#and the other thing is a simpsons quote

[homefryboy]

crap

(commissions open)

[military-newsboys]

Hangman: if you put ‘violently’ in front of any word it becomes funnier Hangman: violently studies Rooster: violently sleeps Mav: violently flies fanboy: violently takes pictures Payback: violently eats Phoenix: violently murders people Ice: violently worries about the previous statement

[overbearingstruggles]

[totalshockwaves]

me, during every My Chemical Romance show:

[lolahasmoxie]

Best Friend (E.M.)

WARNING: angst with a happy ending, friends to lovers, sexy times, disgusting fluff, Eddie being too sweet and precious for this world.

NOTES: I'm in a mood. I blame this time of year. Also, the end quote is inspired by the Simpsons. Points if you know the episode it's from.

DIVIDER BY @firefly-graphics

You're at a house party, and Eddie watches you like a hawk across the kitchen.

You're here alone; your boyfriend of two years is nowhere to be seen. You're talking with Robin and a group of girls, and even though you're smiling, Eddie can tell you're faking it. You've been faking it for a week now.

Your friends don't know, but Eddie knows. Your smile hasn't reached your eyes in a week. A trivial thing that most people would miss. But Eddie has been in love with you since you were 15; when you love someone that long, you pick up on things like that.

When you excuse yourself from the group, Eddie follows as you head out into Harrington's backyard. He sees how your shoulders sag once you think no one is around. The way you sit like the world's weight is on your shoulders as you sit in a lounger by the pool.

"What do you want, Eddie?"

Eddie smiles to himself as he takes a seat next to you.

"Should ask you that; you've been off all week."

"What do you know?"

Eddie isn't phased by your snippy remark; it's more bark than bite. He gives you a "Are you serious" look as he scoots a bit closer to you, close enough that the denim of his jeans touches your bare leg.

"You don't have to tell me. But it might make you feel better if you didn't keep it in."

Eddie watches you from his periphery as your body tenses before you let out a defeated sigh.

"He cheated on me."

The words make Eddie want to hunt your man down and pummel him until he can't feel his hands. The last time he wanted to inflict that kind of violence was the last time he saw his old man.

"He's been seeing her for almost six months, and then he said he didn't love me anymore."

"He's a fucking idiot."

"You have to say that you're my best friend."

"When have I EVER said anything that I didn't want to?"

He can see the hint of a smile on your lips as you discreetly try to wipe at your waterline.

"He's an idiot. He didn't deserve you; he never did."

"Keep talking like that, and I might think you were jealous."

Eddie's body stills, his heart dropping into his ass at your words. He had spent years lying. First, to himself over his real feelings and then to you as he tried to hide those feelings as he watched you repeatedly date the wrong guy over and over.

"Eddie."

He doesn't turn to face you when you call his name. Turning will begin a conversation he doesn't know if he's ready to have. The delicate dance he's held you in will disappear, and the possibility that he will end up alone is more than he can bear.

"How long?"

Eddie turns then, brows furrowed in question.

"How long?"

"About 10 minutes after our first conversation in freshman English."

He lets out a heavy sigh, face looking straight ahead as he still refuses to look at you.

"Why didn't you say something? You had so much time?"

"You seemed happy. That's all I ever wanted. It's all I'll ever want."

He turns his head when your hand touches his chin, letting you pull him to meet your eyes. He watches as you study him like you're seeing him for the first time.

"Tell me what you're thinking, Y/N."

"Make me forget."

Eddie gasps softly at your request.

"You don't mean that."

"You think you're the only one hiding their real feelings?"

You're both staring at each other now. Your waterline is still teary, but Eddie is pretty sure this has nothing to do with your now ex. He reaches for your hand, entwining your fingers and feeling elated when you squeeze.

"If we do this, it's going to change everything. There'll be no going back."

"I hope not."

Eddie can't help but chuckle when he sees your smile finally reach your eyes.

"I'm serious; this could ruin everything."

"Oh, Eddie,"

Eddie's breath catches when you lean in closer, your lips right against the shell of his ear.

"It could also be amazing."

Eddie lets out a shaky breath before standing. He stretches out a hand and helps you out of the lounger before he leads you out of the party through the front door. He opens the door of his van for you, leaning over you to buckle you in with a cheeky grin. Then he's behind the wheel, revving the engine as he drives to your apartment without another word.

The sun is barely coming in through your curtains when you wake. Stretching your limbs like a cat, you smile at the soreness in your thighs and between your legs. You reach an arm out and sit up when you feel empty sheets next to you.

The night comes crashing back in stages. The fumbled kisses as he crowded you into your apartment. The look in his eyes as his plush lips worshipped your pussy until you had to drag him up by his hair. The way he whimpered when he was finally buried balls deep inside you. How you had both finally collapsed after what felt like hours. Eddie sending you off to sleep with a flurry of soft declarations of his love.

And now, he wasn't here.

You feel the panic bubble when you hear footsteps coming down the hall. The smell hits you next: freshly brewed coffee. Then Eddie is softly pushing into the room, naked and holding two hot cups of coffee.

"Morning, Sweetheart. Hope I didn't wake you."

You're incapable of speaking, and Eddie stops when he sees you. He puts the mugs down and quickly climbs into bed next to you.

"What's wrong? I didn't hurt you, did I?"

You shake your head as you let him pull you close.

"You weren't here, I thought. Never mind, it's stupid."

"Don't say that. Just wanted to make my girl some coffee. I know how grumpy she gets without her caffeine fix."

"Asshole."

Eddie smiles at the remark, all bark and no bite. He hands you your mug, watching you take a small sip as he rests beside you.

"So,"

Eddie freezes at your tone. He knows that tone. It's usually the harbinger of bad news. He steels himself, waiting for you to tell him that last night was a mistake and that he needs to be on his way.

"I'm your girl now, huh?"

Eddie can't hide his smile. It stretches ear to ear as he snuggles in closer to you. His head rests on your shoulder, lips pressing to your skin as he breathes you in.

"I think you've always been my girl."

"Well, I'm glad we're on the same page now."

"Yeah, but now I have this new problem."

Eddie's smile doesn't falter as he sits up. He takes your mug and places it on your nightstand. Before you can speak, he's laying you back down on the mattress, his body moving over yours like a panther.

"I meant what I said in the van last night. What did I say was gonna happen once I stopped the van?"

You sigh as he rests his weight on you. Eddie takes your hands, bringing them above your head. He entwines your fingers, both of you giving reassuring squeezes that this is what you both want.

"You said that you were gonna hug me."

A kiss to your neck.

"You were gonna kiss me."

A brush of his lips against yours.

"And?"

You feel his cock warm and heavy against your pussy.

"You were never gonna let me go."

He kisses you as he enters you, and he has you moaning as the sun rises in the East.

[summerblueringo]

Q: Who do you think is cool? Brad Pitt, Barack Obama, Homer Simpson? SV: Somebody who lives in his own way. If you follow the footsteps of others you will never leave marks. To judge Brad Pitt, for example, I would have to know him, which I don’t. What I admire is people who are grounded and resistant to all kinds of whisperings. Kimi Raikkonen, for example. You may like him or not, but he lives his way. He does the things he has identified as worthy for him and he is not trying to be everybody’s darling. At least he doesn’t give that impression. Q: Is Raikkonen the closest thing to a friend you have among your competitors? The two of you are often seen chatting together during the drivers’ parade… SV: Yes. He is straightforward and honest and he tells you if he has a bad day. Period. He is real. He’s not political. He’s never up to something. If he doesn’t want to tell you something he will say so and not hum and haw. He doesn’t beat around the bush, never coming to the point. 2012 [x]

I've seen these quotes floating around in many posts, but didn't know they were from the same interview! Funny how he's given a selection of "cool" people to choose from but just has to make it about Kimi 🤭

[sin-djarin]

Becca's Brunch

Happy Sunday and the seasonal treats are in. Cranberry stuff, cinnamon things, pumpkin spiced donuts - I have it all (not really but we're pretending for a hot second, okay?). But there's probably still some Halloween bits leftover if you look hard enough. And coffee or whatever way you consume your caffeine, grab it, sit for a minute and let us enjoy.

