried."

"I only came with a gun because you were reported to have a knife on you. How did you even manage to sneak it past us?"

"Well, why was your first thought to push a gun through a mail slot to calm me down?"

Their unfriendly glare made him wear a wry smile as he mumbled an apology. "Well, why wouldn't I be guarded? You were sending a distress call to the agency, not to mention your earpiece always connects to mine."

Eyes widening at the realization, they looked resigned a few seconds later. "... I won't participate in any questions until you do this one thing for me, Mr. Reginald Crane."

A shiver ran up his spine as they gave him a devious grin.

"Please ask Dr. Roxana Prism if she's willing to make a tine machine with me."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I have NO idea where I'm going with this so this is a one shot for now.

Tag List:

@phoenix-and-found-family, @the-one-and-only-043, @ghostlystarwanderer, @jellyfishgummy

[boneyardbob]

Whoops I said I’d post this like three days ago my bad. Head canons for the masks in Marble Hornets! I may post a bunch of shorter stuff that are general headcanons soon. Also if you want more details on this lmk I’d love to dive deeper @forgottenporkbun @monszsterz

Here's my headcanons for the masks. Honestly I could go on like a huge, rambling essay about why I think these things, my inspo for these ideas, down to the details of what they feel like and how they work but Imma try and keep this short. I plan to put all that other stuff in my fics anyway and if you're reading this you'll probably wanna read my MH fics so you'll figure it out eventually. The idea that Tim and Brian made their mask with stuff from Hobby Lobby is REALLY funny but I have to stick with the idea the masks are gifts from The Operator (TO). Tim got his in college because if he was given it at any point while in the hospital, it would probably be found and taken away. TO waited until Tim was free before gifting it. Its when their "relationship" begun. TO switched from this unfamiliar, constantly looming monster into this warped guardian angel. This is obviously very fleeting because by the time Jay runs into Tim in MH, he's forgotten this entirely, or repressed it, and is back to viewing TO how he did his entire childhood.

During the tail end of college, while filming Alex's project, is when this Masked Era began and it ended for an unknown reason a quarter of the way into MH. My timeline isn't great but roughly that's the situation we're talking about. This is when we get all those videos of Masky and Hoody stalking Jay and Alex. I don't think I could fully call Tim and TO's relationship that of worship but that's the closest I can get. Tim knew what he was dealing with was some kind of unimaginable creature, but it could feel human emotions FOR HIM. At least if he listened. If Tim did what TO wanted, then in return he got benefits. At some point he understood TO needed him-either to keep living or to stay grounded to earth, and things got a little extra toxic. I imagine its a LOT like the Fears and their respective Avatars in TMA. I use you to get food, I give you powers that make it easier for you to get food, win win.

These benefits were really only accessed when wearing his mask. The more he wore it and the more work he put in for TO, the better things got. At the very least it instantly cleared up his lungs so he could breathe easily, he no longer suffered from migraines, he didn't have any hallucinations that weren't purposeful messages from TO, and most debilitating affects from mental disorders were gone so he wouldn't feel depressed or anxious. Fuck if I had a magical mask that made me neurotypical and took away my chronic illness I'd kill people in the woods too/j. More benefits were added on with time like growing stronger, healing faster, its kinda giving the vampires from Twilight ngl. My RP partner and I make a LOT of Twilight vampire jokes about them. It also spiraled Tim into a euphoric mania, giving him the energy and desire to sprint around the woods all hours of the night. This was an addictive sensation that had him craving his mask. He had to share it with someone.

His closest (and really only) friend at the time was Brian so he opened up to him about it and eventually got him involved. Because of Tim's medication and natural resilience to TO he eventually got OUT of this cult-like situation but Brian couldn't. He got to the point he was constantly under that mask and if he took it off for long enough, he'd probably suffocate and die. This explains why he ends up homeless, constantly in his mask state, and seems to have uncanny abilities. He just disappears into thin air, he seems to be doing physically GREAT despite living on a mattress in the woods with no source of food or money, and we only ever hear him cough. That ties back into my idea their vocal cords melt due to the TO disease. He can take the mask off for short bits of time. Its not like an astronauts helmet, more so an oxygen tank while hiking a tall mountain.

[youcouldmakealife]

Dors Finn mask around James?

He does sometimes, but he masks less with James than he does around basically anyone else, with the exception of maybe Logan (and only after Logan had been living with him awhile and Finn stopped treating him like a quasi guest).

Also sometimes when he is behaving inauthentic ways around James, it's sort of...'oh James needs 'calm Finn/levelheaded Finn/lighthearted Finn right now', even if he doesn't actually feel that way at the moment, which is less him masking and more like him, well, mom friending.

The fact he masks much less around James is one of the reasons things are easier for Finn when James is around, though Finn doesn't know it (if you described masking to him, he would find it interesting, and would probably be able to apply the concept to Georgie or James, but not himself).

Finn sitting alone in a public place would honestly mask more than he would if James was sitting beside him. (Is my facial expression friendly enough? Oh shit, my arms are crossed, I don't want anyone to think I'm angry. Did that guy just glance at me? Did he recognise me or was it the crossed arms thing? I hope he doesn't think I'm a unapproachable jerk.)

Another reason things are easier when James is around is that James just...does not make fun of him. Ever. Not even in the playful friendly way that's practically a hockey bro love language. And if someone else does, James won't laugh, and they probably won't do it again. He isn't really conscious of that one either, but if you pointed it out he'd probably agree.

If you asked him why things were easier when he was with James, he'd say he doesn't know, and then, if pressed, he'd say it's probably because it's easier for him to do things for other people than for himself. And he wouldn't be wrong, but it's mostly that when it's just him and James (and sometimes Cheezit), it's the closest thing to rest that Finn can get without a closed door between him and the rest of the world. And it's nice.

[selfinflictedgunshotwound]

sorry for only saying this type of shit lately but i kinda wanna drive a car straight into a brick wall at the highest speed possible

[bunnihearted]

꒰୨୧꒱

[scionshtola]

tbf i do think the story could have given the wol more of a connection to it/the antagonist outside of solely through wuk lamat and that probably would have alleviated a lot of ppl’s problems with it

[trans-estinien]

i love being autistic cause sometimes i get a glimpse into how regular people perceive things and its like. what the fuck. what the fuck is that? you live like this? and its normal?? i think YOURE the weird one actually. im fine. thanks though.