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#and we'd love to hear more! any time!!
mushtoons · 2 years
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YOU HAVE NO FUVKJN CLUE WHAT KIND OF SHIT LEONARDO HAMATO DOES TO ME. GODDAMN. theres a reason im obsessed w this boy and those reasons are Many. hes just like every other leo if they got a moment to be a person and it drive me fuckin nuts. bonkers, even. hes still analytical he still cares with all his heart hed still do anything to keep them safe and hell still do it alone he still cares about tradition and the status quo and he refuses to show that he cares both because he doesnt want to break that status quo as hes not the eldest anymore and because he doesnt want to stop being able to be carefree and happy. but hes still made up of a leader (he still wears red beneath his blue, a mask that doesnt hide a thing-and the leader wears red, doesnt he, doesnt he?) and god, hed still do anything to keep them safe. hes still the head, and the legacy, and. karai. you are not alone. and yet, both her and leo, they readily threw themselves into a prison that they thought theyd never escape from. no one is alone. except for them. because they have to, this is their duty, this is their comeuppance, they have to be a hero, they have to be the savior. and leos closeness with karai and. and when they leave karai and then when they leave raph, both times, he has to be dragged away. and he locks himself in a prison dimension. and hes calling casey 'case' by the end of the movie, and his supposed last words to him are to say hes proud. and hes so bright and kind and annoying. and. theres just. god theres so much i could say about leo. i use jokes to cope, with my last breath i told you so, hero moves are totally your style, youve been portal chopped. and he only cries in the prison dimension. the moment that portal opens he stops. and he doesnt say a thing between youve been portal chopped and. and, 'took you guys long enough'. like he knew theyd save him. and mikeys portals were a miracle. and he left a katana there. and its a belief of mine that, afterwards, hes more subdued and careful and out of the way. its not about me. and maybe he pushes that too far. and maybe, hes always worked hard to keep his hurt from them, so they dont have to bother with it. mikey needs more help, donnie is more sickly, raph is trying so hard. that last thought was off the hook idk abt that one yet dont take it too seriously. but anyways i think a lot abt him and caseys relationship too. the gentle carefulness that could bloom there alongside bright burning youth and love and hope. and casey was their final stand, and he did it. and he told him, i dont wanna lose you again. and like..just. leos everything. the masks he hides behind and the person underneath and how its clear he cares and..leo is the soul. mikey is the heart and donnie is the mind and raph is the body and leo is the soul. tuning the background noise and guiding them, quiet or loud, whatever he needs to be. and just..the way he always quietly led them and his smarts and how he got to be someone and how he still tries to throw that away and how clear it is he doesnt care for himself the way he does others and how that reflects in future leo concepts and how much I know he would care for this younger versions of himself and. and how bright he is, how annoying yet loveable and so, so interesting he is. this was so scrambled but idc i love him so much. if you want more of my coherent leo thoughts point a thing out this was summary and i DO have SO many thoughts on the prison dimension as a whole (four poems actually), casey and leos relationship (a whole post and then a much larger section in a doc), the peepaw and leo (again A WHOLE DOC for peepaw concepts), and general analysis on the boy (yet again a whole doc). also sorry if this was a bit much lmao he means a lot 2 me
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DHDHDJD HOLY SHIT THIS IS A LOT /POS
LMAOOO WE CAN TELL WHO YA FAVORITE IS /LH BUT THIS IS SO DJJDJFDJDJD SO DETAILED AND JUST ❤️❤️
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shinobicyrus · 4 months
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I've seen a lot of posts about Batman using his Bruce Wayne alter ego for the good of Gotham: job programs for felons released from prison, orphanages, charities, high wages for his employees, ethical business practices...the legendary post where Bruce Wayne goes to Wal-Mart.
Thus far I've never personally seen anybody really dig into the persona of Bruce Wayne the Billionaire Playboy. A handsome, rich, powerful man who always is seen at fancy galas, art openings, charity dinners, and wild parties with at least one beautiful woman on his arm.
We know Bruce Wayne is the mask, and its Batman who has a...complex love life, depending on the iteration we're talking about. Talia, Catwoman, sometimes Wonder Woman.
Bruce Wayne's dates, on the other hand, are all "normal" people. Maybe they're an aspiring actress, a supermodel, a prima ballerina, the occasional reporter...and every time there's that bit of nervousness at the start.
Sure everyone knows Bruce Wayne. Everyone knows the story with him. Sometimes his wilder parties make the news, but there's never really been anything nasty reported about him. Never...allegations. But he's a billionaire. He's one of the most powerful people in the whole city, nevermind the country. If he did have some skeletons in his closet. Well. Men with power have a way of making those kinds of stories go away, don't they?
As time goes on the Date's fears dissipate pretty quickly. Bruce Wayne is nothing but polite, kind, and at times charmingly awkward in an 'raised by his butler in a mansion' kind of way with his dates. Some of them can tell he's holding back, of course. Maybe the more perceptive Dates notice he's smarter than he lets on - playing the himbo or hamming up the "know-nothing rich boy" act to the cameras or some of his wealthy peers.
He also listens, is the thing. He's always listening to what they're saying, is interested in hearing about their careers, their hobbies, their lives. Really listens, too. Might refer to something a Date said weeks later off-hand. Buy out the whole museum for a private dinner date with a famous painting from an obscure artist they like, or a private performance with another's favorite band.
He has anecdotes and funny stories for days that somehow says very little about his personal life. The Dates know he has kids (it's practically a running gag in the news that Bruce Wayne has adopted yet another orphan) and maybe she might spot one of them at the mansion, but Bruce seems very keen to shelter them from any intense spotlight and scrutiny, and they all seem happy if a bit weird like him.
Eventually, there's drifting. He's a very busy man, with a very busy schedule. On more than on occasion his nice old butler will call and extend apologies that Mr. Wayne will not be able to make it this evening. Sometimes it's virtually impossible to get a hold of him over the phone. After a while they stop trying. None of them feel quite surprised by that. In the end, it just doesn't work. Sure, he's a little distant and doesn't make himself emotionally available...but he's not a bad person.
Especially when the so-called "exes" of Bruce Wayne start networking. Gotham isn't a small city, but the social circles Bruce Wayne travels in aren't as big. They don't quite gossip or complain about him. More like...who else would get it?
(I touched his side once and he winced...like he'd been hurt real bad there. He laughed and said it was tackle polo. How does that even-?)
(Somehow, after two dates, he saw right through me and listened while I told him what that casting director tried to do. He nodded, gave me the contact details of a law firm, and said not to worry about the legal fees.)
(I don't know for sure it was him, but it can't be a coincidence that my building got bought out from under my shitty landlord and we were all able to buy our apartments under market value.)
(He got my brother in the best rehab program in the city after his relapse. It probably saved his life. We'd stopped dating months ago, I still don't know how he found out.)
(He gave me a card with a phone number and told me that if I was ever in trouble to call it. Said one of his cars would come to pick me up, any time, any place, no questions asked. The one time I did have to use it after a bad party, it was Alfred.)
I think any tabloid reporter digging around for salacious stories or dirt about Bruce Wayne's love life would be completely and politely stonewalled when they try asking his former Dates. Even when money is offered. Every single one of them.
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shadow4-1 · 5 months
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I'm just imagining an a/b/o dynamic where the entire 141, including you, are all Alphas. Except, after a few years of such close contact something starts to shift.
You start to become an Omega.
"Why is this happening to me?" You all but wail. It hurts to breathe, everything feels like it's on fire. Your stomach twists again, painful cramps shooting white hot lighting up your spine. "Why does it hurt so bad?"
Your pack is all around you, trying to soothe you in anyway they can but it's not working. Everything hurts, your teeth feel like they're going to crack from how tight you have them gritted. The wave of pain ebbs for a few gracious seconds before starting up all over again. You whine and sob and reach out for any of your team.
"Whats going on?" Price huffs, his cool hand cupping at your face. His touch is the barest relief even as he drags down one of your lower eyelids. He tuts in an intense concern. "Simon, have you seen this before?"
The larger male drops to one knee. He gives you a quick once over before dipping his head towards yours. He presses the front of his mask to the crown of your head. Through your labored panting you barely hear him take in a deep inhale of scent.
He coughs and stands back up too quickly. Judging by his flighty gaze, something is seriously wrong. Another tremor of pain wracks your body. You open mouth squeal. It's getting so much worse.
"Simon!" Soap growls, trying to bring his fellow alpha back from whatever memory he'd fallen into. "What's wrong wit' 'er?"
"She's turning into an Omega."
Everyone in the room turned their gazes towards Ghost, even you, despite your pain. You? An Omega? But you've always been and Alpha. It was part of the necessary requirements to be a part of the 141. You'd been genetically tested, hormonally tested, and aptitude tested. You were a full blooded Alpha coming from generations of Alphas.
"There's...ngh...no way." You hiccup out, tears blurring your vision.
"That doesn't make any sense. That can't happen." Gaz adds. He rubs at your back. His cool touch soothes even more of your pain into a dull throb, but it isn't enough.
"M' n' Alpha!" You cry out in anguish, the first of many tears finally dripping down your cheeks.
Something about Ghost's words hurt worse than any pain your body was making you go through. Try as you may to deny it, he was right. You could feel your body changing, altering, breaking and bending.
"Why is this happening to me?" You wail.
"There's too many of us." Ghost huffs, he glances around at your pack.
"Why does that matter?" Soap grumbles, scooping an arm around your center to pull you up into a sitting position. "We're a pack."
"That's just it." Ghost sighs tiredly.
"I've never heard of this being 'n issue." Price butts in. He grabs your face again and brushes the tears off your cheeks. "Task Forces are fully Alpha run. They 'ave been for years."
"If what Ghost is saying is right, it's biological, Captain." Gaz huffs, his thoughts visibly racing. "Too many Alphas, not enough Omegas. It means we'd go extinct."
"But why didn't she change earlier?" Johnny asks. You teeter in his hold but he keeps you upright. He lets you lean against his chest. He smells more comforting than usual.
"It's hormonal. She's been with us almost three years now, it takes time." Ghost says. Price nods in agreement.
"I'm an Alpha!" You sob, trying wrench yourself free from the multiple men around you. "I- I don't want to be bred. I don't want to be claimed! I'm an Alpha!"
"We're know you are, Love." Price breathes softly. He continued to wipe tears away from your face with a tenderness that only makes your despair swell further. "But this is happening, and we can't stop it."
"Take me to sick bay, please. They'll...they'll put me on blockers or something! Please, anything but this! I don't want to be an Omega."
The pack looks toward Ghost but he shakes his head.
"This is you first heat. The blockers will kill you."
You scream in pain, fear, and frustration. Another wave of excruciating pain washes over you. You wrench out of Soap's grip and fall against the floor. The tile is cool against your flushed skin.
As much as you hate him for it, Ghost is right.
This is your first heat.
Your back arches off the floor. Your toes curl and you squeal, shaking, gasping, panting hot breaths. You can feel yourself start to sweat. There's a sudden gush of wetness between your thighs. Embarrassment floods you. You try to curl into a ball but your body keeps being wracked with tremors.
"H-help me..." You cry out weakly, sobbing into the tile.
Your pack seems to finally get a whiff of your fluctuating scent. All around you, you watch as one by one each of their gazes grow more and more pointed. All of you know what must be done. After all, you're an Omega now.
...and there's no going back.
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taintedcigs · 1 year
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even if it’s a false god — e.m.
part two; we'd still worship this love
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pairing: modern!college!fboy eddie x fem!reader
warnings: smut!!!!!!, 18+, MINORS DNI or ill bite u. p in v, cr*ampie, kinda br*eding kink, unprotected s*x (wrap it up irl angels, this is fiction.), angst angst angst, ASSHOLE FBOY EDDIE!!!, drinking, degrading, swearing, praises, nicknames, vv slight ch*king kink if u squint, some rough stuff.
summary: in which you are friends with benefits with modern!fuckboy!eddie (wc:4.1k)
a/n: i was def thinking of a pt.2 for this while writing it tbh. mr asshole munson needs to repair some hearts!!! also i made the pic in the middle bc i couldn't find a fitting picture w this lyric lmaooo!! did not proof-read!! ignore any mistakes AND PLSS send me ur thoughts ily xo, em
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“It was fun babysitting you, sweetheart, but I have to dip,” Steve whispered in your ear with a sympathetic smile, his hand pointing toward the blonde who was impatiently waiting for him. 
“What?” You asked, baffled. “Steve, you fucking promised!” You groaned. 
“Jesus Christ, do you not have any ounce of self-control?” He asked, and you gave him an intense look.
“Obviously not!” You huffed, arms crossing against your chest, causing Steve to chuckle. 
“Robin will come back eventually! And in the mean time, just stay the fuck away from him,” He warned. 
“Now, I gotta get laid.” He winked. You tried to open your mouth, but he interrupted. “I swear to god, Y/N, I don’t wanna hear another word from you, you’ve cockblocked me enough this week.” He said, annoyed.
You rolled your eyes, huffing as you stood straight, “Fine! Have fun.” You exclaimed, and Steve grinned, “I will, sweetheart. And you, just... hide from him or something.” He shrugged as he guided the blonde girl out of the door. 
Jesus fucking Christ.
You were pathetic, asking for Steve and Robin to babysit you, so that you wouldn’t end up under Eddie again, so that you could at least save some of the self-respect that you were sure probably didn’t exist at this point. 
They knew each time you said you were done with him, it was a lie. They knew you’d go back for more, but now it had been two weeks—two whole weeks—where you managed to stay away from him, blocking him for good. 
And you could feel yourself cracking; you wanted—needed—him with every fiber of your being, and it was driving you crazy. 
He drew you in with whatever he did, like a magnet always pulling you toward him, making you need to be around him, at all times.
You missed the way his hands grazed your thighs, the way he fucked you so rough and senselessly, but also so gently. The way his pretty mouth framed compliments so fucking sweetly, but turned dirty the moment he was pounding into you, praising you but degrading you at the same time. 
He was so good at fucking, but was shit at everything else.
Just like you.
So the idea of being friends with benefits sounded like heaven when you first suggested it. No feelings attached, no exclusivity, just fucking each other's brains out while also having someone to chat with afterward.
It was supposed to be simple—so fucking simple. 
But the moment feelings got involved, it turned out for the worst. Jealousy was a bitter monster that gnawed at the insides of the two of you, and it had turned into something so incredibly toxic that you knew you had to end it. Your friendship was long gone now, turning into a bitter competition where you either fucked or argued.
Exclusivity was not something the two of you ever discussed, you knew you were bad at relationships, and Eddie knew he wasn’t good at feelings, so it was a topic you always danced around. Arguments ensued the moment one of you fucked someone else, and bitterness was present in your veins like it had always been there. 
When Eddie decided to fuck another girl two weeks ago, you decided you were done. This wasn’t good for the both of you, and you needed to stop it as fast as you could. 
You knew the emptiness you felt right after you fucked was not worth it, no matter how good Eddie was.  
You were tired of sobbing into Steve’s chest drunkenly, confused about what you even felt for Eddie when he was out there fucking another girl. 
It was starting to leave a bad taste in your mouth, and you didn’t want to hate Eddie—not more than you already did at the moment. 
But there stood Eddie, curly hair laid messily on his forehead as a guitar pick adorned his neck, his infamous leather jacket paired with those black pants were your nightmare—dream—combo, he was sprawled on the couch, thick thighs spread apart, you wished you could part them further with your hands, rub him through his pants as you got down on your knees for him, giving his delicious pink-tip kitten licks as you tasted his salty pre-cum—
What the fuck was wrong with you? You shook your head as you turned around immediately, gazing into your empty cup as you hurried off to the kitchen. 
Your cheeks grew hot from embarrassment, you seriously had no fucking self-control or respect. 
“You need any help?” Eddie’s voice rang in your ear.
“‘M fine,” You muttered, voice barely audible. 
“You know I’ve been lookin’ for you.”
“Why? Did you finally run out of girls to fuck on campus?” You said snarkily, a smirk tugging on your lips. 
“Don’t act so fuckin’ innocent now, sweetheart.” He tssked, causing you to throw him a quizzed look.
“Didn’t you go home with Mr. Jock last week?” He was being possessive again, and you hated how it picked up your heart rate, you were stupid.
“So?” You quirked a brow, teasing him, and he gave you a slight chuckle.
That smug asshole, why did he have to always look so good?
“So…how was it?” He asked, and you could feel his jaw tensing as he took a step closer to you, trapping you between the drink stand and his body.
“You’re disgusting.” You groaned as you pushed him away from your face. You were not going to give in.
“That bad, huh?” He mocked, scrunching his nose.
You rolled your eyes. “No.” You lied.
It was bad, really fucking bad; the guy lasted 30 seconds and left you with nothing. That greedy bastard.
But you weren’t going to let Eddie know that.
“He was really good, actually.” You were lying through your teeth, and thankfully, Eddie didn’t seem to notice. An intense rage flashed through his eyes.
“You sayin’ that punk is better than me?” He slurred into your ear, his breath ragged and hot as it fanned against your neck. He smelled so fucking addicting—a mix of sandalwood and nicotine, earthy and making you crave him at the same time. 
You don’t even know how he even came to that conclusion, but it was funny, seeing him like this, nostrils flaring as rage filled his veins, like he was in torture hearing about the guys you fucked, he deserved that.
But your silence at his question meant everything to him; he didn’t need an answer. You knew he was better, and he knew that you were crawling closer to his palm now.
He grew more confident because of the way you stuck to him. “I've seen him in the locker room, sweetheart. He’s not that fuckin’ impressive.” You didn’t mean to gasp, but it slipped past your lips quickly.
“Munson!” You warned, a smile tugged on your lips, and you realized how pathetic you were being again, but it was too late now. 
“Don’t think he can make you smile like I do, either.” He grinned smugly, his calloused hands quick to pull the strand of hair on your face, to see the way your eyes crinkled when you smiled, so fucking promising.
“You're a jerk,” You spat, groaning as you turned around, trying to avoid him, but it was no use; the damage was done, and you were putty in his hands again.  
He had a tight hold on your arm, possessive again, and you were sick for enjoying his rough side. He spun you around to meet him, eyes dark, before he held you in place. “A jerk who makes you feel good,” Eddie purred in your ear, fingers tracing toward your exposed skin, one touch from him, and you whimpered, all that anger fading away so quickly.
He chuckled darkly. “Missed those sweet lil’ whimpers,” He whispered in your ear again, fingers quick to find their way toward your panties. 
He drew slow circles with his thumb while you tried to remain tight-lipped, but it was impossible. 
“Jesus—fuck, Eddie som—someone could see...” You didn’t mean to throw your head back against the wall. Your eyes fluttered shut, and Eddie shrugged. 
“Don’t care, sweetheart.” 
“Well, I do.” You didn’t; Eddie could fuck you right here, right now, and you’d be fine with it, but you weren’t ready to admit this to yourself, and you didn’t want to take the chance of Robin seeing you like this. 
He groaned as he dragged you into the nearest room. You would’ve cried at the loss of contact if he didn’t have a tight hold on your body, calloused hands gripping at your curves, and your thighs rubbed together at his touch. 
Eddie was quick to pin you against the door, his hand curling around the back of your neck. He smashed his lips against yours without hesitating, kissing you the same way he made you feel; explosive, hard, and dizzying. 
He pulled back to look at you. 
Sweet Jesus.
His gaze was intense, and it made you feel so fucking exposed that it startled a gasp out of your lips. 
You fisted his shirt when you had enough, yanking him closer to you so that you could feel his body pressed into yours. Everything you felt was pure hunger, craving him deeply.  
Your heart was pounding in your chest when you felt his rock hard bulge grinding against you, calloused hands gripped your ass as you whimpered; you were at his mercy now. 
“What were you sayin’ last time? That this would never happen again?” He mocked, whispering against your face, his gaze never leaving you. 
Your eyes narrowed, but it was impossible to keep up your act when his fingers started ghosting over your thighs again. “Fuck. You.” You spat. 
“You don’t have to ask me twice, baby.” He grinned, chuckling when you whimpered under his touch.
“God, I love those sweet noises you make for me…” He murmured, you rubbed your thighs again at his words. “I bet if I flipped that little skirt of yours… I’d find you gushing for me.” He groaned. 
And you remained tight-lipped. God, you didn’t want to feed into his huge fucking ego, and you wanted to wipe that smug smirk off his face. 
But he was so right. Your thighs were dampened by how aroused you were. 
He was quick to slip his fingers past your panties, a grunt escaping his lips once he pushed past your folds, your slick covering his fingers. He chuckled darkly. “You’re soaking my fingers, honey.”
“I—Fuck—I hate you.” You squeezed your eyes shut, and Eddie reveled in it, his fingers pushing inside of you while his thumb stayed on your clit. 
“Always sayin’ shit you don’t mean, baby.” He mocked. “Gonna make you beg for my cock, if you keep’ talkin like that.” 
You were panting and head dizzy as he pushed his fingers in and out of you. You were going to lose it, and he had barely started.
When he finally undressed both of you, you were out of it, while his hands were still on your clit as he groaned at the sight in front of him. 
You were perfect. 
