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#and then realizes he’s not the guy from all the Greek legends they read about in their world
kierancaz · 1 year
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Thinking about a Yuu who loved Greek mythology in their world or maybe jus mythology in general and then when they get to twisted wonderland they’re looking at the ruler of the underworld like “…. That’s just Hades?” And then they learn that Greece just isn’t a thing they’re just like “WHAT DO YOU MEAN ???? HOW CAN U HAVE THE GREEK GODS BUT NOT A GREECE ??? AND WHAT IS UR ZEUS ???? HIS NAME WAS HERACLES NOT HERCULES, HERCULES WAS ROMAN.”
They get to the island of woe and Epel and Rook are just like “isn’t it great that our friends are safe !!” And Yuu is just standing there eye twitching “… this entire island is made out of classic Greek architecture.”
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barbiegirldream · 11 months
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where's my Song of Achilles anon at ! I read the book. liked some stuff didn't like other stuff. it was fanficition of a two thousand year old poem from a three thousand or more year old story. stuff gets silly. Odysseus was still my favorite he's always my guy. Anyway rest of my thoughts under the cut
I think I liked the perspective of Patroclus a really normal guy next to the warrior of the ages. One pov of a boy unsure of his place in the world surrounded by men older and claiming to be wiser and his godly boytoy.
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this personally made me cackle. Patroclus is that oh my god get him some brown contacts please meme.
The myths were actually pretty good. I like how vague they were about Patroclus's mother there are like six different women in history claimed to be her it's really Patroclus's paternal ancestors that matter.
I think it's genuinely a major issue with the plot that Patroclus knew of the prophecy and still acted in accordance to Homeric Legend. I just think he should have found out right before but too late when they're in Troy already perhaps in an angry scorn from Thetis about he'll lose too.
Like you I also thought it was stupid as fuck how Patroclus was a totally useless twink. Didn't even know about legendary Myrmidons the fighting force named after his great grandfather mind you. The mythic ant stuff is literally his own family history.
Achilles being so nervous about the war only to fall into it so easily. Like a god finding their domain he was born for it. I really enjoyed the nitty gritty of war planning too. Him getting Achilles dressed the lips being the only part of him still soft. That was awesome why is that no quoted more. Achilles climbing onto Patroclus covered in blood like god that scene is going to be in my head on a loop. There is so much to it. Patroclus knowing him by scent and touch alone but what creature has come to wake him? Achilles so proud of what he's done seeing the revulsion in his lover who was so sure nothing Achilles could do would revolt him.
There could have for sure been so much more to a much more sensitive Patroclus being unable to love Achilles anymore and that's why Achilles stops fighting until Patroclus realizes he can't hold back his demigod lover from greatness. Taking the book in a radical direction but alas.
Brisies was very well done I appreciated her character a lot. I think it was a very good choice to expand on her mythos and remove a lot of the violence. People often read myths and go oh so he raped her when that's either not stated in the text/not needed to include other than their fetishes driving them.
ALSO so fucking annoying Patroclus doesn't die because he's no good at fighting he dies because Hector is Better. Hector is the sole reason the Acheans struggled. He was the Trojan Achilles idk how that point got turned into well Patroclus could barely hold a spear tee hee. Spending the whole book being like Patroclus can't fight ooh one of Achilles's generals is useless. To then be like jk as in accordance with the Iliad he's really good and killed a bunch of people is actually bad writing sorry. I did giggle at Apollo just fucking with him knocking him off the wall all pretty like just twirling his perfect hair.
Turning Troilus the son of Apollo who Achilles chased down tried to rape and then beheaded in the temple of Apollo leaving his mutilated body for his father to die and therefore the reason Apollo kills him into a random death cause the boy was an idiot. Like Troilus literally the Greek representation of losing a young son to unjust murder. Well okay then...
Thetis raising Achilles's son here is so perfect because that boy is rancid. He saw Agememnon and said I could do worse watch I'll go kill Hector's baby just for fun. And they really delivered on what a piece of fucking shit he was.
Thetis giving in, in the end was really good. Liked it
Overall I think the book was really good. I approached it from the knowledge this is taking thousands of years of myths and giving it to the perspective of a side character and I think it delivered.
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sea-owl · 2 years
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You rang for a Percy Jackson Bridgerton AU? Long ago, it was said that the Godess of love showed favor on the the Bridgerton family and gave them her blessing. Meanwhile, Violets side was blessed by Hera for being so faithful and nurturing. Now you get to the modern Bridgertons. None of them have been lucky with love. The story really starts after Colin and Eloise find out Penelope is Whistledown and are not happy about it. Poor Penelope can’t exactly tell them she saw horrible futures for them and this was the only way to avoid it. It’s not like she could tell Colin that Marina got knocked up with a demigods child or that Theo was really a monster out to steal Eloise’s soul! Anyways they are ranting to their siblings about this all while walking out of a restaurant when a monster attacks them out of nowhere. Luckily Kate and Sophie arrived in time to save their hides (after getting a frantic call from Penelope). Realizing they have no idea what is going on, the bring them to camp half blood where the Bridgertons luck is about to change.
Cue Michael flirting with Francesca, Benedict trying to find Sophie who keeps alluding him somehow, Anthony being annoyed and turned on by the snarky woman who saved him, and Colin and Eloise now freaking out that Penelope has seen them die or have something bad happen to them. Multiple times. It’s not fun for her. That and Colin is not happy that apparently Penelope frequently gets sent on dangerous quests with the Aphrodite guy flirting with his sister and the brother of the man who knocked up Marina.
Ya'll trying to force me to figure out Gareth and Lucy's godly parents aren't you? Please don't leave me in the dark ya'll, someone please give suggestions.
Okay so since I refuse to do a full on crossover fic, cause I don't got the brain power, ya'll are going to get the vaguest details from Percy Jackson, like world building only stuff.
Some maybe helpful backstory because I don't know how to fit it in. Lady Danbury's family are blessed by Hecate and they are tasked with the protection and training of the demigods. The camp is technically on her land that's been in her family for generations.
So let's set this world up:
Heroes, monsters, and gods. It's the thing of myths and legends but there was no other way to describe that thing that attacked them.
Agatha Dambury ("That's Lady Danbury Bridgertons!") and the woman next to her, who insisted they call her Auntie H, led the eight siblings around the well honestly it looked like a summer camp.
"So why were we attacked by those. . . monsters?" Anthony asked. He could tell his siblings were itching to ask the same thing.
Auntie H gave them a sympathetic smile. "Children of Echidna to be more precise."
Eloise scoffed. "I see you read Lady Whistledown."
Lady Danbury laughed. "The children here would be fools not to. It takes a lot of effort to exposing the disguises monster's and spies' use. While you mortals think it nothing more than a gossip blog it has saved many demigods lives."
"Sirens, Mormones, Chimeras, the names of the Roman and Greek demigods who would rather start a war than live peacefully with their family," Auntie H started listing off. "They all have been listed for the safety of others. So many demigods and legacy children have been saved since we found a way for demigods to use technology, the Lady Whistledown blog included."
"You Bridgertons are a blessed family, quite literally. You all have been born with the blessings of my sister and my niece. Sadly with those blessings it has given you all a certain smell that attracts monsters."
Daphne wrinkled her nose. "A smell?"
"Normally it's only a smell attached to those brats. But with those blessings you all smell like them now."
Ever impatient Eloise lets out a huff. "Whose them and what is this place?"
"This is Camp Half-Blood, well the European camp at least. Our main camp is in the United States since that is where Olympus is located now too, but my family does tend to take trips around the world which more often than not leads to children."
"You keep saying demigods," Colin said. "Do you mean like actual demigods, half mortal and half god? Like Hercules, Achillies, Perseus, and Helen?"
"I see you know our history." Auntie H nodded. "And yes. Camp Half-Blood is where we train the children to survive monsters, creating a safe haven for them."
"So what happens to us? We are not demigods, but you say we smell like them. Should we be worried about them attacking again?" Anthony asked.
"That's what the children are discussing in their meeting right now," Lady Danbury said. "While it won't be all of them the councilors who can come on such short notice have been deciding what we do with you. This is their home after all."
That's when Lady Danbury and Auntie H led them into a room. It was a regular looking meering room. A round table sat in the middle with 11 chairs occupied. Some the Bridgertons recognized, others they didn't. At the urging of Auntie H the Bridgertons took seats.
Lady Danbury tapped her cane to the floor. "Alright, introduce yourselves to the overly blessed Bridgertons."
The first to stand up was someone Anthony recognized. "Simon Bassett, son of Zeus."
The next to stand was a girl with olive brown skin and dark auburn hair. "Ofelia Lopez, daughter of Poseidon."
Next was a bubbly girl with longest hair out of the whole group. "Astrid Grimsson, daughter of Hades."
The next guy awkwardly rubbed the back of his neck. "Phillip Crane, son of Demeter."
His friend next to him held no such awkwardness as he bodly stood up and winked at Francesca. "Michael Stirling, son of Aphrodite."
An Indian girl stood up, rolling her eyes at Michael. The Bridgertons reconized her as one of the people who saved them. "Kate Sharma, daughter of Athena."
The next one to stand could only be described as big. "Thomas O'Neill, son of Hephaestus."
The girl after only raised her cup. "Marie Beaufoy, daughter of Ares."
The next one to stand kept her gaze directed at the wall, eyes glazed over. "Penelope Featherington, daughter of Apollo."
The blonde girl stood after, giving Penelope a shoulder squeeze. She was the other one who saved them during the attack. "Sophie Beckett, daughter of Hermes."
The last one with dyed purple hair stood. "Logan Smith, son of Dionysus."
"So have you all come to a verdict?" Auntie H asked.
Simon stood back up. "We have. After learning the Bridgertons have the smell of low-level demigods and having Penelope seeing no future where it turns out in their favor should we turn them away we agreed that the Bridgertons should stay here to at very least learn how to defend themselves."
Lady Danbury banged her cane against the floor again. "Then it's settled. Meeting adjourned."
The demigods got up and gave a word or nod to the Bridgertons as they walked out. Sophie and Phillip helped Penelope onto Michael's back, her eyes still glazed over. The two to stay seated was Simon and Kate.
"I'm going to help the boys get Penelope to her cabin and talk to them about setting up some archery training sessions," Sophie said before running after the other three.
"Is Pen okay?" Colin asked.
"She's just tired," Simon answered. "Penelope's father is the god of prophecy which led her to being born with the power to see the future. We had her over do it today and her gift can wear her out if she searches too many futures at once." Simon snickered at the thought of something. "By the way she does plan to yell at all of you first chance she gets."
"But onto your training," Kate interupted.
Simon plaryfully rolled his eyes.
"We'll start with sword training tomorrow and then work our way around other weapons. Once we find what you all are good at then we'll push forward." Kate stood up. "Prepare yourselves. Just because you're all mortal doesn't mean we'll go easy on you."
"Well isn't she fun," Anthony snarked.
"More fun than our roman family members," Simon joked.
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algumaideia · 2 years
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I posted 8,360 times in 2022
That's 7,916 more posts than 2021!
1,487 posts created (18%)
6,873 posts reblogged (82%)
Blogs I reblogged the most:
@geeky-gay-greek
@crispnebula
@pjo-hoo-toa-freakazoid
@zazzander
@captainwaffles
I tagged 2,365 of my posts in 2022
#octavian hoo - 283 posts
#octavian - 258 posts
#nico di angelo - 230 posts
#personal - 211 posts
#hoo - 198 posts
#ask - 176 posts
#jason grace - 94 posts
#anonymous - 76 posts
#rick riordan critical - 72 posts
#heartstopper netflix - 68 posts
Longest Tag: 139 characters
#if i understand this well basically the opinion or interpretation the author has about his book/series/movie/whatever is not more important
My Top Posts in 2022:
#5
The Boy Savior
When Jinx calls Ekko "The Boy Savior", she does it with so much anger, spite, she sounds hurt. And this is a new nickname to Ekko, he wasn't called that for anyone just her, so I wonder what is the story behind this nickname. Ekko also seems hurt and mad.
I imagine it was really messy and sad. My idea of what happened is that Ekko after sometime went to rescue Powder from Silco, she was her friend, the only one that survived as far as he knew. Therefore he went after her and I imagine Jinx was so happy to see him. From the videoclip and the rest of the bridge scene we can see they were really good friends in the past.
But then Ekko says he wants to save her from Silco, her father, the person who loves her the most, that didn't abandon her. And maybe he calls Silco a monster, maybe Silco appears and Ekko tries to hurt him because he is a monster. And Jinx gets mad and tries to protect Silco.
And this is when Ekko realizes she likes him, she isn't forced to work for him. And I just imagine Jinx getting so mad at Ekko and him getting so confused. But eventually he just gave up on Jinx.
And Jinx gets so hurt by this. Ekko said he would save her, but then he tried to kill/hurt her father and abandoned her.
So "look who it is, The Boy Savior"
The boy who said that would save her, abandoned her is now protecing her sister, who also abandoned her and is doing it now again over some enforcer girl.
This is all headcanons, but I think it is plausible something like that happened.
Best regards,
Me.
Ps. Their relationship deserved more screen time.
244 notes - Posted January 2, 2022
#4
I was thinking about We don't talk about Bruno and one line really got my attention.
"Your fate is sealed when your prophecy is read"
Which basically means all those people think the bad things only happened to them because Bruno read the prophecy and saw it. Which is nuts, Bruno's prophecys are just warnings, he is just telling thigns that will happen, he is not changing the future.
And during the entire song people say: "He told me". I think one the lines that exemplify this idea better is, Félix one: "Why did he tell us?"
And then what Bruno did to protect Mirabel? He broke her prophecy and hid it. If no one sees it maybe it won't be true. Because the fate is sealed when the prophecy is read.
I'm not sure if Bruno himself believes or believed it, but he was aware that people did.
253 notes - Posted February 20, 2022
#3
Nico and talking about death
In the books, a lot of times Nico is the person talking about death. If death is near, if he feels an aura of death, if someone is dying. And it often makes people feel uncomfortable.
I realized that in toa this was used incorrectly and I'm once again saying that Nico is becoming a caricature.
Nico doesn't talk about death to make people feel uncomfortable, he doesn't do that with malice or with the intent to be mean.
Nico is simply the information guy. He is just delievering information because that is what he does. He told Percy about how Luke became invincible, he told the Romans about the anti Hades giant, he told Frank about the weird cows who look down, he told the seven about the legends about the Diocleciano scepter, etc.
Nico tells stuff. And death is something the demigods often avoid to think about, to talk about. But Nico doesn't seem to see death as the other demigods. He doesn't seem to think about it as something bad, but as something that happens. I mean look at him talking about it at the battle of labyrinth:
"I wanted to see Daedalus for myself. Minos was right, in a way. Daedalus should die. Nobody should be able to avoid death that long. It’s not natural.”
"Will you take my soul for ransom, then?” Daedalus asked. “You could use it to reclaim your sister.” “No,” Nico said. “I will help you release your spirit. But Bianca has passed. She must stay where she is.”
The manner he makes Daedalus go:
Daedalus turned toward Nico, who drew his sword. At first I was afraid Nico would kill the old inventor, but he simply said, “Your time is long since come. Be released and rest.” A smile of relief spread across Daedalus’s face.
When he talks about death he is simply letting the other demigods know about it. He knows they cannot feel it, he knows they don't understand it like he does.
Nico nodded slowly. “He’s dying. He should have died long ago. This…this is more like a memory.“
In the line above, Nico might not be delievering the information in the best way, but he wasn't mean in any way. He understood the importance of the moment, he tried to explain the best he could.
He never had bad intentions.
"Rachel," Nico said, "your life aura almost faded completely. I could see you dying."
This is him being worried for Rachel.
So in toa he saying how he can feel a death aura around Apollo and then it being treated as Nico not know how to talk to people (which is bullshit and it obviously started at hoo), was a huge diservice for his character. He was made dirty and for nothing.
379 notes - Posted July 22, 2022
#2
Rick made everyone on hoo overly antagonist toward Nico and for what? Like, most of them didn't learn it was bad to be shitty to this traumatized kid. Leo and Piper thought it was weird Jason was defending Nico, it is so messed up. One of Leo's first thoughts about Nico after the boy spent days trapped in a ajar without food, air and water was how creepy Nico was. Most of the seven are traumatized kids who were loners and none of them has empathy for Nico? I mean, Rick even made Frank someone who was okay with Nico started thinking he was weird. And again all of this for what? What was the purpose?
591 notes - Posted July 28, 2022
My #1 post of 2022
Love how Nico after being trapped in the jar for days decided to not stay on a closed place like a room, but decided to always stay in a place on the ship where it was clear he was in an open place, and the Seven looked to this situation and decided it meant Nico was creepy.
1,755 notes - Posted July 26, 2022
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mikeyinnit · 3 years
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tale as old as time
Pairing: Technoblade x GN!Reader
Summary: You’ve always wanted adventure, so you left your home. One day you meet the infamous Blood God and think that he might be what you’ve been waiting for.
Word Count: 1.2k words
Notes: Way less Beauty and the Beast inspired than initially planned, so I’m definitely willing to revisit this idea and make one that’s closer if people are interested in that! I just really wanted to make sure I get something out for you guys today <3
Tagging: @angstyx
Villages were usually thought of to be close knit communities, people living and working together and starting families. It was bullshit. At least, that’s true for yours. Your village didn’t love you, it was obvious to everyone around. You weren’t like them, the librarian liked you because you checked out books often but those books being your preferred company made you sort of an outcast among them. Honestly? You didn’t really care. This place wasn’t where you were planning to spend the rest of your days, you were going to leave one day and have the exact adventures you’ve read about. Farming and starting a family with someone you didn’t love sounded awful.
Once you collected enough money from different jobs around town, you were ready to go. The librarian let you keep a book as a parting gift, you chose the worn out copy of Greek myths you’ve read time and time again. With that, you said goodbye to the only home you ever knew and set off for your own great adventure.  
While you traveled, you heard other tales, legends of a man called the ‘Blood God’ and the terror he inflicted on people. You weren’t even sure they were true, it sounded like something from a story that was made to keep children from misbehaving. But there were enough villages that spoke of him that you were beginning to think there may have been something to the tale. It wasn’t long before you met the man yourself.
It had been some time now since you’ve come across another village, and your horse was growing tired, so you swung your leg over to get off and found a tree to have some shelter for the night. While your life hasn’t necessarily been as exciting as the books you loved so much, it was better than being stagnant in a place that didn’t want you there.  
Unfortunately, your wish for a good night’s rest couldn’t be fulfilled, as a large group of zombies found you. You had some experience defending yourself against one or two of the monsters but you didn’t have enough weapons or skill for a whole horde of the undead. On the other hand, you were fortunate, because a stranger with long pink hair seemingly appeared from the shadows and gave you a hand with the zombies. And by a hand, you mean he completely slaughtered them in no time. Needless to say, you were impressed.  
“Thank you, you really saved my life.”  
The man seemed almost uncomfortable with the gratitude, or maybe he was uncomfortable with speaking to strangers, as he just looked at you and nodded in response. But it didn’t deter you in the slightest as you held out your hand with a large grin, almost as if you hadn’t just been nearly killed moments ago. “My name is Y/N.”
This time, the savior at least gave a verbal response, “Technoblade.”
There was something about that name that seemed familiar, you certainly haven’t met him before, but you still couldn’t shake that feeling. Seeing that he won’t return the hand, you let it fall by your side silently. “What are you doing here? Most people would be inside their homes at this time of the night.” Granted, you weren’t, but you also didn’t have a home currently so you had an excuse.
“I had things to do.”
And with that, the tall man moved to leave. His work here was done, he wasn’t even planning on stopping but he wasn’t going to ignore a zombie horde in his path. You just happened to be there and couldn’t take them all on your own. Before you could even say a goodbye, the stranger was gone and you were alone with your horse once more.  
But shortly after he left, you noticed something on the ground where Technoblade stood minutes before. It was a book, one similar to your own, full of tales of Greek Heroes. You knew you wouldn’t want to lose your book forever, so you tried to follow him. You saw the direction he left in and figured he couldn’t have been too far ahead, continuing to follow the path straightforward until you came across a large castle. Dark and towering with seemingly no light inside, it was one that could be considered terrifying to most, especially at night, but to you it just looked beautiful. The building was like a present waiting to be opened, you weren’t sure what was inside or even if the man you were following was here, but you didn’t feel any fear as you pushed the door open. The creak was loud and surely would have caught the attention of anyone, or anything, inside.  
Luckily, it did.  
Unluckily, this attention was the man who had saved your life earlier tonight holding a crossbow aimed straight at you.  
“Why did you follow me?”
