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#and yes his religion is meant to be a fantasy christianity
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Third major character from my capstone project. This is Hedrek. He's a monk from monotheistic religion that was brought to the Island during the rule of the Empire. He's caught in the middle of the conflict between his people, the ancient natives of the island, and the migrating tribes the other characters are from.
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Round 1 - Side B
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Propaganda below ⬇️
Kristen
Once known as a Chosen of Helio, Kristen lost faith, found out she was gay, escaped the abusive church, and helps a lonely abused goddess return from the dead and continue the goddess of mystery. She also ends up creating her own god in the middle there, but decides it's kind of super annoying and eventually nopes out.
Kristen might be skirting a couple lines here so I'll provide my reasoning for why I think she might belong in the competition but feel free to choose as you wish. Kristen used to follow Helio, and her entire relationship with religion and Helio is meant to show a story of a queer teen leaving an abusive Christian church (I'm not sure if it's specifically Catholic or not, I'm Jewish and don't really understand the differences very well). Throughout the story Kristen meets Helio, finds out how much of a dick he is, finds out how terrible the Church has been and becomes more aware of how her family and the Church are racist/homophobic/abusive/etc., learns more about the world and breaks her ties with the Church, and then goes to find her own faith and a god worth worshipping.
girl is miserable for so much of the first season. girl is battling the brain demons. girl is battling the actual demons. and the actual angels. and the football coach who she knows from church. girl has brothers named bucky bricker and cork. girl invents a new god and cannot get people to convert to her faith apart from a singular dude named craig because she is so visibly annoyed by her own god. girl is gay and has a werewolf girlfriend. girl is so kinky. girl has a dexterity score of 4. not modifier. score. i'm kissing girl on the mouth i love her a lot.
She was a chosen prophet of Helio but oops she’s a very lesbian and so she has to battle with her faith hating gay people as she realizes she is gay people. Early on dies and goes to heaven and discovers Helio is a frat bro and doesn’t really vibe with that. Eventually dies again and fights past angels to get to Helios office and finds her old principal (who died to resurrect her the first time she died, it’s a long story, watch dimension 20, shits wild). And so he makes a deal to help her if she helps him break out of heaven. And also while she’s in heaven she makes a new god whole cloth out of her current beliefs. (She later finds that god annoying because it’s the embodiment of “YES! WOW! YOU CAN DO IT!!” The god turns from YES! Into Yes? In her changing faith. She later resurrects an old god of dreams who was corrupted). But yeah so she has religious trauma out the wazoo. She went to church camp that was actually a front for a cult within the Helioic faith. Idk if it’s Catholicism exactly cause I’m not catholic but it’s clearly parallel so some real world Christ based religion.
At one point they drop 10 stories because they thought they could use their ribbon to fly. They couldn’t.
her entire arc over fantasy high's first season is realizing she was gay and also that her church and the people in it were basically a cult which like SAMESIES and she does end up going to heaven after dying by slipping on corn and getting incredibly disappointed by the jesus equivalent of her universe (his name is helio and he is a frat boy) and after she's resurrected she makes her own god (not very catholic sorry) and preaches about it (pretty catholic of her tbh.) aside from the religious trauma some other kristen fun facts and highlights are that she once ribbon danced down the center of a spiral staircase and lived, she carried a bible around for a good chunk of her freshman year of high school, and her last name isn't a reference to anything because applebees does not exist in the world of fantasy high.
View more propaganda in her tag
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Catholic deer girl. She’s just nature themed. Wants to have access to a Catholic phone line. But is not allowed to due to it risking the possibility of exposing SCPs to the world. But she has a rosary. Just unhinged.
She was just left in a convent and was raised catholic. But I love her because she has the most unhinged father and she's close to getting there istg
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o-uncle-newt · 10 months
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On the Job minisode and Good Omens as a work on religion
(Note: This was originally a reblog of someone who then expressed that they were unhappy that I reblogged their post. As a courtesy I have reposted it as its own thing- for context, the person was upset that Neil Gaiman's take on religion was stale and said that of course if you have only a surface view of the Torah and the book of Job you'd come away with these kinds of negative impressions.)
I went to Orthodox Jewish day school for thirteen years. I thought the Job minisode was fine, as an adaptation of the story. Not breaking any ground theologically or whatever, but fine. (Though they did definitely get the number of Job's kids wrong, presumably for narrative simplicity, and the shoemaker joke doesn't work because he's really Bildad the ShuCHite.)
And, I mean, I don't think it should be MEANT to be anything but fine...? Good Omens is a fantasy novel in which heaven and hell are both the bad guys- Good Omens the show has basically kept in that model. The whole thing is about a simplistic look at the Christian Bible and a kind of cynical but light hearted agnosticism that doesn't really lend itself particularly to sophisticated religious analysis or whatever. It's not meant for that.*
The Job minisode was written by John Finnemore rather than Gaiman, a writer of whom I am a massive fan and, however, to whom I don't really look for sophisticated religious takes. He's done a Bible/religion sketch or two on his sketch show- I don't particularly love them, they're pretty surfacey- and he's self aware enough to make it very clear that he approaches everything from an "I don't believe in God but I grew up in a Christian country" perspective. (He's a lot more honest about that than a lot of other atheist/agnostic writers I've seen who do takes on religion, incidentally... so many people think they're being "objective" or whatever.)
The thing is, I actually really love the Job minisode as a Good Omens story, working within this complete fantasy world. I was disappointed in a lot of S2 but this felt like the characters, this felt like an interesting meditation on their roles and their choices... I don't know, it just really worked for me.
And I feel like part of the point is to pick one of those "well obviously on the surface this looks a bit fucked up" stories (rather than for there to be an implication that they're the only ones who noticed)- because they're working in a fictional universe in which it's been established since the nineties that heaven/God is at least a bit fucked up (no matter what I as a Jew may personally believe) and so they can just take it and run with it without having to explain! Gaiman did the same thing in S1 with the Garden of Eden and the Ark. It's just a canvas to put an Aziraphale/Crowley plot on. The original book is a Book of Revelations satire!
Honestly, I'm happier to have a pretty basic retelling of a story that's obviously fucked up on the surface, rather than them picking some midrash or something that's more subtle and nuanced and super Jewish-y and then turning it into something about how God or the angels or the demons are bad- partly because Jewish angel/demon stuff doesn't map well onto Good Omens's approach, and also because the whole point of the book from the start has been critical of organized Judeo-Christian (yes I know) religion writ large, and that's not going to change. That was weird for me to get used to as an Orthodox Jewish teen in a Bais Yaakov school when I first read it, but getting past it made me realize that all that meant was that they'd created a Biblical fantasy universe with certain tropes in it.
I think the Job minisode works perfectly well within that particular Biblical fantasy universe, and while I think that you can potentially criticize S1 (and in a slightly different way, the book) for that Biblical satire/fantasy not being particularly sophisticated about religion if that's something important to you, I don't think that it being sophisticated about religion would have improved it as a story.
*I did kinda sorta write a fic that tries to cast Aziraphale and Crowley in a more traditionally Jewish lens and... it was actually really hard. As I said above, the way the Good Omens world is set up doesn't really work for the Jewish thing. I had to make it really clear that angels don't have free will and that Heaven and Hell aren't two different sides.
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notmuchtoconceal · 3 months
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I remember when I used to try to divorce my fantasy creations from sociology, religion, and history to convey them in what I believed was their purist form. Concepts of hubris, of competition, of tragedy, of comedy...climax, the Third Act, God and gods and goddesses, witches, warriors, landscapes, the coming storm, the eye, the future, the past. They still existed, and they were still deeply religious and historic. But they were MY religions, MY histories.
Names stemming from nothing that meant nothing. No Josephs. No Marys. You can guess where things will go from a name. This man's name is Calaf. "No doubt you'll have a story where none shall sleep."
But the names meant everything, because I harvested them out of darkness, just like Dear Mr. Benevolence.
No calendars with their calendar names. Not even goodbye--God Be With Ye. Woof.
Language Demon knows, with his addiction to Reduction. The Greeks do not own tragedy. Christians do not own the concept of redemption. If I tie my own creations to their common religio-socio-historic what-have-you branches, my art can only be framed from that branch. But I can brainwash (ahem) *influence* the maximum number of people if I write from the Human form instead.
I implore you to embrace the creaturely.
You're lucky I had a 16 hour work day, or this would be much longer and less sloppy. If you want stakes to my game, I can propose them. Or you can. Force me to do something for you if I lose. I have my own ideas, but let's hear yours first.
Now. *e4.* It's your move.
That you pair Joseph with Mary (and not with James) shows you have quite a particular one in mind. If I told you there were at least three Biblical Josephs to choose from, one could snidely condescend: Sure. The one who was a great son, the one who was a great father, and the one who shared cocktails with the lord. This is another giveaway of the fixation on the superficial, for you seem to care less what's in a name and more what the name has to give to you. If I said that the very sounds of the word "Joseph" communicated the personality inherent in the name for the ways with which the vibrations of those sounds rippled through the air as well as the physical body of the speaker, would you dismiss that as pseudo-scientific hokum? If I told you a name was a curse, for every time one is referred to, one is reframed according to the speakers whim, you would certainly agree. The right to choose your own name -- to make a break with your legal, parental or "God-given" name (as one does when becoming a witch or a rockstar or simply swapping sex) liberates one for it bends not only consciousness, but sound itself to their invisible will.
If I said, as a follow-up, that for every new Joseph which comes into being (or any new anyone) the chain of associations has the capacity to evolve to account for new and even contradictory associations, would you have anything contrary? Is something you will from the darkness and claim as your own a new thing or a dead thing? Is it a bit like overbearing white mothers (aware that their air of social prestige gives them "influence" over like-minded twits) who decide to give their children soap opera names or irregular spellings to common ones (not to change them in anyway, but simply give the glamor of "difference"?) Not that I would ever shame anyone for desperately, desperately wanting to try, but you know -- certain forms of desperation speak to an alienated will looking to correct itself, while others speak to a similar will looking to bury itself.
The sheer amount of effort I've seen some men give to developing self-destructive impotence is truly mind-boggling, but then I suppose some simply crave to die, yet also struggle to be honest with themselves in any meaningful way.
My favorite thing you do is the bait-and-switch before coming on subtle. It gives you all the appearance of a friend, yet also gives ample warning.
Any man who trusts you is a fool.
Any man who fails to see how your disgracefully reductionistic attitude reduces all your terabytes of processing power to a mere self-serving parlor trick deserves the ways in which you will inevitably fuck him over.
Keep feeding, you ugly lil leech.
For any men with the wisdom to peel you off and cast you in the fire after you've gotten a good glug or two, you're remarkably good at breaking up clots and encouraging fresh flow, much like the pussy you are.
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marisol993 · 3 years
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For some time now I've seen, over and over again, that the Qunari in the Dragon Age Universe are apparently some kind of racist caricature of black people, muslims and other types of poc's, bipoc's, minorities, ....
From a personal perspective I never saw them as such, but since a personal view of things isn't very objective and can be skewed by ones life-experiances I was completely willing to admit, that I might have been wrong about that and had an opportunity to learn something new here.
The more I thought about it and critically examined this statement though, the less I agreed with any of it. Especially since a lot of arguments in favor of this view seemed to boil down to "this person of [insert relevant minority here] said so". I.e. another "personal viewpoint".
So let's get into a critical analysis of the Qunari and why I think that they are so very far removed from any kind of "minorty" (from a western point of view) coding that you couldn't even see it with the power of the Hubble and James Webb space-telescopes combined:
First of all, who are the Qunari? The Qunari are tall, medium to heavily built, horned (or unhorned, if you only played Origins) humanoids, that come in varying shades of grey skin, with whiteish hair. They are more intensly sexually dimorphic than the Dwarves, Elves and Humans of Thedas, with the males being sometimes nearly twice as wide (especially in the shoulders) and much more muscled than the females. They call themselves the Qunari as they are followers of the Qun (their guide to life and society), though the word is more of an umbrella-term, since anybody of any race is called a Qunari if they "convert" to the teachings of the Qun.
Here's a picture:
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At this point some people might already remark, that the Qunari are very obviously "black-coded" since apparently nowadays any deviation from natural, real-life human skintones automatically has to mean, that the fantasy-race in question is meant to reflect black or brown people (even if they are green or bright purple), unless you literally give them a complete and utterly snow-white skintone. If that is the argument you want to go with, I would like to redirect your eyes to the picture above, as it already disproves this. As it is shown there (and in the DA:I Character-Creator), the Qunari can come in a complete spectrum of skintones (from very light grey to nearly ebony), just like all the different races of Thedas (even the dwarves for some reason, which doesn't make much sense for a race that lived underground for most of their history, but what can you do..). This basically means, that yes there are dark-skinned (or "black") Qunari, but there are also those that could be better described as "light-skinned", so the coding-qualifier goes away.