Or, what I've gotten round to reading this week to make more room on the TBR shelf.

First, a quick reminder that what I may like, you may not and that's okay! Please heed individual warnings on fics. Leave an author a comment and reblog if you enjoy their work!

Joel Miller:

first light by @5oh5

oct 29 x stormy days by @trulybetty

Javier Pena:

Paranoid Heart by @goodwithcheese (new chapter)

Unworthy by @morallyinept

anytime by @undercoverpena

Dieter Bravo:

Bite Me by @chronically-ghosted

Working Title by @rhoorl (new chapter)

Ezra:

embers by @sp00kymulderr

Max Phillips:

La Mordida by @imalrightllama

Marcus Pike:

Headshots by @secretelephanttattoo

Or, other bits and pieces that made me smile this week.

Analysis of Tim Rockford's eyesight by @gemmahale

little cute things to remember by @undercoverpena

This moodboard but also all the other beautiful ones @wildemaven has been creating.

Or, what I managed to dish up this week.

Fic:

steep is the mountain Tim Rockford x f!reader

"art" (in quotation marks because these were a hurried job)

Bravo Bumper Stickers

Or, what if, by some miracle, we got two characters in the same room?

See below for Joel being totally fucking unimpressed at Marcus's forwardness.

Sleeves? No, not on this menu. You're safe.

Was this some sort of excuse to post a Rockford-esque image? No, and you can't prove anything.

Well. Good news and bad news.

Bad news. I am very tired. Know how I know? I work with a very sweet woman who asked me if I was tired and that was enough. Also, I've been asleep before 11pm many nights this week and still woke up exhausted. (Sorry @for-a-longlongtime for falling asleep mid conversation!) Corporate chaos ensued and my ADHD brain is teetering on burnout and I like to catch it before that actually happens.

Good news! I have a few days off and I'm going on a little surprise staycation. This is technically our first holiday since pre covid times. I'm excited but as a result, the kitchen will be closed for brunch next week. There is stuff in the queue, but I am hoping to stay off my phone/laptop for a while. Now having said that, I do hope to clear up a little space on my tbr shelf because damn, you're all so talented and your words and imaginations bring me so much joy. Please drop a tag if you think there's something I should read, and I'll be around for the rest of the day anyways in case ya need me.

Now, a very apt OST:

Friends, if you've made it this far, je t'adore. I wish you a week of creativity, rest, as much caffeine or caffeine free tea as your heart desires. Drink water, be safe and be careful. Be kind to yourselves and to one another. Be mindful of your energy and what you put it into, especially as the nights get longer this time of year.

I'll see ya on the other side and if I'm not back avenge my death. I'm kidding, don't do this. It's a Simpsons quote. From Homer vs The Eighteenth Amendment. You know the one? You're out there somewhere, beer baron...

Hopefully I return with Frankie's level of competency and Javi G levels of enthusiasm.

Clearly, I need coffee and so...

Thanks for your patience and the smiles that you bring me week after week.

Love, your emo neighbour,

Becca 🤍

Disclaimer: Joel's expression is not an accurate presentation of mine today, I promise I'm quite happy!

[venus-is-thinking]

Deciphering the DRDT Character Playlist

Hello DRDT community! @accirax and I took a look at the official character song playlist [remade version bc it got deleted or privated] and decided to take our own shot at figuring out whose is whose and what it means. It's pretty late, but we have at least some sort of a guess with reasoning for every song!

We used a combination of Genius lyrics, the vocaloid lyrics wiki, and google translation of Japanese lyrics in the YouTube description to get a decently functional interpretation of every song. Our theory goes through the songs in the order they show up on the playlist (we're pretty positive it isn't kill order), which means our confidence varies heavily from song to song. With that being said, let's go!

Diamond is Unbreakable by Yunno Kago: Ace Markey

This song does not have many lyrics, so a lot of our guess is based on vibes (though it gives much more than some other songs). The rock instrumental with more yell-based vocals feels like it suits Ace though, and I feel safe to say that Ace has had a breakdown (and may have many more in the future).

Sing Along by Sturgill Simpson: Teruko Tawaki

This song fits Teruko quite well. It has an edgier sound to it, but it isn't completely uncaring if you look at the lyrics.

I can't go on living alone now that you're gone You done me wrong, so here's your song

It reminds me of the scene where she plays with the cacti. She clearly misses Xander (and possibly others in her past), but that obviously doesn't stop her from feeling betrayed by them either.

There are a lot of lyrics about bitterness too (ex. "words can stab as deep as night," "bitter air and the winds of spite"), which reflect how Teruko has been treating the rest of the cast in Chapter 2. It's a duality of caring too much and acknowledging the harshness of the world, which encapsulates Teruko's character quite well.

RUNAWAY by half alive: Hu Jing

Not gonna lie, we were struggling on this one. This song is pretty much entirely predictive of a character arc that Hu might have later on. We're predicting this based on Hu's secret quote, which is basically the only reason we gave this song to her: "I want to pay for what I've done. But even then, I still want to live."

This implies that she has not paid for "what [she's] done," which probably relates to her secret. I know a lot of people think she might be the hopeless child, but I'm far more partial to the theory that Hu is the one who poisoned her competition. If she hasn't paid for it, it's possible she feels like she ran away, from the situation which could open the door for her handling those feelings later on.

cartoons by Louie Zong: Rose Lacroix

This entire song is about drawing and thought processes, which both relate to Rose's character pretty strongly. The recurring lyric of "it's all just cartoons in [her] head" makes me think of her photographic memory, which takes real life and permanently stores it in her mind.

There are also lyrics like "feeling every day the same" and "trying to make that old deadline" that strongly relate to her background with the Spurling Foundation. She feels like she's just watching the rest of her life go by as a corporate slave, and those feelings are wrapped up in a light and airy song, matching Rose's demeanor.

asymptotic by Louie Zong: Charles Cuevas

This is a silly little nerd love song. As a CharWhit shipper, I definitely think that there's a strong chance that this relates to Charles' feelings about Whit, calling him a "cutie face in x-y space" and other such things. It's pretty simple, but it's true that, romantic or not, a lot of Charles' character arc thus far has revolved around his relationship with Whit and realizing that he does enjoy spending time with his classmates.

However, notably, there's also the lyric "I'll forget," which made me start thinking about Charles' past he forgot about.

Asymptotic, obliquely Here's the point of this speech As close as we could ever get, you'll be just out of reach

This reads to me as being about Charles' memories or the older brother he doesn't remember losing. As close as he can get to remembering or understanding what happened through things like the secrets motive, it won't be the same as actually returning to that past or remembering it in full. Maybe that's reading into things a little too hard, but I think the interpretation is there to be read.

A Mistaken Belief of Love by Niru Kajitsu: Eden Tobisa

I'll be direct: this relates to our theories about how Eden is the Chapter 2 killer. I'm a particular proponent of the interpretation that Eden didn't believe Arei when she said she wanted to be friends and decided she wanted to escape back to her old life, to the girl she kissed. I'm not going to go into that Eden theory now, but @/1moreff-creator and @/thebadjoe have a great thread going back and forth which goes over a lot of what I personally believe to be true.