For the first time tonight, you figured out why that name was familiar. Technoblade, otherwise known as the Blood God. This was the man that had countless stories told about him, all full of the pain he’s brought and people he’s killed. But he also saved you for no real reason and carried around a book of Greek Heroes. Even with this new knowledge that he will not hesitate to pull that trigger, you still weren’t afraid of him. You couldn’t really say why when you had every reason to fear him, there was just something about this man that was just like the castle the two of you were in. Most people would say it looks scary and wouldn’t want to be near it but you felt the opposite. Soon you finally snapped yourself out of your thoughts and spoke, your gaze trained on him the entire time, “You dropped your book. Yours looks more worn out that mine so I figured you wouldn’t want to miss it.”
The crossbow stayed on you for a few moments while Technoblade considered your words, it helped that you had the book in your hand to confirm your story. Finally, he lowers the weapon and just murmurs a simple thanks as he takes the worn leather book from your hands.
“Which one is your favorite?”  
The question made him pause, and you took that pause to continue speaking. “Or at least a favorite. I know it’s hard to have just one, I usually go with Pandora’s Box but I love Orpheus and Eurydice too.”
There was an expression on Technoblade’s face and you couldn’t figure out what it was. He wasn’t used to people casually talking to him and while it was more of their preference than his own, he didn’t mind the solitude. Not only did you follow him just to return his book, you were staying to ask questions even after he nearly killed you. None of this was normal. But something about him didn’t hate it, so he indulged you for the night. You two spoke all night, sharing your favorite Greek myths and discussing the different versions you’ve found.
Before you even realized, it was daytime. You had spent the entire night talking with a near stranger who had a very dangerous reputation. And it was the best night of your life. You were getting ready to leave, feeling like you overstayed your welcome and that Technoblade would probably want to get back to whatever he was going to do before you showed up. Before you could open the door, his hand grabbed your arm.
“You don’t have to go yet , Y/N.”
And you didn’t hesitate to step away from the door. One more day with the Blood God couldn’t hurt, in fact, one could even consider it an adventure.  
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skyward-heir · 2 years
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some thoughts, because i need to purge myself:
i wish we could see a more morally complex world, them being pirates and all. not saying it isn't, but narratively it seems we're too limited to Stede's sanitized (dare i say, romantic) version of piracy: one where you can afford not to kill others—need not cast away parts of yourself—in order to survive, where your reputation isn't relevant because you don't need to board vessels for loot. protagonist-centered morality isn’t necessarily bad, but it'd be nice if s2 could change that a bit, what with Stede finally getting the "it's not about you" treatment. and please more female characters 🙏🏻
Oluwande, my beloved, i wish i was this cool. i just, i'm in awe at his common sense, his cuteness, his empathy! taking no shit from anyone! ahhhhh
congrats to Jim for having actually intelligible Spanish, for once, in an English-speaking production. i'm a native speaker (greeting from Argentina!), but my gods, why productions usually make it so hard to understand the designated Spanish-speaking character? (i know, expose yourself to other dialects outside your own, but like, sound mix teams do your job i beg you)
no thoughts, just... Frenchie 💖
didn't care at first for Lucius (might've been the sideburns i'll admit ajslkjk), but having the emotional braincell in this ship made me really like him
neither did i care for Stede, but like ✨ character development ✨ and gods he's great. love him. hopefully, the narrative will continue to push the whole 'be a little less self-centred my guy' thing. also i'd like for him to interact more with people who aren't Ed (and Ed with people who aren’t Stede). look i love their scenes together, but it'd be nice to see them outside the romance angle y'know?
Ed, honey, love you but please grow a beard again. it looks so good! anyway, been reading meta/headcanons on his Ambiguous Disorder™ and who he "really" is, but i think the outfit invites a comparison to... Road Warrior. in a world of nightmarish seas roads where "only those mobile enough to scavenge, brutal enough to pillage, would survive" and pirates gangs "took over the highways ready to wage war for a tank of juice", ordinary men like Max (a cop scared that he was beginning to enjoy the rat circus, only a badge saying he's a good guy) are "battered and smashed". despite taking his revenge, Max is the shell of a burn-out, desolate man, haunted by the demons of his past, who wandered out to a blighted place and learned to live again. (and that's like the intro only.) anyway, he lives in the wasteland, helping out only when it suits him, uninterested in companionship or a chance to rebuild his life. ("come with us." / "what are you looking for out there? [...] there is a better way!" → "i never get involved") yet there is kindness: even when he's lost everything, he can still reclaim his humanity. so where am i going with this? no idea. maybe it's about Ed being a legend, about struggling with trauma but surviving no matter what, about choosing solitude, about enjoying the violence, about atonement. that he needs to acknowledge forging himself in fire and blood, instead of handwaving it. (...also the outfit is mmgh 🤤)
how could i not sympathize with Izzy when he's out there living a Greek tragedy, victim of his own hubris, destined to fail and realize all too late he's only got himself to blame. that he's superfluous, unneeded in any way or form... least of all by Ed. ("i need you here"? where was that sentiment after the duel?) because they're not even friends, if Ed's to be believed. at "stages of fucking each other over" and all that. could there be more to their 'dysfunctional love' than the Intricate Rituals™? if so, the self-sabotage is all on him, isn't it? and no matter how 'deeply in love' Izzy is, he'll have to admit defeat to the man who's bested him in every single way that matters, who loathed him—and rightly so everyone would tell him—at first sight. (if he even lives until that point. alternatively, he'll have to fuck off for good so everyone can live happily ever after.) to admit that whatever he and Ed have matters so little that being maimed while he's completely vulnerable is acceptable. so, yeah, kinda tragic. i'd love a redemption arc for Izzy. like if the repressed white dude with far more privilege, who is consistently bad at not really seeing beyond his own needs unless someone calls him out, can change for the better, why can't Izzy? (something something palatable forms of trauma, something something Die For Our Ship at play, something something Steddyhands please askjlskj)
all three of them (Stede, Ed, and Izzy) i love precisely because they're flawed so i just can't understand the necessity of certain fans to reduce three-dimensional characters to 'never did anything wrong' while demonizing the other, instead of accepting it takes two to tango, as they say
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allisonbaelfire · 3 years
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NYX
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Pairings: Bucky Barnes x Reader
Summary: Nyx was a legend, others referred to her as a myth of a bygone era, but so was the Winter Soldier once. The two shared a common past and now a common mission. However, their feelings for one another could danger their goal.
Word Count: 4,403
Authors Note: This story is inspired by the Marvel Comics with Bucky Barnes and Natasha Romanoff and Falcon and the Winter Soldier Series.
+ nyx =  /Nýx/ - the Greek goddess (or personification) of the night. A shadowy figure.
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“I was their secret weapon...or at least I was one of them. She was another. Something about her touched what was left of my humanity. Buried under all that programming.” Bucky touched the back of his neck. “A long time ago, Y/N made me remember what it was to feel human.” 
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MADRIPOOR - Low Town:
After several weeks of looking for clues to the "Flag Smashers", your way brought you to Madripoor. One of the most criminal cities in the world. If you didn't want to be robbed or even die here immediately, you had to be someone and have made a name for yourself. It's good that you already had that.
“Nyx”, Your informant greeted you. “Where’s my money?”
You smirked. “Do I have to remind you what happens, if you keep talking to me in that tone?” 
You wanted to take a sip of the bourbon you had just ordered, but your informant knocked it out of your hand and the glass broke on the floor. Before the glass hit the floor, you grabbed him by his throat and pushed him down on the counter.
The bar owner, Jerry, wanted to interfere. His bar was the only one in Madripoor with zero tolerance against violence, if you wanted to fight you should do it outside.
You raised your finger and showed the owner that he should wait, he also knew who you were, which was why he repected you. 
“Do you know how hard it is to find a good bar with my favorite bourbon in Madripoor?” The guy shook his head while you gripped tighter. “No? now let me tell you - it's as hard as really doing anything with your expensive information.” You let go of him.
“I-I told you everything, I know.”
“I-I” You laughed. “Remembered who I am, huh?” You ordered another Bourbon. “So, first of all, this drink, you’ll pay for it.” You took a sip and smiled. “Next, you’re going to tell me all you know about Kali and then I’ll pay you.”
You didn't get an answer, but you realized he still knew something when he nervously looked at his phone. You rolled your eyes, stood up, and turned around. "Jerry, I'm really sorry but I tried the nice way." You slightly pulled your dress up and took out your gun, turned to the informant and released the fuse. 
“Phone,” You winded your eyes, “now!” 
You rolled your eyes, still pointing at the guy. “Zemo - High Town, you’ve got to be kidding me.”  You put your gun back and broke his phone. “I’m very disappointed and our Deal is over, don’t make a mistake - don’t follow me.” You spoke serious. “Or it's the last thing you'll ever do.”
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MADRIPOOR - High Town - Brass Monkey Saloon:
High Town in Madripoor was way different than Low Town. More drugs, weapons sex, rich people and power. The petty criminals were no longer represented here; criminal elite were gathered here.
“Nyx,” The Bartender greeted you. “Long time no see even though you look stunning in that dress (X), thought you were done with this life.”
“Well, a girl has to eat,” You smirked. “And to drink.”
The bartender smiled and brought you your favorite bourbon. “Did you hear the rumors about Zemo?”
“Heard he’s back in town.” You took a sip of your glas.
He raised his eybrow. “This Bastard is accompanied by the Winter Soldier.”
You choked. He patted you on the shoulder. After you were sure you hadn't misheard, you inspected the club more closely.
You looked at the Bartender, “You never saw me.” he nodded.
You nervously went to the ladies' room. You’ve heard that James was still alive and that he now had a part of his memory back, so you thought he had stopped being the Winter Soldier and started a life of his own outside of H.Y.D.R.A.. But now that he was Zemo's company you thought about following them and finding out what that their Partnership was about.
You checked whether there was anyone else in the toilet besides you and when you were sure that you were alone, you took a deep breath and turned on the water. You suddenly got a slight headache and grabbed your head, when you looked at yourself in the mirror, your flashbacks started. 
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Ages ago - Red Room:
You were one of the best and yet you always had to prove it. After you had defeated each of your fellow campaigners, your leaders were still not satisfied and they let you fight the Winter Soldier - again
“AGAIN!” The Winter Soldier shouted and you fell you arm would break if you’d hit him again.
“AGAIN!”
“AGAIN!”
“James, I-I need a break.”
“What did you just call me?” He asked as he noticed the penetrating looks of the other woman and you remembered that nobody should now.
The Winter Soldier knocked you out.
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After James knocked you out, you were brought to your room, you woke up hours later. You touched your head and noticed the bump he gave you. 
"Stupid, bastard." You mumbled.
“I’m sorry, you know I had to.” You recognized his voice.
You looked around and saw his silhouette sitting in the corner, presumably he came through the window into your room again, like so many times before.
You shook your head, “No, I am sorry. I've put both of us in danger”
Bucky got up and went to you. He let his right hand slowly slide up over your arm to your neck and finally to your head, he too felt the bump. You felt his guilt, but you knew he would never really hurt you.
“Stop it.” You wrapped your arms around his neck. “James, you know I could’ve easily taken you down.” You smirked.
Because of him, you could endure the whole ordeal at all. If he just looked at you, you lost yourself in his blue eyes and if he held you in his arms he gave you a warm home. He was your anchor to carry on every day and you were his.
“I told you to call me Bucky.”
You pulled him closer to you, “I’m glad that you start to remember who you’re.”
He put his hands gently around your waist and pulled you closer as he slowly leaned in to kiss you.
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After cooling your wrists and neck, your pulse calmed down and the flashbacks were gone.
“Thankfully I have often had to look out from above in this God-forsaken place.” 
You jumped on one of the sinks and pushed a panel of the roof aside. You pulled yourself up and crawled back to the dance floor so that no one could see you but you could see everyone.
You spotted Zemo, so it wasn't a rumor and he really was back, but you haven't been able to locate Bucky yet. But it was strange for Zemo that his companion was smiling Tiger.
You were a little rusty in lip reading but you understood that he wanted to talk to Shelby. This would have been your next step too. The mood in the club began to turn. People started staring at Zemo as one of Powerbroker's bodyguards made himself known.
“Зимний солдат атака” Zemo ordered.
“No” You covered your mouth with your hands.
Bucky stepped out of the shadows and was now clearly in your field of vision. He didn't see you, it seemed as if he only saw what he always saw first - an order and his mission. He was ready to comply. He attacked the men who were trying to get Zemo.
Elegant and graceful like a cat, you glide silently along the steel girders,  and watched every movement of James, did Zemo really manage to turn him into his personal puppet?
Bucky knocked down man after man as if they were nothing. Your pulse went faster and your movements on the steel beams became more uncontrolled as you followed his fight. Your heart felt the urge to intervene, you reminded Bucky so many times who he was - not any ones weapon, that you stopped counting and seeing him like this again felt like you had failed him. 
When you were almost about to fall, people simultaneously pulled out their guns. James stopped fighting and was called back by Zemo. You regained control of your heartbeat and your body relaxed, which helped you to find your balance again.
The bartender informed Zemo that the three would now be welcomed by Shelby. 
You couldn't follow them any further without getting into the line of fire. You waited until they left and slowly made your way down from the steel girders and landed on the floor. People looked at you questioningly.
“What? Lady’s stay out of meaningless fights.” And with that you left the bar.
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After a few minutes outside the club you got a message, but it seemed you weren't the only one. Cell phones all around you started chiming, people were chatting and looking around. Shelby placed a pretty high bounty and now everyone would be looking for James
You heard gunshots, “Great.” 
Of course, instead of being smart and running away from the gunshots like every other person, you couldn't help but run to exactly where they came from. You hadn't seen Bucky in a long time, but everything in your body demanded to find him before someone could place a bullet between his beautiful ocean eyes.
You saw the bikers who drove behind Bucky and smiling Tiger, you pulled out your gun and fired at them. Two fell, thanks to you, the last one was taken out by a sniper.
“You seem to have a guardian Angel.” Zemo spoke breathless.
“Not quite.” 
Bucky recognized this voice, but couldn't place it exactly on a face. He was just sure she wasn't a threat.
A blond woman showed up, “Nice shot. I take it from here,” she looked behind the man. “and you can crawl back into the darkness.” You smirked and nodded. 
Before the men could turn around you had already disappeared into the shadows.
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Within seconds you were on the roofs of Madripoor and on the way to your hotel. Being so close to Bucky clouded your mind and made you lose sight of your goal. 
It helped you to walk over the rooftops in the middle of the night, it was like a release for you. In the night, in the deepest darkness, it was easier to order your thoughts, this is how you had been taught, how he had taught you to focus in case you should lose your way - switch everything dark and only listen to your inner voice.
You remembered him saying those words to you, “Your voice is what makes me lose my focus.” you held your neck and climbed into your Hotelroom through an open window.
After you were in your room, you inspected every inch for cameras, microphones or intruders of any kind, after this you closed every window, every door and every curtain.
“Finally.” You sighed as you pulled of your dress.
You looked even more threatening under your dress. There were small knives on both sides of your ribs and two different guns on your legs. You took everything off and put your weapons aside, all but your favorite gun (X).
“Your place is here.” You spoke soft and placed it under your pillow.
You went to bed and closed your eyes. The room was dark and absolutely silent while your thoughts and memories yelled at you.
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“Can we just stay here forever?” You asked while laying in Buckys arms on top of the roof the Academy.
You looked up, the stars merged with the dark night and they seemed to be in perfect harmony.
“Whenever we’re separated, I look at the stars and I think of you. You are my night and I'm your star, he looked at his metal arm,” He tried to make the gun on his body positive. “even if we are often apart from each other, I cannot be without you-” 
You lifted yourself up to look at him. “And I cannot be without you.”
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MADRIPOOR - High Town - Unknown Place
It was already very late when Bucky, Sam and Zemo arrived at Sharon's apartment. They all wouldn’t have expected that Sharon had such a beautiful and safe hiding place in the middle of Madripoor, plus a successful business.
“How’s the new Cap?” She asked curious.
Bucky sat down on the couch, "Don’t get me started" he said with an annoyed voice.
Sharon scoffed. “Please. You buy into all that stars and stripes bullshit.” She sat next to him. “Before you were his pet psychopath, you were Mr. America!” Sharon chuckled as she noticed Zemo questioning look. “Cap’s best friend.”
Bucky was suprised by Sharon's words, none of them knew this side of her before.
“Wow. She’s kind of awful now.” Bucky mumbled.
Sam gave them an side eye, “Kali Morgenthau and at least seven others have taken the super soldier serum.” He sat down. “We won’t leave until we find the one who cracked the code.”
Sharon turned and stared out her window, “That’d explain her appearance. Either she wants to take it or destroy it.”
“Who?” Zemo asked.
“Nyx” Sharon stood up and got herself a drink.
Bucky stood up and he looked petrified. It was as if he had forgotten how to move or even show any kind of reaction within seconds. As he thought more and more about the day, he had felt her penetrating gaze, even though she was nowwhere to be seen. His heart was racing. Bucky’s eyes ran through the room, every dark corner was inspected, but she wasn’t called NYX for nothing.
Sam noticed Bucky's tense body, everything about him seemed like he was hopelessly overwhelmed with something that piercing his head.
“Hey man. You okay?” Sam gently touched his shoulder.
Zemo looked worried like Bucky would snap again any minute. “What is going on with him?” 
Bucky went to Sharon and got worryingly close in her space. “What do you know about her and how can I contact her?”
Bucky's posture was tense. For someone who didn't know him, they might have thought, he would attack Sharon at any moment. But Sharon didn’t step back. She recognized something in his eyes, that she had once seen before, as she looked in Steve Roger’s after her Aunts dead - pain and a broken heart.
“This can’t be.” Sharon raised her eyebrow and crossed her arms. “You’re her-”
“What the hell is going on?” Sam interrupted.
“-Star”
Bucky's eyes blurred, his head started to ache, and he held on to the wall to keep from falling.
“I know you’ll always be with me!” You chuckled and looked into the dark blue night. “You’re my star, you watch out for me.”
He remembered a feminine and warm voice.
“What if they catch us?” You asked him worried. 
Bucky gently touched your cheek, “Then I’ll fight them all.” he kissed you.
He remembered the texture of her soft skin and her gently touch.
“You’re not a Monster, no matter how many times they try to convince you - you’re not.”
He remembered how you tried to protect him.
“If you want him, you’ve to kill me first.”
He remembered how you fought for him...
...and how you lost the fight.
Bucky took a deep breath. He came back to himself. He remembered a part of his past that H.Y.D.R.A. left buried deep. A part that made him turn off the Winter Soldier again and again. 
His guilt grew. “I need to go.” He mumbled.
Sam came in his way, “Wait!” he sighed. “Talk to me, Buck.”
Sharon scoffed. “One Weapon wants to find the other. NYX is a Myth all around the world, like the Winter Soldier was.” She winked at him. “She’s as strong as an Army, fast like a cheetah, she knows the most diverse fighting techniques and speaks multiple languages-”
“-Okay and?” Zemo rolled his eyes.
“I was the secret weapon of H.Y.D.R.A. ...or at least I was one of them. She was another. Something about her touched what was left of my humanity. Buried under all that programming.” Bucky touched the back of his neck. “A long time ago, Y/N made me remember what it was to feel human.”
Sam held his head. “She saved us today. Well, saved you but-” he shrug with his shoulders. 
“And now she has become a shadow. She works alone, always clean leaving no hints behind. I don’t know how to find her but maybe I can contact some people who might know what her next mission is.”
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MADRIPOOR - Next Morning:
Your alarm clock rang but you had been awake and still lying in bed for hours. That you would wake up before your alarm clock was nothing special, but it was unusual that you were lying there instead of going to work immediately.
Your heart beat irregularly, and a slight nausea came over you every now and then. Seeing Bucky again without him recognizing you hit your psyche more than you wanted to admit to yourself.
Your phone rang, a new hint for the super soldier serum.
You sighed. “Ohhh f*ck this.” you put your pillow on your face.
But a mission was a mission. You took the pillow from your face, sat up straight, and took a deep breath. Even before you knew that Bucky was back, the mission was important to you personally and Bucky wouldn't be able to prevent you from destroying the serum - no matter what.
Your cell phone rang again and one of your informants wrote you where you could find the scientist who had recreated the serum. Buccaneer Bay.
You looked at your gun. “Hopefully I won’t need you for him...” You spoke and put on your weapons.
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MADRIPOOR -  Buccaneer Bay
Your body was still tense because of Bucky, but it was also he who learned to suppress your own emotions. When you arrived in Buccaneer Bay, your way led you to the top of the container. A better view and you wouldn't be noticed right away.
“With that bounty on your head, the longer you’re in Madripoor the less likely you’re ever leaving.” 
You rolled your eyes as you recognized a female voice. “I should’ve known.”
You leaned a little over the container you were standing on and noticed Sharon, Sam Wilson, Zemo and of course Bucky.
The four of them ran through the individual containers and it seemed as if they were looking for the same thing as you. Slowly and silently you went after them until-
Sharon stopped. “-Container four-two-six-one.” 
Bucky looked uncomfortable. He looked around in every direction. It was as if you could literally feel that someone was watching him.
“I’ll watch while you guys talk to Nagel.” Sharon handed them some earpods. “But hurry. We’re on borrowed time.”