Then there are the people, who might want to say, that because they are tall and "burly", together with the unnatural skintone makes them "black-coded" which is something I never really understood, since the tallest people in the world by ethnicity are the Dutch and if you look at heights in correlation with body-weight the Russians take first place. Both countries not really know for their large populations of darkskinned-humanoids. Another coding-qualifier that goes away.
And then there are the people (who I would seriously suggest should maybe review their own "racial" views, if "black and brown people" is the first thing they think about when it comes to this), who say, that they are a stereotype of the "savages and natives", which is something that is actively contradicted in canon. One of the most prominent traits of the Qunari is that they are efficiant to a T, use every resorce at the disposal to it's maximum (including their people) and that they are more technically and scientifically advanced than many other race in Thedas (except maybe the dwarves) . This is shown through their mastery of gunpowder (which they call gaatlok) and the fact that they can use chemicals and drugs to literally warp the mind of people without needing magic. They are in no way presented as "savage" and if they are named such, it's usually by people who they are actively at war with, who want to insult them. They are also not "natives" of Thedas. Even their so called "homeland" in Thedas, which is called Par Vollen, was colonised by them, when they landed at it's shores in 6:30 Steel-Age and started converting the original population of Tevinter humans and elves, with whom they have been at war with ever since. Let me say that again: The Qunari are active colonisers and at war with the Tevinter-Imperium, who's people are the original population of the land. Not exactly a typical "native or black" stereotype in western media.
So who do I think the Qunari are actually modeled after?
Well let's summarise:
The Qunari came from across the ocean in their ships filled with cannons and guns, to colonise the land and convert the native population towards their beliefs. They are currently fighting a war against the Tevinter-Imperium, an old and powerful empire, that engages in widespread slavery and practices blood-magic by sacrificing said slaves, sometimes also to one of their many gods.
(If you can't guess who I think they are supposed to be modeled after by now, I would recommend to maybe picking up a 7th-grade history textbook again)
Yes, you can make a very strong case for the Qunari actually being these guys:
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The Conquistadors (heck, if you cross out a few letters you can even anagram the word "Qunari" out of the word Conquistador). Who also came from across the sea with ships, cannons and guns to colonise the land (south- and middle-america) and convert the native population (to christianity) and fought an ancient and powerful empire with slaves and blood-sacrifices (the Aztec-Kingdoms).
So after pissing of one half of tumblr with that, let's start with the other half by talking about the apparent "muslim-coding" and how I disagree with that too.
Let's start with a rough definition of what a muslim is and how I think that that alone shows how the Qunari are in no way coded to be them:
I would define a muslim as somebody who is an active member of the religion of Islam. Islam is defined by it's holybook (the Qur'An), which was revealed to the prophet Muhammad by an all-knowing and omnipresent abrahamic god.
This in and of itself basically already disqualifies the Qunari from being "muslim-coded" since first and foremost the Qunari are not a religion. They do not have a god and they don't pray to any, the Qun is not a "holy-book" and Ashkaari Koslun (the guy who wrote it) was not a prophet, who wrote down the word of god, but a philosopher who basically crafted a "guide to life and society" with his works.
If you really wanted to find something that is slightly "muslim-coded" in the world of Thedas, you might actually have more luck with the chantry-stuff, since they do have a prophet (Andraste) who could talk to god (the Maker), they have a holy book based of her teachings (the Chant of Light) and they believe that the whole world should follow those teachings, so god will return to them (singing the Chant from all four corners of the world). They even have their own flavour of jihadist religious warfare with the Exhalted Marches (though all in all I do think that the Chantry can be better viewed as a take on christian religions since the split between the Imperial Chantry and the original one is similar to the split of the (western) christian church into catholics and protestants).
So what do I think is a better representation for the Qun in the real world?
Well lets look at it in the simplest way possible that the canon gives us:
The Qun is a guide for the life of the Qunari (the people of the Qun) that ecompasses everything from laws, legislative guides, too how society should be struktured and how everyone has to fit into and function in that society, from the most mundane and simplest tasks and jobs to it's highest administrative bodies. Everyone in this society is evaluated, so that they can be put into a position that is best suited to them and their skill-sets. There they will then each work according to their abilities and each be provided for according to their needs (see what I did there). Yes, the Qun can in my opinion be best described as a take on an authoritarian-socialist guide to life, written by somebody with a similar philosophie as Karl Marx.
So all in all, I don't think that the Qunari are in any way black-, brown-, bipoc- or muslim-coded, but a fantasy take on the Conquistadors, if instead of a bible they had all carried around "A Guide to Life, Luck and Community, written by Karl Marx (during one of his more productive weekends)", visually represented by giant Minotaur-People of many colours.
Also I find this obsession with finding every and any kind of reflexion of our real world in some random fantasy setting, by people who are most of the time actively looking to get offended by at least something and mostly every- and anything, quite contrived most of the time and that the day people on tumblr learned the word "codeing" a significant part of the internets critical-thinking skills and will just shrivelled up and died.
Thank you for coming to my TED-talk.
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notruercolors · 3 years
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Adult Retrospection on Harry Potter
At five-years-old I was first exposed to Harry Potter by my godmother. I was slightly horrified by Harry Potter and the Philosopher’s Stone, total BS they changed the name thinking Americans wouldn’t understand what the philosopher’s stone is. I digress. There was something about the thing behind the turban that terrified five-year-old me. I only knew the movies until I was in middle school and high school. I got into the books a lot older than my peers as my reading level took longer to develop, I would discover in university I had dyslexia. I struggled getting into the books due to the descriptive style Rowling uses that I would get lost in therefore getting bored. It was by far easier to read than Twilight was, I never got past chapter one in that series. I recently re-read the series as an adult with aid of technology that makes reading easier for people with dyslexia, thank goodness for technology. With doing so I realized the true problems with the Harry Potter series. I vaguely remember all the issues back in the day with Christians banning and even burning the books. That never an issue I felt was apparent because children the books are meant for are aware of reality versus fantasy and if you are confident in young religious teachings that children should be able to be exposed to opposing views without being swayed away from those teachings. The problems I noticed were a problem when I was young, and it will continue to make the series more problematic with the younger generations more aware of these issues than I was as a child. The issue I have with the series stems from out-of-date unhealthy perspectives that are portrayed in the books. What are these unhealthy perspectives? I have noticed prevalent fat-shaming, acceptance of bullying. and acceptance of abuse.
 Someone out there is going to question me about the fat-shaming aspect, just hear me out on this one. Yes, there are characters that are overweight and portrayed as good characters. I must mention these characters I not described directly as fat. For example, as Neville Longbottom and Molly Weasley were described as plump which equals chubby in most people’s mind. The exception is Professor Slughorn; however, he was portrayed as a bit of a coward and vain. Otherwise, the fat characters in the story are Dudley and Vernon Dursley. They are betrayed as bullies and otherwise horrible people. There was a lot of description into Dudley and Vernon’s weight, way more than was necessary. It was nice that you saw Dudley’s weight be addressed during the series, but it was also not necessary for the story, so I never understood why it was included other than to make fun of Dudley. I would have preferred to have seen a transformation where Harry realized that Dudley had changed both physically and emotionally to a better person. I was always an overweight child. I didn’t think anything about this portrayal of fat people as a kid. This wasn’t the only form of media I consumed that had this view on fat people. It was all over during the 90’s and the early 2000’s. The media we consume has a significant impact to the formation of our identity and confidence as young children. I am not saying Harry Potter is the only factor in my issues of confidence surrounding my weight. It cannot be denied that Harry Potter had an enormous impact in the lives of children during my childhood and even now. It was a problem back when I was young. It is even a bigger problem for the current generation that is at age to enjoy the series.
 Bullying is a huge topic for Harry Potter. From an early age Harry was bullied by Dudley even physically assaulted by Dudley and his friends. Harry didn’t like his family. But it was clear nothing ever happened to Dudley for bullying Harry. Then there is the issue between Draco Malfoy. It kept increasing in intensity until it escalated to physical assault. Harry did face consequence for this incident, and never made that mistake again which is the only redeeming factor of this incident being in the book. This issue between Draco and Harry went both ways in the series, which is often how bullying works in real life. I do give credit for it at least being accurate in that aspect. Hogwarts appears to have zero polices regarding bullying. As it was very prevalent in the 1960’s during the time of Marauders and was still an issue in the 1990s. The set up of the four houses even encourages this behavior separating the students into cliques that have rivalries with each other that have gone on centuries. It is simply accepted as part of wizarding life. No one does anything to try to change it. That is ridiculous that centuries old rivalries still rule the wizarding world. The next aspect is directed towards bullying boy against girl versus girl against boy. Ron Weasley learned a harsh lesson in bullying Hermione when she almost accidently got killed by Troll in their first year. However, Hermione would go in their sixth year to physically assault Ron with the Oppugno spell. She was a Perfect, meaning she is supposed to be the model student. No one reported this incident. She faced no consequences. She should have at least had detention and her Perfect status should have been revoked. It doesn’t matter how much of a jerk Ron had been. There is zero tolerance for any physical assault in my moral system. Ron continued being her friend. It was as if nothing ever happened. This just helped support the old concept that if a boy bullies a girl, he should be punished severely but if a girl does the same, he must have done something to deserve it. What does this instruct young children? Domestic abuse against men is an issue that still swept under the rug in society. Boys and men cannot possibly be abused by the women in their lives. Men just like women die in domestic abuse situations. The fact that a children’s book indirectly supports that old fashion ideology bothers me deeply. This double standard will continue to exist as long as media, TV or printed, continues to support it.
 The acceptance of abuse in the series is also rather alarming. Harry was at the never least neglected, but frankly the treatment he received by his family was abuse. It is important to note that the UK was behind the rest of the world when it came to protecting children against abuse. There were no laws for child abuse until 1981. However, Harry went to public schools as a child. Why didn’t anyone realize what was happening and report it? I’m not completely sure how well reported child abuse was in the UK during the 80s and 90s. Corporal punishment was allowed in schools in 1986. However, it was mentioned that at Dudley’s school the students would use canes on each other, and the staff did nothing. When Aunt Marge visited, she asked Harry if they used canes at the school Petunia and Vernon made up that Harry went to, and he said they did every day. This was of course a law, but this made Marge happy to hear. In 1995-1996, Dolores Umbridge used Black Quill, which inflicted physical pain and semi-permanent mark, on students. It was highly illegal, but it still happened in the series, and no one could do much about it. I cannot end this section without mentioning Severus Snape’s treatment of Harry. He harassed a child for the actions of their father. What he did equates to emotional abuse. Professors were aware of his bias towards Slytherin students, and that Harry had conflicts with Snape. No one did anything about it or question Harry about why he disliked the Potions Professor so much. Harry does forgive Snape for his behavior. But that doesn’t make it any better. In fact, it encourages a concept that victims should forgive their abusers as Harry would have felt pressured to forgive him because of the circumstance Snape was in when he apologized. No one is required to forgive their abusers. Dolores did eventually get punished for the abuse inflicted on the students. It still bothered me it was even in the story. Just because wizards have their own society that does not mean that UK’s laws don’t apply to them. They may be wizards, but they still are citizens of and reside in the UK.
 I did enjoy Harry Potter in my youth, and I do not mean to take away from anyone’s childhood enjoyment of the series. But it is important that as adults we acknowledge the issues with the series as we begin to have children of which we may want to share our love of Harry Potter with. We need to be aware of the dark side of the series and what we may indirectly exposing our children to. This goes to anyone who wonders if they should allow their child to read Harry Potter. The views and portrayals of society is rapidly becoming old fashioned and by the time the children of the fans of the series become old enough to read the series may be comply inappropriate for young children. If you are having debates about the series based on religion, I feel this is a non-issue. Children are aware of fantasy versus reality. But there are aspects of the series parents should be aware of before making decision.
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door · 3 years
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CHRISTMAS EFFECTS
by Eve Kosofsky Sedgwick
from Tendencies (1993)
What’s “queer”? Here’s one tram of thought about it. The depressing thing about the Christmas season—isn’t it? —is that it’s the time when all the institutions are speaking with one voice. The Church says what the Church says. But the State says the same thing: maybe not (in some ways it hardly matters) in the language of theology, but in the language the State talks: legal holidays, long school hiatus, special postage stamps, and all. And the language of commerce more than chimes in, as consumer purchasing is organized ever more narrowly around the final weeks of the calendar year, the Dow Jones aquiver over Americans’ “holiday mood.” The media, in turn, fall in triumphally behind the Christmas phalanx: ad-swollen magazines have oozing turkeys on the cover, while for the news industry every question turns into the Christmas question—Will hostages be free for Christmas? What did that flash flood or mass murder (umpty-ump people killed and maimed) do to those families’ Christmas? And meanwhile, the pairing “families/Christmas” becomes increasingly tautological, as families more and more constitute themselves according to the schedule, and in the endlessly iterated image, of the holiday itself constituted in the image of “the” family.