If you assume that Eden is the killer and wanted to be Arei's friend but gave up on the possibility when Arei snapped at her, the lyrics start to make sense. "Then I'll kill you at our rendezvous" would clearly relate to Eden summoning Arei to the playground just to kill her. "I just wanted to mistakenly believe that you loved me" relates to Eden's feelings towards Arei and the rest of the class, but that "mistaken belief" was shattered, causing her to kill.

Shunran by John/TOOBOE: Arei Nageishi

This song chronicles Arei's entire character arc, from prologue to death. It starts out much more aggressive and unfriendly, saying things like "I won't pay attention to small fry" and "I become angry easily." However, there's a recurring lyric that shows how she actually feels.

They say that praying to be loved is a sin. It has such a sweet scent.

Arei desperately wants to be loved, for people to be nice to her, but she's learned over the course of her life that she couldn't have that. Still, she can't help but want to be loved, so even when she knows that David is a manipulator, she still listens to his words. Even when she knows she's been awful to Eden, she swears she'll do anything to prove to Eden that she's serious, that she really does want to be her friend.

I pledged a ceasefire. My personality peeled off and fell because I have the courage to accept disappointment

As the song progresses, that desperate desire to be loved creeps its way into the actions the singer takes as well. Arei was willing to put aside her meanness she learned as a defense and try to stop the fighting, try to become friends, because she's strong enough to try even if she might fail. Through it all, all she wants is to be loved.

Yesman by Niru Kajitsu and Hachiya Nanashi: Nico Hakobyan

This song has a lot of lyrics relating to how the singer expresses scorn or insults. We know that this is a focal point of Nico's struggles with communication: they don't know what comes across as hostile or helpful.

However, as the song progresses, it gets more purposefully aggressive. There's a particular set of lines that seem to relate to how Nico interacts with Ace. They can tell Ace that they hate him, directly, and no one even blames them.

You could say that and you're still just a kid. How amazing!

This, in my mind, relates to Nico saying that they'll kill Ace (and clearly meaning it), but Hu still babies them. They can get away with all kinds of things.

There's no reason for me to turn back now, huh? I was caught in my own trap

Nico then, realizing that they can get away with a lot, goes after Ace, trying to literally kill him. They were caught, though, explaining the second lyric here.

The song also has a prominent lyric: "I'm an introvert, just waiting." There are variations on this, but I think it gets across the core idea: Nico is quiet, but they're still a part of the story the whole time, waiting for an opportunity to get their way.

Undead Enemy by Suzumu and Giga P: David Chiem

This song hinges around David's false persona of smiles and motivation and his true self who hates everything and everyone.

For whatever reason, he put on a mask symbolizing The leading role he had yearned for in the past.

Here, David is choosing to put on that motivational speaker persona.

And, from the next day onward, The unhappy boy's smile did not falter, He was even loved by someone

David then keeps up that happy and inspirational self, without fail, so that the world will love and accept him as the Ultimate they expect him to be.

However, the lyrics are filled with more hateful lines that sound more like him in Episode 11.

Slander and criticize, and then, I won't need anyone else. Just leave me alone

I act spitefully in disgust and force a smile

While he pretends to be happy and good, he knows himself to be much worse. This song focuses on those true colors.

Drawing Pins by Nothing but Thieves: Levi Fontana

Levi is a very pensive character. The main line of the song is "tell me what you did it for, 'cause I can't figure it out." That could relate to Levi's apparent struggles to understand others and what the "correct" thing to do in social situations is, like when he asks others how to handle the situation with Ace. I also like the interpretation that he could be talking to himself, wondering why he did what he did in the past. (Whatever mysterious past Levi has, it's clear that he did some things he's not thrilled about, and he seems to have a lot of feelings surrounding it.)

What do I have to do To be loved, loved by you

I'm personally not an AceVi shipper, but this line would definitely relate to Ace. Levi messed up in the first trial, threatening Ace, but in Chapter 2, he's trying to make up for it. Nothing he seems to do works, though, so he's at a loss as to what he could possibly do to make it up to him.

Hi-Fi Evolution Theory by Keu Studio: Veronika Grebenshchikova

Disclaimer, we had to put this song through google translate, so our lyrics might not be entirely correct.

Given that, though, I'm pretty confident this song must be Veronika's. There are a lot of lyrics that indicate her, but the most important ones surround what we've most recently learned about her: she can't stand boredom and will do just about anything for fun.

But is it selfish to have fun?

The one who laughs last is the winner

Even though Veronika knows that enjoying the killing game or possibly even working against the group's best interests in it is stupid at best and evil at worst, she'll still do it as long as it keeps her entertained. If she's selfish, she's selfish; she'll do it either way.

tip toes by half alive: Min Jeung

This song heavily ties into Min's outlook which she explains in her bonus episode. The lyrics mention a "need to be known," or a "pride" that's "screaming." She internalized a core need to become an Ultimate to keep her going forward and to preserve her hope.

She does want to change her behavior, though.

My future will listen to me, Listen to me, listen to me

Min is trying desperately to find a life for herself now that she's become an Ultimate. She wants to learn how to live after she's achieved the goal that her entire life has centered around. This song is her searching for the life that she wants to live in spite of her previous experience.

The song also sounds sort of desperate with its repetition of "listen to me" and the overall vibe of the instrumental. This fits in with Min's increasing desperation as she realizes, at the end of the first trial, that she won't have a future to figure out anymore.

Polygonal by fallstay (ふぁるすてぃ): Xander Matthews

This one was also put through google translate, so apologies for any mistranslations!

This song makes sense for Xander if you consider his clear survivor's guilt, visible through both his bonus episode and his secret quote, which is, in the most literal way possible, the dictionary definition of survivor's guilt. It mentions a "life full of mistakes" and describes other similar thoughts.

I'm dizzy and it hurts so much that I feel like throwing up

The urge to scream and someone's loud sobbing

That's my pain

These all feel like ways Xander interprets his past, which is his pain. We already know that Teruko accidentally running into him and hitting his eye hurt so badly he passed out, which is a step beyond "dizzy." Someone could be sobbing about his past; maybe it's even him. The things in his past that haunt him are what shape who he is and his actions, and that's what this song is about.

Spitfire (05 Version) by The Prodigy: J Rosales

This one has like one lyric. The vibes fit J though, and I don't really know who else's it would be or what other song would be hers, so it stays.

desk rotation by RQ laji-2: Arturo Giles

I'm not gonna lie. This is an instrumental. We have no idea what it means. This was process of elimination. I don't know what other song Arturo's would be so he gets this one.

(In all seriousness, you COULD give this one to Hu because it's music and she's a musician, give Arei the more hopeful RUNAWAY and give Arturo Shunran. The beginning of Shunran fits him decently, but I think the interpretation sort of falls apart in the middle of the song, at least given what I know about his character, and I think it fits Arei much better.

After we read some other theories, too, we think there's a viable shuffle that goes like this:

desk rotation: Hu (musical connection) tip toes: Arturo (generally prideful, future emphasis contrasting with his secret forcing him to think about the past) asymptotic: Min (abstracted to apply to the life she wants to seek out, math works as Ultimate Student) RUNAWAY: Charles (relating to him "running" from his past memories, positive growth arc)

While I still like our initial interpretations for Charles asymptotic and Min tip toes, I like the handling of RUNAWAY and desk rotation better with this one.)