“What’re you up to?” You asked yourself as you looked at her.
The container door cracked open, you waited until Sharon was far enough away to get to the next container and on to your destination.
The men went in and you heard them open another door inside. You waited 2 minutes, after all, Zemo and Sam were accompanied by the Winter Soldier, who would double-check everything. When you were sure that they were gone you went into the container.
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As you followed them you heard how they drew their weapons. That wasn’t your way, while they first thought of pulling out their weapons, you thought of securing the container and waiting until the men thought they had nothing to worry about and were alone with the doctor.
“Doctor Nagel?” You heard Sam.
The doctor turned and went pale in the face. “Who are you? What do you want?”
“We know you created the super-soldier serum.”
You walked slowly into the room and decided to hide yourself first.
Nagel walked past them, “Get out of my lap.” until he noticed Bucky.
“You know who he is right?”
Nagel didn’t dare to move any further than looked deep into Bucky’s eyes and didn’t grimace. Sam grabbed Nagel by his jacket and pushed him at a wall.
“How about a counter proposal?” The Doctor grinned. “Make me a better offer and I talk.”
Bucky's body language spoke for him. He must have heard something, they weren't alone anymore. He pulled his gone and pointed at Nagel. You got nervous, was this Bucky Barnes or was it the Winter Soldier? Whoever he was, nothing should happen to Nagel.
Nagel began to explain how he managed to reproduce and modify the Super-Soldier serum. In your opinion, he was a bit arrogant.
“I was god.” He smiled and you rolled your eyes.
Zemo started walking around, you couldn't tell what he was going to do so you decided to get closer. He found a gun under a desk and went near Sam and Bucky. You heard the container door open again and you were ready to fight, but Sharon stormed in and for a second you couldn't keep an eye on Zemo, a shot went off - Nagel was dead.
You had to act immediately, you came out from behind Sharon and hit her hard on the head, she fell over like a stone. Sam held Zemo tight, his gun fell to the ground. You ran up to Sam, he was so surprised that it was easy for you to ram your elbow in his face and make him fall to the ground too. You pulled out your two guns, one aimed at Zemo and the other at Bucky.
“Y/N?” Bucky sounded confused.
“Its been a long time since I heard that Name,” She sighed. “Did you miss me, Soldier?” You gasped.
“Do you want the serum for yourself, my dear?” Zemo asked hands up.
Bucky shook his head, “She already has it.” He came closer to you.
“Ah-Ah-Ah, don’t make another move.” You were still aiming at Bucky. “I need the serums, I’ll destroy them so that no one can ever use it again, can use us like they please.”
Bucky's gaze softened. The whole time he was wondering what had become of you, but even if H.Y.D.R.A. or the KGB wanted to make you monsters, you were one of the monsters who worked for, instead of against, people.
He came closer and even without touching you he could feel how much your heart was beating. But what he didn't know, would you shoot him to get to your goal? 
He put his hand on yours with he gun, “Y/N...”
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Before you could react to Bucky or even think about your next step, you were hit by a bomb that destroyed half the container and knocked you and the others to the ground.
“Y/N,” Bucky groans.
You heard heard the alarm blaring and glasses clicking, everything was shaking but you seemed unharmed as you could stand up on your own. But your eyes couldn't see that much, everything looked blurry. You could barely stand on your feet. 
“Did anyone see Zemo?”
Bucky helped the others up. You shook your head and slowly came to yourself. Bucky came and took your hand when another explosion destroyed the container, you all were lucky and made it out just in time.
“All right! Wait for my signal!” Bucky ordered.
You heard gunfire and placed yourself in front of him to take a shouter out. 
“Too slow old man.” You came out from behind the container and started shooting the other shooters. Sharon and Sam followed your example and helped.
“Damn it, Y/N!”
You could hear how one after the other fell to the ground but it seemed to get more and more.
“Hey?!” You looked at Bucky. “Do you remember Budapest?” You yelled.
Bucky did remember Budapest and shook his head. “Its too dangerous!”
Another explosion happened and smoke came up, it was perfect to cover you. You got out of your protection and Bucky ran behind you. You were standing back to back and started shooting around you and taking one by one until there was no one left.
Sam and Sharon were speechless after what they just witnessed. A super soldier and a spy who killed 20 people at once without even blinking. But it wasn't over yet, Madripoor was not known for criminals who would give up so easily.
“Okay come on!” Sharon spoke and you followed her into another container.
“So you two?” Sam started and Bucky and you gave him a death stare. “Okay, okay.” He grinned.
Bucky rammed open the door on the other side of the container and you could hear car tires screeching.
“Supercharged.” Zemo smiled.
“You’re going back to jail.” Sam replied.
“Do you want to find Karli or not?”
Bucky crossed his arms, “He’s right, we need him.” he opened the car door.
“Fine.” Sam clenched his teeth. “But if you try that shit again.” He placed himself on the backseat.
You looked at Bucky and he realized you weren't going to come with him. He took your hand and pulled you closer to himself. 
Everything in Bucky demanded to stroke you, kiss you and just feel you but he couldn't even find a word.
“I’ll find you.” You looked into his eyes and smiled soft. “even in the darkest nights.”
He placed a kiss on your forehead. “Don’t do anything stupid.” Then he went inside the car.
You nodded to Sam to show you trusted him to fight by Bucky's side. Then you turned around and walked past Sharon while you rammed her shoulder hard, once around the corner and you were gone.
Bucky put his head in his hands, wondering if he should have stayed with you or persuaded you to come with him. But it didn't seem to be the time for it yet. Sam touched his shoulder to comfort him. Zemo started the car and Bucky felt your gaze on him, he turned around and this time you allowed him to see you. 
He knew you’d see each other again, he still hoped for a better reason but the Serum was still out there - and your mission wasn't over yet.
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bamfdaddio · 3 years
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X-Men Abridged: 1981
The X-Men, those back-to-the-future mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. Want to unravel this tapestry? Then read the Abridged X-Men!
(Uncanny X-Men 141 - 152) - by Chris Claremont and John Byrne, Brent Anderson, Dave Cockrum, Jim Sherman, Bob McLeod and Josef Rubinstein
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While I also committed various fashion atrocities at the age of 14 (tye-die and fauxhawks, oh my), even Liberace would find Kitty’s outfits too much. (Uncanny X-Men 149; Uncanny X-Men Annual ‘81)
We dial back from the v. epic scope of the last few arcs. Instead, 1981 is just a lot of fun! We get:
Storm and Emma doing a Freaky Friday!
the X-Men vs. Magneto (again!)
A surprisingly effective Alien rip-off
An dystopian future! (OoOoOoOo)
Last year was the year of the Dark Phoenix, this is the year of Kitty Pryde. That’s not to say Jean’s death is swept under the rug: all throughout, we see her friends mourning her loss or remembering her fondly. (Scott even gets to have a demonic adventure about it.) But in general, Claremont puts Kitty in the forefront, fleshing out his YA-addition to the team. And what would a YA heroine be without a grim dystopia? Roll out the iconic Days of Future Past!
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To be fair, 2013 was a dark time for all of us: What Does the Fox Say somehow got to the top of the charts and I was still watching Glee. (Uncanny X-Men 141)
How cool would it have been to see a name like Jonothon Starsmore or Eva Bell on those tombstones?
Anyway, that’s Kate. Kate’s had it rough. Mutants are at the bottom of the foodchain, most X-Men are dead and only a small cadre of resistance fighters remain, Sentinels dominate, and while she is married to Piotr, her children have been murdered. Bleak. Luckily, the rebellion has concocted the plan to shunt Kate’s spirit back in time to prevent this awful future from happening. (You’ve seen Days of Future Past, the last passably good X-Men film, you know what’s up.)
Let’s do the time warp again! 1981!Kitty’s mind gets taken over by 2013!Kitty, who promptly tries to convince the X-Men that a new Brotherhood of v. Evil Mutants will try to kill Senator Kelly, a presidential candidate who tries to put the mutant menace on the agenda. (Mutants tend to blow stuff up when he’s around.) Since the X-Men recently took a literal trip to Dante’s Infero and also befriended a cosmic world-ending entity, they basically shrug and go: “Yeah, this checks out.”
Off to Washington they go (zoommm) and there, they happen upon the Baddest Bitches in Herstory:
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“How dare you hate mutants, senator Kelly! We’ll fix that by killing you!” (Uncanny X-Men 141)
This All-New, All-Different Brotherhood consists out of:
Destiny, a blind woman who can see the future. Definitely the eeriest member of this group. Badass lesbian, though that won´t be canon for years.
Avalanche. Greek who makes things shake. Is a long-standing member of the X-Men Rogue’s gallery, but rarely features in the spotlight. I think he got more characterization in four years of X-Men Evolution than he ever did in the comics.
Mystique. Shapeshifter. Ruthless and unhinged, the Cersei Lannister of the X-Men universe. Absolute legend, secretly the wife of Destiny, currently not as unhinged as she’ll be later. Immediately implied to be related to Nightcrawler: it’s the yellow-eyes-blue-skin-combo.
Pyro. Can manipulate fire, not create it. Absolute pillock, in all the best ways of the word. Originally intended as gay, but they decided to make him Australian instead. (?!)
Blob. Big, strong, immovable. We’ve seen him before.
One of the details in this fight I enjoy is that Storm is still struggling with her leadership, although she has a better grip on things than Cyclops:
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Wolverine then proceeds to use those iconic but deadly claws about twice per issue for the next, oh, forty years. (Uncanny X-Men 142)
While the X-Men fight the Brotherhood in the present, we cut back and forth to the future. There, the X-Men consist out of some familiar faces - Storm, Colossus, Wolverine - and some surprises: Magneto (in a wheelchair), Franklin Richards (son of) and an unfamiliar ginger girl called Rachel. (She’ll be important later.) We even learn (one of) Magneto’s names: this is the first time he’s canonically called Magnus.
One of the strengths of Days of Future Past lies in its brevity, the way it tantalizingly taunts us with a brutal but familiar future without giving away too much. It’s single-handedly responsible for all those dark future timelines the X-lines are so fond of which will eventually culminate in time-displaced grandsons from alternative dimensions and the impossibility of a succinct answer to the question: “Who’s Cable?” Too much of a good thing and all that.
Still, what Days of Future Past does so successfully is:
Put the idea of the mutant menace back at the forefront, hammering home the metaphor of mutants being a minority. Mutants being put in camps and being forbidden to breed should - regretfully - make us think of all too many real life equivalents. (Specifically, all of the imagery harkens back to the Holocaust.)
It starkly shows what happens should the X-Men lose, reminding everyone of the stakes. The X-Men are here for a reason: bridging the gap between mutants and humankind. If they fuck up, we end up with mutant concentration camps.
It helps that the X-Men in the future almost all die horribly: Franklin is incinerated, Storm is impaled… It's brutal stuff. The only one to survive is Rachel, who wonders if their plan actually changed the future or if they created an alternative timeline. (It did the latter, sorry ‘bout it, Rachel.)
In the present, Kate chases after Destiny, who trains a gun on senator Kelly. I always wondered how this works: if Destiny saw the future, she knew that killing Kelly would trigger a terrifying future. What in the current Marvel timeline made her decide that the Days of Future Past was better? Did she see her own death? Did she see the Onslaught-crossover coming? The Chuck Austen run? What was it?
In any case, time-anomalous Kate stops Destiny from killing Kelly and the future is safe! For now. Kate disappears, Kitty returns to her body and some of the Brotherhood are apprehended. All is well, for now.
After being a key figure in DoFP, Kitty is also the main character in the Christmas special, which is basically a straight up horror and a pastiche of the Alien-movie.
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Seriously, John Byrne still isn’t sure why he wasn’t sued by Ridley Scott for this. (Uncanny X-Men 143)
If you love Kitty Pryde? Read this issue. If you’re not convinced you like 80’s Kitty? Read this issue. It’s not continuity relevant and it’s basically Kitty playing the part of a Final Girl in a horror where she’s being chased by a demon, but it’s so good. It showcases all her strengths and her foibles. Kitty’s intelligent, cute (sometimes preciously so) and brave, but she’s also young, self-conscious and hot-headed. And it's not as if the other X-Men automatically adore her: Storm berates her all the time, she’s afraid of Kurt because of the way he looks (though she grows out of that) and she fights with Professor Xavier a lot. Moreover, she has a clever power-set for a young superhero who faces menaces on a daily basis: a thirteen year old who can go intangible is far less likely to have reality ensue on her and be dramatically offed because she's better at protecting herself.
I’m sure there are people who thought Sprite was hogging the spotlight, but I, for one, say she brings more to the table than, say, Angel. She’s not the Dawn Summers of this franchise.
Scott also gets a side quest. Poor guy can’t catch a break: first the love of his life dies, so he quits the X-Men, then he realizes he can’t do much else than be a superhero. He becomes a sailor on the ship of spunky captain Lee Forrester, is drawn into the sadistic plans of a demon unironically named D’Spayre and then shipwrecks in Bermuda with Lee.
The X-Men, meanwhile, are tormented by a team-up of Doom (who’s currently Latverialess and working on a comeback) and Arcade, that annoying crony. Locke, Arcade’s dom, has kidnapped the loved ones of the X-Men (Moira MacTaggart, Jean Grey’s parents, Illyana Rasputin and Amanda Sefton) in order to blackmail them into getting Doom to free Arcade. Apparently, Arcade accidentally insulted Doom and DOOM DOES NOT FORGIVE THAT FOLLY.
While the B-Squad (Polaris, Havok, Banshee and Iceman) goes to save Arcade’s hostages, the X-Men sneak into Doom’s castle. Well, except for Storm, who doesn’t give a single fuck and simply flies up to Doom, demanding an audience. Doom likes the cut of her jib and invites her to have dinner. (This is pre-Tinder, so this is a legit way of scoring a date.)
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If Storm has a flaw (I said if!), it’s got to be her atrocious taste in men. (Uncanny X-Men 145)
The X-Men find Arcade’s cell empty, while Arcade casually saunters up to Storm and says hi. Storm realizes too late that this is a trap: while the X-Men are all trapped in Saw-like traps, Storm is encased in ‘living chrome’.
If you remember she’s claustrophobic, you know why this is a bad move.
While the X-Men free themselves from their traps - Polaris hilariously has to deal with a murderous merry-go-round - Storm is slowly driven mad in her prison, triggering a worldwide tempest. (She causes Lee and Scott to shipwreck.) Under the threat of Wolverine’s claws, Doom releases Storm - or rather, unleashes her.
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“Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair!” (Uncanny X-Men 147)
The memory of Jean brings Ororo back to herself and she starts undoing the superstorm she created. (If only climate change were reversed that easily.) Their confrontation ends by Storm easily forgiving Doom, because she apparently trespassed on his grounds without adequate cause.
Mkay.
All of Arcade’s hostages return to their homesteads, except for Illyana Rasputin, Piotr’s sister: she’s staying at the mansion for a while. Angel, who’s sort of been a part of the team since the Phoenix thing, has had it with Wolverine and his ‘tude, and decides to quit the X-Men : he doesn’t want to be a part of an outfit that has a killer like Wolverine on it. (Or maybe he’s just mad Claremont didn’t give him any storylines: his presence has been mostly pointless.) It’s too bad he left before Kitty started experimenting with her outfits: I bet he would have loved her ugly-ass costumes.
Equally inconsequential is the introduction of a brand new character, who then proceeds to disappear from the narrative for the rest of the year:
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Black Tom has tried to kill you at least twice, but him sending you a long-lost daughter doesn’t give you pause? Ugh, Sean, you deserve Moira. (Uncanny X-Men 148)
Intrigued by Theresa? TOO BAD, WON’T SEE HER AGAIN ANYTIME SOON.
Another new character is the lonely, decidedly mutant looking Caliban, who can sense “people like him” and is on the lookout for companions. Like many lonely people who try and grasp at friendship, he decides to overshoot his shot and ruin the night of Storm, Kitty and Jessica Drew at a Dazzler concert. Because he tries to kidnap Kitty, the girls react a trifle aggressively. When they realize their mistake - the eerily pale Caliban is a simpleton rather than a menace - he’s already fled. No mention is made of the Morlocks yet!
There’s also another dull annual where the X-Men team up with the Fantastic Four to save Arkon’s dimension from the Badoon and yaaaaawn. Far more interesting is the landmark issue #150. Slowly, through the adventures of Scott and Lee Forrester, Claremont has been setting things up for the return of a favorite villain. While the X-Men investigate Magneto’s old base in Antarctica on a hunch of Professor X and tangle with Garruk, Scott and Lee survive Storm’s tempest, only to wake up next to a strange island that seems to have been raised from the ocean.
It’s apparently some ancient citadel from a long forgotten civilization with a fondness for squid statues. (I don’t know man, I’ve never been to the Bermuda Triangle, maybe this is just super-accurate.)The tentacles make Lee Forrester feel very amorous, but before Scott can tell her he is way too repressed to just have sex with an attractive someone he’s known intimately for a month or two, Magneto saves his ass by revealing he, in fact, raised this island from the seafloor.
Oh, Magneto. So extra.
My ambitious little mutant demagogue then proceeds to take the entire world hostage, showing how much he’s grown from the pompous, raving madman from the sixties. (Sure, Magneto is still a bit of a madman, but increasingly, he starts being on the right side of history.)
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“I’m trying to make Magneto more sympathetic.”
“Just put him on a page with some bigger villains who are less noble, like the Vanisher, Count Nefaria, or…”
“Reagan, Thatcher and Brezhnov?”
“Er.” (Uncanny X-Men 150)
It’s obvious Magneto is being pivoted as a more noble villain, codified into the well-intentioned extremist we know and love today. Not only do we get the first hints at his past, fleshing out his motivations, he’s also not wrong. Humans are historically not great at taking care of the planet or each other.
When the Russians call his bluff and launch nukes at Magneto’s new island, he quickly disarms them. His retribution is swift and ferocious: the entire citadel is a machine that massively amplifies his powers. He sinks the submarine that launched the missiles, condemning the entire crew to death, and he casually erects a vulcano in a Russian city in Siberia.
Damn. Not messing around this time.
Despite his good intentions, Magneto is still definitely in the wrong: not only because of his methods, but as Scott points out: if Magneto unifies the world under his kind of benevolent dictatorship, all of that will simply fall apart as soon as Magnus dies.
In a way, Magneto is just as big a dreamer as Charles is: Charles believes in peace and integration, whereas Magneto believes his iron fist will be enough to make a perfect world happen. Both of them ignore the reality that acceptance is difficult and messy, because you’re trying to change essential human nature: the fear of the other. Magneto believes in big, sweeping gestures that will fix the world in move, while changing the world is also boring, hard work. One step forward, two steps back. Magneto just wants to leapfrog to his ultimate goal.
The X-Men fly over the citadel, returning from Antarctica, and their plane crashes into the ocean. (Magneto does not brook planes over his territory, humans!) The Professor is also nearby, looking for Scott with Moira, Peter Corbeau and Carol Danvers. The X-Men sneak onto the island, but to their horror, their powers are nullified by some machine of Magneto. They reunite with Scott, who formulates a plan to thwart the would-be ruler of the world.
While the rest of the X-Men go to trash the machine, Storm, Kitty and Lee infiltrate the control chamber where Storm finds a sleeping, shirtless Magneto. Once again showing her terrible taste in men, she is not weak in the knees at the sight of a sleeping Magnus: instead, she contemplates killing him.
Storm knows how dangerous he is, but she also knows that he’s a great man who’s fighting for ideals, no matter how misguided. She hesitates too long: Magneto stirs, suspects an attack and tosses her out of the window, to her death.
Magneto quickly undoes the sabotage the other X-Men have wrought to his machine. A fight erupts. Storm, meanwhile, has managed to grab hold of a ledge. She crawls back up and smashes an important-looking computer, restoring everyone’s powers.
The battle turns grim, but Scott sends Kitty away to wreck Magneto’s machinery. She sneaks off, following Scott’s orders and destroying both Magneto's power-up device and all of his plans by phasing though the computer circuitry. Magneto senses this and furiously gives chase. Overcome by rage, he attacks Kitty and disrupts her phasing power with a magnetic bolt, seemingly killing her?
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Everything about this story beat is great: mama bear!Ororo, mournful Magnus and even the fact that Kitty’s godawful outfit serves a narrative function: highlighting to us (and Magneto) just how young she is. The fact that Kitty’s Jewish is just icing on the cake. (Uncanny X-Men 150)
And thus, the softening of Magneto commences. 1981 might be a year with wildly varying narratives, but it has given us at least three enduring legacies to the X-Mythos: a new kind of Magneto, a fondness for dystopian futures and the character of Kitty Pryde, who's really come into her own this year.
Ugliest Costume: Kitty! Purposefully, but still. Best costume, by the way, goes to Destiny, with her creepy, creepy golden mask. Just imagine this lady casually strolling across a battlefield, eerily calm and collected, dodging everything you throw at her. Awesome design.