His breath was ragged when he traced your chest, eyes bulging when he realized you had no bra on, pleasure ignited in you more and more when he cupped your breasts, teeth tugging your nipple as his fingers still toyed with your clit.
“Perfect tits, just made for me, huh?” He growled, making you mewl; you were putty in his hands, and with each movement, you were getting closer and closer to beg him for more. 
The more you whimpered, the rougher he got with you, curling his finger inside your cunt as he hit that one spot, eliciting a moan from you as you threw your head back.
“P—please.” You whimpered, and Eddie tutted. 
“I’ve seen you do much better than that.” He hummed. This arrogant asshole was going to be the death of you. 
“P—please, Eds, please.” You begged, and your moans died down your throat, before he slowly dragged his fingers out and shoved them back in. 
Your head cocked to the side in pleasure, and he was quick to take advantage of it, licking a path from your neck to your ear, grinning. 
“Mhmm… not good enough, baby.” He purred in your ear as you whined, “Jesus fucking Christ—” Your cursing was interrupted when he yanked his hands away. 
No. No. No. No!
“Shitshitshit—Please, Fuck, Eds...” You murmured, eyes shooting wide open, “Need your cock inside’a me.” You mewled again. 
His dark chuckle reverberated through you, “See, that wasn’t that hard, was it?” He mocked, causing your eyes to narrow. 
“You assho—” He didn’t let you finish as he wrapped his hands around your throat, just enough to punish you but just enough for pleasure to course through your veins. And it felt so fucking good. 
You shut your mouth quickly, “What were you saying, baby?” He purred. 
God, that egotistic prick was pushing you to your last fucking limit; you could do it, you could hold it off. But on the other hand, you could feel yourself pulsing with need; if he didn’t pound into you soon, you knew you would’ve been a pathetic blabbering mess.
“Please, please, Fuck me,” You grunted. “I need you, Eddie.” He didn’t respond as he tapped your thighs, signaling for you to wrap your legs around his chest, and you were quick to oblige. 
Mind spinning before you got a chance to process what happened, he slammed into you with a vicious thrust, he was so fucking thick that it made you let out a guttural scream, tears welled at your eyes as you tried to adjust to his size. 
It wasn’t long before your loud noises turned into incoherent babbles and squeals as he kept his pace.
“Holy shit, baby,” He groaned, watching his cock sliding into you, “Such a warm fuckin’ pussy, and so fucking tight… Jesus…”
You trembled beneath him, tits bouncing up and down as your mouth hung open each time he slid further into your cunt, and Eddie wanted that image etched into his brain forever. 
He tilted you upward, hitting spots you weren’t even aware of. You were quick to wrap your hands around his frame, your nails digging into his back, roughly.
He was the only one who knew you like that; both emotionally and physically, and the same went for you, that’s why the two of you never could truly let each go, clinging to each other like a child did to their favorite toy.
You know no one else could fuck you like he did, and that smug bastard knew it, too.
The way he was pounding into you while uttering curses at your ear, furiously slapping into your body as if you were nothing but his personal fucktoy, truly his.
And you realized how sick you were for liking it, truly enjoying being this way with him. 
“You look so fuckin’ pretty when you take my cock, such a tight fuckin’ pussy and all mine, yea?” He panted causing you to nod, you were barely able hold his gaze, and he groaned before his hands roughly grabbed your cheeks, forcing your head in his direction. 
“Look at me baby…” He purred, “Look, how well your cunt is squeezin’ me. You feel that, peach?” He sheathed himself further into you, and you could feel your walls clench around him, a contented groan leaving both of your lips. 
It was fucking perfect. Everything was rough and messy, there was nothing emotional about the way you fucked. You were both using each other to cum as much as you wanted to, not stopping until you were both sweaty bodies.
He could make you come apart in seconds if he wanted to, knowing your body better than anyone else. And you could make the scary freak Eddie putty in your hands if you wanted to; it was a fucked up game of control that had the two of you going at it for hours. 
Was it fucked up? Yes.
Did it feel good? Absolutely. 
“Would that asshole be able to make you come apart like this?” He asked, fingers digging into your hips, sure to leave a bruise.
This wasn’t the first time Eddie had been possessive; it was a sick, twisted game that you also participated in, almost as if both of you knew that you could never be with anyone else.
You nodded mindlessly, you weren’t going to give into him that easily, again, he grunted at your lack of reaction. 
“Tell me, baby.” He growled, his pounding slowing down to make sure your orgasm was out of reach for you, torturing you until he had you begging under him.
You weren’t sure if you wanted to give up this fast. “Beg me, honey.” His movements picked up, and his hands were quick to toy with your clit, a sharp burst of euphoria rang through your body, leaving you speechless. 
You clenched around him—a big fucking mistake—and he grinned smuggly again. “I know, baby, I know you’re close.” He panted. “I can make you cum, angel.” He promised, “Just say the word.” 
“Asshole,” You groaned between his forceful thrusts, and he chuckled darkly. You rolled your hips against his when his movements faltered, seeking the warmth and the friction when he thrusted into you fully, filling you to the brim.
And that prick was thoroughly enjoying your torture. “Tell me it’s all mine, that you’re all mine.” He purred against your ear. 
You couldn’t. You shouldn’t.
But the way his thumb circled around your clit, so agonizingly slow, and the way his cock was prodding into you so slowly was torture. God, if he just picked up his pace.
Don’t. 
You try to convince yourself, but it's to no avail, you are clenching down on nothing, and it hurts. Your hole is pulsing now, and you need him more than ever. 
“P—please,” You mewled, causing Eddie to give you a slight smirk. “Please what, baby? Use your words.” 
“I’m all yours,” You murmured, “He could never fuck me like you could.” You added, humming contently, when Eddie started to pound into you relentlessly again. 
“Please—I need to—Jesus, Eds.” Your words slurred into a moan as he increased his speed, his finger circling your clit roughly. 
“Oh fuck, fuck, baby. Feels so good.” He panted.  “Please—please make me cum, sir.” You sobbed, unable to hold it back anymore. 
And that was all Eddie needed to hear. “Cum for me, honey.” He pleaded, and you gave him low whimpers as he started fucking you faster again, watching the way his cock disappeared into your gushing cunt.
“Wanna feel you cum on my cock, baby.” He breathed. 
“Shit, feels so good, Eds.” 
“Jesus—Please… I’m going to—” You bit down on your lower lip, unable to stifle the moans leaving your lips as his assault on your clit was enough to bring you over the edge, 
“I’m gonna—I’m…Holy shit, oh god!” You sobbed, whole body convulsing in pleasure as you came around his cock, your vision blurred and mind foggy as you didn’t realize how your orgasm was triggering his. 
Eddie was whimpering for you now, “So fucking good, holy shit.” He panted, movements getting sloppier.
“I’m gonna cum, fuck, baby. My perfect fucking girl, yea?” He heaved a breath. 
“I’m gonna fuck this—Gonna fuck my load into you, peach.”
“Gonna fill you with my cum—Fuuuck.” He growled, animalistic noises escaping him as he exploded inside of you, thick ropes of his warm cum painting your walls. 
He groaned when he slipped out, mouth-watering as he enjoyed the sight of you fucked out of your mind, and his load dripping down your thighs. 
The relief you had was short-lived as that sinking feeling came to you again, the emptiness, the loneliness.
Was all of it worth it?
The two of you dressed in silence; the weight of what you did was hitting you all at once. You did it again. You had sex with him again. You let him use you again—it didn’t matter if you used him too, it meant something different for you than it did for him.
All those thoughts you had about feeling good faded out quicker than you thought they would.
You were so fucking pathetic.
Jesus Christ.
You felt sick, what the fuck did you just do?
As soon as Eddie got dressed, he gave your cheek a sloppy kiss. He was going to leave you all alone again.
You should be fine with this, this is what always happens.
Don’t—don’t say anything, just take your last bit of self-respect that is possibly non-existent and leave without another word—
“You’re…leaving?” You exhale, your mind racing with ideas.
Shit. Just shut the fuck up.
“Don’t act so coy now, sweetheart.” He gave you a slight smile, but all you wanted to do was slap it out of him.
“We both know what this was.” He muttered, that conceited dickhead still had that smile on his face.
“And what exactly was ‘this’?” You pointed to the space between the two of you.
“Fucking, no strings attached?” He added, shrugging. The fact that he had no clue about anything was pissing you off.
“Unbelievable.” You gave him a dry chuckle.
“What?” He asked, baffled.
“Is that all I am to you, just a warm body?” You said, face crinkling with disgust.
“I’m confused.” Eddie said. “You—you were the one who fucking suggested this.” He breathed.
“Well, I’m un-suggesting it!” You exclaimed angrily.
“You—you are so fucking confusing!” He spat. “I told you—I told you we could be more... told you we could try... us.” He stuttered. “You were the one who refused!”
“You were drunk! You can barely fucking say it now!” You spat back.
“What... what do you even want, Y/N?” He asked, holding his gaze.
“Do you want a relationship? Do you want something meaningful?” He pondered, a sarcastic chuckle escaping his lips.
“Is it so wrong for me to want that? To want something real?” Your voice carried so much emotion, and that’s what killed him.
He couldn’t have a relationship with you even if he wanted to; he recognized his own turmoil, and he feared he would drag you right down with him. No matter how similar you seemed to be, he was sure he’d ruin you, completely and utterly. And not in a good way.
He swallowed physically; the lump in his throat wasn’t going to go away.
He couldn’t let you have hope; he couldn’t let you down again—he had done that enough.
''A relationship with you is the last thing I see myself doing.'' He almost whispered, but you heard it loud and clear.
Your brows were quick to furrow, and your jaw was was set in a tense manner. The lust in your gaze was long gone by now, containing only rage while you glared at the source of your pain.
“Fuck. You.” You spat, tears threatening to spill but you didn’t want to give him that satisfaction
“You are a sadistic fucking asshole, Munson.” 
“Jesus… I think we should stop—whatever the hell, this is.” He exclaimed.
“Fine by me!” You exclaimed back cheeks heating up from anger.
“I really am done with you, this time.” Despite the intensity of your gaze, he could sense the subtle vulnerability in your eyes. The subtle pain that was fueling your anger
“Oh, I’m sure you are.” He chuckled smugly. This was something you two had joked about before, but it wasn’t funny now.
He saw you in the palm of his hand because you always came back to him, he was right… until now.
The fact that he laughed in your face at the thought of being in a relationship with you was too much, even for your low self-esteem. 
“I don’t care what you think.” You didn’t even hold the rage you held before; only disgust was visible in your tone.
“You’re dead to me.” You replied curtly, your voice distant and chilling.
And Eddie knew how much he fucked up, truly.
There was nothing he could do now.
“I didn’t mean it like—” He regretted what he said immediately, but you dismissed his protests, gathering your jacket in your hand as you slammed the door behind you.
Tears blurred your vision as soon as you left, the lively sound of the party clouded your mind as you silently sobbed, trying to find Robin.
You knew how unattainable he was, and how much he truly hurt you, and as fucked up as it was, that's exactly why you loved him; led by blind faith that it would be different.
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ariestrxsh · 21 days
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*˖ ݁𖥔.𓀏·:*¨༺ .♱.✮.♱. ༻¨*:·𓀏.𖥔 ݁ ˖*
⚠️ content warning: ⚠️ smut, use of handcuffs, use of butt plug, degradation, humiliation, rough blow job, first-time anal, dacryphilia, hair-pulling, double penetration, creampie, mean!roughdom!matt, mean!roughdom!chris
📝 author's note: 📝 this is part four of she thinks of me. 💖 here are parts one, two, and three. inspired by the fact that there's not enough dp in chratt fics. 🫦 there will not be any more parts to this
✍️ Summary: ✍️ Chris and Matt finally give you what you've been starving for - both of them at the same time.
*˖ ݁𖥔.𓀏·:*¨༺ .♱.✮.♱. ༻¨*:·𓀏.𖥔 ݁ ˖*
she thinks of me part four 💖
Matt drew me a bubble bath that night while I recovered from the intense session we'd just had, and he sat next to me on the ledge of the tub, caressing my cheek and looking in to my eyes.
The bath water was hot like the mug in my hands. Matt had made me a cup of chamomile lavender tea, and I sipped on it slowly while we sat in the candlelight.
"You know, there's one more toy I bought for you," he smiled at me. "What is it?" I asked, shifting around in my bath. This sparked my curiosity. What else could he possibly have bought? "You'll find out," he smirked at me. I glared at him while I held the mug up to my lips, taking another drink.
"You know, I love being in a relationship with you. I love the way you make me jealous and the way you keep me on my toes. I'd be bored if I were with anyone else," Matt told me under his breath while he brushed the back of his hand up against my face.
I was really happy to hear this, because until Matt and Chris had made this bet, there seemed to be a bit of passion lacking in the relationship, and it felt like this little arrangement we had going with Chris was breathing life back into our connection.
"I love you," I whispered, silently wondering what I did to deserve such an incredible man. "I love you, too," Matt responded warmly. "I can't get enough of you," I replied softly.
"Can't get enough of Chris either, huh?" He asked his voice saturated with lust. "It really turns you on, huh?" I questioned, biting my lip. Matt nodded.
"I mean, it's weird. At first, I was so jealous, but watching how good Chris made you feel.." Matt's voice trailed off. We could both feel the sexual tension in the air. It was strange how inviting Matt's brother into our sex life was bringing back the fervor into it, but we weren't going to question it.
He leaned in, and his lips enveloped mine into a deep kiss. Despite how tired I was and how many times I had finished earlier in the night, I felt myself full of desire again for both of them. "You're gonna love what Chris and I are going to do to you," Matt promised, and my mind swarmed with all the possibilities.
After my bath, I sat on the couch downstairs, completely naked, wrapped in a cozy blanket. Matt had told me not to even bother putting on clothes through his smirk before he'd gone to retrieve the last item he'd bought while he was out.
Matt and Chris reappeared in front of me a few minutes later. They were both in nothing but their boxers, and Matt was holding something behind his back. They both had shit-eating grins on their faces. "Why don't you bend over, sweetheart?" Chris cooed gently.
I shimmied out of the blanket and did what  Chris told me to do, laying my head on the armrest of the couch and sticking my backend up in the air. The anticipation was getting to me, desperately needing to know what they were going to do to me.
I heard the sound of the handcuffs from earlier, and I grew ever more excited as Matt grabbed both my wrists, pinned them behind my back, and clicked the restraints shut around them "This is gonna hurt for a minute, darling but I promise we're gonna make you feel so good," Matt promised, and I heard the sound of a lube bottle opening.
All of a sudden, I felt a lubed up pair of fingers teasing my hole - but not the one I was used to. I let out a pained sound while Matt poked and prodded around, beginning to stretch out my backdoor for the first time.
I'd expressed to Matt my curiosity about anal before, and he certainly never seemed opposed to it, but I didn't know it would be happening now and in front of Chris. A part of me was humiliated to have Matt exploring such a taboo part of my body, especially in front of his brother. The other part of me was dreaming about having both my holes filled at the same time by each of them.
Once I got used to Matt's fingers, I felt the tip of what felt like a butt plug lining up with my back entrance. He slowly started working it into my tight hole, and I let out a few sobs. "Shhh, it's almost all the way in, princess," Matt hushed me.
Finally, I could feel the toy all the way inside me, and I started to get a bit used to it. "Such a good girl for us," Chris whispered, coming around to the other side of the couch until he was in front of me. He grabbed ahold of my hair and yanked my head up so that my big eyes were locked on him.
I admired his body, how angelic he looked towering over me, and the way I could perfectly see the outline of his cock through his underwear. I could tell where this was going.
I heard the sounds of them both removing the last bit of their clothing, and my stomach did turns and flips as I felt Matt's tip brushing up against my sore cunt while the butt plug stayed in place.
Chris held his dick in his hand and gently pressed it up against my bruised lips, silently asking to be let in. I let him sink into my mouth while Matt sunk into my pussy, and the sensation of my new toy elevated the whole experience.
They both began thrusting in and out of my different holes, filling the room with their harmonic moaning. "Such a fucking slut. This is your dream, isn't it? Being used by us both at the same time?" Matt growled from behind me, and his words made me weak, but I couldn't answer him with his brother's cock stuffed into my drooling mouth.
I looked up at Chris, who was staring intently down at the way he disappeared behind my lips every time he'd rock his hips forward. The expression on his face gave away how much he was enjoying himself - his jaw was tensed, his lips barely parted, his blue eyes filled with need, and his eyebrows pulled together in a way that might have looked like concern or anguish in any other context.
I loved that Chris looked like that because of me. I loved the grunts that would escape his gorgeous, pouty, pink lips while he relaxed into his sexual desire. All while admiring how handsome Chris looked while I sucked him off, I could feel Matt's strong thrusts from behind, jerking me forward to take more of his brother's cock into my mouth.
"Fucking whore. Choke on it," Chris urgently whimpered while I started to gag on his length. His hands wandered into my hair, holding my head still so he could face fuck me again, but before he could get too carried away, Matt pulled himself out of me, and he removed my plug as well. "I want you to ride Chris' cock, sweetheart," Matt requested with his voice full of desire and lust.
Before I knew it, Chris was beneath me, my wrists still cuffed behind my back while I rode him, his hands tightly gripping my waist.
I thought I heard the sound of Matt opening the lube bottle again, but I figured I was imagining things until he said, "Stay still, you little slut," and I stopped bouncing up and down on Chris' length for a moment.
Then I felt it - Matt's tip brushing against my other hole. I sharply inhaled and let out a cry as he slowly pushed it in. The pain at first was excruciating, but Chris caressed my face, wiped away the tears that started to roll down my cheek, and hushed me as Matt entered me further.
"Take it all for me, baby. I know you can," Matt cooed. He took his time, allowing me to get used to him before sliding in another inch. The sensation was insanely powerful, the feeling of two men in my different holes, and not just any two men, but my incredibly hot boyfriend and his incredibly hot brother.
It felt like it took ages to acclimate to Matt's girth filling me from behind, but once it started feeling good, it was impossible to contain my satisfaction. My eyes rolled back, and my whines filled the atmosphere. They both moved together in unison, bucking their hips at the same fast and powerful pace, sending waves of pleasure through my whole body.
"You love getting fucked in the ass, don't you?" Matt grunted in a low voice, gripping your hips. "She loves it. She's our little cock slut," Chris whimpered.
"Love using all your holes, naughty girl," Matt breathed. "Poor girl. So dumb for our cocks, she can't even speak," Chris relayed in a faux sympathetic tone. Their hand placement, the way they spoke to me and about me, and their animalistic ways of fucking was enough to have me reaching the point of no return.
I started to tremble and loudly moan both of their names. My orgasm ripped me with incredible power like a force that couldn't be stopped. I felt myself clench around each of them while I rode out the rest of my climax.
They laughed at my desperation and high-fived each other as my pleasure washed over me. My legs grew weak as I struggled to hold myself up, but Matt and Chris steadied me on their cocks with their glorious hands running all over my body.
They both continued pounding away, chasing their own sexual satisfaction, but what they didn't know was how expertly they were hitting all my favorite spots over and over, and how I couldn't take it for another moment.
A second orgasmic feeling cascaded over me, the knot in my stomach coming unraveled and releasing all my pent up energy back into the air around us. The two boys penetrated my five senses, my thoughts, and all of my orificies.
In unison, both Matt and Chris started pumping each of my holes full with warm spurts of their white, sticky substances while they each called out my name. I could feel each of their dicks pulsing inside of me while they finished, loving every second of being filled by them each back-to-back.
And as they each pulled their cocks out of me, their cum started dripping out of me at both ends, and they both watched in awe at the messes they each made. "Look at that," Chris whispered, smiling at the sight before him.
"Fuck, naughty girl. I can't believe you let us both fill you up like that. Such a little whore for us," Matt smirked, releasing me from the handcuffs. "Thanks for letting me put it in your backdoor, princess. That was hot as fuck.."
taglist: @sturniolo-girl @munchingmini @butterbean-01 @coolasice01 @theyluvme-2315 @zariyam @brookiecookie-18 @maggot3647 @bsturnzmtt @slut4chriztopher @miss-delicious @strnlslvr @sleepysturniolo @schlutt4matty @imjusthereforthesturniolosmut @matts-myloverboy @mattsfavbigtitties @new2024cats4life @sofieeeeex @witchofthehour @slutforsturnioloss @ariithereyet @ribread03 @fratbrochrisgf @strnlxlqve @sturnzluv @gwennybenny @theeternaloptimistt @hearts4thetr1pl3ts @sturniolosweetheart33 @jollyblizzardtree @whoahoahoahoahoa @obsessionsarenotfortheweak @sturnsxbitvh @angelic-sturniolos111 @alizestvrnss @slxtformatt @stellasturnzz @2muchofaslvt @ilovechrissturniolosposts @sturnrc @smt-obsessed @sturnioloxlver @that1fangirll @aalirosesblog @hrtz4alex2211 @luvhsien @sturniolo-munch44 @sp3ncerslvt @jakewebberswifee
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goldfades · 5 months
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𝐎𝐔𝐑 𝐎𝐖𝐍 𝐂𝐄𝐋𝐄𝐁𝐑𝐀𝐓𝐈𝐎𝐍 ─ PB⁵
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౨ৎ ─ summary | request -> "SAW UR POST AND HEAR U WANTED REQUESTS!!! paige x gf!reader where reader is uconns wbb media girl and it is SMUTT, paige like reading reader ab like “did u enjoy taking pics of me out there” BUT SMUT WHERE READER ALSO GIVES BACK TO PAIGE BC WHY R ALL THE FICS ENDING AFTER READER COMES? WHERES PAIGE??? (i’m going insane)"
─ word count | 2k
─ warnings | NSFW under the cut! praise (lots of it), so much sweet tension, fingering, face-sitting (hooray!), paige being a cocky ass, teasing, just MENTION of a strap
─ taglist | @xocherishxo @iienstein @yazmunson @euphternal @boiliatfu and here's a link to my taglist if anyone would like to join!!