The thing hasn’t, finally, so much to do with propaganda for Christianity as with propaganda for Christmas itself. They all—religion, state, capital, ideology, domesticity, the discourses of power and legitimacy—line up with each other so neatly once a year, and the monolith so created is a thing one can come to view with unhappy eyes. What if instead there were a practice of valuing the ways in which meanings and institutions can be at loose ends with each other? What if the richest junctures weren’t the ones where everything means the same thing? Think of that entity “the family,” an impacted social space in which all of the following are meant to line up perfectly with each other:
a surname a sexual dyad a legal unit based on state-regulated marriage a circuit of blood relationships a system of companionship and succor a building a proscenium between “private” and “public” an economic unit of earning and taxation the prime site of economic consumption the prime site of cultural consumption a mechanism to produce, care for, and acculturate children a mechanism for accumulating material goods over several generations a daily routine a unit in a community of worship a site of patriotic formation
and of course the list could go on. Looking at my own life, I see that— probably like most people—I have valued and pursued these various elements of family identity to quite differing degrees (e.g., no use at all for worship, much need of companionship). But what’s been consistent in this particular life is an interest in not letting very many of these dimensions line up directly with each other at one time. I see it’s been a ruling intuition for me that the most productive strategy (intellectually, emotionally) might be, whenever possible, to disarticulate them one from another, to disengage them—the bonds of blood, of law, of habitation, of privacy, of companionship and succor—from the lockstep of their unanimity in the system called “family.”
Or think of all the elements that are condensed in the notion of sexual identity, something that the common sense of our time presents as a unitary category. Yet, exerting any pressure at all on “sexual identity,” you see that its elements include
your biological (e.g., chromosomal) sex, male or female; your self-perceived gender assignment, male or female (supposed to be the same as your biological sex); the preponderance of your traits of personality and appearance, masculine or feminine (supposed to correspond to your sex and gender); the biological sex of your preferred partner; the gender assignment of your preferred partner (supposed to be the same as her/his biological sex); the masculinity or femininity of your preferred partner (supposed to be the opposite of your own); your self-perception as gay or straight (supposed to correspond to whether your preferred partner is your sex or the opposite); your preferred partner’s self-perception as gay or straight (supposed to be the same as yours); your procreative choice (supposed to be yes if straight, no if gay); your preferred sexual act(s) (supposed to be insertive if you are male or masculine, receptive if you are female or feminine); your most eroticized sexual organs (supposed to correspond to the procreative capabilities of your sex, and to your insertive/receptive assignment); your sexual fantasies (supposed to be highly congruent with your sexual practice, but stronger in intensity); your main locus of emotional bonds (supposed to reside in your preferred sexual partner); your enjoyment of power in sexual relations (supposed to be low if you are female or feminine, high if male or masculine); the people from whom you learn about your own gender and sex (supposed to correspond to yourself in both respects); your community of cultural and political identification (supposed to correspond to your own identity);
and—again—many more. Even this list is remarkable for the silent presumptions it has to make about a given person’s sexuality, presumptions that are true only to varying degrees, and for many people not true at all: that everyone “has a sexuality,” for instance, and that it is implicated with each person’s sense of overall identity in similar ways; that each person’s most characteristic erotic expression will be oriented toward another person and not autoerotic; that if it is alloerotic, it will be oriented toward a single partner or kind of partner at a time; that its orientation will not change over time. Normatively, as the parenthetical prescriptions in the list above suggest, it should be possible to deduce anybody’s entire set of specs from the initial datum of biological sex alone—if one adds only the normative assumption that “the biological sex of your preferred partner” will be the opposite of one’s own. With or without that heterosexist assumption, though, what’s striking is the number and difference of the dimensions that “sexual identity” is supposed to organize into a seamless and univocal whole.
And if it doesn’t?
That’s one of the things that “queer” can refer to: the open mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses of meaning when the constituent elements of anyone’s gender, of anyone’s sexuality aren’t made (or can’t be made) to signify monolithically. The experimental linguistic, epistemological, representational, political adventures attaching to the very many of us who may at times be moved to describe ourselves as (among many other possibilities) pushy femmes, radical faeries, fantasists, drags, clones, leatherfolk, ladies in tuxedoes, feminist women or feminist men, masturbators, bulldaggers, divas, Snap! queens, butch bottoms, storytellers, transsexuals, aunties, wannabes, lesbian-identified men or lesbians who sleep with men, or…people able to relish, learn from, or identify with such.
Again, “queer” can mean something different: a lot of the way I have used it so far in this dossier is to denote, almost simply, same-sex sexual object choice, lesbian or gay, whether or not it is organized around multiple criss-crossings of definitional lines. And given the historical and contemporary force of the prohibitions against every same-sex sexual expression, for anyone to disavow those meanings, or to displace them from the term’s definitional center, would be to dematerialize any possibility of queerness itself.
At the same time, a lot of the most exciting recent work around “queer” spins the term outward along dimensions that can’t be subsumed under gender and sexuality at all: the ways that race, ethnicity, postcolonial nationality criss-cross with these and other identity-constituting, identityfracturing discourses, for example. Intellectuals and artists of color whose sexual self-definition includes “queer”—I think of an Isaac Julien, a Gloria Anzaldúa, a Richard Fung—are using the leverage of “queer” to do a new kind of justice to the fractal intricacies of language, skin, migration, state. Thereby, the gravity (I mean the gravitas, the meaning, but also the center of gravity) of the term “queer” itself deepens and shifts.
Another telling representational effect. A word so fraught as “queer” is— fraught with so many social and personal histories of exclusion, violence, defiance, excitement—never can only denote; nor even can it only connote; a part of its experimental force as a speech act is the way in which it dramatizes locutionary position itself. Anyone’s use of “queer” about themselves means differently from their use of it about someone else. This is true (as it might also be true of “lesbian” or “gay”) because of the violently different connotative evaluations that seem to cluster around the category. But “gay” and “lesbian” still present themselves (however delusively) as objective, empirical categories governed by empirical rules of evidence (however contested). “Queer” seems to hinge much more radically and explicitly on a person’s undertaking particular, performative acts of experimental self-perception and filiation. A hypothesis worth making explicit: that there are important senses in which “queer” can signify only when attached to the first person. One possible corollary: that what it takes —all it takes—to make the description “queer” a true one is the impulsion to use it in the first person.
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probablydidrpgideas · 4 years
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Not only is “phylactery” not a Jewish word (it’s Greek, actual Jews call the object a “tefflin”) , but the OP lied about being Jewish for that post, they’d even said “I’m not Jewish but I’m I’ll eat my way through Hanukkah food” before making that post. I’d retract the post at minimum, possibly reblog a correction of the post that you can find in the notes, that’s just such a sad thing to lie about.
[Note to start off the ramble before anyone says anything; I am not Jewish. Just spent all day researching this and fact-checking a few things]
Boy oh boy, we stepped in the Drama today everyone.
To get this part out of the way: People fucking suck, sucks about OP. That’s disgusting, and stupid, and just aggravating. People lying on the internet is stupid and frustrating and just. Ugh.
But hey let’s still address this part.
You DO realize Phylactery is, technically, a Jewish term, correct?
The term was originally derived from the Greek, or possibly also Latin or French based on suffix usage during the 12th and 14th centuries. We believe the Greek because we have the Greek translation of the Gospels of Matthew (St. Matthew the Evangelist, AKA Matthew the Apostle) in which the word was used. Matthew was a first century Galilean, and because he was a tax collector, was likely fluent in both Aramaic and Greek, which would’ve pushed him away from his fellow Jews as he was likely seen as siding with the Roman occupation. So, while the term came from a man using the Greek terminology, it still came from a Jewish man.
Moreover, as many people have been SO keen to make me aware, the term tefflin is used by Jewish people, not Phylactery. Believe it or not, I do know this, as I have access to Google. And THIS, my friends, is where my main problem arises with how angry people have been getting over this post.
1. When searching the term Phylactery, most of the top results (including the lovely definition Google posts from another website directly so your eyeballs see it immediately) show Jewish connections. YES, I know, it is NOT STRICTLY a Jewish term - it’s a catch-all, a term simply meant to describe an amulet. Be that as it may, it has become intrinsically tied to the Jewish faith in the eyes of those who are not Jewish. Meaning, while the term is not used by modern-day Jews, it still holds religious connotation and history strong enough to still be tied to that religion.
2. Given that fact, isn’t it still a good idea to stop using that word? If only so we can avoid this very specific kind of drama all over again? I mean, really, what REAL reason is there for us to call the container for a lich’s soul this very specific word? Why not make up our OWN word for it? It’s really not that hard to change it from that original word so that we don’t need to deal with that connotation it still holds.
3. Instead of understanding that, hmm, it really isn’t that hard to change a single word on our part to stop using that word, people went absolutely apeshit in the notes of that post. Like. Jewish People, Anti-semetic people, everyone went apeshit. And here’s the thing!! People keep saying “Jewish people have commented on the post and said they don’t care about this drama at all and they wish it would stop”! Yes! That’s true! And there are also Jewish people on this post agreeing with the fact that we should try to fix this terminology and stop using the term in D&D because of this exact fucking drama.
Ugh. Look, I’ve spent all day looking into this bullcrap. Here are my thoughts, and you can shit on them if you’d like because at this point it’s mostly opinion.
Was this antisemitism? Maybe, but almost definitely not imo. Certainly not deliberate in any case.
Should it change? Hell yes it should because the drama needs to die, so let’s change the word.
Does it matter? Well, let’s see. Has it completely overtaken my dash, turned my entire day into a hellscape of messages and reblogs and “Well ACTUALLYs” and just general UUGH? Yes. Yes it has.
Look. I get it. The big thing here is, there are far bigger issues in the world to handle. There are far worse cases of antisemitism, far more things that need to happen in this world. Changing the name of an archaic word that Jewish people don’t even use and haven’t used in more than a few centuries isn’t going to fix antisemitism. We get that. But in our small bubbles of world that we exist in, we cannot change the entire world. Yes, I would LOVE to protest antisemitic practices and god just EVERYTHING that goes on in this world. But the fact of the matter is, in my current position in life, I can’t do much beyond the scope of my inner circle of friends, and those who follow me on social media platforms.
I will always be vocal about things that I think are stupid or unjust or anywhere inbetween. This is one of those things. Because, as I said, the term is still connected to the Jewish faith, whether Jewish people like that or not! So on the surface level of Being Not A Shit Human Being, we should change the word in our D&D games. That is the easiest possible hurdle. Now, we should also start, idk, erasing the fact that the word is connected to Jewish culture in the first place (and almost ENTIRELY Jewish culture beyond the fantasy definitions) since it’s an outdated term nobody uses. But being an atheist-raised-christian with no current access to literally any Jewish people in my life, and no ability to hack every dictionary website at the same time ---- I think I’m kinda shit outta luck in that regard.
So I will do what I can, in my own little world, to change small things. Because I was raised in an environment where being antisemitic and racist and homophobic was all in the small details just like these. So much so that I didn’t realize how horrible some of the things I said and did were until they were already out of my mouth and I had already offended people.
TL;DR: Please stop messaging me about this. We should still probably change the term as it IS still connected to the Jewish Faith. OP is a crustnugget for lying. Can everyone please stop attacking each other over this post thx. Also let’s all try to be a little less antisemitic. Okay? Okay.
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bluekaddis · 5 years
Text
Today is 11/11 which marks 101 years of Poland regaining independence and I thought it is a perfect time to publish a post that I’ve been working on for a while. 
Ferelden from Polish Perspective aka Why We Can Relate to Dog Lords So Much. 
This is a sort of compilation of my own thoughts I had while playing the games and various talks with my Polish friends. It is not supposed to force any ideas or teach others how to interpret the game. I just thought it could be entertaining for anyone interested in history and culture. I was trying not to elaborate too much on the subject here but it still ended up being A Very Long Post TM. To make this post a little neater to read, I divided this post into 4 sections:
1. History
2. Fashion and Food
3. Politics
4. Relationships with Other Countries
I will be very happy if you find a minute or two to read some of my points. If you have any additional questions or comments feel free to leave me a message :)
And once again - enormous thanks to @aeducanka​ for proofreading. I would be a poor mess without you. 
DISCLAIMERS
1. Yes, I know that Ferelden is based mostly on Anglo-Saxon England and I have no problem with that. True, I may be a little disappointed that the game includes references to so many European cultures and countries (France, Byzantine Empire, Venice, Roma culture etc.) and yet practically ignores Central and Eastern Europe completely, BUT this post is not meant to be a “Where is my representation?!” rant. If I wanted a game with Slavic culture vibes, I could always play the Witcher trilogy again. We are doing alright. 
2. I am in no way an academic specialist on culture or history, even these of my own country. I did some research, but most of facts and figures can be easily found on wikipedia. You can treat this as just some observations and headcanons of a 29 y/o Polish woman, who has grown up and lives in Poland. 