Best new character: I usually pick one character - what good is having a shared award when declaring the best of anything? - but this year, it’s going to one of my favorite couples: Mystique and Destiny. Can’t wait to see more of them.
Most audacious retcon: Blob somehow retroactively becomes a member of the original Brotherhood, which is not what happened. Ever weirder is Xavier pondering that he never met Magneto before his attack in X-Men #1, while their cordially adversarial relationship rooted in a youthful friendship would soon become a cornerstone of the X-Men.
What to read: Uncanny X-Men 141 - 143 and 150 - 152
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historyman101 · 3 years
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Prince of the Empire Joachim Murat, King of Naples (1767-1815)
With the Poniatowski saga officially in the works, I figure I should talk about some of the key characters and figures that will be prominent in my story. First up is not Napoleon himself, but one of his right-hand men, Marshal Murat.
He is, of course, Poniatowski’s closest friend in the Grande Armee, and it’s not hard to see why. The two men are very similar to each other and both lived very colorful lives that ended in a similar tragedy.
I realize that @joachimnapoleon is more knowledgeable about Murat than I am, so no doubt I will get some things wrong in my assessments of him. Take all of my opinions on the guy as you will.
Murat fascinates me because his rise and fall mirrors that of Napoleon’s. He came from humble origins (an innkeeper’s son), rose not only to be one of the senior-most Marshals in the empire, but a king. However, he was also a man of contradictions. Exceptionally brave, but ultimately looking out for himself. One of Napoleon’s trusted friends, but ultimately betrayed him (I know about Marshal Marmont, but Marmont isn’t in this story). A superb horseman, but showed a lack of concern for his horses (especially in 1812). A renowned ladies’ man, but happily married with children. An ardent republican, but was made a king.
Before Murat became a legend in military history, he was destined to be a clergyman, but dropped out of college and ran away from home to join the cavalry. He was stuck on the sidelines for much of the Revolutionary Wars until his fateful meeting with Napoleon Bonaparte during the 13 Vendemaire Uprising. Then a captain, he was charged with fetching the cannon that allowed Napoleon to mow down the Royalist mob.
He faithfully served Napoleon in Italy and Egypt, earning a reputation as a courageous leader of cavalry and a dashing beau sabreur. Murat always tried to make a splash and draw as much attention as possible, usually through his extravagant uniforms, and the tiger pelt on his horse’s back. 
As an officer, he had keen tactical instinct. Aggressive, fearless, and charismatic, he was the perfect cavalry commander on the battlefield. He often put himself at great personal risk, such as when he rode into battle at Jena with only his riding crop. His finest moment was probably at Eylau, where his massed cavalry charge saved Napoleon’s army and turned what looked to be a bloody defeat into a bloody draw. 
On the battlefield, he was peerless. But as an administrator, he struggled. Nowhere is this better demonstrated in Spain, where his only answer to every problem was to call out the troops and order firing squads. When you’re a hammer, everything else looks like a nail. 
Spain brings me to what I think is when things began to go downhill for Murat: when he received the throne of the Kingdom of Naples. I’ll probably get some flak for saying this, but I think Napoleon making him a king was perceived as a slight, as I can’t imagine Murat not wanting the throne of Spain. For someone with a big head like his, Naples was seen as second prize, and I don’t think he ever forgave Napoleon for it.
Not to say I don’t understand where he was coming from, but it strikes me as very petty and ungrateful. The guy was a college dropout who had risen to be not only one of the most senior marshals in the empire but also became Napoleon’s brother-in-law. Count your blessings, Prince, and consider yourself fortunate to even be made king. 
However, Murat, from what I’ve read, was well-liked in Naples. He reformed the army and the government, tried his best to limit French influence, and even turned a blind eye to smuggling, which, naturally, hurt his friendship with Napoleon.
He was still trusted enough to lead the cavalry in the Russian campaign, but as in Spain, he showed his limitations as a commander. He drove his men and his horses hard in Russia, and that had disastrous consequences for the French army. Not only did horses die from exhaustion and lack of fodder, but even failed to distribute proper horseshoes. He had no sense of strategy and only knew how to fight, as he did with great skill at the Battle of Borodino and during the retreat from Moscow.
By 1813, Murat was no longer concerned with aiding Napoleon, but hanging on to his kingdom, and thus entered secret negotiations with the Allies to keep his throne. Even as he did so, he still proved an adept leader of cavalry at Dresden and Leipzig, and even came close to turning the tide at the latter. 
But after Leipzig ended in defeat, he switched sides and joined the Coalition. But even on the winning side, he failed to engage the French in a decisive battle and when Napoleon abdicated in 1814, his troops had seen no real fighting. When it became obvious to him that he would lose his kingdom, he tried in vain to ally himself with Napoleon, who refused to give him refgue in France. When his kingdom was overthrown, and he was tried and found guilty by the Neapolitan court, he met his death with courage befitting of Europe’s greatest horseman. 
His last words to his firing squad were, “aim for the heart, but spare my face.”
Murat reminds me a lot of a Greek tragic hero or a French George Armstrong Custer. Courageous and charismatic, but brought down by his own pride and arrogance. He was at his best when facing the enemy on the field, but he never had a mind for strategy or planning. His planning always essentially boiled down to “Let’s get ‘em!” When he tasted power, he became more interested in holding onto it rather than supporting who had given him that power in the first place. He was ultimately self-interested and forgot what allowed him to become royalty to begin with, and that proved his downfall.
Marshal Berthier said it better than I ever could: “You are only a king by the grace of Napoleon and French blood. It’s black ingratitude that’s blinding you.”
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Welllp This is...Books. Lots and Lots of Books
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That gif is something of a lie. Some of these books were not great. But! Some of them were very good! And some of them were marketed weird — seriously, what does qualify as YA — and some of them I read in, like, six hours and some of them I raged about for six hours after I finished them.
Or: 2020!Laura reverted to 2004!Laura and read just a lot of books and then her husband got her a Kindle and she read even more books and has thoughts on most of those books that she is now going to share with the internet while also making absurd category names. Note that these are only books I read for the first time this year. So, the list is missing some of the stuff I used as coping devices. ALSO SOME SPOILERS AHEAD, YOU HAVE BEEN WARNED.
FAVORITE BOOKS THAT MADE A SHITTY YEAR SLIGHTLY BETTER AND ALSO LIKELY MADE ME SWOON A BIT
A Court of Thorns and Roses by Sarah J. Maas
When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.
At least, he's not a beast all the time.
As she adapts to her new home, her feelings for the faerie, Tamlin, transform from icy hostility into a fiery passion that burns through every lie she's been told about the beautiful, dangerous world of the Fae. But something is not right in the faerie lands. An ancient, wicked shadow is growing, and Feyre must find a way to stop it, or doom Tamlin-and his world-forever.
— I kid you not, I had to do a lap around the apartment after reading the second book in this series. Why didn’t I read this before? Why isn’t there more fic? Why I am constantly falling for dark-haired sad dudes in love with their wives??? I cannot rec this series enough. It’s got world building and found families, and that dark-haired sad dude, and magic and lore and banter, and it’s so good and I don’t understand why it was marketed as YA. The literary world is weird, guys.
Percy Jackson and the Olympians (and the Heroes of Olympus) by Rick Riordan
Accompany the son of the sea god Poseidon and his other demigod friends as they go on a series of quests that will have them facing monsters, gods, and conniving figures from Greek mythology. Do they have what it takes to save the Olympians from an ancient enemy?
— Straight up, how did you guys cope with Percy and Annabeth when you were kids reading this? I would have been OBSESSED. Quarantine felt like the perfect time to finally read all of these books, and I know it’s sacrilegious to like Heroes of Olympus, but I might have liked parts of that series more? Just because it felt like they were older and I was super into Percabeth being properly in love. Also, now I get why everyone was so upset about the movies. Fair.
The Lunar Chronicles by Marissa Meyer
Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . .Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future.
— Yet another YA series that I will admit to loving this year. Started off a little slow, but once the world building really got underway —and it gets underway — I was hooked. If I had read this at an age-appropriate time I would have been super in love Captain Carswell Thorne. I was still kind of in love with Captan Carswell Thorne. So it should come as no surprise that Cress was my favorite of the series, but I enjoyed the whole thing, really.
Serpent & Dove by Shelby Mahurin
Two years ago, Louise le Blanc fled her coven and took shelter in the city of Cesarine, forsaking all magic and living off whatever she could steal. There, witches like Lou are hunted. They are feared. And they are burned.As a huntsman of the Church, Reid Diggory has lived his life by one principle: Thou shalt not suffer a witch to live. But when Lou pulls a wicked stunt, the two are forced into an impossible situation—marriage.Lou, unable to ignore her growing feelings, yet powerless to change what she is, must make a choice. And love makes fools of us all.
— YO. Y O. THIS WAS SO GOOD. World building! Magic! Marriage of convenience! Well-written enemies to lovers! As soon as I finished this, I bought the sequel. And then got upset the third book in the series isn’t out yet! That’s a frustrating theme for me this year.
The Roommate by Rosie Danan
The Wheatons are infamous among the east coast elite for their lack of impulse control, except for their daughter Clara. She's the consummate socialite: over-achieving, well-mannered, predictable. But every Wheaton has their weakness. When Clara's childhood crush invites her to move cross-country, the offer is too much to resist. Unfortunately, it's also too good to be true.
After a bait-and-switch, Clara finds herself sharing a lease with a charming stranger. Josh might be a bit too perceptive—not to mention handsome—for comfort, but there's a good chance he and Clara could have survived sharing a summer sublet if she hadn't looked him up on the Internet...
Once she learns how Josh has made a name for himself, Clara realizes living with him might make her the Wheaton's most scandalous story yet. His professional prowess inspires her to take tackling the stigma against female desire into her own hands. They may not agree on much, but Josh and Clara both believe women deserve better sex. What they decide to do about it will change both of their lives, and if they're lucky, they'll help everyone else get lucky too.
— I LOVED IT. L O V E D. As I told Justin “there was more porn than I was expecting,” in that porn and the adult film industry was a legitimate plot point and not just a part of Josh’s character, but it was incredibly well written and interesting and I cared about the plot. Sometimes I also wanted to shake Clara, but that was kind of the point.
The Marriage Game by Sara Desai
After her life falls apart, recruitment consultant Layla Patel returns home to her family in San Francisco. But in the eyes of her father, who runs a Michelin starred restaurant, she can do no wrong. He would do anything to see her smile again. With the best intentions in mind, he offers her the office upstairs to start her new business and creates a profile on an online dating site to find her a man. She doesn't know he's arranged a series of blind dates until the first one comes knocking on her door...
As CEO of a corporate downsizing company Sam Mehta is more used to conflict than calm. In search of a quiet new office, he finds the perfect space above a cozy Indian restaurant that smells like home. But when communication goes awry, he's forced to share his space with the owner's beautiful yet infuriating daughter Layla, her crazy family, and a parade of hopeful suitors, all of whom threaten to disrupt his carefully ordered life.
As they face off in close quarters, the sarcasm and sparks fly. But when the battle for the office becomes a battle of the heart, Sam and Layla have to decide if this is love or just a game.
— More well-written enemies to lovers! It’s possible! Seriously, the banter was so good. The kissing was even better. Ridiculous and interfering family is one of my favorite things, and this had it in SPADES. It also made me want to eat samosas, which is kind of my base setting, but I really wanted Indian food whenever I was reading this. Also, the end scene was so goddamn cute I cannot believe it actually happened.
Recipe for Persuasion by Sonali Dev
— The one that got away is one of my favorite tropes, and this modern version of Persuasion did it so well. Everyone was annoying, but in an almost understandable way that made me ache and I just wanted them TO KISS. And then they did kiss! And it was so good! Plus, at the risk of being a little self-indulgent, it was kind of Out of the Frying Pan esque and I liked that a lot. If there is a downside: it’s how quickly the relationship starts up again, like zero to 60 in two seconds flat, and that there were a lot of POVs. Which wouldn’t have been an issue if they’d been labeled, or weren’t bouncing around the timeline randomly. Sometimes I’d have to be like—wait, who’s talking about what?
Chef Ashna Raje desperately needs a new strategy. How else can she save her beloved restaurant and prove to her estranged, overachieving mother that she isn't a complete screw up? When she's asked to join the cast of Cooking with the Stars, the latest hit reality show teaming chefs with celebrities, it seems like just the leap of faith she needs to put her restaurant back on the map. She's a chef, what's the worst that could happen?Rico Silva, that's what.Being paired with a celebrity who was her first love, the man who ghosted her at the worst possible time in her life, only proves what Ashna has always believed: leaps of faith are a recipe for disaster.FIFA winning soccer star Rico Silva isn't too happy to be paired up with Ashna either. Losing Ashna years ago almost destroyed him. The only silver lining to this bizarre situation is that he can finally prove to Ashna that he's definitely over her.But when their catastrophic first meeting goes viral, social media becomes obsessed with their chemistry. The competition on the show is fierce...and so is the simmering desire between Ashna and Rico. Every minute they spend together rekindles feelings that pull them toward their disastrous past. Will letting go again be another recipe for heartbreak—or a recipe for persuasion...?
The Good Luck Charm by Helena Hunting
Lilah isn't sure what hurt worse: the day Ethan left her to focus on his hockey career or the day he came back eight years later. He might think they can pick up just where they left off, but she's no longer that same girl and never wants to be again.
Just when Lilah might finally be ready to let Ethan in, though, she finds out their reunion might have nothing to do with love and everything to do with improving his game. But Ethan's already lost her once, and even if it costs him his career, he'll do anything to keep from losing her again.
— HOCKEY ROM COM. HOCKEY. ROM. COM. Apparently this lady is regarded as the queen of “hockey romance,” which I kind of take offense to, but will give a pass on because this was a very cute book and everyone was cute in it and I was only marginally frustrated by those same people being idiots. As is required by rom coms. Hockey, or otherwise.
A Curse So Dark and Lonely by Brigid Kemmerer
Fall in love, break the curse. It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope.
Nothing has ever been easy for Harper. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she's instead somehow sucked into Rhen's cursed world.
Break the curse, save the kingdom. A prince? A monster? A curse? Harper doesn't know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what's at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall . . . and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin.
— Beauty and the Beast AU!!! Fantasy! Magic! Romance! I loved this, even when Rhen was being a whiny idiot. But he was also cursed, so like—fair. This dives into the politics of a cursed kingdom, puts a fun spin on the original fairy tale and also has a sequel. Which I read, and possibly enjoyed more. Only to realize the third book isn’t published yet, and then got annoyed by that.
QUESTIONABLY-GOOD FREE FANTASY BOOKS ON AMAZON
The Silver and Orchids Collection by Shari L Tapscott
What happens when a feisty adventuress, a lord looking to make his own way in the world, and a handsome sea captain set out to find Kalae’s rarest and most valuable flower?
Trouble—and lots of it.
— Snarky flirting! Adventure! Sword fights! Listen, this is not prize-winning fiction, but Lucia is a fun heroine, the rest of her adventure-seeking friends are an absolute delight and you don’t have to think too much while reading it. All four books wrap up their individual storylines, but help set up the next one and while the ending felt a little forced (and way too quick) I didn’t hate it enough to throw the Kindle across the room.
Forest of Firelight by Shari L. Tapscsott
After the sudden death of her brother, Princess Amalia is charged with what feels like an impossible task—she must choose the next king. Youthful thoughts of love are pushed aside as she accepts her fate, setting upon a quest throughout the kingdom to find a man worthy of her father’s throne.
Little does Amalia know, someone has already set his sights on her.
Rhys is a man of secrets, and his mission is simple: befriend the princess of Renove. Coax her to trust him, convince her to follow him.
Betray her when it’s time.
All goes according to plan until Rhys meets the princess. Amalia is a disaster. Never has he met someone so drawn to trouble. Never has he met someone so irritatingly likable.
He’s not allowed to fall for her.
She could never entrust him with a crown.
But, unbeknownst to them, their unlikely partnership might be the key to saving their entire world from a darkness that’s slowly creeping from the wounded earth that separates one kingdom from the next.
— FORBIDDEN LOVE! It’s good! Real good! I read this whole series (or the three books in it, so far) in a questionably short amount of time. Again, not the deepest story, and Amalia is occasionally frustratingly dumb. While Rhys is also sort of all-knowing in that fantasy hero sort of way? Y’know what I mean? Still, they banter very well, and eventually kiss even better.
LESS GOOD FANTASY BOOKS THAT PROBABLY SHOULD HAVE JUST BEEN AVAILABLE FOR FREE ON AMAZON
Ash Princess by Laura Sebastian
Theodosia was six when her country was invaded and her mother, the Fire Queen, was murdered before her eyes. On that day, the Kaiser took Theodosia's family, her land, and her name. Theo was crowned Ash Princess—a title of shame to bear in her new life as a prisoner.
For ten years Theo has been a captive in her own palace. She's endured the relentless abuse and ridicule of the Kaiser and his court. She is powerless, surviving in her new world only by burying the girl she was deep inside.
Then, one night, the Kaiser forces her to do the unthinkable. With blood on her hands and all hope of reclaiming her throne lost, she realizes that surviving is no longer enough. But she does have a weapon: her mind is sharper than any sword. And power isn't always won on the battlefield.
For ten years, the Ash Princess has seen her land pillaged and her people enslaved. That all ends here.
— I wanted to love this series. So much so that I read the whole thing. All three books. And I’m still not sure why. The world building, maybe. Which was very good, and the politics actually kept me interested, but every single character was the absolute worst and I kind of wanted them all to die. That’s not even an exaggeration. Spoiler, they didn’t all die. I was only marginally disappointed.
Daughter of the Pirate King by Tricia Levenseller
When the ruthless Pirate King learns of a legendary treasure map hidden on an enemy ship, his daughter, Alosa, knows that there's only one pirate for the job—herself. Leaving behind her beloved ship and crew, Alosa deliberately facilitates her own kidnapping to ensure her passage on the enemy ship. After all, who's going to suspect a seventeen-year-old girl locked in a cell?Then she meets the (surprisingly perceptive and unfairly attractive) first mate, Riden, who is charged with finding out all her secrets. Now it's down to a battle of wits and will... Can Alosa find the map and escape before Riden figures out her plan?
— Alosa was kind of the worst? Like, STRONG FEMALE CHARACTER who had to keep reminding you how strong she was because she would kill anyone, and had an all female pirate crew. And the whole time I was just like, ok...cool. Still, I read the sequel too and that was slightly better.
The Shadows Between Us by Tricia Levenseller
Alessandra is tired of being overlooked, but she has a plan to gain power:
1) Woo the Shadow King.
2) Marry him.
3) Kill him and take his kingdom for herself.
No one knows the extent of the freshly crowned Shadow King's power. Some say he can command the shadows that swirl around him to do his bidding. Others say they speak to him, whispering the thoughts of his enemies. Regardless, Alessandra knows what she deserves, and she's going to do everything within her power to get it.
But Alessandra's not the only one trying to kill the king. As attempts on his life are made, she finds herself trying to keep him alive long enough for him to make her his queen—all while struggling not to lose her heart. After all, who better for a Shadow King than a cunning, villainous queen?
— I cannot explain this book any way except to tell you it is so weird. Like, sometimes I remember I read this and all I can think is: why did this book happen? It felt like it started in the middle of the story, which is not a knock on the story itself, but mostly on the world building. Which was lacking to say the least. Also the resolution was super rushed and even more weird and I was like—why does he like her??? I still don’t know, honestly.
The Stars We Steal by Alexa Donne
Engagement season is in the air. Eighteen-year-old Princess Leonie "Leo" Kolburg, heir to a faded European spaceship, has only one thing on her mind: which lucky bachelor can save her family from financial ruin?
But when Leo's childhood friend and first love, Elliot, returns as the captain of a successful whiskey ship, everything changes. Elliot was the one who got away, the boy Leo's family deemed to be unsuitable for marriage. Now he's the biggest catch of the season and he seems determined to make Leo's life miserable. But old habits die hard, and as Leo navigates the glittering balls of the Valg Season, she finds herself falling for her first love in a game of love, lies, and past regrets.
— Another book whose lack of world building hurt it. Stuff just happened, and we were expected to understand it and be into it and I was neither. I had no reason to care about anyone in this book, especially Elliot who seemed like an asshole.
To Kill a Kingdom by Alexandra Christo
Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most—a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian's heart to the Sea Queen and or remain a human forever.The ocean is the only place Prince Elian calls home, even though he is heir to the most powerful kingdom in the world. Hunting sirens is more than an unsavory hobby—it's his calling. When he rescues a drowning woman in the ocean, she's more than what she appears. She promises to help him find the key to destroying all of sirenkind for good—But can he trust her? And just how many deals will Elian have to barter to eliminate mankind's greatest enemy?
— This book did not go the way I thought it was going to. Not a bad thing, but also not the best and the ending was...bleh. The middle, though? That was legit, and the action was good. I am always a fan of sword fights. Still, there was something that left me waiting for the final push towards great and it just never really came.