─ ev's notes | this is my first time writing wlw smut so if yall have any feedback, it'd be greatly appreciated!!!!!!!!!!!! i hope yall enjoy mwah
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"WE'D LOVE TO STAY BUT..." Paige shrugged, a cocky smile playing on her lips as her hand found the small of your back, beginning to lead you to the door.
As Paige's hand settled on the small of your back, her touch sent a shiver down your spine, her cocky smile igniting a fire within you.
KK and Ice exchanged looks, smirks playing on their lips. The game had went very well, winning 72-64. You'd gotten some pretty good pictures of the team as you usually do, but your focus was merely just on your girlfriend this time. You couldn't help but feel proud, especially with the shots you managed to capture of the team in action.
But right now, your attention was solely on Paige, her presence captivating you more than anything else. The thrill of victory mingled with the excitement of being with her, making the moment feel all the more exhilarating.
"Make sure to use protection!" You heard KK shout as you closed the door behind you, hearing the now muffled laughter of Paige's teammates' laughter.
You rolled your eyes playfully at KK's innuendo but she wasn't very far off. You didn't miss the way Paige wet his lips as she pulled you closer into her chest as you both began to walk to her car, leaving the restaurant the team decided to celebrate in.
Paige's fingers interlaced with yours, her touch sending shivers down your spine as you savored the closeness between you. As you reached her car, Paige turned to face you, her eyes sparkling with mischief as she leaned in close and planted a sweet kiss on your lips.
You couldn't help but lean closer, letting her take complete control over the kiss. But before it could lean to anything, Paige leaned away as your lips formed a pout.
Paige laughed at your neediness as she gripped your hand. She leaned in once more, her lips brushing against yours in a teasing caress.
But before the kiss could deepen, she pulled back, a playful smirk tugging at the corners of her mouth. "You're too cute when you pout," she teased, her voice laced with affection as she leaned her forehead against yours, her breath mingling with yours in the cool night air.
"You looked good tonight," you spoke softly as you looked up at your girlfriend. "Like, really good."
Paige's smirk softened into a warm smile at your compliment, her eyes sparkling with appreciation as she gazed into yours.
"Thank you, baby," she replied, her voice soft as she brushed a stray lock of hair from your face. "You looked sexy, with your little camera."
You rolled your eyes playfully averted your gaze as she laughed, before she gripped your face to get you to look at her. "That's the only word I could think of, sorry."
"Really? Not beautiful, pretty, gorgeous?" You teased as she let go of your face with a huff.
"Oh, come on, you know what I mean," she teased, her fingers tracing a gentle path along your jawline.
But before you could respond, she leaned in close, her lips brushing against yours in a needy kiss. "You're all of those things and more," she whispered against your lips.
A smile tugged at the corners of your mouth as you returned her kiss, reveling in the warmth of her touch. "Can we go home, please?"
"Of course, baby," she whispered, your voice barely above a breath as she reluctantly pulled away, the need to be close to you urging you forward.
With a shared smile, you both settled into the car, the engine humming to life beneath you as Paige drove off into the night. As you headed home together, hands intertwined, you felt your heart begin to race.
The drive felt longer than it should have, every squeeze of your hand making you feel more desperate. And Paige could tell but she didn't give you anything except the occasional rub of the hand, which made you go insane.
With one hand on the wheel and the other clasped firmly in yours, Paige drove with practiced ease, her confidence making you feel something only she could ever manage to do.
With a knowing glance, Paige turned onto your street and parked as quickly as she could. As Paige cut the engine, the silence that followed seemed to stretch on indefinitely, each breath heavy with anticipation.
Neither of you wasted any time as she guided you up the stairs of your apartment, giving your hip the occasional squeeze. The walk up the stairs felt like a blur, her touch sent sparks flying through your body. With each squeeze of your hip, Paige wordlessly conveyed her desire, her eagerness matching your own as you walked to your apartment door.
As you reached your apartment door, Paige wasted no time in unlocking it, the click of the lock echoing in the stillness of the hallway. With a shared glance, you both stepped inside, the warmth of the familiar space enveloping you like a comforting embrace.
The moment the door closed behind you, the atmosphere shifted, charged with a sense of desire. Without a word, Paige closed the distance between you, her hands finding their way to your hips as she pulled you close.
The heat of her body against yours was intoxicating, igniting a fire within you that threatened to consume everything in its path. With a hunger that couldn't be denied, she responded in kind as your lips crashing together in a fervent kiss that left you breathless.
"I know I already said it, but you looked so good." Your hands found her hair as she planted messy kisses all over your neck and jaw, her grip tight on your hip.
The sensation sent shivers down your spine, igniting a fire within you that burned brighter with each passing moment. With a soft chuckle, Paige finally pulled back slightly, her eyes meeting yours with a glint of desire.
"I'm glad you think so," she murmured, her voice husky with desire as she pulled back slightly to meet your gaze. "But you, baby, you're on whole different playing field."
She gave your lips one more kiss before she guided you to your bedroom, closing the door behind you. Paige sat on the bed as she pulled you into her lap, as your lips crashed into hers. You couldn't help but grind yourself against her lap, soft whimpers leaving your lips.
But Paige didn't give in, she just smirked against your lips as she held your hips. "Relax, baby."
You couldn't help but roll your eyes. "Shut up,"
Paige's eyes widen, a smirk on her lips as she gave your hip a harsh squeeze. "You really wanna talk to me like that?"
"Maybe I do," you retorted, your voice laced with playful defiance as you leaned in closer to her.
She then pushed you off of her as you scoffed, disbelief in your expression. You almost began to complain before she gripped your arms and pushed you on the bed, a soft moan leaving your mouth at the roughness.
She practically ripped your shorts off as she got on top of you, the cocky expression still evident on her face. Paige's lips found your neck as she began to give you wet kisses all over. Your eyes shut at the sensation, another quiet moan leaving your lips.
Her hands then moved the bottom of your shirt, taking it off as she began rubbing your hips. She sat up to take in your body, a prideful smirk on her mouth she squeezed your hips tighter. You felt yourself get red at her gaze, especially since you were half-naked and she was fully clothed.
"Poor baby," she whispered as she leaned and gave you kisses at the crook of your neck, your eyes shutting in pleasure as you became grinding against her hips.
Paige gripped your thighs and pried them open as she began rubbing your cunt through your underwear. "So fucking wet and I barely touched you. Do I make you that needy, huh, pretty girl?"
Her filthy words sounded like music to your ears as you moaned in affirmation, not trusting your voice to speak up. She then moved your underwear to the side, her middle finger finding your clit as she began rubbing it harshly.
The new sensation made your back arch into her hands, your eyebrows furrowing in pleasure. "Oh, fuck,"
"Yeah, pretty girl? I make you feel so good, don't I, baby?" Her words came out soft like honey as she applied more pressure to your clit, more needy moans coming out of your mouth.
It was embarrassing how quickly that knot in your stomach began tighten, how it'd only been a minute since she'd started and you already felt yourself come close to the edge.
And of course, Paige could tell. Her movements didn't falter as you came undone, the knot in your stomach snapping as you let out a cry of pleasure that echoed in between the walls of your bedroom.
You were breathless as Paige shoved her fingers into your mouth, and you sucked them clean. She smiled as she pried her hands away, replacing them with her lips.
Paige could taste you on your tongue, making her moan. She pulled away and began to move off of you before you gripped her hand, neediness evident in your tone. "I need you, please. Let me make you feel good."
Paige's smirk widen at your request, climbing back on top of you. "Mm, you sure?"
"Yes, baby. Please." You whined as Paige looked down at you, uncertainty in her gaze before she saw the desperation on your face. She smiled softly at you before she took off her shorts and underwear, throwing them off to the ground.
You were practically drooling at the sight of her, all of her. Your hands found her thighs as you pulled her on top of of your face and before she could even process it, your lips were in her cunt.
"Oh, fuck." Was all she could get out as her eyebrows furrowed in concentration. God, your mouth felt so good she couldn't help but behind to grind against your mouth.
She moved her gaze to look at you, her hands finding your hair as she began to run her fingers through your hair. She felt her breath hitch as you began focusing on her clit, her head falling back in pleasure.
"Good girl, fuck." She groaned out as your hands moved moved to rub her hips. Her other hand met yours, holding it as she began grinding faster against you. "Yes, baby. Keep going, oh yeah."
Your tongue moved faster against her and she felt herself coming closer and closer to the edge. "Just like that, just like that. Fuck."
Her grip tightened on your hair as she came, her moan filling your ears. She was breathless, trying to catch her breath as she finally opened her eyes to meet your cocky smirk.
She let out a breathless chuckle as she rolled her eyes, getting off your face. "You should do that more often."
"You should let me do that more often," you countered as you wiped your mouth with the back of your hand.
Paige laid down on the bed, her chest still heaving as she kept her gaze solely on you. "I just don't wanna like, suffocate you."
"That would be a good way to go, though. And I know you like it," you smiled as she pat the spot next to her. You shuffled next to her, moving your head to lay on her chest.
"You're right, I like having that much control over you." She joked as she pulled you closer. "It's hot."
"You're hot," you replied with a playful grin, your voice laced with admiration as you leaned in to steal another kiss from Paige's lips.
"You're hotter," Paige countered as she pulled away from the kiss for a moment.
"You're the hottest,"
Paige scoffed as she rolled her eyes. "We really gonna play this game right now, baby?"
"Yep, whoever wins gets to the wear the strap."
Paige's expression shifted as she glared down at you. "You mean my dick? Yeah, um no."
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↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !
↳ thank you for reading all the way through, as always ♡
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valkyriexo · 3 months
Note
Hey there!
I loved Jinnie's you get your period story 🥹it was so heartwarming and made me feel really loved and happy!😊 I was thinking, could you maybe do a version for Chan?
Thank you so much!
You get your period | Bang Chan Vers.
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ᑉ³pairing; Bang Chan x Reader
ᑉ³genre; Sickfic, Comfort, Fluff,
ᑉ³warnings; Reader has their period, Mentions of blood, mentions of staining, embarrasment
ᑉ³Authors Note; A little different than the other one. thank you for your request :)
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As you lie entwined with Chan on the bed, the soft glow of the TV casting flickering shadows across the room, you feel utterly content. His arms envelop you, offering a sense of security and warmth that you find nowhere else. The movie plays on, but your attention is solely on the man beside you, his presence more captivating than any screen could ever be.
The movie, a classic romance, fills the room with the sound of sweet dialogue and sweeping orchestral scores. As the plot thickens, drawing you deeper into its embrace, you find yourselves caught up in the drama unfolding on screen. 
You're wearing his clothes, the scent of him enveloping you like a familiar embrace. It's one of those rare moments where the world outside fades away, leaving only the two of you in your own little world.
"Excuse me Y/N, but I do believe this popcorn was meant to be shared," he jokes, his voice carrying a hint of feign hurt as he reaches into the nearly empty bowl.
"Yeah? If only you hadn't eaten all of it, we'd still have some," you reply with a playful eye-roll.
Chan chuckles, the sound rich and infectious, his eyes twinkling. "Hey, I was just testing its quality control! Can't let any bad popcorn ruin our movie night," he retorts, his grin widening as he leans back against the headboard.
You can't help but smile in return. "Well, next time, try not to be so thorough with your testing. I might actually get to enjoy some," you tease.
Chan's grin softens into a warm smile. "Alright, alright, fair point. How about this? I'll go get us some more popcorn and maybe a couple of drinks. What do you say?" He said as he rises from the bed and presses a soft, lingering kiss on your lips. 
"Thank you," you murmur softly, a gentle smile gracing your lips as you watch him gather the empty bowl and head towards the kitchen.
Chan's smile lingers, a warmth in his eyes that speaks volumes. "Anytime," he replies softly before disappearing from view.
Left alone, you take a moment to bask in the quiet comfort of the room, reaching for your phone on the nightstand. But as you shift, a sudden realization hits you. Beneath you, the sheets feel damp. Your heart skips a beat as you pull back the covers, dread creeping in as you confirm your fear.
You've stained the bed.
Panic sets in as you frantically inspect the damage, hoping against hope that it's not as bad as it seems. You can't let Chan see this. Not now. Not when everything feels so perfect. With trembling hands, you begin to rip the sheets off the bed.
Your mind races, a million thoughts swirling as you struggle to comprehend what has happened. The embarrassment is suffocating, your cheeks burning with shame 
As you hastily toss the stained sheets into a corner of the room, trying to hide the evidence of your mishap, you hear Chan's voice from the kitchen. "Did you want candy too? I have some sour gummies here."
His footsteps draw closer, and panic surges through you as you realize that if you stained the bed, you've obviously stained your clothes as well. And worse-
They're Chan's Clothes
Tears well up in your eyes as you run into the bathroom, desperately searching for a way to clean yourself up. Your hands shake as you scrub at the stains on your clothes, the water mixing with your tears as you try to salvage the situation.
But no matter how hard you try, the stains remain stubbornly in place.
You lock the bathroom door, the sound of Chan's footsteps drawing closer with each passing second. Your mind races, searching desperately for a way to fix the situation before he discovers the truth.
Suddenly, the bedroom door creaks open, and Chan steps inside, his brows furrowing as he takes in the sight before him. His eyes widen in surprise and concern as he sees the disheveled bed and the discarded sheets in the corner.
"Y/N? Baby?" He says hesitantly. You hear his footsteps move further into the room.
"What happened?" he asks, his voice laced with worry. "Y/N? Where are you?"
His footsteps draw closer, each one echoing in the silence of the room. You can feel the weight of his concern hanging in the air as he knocks lightly on the door. "Y/N, are you in there?" he asks again, his voice soft yet filled with worry.
You freeze, your heart pounding in your chest as you struggle to find the words to explain. "No, Chan, don't come in!" you call out, your voice trembling with embarrassment. "I-I'm fine, just give me a moment."
But Chan's concern only intensifies. "Y/N, what's going on? Are you hurt?"
The panic surges through you, the weight of your embarrassment nearly suffocating. "Please, Chan, just... just wait outside," you plead, your voice barely above a whisper. "I'll be out in a minute."
But Chan refuses to leave, his concern for you outweighing any discomfort he may feel. "Y/N, talk to me," he urges gently, his voice soft yet persistent
"No, it's embarrassing," you had murmured, your voice choked with tears.
"Y/N, please let me in," he implores, his tone filled with genuine concern. "I hate to see you like this.
"I'm gonna go home," you declare suddenly, your voice shaky with emotion. "Don't worry, just leave me alone, and I'll fix everything."
Chan's brow furrows in confusion. "Did I do something wrong?" he asks, concern evident in his voice. "Did I make you uncomfortable? I'm so sorry if I did."
You shake your head quickly, your voice soft but firm. "No, Chan, it's not anything you did," you reassure him, your heart aching at the thought of him blaming himself for your distress.
"Then what is it?" he asks softly, his voice almost pleading.
"Just go, please," you whisper, your voice barely above a murmur, laced with embarrassment and desperation.
Chan stands there for a moment, his heart aching with concern and confusion. "Y/N, I don't want to leave you like this," he says, his voice breaking slightly. "Please, just let me help."
There's a heavy silence, the weight of your distress palpable in the air. A few minutes pass, the silence stretching between you like an invisible barrier.
He hesitates, the pain of hearing you so distressed evident on his face. "Okay," he says softly, his voice filled with reluctance. "But I'll be right outside if you need me. I'm not going anywhere."
You can hear his footsteps as he moves away, giving you the space you asked for. Your sobs echoing softly in the silence of the room. Tears stream down your cheeks unchecked, the embarrassment and shame weighing heavily on your shoulders.
And then, without a word, Chan approaches the bathroom door once more, his footsteps tentative as he knocks softly once again.
"I left... some clothes by the table.. near the door if you need them," he says gently, his voice filled with a quiet understanding.
You hear him take a deep breath before continuing, his voice soft but steady. "Y/N, I just want you to know that I love you. Nothing could ever change that. You're not alone, okay? I'm right here for you."
"You don't have to come out until you're ready," he continues, his tone gentle and patient. "Take all the time you need. I'll be here when you're ready to talk or if you need anything else."
As Chan's footsteps fade away, leaving you alone with your thoughts, you feel a wave of emotions wash over you. With trembling hands, you reach for the door and unlock it, taking a deep breath to steady yourself.
Slowly, you step out into the room, your eyes falling on the clothes Chan left for you by the table near the door. You clutch the clothes to your chest, feeling a pang of guilt at the thought of facing Chan after what happened.
With a deep breath, you gather your resolve and quickly change into the clothes Chan left for you. But as the reality of the situation sinks in, the floodgates of your emotions open, and you begin to cry harder than before.
You know you have to face Chan eventually; you can't hide in the bathroom forever. So, you unlock the bathroom door and step back out into the bedroom.
Chan is seated on the edge of the bed, his gaze soft yet concerned as he looks up at you. There is a fresh set of sheets on the bed.
The tension in the air is palpable, the weight of the unspoken conversation hanging between you.
In an instant, he's by your side, pulling you into his arms with a tenderness that brings a fresh wave of tears. But instead of finding solace in his embrace, you feel a surge of embarrassment so intense it's almost suffocating. Mortification courses through you, rendering you stiff and unresponsive in his arms.
You can't bear to face Chan, to let him see you in such a vulnerable state. The shame of what happened weighs heavily on you, and the thought of him witnessing your distress only adds to your humiliation.
"Y/N," Chan murmurs softly, concern etched in his voice. "Hey... its okay." His voice is a gentle caress against your frayed nerves, but you can't bring yourself to look at him.
"Chan," you whisper, your voice trembling with embarrassment, "I-I can't... I can't face you right now." Your words come out in a choked whisper, barely audible over the sound of your own racing heartbeat. Every fiber of your being aches with humiliation.
"Y/N," Chan says softly, his voice filled with understanding, "it's okay."
You shake your head, unable to meet his gaze. "No, Chan, it's not okay," you whisper, your voice choked with tears.
Chan's arms tighten around you, his grip firm yet gentle. "It's not the end of the world, baby."
"It is to me. This is so embarrassing." The words spill out of you, raw and vulnerable.
In a desperate attempt to escape the suffocating embarrassment, you try to break free from Chan's embrace, your heart pounding with the overwhelming need to erase the evidence of your humiliation.
Your movements are frantic, fueled by the desperate urge to hide, to fix things, to make it all go away.
With tears still streaming down your cheeks, you push against his arms, your mind consumed by the urgency to flee.
Your hands press against his chest, your breaths coming in short, panicked gasps.
But Chan holds you firmly, refusing to let you go. "Y/N, please," he pleads softly, his voice filled with concern. "Don't run away. Let me help you."
All you wanted was to break free. To grab the stained sheets and make a beeline for the laundry room.
"Y/N, look at me," he commands softly, his tone soothing yet authoritative.
Reluctantly, you open your eyes, your vision blurred by tears. Chan's face is inches from yours, his expression one of love and concern. His eyes, filled with empathy and understanding, lock onto yours.
"It's okay," he repeats softly, his thumbs continuing to brush away your tears. "You're okay. We're okay."
You begin to calm, your breathing slowing as his words and touch soothe your frayed nerves. Your hands, which had been pushing against his chest, slowly relax, resting against him instead. The urgency to flee starts to ebb, replaced by the comfort of his presence.
"I'm sorry," you manage to choke out, your voice trembling with embarrassment. "I just feel so.. gross right now."
Chan's expression softens, his eyes reflecting understanding and empathy. "Y/N," he begins, his voice gentle yet resolute, "nothing about you could ever gross me out. Accidents happen, but they don't change how I feel about you."
"I love you," he continues, his voice a soft declaration of devotion. "Every part of you, even the parts you consider imperfect. Especially those parts."
He pulls back slightly to look at you, his eyes filled with warmth. "I already threw the sheets in the wash," he says gently, "and I'd like to take care of the clothes, too. Just let me help you, okay?"
Chan leans in, pressing a tender kiss to your forehead, his lips lingering there as if imprinting his love onto your very soul.
Your heart swells with gratitude, and you nod slowly. "Okay," you whisper, feeling a bit more at ease.
"Now, let me take care of those clothes and let's get you settled back in bed, okay?"
He helps you lie back down, tucking the clean sheets around you with gentle hands. Chan gathers the stained clothes and heads out of the room. You hear the washing machine start up, and after a few moments, he returns. Once you're comfortable, he climbs in beside you, wrapping his arms around you and pulling you close. "I've got everything taken care of," he murmurs soothingly. "You just relax and rest."