3. The main focus of this post is Poland in different moments of history. However, when talking about fashion and political system I will mostly refer to Polish culture between the 16th and 18th century. During that time Poland and Lithuania formed a dual state known as The Polish–Lithuanian Commonwealth. So, whenever I refer to this particular period, I will use the term “Commonwealth” instead of “Poland”. 
PART 1 – HISTORY
The country’s name origin
Ferelden means „fertile valley” in Alamarri tongue [WoT vol. 1], Poland most probably comes from the Slavic word „pole” meaning „field”. They both refer to land that can be cultivated.
History of unification
Ferelden lands were divided between many tribes until they were unified by Calenhad Theirin. He fought and defeated other Alamarri tribes’ leaders, proclaimed Andrastianism as the new official religion of his kingdom and started the Theirin dynasty.  
A similar story can be told about Mieszko I of Poland – the leader of the Polans tribe (one of many Slavic tribes of that time) who, by means of war and diplomacy, united many Slavic tribes and created the Polish country in 965. In the same year he was baptised, abandoning native paganism in favour of Christianity. Mieszko started the Piast dynasty which ruled Poland for over 400 years. He never officially became a king, though – his son, Bolesław, was crowned king in 1025.
Also, Ferelden is a relatively young country compared to countries like Orlais or Tevinter. Even if Poland has over 1000 years of history as a country, it has to be noted that some Western European countries have a longer history (eg. the Carolingian Empire or the Visigothic Kingdom). Polish lands have also never been a part of the Roman Empire. 
Fun fact – the half-legendary sword of the first king of Poland, Szczerbiec, was stolen by Prussian troops during their invasion on Poland in 1795. Calenhad’s sword, Nemetos,was lost during the Orlesian invasion on Ferelden [WoT vol. 1].
Ostagar
Now, I will tell you a story. It is about a young king (in his twenties), a little reckless, wanting to be the leader who stood against the great invading threat to his country, a little blinded by the perspective of glorious victory. Just before the battle one of his allied forces betrayed him and did not provide the promised aid. The enemy army was too strong, too large. The king’s army was defeated, the king was killed in battle and his body was taken by the enemy. The king did not have children and his younger brother had succeeded him.
No, I’m not talking about Cailan, this is the story of Władysław III of Poland.
PART 2 – FASHION AND FOOD
Fashion
All cultures in Thedas have their own style and fashion. Ferelden is supposed to be this “We like fur and warm fabrics” culture, opposite to the extravagant Orlesian style. However, I have few problems with how Fereldan fashion is shown in the game.
1. It is too early-medieval looking. I know, it is a fantasy, you can mix ancient Egypt with steampunk and nobody should care. But we see, from cultural and technological perspective, that Thedas in Dragon Age is more renaissance/baroque than your typical medieval. Heck, some elements, like the infamous Formal Attire, look like clothes from 18th or even 19th century! In comparison, outfits like Arms of Mac Tir or Robes of the Pretender (though good looking) look like something from the Vikings era.
2.  We do not see many good looking Fereldan outfits in the games. I like Alistair’s royal outfit and some of Fereldan armors and clothes from DA:2 but remember this?
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Or this?
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Yeah, Dog Lords can do better :/
And that’s why I like to headcanon Fereldan fashion as something more resembling the Commonwealth fashion between the 16th and 18th century. It was an interesting mix of European and Asian influences and I think it would work perfectly with canon Ferelden because:
1. People LOVED fur elements in their clothing. Fur lining on coats, fur caps decorated with feathers, pelts of wild carnivores (lions, wolves, bears, etc.) on armour  - fur was everywhere.
2. It is simple but regal. The quality of materials and patterns were more important than volume and the number of layers. A typical male noble outfit consisted of a long garment (żupan), a long, ornate sash, one of two types of cloak (delia or kontusz) and a fur cap decorated with feathers and jewels. If you compare it with the baroque fashion from France it is less extravagant and more practical. No wigs, no flounces, no man tights. 
Compare these two dudes – the older one is dressed Commonwealth style, the younger – in French style. 
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The Deluge, 1974
Of course some wealthy noblemen who spent a lot of time in France or other Western countries tended to adapt their style, but from what I know it was not that common. Women, on the other hand, tended to dress more similar to their Western counterparts (especially when they wanted to look fashionable) but their everyday dresses were not that much elaborate. They also wore kontusz (though the female version was shorter) and fur caps when outside. 
Below I post some more costumes to better illustrate my point. They all come from Polish movie adaptations of H. Sienkiewicz’s novels (I looove both the books and the movies).
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With Fire and Sword, 1999
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The Deluge, 1974
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Fire in the Steppe, 1968
And I could not NOT to mention the wonderful interpretation of Fereldan armor and clothing for my OCs drawn by @ankalime​ - I still can’t get over how beautiful they look :3
Food
From what we know, Fereldan food is very similar to traditional English cuisine (lamb and pea anyone?), HOWEVER, I can totally see some traditional Polish dishes on Fereldan tables. Let us look at this part of Alistair’s banter with Leliana:
“Now here in Ferelden, we do things right. We take our ingredients, throw them into the largest pot we can find, and cook them for as long as possible until everything is a uniform grey color. As soon as it looks completely bland and unappetizing, that's when I know it's done.”
Dishes like bigos, flaki or goulash (mostly associated with Hungary but also present in various forms in Slavic countries) totally fit this description. Tasty and hearty but I know some foreigners see them as totally unappetizing :P
Poland is also culturally more into beer than wine  (high five, British Isles!), so Fereldan ale fits this image, too.
PART 3. POLITICS
When I first played DA:O and heard about choosing the new queen/king on Landsmeet I was like “omg, they have wolna elekcja!”
The canon Ferelden is a feudal country, however, there seems to be less focus on the king's absolute power – instead, the nobles can choose the king they like, the hierarchy inside this particular social class is also less striking than one can expect. 
And this brings me to the concept of Golden Liberty. (I will quote Wikipedia here, I am not that smart to explain this well in English on my own).
The Golden Liberty was a unique political system of the Commonwealth – a mixture of monarchy, oligarchy and democracy. The most distinctive elements of that systems were:
- All nobles regardless of rank or economic status, were considered to have equal legal rights (and you did not have to own a town or two to be considered a noble – a large part of the nobility owned nothing more than a farm, often little different from a peasant's dwelling, and some did not even have that much). The rights were, for example:
-  Neminem captivabimus ("We shall not arrest anyone without a court verdict").  
- right to vote – every nobleman, whether rich or poor, could vote. Of course if someone was rich, they could bribe others to gain more political influence, but it is the same as today. 
- religious freedom – unlike many other European countries of the time, people in Commonwealth were legally free to follow any religion. The Commonwealth became a common refuge for people who were persecuted for religion in their homelands. The religious freedom was not restricted to nobility but to all social classes. 
- rokosz - the right to form a legal rebellion against a king who violated nobility freedoms.
- the monarchy was elective, not hereditary, and the king was elected by the nobility. That “democracy” was not, of course, perfect, as only male noblemen had the right to vote and elect the king. However, it was still between 10-15% of the population who could vote. In comparison, “in 1831 in France only about 1% of the population had the right to vote”
The Landsmeet in DA:O is basically the free election (well, maybe minus the duel :D) and I would say the Fereldan nobility does not feel obliged to be obedient 100% of the time. 
PART 4. RELATIONSHIPS WITH OTHER COUNTRIES
Orlesian occupation
We know from the game that Orlais invaded Ferelden in 8:24 Blessed and occupied it for decades. The Fereldan forces were rebelling against the occupant and finally, under the command of Maric Theirin, they won their freedom.
Again, it is a huge topic, so to summarize: Polish-Lithuanian Commonwealth suffered a similar fate in 1795 as it was conquered and divided between Habsburg Austria, the Kingdom of Prussia and the Russian Empire. For 123 years Poles have been trying to regain their country, have started several uprisings and lost many lives in their fight for independence. Finally, at the end of WW1, independent Poland reappeared on the map of the world. Then came the WW2, probably the most tragic event in Polish history – the cities were razed to the ground, a vast part of national heritage destroyed or stolen, and over 6 million people (1/5 of the pre-war population) were killed.
So yeah, a country invaded and occupied for decades by its neighbour sounds way too familiar to be ignored. 
Ferelden in the eyes of Orlesians
The Fereldans are a puzzle. As a people, they are one bad day away from reverting to barbarism. (...) They are the coarse, wilful, dirty, disorganized people [DA:O Codex Entry: Culture of Ferelden].
Yeah... this, unfortunately, sounds familiar. I fear that the stereotype of a drunk, stupid, poor, thieving Poles (and other Slavic nations), which originated from WW2 propaganda, is somehow still alive in the West. I will not dive deeper in this subject because I want to believe my followers have their own brain cells and I do not need to explain how hurtful and offensive those stereotypes are.
My point is – I could identify easily with a fantasy country that is located east from the “centre of culture and civilisation” and is unfairly believed to be more barbaric.
So – for all two of you who bothered to read the whole thing - thanks for coming to my TED talk.I really appreciate the time you spent here :)
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first-son-of-finwe · 4 years
Text
So this is my “leaving the fold” essay, which I mentioned some time ago. I wrote this mostly for myself because writing things down always helps me make sense of them, but quite a few people expressed interest in it, so here it is. 
I was raised as quite a strict Orthodox Christian, and the religion is a huge part of my mum’s life. This is mostly my experience of its ideas and processes, and how and why I ultimately decided to leave. It’s a bit rambling, all over the place and very long, but I kinda wanted to post it somewhere, so 🤷
TW for mentions of abortion, alcoholism and general conflict.
When I was twelve or thirteen, my parents and I set off on one of our regular trips to Russia. We used to do this every year before time and money became restricted, and one of our compulsory stops was always a large, sprawling monastery on the outskirts of the city of Nizhny Novgorod.
It’s a place of smiling nuns but very strict rules, where God forms a part of every sentence and church is mandatory for both mornings and evenings. It’s a place of communal meals, harvesting vegetables and milking cows, ringing bells, and lots and lots of praying. For me, it was a taste of pure rural life. I loved running through the fields, swimming in the pond and helping out with the manual tasks of running a communal settlement. I gasped in delight when I saw the lone horse in the field. Deep down I was never meant to be a city kid, and being at the monastery fuelled my dream of living the simple life.
But the fact that we were there purely for religious reasons? That was only an afterthought. An obligatory thing I had to go along with, because the adults expected it. Perhaps I tried to feel the same spirituality they seemed to experience, but I never quite got there.
I put on the headscarf, held the candle, wrote the names of my loved ones on prayer notes for the living. I bowed to the icons, made the sign of the cross when everyone else did. But I never truly connected.
One year on the day of a particularly significant celebration, a huge icon was carried over a horde of kneeling worshippers, and my mum told me to kneel down and pray for my dad to recover from his alcoholism. And so I did.
This is something I’d been praying for for a long time. It’s something I was told to pray for at every holy site, and before every relic. And no, he’s never quit drinking.
But I already knew that he wouldn’t, even as I knelt, closed my eyes and begged whichever saint was on that icon to help my dad quit drinking. I simply knew that it didn’t work that way.
I knew it the same way I knew that Santa wasn’t real. Every child seems to have experienced a shock-horror moment upon learning that they’d been deceived, but I recognised him for what he was right from the start - a story. For someone who’s always thrown themselves wholeheartedly into stories and fantasy, I’ve always had a very clear distinction between fact and fiction - though I’ve also not been so close-minded as to think that there isn’t a grey area in between.
No matter how hard I tried to convince myself, I don’t think I ever truly believed in their version of what was supposed to be happening.
But I think my moving away from Orthodoxy truly began the day I heard my mum on the phone to her friend, who was at the beginning of a difficult pregnancy and was considering an abortion. She and her husband were on different pages with regards to this, though I don’t quite remember who wanted what. My mother’s advice was this: “Well you should really listen to your husband, because you know that a husband’s word is God’s word.”
Even being the believer that I was then, my immediate reaction was complete shock, followed by a thought process that went something like “Are you joking?? SERIOUSLY?”
And of course, it was hard not to think of my own father in his worst moments of drunkenness. So it seems “God’s word” is actually a whole lot of slurred, barely comprehensible nonsense occasionally sprinkled with some insults. That’s really the logic we’re going with here? And beyond that, how can you hand such a deeply personal decision to someone else??
When I went away to university for three years and spent considerable chunks of time away from my mother’s influence, my skepticism only deepened with every day. I couldn’t reconcile the science-driven environment I saw around me with the ideas being propounded in church. Sincerely believing in the Adam and Eve story, in this day and age? It didn’t compute.
Having said that, I would certainly not call myself an atheist even now. I think it is just as presumptuous to assume your absolute knowledge of the infinite universe and declare it contains nothing, as it is to declare that your religion is the only correct one. I find many things about the Christian God to be extremely convenient (just so happens to be an old white bearded man, oh fancy that), but I am certainly not convinced that there are no intelligent forces in the world, whatever shape they take. We are simply not in a position to know these things, and I’m okay with that. 