ROM-COMS WITH ONLY PASSABLY FRUSTRATING PLOTS AND GOOD KISSING
Party of Two by Jasmine Guillory
Dating is the last thing on Olivia Monroe's mind when she moves to LA to start her own law firm. But when she meets a gorgeous man at a hotel bar and they spend the entire night flirting, she discovers too late that he is none other than hotshot junior senator Max Powell. Olivia has zero interest in dating a politician, but when a cake arrives at her office with the cutest message, she can't resist—it is chocolate cake, after all.
Olivia is surprised to find that Max is sweet, funny, and noble—not just some privileged white politician, as she assumed him to be. Because of Max's high-profile job, they start seeing each other secretly, which leads to clandestine dates and silly disguises. But when they finally go public, the intense media scrutiny means people are now digging up her rocky past and criticizing her job, even her suitability as a trophy girlfriend. Olivia knows what she has with Max is something special, but is it strong enough to survive the heat of the spotlight?
— It was cute. Max was occasionally an idiot. The kissing was legit. Most of their problems could have very easily been solved, but that’s kind of this genre’s schtick.
The Worst Best Man by Mia Sosa
A wedding planner left at the altar? Yeah, the irony isn't lost on Carolina Santos, either. But despite that embarrassing blip from her past, Lina's offered an opportunity that could change her life. There's just one hitch... she has to collaborate with the best (make that worst) man from her own failed nuptials. Marketing expert Max Hartley is determined to make his mark with a coveted hotel client looking to expand its brand. Then he learns he'll be working with his brother's whip-smart, stunning—absolutely off-limits—ex-fiancée. And she loathes him.If they can nail their presentation without killing each other, they'll both come out ahead. Except Max has been public enemy number one ever since he encouraged his brother to jilt the bride, and Lina's ready to dish out a little payback of her own.Soon Lina and Max discover animosity may not be the only emotion creating sparks between them. Still, this star-crossed couple can never be more than temporary playmates because Lina isn't interested in falling in love and Max refuses to play runner-up to his brother ever again...
— Once you got past the hooking up with your ex’s brother thing, it was cute. Max was endearing in an earnest sort of way, even when Lina was STRONG FEMALE CHARACTER in a cliche sort of way. More solid kissing. Side note, why are so many rom com dudes named Max? Does it sound hip? Passably cool, but also approachable? Discuss. 
Not that Kind of Guy by Andie J. Christopher
State attorney Bridget Nolan is successful in all aspects of her life—except romance. After breaking up with her longtime boyfriend, she's been slow to reenter the dating scene. To be honest, she has more important things to do like putting bad guys behind bars. But with her brother's wedding right around the corner, she suddenly needs a date and fast. Lucky for Bridget, the legal intern is almost done with his program.
Matt Kido is dumbstruck by Bridget—total love at first sight—but there's one problem. She's totally off-limits while she's his boss. But the moment he no longer reports to her, Matt asks her on a date. An impulsive decision takes them to Las Vegas where, as the saying goes, what happens in Vegas, stays in Vegas.
Unless you put a ring on it.
— Having written the “wake up in Vegas married” trope before, I know it’s difficult to do right. Consent’s a thing, y’know? And stuff gets dicy with forgotten memories, and all that, but mostly what kept me from truly loving this book was the intern thing. Don’t date your interns guys, it’s weird and off-putting. Literally if he’d just been a junior partner, or a visiting partner or something else I would have been all in.
Meet Cute by Helena Hunting
Kailyn Flowers was always calm, rational, and controlled—until she ended up sprawled all over Daxton Hughes, the former actor she totally crushed on as a teenager. Then she did the unthinkable: She became a mortifying fangirl in five seconds flat, which may or may not have included professing her undying love. And oddly, he didn't run away. In fact, their meet cute led to a friendship she never saw coming. Of course, she never saw his betrayal coming, either...Now Dax needs her help. As guardian to his thirteen-year-old sister, he's in way over his head. And though Kailyn hasn't forgiven Dax, she isn't heartless enough to make him fend for himself, either. Soon their friendly meetings turn into flirty dinner dates, and Kailyn can feel their chemistry is as explosive as ever. But how can she possibly let down her guard again to a guy who has heartbreak written all over him?
— Once again here for the one that got away trope, even if this comes with dead parents and some sad storylines. It still managed to be cute. Everyone was cute in it. Occasionally Daxton was a dick. As rom com male leads are apt to be.
If I Never Met You by Mhairi McFarlane
If faking love is this easy... how do you know when it's real?When her partner of over a decade suddenly ends things, Laurie is left reeling—not only because they work at the same law firm and she has to see him every day. Her once perfect life is in shambles and the thought of dating again in the age of Tinder is nothing short of horrifying. When news of her ex's pregnant girlfriend hits the office grapevine, taking the humiliation lying down is not an option. Then a chance encounter in a broken-down elevator with the office playboy opens up a new possibility.Jamie Carter doesn't believe in love, but he needs a respectable, steady girlfriend to impress their bosses. Laurie wants a hot new man to give the rumor mill something else to talk about. It's the perfect proposition: a fauxmance played out on social media, with strategically staged photographs and a specific end date in mind. With the plan hatched, Laurie and Jamie begin to flaunt their new couple status, to the astonishment—and jealousy—of their friends and colleagues. But there's a fine line between pretending to be in love and actually falling for your charming, handsome fake boyfriend...
— FAKE DATING THAT LEADS TO REAL FEELINGS. The ex-boyfriend was an assssss, the fake boyfriend was charming, everything was good AND THEN WE GOT TO THE END. Which felt more than a little rushed, unexpected and not really in line with the rest of the book?? Give ‘em a slightly better, in-character ending, and I would have been sold.
BOOKS THAT I WAS LIKE...EH, OK
The Night Circus by Erin Morgenstern
The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.
But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
— I think this book was too smart for me. The prose was gorgeous, and the whole thing was very pretty and I definitely swooned when Marco said he wished for Celia. And yet. By the end I was like...eh, ok. Maybe it was the timeline? Jumping around, or how little dialogue there was. I wanted to like it all so badly, and I’m just not sure I did.
Acting on Impulse by Mia Sosa
After a very public breakup with a media-hungry politician, fitness trainer Tori Alvarez escapes to Aruba for rest, relaxation, and copious amounts of sex on the beach—the cocktail, that is. She vows to keep her vacation a man-free zone but when a cute guy is seated next to her on the plane, Tori can't resist a little harmless flirting.Hollywood heartthrob Carter Stone underwent a dramatic physical transformation for his latest role and it's clear his stunning seat mate doesn't recognize the man beneath the shaggy beard and extra lean frame. Now Carter needs help rebuilding his buff physique and Tori is perfect for the job. It doesn't hurt that she makes his pulse pound in more ways than one.Sparks are flying, until a pesky paparazzo reveals Carter's identity. Tori is hurt and pissed. She wants nothing to do with another man in the limelight, but she's still got to whip him into shape. Can Carter convince Tori he's worth the threat to her privacy that comes with dating a famous actor, or will Tori chisel him down to nothing before he even gets the chance?
— Dudes have gotta stop lying about who they are. It’s not a great trope. Other than that, the kissing was good. The romance was like...eh. I honestly don’t remember much else.
Twice in a Blue Moon by Christina Lauren
During a whirlwind two-week vacation abroad, Sam and Tate fell for each other in only the way that first loves do: sharing all of their hopes, dreams, and deepest secrets along the way. Sam was the first, and only, person that Tate—the long-lost daughter of one of the world's biggest film stars—ever revealed her identity to. So when it became clear her trust was misplaced, her world shattered for good.
Fourteen years later, Tate, now an up-and-coming actress, only thinks about her first love every once in a blue moon. When she steps onto the set of her first big break, he's the last person she expects to see. Yet here Sam is, the same charming, confident man she knew, but even more alluring than she remembered. Forced to confront the man who betrayed her, Tate must ask herself if it's possible to do the wrong thing for the right reason... and whether "once in a lifetime" can come around twice.
— This book was...weird. The early romance was wonderful and delightful, but then shit hit the fan and Sam and Tate are adults and...weird. Like, I cannot come up with another word for it. Also, they didn’t really talk much? As adults? Working on the same movie set? W e i r d.
I Owe You One by Sophie Kinsella
Fixie Farr has always lived by her father’s motto: “Family first.” And since her dad passed away, leaving his charming housewares store in the hands of his wife and children, Fixie spends all her time picking up the slack from her siblings instead of striking out on her own. The way Fixie sees it, if she doesn’t take care of her father’s legacy, who will?
It’s simply not in Fixie’s nature to say no to people. So when a handsome stranger in a coffee shop asks her to watch his laptop for a moment, she not only agrees—she ends up saving it from certain disaster. To thank Fixie for her quick thinking, the computer’s owner, Sebastian, an investment manager, scribbles an IOU on a coffee sleeve and attaches his business card. Fixie laughs it off—she’d never actually claim an IOU from a stranger. Would she?
But then Fixie’s childhood crush, Ryan, comes back into her life, and his lack of a profession pushes all of Fixie’s buttons. As always, she wants nothing for herself—but she’d love Seb to give Ryan a job. No sooner has Seb agreed than the tables are turned once more and a new series of IOUs between Seb and Fixie—from small favors to life-changing moments—ensues. Soon Fixie, Ms. Fixit for everyone else, is torn between her family and the life she really wants. Does she have the courage to take a stand? Will she finally grab the life, and love, she really wants?
— Let’s be upfront, I’ve read a lot of Sophie Kinsella in my life, and more often than not I enjoy what she writes. I mostly did here. It was a book. With obvious rom com problems, that could have very easily been solved, but it wasn’t horrible. So, that was good, I guess.
The Wedding Party by Jasmine Guillory
Maddie and Theo have two things in common:
1. Alexa is their best friend
2. They hate each other
After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with. Underneath the sharp barbs they toss at each other is a simmering attraction that won't fade. It builds until they find themselves sneaking off together to release some tension when Alexa isn't looking, agreeing they would end it once the wedding is over. When it's suddenly pushed up and they only have a few months left of secret rendezvouses, they find themselves regretting that the end is near. Two people this different can't possibly have a connection other than the purely physical, right?
But as with any engagement with a nemesis, there are unspoken rules that must be abided by. First and foremost, don't fall in love.
— Eh, this book happened. I still have no idea why they couldn’t be together from the get. Obstacles for the sake of plot, I guess. Also political side stories? I don’t know, guys.
WEIRD POST-ENDING FEELINGS WERE INDUCED
Beach Read by Emily Henry
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.
They're polar opposites.
In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block.
Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She'll take him on field trips worthy of any rom-com montage, and he'll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.
— Listen, I enjoyed this a lot. For the most part. It was funny, and introspective in a way that didn’t make me want to gag too much, and I wanted to defend January’s love of love with everything in me. But, then it—ended. And it was like...all tied up with this nice little ribbon and happily ever after, and I was like...oh, ok. Part of me that it was glad it ended like that, mostly because of who I am as a person, but the rest of me was also confused that after everything January and Augustus had been through and how messy their lives were it could just get all wrapped up in this HEA.
HITTING JUST A BIT TOO CLOSE TO HOME
Spoiler Alert by Olivia Dade
Marcus Caster-Rupp has a secret. The world may know him as Aeneas, star of the biggest show on television, but fanfiction readers call him something else: Book!AeneasWouldNever. Marcus gets out his frustrations with the show through anonymous stories about the internet's favorite couple, Aeneas and Lavinia. But if anyone discovered his online persona, he'd be finished in Hollywood.April Whittier has secrets of her own. A hardcore Lavinia fan, she's long hidden her fanfic and cosplay hobbies from her "real life"—but not anymore. When she dares to post her latest costume creation on Twitter, her plus-size take goes viral. And when Marcus asks her out to spite her internet critics, truth officially becomes stranger than fanfiction. On their date, Marcus quickly realizes he wants more from April than a one-time publicity stunt. But when he discovers she's Unapologetic Lavinia Stan, his closest fandom friend, he has one more huge secret to keep from her.With love and Marcus's career on the line, can the two of them stop hiding once and for all, or will a match made in fandom end up prematurely cancelled?
— Here for plus-size heroines who get the guy and don’t have their (entire) storyline defined by their looks. Less here for the weird fandom culture, the ensuing second-hand embarrassment that came from that and the thankfulness that both Colin O’Donoghue and Bob Morley appear to be happily married so it seems very unlikely they’re writing fic about their characters under pseudonyms. Stop using Ao3 in actual published stories 2k4ever.
RAGE-INDUCING BOOKS OF ABSOLUTE FURY
The Friend Zone by Abby Jimenez
Kristen Peterson doesn't do drama, will fight to the death for her friends, and has no room in her life for guys who just don't get her. She's also keeping a big secret: facing a medically necessary procedure that will make it impossible for her to have children.Planning her best friend's wedding is bittersweet for Kristen — especially when she meets the best man, Josh Copeland. He's funny, sexy, never offended by her mile-wide streak of sarcasm, and always one chicken enchilada ahead of her hangry. Even her dog, Stuntman Mike, adores him. The only catch: Josh wants a big family someday. Kristen knows he'd be better off with someone else, but as their attraction grows, it's harder and harder to keep him at arm's length.The Friend Zone will have you laughing one moment and grabbing for tissues the next as it tackles the realities of infertility and loss with wit, heart, and a lot of sass.
— LISTEN THERE ARE SPOILERS HERE, BUT I FEEL LIKE YOU SHOULD KNOW ABOUT THEM BECAUSE THIS BOOK IS A SECRET GUT PUNCH AND PEOPLE SHOULD BE AWARE. Not only is infertility, like, the defining theme of this book, but the BEST FRIEND DIES. Just—dies. It’s horrible. Absolutely God awful depressing. And for a second he looks like he won’t, and it’ll be fine, but then it is not and he’s just D E A D. I know, I know that sets up the sequel, but this was so goddamn heavy in an unsuspecting way that I have absolutely no intention of reading the next one.
Well Met by Jen DeLuca
Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?
The faire is Simon's family legacy and from the start he makes clear he doesn't have time for Emily's lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she's in her revealing wench's costume. But is this attraction real, or just part of the characters they're portraying?
This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can't seem to shake the fantasy of establishing something more with Simon or a permanent home of her own in Willow Creek.
— FUCK THIS BOOK. And fuck Simon, specifically. Oh, you have a sad story? Cool, you’re still a dick. He was a dick. Listen, I know enemies to lovers is a hard trope to write, but it’s even harder to accept when those enemies just announce I LIKED YOU THE WHOLE TIME and then everyone starts ripping off their clothes. No, it’s dumb. I hate it. Apparently there’s a sequel to this book. Maybe that’s better.
Kiss My Cupcake by Helena Hunting
Blaire Calloway has planned every Instagram-worthy moment of her cupcake and cocktails shop launch down to the tiniest detail. What she didn't plan on? Ronan Knight and his old-school sports bar next door opening on the very same day. He may be super swoony, but Blaire hasn't spent years obsessing over buttercream and bourbon to have him ruin her chance at success.From axe throwing (his place) to frosting contests (hers), Blaire and Ronan are constantly trying to one-up each other in a battle to win new customers. But with every clash, there's also an undeniable chemistry. When an even bigger threat to their business comes to town, they're forced to call a temporary time-out on their own war and work together. And the more time Blaire spends getting to know the real Ronan, the more she wonders if it's possible to have her cupcake and eat it too.
— Listen, I wanted to like this one. There were plenty other Helena Hunting books on this list, so like—I don’t hate her. I just hate poorly executed enemies to lovers plot lines. Give me at least one moment where they are interested in each other aside from just being attracted to each other. Also: Stop Having Dudes Be Dicks Because Of Their Sad Backstory 2k4ever.
Don’t You Forget About Me by Mhairi McFarlane
You always remember your first love... don't you?If there's anything worse than being fired from the worst restaurant in town, it's coming home early to find your boyfriend in bed with someone else. Reeling from the humiliation of a double dumping in one day, Georgina takes the next job that comes her way—bartender in a newly opened pub. There's only one problem: it's run by the guy she fell in love with years ago. And—make that two problems—he doesn't remember her. At all. But she has fabulous friends and her signature hot pink fur coat... what more could a girl really need?Lucas McCarthy has not only grown into a broodingly handsome man, but he's also turned into an actual grown-up, with a thriving business and a dog along the way. Crossing paths with him again throws Georgina's rocky present into sharp relief—and brings a secret from her past bubbling to the surface. Only she knows what happened twelve years ago, and why she's allowed the memories to chase her ever since. But maybe it's not too late for the truth... or a second chance with the one that got away?
— HE WAS JUST PRETENDING NOT TO REMEMBER HER THE WHOLE TIME???? WHAT?? WHY??? D U M B. Dumb boys are dumb.
Not the Girl You Marry by Andie J. Christopher
Jack Nolan is a gentleman, a journalist, and unlucky in love. His viral success has pigeon-holed him as the how-to guy for a buzzy, internet media company instead of covering hard-hitting politics. Fed up with his fluffy articles and the app-based dating scene as well, he strikes a deal with his boss to write a final piece de resistance: How to Lose a Girl. Easier said than done when the girl he meets is Hannah Mayfield, and he's not sure he wants her to dump him.
Hannah is an extremely successful event planner who's focused on climbing the career ladder. Her firm is one of the most prestigious in the city, and she's determined to secure her next promotion. But Hannah has a bit of an image problem. She needs to show her boss that she has range, including planning dreaded, romantic weddings. Enter Jack. He's the perfect man to date for a couple weeks to prove to her boss that she's not scared of feelings.
Before Jack and Hannah know it, their fake relationship starts to feel all too real—and neither of them can stand to lose each other.
— This is actually the prequel to Not That Kind of Guy and I honestly can’t believe I read that after hating this book so much. They were awful to each other! Their whole relationship was based on lies! Mean lies! Horrible lies! Don’t lie to your significant other!
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redantsunderneath · 4 years
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DC COMICS: Incoherence as Not-a-Bug-but-a-Feature (Spoilers for Batman 89-100)
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Due to the emergence of the new Batman villain character Punchline, I wound up buying the last 12 issues of Batman and reading them in a single sitting. I’ve had trouble following DC comics for a while, constantly feeling that they were in trouble since back in the mid 2000s (with a glimmer of hope here and there). The act of reading DC comics has been a frustrating experience, where individual good stories and runs were laying around in the context of a lot of things that didn’t make sense while the company’s thrust felt chaotic and ideas not well blended. Every status quo change seemed hard to figure out the rules of enough to parse the context.  We’ll get into the background of this, but my reading today of this extended stretch of comics that keeps losing the plot in favor of a fever dream of what’s happening at the moment with specific characters that refuse to cohere, it became obvious that what I had been looking at as subtext or critique was actually the text. I could see the messed up trees but was missing the the forest the universe was trying to describe.
What happens in these issues (Batman current series 89-100, I missed the beginning of the first of 2 arcs) is rolling war between the major Batman villains and the heroes (plus Harley Quinn and Catwoman), which shifts into a Joker and Joker adjacent vs. all as the Joker double crosses everyone then manages to steal Bruce Wayne’s fortune.  We meet 3 new baddies – Underbroker, whose schtick is putting ill-gotten gains beyond the reach of the legal system (with an explicit line to rich globalists drawn), the Designer, who back in the day offered the four A list Batman villains plans to achieve what they most wanted, and Punchline, who is your toxic ex’s new millennial GF who really has it in for you (there is also a new good guy Clownhunter, which is a whole different thing, and a new costumed detective that predates Batman).  This doesn’t convey the chaotic nature of what is happening issue to issue, but there’s more than one Batman hallucinogenic spirit quest, dead characters ostensibly walking around, a plan revolving around the Bat’s origin story that tells some version of it several times, and a no-nonsense declaration that the Joker, as the Devil of the Batman spiritual system, cannot die.   The whole thing has the effect of convincing you there is no definitive sequence of events, only versions.
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Alan Moore’s Killing Joke is not a favorite of mine, for a number of reasons.  But the ending holds up.  The Joker has done terrible things there is no antecedent for, and Batman wonders aloud if this never-ending dance they do ends in anything but both of their deaths; can they uncouple from the unhealthy duality the cycle of which simply repeats.  The Joker responds, well, with a joke about two lunatics trying to escape an asylum.  One jumps the roof to the next building, while the other is too scared to try.  The escapee offers to hold a light while the other crosses on a beam but he says no, no you’ll just cut the light while I’m half way across.  This not very funny joke nonetheless has a bunch of resonances – BM and Joker as conspiring co inmates, BM wanting to break out, a commentary about their natures (almost a reversal of the frog and scorpion story where the scorpion won’t go because he knows how this ends), but mostly it implicates BM as the one who is enabling the cycle, the reason why it won’t end.  They both laugh uproariously, and the ambiguous final panels can be read as the fundamental realization of his complicity causing BM to kill J.  A lethal joke indeed… except, next month, we see the both of them again.  In broader context, the ceaseless cycle of the diad is reaffirmed.  This has been hellaciously sticky as an idea in the Batmen universe.