For whatever it's worth, I also think there's a slight possibility that desk rotation is a placeholder song. It's a complete instrumental (all other songs have at least SOME lyrics), so it wouldn't be too insane to me if they had a song that they decided was just too spoiler-y to be released to the public. In that case, I think it's possible desk rotation will one day be replaced with a different song. Realistically, though, it's probably just here and we have to figure out what the hell it means.

Good Grief by Bastille: Whit Young

Whit obviously lost his mother at some point, who he clearly idolizes. You can see the glowing way he talks about her in the laundry room with Teruko and Charles, and his secret quote is literally "We tend to idolize the dead." He loves his mother, but given his secret, it's clear that she is dead.

This song is about grief. Whit represses a lot of his emotions, so I expect he hasn't yet felt his grief in full and hasn't processed it. He has, however, made it very clear that he struggles with loneliness, and that has a lot to do with his loss. I think that, over the course of the story, he's going to have to actually process grief and experience sadness. While it's possible that'll just be due to the feelings he has surrounding his mother, given that he's in a killing game, I think that he'll have to confront personal loss again to have this arc.

Regrettably, I think that that'll probably come in the form of Charles dying, likely as a Chapter 3 victim. Others have theorized on that, but suffice it to say that, narratively and based on hints they've dropped, I think it's probably true ( :( ). Whit, as he clearly cares about Charles, would then be confronted with grief again. He'd have to endure it and learn to deal with the loss.

On the plus side, I'd expect he'd be likely to survive afterwards.

[henghost]

Twig Liveblog for Arc 6

[captain haddock voice] what a web serial huh! all i'm saying is that if i had written amy dallon i wouldn't also write this part with jamie. i appreciate the themes here about how the academy is creating its own contradictions, its authoritarian measures only make the resistance strong which in turn makes their measures more authoritarian, etc., and i can't help but wonder if a similar process is occurring with wildbow and i. i.e. the more he tortures me like this the more i want to [redacted]. why!!!!!!!!! why did sy transform into a raging homophobe the first time he interacted with a gay person lmao 💀💀💀💀💀💀💀💀💀 he's basically bart simpson and jamie is millhouse.

here i was, a casual and respectful mary/sy enjoyer, titillated (in a respectful way) by the "undressing confession," daddy-issues cry for help though it may be, thinking that was the best i was gonna get as far as my sy dating sim side-project was concerned. then there was a brief moment where i was jubilant that there was some lillian/sy progress. then there was a brief moment where i was in religious fucking ecstasy where i thought jamie/sy really was gonna happen. then--and i remember it with crystalline clarity--walking home late at night, that one line hit, and i started cackling in the middle of a deserted parking lot. i'm only slightly exaggerating when i say this rivals the amy interlude in terms of being a true Epiphanic Wildbow Moment. then of course there's the final chapter. doubling down. you almost have to respect it.

i suppose other things happened too. i think the duke, after sy, is the twig character i'm most like. i am also large and powerful. i also command the respect of everyone around me. i am also flamboyant and attractive. i also condemn torture.

on that subject, i listened to avis' interlude on 1.5x speed cuz i thought it would be funny. kind of a nonentity for me personally, though i'm excited to see more fray so soon. i could only think of the quote from that great poet, kanye west:

[danvillecheese]

why do u think act ur age is fucked

[cracks knuckles] alright. essay time. you asked for it.

I’ve done a similar response to this before here and mentioned something else about it here but I’ll go over it again since those posts are both from a while ago. also bear in mind I haven’t seen aya recently bc I don’t like it. okay let’s get into it

[also im gonna preface this saying maybe i sound very pessimistic but im ranting and its just gonna sound like im complaining because i am. i mean no real malice by the way. im simply a person with a blog.]

first off. they don’t use the show don’t tell as well as they could. in the what might have been montage, sure, they showed potential scenarios and how phineas felt (very briefly) when isa stopped visiting his backyard but it just feels so rushed. I get that they only had like 11 minutes to show it but idk there has to be another way to write it. or just not have it at all idk its just from a writing point of view the whole episode feels rushed and out of place from everything else continuity-wise. why not use little easter eggs planted in the show beforehand? operation crumbcake? pharmacists? meapless in seattle? god theres so many episodes with evidence that phineas liked her back even if he didnt know. just. continuity!!!!

second. why did their friends not try something sooner. it’s not like they didn’t know. like phineas seems to be okay with saying “i wish! i am so in the friend zone there” in front of his friends (that quote alone makes me lose my shit but that’s a whole other point) so clearly they knew about phineas. and isabella also wasn’t quiet about it (source: pnf s1-4). they had like four years of high school to do something and they planned it the day isa left for college? nah its just the least realistic thing ever for me. also them being 18 is like yeah okay maybe the slow burn was worth it and theyre way more grown up (i love a good slowburn) but ohhhhhh my god SURELY their friends were getting sick of them dancing around each other. just me?

third. and I’m sorry to ash simpson but oh my god I hate the character designs like They Would Not Fucking Look Like That. it almost feels like it completely disregards their arcs during the original summer. like yeah child chub disappears over ur teen years but sometimes it stays a little longer! make phineas less twiggy!! make isa look more like her mother! (am i about to redesign them again? whoops)

four. and i know this is no fault of dan and swampy but the show was about to end anyways and yet the entire friend group was paired off into hetero ships?? get fucking real. none of those kids are straight. realistically, i know it was a different time and gay marriage wasnt even legal in the us yet so it wasnt all that common to have queer romance on screen let alone on disney channel but like i said, the show was about to end. what were the disney channel execs gonna do? cancel it? lmao

five. "I am so in the friend zone there." "we are guys. we do not talk about our feelings." WHAT!!! i cant believe this shit is real. these lines of dialogue are canon. what the hell. what kind of message does that even send to younger, impressionable viewers? if ur a 10 year old boy watching that (ok fine maybe that isnt gonna stick with you forever but listen) and you go 'oh its okay to just bottle everything up and not tell my friends about my feelings about anything ever' that is insane! thats not how things should go!! like i get the whole "im so in the friend zone" and yes, this also has to do with the era but like if they wanted to be a more progressive cartoon that kids look up to and enjoy maybe they just. shouldn't have put that whole conversation in.

i barely have any problems with the b plot. in fact id watch the episode just for the kazoo solo. because that plot lines up with the continuity. i can totally see heinz having bowling night with perry and carl and monogram every week! i can totally see perry and monogram retired! and carl running owca and getting payed for it! that all checks out! that one makes sense and works with the canon! if they got that plot so right how did they get the a plot so wrong?

i can answer this question: fanservice. its an awful word, i know. act your age is a fanservicey episode which is why i think it crashed and burned. mml season 2 is rooted in the same issue: doof is very present and takes away from the original plot of the show. like, the one he wasnt even in until the last episode of s1. slightly getting off topic but it is the crux of the issue. fanservice doesnt make for good storytelling. even if it brings in the big bucks. at its core, telling the story the way it should be told is the best one. even if it pisses people off. a good portion of the viewers will still appreciate whatever ending the creators come up with. and no, im not saying phinbella shouldn't have become canon, in fact i really like the ship and all their dynamics, i just think they went about it the wrong way.

as someone who's written and published fic about them getting together in different universes (granted, they were from when i was younger so its mildly terrible. take them with a grain of salt) there are a lot of other ways to tell that story canonically. honestly, i think the best way of doing it was to keep it ambiguous. dont tell that story. let the viewers pick their own ending for phineas and isabella. maybe they dont get together after all. who knows!

thanks for the ask! hope you had fun getting lectured <3

[sweetdreamsjeff]

Jeff Buckley: Grace under fire

Dave Simpson, The Guardian, 1 May 1998

Singer Jeff Buckley lived in the shadow of his father Tim's death. Dave Simpson remembers meeting the visionary of pain and loss, and hears the demo recordings of Buckley's planned second album

WHEN JEFF Buckley walked fully clothed and singing into a Memphis marina on the Mississippi river last year he closed one of the briefest, brightest chapters in rock. Bernard Butler, the former Suede guitarist, recently said: "If it wasn't for Jeff Buckley I wouldn't be doing any of this. Seeing him restored my faith in music." High praise, matched only by Led Zeppelin's high priest, Jimmy Page: "Jeff Buckley was one of the greatest losses of all."