You snuggle into his embrace, feeling safe and cherished.
With the clean sheets enveloping you and Chan's comforting presence beside you, the tension of the earlier mishap begins to fade away.
Chan reaches for the remote and starts the movie again, the soft glow of the screen casting a warm ambiance in the room.
"Open your nightstand door," Chan says suddenly, his voice a mixture of excitement and care.
You look at him, puzzled and startled. "Why?" you ask.
"Open it," he replies with a gentle smile.
Curious, you reach over and open the nightstand cabinet door. Your eyes widen in surprise as you take in the contents. Inside, neatly organized, are all the things you use and love: your preferred pads, medications, a heating pad, wipes, and even your favorite snacks. You can't help but feel overwhelmed by the thoughtfulness of it all.
You stare at the items, not believing your eyes. "Chan... what is all this?" you ask, your voice trembling with emotion.
He smiles tenderly, his eyes sparkling with affection. "I wanted to make sure you had everything you needed, especially during times like this," he explains softly. "I care about you deeply, and I want to make things as easy and comfortable for you as possible."
Your heart swells with gratitude, touched by his thoughtfulness. You can't help but marvel at how he always seems to know exactly what you need, even before you do.
But what catches your attention most are the unopened letters and notes, each one bearing Chan's familiar handwriting, neatly stacked and waiting to be discovered. You reach for them, fingers trembling with anticipation.
"What are these?" you inquire, a curious smile playing on your lips.
Chan's smile widens as he watches you tentatively. "Those are for you," he replies softly. "Letters and notes filled with my thoughts, feelings, and all the reasons why I love you."
You look at him in disbelief before you slowly pick up one of the letters, fingers trembling as you hold it delicately in your hands.
"I wrote them for you to read whenever I'm away.... I know i tend to be busy but... I want you to know that even when I'm not physically here, you're always on my mind, and my love for you never changes."
You look up at Chan, your vision blurred by tears once again but your heart overflowing with love. Without a word, you wrap your arms around him, pulling him into a tight embrace. His arms envelop you in return, holding you close as you bask in the comfort of his love.
You take a deep breath, feeling the overwhelming sense of love and support from him. "I don't know what I'd do without you," you whisper, your voice filled with sincerity.
"You'll never have to find out," he replies softly, pressing a kiss to your forehead. Chan holds you close, his own voice filled with emotion. "I love you so much," he murmurs softly.
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613 notes · View notes
gutterfuuck · 4 months
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Can I request a mark drabble w/ breeding kink 👉👈 I'd love either bff mark or sinister mark but if you go the sinister route can I be a bit of a coward and ask that he be a little. Softer. Maybe specifically for the reader bc I am a little pansy and I get unrealistically offended when I'm condescended or treated like property, and while it would be hot if this man talked down to me I would also be inclined to punch him in the baby maker and then we'd all suffer bc no smut would ensue 😭
Sorry, I just dumped a bit of unwarranted baggage on u there but you come off as really sweet in all your posts so I hope it didn't bother you too much! Thank you for all of your posts btw your writing is delicious! Also your English is very good, you have a great grasp of the language and I respect and appreciate all the effort you must put into making all of your writing so articulate. English especially is said to be very hard to learn so I immensely respect the effort that goes into it, regardless of any/how much help you require/accept to do so. Manifesting a mild inconvenience to that anon a while back who accused you of faking for some reason I hope they step on a wet kitchen tile while wearing socks or something and rethink how they choose to speak to people online. 😊♡
hello anon!! thank you so much for your considerations, maybe it is because i am emotional since i get very choked up when it is birthday season but this had made me cry happy tears 😭😭 also, i agree!! if anyone was to talk to me like i am disposable in real life, i think that i would break down and disintegrate haha!! it is not cowardly to ask for things, do not be swayed!! baggage is never unwanted here, i am the baggage 😂!! i will do the upmost of my best ability, as i have been waiting to write for s!mark again 🤭🤭 also, i do agree people should be more mindful about what they say to others! you never know what anyone is going through, just because you can hide behind a screen mask doesn’t mean you should or can be mean to people!! i do not judge those who do though, they will learn as months and years pass, people do learn and change!!
cw: mdni, smut, breeding kink, just a little drable to warm up my fingers hehe!! minor injury, reader patches him up
you could hear your husband come crashing through the juliet balcony of your bedroom, bumping into the bed and waking you up fully. you bolted up, scanning the darkness of the room and staring at the silhouette of your lover, crouched over in the shadows. “mark?” you peep, eyes still adjusting as you clicked on the bedside lamp, your eyes instantly closing when the brightness took you by surprise.
he looks back at you, pulling his mask with its flimsy broken black goggles off of his face and discarding it to the floor with a heavy sigh. mark always found it so cute how you’d gasp with your hands flying to cover your mouth when he returned with an injury, your worried eyes looking him over as you jump out from under the covers, hands flying up to cover his cheeks and observe his cut nose bridge, one of his eyes squinted due to the budding bruise on his upper cheekbone, “gonna nurse me back to health, baby?” he asks, smiling down at you and placing a kiss to your forehead. he listens to you lecture him about being careful when visiting other planets, rolling his eyes like he’d really just die like that. you knew he was tough, but it didn’t hurt to be concerned.
he sits on the side of the bathtub in the bathroom, tilting his face to the side so you could rub his injuries down with antiseptic solution, mumbling something about how he was still half human so he still had to be a little careful. he didn’t know how many times he’d had to tell you that even though he was still half human everything else was 100% brutal alien. each time he told you, you ignored it. maybe you liked patching him up, placing cute bandages on his face to stop his bleeding. he was hardly injured but he’d be damned if he didn’t let his cute little wife dote on him like this, the sleeves of your fluffy gown he’d bought home for you rolled up your arms as you fiddle with the first aid kit.
“y’know what’d me me feel better?” mark says, taking your hands into his. god, he could just crush you right now, you were so adorable. you hum in response, intertwining your fingers with his as he brings them to his lips, trailing kisses up your arm and pulling you closer, inching towards you slowly. your mouth hangs open with a breathless silent mewl as his lips stop just by your jawline, finding it hard to hold himself back from nipping your skin and marking you up. you nod at his earlier question which draws a chuckle from him, hands moving down to grip your hips and pull you onto his lap, “let’s go to bed, then.”
you’ve got your face in the crook of his neck, holding onto his back as he pistoned his hips in and out of your tight heat, never being shameful of your moans. music to his ears, he thought, letting you cry out so desperately into the night. if you had neighbours you’re sure they’d complain. he groaned when he felt you clench around him, muscled thighs stuttering for a moment as you suffocated his cock within your walls. “oh, babygirl-“ he tilts his head back, holding you firmly as your legs wrap around his waist, practically bouncing you up and down on his dick himself, “m-mark..-!” you squeal, voice raspy and throat dry when you feel him buck up into your g-spot, weeping head poking at it repeatedly, trying to pull your orgasm out of you. you whine loudly, holding onto him like you’d fall apart if you let go.
“shhh, s’okay, hold onto me like that, there we go.” mark comforts you, such a strange comparison from when he’s out causing mayhem to now. if those who opposed him were to see him right now, they’d think he’d be a different person. he was so soft with you, treated you like you were made of porcelain and you loved it. you were glad that you’d somehow tamed him in a way, molded him into your perfect husband as he made you into his perfect wife. domestic bliss.
you stifle your noises with his shoulder, softly biting on it as he snapped his hips up into yours vigorously, his own orgasm approaching hard and fast. you could feel the way his cock throbbed inside of you, the way he slowed his hips a little before trying to keep up his pace. “so tight, always so perfect n’ tight f’me, aren’t you?” you nod brainlessly into his shoulder and he coos at you, eyebrows furrowed together as he gasps lightly.
“i’m gonna cum, princess.” he says breathlessly, humping against you for his own orgasm, “inside…” you whisper to him and he almost loses it right there, almost falls over when he thinks about the implications it might have. “inside? yeah-fuck, gonna let me cum inside, just for me?” mark pants, pussydrunk figure caging you in under him as he chases his orgasm, “gimme a kid… f-fuck, gimme a baby, wanna make you a mama… g’na look so perfect— fuh-uck..!” he babbles, vision blanking as he cums inside of you, wave after wave of his warm seed spilling into your cunt, seeping into your womb. he canted his hips a few more times, almost fucking himself into overstimulation as he continued talking, “..gonna give me a mini me, huh? complete our little family?” he asks as you nod in agreement, too fucked out to even process what he’d said to you just now.
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hyunsvngs · 1 year
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𝐦𝐚𝐤𝐞𝐬 𝐦𝐞 𝐝𝐢𝐳𝐳𝐲 - lee minho x gn!afab reader
wc: 6.1k
rating: 18+. MDNI
cw: alcohol, normalisation of getting very wasted, smut (specific smut warnings under the cut, again minors please do not interact!)
synopsis: the best surprises come from the most unexpected sources - like having your crush corner you in a frat party after hearing you confess your deepest desires of him in the background of a video.
a/n: part one of the fratboy series. fratboy lee minho has now taken over my entire brain, my heart, and also my life, so i hope you all enjoy. PLEASE feel free to stop by our askbox to chat to me abt him because truly, i am obsessed.
˚ʚ♡ɞ˚
sw: swearing, dirty talk, sexy mean minho, no seriously he’s mean, thigh riding, nipple play, begging, dumbification, degradation, penetration with a finger & dick simultaneously, talks about sex slaves (maybe only slightly serious), lovely aftercare
˚ʚ♡ɞ˚
When the opening notes of Half Moon by Dean met your ears, you couldn’t help but groan. You loved the song, but it signalled an incoming call that you’d been expecting all day. You flipped your phone over, confirming your suspicions; Jisung’s squishy cheeks flashed on your screen as his contact icon showed up.
“What do you want?” you asked as you answered the call, despite knowing very well what he wanted. 
At the beginning of the semester, your best friends had joined a fraternity, Sigma Kappa Zeta. It was an absolute dream - on paper at least. You didn’t have to commit to the endless fraternity obligations, which are often ridiculous and sometimes downright dangerous; although you still had regular invites to the blowout parties, owing to your connections to Felix and Jisung. You’d attended a few of these parties and enjoyed them thoroughly. Being pretty meant you got free booze, and what could be better than getting wasted for free, with two of your favourite people? While ogling their endless hoard of stupidly attractive friends, of course.
Your taste in men could be summarised as… unfortunate. You had an affinity for frat boys, the bigger and stupider the better. Muscular guys, with stupid goofy grins and sleeveless tees, bulging biceps and empty heads. Something about them really got you going, and it frustrated you to no end. But you loved to indulge yourself, and Felix and Jisung knew this all too well. And so, they were left baffled when you very quickly stopped attending these parties. Baffled, disappointed, and worst of all, persistent.
“Hey, angel,” Felix’s voice rang out from your speaker.
“You aren’t Jisung,” you stated.
“Very observant,” he responded, leading you to roll your eyes. You didn't even bother to question why he was calling you from Jisung’s phone. “Anyways, I assume you’ll be in attendance tonight?”
You snorted. “Obviously not.” 
“Y/N!” Felix’s deep voice gave way to a drawn-out whine. “Why not?”
“Cause I don’t want to spend time in your disgusting frat house,” you huffed. 
“Not even for me?” he pleaded with you.
“This isn’t working. You can’t guilt-trip me when I can’t actually see your stupid adorable face,” you pointed out.
“Fine, I’ll turn my camera on-”
“No. Look, why don’t you and Ji come drink with me in my dorm? Like the good ol’ days?” you suggested. Good ol’ days referring to a few months ago, before they’d joined the fraternity.
Felix paused for a few moments. “Fine. Maybe. Only because we miss you!”
“Come over then. See you soon!” You hung up before he could argue any more - you all knew you’d won. 
˚ʚ♡ɞ˚
Just moments after Jisung and Felix showed up at your door, you began to consider the possibility that maybe you didn’t win after all.
“Y/N!” Jisung cried, before proceeding to push past you and collapse onto your bed. “Why do you never hang out with us any more?!” 
You turned to Felix. “What have you brought to my doorstep?”
Felix shrugged. “He chugged like, three beers before we even left.”
"I guess we'd better catch up then." 
It wasn't long before you were all feeling merry, though it would be amiss to say you'd caught up with Jisung, given that he often seemed intoxicated even when he was sober.
"I miss you guys, too!" you insisted, hushing the boys' griping. And you really did miss them. Since classes had ended, and people had limited obligations, the frat seemed like a 24/7 party house at the moment, which meant you hardly ever saw them. "I just… these frat parties, it's not really my scene."
The look Felix sent you told you that he didn't buy it, not one bit. The look Jisung sent you, on the other hand, told you that he was currently so drunk that he had a very tenuous grasp on reality, and was just happy to be involved.
"I've seen you eye up at least three guys at the frat. Not your scene? Nothing has ever been more your scene," Felix said, his tone accusatory. "I know it's nothing to do with us. So spill. Why are you avoiding the frat?"
Jisung had wandered off to the other side of your room, where he seemed to be making a concoction of different beverages. He didn't seem to be making a mess, so you thought it best to leave him while he was quiet.
You huffed. "Fine. One of your stupid little frat bro's is driving me insane. But I won't say who!" you added hastily.
Felix's eyes glinted. "Driving you insane? In what way? Like, someone's pissed you off? Or they're making you insanely horny and you don't know how to handle it."
You hid your face in your hands with a groan. "You know me too well, Lix."
Felix laughed gleefully. "Changbin?"
"Don't start guessing! I'm not gonna tell you!"
"Chan?"
"No!"
Felix paused, thinking hard. "It's Minho."
"It’s not Minho!"
He cackled. "You're an open book, it's Minho! You're horny for Minho!"
You let out a weak whimper in protest. "I just… God, nobody's ever affected me like this before, Lix! I don't even wanna be around him 'cause I know I'll say something stupid. Or maybe just start drooling on him."
Felix shrugged. "I guess I can't blame you. He is a gorgeous guy."
"Understatement of the century," you scoffed. "If I had to choose between solving world hunger and sucking his dick, I'd choose his dick. A thousand times."
Felix, in that beautiful drunken phase where everything was utterly hilarious, was clutching his stomach, in complete stitches on your floor.
"I'm not even joking, Lix! I'd devote the rest of my life to being his sex slave. He wouldn't even need to feed me, I'll survive off his cum if I have to!"
Felix wiped a tear from his eye. "Stop, stop. You're killing me." He turned to Jisung, who was still apparently playing potions with various different drinks.
"And that," Jisung said to no one in particular, "Is how you make a Hanji Supreme."
"What the fuck are you doing, Ji? Are you vlogging over there? Get your ass over here and listen to what Y/N has to say about Lee Minho."
"Okay, bye!" Jisung said, still seemingly speaking to thin air. He turned to you, eyebrows raised. "Minho? Y/N has the hots for Minho?"
"Unfortunately," you confirmed.
"We could probably set you up with him," Jisung proposed, a dastardly grin on his face.
"No," you quickly denied. "Never. Under no circumstances do you ever mention my name in Minho's presence. Got it?"
Jisung pouted. "But then your dreams are never gonna come true!"
You chewed on your lip. "I feel like a stuttering mess whenever I even think about him. I can't imagine what'd happen if I actually spoke to him."
"Wait, you've never spoken to him?" Felix clarified, and you shook your head. He smirked. "You were saying some pretty vulgar stuff, considering he's practically a stranger."
You rolled your eyes. "Yeah, yeah, I'm a creep and a perv. That's why he can never find out about this. Seriously," you said sternly, directing this last part at Jisung. He wasn't exactly known for keeping secrets. 
Felix looked him up and down. "I don't think he's even going to remember this tomorrow, if I'm being honest."
"Yeah," you agreed. "He seems like he's done for the night." The boy was lying flat on his back, the brim of his beanie pulled over his eyes. His phone was buzzing away on his chest, notification tone pinging every few seconds.
Felix sighed. "I just hope he doesn't get one of those second winds."
“Jisung, honey, is someone trying to get hold of you?” you asked, the chiming of his phone growing irritating. You figured he’d texted one of his many booty calls and then instantly forgotten about it.
“Huh?” he asked, clearly not really listening.
Felix’s phone began to buzz on the floor. “Someone’s trying to get hold of me.” He brought the phone to his ear. "Hey, what’s up? He's - he's what?" Felix covered his other ear. "It's really loud over there, did you say he's on the table? Christ - okay, okay, we'll be right over." 
"What was that?" you asked. "Is everything okay?" 
Felix sighed. "Hyunjin's partying a little too hard. Seungmin can't deal with him alone. C'mon, we gotta go wrangle him."
"We just went over this - I'm not stepping foot in Minho's territory, not even for a second," you said adamantly. 
"Relax, he's partying with Theta Chi Theta tonight," Jisung slurred happily, sitting upright and fixing his beanie. "C'mon, Y/N, come party with us!"
Felix looked to you pleadingly. "I can't deal with drunk Jisung and drunk Hyunjin without you. Please."
Fuck. Felix knew you could never say no to his puppy-dog eyes.
"Fine."
Even with the knowledge that Minho was preoccupied somewhere else, you still felt a little wary as you stepped into the house. It did occur to you that you could be a little too terrified of this man, but you knew all too well that both your horniness and your stupidity were utterly limitless, which was always a recipe for disaster.
You heard Hyunjin before you saw him - "Why can't I get naked, though? It's so hot in here!" 
You snickered. He was still on the table, although he looked a little wobbly so you doubted it'd be too long until he came tumbling down. Jisung wandered off, probably up to no good, whilst you and Felix hurried over.
Seungmin breathed a visible sigh of relief when he saw you. "So glad you're here. Okay, I'm off duty. Good luck." He had vanished within seconds. 
Hyunjin waved excitedly when he caught sight of you both. "Hi Lix! Hi Lix's pretty friend!" 
You laughed at his drunken boldness. "It's Y/N," you corrected him.
"I know." He grinned down at you from the table, eyes disappearing into crescents. "You're brave, too," he crooned.
"Brave?" you asked, raising an eyebrow at him.
"If I was you, I probably wouldn't show my face around here until the end of the semester, at least," he went on.
Felix narrowed his eyes at the boy. "What are you talking about?"
Hyunjin stared at Felix for a moment. Then switched his gaze to you. Then back to Felix. Before erupting into a fit of giggles.
"Oh my god, please sit down before you fall and crack your damn skull," Felix pleaded with the boy.
"Yeah, and more importantly, explain yourself," you added. 
Hyunjin sat obediently, pulling out his phone and handing it to Felix. 
"Oh fuck," Felix breathed. "I have the group chat muted right now." 
"The group chat?" you enquired anxiously. "Please tell me what's going on." Your paranoia was getting the best of you, and while you stood waiting for someone to fucking explain, you were slowly convincing yourself that you'd stolen Felix's phone and confessed your attraction to Minho in the most crass and unrefined terms.
This wasn't too far from the truth.
Felix opened up a video, skipping towards the end. You noticed Jisung, sitting cross-legged on the floor of your dorm room, chattering away about various beverages. More prominently, however, you heard your own voice, from the other side of the room. 
“I’ll survive off his cum if I have to!”
Your heart plummets to the ground as the memory comes rushing back. Fuck. 
You grab Felix’s arm, holding on for dear life. “Tell me this isn’t happening. Tell me Jisung only sent that to Hyunjin and no one else.”
Felix handed the phone back to Hyunjin and placed his hands on your shoulders, steadying you. “Look, it’s going to be okay. People say stupid shit like this all the time-”
“Oh look, Minho’s read the messages!” Hyunjin calls out.
You put a hand over your mouth. “I think I’m gonna throw up.”
“He’s typing!”
“No!” you wailed.
Hyunjin turned his phone around once more. You peered at the screen in turmoil as three dastardly little letters popped up.
lol
"Oh, Y/N, you're so lucky he's not here tonight," Felix said, sounding relieved. Distantly, you felt a shred of relief too, although that was nothing compared to the complete and utter dread you were experiencing. Oh, the consequences of your own drunken, horny actions. Was there anything worse?
"Oh," Felix murmured, pulling his buzzing phone out of his pocket. "Oh." 
"What?" you asked.
"He's calling me." 
You called out "Don't answer it!" just as Hyunjin yelled "Answer it!"
Felix accepted the call, bringing the phone to his ear.
"Oh my god, I'm scared. Hold my hand." You scrambled for Hyunjin, who grasped your hand in his before giggling.
"Your hands are soft," he commented, apparently having forgotten the Minho debacle already. You swiftly hushed him.
Felix also raised a finger to his lips in a shh motion, before putting the call on speakerphone.
"Are you at the house? Is Y/N with you?" Minho’s voice came through the speaker.
Felix paused, looking at you with wide eyes. You shook your head furiously. 
"Uh, yeah," he answered, the traitor. You fought hard not to scream.
"Can you pass a message across?" you heard Minho ask.
"Sure."
"I'm on my way." The line clicked dead.
Your heart was hammering in your chest. “LEE FELIX WHY THE FUCK DID YOU TELL HIM I'M HERE?" 