My realization of what DC has been doing is pretty banal in its pieces. Marvel has “ground level” heroes while DC has a mythos, a pantheon.  Their archetypal makeup is strong, the seven JLA members lining up with the pantheon of Greek gods and the Chakras weirdly closely.  DC has big characters that are somewhat flat which they can use tell big bold individual stories that are cool the way legends and fables are cool. But these stories require bold strokes that a bit incompatible with each other. People get attached to these iterations. Meanwhile, Marvel trucks in soap operas where the characters give you an empathetic stand in and are narratively flexible. Marvel events are usually about the writer vs. the company, asking you to sympathize or deconstruct the creative impulse amid efforts to impose control or order.  DC’s events are about editorial vs. the audience, the shapers vs. the forces of the world.  It may seem obvious, given this description, that DC’s focus is on an archetypal tableau though it may be less obvious that this tableau is under extreme pressure from expectations when trying to tell ongoing tales month in, month out (or semi-monthly in some cases). The stories are constantly compared against the big stories that have gone before, and the audience’s ideas of the characters exert pressure to push them in directions that capture “the” version they believe in.  This circle is not possible to square.
DC and Marvel both have a multiverse of sorts.  DC used to tell “Elseworlds” stories which were later tucked into pocket universes.  DC invented crossing over between “realities.”  DC’s continuity is heavy baggage and they began to have “Crises” to resolve the narrative incompatibilities.  These only made things worse as you can’t get rid of the past people have a relationship with – it will come back.  Now you have to explain that away too.  Marvel just lets it lay – forget about the iffy stories, they count, sure, just no one is ever going to talk about them unless they have an angle.  Marvel continuity is all angles and amnesia. This is just easier to do with dating and rent and your ancient aunt’s medical bills than with Gods. Marvel’s multiverse is about sandboxes that you can always dump into the mainframe if they work (and never really mention the sandbox again).
There is a shift that occurred in the industry in the 2004 to 2005 era that is less remarked upon than many upheavals in comic’s history. Marvel had gone through a period of incredible new idea generation in the early 2000s after a late 90s creative cratering but had just fired the pro wrestling inflected soul of that moment (Bill Jemas).  DC was coming off of a period of trying to do moderately updated versions of what they basically been doing all along. The attitude was “yeah we’re under stress from the combined history of these characters, but we got to keep telling the stories.” Geoff Johns was one voice of DC over the 99-04 period that showed potential - he seemed to get how to find the core of characters and push them into a new in sync directions if they over the years have lost a clear identity.  But mostly he had internalized a basic schism between something mean that the audience wanted, and something good and wholesome about the characters themselves, and figured out how to mess around with this in a equilibrating fashion.
Interestingly, the ignition point of the main forces that were going to blow DC over the next decade and a half was a comic that had virtually nothing to do with any of those main forces. Brad Meltzer, a novelist, was hired to do a comic called Infinity Crisis, which sold extremely well and was, justifiably or not, recognized as an event.  At the same time, everyone also kind of hated it because the dark desires of some DC fans were pushed forward just a bit too much for comfort and for a comic with Crisis in the name it didn’t do a whole lot other than “darken” things.  Nonetheless, this lit an “event” fire at both companies.  Marvel chose a shake up the status quo for a year, then do it again, pattern and was off to the races (I have written about this, and more, here) while continuing its Randian framing of beleaguered do-gooders opposed by rule making freedom haters.
As this was playing out, Dan Didio quietly took power in DC Editorial.  His outlook was more Bloomian – he seemed to spark off of writers who exhibited anxiety of influence. He recognized Johns was the one person they had could be promoted into something of a universe architect, starting work on two key projects from which the rest would evolve. The first, was bringing back Hal Jordan as Green Lantern and diffracting the GL universe into its own symbolic system, with parts frisson-ing other parts, and almost a Magic the Gathering color scheme of ideas. The other was to build up to Infinite Crisis, which would become the model for most of their universe changing events until the present day.
The basic frame is this: DC heroes want to be good (in a sense of their inherent nature) but forces outside form a context that makes them fall.  It’s a very gnostic universe, DC.  They  examine reflections of the concepts, invent scapegoats for certain tendencies (see Superboy Prime as entitled fanboy, Dr. Manhattan as editors that try and fail to mend things, etc), make characters violate principles, rehabilitate them, then show that the world if anything is more broken than before.  This is kind of Johns’ thing and it fits Didio’s narrative as historicval tension fetish.  But then came Scott Snyder (not to be confused with Zack) who began to work on Batman in 2011.  Since then, as much as Justice League is pushed as the central title and Lex Luthor has been pimped, Batman has been the core of the universe and the Joker the core villain.
Snyder had the same continuity conflict wavelength but was significantly more meta and able to contain multitudes than Johns.  He was the first to make an explicit mystery of how there could be several Jokers around at one time (who are the same but not, he posited 3 – man, Christians!) that seems prescient given the near future coexistence of filmic Jokers that are not able to be resolved.  I believe he was the first to begin to tease out an idea – that different versions of things in comics are not a diffraction or filter effect, a using the set of things that work best for that story and leaving the rest, but are a matter of the archetypal system of the audience coming apart. From an in story perspective what appears to happen is that multiple versions of incompatible things exist in the collective unconscious of the continuing narrative, and this is something that the characters may become conscious of.  
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The run I just read is written by James Tynion IV building on the above trends.  The trick seems to be going all in on the Jungian aspect (at Jung’s most religiously epiphanic).  The Designer was a progenitor and adversary to Batman’s predecessor and his intellectual approach eventually defeated the detective… broke him.  At some point in early Batman history, the Designer brought the top four Bat-baddies together and offered each, in turn, a plan to achieve what they most desired: the Riddler, a way to achieve an empire of the mind; the Penguin, power; and Catwoman, money.  They are all elated as they await the Joker to come out.  The Joker emerges with a furious Designer on his heals and promptly shoots him dead.  He explains that he didn’t like his joke in the form of a fable – the devil offered four people the path to their greatest desire: the three chose earthly things, but the Joker’s wish was to be him, to become the devil.  The story proceeds to suggest that the Joker just exists, he is present as a necessary component in the system.   You can kill him, yet he is alive.
DC has been using physics metaphors for the nature of their reality since Flash of Two Worlds in 1963.  The multiverse as a continuity concept was their idea and the holographic universe of the hypertime was a thing.  It seems like since Dan Didio took over, they’ve been heading towards a concept of broad superimposition, of measurement effect being weak, of the universe being like a quantum computer with all possibilities coexisting and the story instantiating not one reality but a path through all the possible ones.  By making Batman trip balls through quite a few issues and relive his origin from different angles, the story is one of its own instability and the heroic task that confronts our hero is attempting to actualize the world.  The Joker is the Devil in the sense of lack of fixed meaning, of relativistic chaos, of the world not making sense because it’s unmoored nature with ultimately no knowability.  Batman, in this story, functions as a postmodern knight crusading against the impossibility of epistemological grounding.
There’s more going on, sure.  One plot is, literally, defund Batman.  There is rioting, people brainwashed by being exposed to toxic ether, people paid to go to theaters even though they will die as a result, and questions about neoliberalism similar to that one Joker movie. Punchline has no personality yet (Tynion’s not the best at that) but she serves well as a generational foil for Harley – a rudderless ideological vacuum susceptible to Joker-as-idea-virus rather than an unfulfilled MD who felt alienated due to the structures of her life and was seeking escape into structureless possibility.  The Designer stuff is both continuity play (See why they changed from goofy villains to more “realistic” ones! Look how pulp heroes informed superheroes!), a comment on the nature of a longstanding narrative (strong intentions die out as Brownian motion overwhelms momentum), and a lawful evil/chaotic evil setup of the dualism of apocalypses (overdetermined authoritarian vs. center does not hold barbarism).  But the thing that ties this to the past decade and a half of DC is the sense that the reality is fluid and susceptible to change or outright s’cool incompatibility.
This is different than other flavors of meta in superhero comics.  Grant Morrison believes the archetypes are stronger than the forces that seek to bend them.  Alan Moore wants you to deconstruct your sacred cows and probably hates you personally.  Marvel might play with self-awareness, but effortlessly resolves inconsistencies after it’s finished playing.  DC, at this point, allows you to watch the waves solidfy into symbols and dissolve, and the constant confusion and lack of grounding is more of a choice then I thought this time yesterday.  The conflict theory of DC reality has been in full swing but this looks to be turning towards a kind of Zen historicism, holding contradictory things in your mind at once. Warren Ellis’ JLA/Authority book is the nearest comparable text I can think of. I need to call this, but I didn’t even talk about Death Metal, DC character multiplicity as meta-psychosis event extraordinaire.  Comics just keep getting weirder.
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theliterateape · 4 years
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I Like to Watch | Zack Snyder’s Justice League
by Don Hall
Mythology is fun.
As a kid I loved reading Edith Hamilton’s book on the Greek gods and the myths. Hercules, Perseus, Apollo, and Hera—this fell completely in line with my love for superhero comics. The strangely petty human traits of envy, greed, and lust combined with the power to level cities make for some great storytelling.
Zeus was basically Harvey Weinstein in the retroactive revision we’re mired in today. If Harvey could’ve changed into a golden animal and boned unsuspecting ladies looking for careers in Hollywood I’m pretty certain he would. The gods and demi-gods of the Greeks dealt with daddy issues, mommy issues, bad relationships, and fighting. Lots of fighting. Sometimes for the good of humanity but more often for the glory of winning.
Zach Snyder is in the business of tackling myths and reframing them with a style all his own. His career has become its own myth.
From Dawn of the Dead (not so much a reboot of Romero's zombie mythology but a philosophical reimagining of the genre that arguably jumpstarted The Hollywood fascination with it), 300 (a borderline homoerotic take on the myth of the Greek underdog), and Watchmen (a ridiculously ambitious attempt to put one of the most iconic takedowns on the potential fascism of the superhero legend machine ever written) to his nearly single-handed hack at answering the Marvel juggernaut with Man of Steel and Batman vs Superman: Dawn of Justice, Snyder is in the artistic business of subverting and re-envisioning the mythologies we embrace without even seeing them as such.
Snyder's style is operatic. It is on a grand scale even in the most mundane moments. The guy loves slow motion like Scorcese loves mobsters and Italian food. When you're tackling big themes with larger than life stories, the epic nature of his vision makes sense and has alienated a good number of audience members. With such excess, there are bound to be missteps but I'd argue that his massive take on these characters he molds from common understanding and popular nomenclature elevates them to god-like stature.
Fans of Moore's Watchmen have much to complain about Snyder's adaptation. The titular graphic novel is almost impossible to put in any other form than the one Moore intended and yet, Snyder jumped in feet-first and created a living, breathing representation of most, if not all, of the source material's intent. Whether you dig on it or not, it's hard to avoid acknowledging that the first five minutes of Watchmen is a mini-masterpiece of style, storytelling, and epic tragedy wrapped up in a music video.
Despite a host of critical backlash for his one fully original take, Sucker Punch is an amazing thing to see. More a commentary on video game enthusiasm with its lust for hot animated chicks and over-the-top violence that a celebration of cleavage and guns, the film is crazily entertaining. For those who hated the ending, he told you in the title what his plan was all along.
The first movie I saw in the theaters that tried to take a superhero mythology and treat it seriously (for the most part) was Richard Donner's Superman: The Movie. Never as big a fan of the DC characters as I have been of Marvel, it was still extraordinary to see a character I had only really known in pages to be so fully realized. Then came Burton's Batman movies. The superhero film was still an anomaly but steam was gaining. Things changed with Bryan Singer's X-Men in 2000, then Raimi's Spiderman, and those of us who grew up with our pulpy versions of Athena, Hermes, and Hades were rewarded with Nolan's Batman Begins. A far cry from the tongue-in-cheek camp of the 1966 TV Batman, Christian Bale's Bruce Wayne was a serious character and his tale over three films is a tragic commentary filled with the kind of death and betrayal and triumph befitting the grand narrative he deserved.
I loved Singer's Superman Returns in 2006 because it was such a love letter to the 1978 film (down to the opening credits) but by then, the MCU was taking over the world.
Snyder's first of what turns out to be an epic storyline involving perhaps seven or eight movies was Man of Steel. It was fun and, while I had my issues with the broodiness of Kal El, the odd take on Jonathan Kent, and a redheaded Lois Lane, I had no issue with Superman snapping Zod's neck. Darker and more tragic than any other version of the Kryptonian, it was still super entertaining.
Then came Batman v Superman: Dawn of Justice. By 2016, Marvel had codified their formula of serious characters wrestling with serious issues of power and responsibility peppered with lots of good humor and bright colors. Snyder's desaturated pallete and angst-filled demi-gods was not the obvious road to financial competition.
I'll confess, I hated it. BvS felt half-rendered. Lex Luthor was kind of superficial and played as a kind of Joker. The whole Bruce Wayne wants to kill Superman thing felt undeveloped and the "Martha" moment was just stupid.
When Joss Whedon's version of Snyder's Justice League came out in 2017, I was primed for it to be a turd and I wasn't surprised. So much of it didn't work on any level. I dismissed it as DC trying and failing miserably and was comforted by the coming of Thanos.
Following Thanos and the time heist was COVID. Suddenly, we were internationally sidelined and the movie theater industry caved in. Streaming services started popping up like knock-off smartphones and Hollywood was reeling, doing anything and everything to find a way back. Since Whedon's disastrous helming of Snyder's third act, fans online had been demanding to #ReleasetheSnyderCut but no one was ever really taking them seriously until all movie production was shut down for a year.
The stage was set to remedy a mistake (or at least make some bucks on a do-over of a huge box office failure). Snyder had left the production in part because of the suicide of his daughter and in part due to the constant artistic fights over executives looking for the quippy fun of the MCU but he still had all the original footage. Add to that the broiling accusations that Joss Whedon was "abusive" during the reshoots, the path seemed destined. For an additional $70 million and complete control, Snyder delivered a four hour mega-movie streamed on HBOMax.
Of course, I was going to watch the thing as soon as I could.
The Whedon version opens with an homage to the now dead Superman (including the much maligned digitally erased mustache on Henry Cavill). The SynderCut opens with the death of Superman and the agony of his death scream as it travels across the planet. It's a simple change but exemplifies the very different visions of how this thing is gonna play out.
Snyder doesn't want us to be OK with the power of these beings unleashed. He wants us to feel the damage and pain of death. He wants the results of violence to be as real as he can. When Marvel's Steve Rogers kicks a thug across the room and the thug hits a wall, he crumples and it is effectively over. When Batman does the same thing, we see the broken bones (often in slow motion) and the blood smear on the wall as the thug slides to the ground.
The longer SnyderCut is bloated in some places (like the extended Celtic choir singing Aquaman off to sea or the extended narrations by Wonder Woman which sound slightly like someone trying to explain the plot to Siri). On the other hand, the scene with Barry Allen saving Iris West is both endearing and extraordinary, giving insight to the power of the Flash as well as some essential character-building in contrast to Whedon's comic foil version.
One thing I noticed in this variant is that Zach wants the audience to experience the sequence of every moment as the characters do. An example comes when Diana Prince goes to the crypt to see the very plot she belabors over later. The sequence is simple. She gets a torch and goes down. Most directors which jump cut to the torch. Snyder gives us five beats as she grabs the timber, wraps cloth around the end, soaks it with kerosene, pulls out a box of matches, and lights the torch. Then she goes down the dark passageway.
The gigantic, lush diversity of Snyder’s vision of the DC superhero universe—from the long shots of the sea life in the world of Atlantis to the ancient structures and equipment of Themyscira— is almost painterly. Snyder isn't taking our time; he's taking his time. We are rewarded our patience with a far better backstory for the villain, a beautifully rendered historic battle thwarting Darkseid's initial invasion (including a fucking Green Lantern), and answers to a score of questions set up in both previous films.
Whedon's Bruce Wayne was more Ben Affleck; Snyder's is full-on Frank Miller Batman, the smartest, most brutal fucker in the room. Cyborg, instead of Whedon's sidelined non-character, is now a Frankenstein's monster, grappling with the trade-off between acceptance and enormous power. Wonder Woman is now more in line with the Patty Jenkins version and instead of being told about the loss of Superman, we are forced to live with the anguish of both his mother and Lois Lane in quiet moments of incredible grief.
To be fair to Whedon (something few are willing to do as he is now being castigated not for racism or sexism but for being mean to people) having him come in to throw in some levity and Marvel-esque color to Snyder's Wagnerian pomposity is like hiring Huey Lewis to lighten up Pink Floyd's The Wall or getting Douglas Adams to rewrite Cormac McCarthy's The Road.
I loved Snyder's self-indulgent, mythologic DC universe.
So much so that I then re-watched Man of Steel and then watched the director's version of BvS (which Snyder added approximately 32 minutes). The second film is far better at three hours and Eisenberg's Lex Luthor now makes sense. Then I watched Zach Snyder's Justice League a second time.
After nineteen hours of Snyder's re-imagining of these DC heroes and villains, I saw details that, upon first viewing, are ignored or dismissed, but after seeing them in order and complete, are suddenly consistent and relevant. Like Nolan or Fincher, Snyder defies anyone to eliminate even one piece of his narrative no matter how long. With all the pieces, this is an epic story and the pieces left at the extended epilogue play into a grander narrative we will never see.
Or maybe we will. Who knows these days?
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sanchoyo · 3 years
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danny phantom, season 3, episodes 7-13 thoughts! cannot believe im finishing this series so fast. ...cannot believe it ended like that...uh. one of the weirdest finales to a show I think I've seen, it really stood out against the rest of the series, and not in a good way, in my opinion. I paused to yell in caps lock...several times, I think, out of anger... BUT. ANYWAY, HERE WE GO.
see prev episode thoughts in this tag <3
-the fentons putting the kids to Work in the lab, with NO SAFETY GEAR. AT ALL. THEY JUST GOT BACK FROM SCHOOL AND ARE TIRED!!! and when jack asked how danny his day was and danny tried to say it was bad jack cut him off :( for the 400th time, i am stealing these kids.
-maddie and jack IMMEDIATELY SELLING THEIR LAB AND WORK FOR A LOT OF MONEY. and danny cant get into the portal anymore, oh no!!! he could always just steal vlads I Guess.
-THEY ARE VLADS NEW NEIGHBOR. OH MY GOD. this is a sitcom format. a butler came with the new mansion. i would absolutely try a kiwi fudge milkshake, why is the butler disgusted.
-the..guys in white bought the lab to shoot a missile. into the ghost zone thru the portal. bro i hate these guys
-jazz straight up setting her new bedroom up in the library. i am very very jealous
-"RATED E, FOR ENTRAILS"
-I like how the 14 year olds very quickly realize if the giw destroy the ghost zone itll destroy OUR ZONE because its just. like. the other side of the quarter so to speak. and the giw, a fully funded government agency, didnt consider that...(or worse, are willing to risk that anyway...)
-a...graphic novel version of the constitution? what in the world have you been READING SAM
-'cool, I always wanted to be called a meddling kid!' scooby doo reference...
-can they keep the butler. I love him.
-ecto latte....I also want to try that. is ectoplasm edible...
-YESS I KNEW DANNY WOULD USE VLAD'S PORTAL. vindicated.
-DANNY WHY DIDNT YOU JUST ASK JOHNNY NICELY. STEALING HIS BIKE IS SO SO RUDE.
-youngblood is also into astronaut stuff, thats really cute. and him being like 'phantom, dude!! :D' ALL EXCITED. THATS ADORABLE.
-the slapstick comedy of the giw slipping and falling and running into shit in the lab. is funny, but also, because this lab has NOOO safety codes in practice. god its a wonder dannys the only one to have died here...
-JOHNNY, SKULKER AND YOUNGBLOOD HELPING DANNY!!! I keep saying it but the other ghosts helping him. is my fav thing in the world. and, it's a really good thing the missile in the real world was harmless...otherwise the fentons wouldn't have had a home/lab to come back to...
-WULF WANTED POSTER!!! we havent seen wulfy in so long :( very funny the box ghost is offended by how much these ghosts are wanted for. first off, what do ghosts even DO WITH MONEY. does the ghost zone have its own currency??? what are ghosts BUYING
-the box ghost is So Funny, im so glad hes still got his bubble wrap. u are VERY wanted in THIS house box ghost. you are SO scary king. dont give up on ur dreams
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-this needs to be a meme format. I made a transparent version, very very messily, for future use.
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-this is a Fellow and a Friend
-box ghost accidentally bringing lunch for everyone, and giving people at the mall free shoes. SHOES ARE SO EXPENSIVE, ID BE SO GRATEFUL. helpful king. i feel SO bad for him lmao, he's putting in SO much effort. he wants the evil aesthetic So bad but hes Just Too Silly. I understand your plight, box ghost....