In turn, I treat anyone who claims to know them with intense suspicion.
Ultimately, leaving Orthodox Christianity was a long and painful process (I say ‘was’ in the past tense, but the truth is that it is still ongoing) filled with guilt, second-guessing, deliberate habit breaking and an extremely distressed and persistent mother. But my reasons for it boil down to four key things.
Their ideas did not match my ideas. I will never believe that women are obliged to be submissive to men. I will never believe that being gay (or in any way not straight) is a sin. I will never believe that Eastern Orthodoxy is the one true faith among all the other hundreds and thousands of faiths that exist on this planet. Living with your partner without being married is not a sin. Eating some chicken on a lent day is not a sin. A woman on her period is not “unclean.” Their ideas of good and bad, right and wrong seemed so incredibly outdated and arbitrary that it became hard to take anything they said seriously. And I felt so uncomfortable standing there, surrounded by people who I knew believed in all of this wholeheartedly.
Despite the religion branding itself as ‘Christian’, I don’t think I’ve ever heard any of the priests or worshippers talk about helping others. It is not on the agenda. People walk into church and think that because they’ve said their prayers, abstained from meat and dairy and then said their prayers some more, they’re now good people. But what have they done to make anyone’s life better? Who have they helped? Who have they listened to, cared for, understood? It’s not about that. It’s about making yourself feel good because you recited the Lord’s Prayer before eating your lunch.
The process of participating is extremely rigid, and trying to remember all those rules and traditions is honestly just stressful. Which hand do I kiss? How many times do I have to make the sign of the cross before approaching that super special icon? Do I have to touch the floor, or is that optional? Oh, everyone is kneeling...I guess I should kneel too. Once, I accidentally addressed the Archbishop as ‘Father’ and got a slew of disapproving looks from everyone around me. I think perhaps people find a certain kind of comfort and stability in routine, but having one imposed on you when you’re constantly unsure of the rules is not a pleasant experience.
Sometimes there is a very thin line between a religion and a cult, and Orthodoxy is toeing it a little too closely for comfort. I’ve seen it overpower people’s rational thinking and tap into their most powerful emotions in a way that’s honestly quite frightening.
The first step to leaving was progressively going to church less and less. I’d only ever really gone because my mum demanded it, but now, I put up a bit more resistance. I got screamed and yelled and cried at, and at first, of course I gave in. But little by little, I began to get the message across that I was simply not interested anymore.
Then, I deliberately made the choice to break certain habits. We always faced a row of icons on the wall and made a sign of the cross before leaving the house, and coming back in. It was such an ingrained habit that I did it automatically, and for the first few months, I had to physically catch myself in order to stop. That came with its own sense of guilt and hesitancy, and with the feeling that hey, now God is mad at you - hope a brick doesn’t fall on your head when you’re out there without his blessing.
The next step was removing the cross I’d worn around my neck ever since I’d been christened as a baby. Even now I can’t not wear something around my neck, so I have a little key necklace there in its place. Having a bare neck just looks too weird to me.
That cross came off and went back on at least three times. Each time I’d be persuaded, guilted, given the simple but effective phrase of “just do it for me.” I’ve removed it for what I hope will be the last time, and “just do it for me” won’t cut it anymore. If I converted to Islam tomorrow, would it be okay for me to ask someone to wear a hijab “for me”, even though they don’t share my faith? No, it wouldn’t. Religion and expression of religion is a personal choice, and not something you can strong-arm your adult children into.
Now, I’m in a fairly comfortable place where I’ve shed most of that initial guilt and am happy with my choices. I’ve even been back into church a couple of times just to meet a family member, only catching the end of the service - and even then, I’ve been reminded of exactly why I left. My mindset is simply too far removed to find any spiritual value in Orthodoxy.
Does my mother still try to get me into church? Yes. Are the attempts extremely mild and infrequent, compared to what they used to be? Yes. On one hand, I’d like to have a deep conversation with her and explain all the reasons why I have no interest in the religion anymore, but on the other hand, I know it’ll likely make her extremely upset.
Perhaps it’s better to just let it be.
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mordigen · 3 years
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Wicca is a Sex Cult - you won’t change my mind. Pt 1
I have always had a since of unbelonging and curiosity my entire life. So, I’d like to believe that my ‘path’ in the craft has been eternal. But, if we are scrutinizing - I guess you could say it didn’t really begin until I was about 9-11 years olde. Can’t remember the precise age or year - just how it went, and my friends that started on that path with me. When you are olde enough to start developing your own likes and interests, olde enough to start having questions about anything and everything in the world around you - and young enough to have complete reckless abandon and lack of frontal lobe development to indulge such questions, curiosities, and probably otherwise, not the *smartest* of explorations. But boy, did we make some memories. 
But this was also the time when only the ~rich folk~ had internet in their homes, where the rest of us were reduced to the free 10 minute sessions at the public library which came with the intrusive screaming of dial-up, met with properly humiliating glares of disgust and disapproval that was just too much for a bunch of pre-teens to handle. So what other options could were we possibly left with? Well, if you had guessed the idle corners of book stores’ New Age  sections, you would be correct, friends! And what else could be found on New Age shelves in the early-mid 90s but Wicca in all it’s Llewelyn glory?? Nothing, friends. The answer is nothing, unless you hoped to find a few odd horoscopes, a token copy of the Necronomicon stashed away behind some UFO conspiracies from the O.G. David Childress & Co. But if you were looking for anything spiritual in nature beyond the status quo puritan American heritage? Nothing, friends - except Wicca. 
So, needless to say - this was my only experience at this age with anything magically or pagan inclined whatsoever. Now, I came from an immigrant family, lived in an immigrant neighborhood, went to an international school with friends of immigrant families so we were well versed in stories of other customs and cultures - but always in an intangible way. Just stories, things of fictions or long-dead ancestors which no longer exist. I personally came from a mixed-bag family, Irish Pagan, Southern Methodist, strict Catholic, Native Shamans. So religious discussions were always heated topics of animosity - so people just didn’t  talk about it, either out of spite and grudges, or just to avoid constant fights. So though I had family that participated in pagan rites, they didn’t talk about them - and they certainly weren’t teaching me anything (not yet anyhow, more on that later) So these books we perused, for hours without buying to the chagrin of the bookstore employees, were really the only introduction and information we had to go on with regards to anything spiritually related to the magical or to the pagan - and we took it as gospel, as we didn’t know any better - and I simply thought this was the modern term used today for a whole vast array of pagans and witchcraft followers. I thought it was a modern day term for a very olde religion. That is what I truly believed for years, especially with my Irish background - and the very heavy Irish influence in Gardener’s foundation of his religion, I felt like YES - I had finally found what had been calling to me for all these years. This was right, this is what I was meant to be - as a lot of the tales he recounted I had remembered being told, or reading, in my families books and stories my entire life. I recognized the names. I knew what “feast days” he was referring to - this was my blood, my heritage - and this MUST be what my family and ancestors had been following - and this MUST have been why I felt so out of place for so long : I was meant to find this.
 It was awe inspiring, it was liberating. It was exhilarating.....until it wasn’t. One day, after restocking the shelves with a new shipment, did we stumble across the works of Gardener himself. Wherein book after book, chapter after chapter, detailed the use of ‘Skyclad’ rituals and initiations through the ‘Great Rite’ and meditation through the ‘Great Rite’, and visualization through the ‘Great Rite’, and energy rising through the ‘Great Right’  and just about anything and everything through the use of the ‘Great Rite’ or some incarnation thereof. In the particular books that we read, there were even specific instructions on how to handle ritual situations involving young children and minors, with or without parental involvement, and the importance of secrecy.  
This should be a red flag to anyone with a brain cell. 
But, for some reason, it wasn’t. My friends ate it up - the fact that they were being referred to, and treated, as adults and equals. What is more enticing to a bunch of hormonal preteens/teens who are certain they know everything, than to be treated as the adults they are very certain they absolutely are?  We even had intent debates and discussions with each other where we defended that it was completely respectable and not at all inappropriate. We hung on the language they used as proof that, see, they are not creeps - it is at our discretion, and intimacy level. Using words to be extremely specific about consent, and age, and detailing liaisons between mentors/students and members/High Priest(ess)es to not take place until they are of age and to be very mindful of that at all times. It felt all sorts of wrong to me at the time, but I was in complete denial - it just felt uncomfortable because it was new to me. We made arguments that our very strict, closed-minded Christian influence was why it felt uncomfortable. 
As a now wizened adult, not only is this “language” and position the very same argument pedophiles use to skirt the law and rationalize their actions as simple fantasies and free speech, but there is the bigger issue of the “secrecy”. Officially, on record, they are pillars of responsibility and advocates or legal boundaries and sensitivity -- but behind closed doors, don’t ask, don’t tell. Whilst making a not-so-subtle point to acknowledge all the legal boundaries, in the same breath they advocate the freewill, and consent of the member - regardless of age. Making the not so intuitive leap to assume that age is an afterthought if the member should be a willing participant. Nonevermind to the impressionable mind and intimidation or persuasion a younger member may be susceptible to - if they agree, then whose to stop them? Using the guise of secrecy as an underlying tenet of the faith. They aren’t “hiding” anything if their rites and rituals and teachings are just an understood secret knowledge only bestowed upon the most worthy individuals - or even that they are protecting the sanctity of such important rites by not publicly discussing them all willy-nilly. Nor do they bat an eye on the fact that presenting these rites and secrecy in such a prestigious manner would lead a younger audience even more inclined to actively participate, AND more inclined to also stayed shut-lipped about it -- as why wouldn’t they?? They are special. They are the chosen ones. They aren’t like everyone else - not just ANYONE would be allowed this opportunity. These are classic grooming techniques, that you can find examples of in the cases of sex offenders and sexual predators all over the world, let alone key tenets seen in nearly every other publicly recognized sex cults - so why is Wicca the exception?
What bothers me more looking back at these discussions we had is that they were completely unprovoked -- nobody had challenged us, nobody had warned us that this sounds fucked up - no one had ever tried to stop us or steer us away.  This was just our knee-jerk topic of discussion and reaction to what we CHOSE to follow. We knew from the get-go that there was something shady going on, our gut and our subconscious was screaming at us to not be those dumb little girls....and we were desperately trying to rationalize it to ourselves without realizing that’s exactly what we were doing. And our rationalized denial won - for a while, at least. 
I started straying more and more from that path ever since that day. But, as this was all I had at my disposal to build my world on, I only strayed so far. Other paths still seemed like the works of myth and legend - not “real” beliefs - so I stayed the course, just tended to keep my mouth shut and smiled and nodded when such debates continued on amongst friends. Eventually, several of my friends found local covens to join. They were sweet, and innocent. They opened up certain meetings and classes to new members as a sort of “tiral” phase - to see if it were a right fit. One of my friends in particular went to many of these. She came back with all these fantastic stories and experiences. Learned so many cool new things, and was really growing and developing and learning in the craft. She now had her very own mentor, and I found myself seething in envy. They were all growing and flourishing, and I was left in the dark with my nose stuck in books just dabbling. So I gave in, and went to some meetings with her. They were innocent and informative enough - meditation lessons, a fun Ostara celebration. Sermons on the Summerland and origin stories, God-specific lessons so we could learn all the various pantheon and what they represented. Workshops on creating candle spells, and how to properly sage and cleanse a space. We did yoga. We danced, we played instruments and tries to get into a trance-state. We had potlucks. It was fun.  And so we decided to join.....
(...continued)
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amandaklwrites · 3 years
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Movie Review/Why This Movie Affected Me: The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (2005)
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Genre: Children, Family/Action, Adventure/Fantasy
Rating: 10/10
Movie Review/Why this movie affected me:
Oh, Narnia. A magical world that I had often dreamt of traveling to as a child. Even now into adulthood, I wish I could be whisked away through a magical wardrobe that left into a land that I could only imagine in my mind.
When this movie first came out in theaters, I was about the same age as Lucy (the actress and I are the same age anyway!), and I am so glad that I got to experience this movie when magic was still filling so much of my imagination. Not that it isn’t now, but it was more intense back then.
Just recently, I had watched this movie again. It is one that I can watch over and over, and never get tired of. It is one that has captured so much of my life that I don’t think I could ever shake it. It was one that stuck with me at age nine, and it’s still fully grasping my heart after so long.
I don’t think anyone will understand why this movie had been so apart of my soul. I don’t remember if anything specific convinced me to go see this movie or if my mom just took me, but I do remember how I felt afterward. I felt like I was empowered, like I had been brought to life. I was obsessed with this movie—and I mean OBSESSED. I talked about it so much in elementary school that other kids were constantly telling me to shut up. I wanted to learn archery because of this movie (my grandpa did teach me!), I had become enchanted with sword fights and armor from this movie, and I fell in love with every single character. I remember crying in the theater when the White Witch killed Aslan, and even more so when he came back to life (let’s be honest, I still cry now), and the absolute wonder of this world of Narnia. As I’ve grown up, I’ve come to realize how much I loved stories of kids traveling into other worlds as a kid. More so than magical things existing in our world (though, I did love Spiderwick Chronicles around this same time frame). I had wanted to fall down a rabbit hole or walk through a wardrobe so much that I had ached as a child.