Buckley left just one completed album, Grace, rightly hailed as a masterpiece. But the demos for what would have been his second, planned to be called My Sweetheart The Drunk, are released by Columbia this month.

Demos, because apparently Buckley was dissatisfied with the sessions (with former Television mainman Tom Verlaine) and planned to burn the recordings and start again, beginning with a rehearsal planned for the very night he died. Sketches contains some of the most stunning and intriguing rock performances ever committed to tape. It's impossible to decide which are the more affecting: the staggering soulful beauty of a song like 'Everybody Wants You', or the references to funerals, cemeteries and suicide that shadow the album; the fragile magnificence of 'Opened Once', or the album's pervasive sense of loneliness.

That Buckley could have even contemplated trashing this music is the mark either of an acute perfectionist or of an extremely disturbed mind. And is it just hindsight that gives lines like 'Witches Rave''s "I'll never make it out alive" such an eerie psychological pull?

Equally bizarrely, Buckley's mysterious demise aged 30 on May 29 1997 (he told a friend he was "going for a swim", although many have speculated it was suicide) appeared a curious twist of destiny. His natural father, sixties singer Tim Buckley, had died tragically (from a drug overdose on June 29 1975) at 28, and his son was forever stalked by the Buckley legend. "Eternal life is on my trail," Jeff once sang, knowing full well that he was carving his own myth.

I first met him in 1994, in the first flush of critical fanfare for Grace. I was sent along to get a handful of quotes for a music paper, and we ended up talking for over an hour. This was typical of Jeff. If he liked you, you were in. It didn't concern him that he had other, more important interviews scheduled and that his press officer was frantically trying to get his attention. Just as in his music, Jeff Buckley knew all the rules but routinely bent them to suit his own purposes. In conversation as on stage, he'd play up to the image he'd created — the moody, magnificent James Dean of rock — and shatter it in an instant. Expecting a tortured artist, I was surprised by his mischievous humour.

He was a bag of contradictions, someone who shaped his surroundings (as we talked, he selected Duke Ellington to play in his portable CD), whilst simultaneously claiming to be ill at ease, both with people and daily situations.

He could be remarkably, even suspiciously eloquent. He said of his voice: "I feel it and I wanna go there. Every feeling has an articulation. It's like when you get drunk or you try Ecstasy for the first time and all your secrets come tumbling out, and you say things you've never said before."

His music, he insisted, was equally natural. "Do you think about what you're doing when you're making love?" he asked, using a favourite metaphor. He was the sort of person who would flirt with a bathchair. His entire arsenal of vocal mannerisms seemed to be filched from Dean's simmering vocabulary. But it became obvious that Jeff Buckley was carrying around a set of troubles for which there were no easy answers.

Buckley's early life around California was fairly blissful, even though he was brought up by his Panamanian mother and two successive stepfathers. He picked up his grandmother's guitar aged six and learned about harmonies by singing along with his mom to the radio as it blared out tunes by Stevie Wonder and Sly Stone. His favourite record was Terry Jacks' premature-death anthem 'Seasons In The Sun'.

When Buckley was 12, his stepfather gave him a copy of Led Zeppelin's Physical Graffiti (later influences included Nina Simone, Sex Pistols and the Cocteau Twins), and Jeff began writing songs. His first, he remembered, was "something stupid about a break-up." In his teens at college in Los Angeles he penned 'Eternal Life', which included the lines: "Got my red glitter coffin, man, just need one more nail", about the rock-death myth.

Buckley moved to New York, building up a fearsome reputation as a live performer in and around East Village. By the time a reworked 'Eternal Life' and other equally harrowing but strangely beautiful songs such as 'Dream Brother' appeared in his set, many in the audiences (which often included the likes of Nick Cave) would scream in rapture. Others would find the outpourings of naked emotion so disquieting they'd leave the room.

"I'm used to being hated," he told me. "It's something I've had ever since I was a kid. It hurts, but there's nothing I can do. I'm not lying." Neither did he pull his punches. At almost the exact time as he secured a record deal, Jeff managed the potentially career-threatening feat of being seen to "diss" labelmate Bob Dylan.

"I was at A Hole In the Wall in New York, and I'd seen Dylan the night before," he revealed. "So I did an impression of him singing 'I Want You'. I did an impression of him singing 'Grace'. I talked about how he sailed through some songs and was really brilliant on others. People were shouting 'But he's still got it, right?' And I'm going: 'No. This is not Blonde On Blonde. This is him now. You guys are living in the past'."

In the audience were Bob Dylan's manager, his assistant manager, and his best friend. "Man, the next day I was in Tompkins Square Park, staring at the ground with the snow falling, wishing I was never born. My A&R man saying, 'Well, Bob feels dissed.' But I really didn't... I just... loved him so much I sent him up." Buckley wrote a personal apology — and then when Grace came out, critics hailed the "new Bob Dylan".

Around this time people began making the inevitable, if misleading musical comparisons between Jeff and Tim Buckley. Both were singer-songwriters with distinctive voices. Jeff never knew his father (he vaguely remembered their one meeting "on a beach somewhere"). He wouldn't accept that even his smouldering looks came from his father.

"I look like my mother," he insisted. "I have my own choices, and I have my own life. All I know is that the guy's dead. I had a very musical environment growing up, that didn't involve him. Maybe I was imbued with the same things, the same parts. But it ain't his voice, and it ain't my voice, and it wasn't his father's voice or his father's father before. It's just the voice that's passed down. My grandfather sang, apparently. And my grandfather on my mother's side sang! I come from a line of singers. But my choices are my choices."

Buckley's resentment was palpable. Was he angry because his father abandoned him? "It's private," he mumbled, "but I went through, and am still going through a period of trying to figure out... why? The main question you wanna answer is did he love you or not, and if so, why didn't he love you enough to..."

Stick around. He didn't need to finish the sentence. The force driving Jeff Buckley was that he never recovered from the rejection.

He clung on to other people. "All I want to do is love everyone," he sang. There was a scarcely publicised affair with Cocteau Twin Elizabeth Fraser (who once recorded his father's 'Song To The Siren'), even curious rumours concerning Marianne Faithfull. His idealism was mirrored by a profound hatred of everything he deemed false, from colonialism to MTV and supermodels. But his chief obsession was that he would somehow "fail the music".

But what if Jeff wasn't involved in music? His answer came in instalments. "I think... that I... would be... a corpse."

We met again, but the last time I saw him he seemed exhausted by the road, itching to get back into the studio. There were narcotic rumours, but his body was found clean. When the news of his death came through it seemed like a dark joke, the kind of macabre prank Buckley would have dreamt up. It wasn't.

During his life, people talked of "Tim Buckley's son", but from now on it could easily be "Jeff Buckley's father". Jeff would have laughed at that. But his powerful musical legacy will be his final vengeance.

[duckapus]

Incorrect Quotes (ssenmodnaR Edition)

Now that it's been a while since "It's Gotta Be Perfect," SMG4's once again feeling comfortable with the idea of being more ambitious with his videos. Thankfully he has learned his lesson and won't be striving for perfection, and he also won't be trying to go it alone. Instead, he's taking inspiration from the man he was designed as a self-insert of and putting together a production crew (of actual employees, not enslaved Toads. That's another low point he doesn't want to go back to.