"I DON'T KNOW, I PANICKED!" he shrieked back, sounding equally as alarmed as you.
“This is crazy,” Hyunjin commented with a dazed grin.
“You are far too drunk to understand the absolute catastrophe I’m in right now!” you accused him. “Oh my god, what am I gonna do? I need to go - immediately.”
“Not so fast.”
You spun around in complete and utter horror, terrified that Minho had somehow materialised from his other party right back to the frat. Only to find Seungmin standing before you - just slightly less threatening.
“Jisung is far too drunk, and he’s begging for you,” he explained.
“God, what is in the air tonight?” you observed. “Do you guys need to do a fraternity-wide detox?”
Seungmin snorted. “Like that’s ever gonna happen. Go on, Jisung’s in his room.” 
God fucking damn it, why were you such a good friend? You tore up the stairs, bee-lining for Jisung’s room, fully intending on hiding in his bedroom for the rest of the night. Minho wouldn’t find you in there if you locked the door, right? You were even willing to put up with your best friend’s snoring.
"Hey, Sungie," you said gently as you walked into his room. You found him curled on his bed, still dressed in his hoodie, cargos and beanie. 
"Y/N… You're finally here…" he mumbled.
"You sound sleepy. Is it bedtime?" you asked, sitting down on the bed beside him. You tugged the beanie off his head, and ran your hand through his hair, scratching his scalp gently. 
"Bedtime? Hmm… No… It's still party time for now." His words were slurred, and you knew he was just minutes from dozing off - seconds, maybe. 
"Sure," you said, as it was typically better to just agree with him. "You wanna get your pyjamas on? We can have a pyjama party."
"No. I'm comfy like this." You seriously doubted it, but didn't have it in you to battle him right now.
Sure enough, he was snoring less than thirty seconds later. You wondered if it was worth shoving him a bit, to climb in bed beside him, or whether it'd be best to just run home. But you didn't know how far away Minho was, and the thought of bumping into him was too much to bear. 
You deliberated for a few moments, but Jisung's snoring was driving you insane, and you quickly realised that you weren't equipped to deal with it tonight.
You pulled out your phone, opening Felix's contact.
[10:44pm] You: lixie do u have minho's location?
[10:44pm] You: lix please please please
[10:44pm] You: felix pls i need to know how far he is
You sat on the edge of Jisung's bed, leg bouncing with nerves. Why was Felix always muting his damn notifications?
[10:48pm] Lix: idk sorry :( i think his party was nearby though
[10:48pm] Lix: look, just run to my room
[10:49pm] Lix: you'll be safe there
You weighed up your options. 
Option one: stay here with Jisung, awake all night owing to his snoring and his complete domineering of 90% of the bed space, stressing about Lee fucking Minho.
Option two: run out of the frat house, and all the way home to safety, but risk bumping into Minho on your way out.
Option three: run down the hall to Felix's room, where you can vent to him all night and then eventually fall asleep with his sunshine cuddles.
It could only be option three.
His room was just down the hall, you reasoned. You would yank open the door, tear down the hallway, and land safely in Felix's bedroom. It would be easy. 
You took a deep breath, before pulling open the door and preparing to run.
“Ah. Look who it is.” 
Shit.
Minho stood in the hall with an unreadable expression. His eyes scanned your whole frame, and he took his time with his scalding gaze. His eyes crawled all the way up your legs, lingering up your thighs. Slowly moving from your hips, to your waist, to your chest. Before landing on your eyes - that’s where his inspection burned the most. You couldn’t even breathe. 
“All bark and no bite, hm?” 
“I… I just…” you stammered weakly.
He continued to stare at you, waiting for you to finish. “You just?”
“I’m sorry!” you managed, your voice barely above a squeak.
He folded his arms across his chest, looking amused. “What, pray tell, are you sorry for? For blabbing about my dick to anyone who’ll listen? Manners mean everything, sweetheart, you could’ve just asked me nicely. There was no reason to bring everyone into our business, now, was there?”
You simply blinked at him. You weren’t capable of anything more. He was clearly waiting for a response, though, smirking over at you expectantly. “W-What?” you managed eventually.
“Or are you apologising for your dirty mouth? Honestly, I didn’t expect that from you. You look so sweet, who knew you could be so… improper.”
You felt dizzy. “Improper?”
He pouted at you, and it was dripping with condescension. “Can you speak, darling? Or are you so cock-hungry you can’t manage more than a one-word answer?”
“I-I just don’t know what to say, is all,” you whispered.
“Just give me a yes or a no,” he invited you, holding his hand out for you to take.
You gave him a slow nod, placing your hand in his shakily. He smiled as if to say ‘right answer,’ before opening the door right next to Jisung's, and leading you into his bedroom. The room was remarkably neat and tidy, and you would’ve been impressed if you could even begin to process it. All of your mental energy was focused on not combusting - or coming on the spot. 
He allowed you to step into the room before closing the door behind you. You were then quickly pushed up against it, Minho pinning you against the wood with his hips. Had that squeal really just come from your mouth?
His eyes were transfixed on your lips. You waited, heart hammering in your chest, while he had you trapped there. Until this point, you really hadn't been sure whether he was angry at you for saying such explicit things about him. The look in his eyes revealed everything - he wanted you just as badly.
He leaned in slowly. Torturously slowly - evidently, he was going to take his time with you. His lips met yours in a gentle peck, which he repeated, again and again. You sighed against his lips, gripping the fabric of his t-shirt and pulling him closer, but he merely smirked against your pout.
"Please," you breathed.
"You're so desperate," he said with a low laugh. "I could give you what you want, Y/N, but I know you wouldn't be able to handle it."
"I can take it," you protested, your voice sounding much whinier than you wanted it to.
"You can?" he asked, cocking his head and looking down at you condescendingly. You nodded insistently. "Okay."
Minho picked up the pace. His lips were soft but they bit at yours harshly. His tongue entered your mouth and you savoured his taste, sucking on his tongue gently.
Your hands went to the button of his jeans, swiftly unbuttoning it. Minho pulled away, stepping back and leaving you pouting once more. He laughed, that awful patronising sound yet again, that made your palms sweat and your thighs sticky. 
"What, you think you're gonna get my dick that easily?" he asked, cocking his head at you. "No, honey." 
"Please?" you asked. It sounded pitiful, even to you.
You watched as he went to his neatly made bed, tugging off jeans and laying back. "Come here," he instructed, lounging back against the wall. "Take your clothes off for me."
"T-Take my clothes off?" you asked meekly. It sounded pitiful even to your ears.
The look he gave you was scathing, although he did seem rather amused by the pathetic show of stupid desperation you were unfortunately displaying. "Well you can't expect to stay fully clothed if I'm gonna fuck you, right?"
You nodded, standing in front of him and looking down at your feet. "I… I feel shy all of a sudden."
"You feel shy? I don't know if you'd make such a good sex slave after all." He laughed before growing serious. "We don't have to do this if you don't want to. I'll look after you, if we do, but the choice is yours."
His kinder tone set you at ease, and made you realise that you really wanted this, you were ready for this. It also brought about the realisation that you much preferred it when he was mean. You didn't want to dwell on what that meant, though. 
You gathered your courage and slowly pulled your clothes off, standing before him in nothing but your underwear. Minho said nothing, but you felt as though you were on fire under his gaze. 
He wasn't the only one who was enjoying the view. Your eyes traversed his toned thighs, mouth watering as you thought about how it'd feel if he were to press one between your legs. He wore plain white briefs, and you couldn't help but stare at the prominent bulge inside them. Even semi-hard it looked huge. You noticed it twitch ever so slightly, as he looked over your exposed body.
Minho spread his legs slightly, before tapping his left thigh. "Come on, darling. I know what you want."
Was he a mind reader? You wasted no time, climbing onto the bed, straddling his thigh and beginning to slowly grind. He tensed it, so firm and strong beneath you. The perfect platform for you to drag your clit across. 
Minho's hands went to your waist, holding you gently, guiding you as you rolled your hips.
"That's it, baby, there you go," he encouraged you. The friction was enough to make you sweat, the pleasure overwhelming you. He was right - maybe you couldn't handle this. You couldn't even imagine how overwhelming it would be to actually feel his hands on you, feel his dick inside you. 
His dick.
You could see it growing harder in his briefs, a small damp circle near the head where precum had leaked. You couldn't resist the temptation any longer; your hand reached out almost involuntarily, cupping his bulge gently. It was firm, and warm, and growing bigger seemingly by the second.
Minho took your hand, instantly re-directing it. "No, no, don't touch. Not until I say you can."
"But I can see how hard you're getting," you said. "You want it, Minho!"
"Unlike you, I know how to restrain myself." He patted your waist gently. "Keep riding."
You gave a frustrated huff, but did as he said. 
Minho brought a slender finger down to your crotch, hooking it around the fabric of your underwear and moving it out of the way. "Let me see that pretty pussy," he murmured.
The new exposure made you moan aloud, hands gripping Minho's shoulders firmly as you rode him.
"Please," you whispered. "Please, Minho."
"Please, what? Use your words."
"Please fuck me," you asked.
He pretended to consider it for a moment. "Hmm… No. Not yet."
You groaned. "I need it, though!"
Minho snickered. "Don't be such a brat. I want to take my time with you, okay?"
"You can take your time next time! Just - please - fuck, please, I need it."
He raised an eyebrow with you. "Oh, so there's gonna be a next time, is there?" 
You ignored his quip. If you couldn't get in his pants just yet, you'd focus your attention elsewhere. You lifted his shirt slowly, revealing his stomach, where you found lightly toned abs that only made you more desperate to feel him. Miraculously, he humoured you, pulling his shirt over his head.
You gasped, running your hands down his chest. He was beautiful, tight pecs and perfect little nipples that stood to attention in the open air of his bedroom. You ghosted a finger over one of them, entranced.
"I thought that'd shut you up," Minho commented under his breath.
"Beautiful tits," you muttered unintentionally as you admired his pecs.
Minho smiled. "I could say the same thing about you, angel." He placed a hand on your back, pulling you closer and bringing one of your nipples into his mouth. He wasn't gentle about it, sucking and biting without holding back. You cried out, your hips pausing their grinding motions, your system completely overloaded by his harsh actions on your sensitive nipple.
"Keep riding," he mumbled, not even taking your nipple out of his mouth as he spoke. 
You dragged your clit across his muscular thigh, whimpering loudly as you went. "Oh god, please, Minho! I need you inside me." 
"Then beg for it."
You wasted no time. "Please, Minho, please, please! I need your cock, I've never needed anything this bad. I know I'm just a filthy little slut but please give me what I need, fuck, I'll die if you don't!" 
"You really are a filthy slut," he agreed, lifting you from his thigh and laying you on his bed. 
"Yes, yes, please Minho!" you babbled.
He pulled your underwear down, leaving you completely naked before him, before tugging his own briefs off. 
Holy fucking shit, you thought.
His dick was beautiful. That was the only way to describe it - fucking beautiful. It was long, with a vein running along the underside, and the girth was decent too. The head was thick, and red, and if you weren't so desperate to be fucked you would've sucked on it for hours. 
"I know you want it," Minho said. "But do you deserve it?" He stroked his dick slowly, and you watched as the head disappeared into his fist, emerging again as his hand ran along his shaft.
"I don't know, but I need it," you insisted. "I'll do anything." 
Minho shook his head, but he looked smug. "Alright, baby. If you need it that badly."
"Yes, yes, yes," you chattered, intoxicated by a dick that you hadn't even felt yet.
He pushed your knees up to your chest, and you hooked your arms around them, holding them in position and peering down to watch his motions. "Such a perfect pussy." He rubbed the head of his dick across your clit, and you whined loudly. Distantly, you wondered if the sounds of the frat party below would even be enough to drown out your incessant noises of pleasure. It was irrelevant, though; you didn't care enough to stop.
He dragged his dick through your folds, over your hole, back up to your clit. Minutes ago, you would've killed a man to have Minho touch your pussy, but already you wanted more. He made you so greedy. It felt good but your thirst for more was unbearable, intolerable.
"Alright, baby, are you ready?"
"Yes!" you cried out.
Slowly, he sunk the tip of his dick inside you - just the tip. Thick as it was, it slid in with hardly any protest. He sighed as it went in, clearly needing the sensation more than he let on.
"More," you pleaded.
"You'll take what I give you, when I'm ready to give you it." Minho saw you roll your eyes at this, but said nothing.
He pushed the head in and out of your hole, never putting more than two inches inside. 
"Please give me the whole thing, Minho!"
He simply shook his head. "You wouldn't be able to handle it. Dumb baby."
"I can handle it!" you insisted. "I swear I can!" 
He looked at you, raising an eyebrow that told you he was unconvinced. "You can?" You nodded. "You're gonna cry like a little baby." 
"Just give me your stupid dick right now!" 
Minho laughed, shaking his head. "Alright, baby. Here comes my stupid dick."
He held your legs down against your chest, and slammed his whole length inside you. You saw stars. He thrusted, hard and fast, and you were somewhat aware that you were moaning probably louder than you ever had before, but all you could truly focus on was his cock filling you up. He was hitting your g-spot on every single thrust, grunting as he fucked you.
"God, you're tight," he groaned. He re-positioned his hips, and somehow managed to hit deeper. You felt him against your cervix, and cried out in pain.
"Too much," you weakly protested as your eyes filled with tears. 
"I thought you could handle it?" he said, his voice lacking any sympathy. "Fucking pathetic, begging for a cock you couldn't even take." 
"I-I can, just not so deep."
Minho smirked down at you. "It's not my fault my dick's so big," he said, but adjusted his thrusts slightly anyway. 
"I can take it," you promised. "I-I can take anything you give me, Minho."
"That's right, baby. My filthy little whore." His voice was calm, but his eyebrows were furrowed and sweat was dripping down his forehead - the pleasure was overwhelming him just as much as it was destroying you. 
Minho leaned down, connecting his mouth to yours as he fucked you. You sighed happily, wrapping your arms around his neck and taking his tongue into your mouth. You couldn't help but moan. His dick fucking your pussy, his tongue fucking your mouth. This was heaven, you were sure of it.
He pulled away. "You think you could take some more?" 
"More?" you asked, eyes wide. 
"Just a little more. For me?"
You nodded hesitantly.
Minho paused his thrusts, but before you could whine in protest, you felt his finger rubbing at your opening. Slowly, he pushed his index finger inside, along with his dick. The painful stretch was incredible, and you whimpered at the feeling. 
"There you go, babe," he said, beginning to thrust once more. He closed his eyes, losing himself to the sensation. "Fuck, this is nice and tight."
You were barely even lucid at this point. You babbled incoherently, unaware of what you were even trying to say. You were completely and utterly spellbound by his dick, by the sweet burning stretch. 
"Touch yourself for me, baby," Minho directed you. 
"F-Fuck- I don't know if I can-"
"I thought you wanted to be my sex slave, hm? Pretty little slaves do as they're told." 
You whined, but obeyed his command. "M-Minho… I'm gonna cum if I keep going."
Minho barked out a laugh. "Cum then. I don't care. But don't take your fingers off that pussy, not even for a second."
You were beginning to think that maybe you weren't cut out for this. You hadn't even reached your climax yet, and already the overstimulation was too much. Your stretched out pussy was throbbing, and you jolted each time Minho's dick pounded your g-spot. You were drenched, covered in your own sweat as well as Minho's, which was dripping onto you from his hair, his forehead, his neck. The air in the room was thick, and smelled entirely of Minho - you were covered in him. He looked like a god above you, fucking into you like it was his life's mission.
It was too much for you to handle, without a doubt. And yet, you'd be happy to spend the rest of your life underneath him. Or on top of him. Or in any position which meant his dick could be inside you.
"Minho… Minho!" you whimpered.
"C'mon, baby," he encouraged you, his voice strained. From the sounds of it, he wasn't far from finishing either - although you got the sense he could keep going all night if he willed himself to. "Cum around my cock like the dirty little whore you are." 
That was all the prompting you needed.
Your ears started ringing. You let the almost unbearable feeling of ecstasy wash over you, flooding Minho’s cock. You knew you were crying out maybe a bit too loudly - but you didn’t care, thrashing in Minho’s hold and grasping the bedsheets for dear life as he fucked you through it. He didn’t slow his pace, riding out your intense orgasm caused by the man of your dreams and making you feel as if you’d been set on fire.
"Does that feel good, baby?" Minho crooned, continuing to fuck you as he went after his own orgasm. You could only manage a high-pitched whine in response. "Just a little longer, baby, you can do it. Just lie there and let me use your tight little pussy, that's it." His voice was hoarse, and the veins on his neck were prominent. You knew he was going to cum soon, but you didn't know if you could hold on. You were over-sensitive to the point of pain, hands gripping Minho's bed sheets.
"Cum - give me your cum," you urged Minho. "Now, please."
His eyes widened. Your command had seemed to catch him off guard a bit. He pulled out of you, and you watched as thick ribbons of pearly white cum oozed onto your abdomen. You gasped gently as you watched. It was perhaps the most beautifully erotic thing you'd ever seen. His dick was definitely a contender for the prettiest one you'd ever fucked, and his cum was thick and heavy, dripping from the tip like a waterfall.
"Thank you," you whispered. He leaned in, kissing you deeply. He tasted like sweat, hot and sticky, and you moaned. 
He pulled away, before planting one more kiss on your forehead. "You're welcome."
Minho stood, going to the other side of his room. You tried to follow him with your eyes, but you felt so weak and tired that they slipped shut immediately. He returned seconds later, and you lay still, sighing as he cleaned you up. His touch was so gentle, so soothing, so different than it had been just minutes before.
"That better?" he asked, discarding the towel.
You nodded. "You want me to go crash with Felix?" you asked, unsure of what exactly this arrangement was.
"Nah, you reek of sex. Felix wouldn't want you." He helped you climb under the covers. "Plus, I wouldn't mind some company tonight." He slid into bed beside you, and you rolled over, laying your head on his chest. He wrapped his arms around you, and you felt incredibly safe secure, especially considering just how utterly terrified you'd been of this man a few hours ago.
You giggled softly, so tired and fucked out that you felt a little delirious. "Can't believe you fucked me, Minho."
Minho gave a short laugh. "Can't believe you convinced me to fuck you so easily. You're a little minx. I really wanted to play with you some more."
You nestled into his chest. "I guess there'll have to be a next time then, huh?" 
"Yeah," he agreed. "If you're lucky."
"You wanna fuck me again, Minho, I know you do," you mumbled. "I saw the look in your eyes when you came. You need my pussy."
Minho was silent for a few seconds. "You're awfully bold for someone who was crying on my cock ten minutes ago."
"...Yeah." 
"Get some sleep, sweetheart." No more than ten seconds later, you were sleeping in his arms. 
You slipped into the land of dreams, where you went on to fantasise about Minho - his thighs, his neck, his tummy, his hands. His kisses, his touches, his dick in your throat, in your holes. Minho everywhere. Were you completely insatiable? Maybe. But it seemed very likely that he'd give it to you again. In your sleep, you smiled.
˚ʚ♡ɞ˚
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suashii · 1 year
Text
୨♡୧ GOT ME LOOKING FOR ATTENTION! — how they react to you being needy.
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featuring. itoshi rin, shidou ryusei, nagi seishiro, barou shoei.
warnings. f!reader, f!masturbation, dacryphilia, marking, pet names (pretty lady, good girl). all characters written 18+.
note! it's my first time writing barou so please be kind! enjoy (≧∀≦)
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₊˚ପ⊹ ITOSHI RIN
it's a day before rin was expected to return home and instead of telling you about his early arrival, he figured he'd try to surprise you. though, when he opens the door to the apartment, you aren't at your usual spot on the couch. he worries that you might not be home, until he hears it—a pitchy whine coming from down the hall. he follows the sound that leads him to the bedroom where the door is slightly ajar, enough for the moans to spill from the gap.
rin pushes the door open with his foot, revealing your figure on the bed. it's a lewd sight; on your knees with your legs spread, fingers stuffed in your dripping cunt in a chase for that sweet spot you can't quite reach. still, you pump them with fervor in search of blissful relief. it takes a moment for you to notice the man's presence and turn to him with teary eyes.
a gasp catches in your throat at the late recognition. your call of his name comes out wobbly. "rin?"
a tear falls past your lashes as you blink, rolls down your cheek and drips from your jawline. rin thinks it must be a little fucked up that seeing you in such a state turns him on. it makes his pants feel tighter, lights glowing embers beneath his skin. he figures that, maybe, he should inquire about the watery look in your eyes.
"why are you crying?"
"it's not the same," you reveal, turning your gaze down. you chew at the inside of you cheek, contemplating on if you should elaborate. though, when you drag your eyes back up, it's like his teal stare compels you to continue. "y'know... as when you do it."
rin didn't think his ego could get any bigger but you have a knack for feeding it. the confession goes straight to his dick and as much as he'd love to sit and savor your helplessness for just a little longer, there's a way address both your needs while still having a bit of fun with you.
"i'm here now," rin tells you, closing the distance between you. he wipes another stray tear from your cheek. "so, why don't you ask for my help?"