-oh my god. pandoras BOX. 'THOSE OF US IN THE BOX TRADE' HOW MANY ARE IN THIS BOX TRADE. I WANT IN. pandora is a multi-armed ghost goddess and i love her.
-SKULKER WHY ARE YOU RUNNING FROM THE EVIL UNICORN?? YOURE A HUNTER!! JUST SHOOT IT!!!!!!! JUST HUNT IT!!!
-box ghost...where did you get the cowboy hat. I respect it, i just want to know
-JAZZ COMING IN WITH THE BAZOOKA TO FIGHT THE 10 HEADED DRAGON!!! YEAH!!!!!!!!!!! and the rest of the fentons I Guess
-ignoring the sam/danny moments. I simple do not see them.
-...why doesnt danny just fly over the maze. or do the whole 'real world people act as ghosts in the ghost zone' and turn back!!! I know its just to show off the ghost greek monster designs. but STILL.
-danny being like. um. hi pandora. i found your box. >< polite...PANDORA IS SO GIANT. GIANT GHOST WOMAN. SHES GOING TO BEAT BOX GHOSTS ASS. another ghost thats nice to danny to add to the list :) and HER FORCING BOX GHOST TO APOLOGIZE. and having sandwiches with danny after making box ghost clean up. I LOVE HER.
-DANNYS 'BEWARE' AT THE END JAKHDJFKN
-okay, when dash pulled out danny's seat and was calling him buddy, for half a second I was like 'this is a prank, hes gonna pull it back' BUT THEN FRIGHT KNIGHT MY BELOVED IS BACK. AND EVERYONE STARTS CHANTING FOR DANNY TO BEAT HIS ASS WITH GHOST POWERS AND DANNY DOES WAY TOO EASILY, and im like, yup, this is a dream LMAO
-danny is getting an A+ in science :) my smart son
-DANNY WAKING UP FROM THE DREAM RIGHT BEFORE KISSING SAM AND BEING LIKE 'that was a dream...no, a NIGHTMARE!' same. not to be a hater but, shouldve been val. maybe I am a hater
-...danny running and checking the 'tapes'...why is his whole house constantly being recorded. hes been in ghost form/fights plenty of times in his house. does he have to run and wipe the tapes after?? every single time?? god
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-letting this image speak for itself
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-this is SO cursed
-NOCTURN'S DESIGN FUCKS SO HARD. the Venice mask vibes. also his space pattern not moving while the rest of his animation does is big chowder vibes. but this guy is basically the sandman but Evil, huh. I love dream plots. also, nocturn's design feels very similar to clockwork, like, red eyes and a scar over the same eye, but also just the purple, and the Cosmic Vibes. I want to see them fight. anyway nocturn's va was also avatar roku AND alfred in several batman cartoons.
-the 'sleepwalkers' designs were super cute in shape (kinda remind me of oogie boogie! pillow-cased shaped, which is appropriate for the 'king of dreams's minions) until I looked closer at their eyes. why do they look sewn shut!! (they open their eyes a few times, so they aren't, but they look like it...)
-I like how this show has been pretty consistent (with a few exceptions) about a Ghost Being Huge (or getting larger) = Very Powerful
-2 months of summer camping??? wtf, do camping things usually take that long?? I've never been to a camping...thing like that. but isnt that basically their entire summer??
-'the entirety of nature is your bathroom!' and thats why I do no camping despite loving nature LMAO.
-sam, at least TRY TO BE NICE TO THE OTHER GIRLS YOU'RE GOING TO BE SHARING A CABIN WITH. also, the amount of times people in this show have their SHOES ON THE BED!!! IM DISGUSTED
-swamp creature Is A Ghost. Big Foot is a Ghost. starting to think in this universe, every single cryptid or legend is a Ghost Actually
-paulina crying not only because star is missing, but because SHE FORGOT HER SUNBLOCK AND SHE BURNS SO EASILY!!!! okay girlfriends
-ghost cops are the real monsters at the camp. i.......I mean. fair. no one missed you walker
-WULF!!!!!!!!!!! WULF IS BACK!!!!!!!! MY FRIEND WULF :D MI AMAS VIN!!!!! kaj danny lernis Esperanto :)
-'relax kid, we arent here to do any harm' *immediately shoots danny* yeah. ghost cops. and also danny bringing walker 'wulf' and walker IMMEDIATELY SUCKING DANNY IN A THERMOS. FUCK OFF
-haha walker Bald. and haha walker Frozen Now
-the fenton thermos can...reverse its polarity to close portals? okay
-LIBERA MIA AMIKO. :")
-ohhh they end the ep with them star gazing, thats pretty cute...
-dani is back! ...with a new voice actress? wiki says AnnaSophia was in 3 diff movies in 2007 when this aired, so she was probably too busy... (including, bridge to terabithia aka the movie that ripped my heart out that I mentioned in the first ep Dani was in...kinda wanna rewatch it now)
-shes still scared of vlad, who's still being creepy and spying on her. 'shes hardly going to come home to daddy!' I WONDER WHY. also does vlad's cat look more evil than last time? love the concept of him going shopping for cats and being like 'give me your most EVILEST looking cat, please, so I can pet it in my spinny chair dramatically!' ...oh god white cat hair on his black suit. I have a black cat and her hair is still way too noticeable..
-vlad has a big 'valerie' button in his office. can he be pressing that button every episode, thanks
-'theres a GIRL called dani phantom?' yeah valerie. no relation, obviously, even with her looking EXACTLY like danny. so sad valerie just wants to help her dad and her get out of the place theyre in now and vlad using her. ill MAUL HIM
-dani having to STEAL FOOD. :( and valerie immediately being like oh poor kid :(( and trying to help her!!! and then dani immediately helping valerie!! this episode is starting SO well
-...and then valerie catching her. DAMN IT. and being surprised dani knew danny?? HELLO VALERIE I KNOW YOURE SMARTER THAN THIS. I AM SO SORRY THEY WROTE YOU THIS WAY. I STILL LOVE AND BELIEVE IN U !!!
-valerie lying her ASS off for a chance at gettin danny. ok <3 also 'they couldnt catch a ghost if it was living under their own roof' JSDHKJHNK
-danny. why dont you just tell valerie!! this would be so much easier if he was direct. there is NO way valerie would hurt danny (fenton) she'd be HORRIFIED. esp since she got on board helping dani!!
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*is held* :)
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-look at valerie and danny. flying together. about to go beat vlads ass together <333
-DANI SCREAMING AS VLAD IS MELTING HER. WHAT THE FUCCCK
-...fucking vlad convincing valerie hes a good dude with his stupid duplication. FUCK. DANNY JUST TELL H E R
-jesus christ how many times has danny had to watch loved ones die. even if she didnt stay perma-dead. glad they fixed her...
-valerie and dani pranking danny when he came out, oh :( cute...them havin fun and laughing together...babies
-BUT THEYRE JUST LETTING DANI LEAVE, AGAIN??? SHE WAS PREVIOUSLY STEALING FOOD. CHRIST GIVE HER A PLACE TO LIVE. OR A FAMILY. actually, I think it'd be really cute if, since danny isnt ready to out himself, dani went and lived with valerie?? dunno if her dad would have the money but,, it'd be a cute concept. big sis valerie...
-'tomorrow, it's game on!' 'and ill be ready to play!' THE FLIRTING....DANNY/VALERIE REAL
-oh my god,, valerie found out about vlad in the end. But he doesn’t know she knows!!! the DRAMA!!! HOLY SHIT THAT ENDING.
-this episode was. SO Much and probably one of my favorites out of s3. (I mean, there has been a gross lack of valerie this whole season, so thats not a hard choice to make...)
-FINALE EPISODE TIME.
-the title screen looks different! so no title card...
-vlad has his own fucked up satellite that looks like him?? okay. why does the animation look so different?? are they mixing cg in?? for what. anyway, vlad and the gang in SPACE. danny is 100% living his astronaut dreams rn
-'defeating frostbite' YOU BETTER NOT HAVE. YOU STOLE HIS COOL MAP. FUCK YOU VLAD
-wait oh my god. vlad is the final series boss, isn't he. I half expected a fake out, for another boss to show up midway, and for him to finally have to have a real truce with danny for this ep. ITS THE FINALE. VLAD FEELS SO UNDERWHELMING.
-And it's like-- his character isn't bad, i just feel like..he has more potential! they WANT him to seem like some smart super evil genius, but the way he's written makes that SO hard to believe...but the solid backstory and design is THERE and its FRUSTRATING.
-...DANNY CALLING VLAD OUT SAYING HE NEEDS THERAPY LMAOO THATS WHAT IVE BEEN SAYING.
-my grandpa technus is in the finale too :) 'well look on the bright side, at least im not downloading them illegally!' he says while stealing dvds. feels like hes calling me out. im watching this series on a bootleg website lmao. anyway, him turning the tech into a transformer. love that
-mASters BLASters sTOp diSAsterS shut the fuck up. you will never be valerie or danny. bite chomp kill. violence
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-like this if u crie everytiem
-my god the 3d/cgi mixed in looks SO BAD IT DIDNT AGE WELL AT ALL
-the white stripe in dannys hair kinda rules tho. did he just KILL HIS GHOST HALF??? 'revert his human half back to normal' UM. you ever unkill yourself. why are his friends/jazz so mad about it, he'll be in a lot less danger!! christ. they can still hunt ghosts!! as humans!! if they want to!! hes 14 if he wanted to be normal. let him. vlads stupid little team has things COVERED apparently. why are they acting like this. jazz would never act like this. is this fake whats going ON
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-oh my god jack was in a college band. vlad was also in the band. what did instruments they play. i didnt need that headline to tell me they sucked, but i want to KNOW MORE REGARDLESS
-valerie was here for 0.3 seconds.
-sam calling danny selfish. the audacity. no one is stopping YOU from hunting ghosts, girl. valerie does it!!
-I'm halfway through the episode and incredibly underwhelmed so far.
-why would they send jack and 3 teens to space to destroy the asteroid. why not professional astronauts. not even the 3 teens that have already been to space this episode...
-jack getting beat up by teenagers. ON TV. IN SPACE. I GUESS. I GUESS EVERYONE AGREED TO SEND JACK BECAUSE..VLAD SAID SO? we know it was to embarrass jack, but why would everyone agree. why didnt any other space program Do More or whatever, they sent like, 3 rockets/missiles tops?? no way
-danny attempting to punch vlad in the face. i WISH HE WOULDVE LANDED THAT HIT.
-vlad outed himself on live tv, on purpose? and BLASTED AT THE TEENAGERS HE HIRED. LMAO. HES HOLDING THE WORLD HOSTAGE, MAKING THEM PAY HIM BILLIONS TO STOP THE STUPID ASTROID. THATS YOUR GRAND PLAN??? REALLY. REALLY. im like. lmfao
-jack just now, on the last episode GETTING TOLD HE MADE VLAD A GHOST. THIS SHOULDVE HAPPENED WAY SOONER. jack's reaction was one of the only times in this entire show hes seemed human. 'an old friend? no. you? yes.' GET HIS ASSSS ACTUALLY. HE STRAIGHT UP LEFT VLAD IN SPACE. GOD DAMN. that is a Murder! I mean, I guess vlad could fly back to earth, but...I mean, he'll have to, right? no food in space. (that we KNOW of...)
-'thE WHolE EArtH, INTangiBLe?!' oh my god.
-...the white strand of hair somehow still had ghost dna, I guess, and getting blasted turned him back into phantom. I GUESS. I GUESS.
-the fentons being the first to clap for danny despite not knowing hes phantom...that was sweet. and very sudden character development, not at all gradual over the course of time or episodes like it probably should have been...
-sam and danny kissing. IT SHOULDVE BEEN VALERIE, BUT OKAY, I GUESS. also, its a little underwhelming, considering theyve kissed already...
-ALL of the ghosts being ready to beat danny's ass? really. no they wouldn't, they've worked together before, and some of those ghosts are friendly!! cringe. why is the last ep written like this. I mean they came thru at the last minute but. was really cringing for a minute there, why did they write it like that
-valerie is there for another 0.3 seconds! ....she should've been more involved. dani is also there! for also like 0.3 seconds. almost fast enough to miss. (btw, I think shes still homeless at this point, are, we going to...do ANYTHING ABOUT THAT IN THE LAST 5 MINS OF THE SHOW)
-the cgi smoke or whatever it is. this whole post is me saying the cgi is bad, but IT IS.
-'danny or should we say. DAAANNNNY.' this is like the 3rd or 4th time hes been outed damn, but to the whole world, again. and valerie saw, and is just. an extra in the bg clapping. bro im so mad.
-TUCKER IS THE NEW MAYOR? WHAT THE FUCK?? HES 14.
-i think. this is still linked to the dream ep a few times ago. hes still dreaming. this is a plot a 14 year old would write. this feels like a bad fanfic. so much got rushed, and not tied up. vlad wasnt really even the villain this episode, a fucking. non-being asteroid was.
-they kiss again. ok. sure. whatever at this point.
-VLAD IS NOW A FREE-ROAMING SPACE NOMAD. I GUESS. THATS. SURE. WHATEVER. THE END, I GUESS. cannot believe I'm saying this, but: they did vlad dirty.
-IF YOU'RE GOING TO MAKE HIM A VILLAIN, MAKE HIM A VILLAIN!!! DON'T MAKE IT A METEOR!!! STOP BEING WISHY WASHY WHO WANTS TO SEE DANNY VS ASTEROID!!! I didnt even WANT vlad to be the final villain because his character is SO back and forth (esp this season.) but he has done some FUCKED UP SHIT AND I WANTED THE WRITERS TO DOUBLE DOWN, PERSONALLY, IF THEY HAD TO MAKE HIM THE FINAL BOSS. the cabin ep where he basically held danny and maddie hostage? FUCKED. THE DANI THING? FUCKED. FUCKING COMMIT AND MAKE HIM ACTUALLY SCARY OR HAVE HIM FUCK OFF AND AGREE TO A TRUCE!! WHAT IS THIS DYING IN SPACE NONSENSE. (and, he will (fully) die out there, right? still half human, still needs food and water. I imagine he'll like, slowly half-die but this time his human side is dying. will he come back 100% ghost? we dONT KNOW. WE DONT GET TO SEE, ITS PLAYED LIKE SOME FUNNY THING AT THE END, THEN THATS IT!!! WHAT!!!)
-I don't know how to articulate how FRUSTRATING THAT IS. having him basically out himself and ''hold the world hostage'' does not track at all in my brain. like. he's always been scary because he is HUMAN, TOO. like, if he was 100% ghost, he'd be LESS scary, but vlad MASTERS has more power and influence than vlad PLASMIUS because of his position as mayor, his money, too, and his (supposed, s3 made me doubt it) intelligence/manipulation skills, and his being in good graces with jack made it HARD FOR DANNY. him outing himself for,, money and to 'control the world' i guess?? MONEY WAS NEVER HIS LIKE, MAIN GOAL. yeah obv he likes money and is materialistic and values his Rich Life, but hes got billions, the end goal? 1. getting maddie (and or danny as his son, but to me he always treated that as secondary) 2. ruining jack. this feels like they wanted to say 'oh he just wants POWER' which is. HMM?? OKAY?? obv he /does/ want power (usually over certain ppl, tho), but seeing him try to get it like this FELT WEIRD SOMEHOW. weird like the ep where he tried and failed to take over various historical civilizations, because like,, how is that realistically going to do anything for him?? just, being in that time forever and never seeing maddie aka Goal #1 again?? HELLO??? this was like that, but worse
-this was such a weird ending to an entire show. why did season 3 only have 13 episodes?? why did it feel so weirdly paced?? WHY WAS THE ENDING LIKE THAT. I think. I am going to pretend I did not see that. fucked up, dudes. I'm like...hm. I shouldn't have watched that because now I'm mad. valerie sweetie im SO sorry you shouldve been more present. it felt like..if they knew this season was going to be short, and the last season, they should've spent more time wrapping up EVERYONE'S plot lines for the entire season. imagine how cool it wouldve been if every single ep of season 3 was working towards something, a big, nice wrap up at the end, with nothing feeling TOO rushed because they'd been heading towards the End for the whole season....
I will probably end up writing a follow up full series thoughts post. In a couple of days so I can sit with my thoughts. BUT. overall, I really liked the show! (ignoring the finale and some of the moments that aged pretty poorly...) it was charming and a fun concept and very fun to watch in general :) and I am pretending the finale didnt happen <3 and I’m gonna dive RIGHT into the dp tags and mix fanart and posts in my queue, very excited to run and look at that 🏃🏻 (and, of course, make more fanart myself hehe >:3)
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pidgebeifong · 5 years
Text
atla artist au
Aang is a painter. He’s loved painting ever since he was a child and first experimented with finger paints on the walls- which was, in hindsight, maybe not the best idea. He loves the way it detaches him from his worldly concerns. It’s almost like a form of meditation for him- the rest of the universe just falls away whenever he picks up his paintbrush, and all he can see is his canvas and the worlds he will create with a swirl of lemon yellow sun here, a wave of cerulean blue ocean there, a blur of sunset orange clouds at the edges. Everything he owns has been stained with paint in at least three places, which makes dressing for formal events a real pain. Sometimes he’ll deliberately paint his jeans with sunflowers or bees or anything that’s a sunny, bright yellow- his favourite colour- and wear them proudly for days. Katara jokes that she doesn’t even remember what the real colours of his hands look like, because they’re forever stained with paint that’s sunken so deeply into the folds of his skin that it makes it nearly impossible to rub off. People always ask him what his favourite thing to paint is, expecting it to be something like sunsets or mountains, but the truth is his favourite thing to study and paint is his Labrador, Appa, the first thing he ever drew. He started drawing at around five, the same age he adopted Appa, and to this day he can never get the way Appa’s golden fur shines just right under the blinding sunlight. He loves going to nature reserves and parks to study how light affects the leaves and flowers. Sometimes everything will just be too much, and he’ll jam as many paints into his pockets as he can, take a sketchbook, a water bottle and a paintbrush, and get on the bus to a park. He’ll sit quietly for hours, trying to capture moonlight on water or the flapping wings of a hummingbird.
Katara is a writer. She literally can’t remember a time she hasn’t loved to write. She has stacks and stacks of unfinished manuscripts lying around on the floor, tacked up to the walls in her room, and crumpled on the bedsheets. She has easily over a thousand different scenes written for her future novels on the Notes app in her phone, and she has a bad habit of scribbling ideas down on her hands on the rare occasions she doesn’t have her phone on her and there’s no paper in sight. She’s practically nocturnal at this point, because all her best ideas come to her at 3am, when she’s sleep-deprived and half-hallucinating. She always carries at least three pens on her at all times, and gets panicky when she’s forced to remove them whenever she has to dress up for anything formal. She’s really hypocritical whenever she gets on Aang’s case about his hands always being paint-stained, because all her hands are covered in ink, too- half-finished notes and ideas that got left on the cutting board. Katara hates cutting out characters that simply aren’t necessary to the scene and don’t add anything of value to the plot, because they’re her babies damnit and she worked hard on them. One would think that this would make her more sympathetic to her characters, but Aang and Sokka are appalled the first time they’re allowed to read one of her (mostly) finished manuscripts (who is she kidding, she doesn’t have a manuscript that’s even remotely finished for the life of her) and see how much torture and anguish and heartbreak she’s put her characters through. Katara is a huge advocate of making all her characters hit the lowest point they could possibly go, and then instead of making them get back up again, she gives them a shovel and instructions to dig lower. However, she’s a huge sucker for happy endings, and she practically dominates the tag #angst with a happy ending on AO3. She gets around three hours of sleep every night, none of them consecutive, and survives on black coffee and willpower alone. Everyone knows her as an avid reader, but she hasn’t really read an actual book since two years ago, and spends most of her time scrolling through 250k fanfictions at 2am.
Sokka is a photographer. He doesn’t have the skills that Aang has with his paintbrush, or the way Katara can make entire universes come to life with a few words, so for a long time he used to think that he was just going to be the ordinary guy in the group who’d only be known for loving meat to what is frankly an unhealthy degree, and that his only contribution to the team would be a slew of bad jokes and sarcastic remarks. He finds his calling very late in life, but the moment he picks up his first camera at age fourteen, everything just seems to fall perfectly into place. Sokka’s world always moves too fast and changes too quickly, but he can capture moments that will last forever with the click of a button, and he guesses that that’s what he loves about photography- that he can freeze moments in time and always be able to come back to them. Well, as long as he doesn’t lose his camera, but he’s got the photos all backed up on iCloud anyway, so that’s not really an issue. Sometimes, he’ll accompany Aang to nature parks, and Aang will paint the twisting vines of a plant while Sokka captures Aang’s relaxed, happy expression. His favourite photos are the ones he takes of his friends when they’re caught unaware- candid portraits of Suki laughing or Katara ruffling Aang’s hair or Toph trying and failing to hide a grudging smile. He loves old photos, too- loves the aesthetic of black-and-white photos, how they capture a scene that he knows full well happened decades ago but somehow make him feel like he’s living in the same moment. Experimenting with light is one of his favourite things to do- he loves playing with golden hour sunlight or early morning rays, loves hearing the satisfying click of his camera and knowing that he’s got another picture for the album (and his hugely successful Instagram account that has well over 50k followers).