Next up on the applicant list is Baljeet, for some reason, who's been asked to put together a meme compilation as a test of his editing skills.

"Alright kid, show me what you got."

"Of course," he moves to hit the play button, but pauses to add, "I should warn you, however, that it is a bit... strange, at certain points." He hits the button before 4 can ask what he means.

ssenmodnarssenmodnarssenmodnarssenmodnar

FM: *gestures incredulously at a car* Who parked their car...

*the view shifts slightly to reveal a jpeg of a BLT under one of the tires*

FM: On my sandwich!?

Steve: I did!

FM: *gets so angry he explodes into a coin*

ssenmodnarssenmodnarssenmodnarssenmodnar

*MarioMario54321 and Tari face each other on a version of final destination, with MM wearing a Duel Disk and Clench transformed to fulfil the functions of one*

MM: You ready?

Tari: *grins* Born ready.

MM: Well then... *starts using the Yu-Gi-Oh! intro Yami voiceclip* It's Time to D-D, DD-D-DDDDDDDDDDDDDDDDDDDDDDDDDD *D-ing continues as he starts spazzing out*

Tari:

Clench: 'da fuk?

ssenmodnarssenmodnarssenmodnarssenmodnar

Elanore: *runs around in an office building, throwing raisins around like confetti* RAISINS! RAISINS! THEY USED TO BE GRAPES!

ssenmodnarssenmodnarssenmodnarssenmodnar

Meggy: *wandering through what's clearly a Zelda dungeon for some reason*

Random Evil Wizard Dude: *appears from the shadows, pointing menacingly with a staff* Stop right where you are, Maddy.

Meggy: *gasps* How did you almost know my name?

Wizard Dude: I have approximate knowledge of many things.

ssenmodnarssenmodnarssenmodnarssenmodnar

Desmond: *sitting on a bench, minding his own business*

Franky: *rises up behind him* I can smell you.

Desmond: *jumps up in shock while yelling in Homer Simpson's voice*

ssenmodnarssenmodnarssenmodnarssenmodnar

MM: DDDDDDDDDDDDDDDDDDDDDDD

ssenmodnarssenmodnarssenmodnarssenmodnar

Perry: *assumes a fighting stance in the middle of a warehouse while Doof does an evil laugh off-screen*

Doof: You are too late, Perry the Platypus! I am now... *drives on-screen in a forklift* FORKLIFT CERTIFIED!

ssenmodnarssenmodnarssenmodnarssenmodnar

*this would work better in a visual format, just picture Paige doing the same actions as the music video while Crabcake keeps showing up in the areas they point out in funny poses*

Paige: Now everything smells like salmon!

My shirts!

My couch!

My sheets!

If I had a couple more square feet,

I imagine this would not happen!

Everything smells like salmon!

Straight-up salmon.

Smell it from the bed to the door,

when you're living in a space that's not much more than a cabin,

well sometimes this happens

Everything smells like salmon.

FUCK IT UP ANDI!

Andi: *epic keyboard solo*

ssenmodnarssenmodnarssenmodnarssenmodnar

Avatar Kirby: *reenacting Speed of Kirb...through the Showgrounds, while the SMGs watch him through the coffee shop's window with resigned annoyance*

SMG3: I'm not helping him if he pisses off Marty.

ssenmodnarssenmodnarssenmodnarssenmodnar

*back at the Yu-Gi-Oh! duel, Tari and Clench have resorted to playing against each-other while they wait for MM to hopefully pull himself together*

Clench: ...Well this sucks.

ssenmodnarssenmodnarssenmodnarssenmodnar

*The Abyss and Juliano are in the middle of a fancy restaurant...for some reason*

The Abyss: I poisoned one of our glasses, but I can't remember which.

Juliano: The way this dinner is going I hope it's mine.

ssenmodnarssenmodnarssenmodnarssenmodnar

Mario: Fuck you, Baltimore!

Bob: If you're dumb enough to buy a new car this weekend,

Mario: You're a big enough schmuck to come to Big Bill Hells Cars!

Bob: Bad deals!

Mario: Cars that break down!

Bob: Thieves!

Mario: If you think you're gonna find a bargain at Big Bill's,

Bob: You can kiss my ass!

Mario: It's our belief that you're such a stupid motherfucker-

Bob: You'll fall for this bullshit!

Mario: Guaranteed!

Bob: If you find a better deal,

Mario: Shove it up your ugly ass!

Bob: You heard us right!

Mario: Shove it up your ugly ass.

Bob: Bring your trade!

Mario: Bring your title!

Bob: Bring your wife!

Mario: We'll fuck her!

Bob: That's right! We'll fuck your wife!

Mario: Because at Big Bill Hells,

Bob: You're fucked six ways from Sunday!

Mario: Take a hike!

Bob: To Big Bill Hells!

Mario: Home of Challenge Pissing!

Bob: That's right!

Mario: CHALLENGE PISSING!

Bob: How does it work?

Mario: If you can piss six feet in the air straight up-

Bob: -and not get wet-

Mario: You get no down payment!

Bob: Don't wait! Don't delay,

Mario: Don't fuck with us, or we'll rip your nuts off!

Bob: Only at Big Bill Hells!

Mario: The only dealer that tells you to FUCK OFF!

Bob: Hurry up, asshole!

Mario: This event ends the minute after you write us a check!

Bob: And it better not bounce or you're a dead motherfucker!

Mario: Go to hell!

Bob: Big Bill Hells Cars!

Mario: Baltimore's filthiest,

Bob: And exclusive home to the meanest sons of bitches in the state of Maryland!

Mario: Guaranteed!

ssenmodnarssenmodnarssenmodnarssenmodnar

*several robed figures stand in a circle around a chained up Teletubby*

Robed figures: Chanting in unison, chanting in unison, chanting in unison... (yes, they are actually chanting the words "chanting in unison" in unison. it's even an actual voice clip from the Adventures of Jimmy Neutron: Boy Genius.)

Luigi: *opens a door to whatever room these guys are in, sees what's happening, and swiftly backs out the way he came*

ssenmodnarssenmodnarssenmodnarssenmodnar

Hex: *dancing to Buck Bumble's theme music*

fucking Jerry the Goomba kid: Buck Bumble sucks, ya dumbass!

Hex: *the music stops with a record scratch and she slowly turns her head to look at him with a vacant expression*

A Few Seconds Later

Hex: *back to dancing, now with Jerry's burning corpse off to the side*

ssenmodnarssenmodnarssenmodnarssenmodnar

MM: DDDDDD-DUEL! *finally done, he looks up to see that Tari got tired of waiting and left* Ah, crap.

ssenmodnarssenmodnarssenmodnarssenmodnar

"...The hell was that?"

"That is what I said! Oh sure, give all the weird stuff to Baljeet! It definitely will not make no sense without context! I do not think some of them are even from our universe, and I am not sure how that is even possible!"

"Well...it's at least well-edited? Might work as part of a "Ssenmodnar" video or something, we haven't had one of those in a while. I'll, uh, I'll get back to you later, alright?"

After he leaves, Baljeet sighs and looks back at the monitor, "I need better clips."

[lieutenantfloyd]

Lieutenantfloyd's Masterlist

So, it's finally time for me to an accessible on both mobile and desktop. I know many people (myself included) prefer to read on mobile devices, so this will allow that to be done a whole lot easier. This will replace my old mobile masterlists, but my regular (desktop) masterlists will remain up and be as i post.