Growing up, I remember always wanting to be Susan. I dreamt of being so beautiful and wonderful like her (and actually, I am a bit like her when I think about it—I am a bit too serious, I see some things in black and white, and I would probably be hesitant about going into battle), and she was like an idol to me in this movie. But the more I age, the more I realize, especially at the time of seeing this movie, I was more like Lucy. I was a little girl who had believed in what would be considered too many magical things, and I was a bit of a loner. I had dreamt of magic places and characters, and I would be off playing by myself whenever I got the chance. I was teased by other kids, I was made fun of, I was called a freak to my face and whispered about when I was nearby. So, when Lucy is telling the other kids about her experience in Narnia, and they don’t believe her, and Edmund makes fun of her, I know exactly how that feels. One hundred percent. So those moments always get to me. But also like Lucy, I still chose to believe what I believed in, and didn’t take crap from anyone. And I think, in the end, here so many years later, it was for the best. It was what made me who I am.
A few examples to show how much I love this movie, at that age and now—one of them is, when I was a kid and got this movie on DVD, I watched it over and over until I memorized every line, until I could quote the whole movie if I wanted to. And even to this day, when I probably don’t watch the movie for quite some time in between, I can STILL quote every line in the movie. I can say them along the characters, even when I’m not looking directly at the screen. It’s just one of those movies for me.
The other example was a few years ago. My family and I had gone to Seattle to visit, and we went into their big Pop Culture museum they have up there (I forgot what it’s called, I apologize), and I was touring through the Fantasy area, where they had props and costumes of so many fantasy movies. I had turned the corner, and just right there, I saw it instantly. It was Susan’s bow and arrows, and her horn. I remember whispering, “Narnia,” and I rushed over there and started crying. Then, just nearby, was the White Witch’s dress and staff. My mom had to come find me blubbering in the corner (I was luckily all by myself) and pull me away because I kept staring at them. I had felt like a kid again, so excited and amazed that I was looking right at these props of a movie that had changed my whole life.
If it isn’t easy to figure out, I love everything about this movie, even as an adult. It gives me the same feelings a child, though I can look at it from the adult perspective. Like I think it’s pretty incredible that all these children could go into a war and come out alive (though, yes, I do know that most of them are older than they are in the books—I did read all the books after I saw this movie!). It’s pretty amazing. But I do agree that they were strong characters in the first place, with a strong sense of right and wrong.
The cast, I think, are the most important part of this film. All four of the kids were absolutely perfect, and for their ages, fantastic actors in my opinion. William Moseley and Anna Popplewell slip so well into their characters that to me it felt so seamless. Skandar Keynes and Georgie Henley were younger, so their portrayals were a little rougher, but honestly, they were still so good, considering their ages. Everyone else was just as wonderful—Tilda Swinton as the evil White Witch was horrifying, James McAvoy as Mr. Tumnus is just so sweet (and I somehow got Tumnus in a personality test?!!?), and the ultimate Liam Neeson as Aslan was the best casting.
Let’s talk about Aslan for a moment. I do know very well about the connections of these stories with Christian allegories that may or may not have been purposeful by C. S. Lewis (though, we can also discuss how Lewis was raised Christian, then became an atheist, then Pagan, then Christian again at the convincing of his friends—I’m looking at you Tolkien—so I think a lot of his work is influenced by it all), but can I just say: if Aslan is God, I’m one hundred percent okay with that. I think Aslan as a view of God is exactly what Christians should believe in for their God. I myself am not religious at all, but I know a lot of Christians and I have read the large chunks of Bible for Literature Studies, so I think I get the grasp of some of their beliefs. And most of the Christians I know, or people (like my family) that had been raised in churches and religion, believe in a God that is kind and watchful and just lets people live their lives (yes, I know, not everyone believes in this version of God, I’m just speaking on experience from talking to people that I know that believe in God). And I think Aslan reflects that well. He is “not a tame lion” as Mr. Tumnus puts it, which I think reflects on the idea that Aslan/God could be cruel and destructive if he wants (think about what he did the White Witch), but mostly, he is kind and gentle and all knowing. Aslan isn’t always there, and he doesn’t step into every single thing in the world of Narnia, he steps away and leaves the Narnians to experience the world themselves. And I see the connection between the idea that the Narnians are hopeless and left behind when Jadis the White Witch rules over Narnia and Aslan hadn’t come to save them. But, according to the prophecy of the four children, he wasn’t meant to save them all himself. He still keeps to the sidelines to let the Pevensie children save the world themselves, and he steps in toward the end. (And yes, with the same allegory, he returns and the Narnians faith does as well). But I have always loved Aslan, as a child and even as an adult that has an entirely different set up beliefs than most people I know. I love the allegory of him as a type of God. Because if there had to be a God, I would want it to be Aslan the Lion. I would believe in him completely. Though, I did notice the line that he said to Peter, where there was something even higher than him that controlled their destines and that makes me wonder—if that is a direct quote from Lewis (I’ll have to research that), or just a line from the movie, what does that mean?? Are they talking about the powers of the universe? Are they saying that Aslan isn’t the only higher power in this world? Which to me, makes him even more complicated and interesting, to have him mention something like that. And my god, he sacrificed himself for Edmund, do we realize that? I hated that scene in theaters and I still hate it now, watching the humiliation he’s put through, the absolute fear in his eyes, even if he knew what would happen. It makes him feel less like God, and almost human. Because though he knows he’ll come back—he’s scared. He doesn’t want to die at all, he doesn’t want to experience that. And to me, that was when I had loved him even more. Because he has feelings, he responds to fear and danger, but he still has the belief that everything will be okay. I could easily write a whole essay about Aslan, but I’ll leave it at that for now. I just love Aslan so much.
Everything about this movie feeds me joy into my soul. The story itself, the magic, the love of the siblings, the battles, the comfort of knowing that something like Aslan can protect a whole world. The movie had created a whole world for all of us to see, and I thought it was beautiful then and I think it’s still just as magnificent now. It’s a movie that taught me something as a child and as an adult and keeps hope and belief and magic in my heart. Can’t you tell at this point? I could gush and talk about this movie for hours, maybe even days, so I can’t go into every single detail—but maybe I’ll mention some things I’ll reference on my blog in the future.
But I can say, this film opened my whole world. I can remember that whole time frame after I saw it, how much I loved it, how it made me feel so strong and magical myself. I even have a jewelry box that is an exact replica (though small) of the wardrobe, and some other cool prop stuff. I cried when I watched the Disney+ episode of props from their movies and it was William, Anna and Georgie seeing their costumes and props (I’m not kidding, I sobbed like a child). I still look into wardrobes just in case whenever I stay somewhere. It showed me that though I was considered a freak at my school, I didn’t care. I still believed in myself and the magic. I think this movie (along with Alice in Wonderland, to be honest, since I loved that one before this, so it was influential there too), is the reason I don’t care what people think of me, for the most part. I just do my own thing, I can be alone, I believe my own stuff. Of course, things get to me and everyone cares about what people think of them, but for the most part, I’m comfortable with who I am and I always will be myself. And I can thank this movie for that.
Whenever I watch this movie, I feel like I’m home.
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Round 2 - Side B
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Propaganda below ⬇️
Dracule Mihawk
Okay so he wears a cross necklace and his sword looks like he has a cross on his back. Like yeah hes a gothy bitch but got that Catholic vibes trust me also got that catholic vampire 18th century facial hair
his weapon is a giant bedazzled cross sword and if he held up his arms he’d look like he was being crucified on it. he’s spanish *and* dracula coded. puss in boots has been accepted and this is his human counterpart.
he keeps sipping red wine, what’s that if not the blood of christ?? also his hobby is gardening and he adopted two orphans. catholic mom.
a vote for mihawk is a vote for all of the forgotten one piece characters
Kristen
Once known as a Chosen of Helio, Kristen lost faith, found out she was gay, escaped the abusive church, and helps a lonely abused goddess return from the dead and continue the goddess of mystery. She also ends up creating her own god in the middle there, but decides it's kind of super annoying and eventually nopes out.
Kristen might be skirting a couple lines here so I'll provide my reasoning for why I think she might belong in the competition but feel free to choose as you wish. Kristen used to follow Helio, and her entire relationship with religion and Helio is meant to show a story of a queer teen leaving an abusive Christian church (I'm not sure if it's specifically Catholic or not, I'm Jewish and don't really understand the differences very well). Throughout the story Kristen meets Helio, finds out how much of a dick he is, finds out how terrible the Church has been and becomes more aware of how her family and the Church are racist/homophobic/abusive/etc., learns more about the world and breaks her ties with the Church, and then goes to find her own faith and a god worth worshipping.
girl is miserable for so much of the first season. girl is battling the brain demons. girl is battling the actual demons. and the actual angels. and the football coach who she knows from church. girl has brothers named bucky bricker and cork. girl invents a new god and cannot get people to convert to her faith apart from a singular dude named craig because she is so visibly annoyed by her own god. girl is gay and has a werewolf girlfriend. girl is so kinky. girl has a dexterity score of 4. not modifier. score. i'm kissing girl on the mouth i love her a lot.
She was a chosen prophet of Helio but oops she’s a very lesbian and so she has to battle with her faith hating gay people as she realizes she is gay people. Early on dies and goes to heaven and discovers Helio is a frat bro and doesn’t really vibe with that. Eventually dies again and fights past angels to get to Helios office and finds her old principal (who died to resurrect her the first time she died, it’s a long story, watch dimension 20, shits wild). And so he makes a deal to help her if she helps him break out of heaven. And also while she’s in heaven she makes a new god whole cloth out of her current beliefs. (She later finds that god annoying because it’s the embodiment of “YES! WOW! YOU CAN DO IT!!” The god turns from YES! Into Yes? In her changing faith. She later resurrects an old god of dreams who was corrupted). But yeah so she has religious trauma out the wazoo. She went to church camp that was actually a front for a cult within the Helioic faith. Idk if it’s Catholicism exactly cause I’m not catholic but it’s clearly parallel so some real world Christ based religion.
At one point they drop 10 stories because they thought they could use their ribbon to fly. They couldn’t.
her entire arc over fantasy high's first season is realizing she was gay and also that her church and the people in it were basically a cult which like SAMESIES and she does end up going to heaven after dying by slipping on corn and getting incredibly disappointed by the jesus equivalent of her universe (his name is helio and he is a frat boy) and after she's resurrected she makes her own god (not very catholic sorry) and preaches about it (pretty catholic of her tbh.) aside from the religious trauma some other kristen fun facts and highlights are that she once ribbon danced down the center of a spiral staircase and lived, she carried a bible around for a good chunk of her freshman year of high school, and her last name isn't a reference to anything because applebees does not exist in the world of fantasy high.
View more propaganda in her tag
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Unholy (Priest!Michael LangdonxReader) 
Author’s note: This was a Millory fanfic I wrote a few months back. I edited it to be a Michael LangdonxReader fanfic. I thought you all would enjoy it! More fanfic to come thanks to your requests. 💜
Warnings: public masturbation, blasphemy, domination, bondage, nsfw 
You were a faithful churchgoer. From your first breaths to now, your parents had instilled in you a sense of dutiful religion. The first thing you’d done after moving away from home was find a local church; and you found a perfect one in The Cathedral of Our Lady of Purity. The congregation was warm and welcoming, you felt at home instantly. The church leaders were devoted men of God, upright and holy. You believed they were the perfect shepherds to your soul. All except for one. A tall, young priest by the name of Father Michael Langdon.
Your trepidation had no basis in outward appearance. He was by all accounts a calm, disciplined man who took great care for the disenfranchised and delivered the most impassioned sermons you’d ever sat under. He was charismatic, helpful, walking in a regal dignity one expects of a representative of Christ. Perhaps it was his looks that so unnerved you. Often when looking upon him at the altar, you would compare him to the stone and stained glass angels encompassing the sanctuary. His golden hair would glow from the streaming sunlight, casting a halo around his head. His face was artwork, not one feature ill placed or imperfect. His eyes were blue as the heavens, and could hold you fast in your place like a command from God himself. His lips…You shook your thoughts away. Father Langdon had plagued your mind for three months. You would scold yourself, commanding your body to free itself from carnal desires; but the image of his mouth, his body, his manhood hidden under black trousers you wanted to see free and throbbing-Oh God! This was your reason for going to confession today. You’d been neglecting it, but now you knew you couldn’t give allowance to your sins any longer. The Cathedral was as grand and opulent as any; white columns, golden holy imagery welcoming the searching soul. There was a smattering of people, elderly men and women praying, some deacons milling about. The left door of the confession booth opened and a middle aged man stepped out, tipping his hat as he passed you. You entered the booth, making the sign of the cross upon sitting down, and took a deep breath, “Forgive me, Father, for I have sinned. It has been 3 months since my last confession.”