Toph is a sculptor. She was born blind and never really got to experience art the same way the others did, so for a long time she buried her disappointment deep within her and never let jealousy rear its ugly head whenever she heard Katara singing praises about the latest painting Aang had just finished, or the beautiful photograph Sokka had captured of all of them laughing as a group, but then she discovered sculpture. An art she could appreciate from beneath her fingers, an art she could see by running her hands over it and feeling the crevices and curves and edges breathe themselves into life beneath her touch. Despite discovering the term for it late in life, Toph found that she’d actually been sculpting at a very young age. She’d been experimenting with PlayDoh and clay since before she could walk, but she’d never known that there was actually an art form in it that people did professionally until Aang had taken her to a museum and put her hands on a beautiful sculpture of an ancient Greek god. It was one of the only times she’d ever cried in her life, but those had been tears of pure joy- she didn’t want to sound like a sap, but she hadn’t realized that something so beautiful in the world existed until that life-changing moment at the museum. Sure, they’d been chased out by one particularly angry security guard who kept waving his baton around threateningly (‘can’t you two juveniles see that the sign clearly says no touching?!’ ‘actually sir, I’m blind so that would be a hard no’) but it had been worth it. Ever since then, Toph has been addicted to sculpting, feeling things take shape under her capable hands. She’s been told she can replicate faces with an accuracy that’s both astonishing and unnerving, despite not even being able to see (it only took a lot of years and  lot of hours spent tracing the lines of Aang’s face) and her work has been proudly displayed on Katara’s bedside table, Sokka’s desks and Aang’s shelves.
Suki is a martial arts instructor who has a degree in badassery. She started her own school at just fifteen years old, and named it the Kyoshi Warrior Academy, in honour of Kyoshi, her late martial arts instructor whom she had a deep respect for. She had black belt status in five different martial arts by the time she turned thirteen, and was a legend for her skill, hard work and talent in the martial arts community. She’s lost quite a few matches, but she’s more than made up for it with every win she’s achieved. The first time she met Sokka, she thought he was trying to steal from her, so she judo-flipped him, pinned him down and tied his wrists together, all of which took a maximum of three seconds. (‘wow, that’s kinky. so are you into that kind of thing?’ ‘shut up, asshole. what do you want from me? my wallet?’ ‘actually, I was going to ask you out on a date, but I mean sure, if you’re offering. I could use a little cash right about now, actually, because I think you just broke all the cards I have in my wallet when you body-slammed me to the ground, along with at least ten of my bones.’) Sokka had severely underestimated Suki’s skill at first, despite their rather unfortunate encounter (during which she actually had broken the bone in his arm, but he’d tried to wave it off and say that he didn’t mind, then subsequently screamed in pain because he’d tried to wave his broken arm), but he knew that he’d have to change his mindset in order to win her over. Eventually, he ended up changing his misogynistic mindset not only to go out with Suki, but because he realized that it was the right thing to do- something Katara was over the moon about. She and Suki have been joined at the hip ever since, and Sokka often jokes whether Suki is only dating him for his sister (‘damn, suki, it’s like you only come over for katara’ ... ‘wait. why aren’t any of you saying anything. katara did you just wink? sUKI DID YOU JUST KISS MY SISTER’S CHEEK-?! oh my god this is the worst betrayal I’ve experienced since toph said that she didn’t need to see my photographs in order to tell that they were ugly’). Jokes aside, Suki adores her boyfriend and his sister, and often teaches them self-defense in her free time. One of her best students is a girl named Ty Lee, who all her friends except Zuko seem to really hate for some reason. However, Ty Lee is a natural at self-defense and she and Suki get along like a house on fire. Katara still refuses point-blank to go to classes whenever Ty Lee is in attendance, but Suki has given up trying to understand why. In conclusion, Suki is one of those movie heroines who can munch a sandwich while apprehending twenty supervillains all twice her size, and still come out victorious.
Zuko is a theatre kid and aspiring actor. (Was anyone surprised by this, really?) His natural melodramatic emo kid personality makes him the perfect role for starring roles in school plays (at least, that’s what Azula always likes to say) and acting to him comes as naturally as breathing. He’s not-so-secretly a Shakespeare nerd and can literally recite Hamlet and Romeo and Juliet, two of his favourite plays, word for word. He also loves Hamilton and Dear Evan Hansen- and alright, maybe he also harbours a love for High School Musical (he’s never told anyone that, but everyone knows anyway because he made Azula suffer through all five movies with him which eventually led to her becoming so fed-up constantly belting out the lyrics at the top of his lungs that she recorded the audio and sent it to everyone at school, including Mai, whom he couldn’t look in the eyes for a straight two weeks). Before his mother left them, she used to say that Zuko got his acting genes from her, because she used to play the lead role in Love Amongst The Dragons every year in her old high school. Zuko asked Ursa if that meant Azula got her dancing genes from Ozai, and they’d both have a quiet little laugh as they imagined Ozai trying to dance ballet. Although Zuko adores the drama and the poignant atmosphere that comes with performing Shakespeare’s plays, Love Amongst The Dragons holds the top spot for his favourite play by far. He goes to see it every time the ache for his mother is too painful to ignore- even though the new actors, a group called the Ember Island Players, all but butcher it every year- and sometimes, he’ll deceive himself into thinking that his mother’s somewhere in the audience too, watching the play right there with him like they used to do all the time. He once took Azula to see it with him, just like they used to do when their mother was with them, and Azula cried when he told her that the reason he liked it was because it reminded him of their mother. The sight of her crying was so unnerving that Zuko went alone after that. Azula never protested, though, or teased him for liking the play again.
Azula is a dancing prodigy. She specializes in ballet, but she also does contemporary and modern. She tried her hand at tap and jazz, and although she naturally excelled in it, as usual, she decided that it just wasn’t for her. At the age of fourteen, Azula is already a world-renowned dancer and has broken records and made history with how skilled she is at dancing. She moves her body so fluidly that it’s hard to believe she’s even a person and not just a wisp or smoke, delicately floating and twirling and twisting through the air. Azula has a lot of pent-up anger and frustration about having to constantly seem perfect all the time in order to make up for the failure that Zuko is, and she’s found that physical exercise- namely, dance- is the best way to relieve her stress. She also knows a fair bit of martial arts- out of everyone, she and Ty Lee are the only ones who have managed to defeat Suki at hand-to-hand combat. If asked about it, Suki will vehemently deny that such an incident ever happened, which only serves to amuse Azula further. Azula started ballet at age three and advanced much further and quicker than any of her peers, which incited a lot of jealousy and basically ensured that she had virtually no friends in the ballet community, but it wasn’t like she was particularly desperate for companionship in the first place. She’s so famous that she’s a verified account on Instagram with over a million followers- she does some spare modelling work on the side when she can, and her stunning looks combined with her raw talent have made her into one of the most unattainably perfect girls to ever rule Instagram. Somehow, her dancing doesn’t distract her from her grades, because she also has a stellar report card that’s displayed on the wall of her numerous trophies and awards she’s achieved over the years. (Zuko has a half-broken shelf that sports exactly two awards, and one is a certificate of participation.) Azula was born for the spotlight. Whenever she steps onto a stage, the room goes completely, eerily still, as if holding on to her every move. She’s one of the most beautiful dancers to ever perform, and audiences sing praises about her every twirl, her every arch, as if a single pirouette she’s executed is already perfect enough to win her ten awards. She’s mesmerizing on stage, and kind of terrifying in the way that one would find someone too perfect to be terrifying. Her every move is effortless, graceful, as if she’s a weightless feather drifting through the breeze. She’s incredibly captivating and is set to be one of history’s stars.
Mai is a musician/singer. Her parents were extremely traditional and gave her piano and violin lessons for her fifth birthday, but she actually ended up enjoying them a lot. She has a great voice, too, so she started a YouTube channel a while back that features her doing covers and singing her own original songs sometimes. It’s now amassed a few thousand followers. Zuko has an admittedly great voice, too, and sometimes she invites him to her channel and they do these amazing duets. All of their followers ship them together, but Mai always denies that she likes him, despite her cheeks always blushing a bright pink whenever he’s brought up on live-streams. Her parents don’t approve of her channel, which they only found out about because they were being overbearing and went through her phone yet again, and they want her to go to school to study business instead. Mai doesn’t plan on giving up on her YouTube channel anytime soon, though. Before she discovered singing, she was clearly passionless about most everything, but now that she has, it feels like a fire slowly consuming her from the inside out. And she kind of likes it, to be honest. It feels good to be so passionate about something, especially since Zuko likes it just as much as she does. She’ll never admit it, but she knows how to play quite a few My Chemical Romance and Panic! At The Disco songs on the piano (which Zuko absolutely loves her for, because he’s the picture perfect stereotype of an emo boy). Writing and singing songs provides her with some sort of cathartic relief that she can’t really obtain from anywhere else. She’s incredibly musically talented, and was playing grade eight piano material at just eleven years old. She taught herself the guitar and the harp after her parents refused to give her any more lessons for fear that she would become too invested in music (Asian parents, y’all- they provide you with piano lessons but expect you to become a doctor or a lawyer because God forbid you pursue a career in music despite having studied it since you were five) and refuse to pursue a career in business.
Ty Lee is a gymnast. She tried ballet along with Azula, but didn’t like the discipline it took and ran out of patience with all the tedious instructions necessary to follow along with the class, finding that gymnastics was more to her liking. However, she and Azula make an awesome duo whenever they showcase their talents together. Ty Lee’s actually so good that trainees are already speculating that she could achieve a spot on her country’s national gymnastics team. She can do backflips, handstands, cartwheels and splits on a beam one after the other without even needing to catch her breath, and she’s impossibly fit. She loves crop tops- she thinks they show off her figure, which is nearly unattainable for most people. She’s also naturally talented at martial arts, and Suki frequently tells her that she learns faster than Suki can teach. She’s done every form of gymnastics imaginable- rhythmic, acrobatic, artistic- you name it, she’s done it. Originally she only took an interest in it because Azula begged her to join ballet with her, and Ty Lee found that she did like the strenuous physical exertion that ballet entailed, but everything just moved too slowly for her. Ty Lee likes fast-paced action, so gymnastics is the perfect fit for her. Sometimes, Azula will teach her some new ballet moves she learnt in class, and in return, Ty Lee will teach Azula a few gymnastics moves she invented by herself after following the standard textbook forms grew too boring. They once entered a talent show together and blew the crowd away with Azula’s captivating dancing and Ty Lee’s breathtaking gymnastics.
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zartemisforever · 4 years
Text
Finally the sky began to lighten. Artemis muttered, "About time. He's so-o-o lazy during the winter." "You're, um, waiting for sunrise?" I asked. "For my brother. Yes." I didn't want to be rude. I mean, I knew the legends about Apollo—or sometimes Helios—driving a big sun chariot across the sky. But I also knew that the sun was really a star about a zillion miles away. I'd gotten used to some of the Greek myths being true, but still… I didn't see how Apollo could drive the sun. "It's not exactly as you think," Artemis said, like she was reading my mind.
"Oh, okay." I started to relax. "So, it's not like he'll be pulling up in a—" There was a sudden burst of light on the horizon. A blast of warmth. "Don't look," Artemis advised. "Not until he parks." Parks? I averted my eyes, and saw that the other kids were doing the same. The light and warmth intensified until my winter coat felt like it was melting off of me. Then suddenly the light died. I looked. And I couldn't believe it. It was my car. Well, the car I wanted, anyway. A red convertible Maserati Spyder. It was so awesome it glowed. Then I realized it was glowing because the metal was hot. The snow had melted around the Maserati in a perfect circle, which explained why I was now standing on green grass and my shoes were wet. The driver got out, smiling. He looked about seventeen or eighteen, and for a second, I had the uneasy feeling it was Luke, my old enemy. This guy had the same sandy hair and outdoorsy good looks. But it wasn't Luke. This guy was taller, with no scar on his face like Luke's. His smile was brighter and more playful. (Luke didn't do much more than scowl and sneer these days.) The Maserati driver wore jeans and loafers and a sleeveless T-shirt. "Wow," Thalia muttered. "Apollo is hot." "He's the sun god," I said. "That's not what I meant." "Little sister!" Apollo called. If his teeth were any whiter he could've blinded us without the sun car. "What's up? You never call. You never write. I was getting worried!" Artemis sighed. "I'm fine, Apollo. And I am not your little sister." "Hey, I was born first." "We're twins! How many millennia do we have to argue—" "So what's up?" he interrupted. "Got the girls with you, I see. You all need some tips on archery?"
Artemis grit her teeth. "I need a favor. I have some hunting to do, alone. I need you to take my companions to Camp Half-Blood." "Sure, sis!" Then he raised his hands in a stop everything gesture. "I feel a haiku coming on." The Hunters all groaned. Apparently they'd met Apollo before. He cleared his throat and held up one hand dramatically. "Green grass breaks through snow. Artemis pleads for my help. I am so cool." He grinned at us, waiting for applause. "That last line was only four syllables," Artemis said. Apollo frowned. "Was it?" "Yes. What about I am so big-headed?" "No, no, that's six syllables. Hmm." He started muttering to himself. Zoe Nightshade turned to us. "Lord Apollo has been going through this haiku phase ever since he visited Japan. 'Tis not as bad as the time he visited Limerick. If I'd had to hear one more poem that started with, There once was a goddess from Sparta—" "I've got it!" Apollo announced. "I am so awesome. That's five syllables!" He bowed, looking very pleased with himself. "And now, sis. Transportation for the Hunters, you say? Good timing. I was just about ready to roll." "These demigods will also need a ride," Artemis said, pointing to us. "Some of Chiron's campers."
"No problem!" Apollo checked us out. "Let's see… Thalia, right? I've heard all about you." Thalia blushed. "Hi, Lord Apollo." "Zeus's girl, yes? Makes you my half sister. Used to be a tree, didn't you? Glad you're back. I hate it when pretty girls turn into trees. Man, I remember one time—" "Brother," Artemis said. "You should get going." "Oh, right." Then he looked at me, and his eyes narrowed. "Percy Jackson?" "Yeah. I mean… yes, sir." It seemed weird calling a teenager "sir," but I'd learned to be careful with immortals. They tended to get offended easily. Then they blew stuff up. Apollo studied me, but he didn't say anything, which I found a little creepy. "Well!" he said at last. "We'd better load up, huh? Ride only goes one way—west. And if you miss it, you miss it." I looked at the Maserati, which would seat two people max. There were about twenty of us. "Cool car," Nico said. "Thanks, kid," Apollo said. "But how will we all fit?" "Oh." Apollo seemed to notice the problem for the first time. "Well, yeah. I hate to change out of sports-car mode, but I suppose…" He took out his car keys and beeped the security alarm button. Chirp, chirp. For a moment, the car glowed brightly again. When the glare died, the Maserati had been replaced by one of those Turtle Top shuttle buses like we used for school basketball games. "Right," he said. "Everybody in." Zoe ordered the Hunters to start loading. She picked up her camping pack, and Apollo said, "Here, sweetheart. Let me get that." Zoe recoiled. Her eyes flashed murderously. "Brother," Artemis chided. "You do not help my Hunters. You do not look at, talk to, or flirt with my Hunters. And you do not call them sweetheart."
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only-by-the-stars · 4 years
Text
the annotated Tome of the Wild
Part four: Into the Night!
- The cart driver is, of course, the ubiquitous Beedle.
- Aryll is now calling the frog Ravio, after the character from Link Between Worlds.
- Mipha does indeed call Link reckless, in the “Mipha’s Touch” memory in BOTW as well as in her diary.
- Telma runs a bar in Hyrule Castle Town in TP, so naturally she’s got one here too.
- “No imps in my establishment! You're all bad luck! Harbingers of calamity!” Foreshadowing that Midna is unknowingly leading Link and Aryll to a servant of the Beast.
- “The Scholar” is Shad, a member of the Resistance in TP, who gathered at Telma’s bar. The Bean Seller is... the Bean Seller from OOT. And the Fortune Teller is of course Astrid from PH.
- Oh hey, Astrid drew the Two of Cups from her deck! A water card that, when upright, is a great portent for romantic relationships. Hmmm...
- The Highwayman, of course, is one of the Gorman Brothers, who try to rob Cremia’s cart and steal her milk in a memorable sidequest in MM. Now, in the show it’s implied, and confirmed in the comics, that the horse the brothers abscond with belongs to the Highwayman, which explains the desire to steal. So, too, is Epona the Highwayman’s horse here.
- Her eyes narrowed. “Rhoam... of course.” And we have a name drop for the woodsman, who up until now was only seen through Link’s eyes, and of course he doesn’t know the guy’s name, which means I didn’t use it. This little moment confirms that Midna and Rhoam have some past connection that isn’t friendly, to say the least.
- “You have the strangest life line I've ever seen, young man... I cannot seem to get a read on it at all.” Because he is, again, hovering between life and death in the river as this is happening.
- “On the bright side, your heart line is very promising. All signs indicate that you are a devoted and intensely passionate lover.” His love for Mipha is indeed very deep and intense, which just flusters him and reminds him again that he’s not courting her (yet) because of his fears.
- The Happy Mask Salesman, Rhondson, and Bolson, all have their services offered to him.
- She held up a card with a depiction of a bearded old man, peering out of a cave. The Hermit card, which often is depicted as an old man with a lantern. Not to mention that in the original Legend of Zelda, Link goes into a cave and gets a sword from an old man. Its meaning of isolating oneself is also a neat bonus that alludes to Link isolating himself from Mipha and all his other friends, and in a love context the card can also mean coming out of the other side of such a period of loneliness and being ready for a fresh start. It’s the reference that keeps on giving, folks.
- “So you think.” Telma shook her head slowly. “The Beast's lies are insidious, child, and will lead you down the wrong path before you realize what's happening. Listen not to him—he preys on lost, hopeless children, seeking to turn them into dekuwood trees for his lantern. Beware!” Link is gonna remember this all later during his decisive encounter with the Beast.
- “Midna?” The old man's eyes darted over to where Midna lay on the ground. “Is that—” He knows that name! But he took off before Midna got transformed, so he’s more than a little startled to hear it in this context.
- And of course, Epona is the beloved horse belonging to Link, that was first introduced in OOT.
- Cap’n and Ambi are from the Oracle games; you meet Cap’n in Oracle of Seasons, and Ambi in Oracle of Ages, and you only see them interact and learn of their love for each other in a linked game. The OTGW character that Cap’n takes the role of implies that he’s done some pretty shady stuff to get all his money, and a background of piracy would fit into that, eh?
- In the show, their goal is to steal two pennies, which is a reference to the toll required to pay Charon, ferryman of the dead in Greek myth. So here it’s two rupees.
- Fun with paintings! The three Aryll takes an interest in are of course references to other series entries. The egg atop the mountain is the Wind Fish’s egg from LA, the creepy path through dead trees is the painting that Phantom Ganon erupts from in the Forest Temple in OOT, and the painting of the broken automatons is the one on Impa’s wall in BOTW, depicting where Link fell in Blatchery Plain. You can put those all together for a double, linked meaning too: Link and Aryll are in a sort of dream they must awaken from, a deadly phantom is stalking them through this forest, and Link is having a near-death experience at the moment.
- “You haven't been any worse than this jerk I know back home.” He’s talking about Revali, of course.
- “I was in the middle of my search, wandering the woods, when I came upon a old beggar woman.” I mentioned Koume’s full title, “Good Woman of the Woods”, earlier in the tavern, and now we have Midna talking about meeting an old beggar woman in the woods. A subtle hint as to who cursed her. She is being mostly honest with Link here, she’s just omitting key information like that. Further, if you’ve read enough fairy tales, you know just HOW bad an idea it is to refuse to help the random strangers you meet by the side of the road. Bad things happen when you do that. Midna fucked around and found out, in the tradition of many unfortunate souls in the old stories.
- Link confides in Midna about his love for Mipha and what he’s been doing, revealing the existence of the mixtape that was hinted at back in chapter one, what he heard from Riju and Medli about Revali planning to ask her out, and just generally wallows in his own guilt. She gives him great advice about the situation, but sadly her own betrayal is about to temporarily undercut its effectiveness and set back his progress.
- “Detective Aryll is on the case, but you gotta give me something to work with here! Where were you on the night of—” The first appearance of her calling herself a detective, which came from Riju thanking her for helping her and Medli solve the mystery of Link’s hurtful behavior recently.
- He uncovered a plaque of his own, that read 'Captain Misko's Tea Company'. Misko is the bandit mentioned but never seen in BOTW. I felt it an appropriate first name to give Cap’n.
- “You will have to collect many of them, but I think you will find yourselves up to the task.” A reference to the message that you’ll have to collect a lot of them that pops up when you grab a green rupee in some of the games.
and that does it for part four!
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