₊˚ପ⊹ SHIDOU RYUSEI
your breath tickles shidou's collarbone as you let out yet another discontent sigh that borders a whimper. with a drink in one hand and the other settled on your waist, shidou glances down at you. it's a rare sight to see you so clingy; usually he's the one sticking to you like glue. but now, there's a sparkle of want in your eyes as you toy with the buttons of his shirt, fingers threatening to unfasten them.
"a little touchy there, huh?" shidou says with a grin. he wouldn't mind putting a little bit of his naked chest on display but it's unlike you be so forward at events like these—ones where anyone can see. "thought you preferred when we maintained decorum at these types of things."
"you know i don't want to be here," you respond, a soft pout punctuating your words.
oh, does he know. you'd been even more touchy while the two of you were getting ready earlier. the length of your nails grazed the curves of his abdomen as you straddled him, your clothed cunt hovering just above the growing tent in his boxers. leaving a wet kiss on the pulse of his neck, you rolled your hips, grinding down on his bulge. releasing the lip you had pulled between your teeth, a tempting offer fell from your lips. "can't we just forget about this one? i think we'd have more fun here anyway."
if weren't for his manager warning him that another absence would be the woman's last straw, shidou would have given in and stayed home to please your every desire—lapped and slurped at you until you came on his tongue and fucked you until you did the same around his cock.
though, in an effort to stop himself from burning any more bridges in the industry, he chose to attend with a needy girlfriend and a painfully hard cock.
lifting his glass, fuchsia eyes flit to the watch wrapped around his wrist.
"twenty more minutes, pretty lady." shidou dips his head down so his lips are ghosting yours. the airiness of his voice sends shivers down your spine, causes goosebumps to raise on your arms. "and i'll be happy to take care of you."
₊˚ପ⊹ NAGI SEISHIRO
nagi isn't usually distracted so easily when he's playing games. he pays his phone little mind, so much so that people begin to worry when he doesn't text back after a couple of hours. sometimes he's focused to the extent that he forgets to eat until he can hear his stomach growling.
the one exception and his favorite distraction is you.
he doesn't mind when you shimmy your way between him and his controller, latching onto him like a clingy koala bear. he'll rest his chin on the top your head and let you be. that much was meant to be the plan today when you took your place on his lap but you seemed to have something else in mind if the kisses you left trailing up his neck were any evidence.
they were easy enough to ignore at first but the soft feel of your lips against his skin eventually turned into wet, open-mouthed kisses—the kind where you suck and nip at him. each bruising kiss you leave behind chips away at nagi's focus. though, much to your dismay, his caramel eyes stay glued to the screen ahead of him.
you were almost sure he would have given in by now, picked up on the heavy hints you were so clearly dropping. you suppose his cluelessness is one of his many charms and you certainly don't mind having to speak up if it get you what you want.
"sei," you draw out the syllable, curling your fingers around the wisps of snowy hair at the nape of his neck, "wouldn't you rather play with me?"
the purr of your voice and the implication behind your words makes him still for a moment, long enough for little health his character had to dwindle, prompting the game over screen. he doesn't seem to see his failure and if he does he's made it apparent that he doesn't care.
finally, you're the focus of his gaze. nagi abandons the controller in favor resting his hands on your hips. his hold on you is firm and when you meet his eye, you can feel your heart jump in your chest. it isn't so often that you witness this side of him—the one where he greed is palpable. that and his next words light a flame within you.
"what did you have in mind?"
₊˚ପ⊹ BAROU SHOEI
there's something endearing, captivating, about watching barou practice. his moves are fluid yet forceful and they can't help but remind you of another activity that you'd describe the same way. it's even more difficult to not make the connection as you watch his chest heave and beads of sweat drip down from his hairline.
the image makes your mind wander to thoughts of you beneath him, mouth open wide and nails running down his back as he pounds into you, hitting that sensitive spot he's sure will make you come undone. you rub your thighs together at the thought in a feeble attempt to alleviate the pressure between your legs. it does little to help and you imagine there's only one thing that can.
"hey."
you blink at the call of your name, eyes focusing on barou at the barrier between the field and the stands. he beckons you over with two fingers, he other hand wiping away the perspiration that dampens his face. picking up the water bottle you had refilled for him, you scurry over to meet him.
your gaze follows the bottle as barou brings it to his mouth. you watch his adam's apple bob up and down with each swallow before your eyes drag up to see his lips wrapped around the spout. the scene before you transforms again, this time to one where it's your nipple between his lips. you squeeze your thighs together, crossing one arm over your chest. when you speak, your voice comes out a little squeakier than usual. "almost done?"
barou shakes his head. "still got half an hour."
"half an hour?" you repeat, eyes widening and lips curling down into a frown.
barou isn't stupid. just like you've been watching him, he's had his eyes on you. he's seen how you've been looking at him with that far away gaze of yours and he knows exactly where your mind had gone in those moments. after all, you're doing a pretty poor job of hiding it.
"be a good girl and wait," he tells you, tipping your chin up so you're looking him in the eye. his crimson stare is hard but there's something else behind it—hunger. "then i'll give you what you want."
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thanks for reading! consider commenting or reblogging if you enjoyed ❤︎
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jeysbvck · 6 months
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even if it's a false god (we'd still worship this love)
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a/n; ive been working on this for over a year, & after four rewrites, its finally here! thank you to @pedroassmanpascal for your help when i was conceiving this & working on it last year! this is my first time working in this genre, & it hasn't been beta read all the way thru, so please let me know what you think!
warnings; pov change, a butt load of angst, age gap (reader is in her thirties), violence, death/murder, near death experience, voyeurism, female masturbation, male masturbation, male!recieving, female!recieving, penetrative sex (if ive missed any feel free to let me know!!)
taglist; @likedovesinthewnd @harmshake @nightmare-viper
word count; 7.3k
summary; Joel's been pretending you don't exist for weeks now, and you have no idea why. But when you get caught up in a life or death situation, confessions are made, lines are crossed, and your relationship is changed.
Every single part of Joel's body hurt, and he was exhausted. Joel was always exhausted, but this day had been particularly hard. Everything that he - and you had gone through had been for nothing. The supplies and weapons you had been looking for had been looted already. Only a few old, rusty tins of food covered in at least a years worth of dust had been left behind. Not to mention the constant hoards of infected you had to fight through. Now, it was a fight to get back to the QZ to make another plan that could end the exact same way. Yeah, he'd had plenty of bad days, but this one would sting for a while. The hope that had been reignited had gone out again. Now he was just tired.
No matter how hard he tried though, he couldn't sleep. He was just lying on the hard floor -the fabric floor of the tent and his blanket doing nothing to help with the lumps under his back- with his eyes closed and ears alert. He knew how dangerous it could be, the horrors lurking in the woods, even when it was calm and quiet, and he hoped you had heeded his advice and were asleep with your gun.
But then he heard a whimper, and his eyes shot open as he stayed silent, his hand on his pistol. A barely heard whine, and he sighed with relief as he realised it was you. These past few weeks had been taxing - although the past twenty years hadn't exactly been a cake walk - and it dawned on him that you were probably crying. Joel had been so drained and tired during dinner that he selfishly hadn't noticed you were unusually quiet. He also didn't think about it when you retired to bed early. Joel tried to ignore the sounds, but he couldn't, he was just picturing you curled up in your tent, crying yourself to sleep, and the guilt of not noticing anything was wrong was gnawing at him. He groaned and slipped out of his tent, making his way to yours while putting the gun in the back of his jeans.
He quietly navigated the campsite and stopped outside your tent, unsure how to proceed. Did he knock on the fabric door, or did he call out your name? He wasn't good at this stuff, and he hadn't been for a long time, but he also knew that you needed someone; or, more specifically, you needed a friend. You were just that kind of person, even if the world had forced you to pretend you weren't. For a few seconds, he couldn't hear anything, but just as he was about to give up, he heard another noise, but this one sounded more like a moan. Then another one, louder now, and there was no mistaking it that time. Joel's body stiffened, and he started to get hot as his cock twitched at the thought of you getting yourself off, mere feet away from him. He heard your sleeping bag rustle slightly, and he bolted back to his tent, breathing heavily as he zipped the tent door.
He stared up at the roof of the tent, trying - but ultimately failing - not to think about what he'd just almost interrupted. His jeans were uncomfortably tight, and he had to unbutton them just for some relief. He tried to divert his thoughts, to think about anything else, but his mind took some winding paths just to get him back to thinking of you. Joel groaned. He needed a release, and it had been a long time since he'd done, well, anything. It wasn't going to hurt anyone, and you were doing it just mere feet away from him, so what was stopping him? They were all flimsy arguments. He knew that, but it was the easiest solution to the problem at hand.
Joel slipped a hand into his boxers, his cold touch sending goosebumps down his spine, the sensation making him harder. He began to stroke himself, and when he closed his eyes, he could see you writhing around in your tent, your fingers deep inside yourself. He could hear you from your tent still, your quiet whimpering and moaning sounding out through the stillness of the forest, and Joel caught his own moan in his throat as his movements got quicker. He couldn't bring himself to care about the possible dangers lurking, the grip he had his cock on tightening slightly as pictures of you clouded him. He imagined you being in here with him, imagined that you were both watching each other. It didn't take long for Joel to make himself orgasm, and he cleaned himself up, hoping sleep came to him before the guilt did.
-
Joel spent the next few days convinced he was going crazy. Every time you looked at him, he was sure you could see the guilt he was struggling to hide, like his memories would be projected for you to see. Every time you said his name, he was waiting for you to tell him you knew what he'd done, that you'd seen him outside your tent, and heard him in his. He felt so dirty, creepy, ashamed, and at some point, he shut down completely. He knew you were confused, you weren't as good at hiding your emotions as you thought, and you were confused by what you could've possibly done to warrant the cold shoulder from Joel, who could barely look at you, and it made him feel worse. He just didn't know what else to do, so he went back to what he knew best.
After traipsing through the woods for what felt like forever, Joel just wanted to set up camp and get through the night. He was tired, sore, hungry, and needed a moment away from you, without your sad eyes staring at him, without your attempts to get him to open up. So when you announced that you'd had enough and insisting that you stop for the night, Joel didn't argue. While Joel set up the tents, you gathered some wood from the perimeter of the "campsite", and Joel took a moment to watch on fondly, smiling to himself at the smug look of accomplishment on your face, taking the "win" against Joel.
Dinner was silent that night, as the past few had been, and while Joel refused to look up from his food, you were refusing to take your eyes off Joel. Your gaze was burning a hole in his head. He felt scrutinised as he ate, and it took everything in him not to engage. He didn't know if you were trying to annoy him into talking to you or if you were lost in your own thoughts, but he didn't ask.
Once again, straight after dinner, you headed into your tent, sending a soft "goodnight" Joel's way. He looked up but not before the sound of the zip echoed out, and he sighed, rubbing his temples.
The fire had died long ago, but Joel still hadn't found the energy to crawl into his tent. He stared up at the starry night, and just as his mind started to wander into dangerous territory -somewhere he never went if he could help it- he heard the noise that had been playing on a loop in his head for the past two days. His cock stirred and he covered his face with his hands. Not again.
He knew he had to get back to his tent and fast, but he had to do it quietly. He began to slowly move the canisters and empty tins, careful not to make any noise. He didn't want you to think he was a pervert. Although that's exactly how he felt right about now. He was about to stand up when he heard a single word from your mouth that made him stop in his tracks.
Joel.
Fuck. Oh fuck. Did you know he was there? Did you hear him? Could you see his silhouette projected on your tent, like it was a cinema screen? He ran through a hundred excuses in his head as he slowly turned to look over his shoulder, and he let out a sigh of relief when he saw no signs that you'd heard him. He scoffed at himself and shook his head. He really was going crazy.
Mmm, Joel, don't stop!
He definitely wasn't going crazy, there was no mistaking it. Not only were you masturbating, mere feet from Joel, but you were moaning his name, and he had never been so hard in his life. He couldn't stop himself, and once again, he unzipped his jeans and pulled out his cock, and while you moaned and gasped from inside the tent, Joel pleasured himself.
His precum was seeping out and over his fingers, and he bit down harshly on his lip to stop his own sounds from escaping. His motion got quicker, matching the sweet sounds coming from your tent, and when you brought yourself to orgasm and Joel's name slipped from your lips, he came undone. He emptied himself onto the dirt, too entranced by your gasps to notice the streams spilling over his fists. He dropped his head against the log behind him and groaned.
"Shit."
-
It happened three more times, and Joel had never been more conflicted. He was constantly stressed and on edge; the guilt from what he was doing was eating away at him. He'd always been someone that could control himself - he had to be - but when it came to this, to you, it was like something triggered inside him. He'd known you for years and had never had these thoughts or these feelings. Then again, he'd never spent this much time with you, and he'd never heard his name fall from your lips like that.
Joel couldn't deny he thought you were beautiful, and that maybe it inflated his ego a little, that you were thinking about him while you fucked yourself with your fingers, or dreaming about him, but he was under no illusions that it meant anything. You didn't have feelings for him. He was just the only person you'd seen in weeks that wasn't trying to kill you, and feelings get warped. Especially with the way the world was now. Besides, he'd seen the guys that hung around you like moths drawn to a flame. They were much younger and fitter than Joel was. Yet, he found himself as one of those moths, and he couldn't help but imagine how it would feel to be caught in your flame.
Joel was no longer waiting to hear you to get himself off. His mind would conjure up images that made it so he couldn't help himself. Images of your mouth around his cock, your hair tangled in his fingers as he fucked your face. His head buried deep in between your legs as he ravished you, his hand clamped over your mouth to muffle your moans of ecstasy. Of his cock slamming into you, his fingernails leaving little indents in your ass as he gripped firmly. The fact that he would never get the real thing didn't bother him. He was content with his fantasies. But he still felt guilty, and the tension between you and Joel was getting worse.
But things were beginning to simmer inside Joel, and his secret masturbating habits were no longer the sole reason for his behaviour. Joel would look over at you, by the fire feading the book you'd memorised front to back, and he'd let himself imagine running his hands through your hair as you sat lazily against him. When he slept, his dreams were of a life he'd never thought he'd want - or have again, and you were always by his side. He'd dream of dancing with you in the living room, waking up beside you, the sunlight making you glow like an ethereal figure. He'd dream of being happy. He'd put it down to the ridiculous situation he found himself in and told himself that once you were both back in the QZ, things would go back to normal. You would go back to people your own age, and Joel would just be a memory of a small fantasy you had while on a difficult run.
But then, as if the universe was trying to intervere, everything changed. The abandoned building you'd been hiding out in turned out not to be not so abandoned, and the two of you had gotten yourselves into a sticky situation. Hunters had cornered you, and in all the chaos and commotion, the last man standing had grabbed you, now using you as a human shield with his arm almost choking you, a knife pressed just above your collarbone while Joel had his gun aimed right at him.
"I'll take yer girls head off!" The guy yelled. Joel could see you were terrified, and it took everything in him not to let his rage consume him. He knew that one wrong move could get you killed. He needed to be smart about this.
"Look, man, we don't have much, but you can take it all. Just let her go." Joel said, trying to keep his voice even. He was terrified that he wasn't going to be able to save you, and he couldn’t live with that. It wasn't just about someone else that he cared about dying or about him failing. You understood him, and somewhere along the way, you had unknowingly brought him out of the darkness. You were his beacon of light, and if he lost that, if he lost you, he wasn't sure he'd ever find his way out of the darkness again.
"Yeah? What if I want 'er?" The hunter sneered, caressing your cheek with his knife, pressing the tip into your skin ever so slightly.
"Not an option." Joel growled.
"Seems like it is to me. I could drag 'er outta here right now. There ain't nothing you could do about it."
-
You felt sick. You couldn't believe you'd let yourself be distracted by Joel being tackled to the ground, and now this disgusting pig had you in a fucking headlock. You'd seen Joel take down hunters and the infected, sometimes effortlessly, so why the hell did you freeze when Joel had been pinned to the floor momentarily? Your feelings for Joel were getting more and more confusing, and you didn't like it one bit, they were going to get you or Joel killed if you carried on like this. 
It's not like you wanted to be attracted to Joel, not when there wasn't a single thing you could do about it. Why would Joel ever go for you? He was twenty years your senior, old enough to be your father. There was just no chance in hell. Yet, you couldn't stop yourself from fantasising about him. It wasn't hurting anyone, and it was keeping you somewhat sane, and he'd never know.
"You won't make it out of this room." You heard Joel say in his deep, gruff voice, and it sent shivers down your spine. Your eyes squeezed shut when you felt the man breathing on your neck, the hot air making your stomach twist, bile rising up your throat as he inhaled your scent, his own vile one violating your senses. You clenched your fist and felt the cold blade of your dagger against your arm, the one you'd forgot you had up your sleeve, literally. How big of an idiot was this guy? How didn't he see you had a knife? As Joel and the hunter traded words, you quickly formulated a plan. If you could somehow manage to stab - or at least slash the guy - maybe he'd let go of you, and then Joel could get a shot in.
"Let go of me!" You shouted, struggling slightly, while slipping the knife further down your sleeve. It worked, and you smirked proudly. You raised your eyebrows at Joel before glancing down at your hand, subtly flashing the knife. You looked back at him, then darted your eyes to your captor. Joel took a second, and you knew he was weighing up his options before he nodded slightly. His eyes darted down to the guys leg, and you winked to let him know you understood the plan. The man still had a fucking knife to your throat, and you didn't want to give him any warnings or ideas.
"Don't worry." The hunter said, 'I'll look after 'er good."
Joel nodded to you, and you clenched the knife, stabbing right into the hunter's thigh. His yells of pain echoed around the room, and he released you from his grip, the knife in his hand clattering to the floor. You stumbled forward, kicking the weapon across the room, but you thankfully managed to stay on your feet. You grinned at Joel, feeling victorious, but it was a fleeting feeling.
"Fuckin' bitch!" The hunter shouted and you turned around, but not quick enough. The knife was sticking out of his thigh, but it didn't seem like he felt it, he was too overcome with rage, and the back of your head slammed against the wall as the hunter pinned you by the throat. You gasped for air, the guys hands squeezing the life out of you, spit flying as he screamed in your face.
"I'll fuckin' kill you, you goddamned bitch!"
You tried to pry the man's hands from around your neck, but it was no use. He was too strong, and your vision was fading rapidly. You were barely able to gasp Joel's name, and you were quickly losing consciousness. All you could do was stand there and let the darkness consume you as you thought about Joel. The way he'd try to hide his smile when you did something wrong, or when you said something silly. The way he laughed, how it was the rich sound you rarely got to hear. How he protected you, even though he clearly didn't want to be around you. How you were going to die, not knowing what you did to make him ignore you the past couple of weeks. Not knowing why he had this sudden disdain for you.
But then, the pressure around your neck suddenly disappeared, and you fell to the floor, gasping for air as you clutched your throat, your eyes wide and darting around wildly, searching for Joel.
He appeared on his knees in front of you and grabbed your face, his panicked, brown eyes staring deep down into your soul.. "Hey! Hey! Are you alright? Come on baby, just breathe for me."
His large hands were warm on your cheeks, the hunter's blood that stained them smearing across your skin as he caressed your cheek, but still, you leaned into his touch. He had never been this gentle before; in fact, he'd never really touched you unless being dragged by your wrist as you ran from infected counts. "I'm okay," you managed to say, and Joel sighed with relief.
"We need to move. Can you stand?" Joel asked, and you nodded, eyes closed as you took a few extra slow, deep breaths. "Okay. Take my hand."
You opened your eyes to Joel's outstretched hand and you took it, letting him haul you gently to your feet. He hooked his arm under yours to help you walk, and as you concentrated on walking with shaky legs, Joel guided you to the door. "Wait here." He said, disappearing out the front door to check for any danger.
As he did so, you turned to inspect the chaos you were leaving behind. Your stomach lurched as you saw the blood pooling around the dead man with a clean, almost surgical, maroon slice straight across his neck, and you wondered just how many times Joel had had to do it, to get such a clean cut. Your eyes snapped back to the door, where Joel was staring at you, his eyes wide and sad, like a puppy, before they hardened. "Let's go." Joel said. "We'll find a house to hide out in."
*
The universe had decided you could both use a break, and less than two hours after the attack, deep inside the seemingly never-ending woods, the two of you came across an unlocked cabin, the keys just sat on the side table. Joel put his finger up to his lips, and you nodded, following his lead as he crept through the front door. He pointed at you, then at the spot you were standing, and you nodded, doing as you were told while Joel checked it out. Neither of you wanted to take any more chances after today.
"Hey, you might wanna come check this out!" Joel's voice echoed through the cabin, and you closed the front door before heading towards the sound of his voice.
The cabin was rustic and run down, and looked to have been abandoned for a decade at least. It had been a hunter's cabin, judging by the animal heads mounted up on the walls, staring down at you with their black, beady eyes that seemed to follow you everywhere. The fireplace was brick, an axe resting against it with piles of wood stacked in front. You turned around and found Joel in the kitchen, staring down at the sink. As you got closer, you heard the familiar sound of a running tap, and you smiled. You'd take any kind of water right now, anything to get rid of this day.