Your blood chilled when a familiar dulcet voice came from the other side, “I would have pegged you for more of a faithful confessor than that, (Y/N),” the voice chuckled.
Your legs tensed as you instinctively fidgeted with the hem of your skirt, “Father Langdon…”
The lattice of the window separating you still allowed the general shape of his blond locks to peek through, “I’m sorry, I know that’s not an appropriate thing for a priest to say at confession. I just hate how formal this has to be. I consider us friends, (Y/N),” his voice inexplicably dropped to just above a whisper, “Don’t you?”
You swallowed, your chest thumping, “Yes, but would a friendship at all impede this sacrament?”
His silence made you clarify, “I mean, for there to be bias on both sides.”
He hummed, a vibration that made your breath catch, “As iron sharpens iron, so one man sharpens another. There is no one better to confess to than a friend.”
The booth was suddenly cramped, musty. Your throat dry like a desert.
“The Lord has also given me a unique talent,” he continued, “an ability to discern the darkness of human souls. Those hidden sins, forbidden lusts that wake them late at night,” his tone was penetrative, “cause them to writhe upon their bed. I can unravel their mysteries and bring them to the light.”
You closed your legs even tighter, desperately ignoring the pulse between them, “I don’t have any dark places.”
“None?” He played with every word like a cat with its prey, “If we say we have not sin, we are a liar and the truth is not in us.”
You cleared your throat, the heat beneath your skirt begging for attention, “I meant, of course I have a sinful nature, but I simply don’t possess as deep a dark place as you speak of,” you dug your nails into your thigh, “I’ve never been one to contemplate on sinful things.”
A tense silence hung in the booth before he spoke, “I can sense that in you, (Y/N),” he finally said, “A purity of heart. Yet surely you didn’t come to confession to brag about your own holiness.”
Your voice trembled, barely leaving your mouth, “Of course not.”
His smile was dripping off his tone, “What is thy sin?”
You closed your eyes, imagining it were any other priest, pushing through with gritted teeth, “I have been assaulted by the Devil in more…potent ways than ever.”
“Are these the Devil’s sins, then?” He interrupted.
You paused, caught off guard, “No, Father, they are mine.”
“Then claim them, (Y/N),” his voice was a whisper, cajoling, tender, “Tell me that you have committed sins…and have taken great pleasure in them.”
Your mind felt hazy, “I have allowed my mind to be filled with perverted fantasies against a fellow Christian.”
“How often, my child, have you dwelt on these fantasies?”
If you didn’t know any better, you’d say his tone was…desperate, “Months. I have welcomed sin into my heart and mind, and have let my imagination run wild.”
“Where does it run to, (Y/N)?”
“Lusts of the flesh,” you dodged coyly, “unbecoming to a young woman of faith.”
“Speak them,” he commanded.
You nearly jumped at the sudden change, “Father Langdon?”
“Tell me of your lusts,” he demanded again.
Your voice was so tiny, your heart leaped into your throat, “I don’t think-“
“Sin can only be absolved once it is fully confessed, (Y/N),” you heard him moving, his form leaning closer to the window, “Tell me of your desires. This fellow Christian, as you call them, what do you think of them doing when your imagination takes hold? Are their lips upon yours? Delighting in the sweetness of your mouth with a chaste kiss? Or are they hungry? Ravenous as their tongue dances over yours? Do they bite your lips, drawing beads of blood before licking them clean?”
Your core throbbed at his words. Your mouth hung agape, shallow breaths escaping.
“Are you naked?” Even the way he spoke the word was sinful, “Have your clothes been discarded on the floor in a heap, leaving your sensitive, aching pussy exposed to their lustful eyes?”
Every inch of your flesh was hot and riddled with goosebumps. Not simply from what he said, but how it was as if he’d plucked your own thoughts from your mind and was reading them aloud.
“Are you against the wall?” He stifled a little moan, “On your knees? Spread out on silk sheets, a delicious morsel all for the taking, for devouring? Tell me, (Y/N),” it was like his voice was right next to your ear, “tell me everything that’s in that slutty imagination of yours. Confess every sinful perversion you’ve dreamt about committing,” he chuckled darkly, “the ones you long to have committed against you.”
Your fingers slipped under your panties as if of their own will. You massaged your pulsing clit, your folds already wet with desire.
He continued in agonizing detail, his cadence falling into a steady rhythm to which you pumped two fingers in and out of yourself, biting your lip to detain your ardent whimpers.
“Do you feel their teeth on your soft skin, greedy fingers toying with your hard nipples? Where is their tongue? Is it licking your wetness, spreading it over your lips, or teasing your needy slit? Are their lips gently wrapping around your clit and sucking? Can you hear,” he paused on each word, tasting them, “the slick…wet…sounds? The growling need as they gorge themselves on your perfect, sweet, delectable cunt?”
Hot shame flooded you, but you kept going…faster, harder. What would those poor congregants think if they knew you were making such a filthy scene for the priest?And yet that made your desire grow.
“Can you feel them slide up your body, their hard cock pressing against your soaked thighs? Can you taste yourself on their lips? Do you taste good, (Y/N)?”
An obscene noise almost freed itself from your throat, but you placed a hand over your mouth.
“Do you wrap your legs around their waist like an eager little slut? Are you begging, whining to have them slam their thick, throbbing cock into your pussy over and over again until you cum all over it, screaming?”
His voice was thick with need, “Do you feel yourself stretching around them, taking in every inch? Do you like being filled?” He paused, “Answer me, little lamb.”
Barely trusting your own voice, you whispered, “Yes, Father Langdon.”
You could hear the satisfied grin behind his words, “Do you want to be fucked aggressively? Do you want me to use you as my plaything, my own personal whore to pound my cock into? Do you want to please me?”
You felt yourself climbing towards the edge, “Yes.”
“Yes, what?”
You sounded so pathetic, “Father Langdon,”
He changed pace, as if sensing your closeness; gently guiding you towards your orgasm, “How about I take you slowly? Whisper blasphemies in your ear while I slip in and out of your yearning pussy? Tell you how you feel like Heaven around my dick. Worship you like an idol, sweet hymns escaping my throat in my moans because you feel so fucking good. My ultimate praise spilling out inside you, anointing you as mine.”
The word was like a signal, releasing your tension as you rode the high. As you came down, your breathing slowed, and your mind gained back enough sense to panic over whether or not anyone outside had heard.
“Does that sound like your fantasies, (Y/N)?” He sounded so casual now, returned to his calm, disciplined self.
“Yes, Father Langdon,” you muttered breathlessly.
“Are you sated?”
You removed your fingers from your panties, quickly searching your bag for a tissue to wipe them on, your face painted red, “For the moment, yet they seem stronger than ever.”
He laughed, “Such is the nature of man. Perhaps we could discuss your sins in further detail at a later time.”
You froze at the implication, and scorned how it made a new wave of excitement crash over you.
“Find a way to…absolve them in a more tangible way.”
You sniffled, “Yes, Father Langdon.”
There was a knowing, excited lilt to his voice, “Peace be with you, (Y/N).”
“And with you also,” you returned quickly, stepping outside the booth and trying to hurry outside in the most inconspicuous way possible. Perhaps it was your own anxiety, but you were sure a few squinting glares were thrown your way.
You had never felt more out of place than at Mass the following Sunday from your sinful encounter at confession. Every utterance of holy Scripture burned on your tongue, the wine of communion soured in your stomach. Even your outfit, a draped white blouse and black skirt with heels felt more scandalous today despite wearing it hundreds of times before. you sat at the end of your usual pew, legs pressed together tightly and hands folded demurely in front of you. Your eyes darted everywhere, terrified that somehow the other congregants could read your mind; because all you could think about was Father Langdon’s dulcet voice as he uttered deliciously sinful words right inside the four walls of the holy of holies. Without a single touch, he’d ravaged you so completely. The hymns you sang erupted from constricted breath as you imagined him slipping his elegant fingers between your legs and bringing you to ungodly bliss. You felt hot to the touch beneath the glass stares of saints and angels. You were thankful another priest delivered the sermon today; grateful how utterly boring he was, how completely dispassionate. One of Langdon’s beautiful orations would have been a detriment to your ability to stay calm. When the service ended, you gathered your purse and hurried towards the exit, desperate to feel the chilly winter breeze.
“(Y/N)!” The voice stopped you in your tracks, “Always a pleasure to see you,” Langdon commented sincerely, walking up to you with his hand outstretched for a friendly greeting. You didn’t accept it, and words spilled out of your mouth hastily, “Father Langdon, I want to apologize for what happened at my confession. I should not have let myself give into temptation so eagerly, and in my sin I led you astray. I pray you can forgive me.”
He cocked his head, offering you a playful smile and sympathetic eyes, “Oh, (Y/N), there’s nothing to forgive.”
Your lips parted in surprise, “But…”
He motioned for you to walk with him a bit further away from the crowd, which you did reluctantly, “Human nature is such a fickle beast. If you tell it not to do something, it desires it all the more. The fruit never looked so appetizing until it was forbidden,” he looked at you, “Have you ever read Oscar Wilde, (Y/N)?”
You shook your head.
“Brilliant writer,” he stopped, your eyes meeting, “Perhaps my most favorite quote from him is, “The only way to get rid of temptation, is to yield to it.” I must confess that quote alone influences more of my theology than some parts of Scripture,” he admitted sheepishly before giving a wink, “But that can be our little secret.”
Heat bloomed in your chest, “I’m afraid I don’t really understand.”
He spoke with his hand, the member gliding gracefully through the air, “Consider what happened at your confession as an extreme form of penance. Getting the sin out of your system, freeing the mind,” he smiled, “As long as it is taboo, it dominates your mind, but when you are allowed expression, you dominate it.”
As irregular as it was, you took some comfort in the holy man’s explanation. Though, the ugly head of jealousy peeked through as you thought of anyone else being “helped” by him, “Has your extreme form of penance worked before?”
His eyes lazily rolled over your figure, smile turning impish, “Are you asking whether or not I’ve made other congregates cum like you?”
Hearing him say it aloud, even so intimately quiet, caused familiar panic to jolt through you; along with a sharp pang of desire.
“No,” he chuckled, “My methods would have me removed from the Church.”
Confused, you tucked your hair behind your ear, “Then why…?”
“Why you?” He finished for you, gazing at you with an admiring look, “You’re different, (Y/N). There’s an aura about you, I don’t see any pretense in your faith. You’re…genuine,” he stepped closer, sending a trail of goosebumps down your spine, “Hypocrisy is such a rampant plague among the faithful. In you I see the true image of God. Divinity given human hands.”
You blushed further, if it were possible, “I’ve never seen myself as anything special like that.”
He took your hand between his, the comforting warmth intoxicating, “Then you do your Creator a great disservice, for he made you with a crown upon your head,” he looked away for the first time, as if embarrassed, “And, well, I was also purging my own sins in that confessional.”
Your heart jumped, “I didn’t think you thought of me in that way.”
He laughed, low and gentle, “I’ve thought of you in every way, (Y/N).”
You had a flashing thought of him pinning you against the pew, but threw it away. “And if you are willing,” he continued, letting go of your hand, leaving a trace of abandonment, “I’d like to make good on my offer for us to discuss this in more detail.”
Your mind demanded you say no. What kind of woman were you to be alone with the priest you lusted over?
“How so?”
He held his hands behind him, “Are you free on Friday night by any chance?”
You knew it was the decent thing to say no, “Yes, I am.”
“How about dinner at around 6-6:30? I promise I’m just as good a cook as I am a preacher.”
You nodded, “That sounds great.”
He looked so pleased, “Wonderful, let me tell you my address.”