Because Tumblr has an embedded link limit, This masterlist only includes my posts for Top Gun, Dune, Tom Cruise, Elvis Presley, and Outer Range. All of my posts for other fandoms can be found here.

If a link is broken or I've missed something, please let me know!

Last Updated: April 23rd, 2024 // Guidelines — Askbox

As always, The work(s) on this blog (unless otherwise explicitly stated) are/were written by and belong to me. The stealing, copying, reposting, or unauthorized downloading of my work(s), as well as the works of others, is considered plagiarism. I do not permit anyone to repost, copy, or download my work(s). Banner credit to cafekitsune !

TOP GUN

Bradley 'Rooster' Bradshaw

Fics:

The Double Proposal

Family relations

Headcanons:

SFW alphabet

Slow dancing with rooster would include

Sleep headcanons

Tickling headcanons

Robert 'Bob' Floyd

Fics:

Don’t Cry Over Spilled Beer

Darling You Send Me, Honest You Do

Halloween imagine

Headcanons:

SFW alphabet

domestic life as bobs pretty little housewife would include

Moodboards:

Christmas with Bob

Springtime with Bob

Jake 'Hangman' Seresin

Fics:

Dancing In The Dark, Alight by Fire

Halloween Imagine

Headcanons:

misc Hangman headcanons

SFW alphabet

Moodboards:

Soft! aesthetic

New Years Eve

Small town romance

Beau 'Cyclone' Simpson

Fics:

Everything, Everything, and the Search for Reclamation

Hold Me, Flatter me

Halloween imagine

Wintering together + falling in love (original ask/prompt)

Headcanons:

misc Cyclone headcanons

Dad! Cyclone (+ Wife! reader) headcanons

SFW alphabet

NSFW alphabet *18+ Only*

dating an autistic!Reader would include

Helping you avoid a meltdown

Dating headcanons

Childhood headcanons

Moodboards:

Wintering together

Pumpkin patch

Pete “Maverick’ Mitchell

Fics:

A Bad Day for Love (But a Good Day for Flower Shops)

Halloween imagine

Headcanons:

SFW alphabet

NSFW alphabet *18+ Only*

Moodboards:

Christmas with Mav

Natasha 'Phoenix' Trace

Headcanons:

Phoenix as your girlfriend

Moodboards:

Vacationing together

Springtime with Phoenix

Mickey 'fanboy' Garcia

Headcanons:

Fanboy as your S/O

Javy 'Coyote' Machado

Headcanons:

SFW alphabet

Moodboards:

Domestic life

Ron 'Slider' Kerner

Fics:

Rebel Yell *18+ Only*

Headcanons:

sfw alphabet

Tom "Iceman" Kazansky

Headcanons:

Dating headcanons

Series

When Duty Calls - Cyclone x reader

The Little Things - Dagger Squad (+ Cyclone) x reader

Playlists:

*Shoulder Shimmy* - Bradley “Rooster” Bradshaw

Love Notes and Vinyl - Robert “Bob” Floyd

Red Hot Blooded American - Jake “Hangman” Seresin

Rebel Without a Cause - Pete “Maverick” Mitchell

Heatwave - Ron “Slider” Kerner

Strawberry Wine - Leonard “Wolfman” Wolfe

Summer at Fightertown USA

General Headcanons:

Top Gun characters as (non alcoholic) drinks

Where I think Top Gun characters grew up

Music Top Gun characters would listen to

The Dagger squad plays laser tag

Rooster and Cyclone's kids' being best friends - AU

What i think Top Gun characters order at a coffee shop

Other:

Departure - icemav

Incorrect quotes

DUNE

Feyd-Rautha Harkonnen

Fics:

Creature *18+ Only*

Headcanons:

Competing for your affection (Feyd-Rautha & Rabban x reader)

Gurney Halleck

Fics:

Narrow Honor

Stilgar

Fics:

Nectar *18+ Only*

Glossu Rabban

Headcanons:

Competing for your affection (Feyd-Rautha & Rabban x reader)

Other

Preferences:

How they react to you suddenly kissing them

Tom Cruise

Fics:

In Demand - Tom Cruise x reader x Jon Hamm

Moodboards:

Being an F1 driver and dating him

Elvis Presley

Fics:

Casting Spells

Headcanons:

SFW relationship headcanons

NSFW alphabet *18+ Only*

Outer Range

Royal Abbott

Fics:

Something Domestic

Masters of the Air

Robert "Rosie" Rosenthal

Fics:

Love is a mystery

[ca77um-ilo77]

alright you have me convinced!! what should i know before i watch indycar next season??

yooo i'm so glad i convinced you!! this is a pretty long post, and is kind of all-over the place. i tried to break it up by general topic, but i'm adding randomly as i think, so just a warning. i'll add some info links i like at the bottom. (if you or anyone wants to talk indy or f1, asks or dms are so very welcome, i love making friends <3)

one thing about indy is unlike in basically every else, many cars look very different even when on the same team as well as special liveries that are nothing like their normal ones, so i'd recommend getting the indycar app (it's free and user friendly once you figure out the weird layout) as it has a spotter's guide. it also has onboard cameras and radios for free (!!!!).

indycar is (usually) a pretty friendly sport, but as is the case with american sports, we like chaos, so the drivers can pretty much say anything except swear words lol. there's a few different clips of drivers threatening each other, which is great. id say most drivers are friends or at least acquaintances, expect santino ferrucci (huge bigot, pay driver, got kicked out of f2 for extremely dirty driving, and i personally hate his hair) and often romain grosjean as he hits people a lot. as for 2024 rookies, kyffin simpson's dad bought him his seat, and kyle larson saying the n-word in 2020 means he has some really, really racist fans.

the safety rules are strict and the cars are very durable which is good for high-speed crashes. the safety people (shoutout amr indycar safety team i love y'all, amr the company i hate you more than i hate the fia) travel with the races and have extensive training. they are also stationed in places that allow quick access to any location on a track. this is most apparent at ovals as they are much faster and more dangerous. at the other races, they are stationed where there is higher likelihood for a more dangerous crash that needs faster reactions. they take trucks to the site that are full of basically anything that might be needed. this is especially important as indycar refuels and are at high risk of combustion compared to f1. the calling yellow flags is also a lot more liberal which is nice. during longer yellows, and reds at ovals they'll run a sweeper truck to clean the racing line so people don't slide into walls.

for flag code info, as i don't have the patience to write it out, it is is section 7.2 of the rule book (page 27). i've linked it at the bottom of the post.

with the cars, they're all required to have the same chassis and aren't allowed to change a huge amount, so the racing is mostly down to skill, though andretti, ganassi, penske, and mclaren are better as they have more money. there are two engine suppliers, honda and chevrolet, iirc (don't quote me here) chevy is a bit more powerful, but honda is a bit more handleable. fast pit stops are usually about 7 seconds due to smaller pit crews (7 people maximum) and refueling. each car also has it's own pit box as teams have variable car numbers based on what they can afford. firestone provides tires, and there are two compounds, primary and alternate, as well as a wet tire. primaries are the harder compound and have a black sidewall. alternates are softer and have a red sidewall, except at street circuits where it's green to signify all natural rubber. use of both compounds are required. on broadcast you'll hear them mention "sticker reds" which are just the brand new ones.

more tire info in section 15 of the rulebook (page 84). there's some complex rules if you like tires.

the biggest difference between indy cars and f1 is f1 has power steering, indy doesn't. if you watch onboards, the drivers are wrestling the car the whole time, and most of the racing comes down to skill. the actual racing is often chaotic (indycar app helps with this. i keep it open always) and since there are many pit stops in a race (the cars use a lot of fuel) the leaderboard will change a lot.