But then you saw it, dancing through the air, rising from the tap. You were convinced you'd imagined it until you saw Joel's fingers rolling together under the water, a look of shock on his face.
"Is that what I think it is?" You asked as you got closer, and Joel nodded. You gingerly held your fingers out, anticipating cold water, not wanting to get your hopes up. But when your fingers hit the warm water, you let out a bewildered laugh, cupping both hands under the water, letting it spill over as it slowly but surely got hotter. "I can't believe it!"
"Yeah, well, we deserved a win eventually." Joel replied. You made eye contact, and the corner of his mouth curled upwards slightly, his eyes darting down to your neck before he took a sharp breath and turned away. "You should go have a shower."
"What about you?" You asked, and he sighed.
"Just go. I'll wash up here."
-
After stripping off your clothes, you looked at your reflection. Only then did you notice the bruising around your neck, and the blood smeared across your cheeks. You could still feel the way the hunter's hands squeezed so tight that you could feel the life draining from your body. You could still feel the panic and terror you felt and the relief when Joel forced the hunter to let go. The look in Joel's eyes when he held your face, the gentle touch as he caressed your cheeks and brushed your hair out of your face. You thought you'd made your peace with dying long ago, but that was until you almost met death, and it made you realise you didn't want to leave Joel. If Joel was in your life, maybe living was worth it.
You were so lost in thought, staring at your scarred body in the mirror, you didn't hear Joel knock on the door. It was only when the door burst open with Joel shouting your name that you turned around, surprised.
Joel kept his eyes on yours, refusing to let himself cave and look down; although it's all he wanted to do. You knew you should grab the towel, or the shower curtain, anything to cover yourself, but you were frozen, like Joel's gaze was keeping you locked on the spot.
Joel cleared his throat and shoved a bundle of clothes into your arms. “Sorry, I-uh, I thought maybe you were- it doesn't matter. I found those, thought you'd want some clean clothes.”
He left, slamming the door behind him, and you exhaled. You ignored the thoughts creeping in and the heat rising up your body and climbed into the bathtub under the running shower; watching the dirt and blood trickle off your body and down the plughole. Once the water ran clean, you stepped out, patting yourself down with the small towel. You then filled up the bathtub with hot water and then threw your underwear and clothes into it. It wouldn't fully clean them, but it'd be enough for now. You picked up the oversized flannel and pulled it over your shoulders, forgoing the jeans that were way too big for you, even with the help of a belt. You sighed and headed back out to Joel.
The fire was burning, the crackling wood echoing through the cabin. Joel was sitting at the wooden table in front of the window, sipping on a glass of wine. There were two plates of pasta on the table, a glass of wine next to one of them. You padded across the room and dropped into the seat opposite Joel, studying his face as he stared out the window. The sky was pink and orange as it set through the trees, the view almost as beautiful as the one sitting next to you; the light of the sunset cascading over Joel. He turned his head to you, and you glanced down at the food. Joel cleared his throat.
"I found some pasta and wine in the cupboards. It only went out of date a few weeks ago." He explained. "It should be okay for us to eat."
"I'm sure it's fine." You replied, "anything's better than beans again, right?" You leaned forward and took the glass of wine, taking a long sip, basking in the way it burned your throat slightly. It had been so long since you'd had even a sip of alcohol, you could swear your head was already fuzzy.
Like most dinners lately, this one was silent. But this was slightly different, considering you were probably the safest you'd been in a long time, and you were eating actual food off actual plates. If you and Joel were in a better place, it would be almost considered domestic. You might even consider staying here, leaving the QZ far behind. But you weren't, Joel could barely bring himself to talk to you — he couldn't even look at you. You really thought you were turning a corner with him until his behaviour changed one morning without warning.
"We should stay here for a couple of days, then head back to the QZ." Joel said. You sighed and finished your glass of wine, but it wasn't enough.
"Great." You replied, looking around for the bottle of wine. "Then you can go back to pretending I don't exist." You weren't sure where the outburst had come from, but you were pretty sure it had something to do with the alcohol running through your blood.
"Pretending you don't- what? I don't do that!" Joel insisted.
You scoffed. "Oh please, you're not as mysterious as you like to think." You said, although there was little truth to it. "You didn't even know my name in the QZ, yet we were around each other for months! I thought we were getting somewhere, but lately, you've been acting like we're strangers!" You told him.
"What?! Okay, maybe I was a little isolated in the QZ, but it's not like that now!" Joel replied, his fork clattering on the plate when it dropped from his hand. "All I do is worry about your survival!"
"Riiiiight, because you care so much." You said, rolling your eyes.
"It's my job to pro-"
"Your job?" You repeated, offended by his words, although you couldn't place why. "Well, allow me to relieve you of your duty." The chair screeched across the floor as you stood up and grabbed your unfinished plate and glass.
Joel inhaled through his nose and groaned. "That's not what I meant, and you know it."
"Well, I mean it. Leave. I didn't need a babysitter before, and I don't need one now!" You said loudly, heading to the kitchen for a reprieve.
Joel growled and slammed his palms on the table as he stood up, refusing your reprieve, following you to the kitchen. "I'm not leaving you to die out here. Which, you would've already if it wasn't for me. You've proven that multiple times!"
"Maybe," you replied, dropping the plate in the sink, staring at Joel, whose eyes darted away. "But I'd rather die alone than with someone who can't even stand to look at me!"
"I can't look at you because you drive me fucking crazy!" Joel exclaimed, his patience finally having worn thin. "Ever since I heard you moaning in that fucking-" He stopped, his eyes wide and on you as he realised what he said; watching his words dawn on you as your face cracked.
Nausea, or quite possibly embarrassment — rose from your stomach up through your oesophagus, and you drank from the glass of wine that was in front of you — which wasn't quite the best course of action as it didn't sit well on your spinning stomach. Joel had heard you masturbating. That's what he was saying, right? There wasn't anything else he could possibly be referencing. But why would it drive him crazy? Joel could be uptight sometimes, but it didn't seem to be in a "women shouldn't pleasure themselves" way.
You blinked a few times, and Joel's face came into focus. He had closed the gap between you both, now only a few feet away. He looked awkward as he shifted on his feet, rubbing the back of his neck, looking uncomfortable.
"You heard me mast -" You stopped, unable to say the word out loud, and you sighed, feeling ridiculous. "You haven't been talking to me for weeks because you heard me -"
Something clicked in your head, like a light had just been switched on. You hadn't just gotten yourself off once. And at some point, you began to fantasise it was Joel's fingers, or mouth, even his cock instead of your own hand. You were aware a couple of times his name had slipped from your lips, and you'd clasped your hand around your mouth afterwards, praying he hadn't heard you.
It was beginning to seem very likely he had heard you, and something in you shifted from embarrassment to…something else, and you arched your eyebrow, finishing off the glass of wine for some extra courage.
"You heard me say your name.” You said, arching your eyebrow. Joel stared before he nodded slowly.
“I heard.” He confirmed, refusing to break eye contact. The air in the kitchen had shifted; it was thick with tension, and Joel wondered where this was going.
You hummed and tilted your head. “What did you do?” You asked, smirking when it was clear it caught Joel off guard.
"What?”
“What did you do, Joel?” You asked, leaning back against the counter. Joel's eyes darted to your bare legs before slowly dragging them up your body, stopping at the three open buttons that exposed your cleavage.
“I thought I heard you crying, so I came to check on you.” He explained. “When I got to your tent, I realised you weren't, and I went back to my tent.” His eyes darted to your face before he closed the gap between you until he was practically on top of you. “I tried to ignore you, but I couldn't help myself.” He lifted your chin with his index and middle fingers, so you were staring at him through your lashes. Your lips parted slightly as your chest rose and fell, your heart pounding against your rib cage. “I kept hearing your moans and thinking about you in that tent, and it got me so - I had to -”
His eyes were dark, full of lust, and you instinctively licked your lips slightly. "You- couldn't help yourself, huh?" You asked. Joel arched his eyebrow and tentatively reached his hand up to your cheek. He traced his finger over your cheek gently, and you closed your eyes as you inhaled. "Hearing you moan my name," He said, running a path down your jaw to your neck, "it sounded too good."
You reached up, closing the gap between your lips. Without hesitation, Joel reciprocated the kiss, his hand still around your neck as the other slipped around your hips, resting on the bottom of your back, pulling you closer to him. His bulge pressed into your crotch and you could feel it getting harder as the kiss deepened. You tugged his brown, leather jacket from his shoulders while Joel started an assault on your neck. If this lasted forever, it still wouldn't be long enough.
"Is this a good idea?" You asked through the gasps as he nipped and sucked at your neck.
"Mhmm, giving me some mixed signals here." he mumbled against your skin before pulling away, his mouth inches from yours. "I think it's a fucking great idea. Don't you?"
“I'm not sure.” You confessed. Joel cupped your cheek with his hand and stroked your cheek with his thumb, his eyes soft, even if still full of lust. Was this a good idea? He'd spent weeks ignoring you, and it felt like Hell — but the way he kissed you, the way he touched you; it felt like Heaven.
"I don't care if it's a good idea or not." You replied, and Joel grinned.
"Good," he replied, "Because you have no idea how much I need you right now."
"Then show me." You said, and Joel growled before he pressed his lips against yours and instigated another passionate kiss, illicting a moan from you. He picked you up and dropped you onto the counter, spreading your legs so he could step in between them.
The kiss was messy, teeth and tongues clashing together as both sets of hands roamed each other's bodies. Joel's hands cupped and massaged your breasts as yours unbuttoned his jeans, using your heels to push them down his legs. One hand trailed a path from your breast to your stomach, dancing around the place you needed him the most.
"No panties, huh?" He said into your mouth, his finger tracing a path up your slit so gently, it was like he was using a feather. "I never would've known you were such a slut." His finger grazed your clit, and he grinned as you bucked your hips.
"Maybe if you'd acknowledged my existence, you might have found out earlier." You replied, grabbing his bulge through the fabric and squeezed, tight. Joel gasped into your mouth as he thrusted into your hand, and it was your turn to smirk against his mouth. If he could tease you, you could do the same, you thought as you slipped your hand into his boxers, relishing the feeling of his cock in your grasp.
Joel growled, his hips bucking before he shoved two fingers inside you without warning. A yelp mixed with a moan slipped from your mouth as you threw your head back, and Joel groaned. He kept his pace up, pushing his fingers in and out of you, feeling your walls clench around them as he watched your face contort with pleasure, your moans echoing throughout the kitchen. Not even his fantasies could have prepared him for how incredible this felt. If using just his fingers made him — made you feel this good, he couldn't wait to use his cock.
But he would wait. For weeks, you had — albeit unknowingly, driven him to the brink of insanity. Clouded his mind so he couldn't focus on anything; which is why he didn't notice the threat today, which almost cost you your life. So now, he had to drive you insane in the only way he could.
He dropped to his knees and pulled you by your legs so you were hanging off the counter. He then hoisted your legs over his shoulders, and you watched Joel as he studied your cunt — the look in his eyes resembled one of a wild animal, one that was finally allowed out of its cage, to roam free as its right. Yet, he was biting his lip; almost like he was holding onto that last tiny bit of control he had left. But you wanted — no, you needed the wild animal, and so you tangled your fingers into his hair. He looked up at you, locking eyes as he let you guide his head to where you needed him to be.
Shivers ran down your spine as his beard tickled you as he dragged his tongue over the skin on the inside of your thighs. Once again, he touched every piece of you, but not where you needed.
“Joel,” you whined, the grip on his hair getting tighter as you bucked your hips, "Please." You begged.
“Oh baby, you're already so wet.” he tutted, his finger running through your folds and teasing your entrance before he lifted it to your mouth and pushed it between your lips. “Your pretty pussy is glistening for me.”
You tasted a hint of your juices as you wrapped your tongue around his finger, keeping your gaze on him as you did. He groaned, imagining how good your mouth would feel wrapped around his cock. He pulled his finger out, and you gasped when he pushed it inside you. When he flicked your clit with the tip of his tongue, you gasped and arched your back. “Oh shit, fuck, Joel.”
Every sense was heightened as Joel flattened his tongue and lapped at you. Your eyes rolled to the back of your head when he swirled his tongue around your clit. You pushed yourself against him, practically hanging off the counter, making Joel grab your ass with both hands as he buried his face into you. With his beard grazing against you and his tongue pushing you further to release, your thighs gripped his head. Every single part of you was on fire as his assault on your cunt continued, and you could feel your orgasm brewing.
So could Joel, which was apparent as his pace got quicker, bringing in his fingers to help finish the job. With his thumb circling your clit and his tongue deep inside you, you reached your climax, Joel's name spilling from your mouth. As you threw your head back, grinding yourself against his face; you saw stars, all while Joel kept up the relenting pace.
He finally pulled away and stood up, grinning as he leaned towards you. His beard was glistening, and when he kissed you, you could taste yourself on him, mixing with the wine you had with dinner. Joel hooked his arms under your legs and scooped you off the counter; carrying you fireman style out the kitchen, through the sitting room and into the bedroom, where he dropped you on the bed. He crawled on top of you and dipped his head to kiss you. It was a soft, sweet kiss, one that you didn't want to end, so when it did, you whimpered, and Joel smiled softly.
“You still wanna do this?” He whispered. “We can stop if you want to.”
You leaned up on your elbows and gave him your answer with a kiss. He pressed his palm on your cheek and deepened the kiss, pushing you back down as he did. The two of you made out like two teenagers, and you could feel Joel's cock hardening against you. You slipped your hand in between your bodies and gripped his cock, rubbing the head against your entrance. Joel groaned, his head falling into your shoulder. He bit down as you pushed his cock inside yourself, your moans harmonising, the sensation almost too much.
Joel took over, grabbed your hands, and pinned them above your head. The animalistic look was in his eyes again, grunting with every thrust, his grip against your wrists tightening. You closed your eyes, and Joel growled.
“You thought about this while fucking yourself.” He said, his voice low. “Open your eyes and look at me while I fuck you.”
You opened your eyes and were met by Joel's big, brown ones that were now practically black. He fucked you harder, thrusting in and out as his thumb once again circled your clit. There was a ninety-eight percent chance that someone on the other side of the forest could hear everything, but at this moment neither of you cared. After weeks of awkwardness, of fantasising about each other while you touched yourselves, this felt right, like something had finally clicked into place — and you'd be damned if this was the first and only time it happened. Now you'd had a taste, you couldn't ever go back.
Joel picked up the pace, and you could once again feel your orgasm rising. You pulled Joel closer, your foreheads touching, your vision falling out of focus as you stared into Joel's eyes, but you refused to look away.
“Fuck, Joel, I'm so close” You whimpered, bucking your hips to meet his thrust, his cock hitting deeper each time you moved.
“If you keep doing that, I'm gonna -” Joel grunted, your synced thrusts getting faster. “Fuck, baby.” Joel moaned. “I'm gonna, shit -”
“Let go for me, Joel.” You whispered in his ear. “Come for me, and next time, I'll show you what I can do with my mouth.”
It only took a couple more thrusts before you and Joel finished together, and he slumped on top of you, breathing heavily. You lifted his head up, brushed his hair out his face, and smiled up at him, hearts practically in your eyes.
“So…” you said, and he reciprocated the smile. “Sooo…” He repeated.
“Are you going to be all weird with me again?” You teased, and Joel arched his eyebrow, a smirk dancing on his lips.
“I don't think so,” Joel replied, dipping his head for another kiss. “Especially if I want this to happen again.”
“Oh yeah? What makes you think we're doing this again?” You asked, and Joel grinned.
“Oh we're definitely doing that again.” Joel answered, and you giggled as he rolled off you and reached a blanket that was on a chair next to the bed. He flung it over the two of you before pulling you into his chest and pressing his lips against your temple. “I wanna know what you can do with that mouth.” He mumbled.
You giggled again, your heart fluttering as he linked his fingers around yours and kissed your knuckles. “Keep this up, and you'll find out.” You replied before a yawn slipped out.
“Alright you little tease, I think I can hold out until tomorrow.” Joel chuckled. “Right now, I think you need to sleep.”
You snuggled into Joel's chest, his fingers running through your hair. You never thought you'd be in this position, in bed with Joel Miller. You knew there was a lot more to talk about, but right now, you didn't care. You just focused on Joel's heartbeat under your head, on his fingers in your hair. Focused on how — even though there were still many dangers to staying in this cabin, it was still the safest you'd been in a long time.
The last thing you heard as you drifted into a peaceful sleep was a quiet confession from Joel; one you weren't sure you were actually meant to hear. “I'll always keep you safe. Even if it means giving my life.”
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thisapplepielife · 21 days
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Written for @steddiesmuttyseptember.
Ready For It?
Week #1 Prompt: Mile High Club | Word Count: 2589 | Rating: E | POV: Steve | CW: Sex Acts, Risk of Being Heard, Alcohol Consumption | Tags: Famous Corroded Coffin, Road Manager Steve, Established Relationship, Steve Will Make Good on an Old Promise, But The Guys of Corroded Coffin Don't Wish to Hear It
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"Are you ready for it?" Eddie asks, standing in the doorway, leaning against the frame. Steve hears it creak, and rattle, under his weight. It's a door that's not made to be touched or used, only looked at, Steve's pretty sure.
"Don't lean on that. What's it?" Steve asks, not looking up from the binder that's on the desk in front of him. He has a thousand things to look over before they land, and he really doesn't have time for whatever nonsense Eddie's proposing. 
And Steve knows Eddie well enough to know it really could be anything that he's trying to break Steve's concentration with. A tray of shots. A racoon he smuggled on board the plane. Or just his finger sticking out of the fly of his jeans, so he can pretend it's his dick. 
Nothing would surprise him at this point. Between the four of them, he's seen everything twice at this point. Okay, maybe not the raccoon. But Eddie would, if he could just get one caught.
"It," Eddie stresses again, but not elaborating any further. 
Steve finally looks up, "It, like, the clown? What do you mean, it? You love to talk, use your words."
Steve's sure he sounds snappish, and short-tempered. But he's always this way before a show, and Eddie knows it. He entered at his own risk. There's too much to do, and never enough time.
That's why Steve gets this back section of the plane, the only bit of privacy on board, unless he wants to hang out in the john. So, he squirrels away back here so he can work while they're flying from show to show. It's technically a bedroom, and there is a bed that any of them are welcome to use to sleep while Steve works, as long as they are fucking quiet about it. 
Eddie's never quiet, though. 
And today surely won't be the moment that changes. 
Eddie laughs, amused and delighted, and it's a good sound, so Steve relaxes against his will, crossing his arms over his chest.
"Spit it out," Steve says, raising an eyebrow, then watches as Eddie pulls the flimsy accordion door closed behind him. It's not much of a door, more of a paper-thin screen, and Steve hopes whatever Eddie's about to say is something he's fine with the rest of the band hearing, because. Well. Door basically made of tissue paper and paper clips.
Lean on it, and you're definitely crashing through, as if you're the Kool-Aid Man, and that's why Steve just leaves it pushed open all the time. He's scared if any of them touch it, they'll destroy it and then they'll have to pay some ungodly amount of money to replace a shitty excuse for a fucking door.
Eddie flops on the bed, or what passes for one at the back of a small, private plane. For as much as this costs to lease, Steve really thinks it should be a little more sturdy in the furniture department. 
Steve watches as Eddie then runs his hands over his body, down his chest, finally settling on framing his crotch with his hands. 
"That's it?" Steve questions, trying not to laugh, but he's smiling. He can't not. Eddie's ridiculous. But he loves him. 
"C'mon, you promised we'd join the mile high club. Let's do it now."
Steve had promised that, a long time ago, when it seemed highly unlikely that he'd ever have to make good on the deal. Eddie wanted to do it on a commercial flight once upon a time, and Steve preferred to not have an audience of three-hundred and an indecent exposure arrest on his record when the plane touched down.
So, he'd promised that when Eddie made it big, and had his own private plane, they'd do it then.
Fucker probably went and did it just to spite Steve. 
But Steve smiles, "You can't be serious. They are right out there. They can hear every word we're saying-"
"We can!" Gareth yells from the other side of the sad excuse for a door, "And we are formally requesting that this not happen. We voted."
Eddie laughs, and shouts back, "You don't get to vote on whether I have sex or not! This is not a fucking democracy!"
"We do. We did. It is," Goodie says back, interjecting, not even raising his voice. He doesn't need to, nothing is blocking the sound, and Steve can hear all three of them cackling. He's sure they're each three drinks into the mini bar by now. 
He really should go take it away. They've got a show tonight, and he needs everybody to be able to stand on their own two feet. Well, Gareth just has to be able to sit. But Steve's not gonna remind him of that. Give him an inch, he'll take a mile.
Eddie sticks out his bottom lip. 
"You'll trip on that lip, if you keep it up," Steve says, looking back down at his tour bible. 
"Steve," Eddie whines. 
Steve closes his binder, and crawls up on the bed, until he's hovering over Eddie's face, whispering, "We will. I don't renegade on my deals, you know that. But not right now. Wait until we're at least halfway alone."
Eddie's about to argue, Steve can tell, he always can, when they hear an acoustic guitar plucking out the melody to Let's Get It On. Then it's followed by laughing, and Gareth drumming on something with his hands, and Goodie making bass noises with his mouth. 
Eddie laughs, "Okay. Point taken."
And Steve's fucking thrilled, because those three already know more about their sex life than Steve would ever prefer. 
"Alright, alright!" Eddie shouts, and they howl as they stop. 
Eddie's big eyes are still pouting, but he nods, ever so slightly.
"Nap with me at least?" Eddie asks.
Steve looks at his watch, figures out the remaining duration of the flight plan, and decides he probably has enough time for a short nap.
"That I can do," Steve says, and crawls on the bed, curling against Eddie's side. 
"I really wanted to join that club," Eddie says. "I wanna get my wings."
Steve laughs, "That's not how you get wings"
"It could be," Eddie stresses. And yeah, Steve supposes it could.
"Okay. You will," Steve promises. Just, hopefully when everybody else is knocked the fuck out. 
They have almost no privacy from each other, as is, but doing that with them right there would be ridiculous. They'd never hear the end of it. 
Eddie rolls off the bed, standing up, and starts removing his jeans. Steve's seen this move before. He knows the ending, and waggles his finger, shutting that shit down. 
Eddie doesn't listen. He never does. And the jeans hit the ground, the heavy belt buckle reverberating as it lands. 
Then he's standing there in his boxer briefs. Hand fondling his dick. 
Steve shakes his head. 
Eddie pantomimes jacking himself off, then points at his eyes, then at Steve, then at his own eyes again. 
Steve rolls his eyes. There's no way in hell Eddie can stand there and jerk off with Steve watching, and stay completely quiet. 
But if Eddie wants to embarrass himself, which probably isn't even possible, then he can go right ahead. As long as Steve doesn't have to be involved in any compromising ways.
So, Steve folds his hands behind his head, propping himself up, and crosses his legs at the ankle, getting comfortable. 
Then raises his eyebrows, like, I'm waiting. 
Eddie wastes no time, he steps out of his underwear, and strokes himself one, twice, then holds up a finger. Telling Steve to wait. Steve waits as Eddie bends over, bare ass mooning him, and Steve smiles. 
He's never prepared for anything. 
He finally digs around in his duffle until he comes up with the lube and raises his eyebrows, slicking up his hand, and going back to stroking. 
He tilts his head back, exposing his throat, and Steve looks between that length of pale skin and his hard cock sliding in and out of his fist. The soft sound of his strokes, the sight of the head of his cock appearing and disappearing, his other hand on his chest, playing with the ring through his nipple.
Fucker.
It's working on Steve, of course it is, even if he's not gonna cave and get fucked right now. But he'll enjoy the show, and has to force himself to not give in and join in. He won't give Eddie the satisfaction.
Eddie adjusts his head back upright, and catches Steve's eyes. Then he looks down at his slick cock, gazing at his own hand as if he isn't the one doing it to himself.
And they both watch. The slide, the firm grip of his talented, calloused fingers, and Steve lets out a small involuntary noise.
That's all it takes. Eddie's gonna come. Steve can see it in the shudder that rolls through his body, can see it in the tension in his stomach, his forearm, as he slows his stroke as he looks around for something to come in, to not make a fucking mess. Unprepared, as always.
Steve takes pity on him, and sits up, scooting towards the edge of the bed, letting Eddie slot between his thighs. 
Then he lowers his head, and opens his mouth. 
Eddie keeps stroking, and then slips the head of his cock past Steve's lips, the underside of his length rubbing against Steve's tongue, as he thrusts in once, twice, shudders and bites back a whine as he pushes all the way in, coming.
Steve closes around him, bobbing slightly, and swallowing as Eddie chuckles. Steve lets go, and licks his lips. 
Eddie bends down, slick hand finding Steve's cheek, and Steve can't even complain as he kisses him. Then Eddie's crawling onto the bed and falling face first into his pillow, sure to be asleep in a minute or less. 
Steve slides back off the bed, wipes his face with Eddie's shirt, and goes back to work at the desk. 
The show is textbook, running smooth and on schedule, and then they are wheels up again just a couple hours after. Off to the next one. The pace of this tour is faster than any other they've been on before. 
Steve's balancing the books from the night, when Eddie very carefully slides through the flimsy door, slotting the accordion door into place behind him. Turning the lock that can only be decorative. Steve had heard them out there doing shots and playing cards, the noise slowly dwindling as they wound down, the adrenaline finally fading.
"Everyone's asleep," Eddie whispers, "Now? Can it be now?"
"Didn't we already check that off the list?" Steve teases him. 
"That didn't count," Eddie hisses, eyes pleading. 
Eddie had somehow conned the band into playing a metal version of Learning to Fly during their encore earlier, really stressing the "I'm learning to fly, but I ain't got wings" portion of the song. Steve had heard him loud and clear.
Steve looks at him, standing there looking so hopeful, and laughs, "Okay. It can be now."
Eddie smiles so fucking wide. He's adored by fans worldwide, he just stood in front of a roaring stadium crowd a few hours ago, for god's sake, but Steve knows it's somehow still him that Eddie most wants attention from.
And he'll damn well give it to him.
Steve's facedown on the bed, and Eddie's grinding into him so slowly, trying to not make any noise. Not that he thinks anything would wake the rest of them up at this point in the night, but still.
Eddie's doing such good fucking work that Steve wants to moan. To whine. To scream. He doesn't know how Eddie has the drive, the stamina, after a whole night on stage. He just never stops, and right now, Steve is the lucky beneficiary of all that boundless energy.
And he can't help it, Steve lets out a muffled whine and Eddie covers his whole back, pressing into him, "Be quiet, sweetheart." 
Steve nods. He can be quiet. He can. 
Eddie doesn't move, just stays laying on top of him, his full weight pressing Steve down into the mattress as he slowly grinds his dick right into Steve's prostate.
It's torture.
It's hell.
It's fucking goddamn perfect.
Just a slow, firm roll of his hips, pushing up into him, over and over, and Steve is gonna come. 
The moan starts to escape his lips, and Eddie's hand is suddenly over his mouth, meant to silence him, but all it does is push him right over the edge. Body spasming as he comes into the sheets of the leased plane bed. 
Eddie chuckles, thrusting another half a dozen times, before coming inside him. He releases Steve's mouth, and Steve sighs, Eddie collapsing on top of him. Still deep inside. Right where he belongs.
"Fuck," Eddie whispers, and Steve laughs.
Fuck indeed.
"Oh, gross," Steve hears, and opens one eye. Gareth is standing in the doorway of the bedroom, looking at them laying on the stripped bed, the dirty sheets balled up in the corner, on the floor.
"I thought I locked that," Eddie says, not even opening his eyes.
At least they aren't naked. It could be worse. It really is a fucking worthless door, though.
"Twenty minutes to landing," Gareth says, "You need to get your asses in seats."
"Says who?" Eddie mutters.
"The pilot, asshole," Gareth answers.
Eddie groans, not moving, but Steve rolls out of the bed. Cars should be waiting at the airport to take them to a hotel so they can get some actual rest, and showers, before the show tonight. He definitely needs one.
"Eddie," Steve says, "get up."
"No," Eddie says, and Steve laughs. Now he's suddenly too tired to do anything. His motivation clearly all dried up since he got what he wanted.
"Yes," Steve says, pulling his shirt over his head.
Eddie mutters and grumbles, but flings himself off of the mattress, falling to his knees on the floor of the plane, crawling around, grabbing at his clothes. Eyes still closed. Hands reaching out, patting around, like he's a little raccoon looking for food.
It's a method of getting dressed, Steve supposes. Not a good one. But a method, nonetheless.
Eventually, they slide into their seats and buckle up, just in time to feel the decent starting, and Steve looks at Eddie. Eyes closed again, already falling back asleep. He reaches over, and slides the needle of the pin through Eddie's shirt.
Eddie opens his eyes, and looks down to see what Steve's doing.
They are a pair of golden wings, like children get to celebrate their first flight. Steve had asked their private pilot if he had any when they landed earlier, but he hadn't. However, when they reboarded after the gig, Steve climbing the portable steps, the pilot had handed over a pair he'd scrounged up at the airport while they were gone to the gig.
Now, Steve has gotten to give them to Eddie.
"Your wings," Steve explains.
And Eddie just grins, covering the pin with his hand.
Steve shakes his head, and looks down at his binder, going over the schedule for the coming day, and the days after.
He smiles to himself, happy that Eddie's happy, and decides that maybe he needs to pencil a few more of these mile high sessions into the official itinerary, after all.
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If you want to write your own, or see more entries for this challenge, pop on over to @steddiesmuttyseptember and follow along with the filthy fun! 💦
Notes: Song from the encore is Tom Petty's Learning to Fly.
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turnstileskyline · 9 months
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The Oral History of Take This To Your Grave – transcription under the cut
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The pages that are just photographs, I haven't included. This post is already long enough.
Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.
"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.
"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."
"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"
"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.
"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."
Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.
It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.
Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.
The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."
– Ryan J. Downey.
A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.
As told by:
Patrick Stump
Pete Wentz
Joe Trohman
Andy Hurley
Bob McLynn - Crush Music
Sean O'Keefe - Producer/Mixer
John Janick - Fueled By Ramen
Tim McIlrath - Rise Against
Mani Mostofi - Racetraitor
Chris Gutierrez - Arma Angelus
Mark Rose - Spitalfield
Sean Muttaqi - Uprising Records
Rory Felton - The Militia Group
Richard Reines - Drive-Thru Records
"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000
PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.
TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.
JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.
WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.
MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.
CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.
TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.
GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.
MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.
MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.
TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.
MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.
MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.
WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.
MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.
"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.
MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.
PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.
TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.
STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.
TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.
STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.
TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.
WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.
TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.
WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.
STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.
WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.
ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.
MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.
GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.
TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.
MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.
MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.
STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'
MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.
STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.
"Fake It Like You Matter" - The Early Shows, 2001
The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.
STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.
TROHMAN: The rest of us had no idea what we were doing onstage.
STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.
ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'
MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.
TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.
MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.
TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.
STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.
MCILRITH: That show was with my other band, The Killing Tree.
STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.
"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003
Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.
TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.
STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.
TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.
STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.
SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.
STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.
HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.
TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.
STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.
MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.
STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.
MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.
WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.
STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.
TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.
STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.
MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.
STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'
WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.
STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'
SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.
STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.
WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.
HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.
WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.
HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.
"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003
STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.
TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.
STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.
WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'
STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.
HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.
WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.
MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.
MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.
MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.
ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'
WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.
MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.
STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.
MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.
"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002
STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.
HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.
RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'
HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.
RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.
STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.
HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'
STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'
TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.
STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.
FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.
STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.
BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.
TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.
STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.
TROHMAN: We felt safe with him. He's a big, hulking dude.
MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.
TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.
MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.
STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.
WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?
JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.
HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.
JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.
MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.
STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.
HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.
JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.
GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.
"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003
The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.
STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'
MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.
STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.
WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.
STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.
HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.
WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.
HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.
WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.
HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.
WENTZ: They said only Shirley Manson] from Garbage could use it.
O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.
WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.
STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.
MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.
STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.
WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.
STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.
WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.
O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.
WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.
JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.
WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.
"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003
STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…
WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.
STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.
WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.
STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.
"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003
Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.
STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.
MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.
"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003
Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.
WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.
HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.
MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.
WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.
MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.
WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.
MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.
STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'
HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.
STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'
JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.
MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.
WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.
"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023
Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.
STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.
HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.
WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.
TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.
WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.
HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.
TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.
STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.
MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.
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kjupchurch-xx · 25 days
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Conflicted Feelings Part 8
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Ryan was silent for a moment, as was I. Finally, I heard his voice. For once, he wasn't being the classic Ryan Reynolds, he was being the concerned friend, Ryan. "What do you mean you're not happy?" He asked, a bit confused by my admission. 
I sighed, running a hand through my hair, "I don't know. I just- I mean shit, I just had a part in the biggest film of my career. I'm getting calls from my agent to audition for major roles in upcoming films. This is just not the right time." I exhaled deeply as I thought about how my career would come to a screeching halt. 
I heard him sigh over the phone, "The films will still be here. Probably not the ones you're being asked to audition for, but there will be more films. I'm guessing you haven't told him?" 
I chuckled, "I literally just took a test before I called you."
I could hear him begin fake hyperventilating over the phone as he used an over-dramatic voice, "You mean...you mean...I'm the chosen one?" He asked, causing me to laugh. 
"Goodbye, Ryan." I said jokingly. 
He chuckled, "Just tell him. He loves Oscar and Ava, but I can promise you, he'll be stoked to have his first biological offspring." 
With that, we ended our phone call as I continued pacing the NYC penthouse waiting for Hugh to return from his morning bike ride through the city. Being a mother was not exactly something I wanted. I love kids, sure but I love other people's children, especially when I can give them back once I'm tired of them. This would be different. Not to mention my career being halted, but the fucking media and Deb are going to have a fucking frenzy whenever this comes out. 
20 minutes, or for me what seemed like an eternity had gone by. I heard the lock on the penthouse door turn, which meant Hugh had finally returned. He walked in and smiled at me as he approached me, quickly pecking my lips. 
"Morning, Love. I didn't want to wake you." He said softly as he walked towards the kitchen to grab some water from the fridge. 
I forced a smile, "Thank you." I said softly. 
He gave me a curious glance, "Are you feeling any better?" 
I shrugged, "I don't know. I think I'm going to lay back down for a bit." I said as I turned towards the bedroom. 
He gave me a half-smile as I turned, disappearing into the bedroom we shared. He knew something was up, but I was hoping he'd just pushed it off on the fact that I'd been feeling like shit. It had been 10-11 months since he showed up to my hotel room in LA to tell me that he and Deb had split up. We'd been having unprotected sex for months, I don't know why I was surprised to see a positive pregnancy test this morning. 
As I laid in our bed, a million thoughts ran through my brain...How I'd tell him, how he'd react, how I'd react to his reaction. I was shaken from my thoughts as I heard him walk past me and walk into the master bath. He looked at himself in the mirror, brushing over his stubble with his fingertips. He glanced down, spotting something on the bathroom counter and stared at it for a moment. 
Shit. I realized being in a panic when I saw the test, I must've forgotten to discard it before I called Ryan and spent 30 minutes pacing the fucking floor. I nervously bit my lip as I scratched my forearm anxiously, nervously awaiting his response to the small stick he was holding and had his gaze locked on. He looked up at me, eyes not completely wide, but they were definitely wider than usual. 
"Are you..." He managed to say while looking at me to make sure what he was seeing was accurate. 
I slowly nodded, it was all I could manage to do at this point in time. My words were completely failing me and even if they weren't, what the hell would I actually say? He sat the test down on the bathroom counter and quickly walked over to me, sitting in front of me on the bed. I could see his eyes glossy as if tears had begun forming in them. 
"Baby, this is incredible." He said softly, with a trembling voice. I sat silent, which he quickly noticed, "Don't you think so, love?" He asked me softly. 
I sighed, taking a deep breath, "I..." was all I could manage to choke out. 
He grabbed my hand, interlocking it with his, "What's wrong, babe?" He asked softly, his expression a mix of worry and anxiety. 
I shrugged, shaking my head slightly as I exhaled deeply, "I've worked so hard, busting my ass to pave a career for myself, Hugh." Tears were beginning to threaten to spill over my face, "I'm finally getting offers for major roles. My career is finally starting to blossom the way I'd always hoped it would...Now that's over for me." 
He shook his head, pulling me into his arms, "Baby, no. Don't say that. Your career is not over, love. You may have to take a hiatus in a few months, but you can pick up right where you left off." He said reassuringly. 
I nuzzled my head into his chest, sighing again, "It's been so hard to get where I'm at. I can't just come back months later and demand bigger films." 
He chuckled as he ran his fingers through my hair, "Babe, I can always help with that. There are loads of MCU movies that always want lead roles for developing characters." 
This was so easy for him. He had a massive career. He wouldn't be the one out of action due to a big pregnant belly. He didn't have to fight as hard as I did for a major role, spending years as an extra or a small role. I knew he was only trying to be supportive, but it was irritating me that he made this sound so easy to just get back into like I hadn't skipped a beat. 
He rested his chin on top of my head, "You're not even the slightest bit happy about this, are you?..." He asked, barely above a whisper. 
His voice was full of emotion and it broke my heart. He and Deb tried for biological children, which resulted in two miscarriages. That's when they adopted Oscar and Ava. He was no doubt their father, but I knew the feeling of having a child that shared his DNA and was biologically his, would be a big deal for him. I felt guilty for not being as ecstatic as he was. 
I shook my head, "In a perfect world, this would be maybe the best thing that had ever happened to me." I said softly, "But I'm selfish and my career comes first..." I continued, almost instantly regretting the words that had left my mouth. I knew they were a low blow. 
I heard him take a deep breath as I felt his body stiffen while the sound of him sniffling went through my ears. I looked up at him, seeing the heartbreak my words had caused him and I instantly felt two feet tall. The last thing I'd meant to ever do was to hurt him. 
I sighed, "Honey, I love you. I'm sorry." I said softly as I caressed his cheek. "I'm just in shock." I shook my head as I huffed, "I know that once the shock of it passes, I'll feel differently. Right now, I'm just heartbroken." 
He looked at me as he let himself give in to my hand on his cheek, nuzzling it. "I didn't mean to hurt your feelings. I know that regardless of what happens with my career, I will love this child. I just have to... fully accept that things will be different." I said softly, still caressing his cheek. "Everything will be okay." I said as I kissed his forehead. 
He gave me a small smile as he turned his head, placing a soft kiss on my palm that was still caressing his cheek, "I love you, gorgeous." 
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yumeka-sxf · 8 months
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After what seems like a long time, we finally have a full "Forgers bonding" chapter, in a new location as well 😁
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Even though the focus of the chapter was the murder mystery (heavily inspired by Detective Conan) and it didn't have a serious tone (just look at the names of the guest characters! 🤣) there were actually quite a lot of Twiyor tidbits scattered throughout, and I'm here to slurp them up!
Firstly is Twilight trying his best to make sure Yor and Anya are safe with their amateur skiing skills.
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And as usual, overlooking anything abnormal that Yor does 😅
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When they get to the lodge, he considers her feelings about sharing a room.
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Even though she says she'll put up with it, he knows it makes her uncomfortable, so he volunteers to sleep on the sofa so she and Anya can have their own beds. Of course, just the thought of sharing a room with Loid is too much for Yor to handle 😅
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Twilight starts to wonder when she doesn't come back for a while.
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He's obviously happy when she returns - in the Japanese version, he even says おかえり(welcome back/home).
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When he sees there's foul play going on, he immediately wants Yor and Anya out of danger (he also trusts that Yor will keep Anya safe).
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Despite Yor being the only one without an alibi, he doesn't show any suspicion (even after hearing her "probably" slip up!)
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And lastly, when the others start accusing Yor, he defends her. This scene reminded me a lot of the scene way back during the Eden interview where Swan started putting her down and he stuck up for her without any second-guessing. Even though Twilight gave a lot of fake smiles throughout this chapter, the mix of determination and anger in his expression on the below page is not fake - it's a true look of "I will definitely find the culprit (so no one should accuse my wife!)"
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I guess my only nitpick about the chapter is that I wanted it to go on longer, mostly for more Forger interactions (and Loid/Yor reactions when sharing the same room, lol). I thought it would last at least another chapter where we'd see exactly how the mystery was solved. But I guess the joke is that the Forgers are the most OP crime solving team without even knowing it, so no culprit can get away from them for too long! Between Loid's intelligence, Anya's mind reading, Bond's visions, and (though it didn't come into play here) Yor's super strength, they'd be able to solve murder mysteries and apprehend criminals before the police could even file a report! 😂
A couple final comments, I like that Twilight decided to trust Anya's intuition in the end, despite not seeming that way at first (and did she seriously bring the detective outfit with her on the trip?😆) And just like with Yor, no questions about this peculiarity with Anya - no wondering why she knew the time and place of the next murder...what's that expression, "love is blind"? 😅
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And Yor always ready to protect Anya ❤️(also looks like she's having some alcohol while Loid isn't...guess she needed something to calm her nerves at the thought of sharing a room with him!)
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Endo is going to take a break, so next new chapter won't be until February 19th. Have a nice break, Endo-sensei!
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fans4wga · 1 year
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Hi, as a twitch streamer I was hoping to do some fundraiser streams for the entertainment fund. Do you have any instructions or suggestions on how to go about that?
Unfortunately I'm not too familiar with Twitch, but the WGA has definitely been directing donations towards the Entertainment Community Fund (ECF) so that's absolutely a great place to donate to! Given that the WGA and SAG-AFTRA already have healthy strike funds, the ECF supports other film and TV workers affected by the strikes who may not have access to strike funds.
It'd also potentially be helpful to review the WGA's demands and SAG-AFTRA demands in case anyone has questions about what exactly they're striking for. (Also, the fact that no boycott has been called by the unions at this time, which seems to still be a point of confusion among fans!)
Thanks for your solidarity! Anyone in the comments have more experience with Twitch fundraising? We'd love to hear suggestions!
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