the points system is very different, i'll try to cover it as succinctly as i can but i'm going to put a link for the wiki on it at the bottom anyway. (this is going to be formatted real weird, but i want to be brief). p1 50; p2 40; p3 35; p4 32; 4th-10th decreases by 2; p10 20; 10th-25th decreases by 1; everything p25 down is 5 points. drivers get points for finishing the race, basically. (unless there's more than 33 finishers, then 34 down get nothing, but that doesn't really happen). there's some bonus points also, 1 for leading a lap, 2 for most laps led, and 1 for pole position. the final bonus is for indy 500 qualifying. top 12 get points from p1 getting 12, descending by 1, to p12 getting 1.

as for the circuits there's three types: ovals (6 races, 4 tracks), roads (6 races, +1 non-championship race), and street (5 races). ovals are very high speed with little to no breaking. road courses are just your average circuit made for racing, the roads tend to be a bit rougher than f1's but that's kinda just how american tracks are. street circuits are, well, on the street. american roads suck major dick. the smoothest indycar street circuit is comparable to the worst of f1's. very bumpy, usually some good crashes (watch 2023 st. petersburg start. shit was insane).

as a fan, i cannot recommend irl indy more. some races are busier than others, obviously, but it's cheap considering it's a big racing category. 3 day entry for the less major races is usually $60-ish, and paddock passes are an additional $120-ish. not 100% on the price for pit access, but that is a bundle with three day tickets usually. the races aren't super crowded and there isn't assigned seats which is nice. the paddock is super open (check my "fenrir indycar" tag, quick access on my pinned) and you are able to walk up to and touch the cars if you really want (i wouldn't) as well as have conversation with engineers if they're not busy. if you have pit access the drivers are usually just wandering around and are often happy to stop and talk/sign something when not busy. there's also a high risk of nearly getting run over by drivers on their scooters. will power is notorious for this.

for my non-americans, (love y'all) we are very happy to have a conversation with strangers. the indy fans are often thrilled to talk about their favorite drivers and thoughts with anyone. when i went id say the only bad experiences i had was getting overwhelmed (my fault, i went to a place that i knew would cause a meltdown) and my dad getting hit twice by a man in a golf cart twice (same guy, not my dad's fault, the cunt didn't try to move, warn him, or apologize, just hit him, let my dad stumble, hit him again. i'm still mad). the seats are usually right on the track, so it's extremely loud and smelly. 10/10 can not recommend irl indy enough. i am biased to the pnw and it's the only race i've been to, but the portland race is great. it's not got masses of people, you can walk right up to the track to watch with the only thing between you and the cars being a concrete wall and a fence, and as it's a smaller race with less fans compared to the east coast and mid-west races, it's cheaper. biggest con is its built on a swamp, so super humid. (another pro, i'll be there <3 [joke.])

any questions you've got or clarification needed, my notifications are on and i'll respond to relevant stuff as soon as i see it.

LINKS:

rule book (clicking on a section of the table of contents will take you there)

points format wiki

schedule (tickets can be bought here)

app link

2024 series wiki (so helpful)

[zykamiliah]

Why modern America creates fragile children | Jonathan Haidt

this video i think this it articulates very succinctly why gen z's upbringing and social environment relates to purity culture as a phenomenon. it's all connected

here are two of my favorite quotes:

______________

They're just not used to being independent. When they get to college, they need more help. They're asking adults for more help. Protect me from this. Punish him for saying that. Protect me from that book.

Students are thinking in terms of safety and danger. Students say, by their own admission, they are more fragile. They use a language of fragility, weakness, trauma, triggering. They see triggers all over the world.

_______________

“Always trust your feelings”: It may sound wise, it may sound romantic.

But wise people around the world have noticed that we don't react to the world as it actually is, we react to the constructions, the perceptions.

Epictetus said, "It is not things themselves that disturb us but our interpretations of things."

All of us have had experiences with these. One thing I like to think about is Homer Simpson saying: “Shut up, brain or I'll stab you with a Q-tip!”

Our brains do this. Our brains go on and on, and we're like, "Stop it, stop it, stop it!"

What we've begun seeing on campus is that students are encouraged to follow their feelings. If they feel offended by something, then they have been attacked. They're supposed to not question those feelings.

But part of wisdom is the ability to say, "Now, wait a second. Are there other ways to look at this?" These are crucial skills for critical thinking. These are crucial skills for mental health.

And we need to be teaching young people at all stages to question their first interpretations, look for evidence, and improve the way they interpret the world.

___________

(all quotes taken from the youtube subs)

[tacit-semantics]

Hi there! Can I ask what resources you're using to learn netting and filet lace? I usually use youtube for learning a new fiber art, but a lot of what I'm seeing is crochet to mimic the filet look. Or, like, it's in French. Any websites, videos, books, etc you've come across would be super helpful!

Hey!! I’m gonna go under the cut for this because I started typing it out and it got. Long. Anyways, here we go!!

My favorite book for netted lace (and for learning the netting techniques themselves) is netted lace: techniques and patterns by Margaret Morgan!! It teaches basic netted shapes, and it’s got patterns for lace doilies, as well as larger pieces too I believe. There are also some filet lace patterns there, but no instructions for the technique itself

Filet lace is… unfortunately a little bit harder in that I haven’t found something that actually definitively walks me through it in a way that I’d be able understand but I definitely do not speak for everyone there, so I’m gonna point you towards what I think are gonna be the best bets:

First off: Lacis, practical instructions in filet brodé or darning on net by Isabel A Simpson!! That one’s on internet archive so it’s pretty easy to access too. It also has a pattern that shows you the path that the thread is supposed to take when you embroider, and I’m hoping that that’ll kickstart a better understanding of how the actual technique works

Other than that, I’m gonna say The Technique of Filet Lace by Pauline Knight, also on internet archive- not entirely relevant but that one actually directly quotes the previously mentioned book, and both of them mention the lack of written instructional literature on the subject, so if nothing else were in good company adjsks. Also, as a warning, an issue I’ve been having is that a lot of instructional books spend a not insignificant amount of time teaching the netting technique itself which definitely makes sense but can also be a bit frustrating if you’re looking for the embroidery technique

The Priscilla netting book (if you look it up then the university of Arizona should have a free pdf) has a lot of good decorative stitches!! It can be a little hard to parse though

For a tutorial walking through two small patterns, there’s filet lace tutorial by elinor’s crafts on Wordpress!! I’m going to hyperlink that at the bottom of this because I came back to add this section and do not want to risk losing everything by rearranging alsdkdk

Luckily, patterns themselves are way easier to find- i’d go to antique pattern library for those, or again internet archive, where I usually just look up filet lace and have at it. I don’t think the language barrier will be as big an issue once the technique is down, or at the very least that’s what I’m hoping sjsjjs

I’d also very much recommend checking the back of any instructional books for like a bibliography kinda thing and using that for additional resources. Makes for a good jumping point!!!

And unfortunately that’s about all I’ve got!! As with anything self-taught, there is a very real possibility that there’s a HUGE gap in my knowledge that I am just outright unaware of so if that’s the case then I apologize in advance- that said, I hope this helps a bit!!!

Edit: if you have anywhere from $100-160 then there’s filet lace: introduction to the linen stitch by Marie-jo quinault. I absolutely cannot vouch for quality because I do not have $100-160 and the closest thing I’ve found to the content is a thirty second video of someone flipping through it but this one’s like my white whale ok supposedly its very detailed and illustrated and very very out of print from the looks of it. Pour one out, etcetera. It’s SO so expensive