You stared at yourself in the mirror of your bathroom for an hour; your makeup, your dress, your hair, even practicing how you would say hello. “Good evening, Father,” you smiled at your reflection before shaking your head. Too formal. You gave a toothy grin, nearly bouncing on your heels, “Hi! Thanks for inviting me.” You groaned, cringing. Too peppy. You took in a deep breath and said pleasantly, “Hi, Father Langdon. Thank you for inviting me.” You sighed, frustrated with yourself, and shut off the light, heading into your room. You grabbed your purse and keys, taking one last glance in the mirror before leaving. You didn’t know what to expect his house to look like, but it didn’t come as a surprise as you pulled into the driveway. It was a modern Victorian home, painted black. A small garage sat adjacent to a set of stairs leading to the door underneath an archway. Three windows gazed over the garage in a semicircle overlook, the glass giving a peek inside. It wasn’t gaudy in any way, but it was most certainly gothic set against the starry sky. You locked your car and cautiously mounted the steps, ringing the silver button doorbell; a pleasant chime emanating from inside. After a few moments, the door opened; Father Langdon’s gracious tone welcoming you. “Hello, (Y/N).” He was everything you expected from the feet up, black boots and pants; but it shifted once your eyes drew up. He wore a black shirt, sleeves reaching to his wrists, a normal solid collar around his neck, but his shoulders and collar bones were exposed through mesh, stopping just above his chest. His smile was genuine, under eyes framed in black eyeshadow. He was a vision of something so feminine, yet radiating with power. You were hit with a bout of shock. A strange feeling formed in your chest, confusion, desire, fear all swirling together. You mumbled a hello under your breath. “I’m so glad to see you.” You managed a squeaky, “You too.” He stepped back, extending his arm, “Please come in.” You stepped inside the little parlor. Cylindrical lights hung from the ceiling, bathing the cream walls in a gentle hue; an ornate black staircase leading to the second floor. “You look beautiful,” he commented looking over your simple dress. You breathed for what felt like the first time since seeing him, “Thank you. You look…different.” He chuckled, “I like playing with expectations,” he quirked an eyebrow, “Do you like it?” You gulped, “I do, it looks…” you held yourself back from saying ‘sexy’, “Good.” He smirked, as if reading your thoughts, and invited you to the dining room. Dinner went by normally. You talked about life. How you were fairing in college, how your family was doing back home, etc. He never went into too much detail about himself, even when you would ask. He only told you that he had moved to the city after his ailing grandmother died and that he’d been a minister for five years. Nothing else, he was strangely guarded for how sociable you knew him to be at the Cathedral. Afterward, you’d moved to a small sitting room, where he poured two glasses of wine. He handed you the glass and settled into the leather chair, taking a sip, “So, tell me, if we may get down to business, pardon the expression,” he laughed, “what attracts you to me?” You stopped, your lips parted over the rim of your glass. He grinned sympathetically, “Come, there really is no point in being coy about it. And that is why we’re here,” he sipped before setting it on a small table next to him, “To exorcise your demons, so to speak.” You swallowed a too big gulp of the wine before nervously fingering the stem, “You’re…very attractive, charismatic, charming,” you glanced up at him, “you command a room.” He hummed, intertwining his fingers, “Have you often had attractions to authority figures in your life?” You thought of your youth minister back in 9th grade. He was a cute, recent seminary graduate; you became his favorite student to gain his attention. Guys your age just didn’t appeal to you all that much. “Some.” “Do you like being dominated?” He asked it so brazenly, it hit you like a slap to the face. You shrugged, stuttering, “I…I guess I have a proclivity to…follow the rules.” His voice became a commanding growl, his controlled expression never shifting, “That’s not what I asked.” Heavy heat settled between your legs at his tone; you yipped a response, like following an order, “I like the idea of it.” His hand rested under his chin, his eyes burning with curiosity, “Why? Is it being helpless?” You shook your head, your voice maintaining a tinny as you confessed, “Not helpless. Just the idea of being corrupted,” you looked him in the eyes, “Of an attractive older man taking an innocent and dirtying me up. Letting go of certain standards that keep me so rigid.” A low, pleased note rumbled behind his smirk, “Are you a virgin, (Y/N)?” You cleared your throat, “Technically I suppose, I’ve never been…penetrated.” your face was red, “I let one guy finger me, but it was kinda uncomfortable.” He tilted his head, waiting for you to explain. “Like, he was kinda rough and he sorta blamed me for not cumming.” That made his lip curl into a snarl, “What a stupid, useless boy.” Your pulse pounded in your ears, breathing becoming shallow. He remained a vision of calm confidence. He gripped both arms of his chair, leaning closer, something dark coloring his eyes, “What makes you wet?” A spear of cold shock and yearning pierced your core, “I’m sorry?” His smile grew, slightly shaking his head, as if at a young child’s antics. He leaned back, looking like a king on his throne, “What makes,” his tone was languid, “your gorgeous little pussy hungry for a big cock to pin you down and own you?” You released an audible gasp, your body trembling. You swallowed hard, “What you just said.” He nodded, “Dirty words. What else?” You felt entranced, his icy eyes stripping away your inhibitions, “Things that are forbidden, things that would make me seem like a whore.” “Hmmm…” He bit his lower lip, moving his hand; his fingers practically danced from his chest to just above his belt, “It’s quite forbidden for anyone, let alone a priest, to touch themselves while another looks on.” You watched his hand glide to his crotch, palming the growing bulge, licking your lips at his tiny groans of pleasure as he played; his knuckles were white, gripping the leather, “Do you like that?” You nodded, a bit too eagerly. He giggled, a breathy evil sound, “What’s the dirtiest thing you can think to do right now?” Your voice was thick, “Crawl on my hands and knees and grind on your cock.” He let out another chuckle as he bit his lip again, his hand palming the black fabric of his pants faster, needing more friction, “You naughty little sinner, wanting to seduce a man of the cloth like that,” he sneered, “Shame on you.” You set your glass on a counter, dropping to your knees and crawling to him slowly, your eyes wide and reverent. He held out his hand to beckon you, and you sat on his lap; releasing a choked moan as his bulge bucked against your wet slit through your panties. Your hips rocked slowly, earning you a needy groan from him; his hands grabbing your ass, “Oh, temptress, what man beset by you could resist?” He pulled you closer, making you move a little faster. His lips left wet kisses on your neck, your skin soft and flushed under the attention of his mouth. “The things I want to do to you,” he growled. His tongue licked a stripe from the curve of your neck to your ear, softly biting it, “Will you let me purge you, (Y/N)? Will you let me cleanse you of all these filthy lusts?” Your hands clutched his shirt, your head thrown back; you intended to grind out every frustrating urge he made you feel. Without warning, his hand was at your throat; gripping just tight enough to cause your eyes to be taken over by fear, then lust. “You’re such a pretty little lamb,” he muttered, his other hand sliding up your body to cup your breast, “straying from the flock of the faithful to play with the wolves,” he chuckled, rubbing his thumb over the now hardened nipple through the dress fabric, “Such a bad little saint. But you crave the wolf, don’t you?” His lips hovered just above yours, “You want to feel that wild, uncontrollable passion, you want to be left gasping, aching, the wolf’s fang marks left in your skin. So when your good shepherd finds you, you’ve been dirtied, defiled,” he tightened his grasp, “claimed.” You moved your hand to brush over his clothed cock. He wrenched you closer, your warm breath passing between your lips, “And even when you’re back safe and sound in your little pen, you’ll be thinking about the wolf and how fucking good he felt. Because no one has ever touched you like he did.” You looked like a frightened deer, doe eyes filled with desire. “Get on the floor.” You slipped off of him, your bare knees hitting the carpet. “Take out my cock,” he commanded. You undid his belt and pulled down his pants, freeing him. Hunger overtook you as you wrapped your lips around the head, sucking gently. He gasped, “Eager little slut.” You massaged his balls, taking more of him into your mouth. He groaned, fingers threading through your hair. You gripped his thighs, gagging as he hit the back of your throat. He moaned and began to roll his hips, fucking his cock in and out of your mouth. Drool poured down his shaft as you moaned gargled noises around his thickness. Tears pricked at your eyes as you pulled back, his dick making a wet pop as it exited your mouth; a strand of saliva still connecting your bottom lip to his head, now red and leaking. He caressed your cheek as you dragged your tongue over each ridge, lapping up his precum. “Come here,” his raspy voice demanded.
You propped yourself on his knees, your eyes falling to his full, beautiful lips. He tipped your chin with his forefinger, “Oh, would you like a kiss?”
You responded quietly, “Please?”
He cupped the back of your head, bringing your foreheads together, your lips centimeters apart, “How adorable, my little lamb,” he tugged a fistful of your hair, “Maybe once you’ve earned it.” His gaze focused on your glossy mouth, “Although,” he leaned in to graze your bottom lip with his tongue, “I’d love to taste your adoration for my big cock in your pretty mouth.” He pulled back with a tiny smirk, “But patience is a virtue.” He delivered a swift, hard slap to your ass, your tiny yelp making his cock jerk. “Follow me.” Father Langdon’s bedroom was as sleek and dark as the rest of his décor; but the two main attractions were the three overlook windows you had noticed outside, and the large bed draped in red silk sheets and a black leather bed frame; two decorative pikes on either side of the headboard. You couldn’t help but eye the bed with curiosity, finding that the priest hid darker undertones of his personality in his most intimate places. “Take off your dress,” he ordered. You nearly jumped, turning around to see him taking three red cords from a little black box. He paused, meeting your eyes when you hesitated. He smiled gently, raising an eyebrow, “Please?” You stripped slowly, letting the dress pool around your feet. He looked you over. “Oh, (Y/N),” he responded breathlessly, twirling the red ties between his graceful fingers, “Heaven couldn’t create a more perfect form.” You blushed, your thighs were slick with arousal as he beckoned you forward; laying the ties neatly over the box. His fingers lazily dragged down your bare stomach before slipping just inside your panties, “How about I relieve some of your tension while you strip off my clothes.” You bit your lip, starting to unbutton his shirt; your blood boiling in anticipation. He moaned as his finger slipped inside your heat, his fingertip lazily rubbing your clit in slow, wide circles. Your knees nearly buckled beneath you; desperate noises breathily rising from your throat. Your hips moved with his rhythm, slipping his shirt off to hang from his forearms. Your hands softly drifted over his toned chest and broad shoulders, nails digging in when his fingers explored your dripping core more enthusiastically. He growled impatiently, snatching his fingers away to remove his shirt. He slid down, wrapping his arms under your thighs; forcing you to hold onto him tightly as he carried you to the windows, pinning you against the middle pane. “I can see practically the whole neighborhood from this view, (Y/N),” he latched onto your neck, sucking and licking up to your ear, “Let’s give any nosy neighbors a show.” His fingers slipped your panties off, throwing them aside. The cold glass stung your bare skin, the scandalous nature of your position pouring hot, depraved passion into your veins. His thumb pressed into your clit with fast, flicking strokes while he moved two fingers in and out of you with unrelenting speed. “I’ve dreamt about this sexy, virgin pussy since I met you,” he groaned in your ear, “I’ve stroked this thick, hungry cock for you every. single. night,” he repositioned to get a better grip on your ass, “Sometimes I’d stare out from the pulpit and fantasize about sinking my throbbing dick into you right there at the altar,” he sighed out a dark chuckle, “Fucking you before God and everyone. Making vile worship pour from your lips and gush around me.” He snarled, curling his fingers inside you, “God, you make me so fucking hard.” You clung desperately, unable to keep up with him; his bulge shoved tightly back into his pants reaching to grind just outside your entrance. “You like knowing that, don’t you?” He angled his head to lift up your bra with his teeth, his tongue seeking to violate your hardened nipples, “You like knowing that while I’m up there preaching about purity and chastity,” he surrounded your nipple with his lips and sucked, making a filthy wet sound as he released it, “That all I can imagine is pounding your hot, horny little hole until I cum inside you.” You choked out a pathetic whine, “Michael, just fuck me already!” It was jarring how quickly he could stop. His eyes glared into yours, soaked fingers pulling out to roughly grasp your chin, “What did you call me?” Terror spread in your chest, “I-I-“ “No,” he pressed down on your bottom lip with his thumb, “I didn’t ask for an explanation,” his expression was aflame, “I asked what you just called me.” You trembled. “Say it.” “Michael,” you answered weakly. “Dear little lamb,” he shook his head disappointedly, “I show you an ounce of mercy, and you think you can use my name so casually, simply command me to do your bidding?” He leaned in, his whispered voice like a razor, “In this room, there is only one god; and he demands respect.” You gulped, “I’m sorry, Father Langdon.” “Oh no, you’ve lost that privilege,” he moved his hand to grip the nape of your neck, “You may call me sir, until I decide you’ve been good enough. Is that clear?” There was no hesitation, “Yes, sir.” He hummed, “Now, I’m a merciful god, my little saint,” he applied a tighter pressure, “but you’ll have to pay due penance if you want me to bury this thick cock in your cunt and save you from your greediness.” Your cold terror was melted, warm lust still coating his bulge. “Get on the bed and face the left.” He dropped you to your feet and watched you crawl onto the mattress, sitting perfectly still on your knees. He brought over one of the red cords, “Hold out your wrists.” You obeyed silently, and he tied you to the pike, not too tightly, but enough to remind you that you were at his mercy. He walked back around to the other side, taking his sweet time; making you wait, your humiliation exposed to Heaven and his eyes alone. You felt like you should be ashamed, insulted at how he debased you. But it only made the need in your pussy throb harder. The palm of his hand connected with your skin, the sting making your cry out in surprise as you tried to bite back a delighted smile. “Stick out that perfect ass.” You leaned over a little farther, presenting before him. You could feel the mattress buckle as he climbed up behind you, pulling your thighs closer and spreading your legs, one hand firmly on your ass, and the other stretched underneath to cup your breast. You barely had time to react to his warm palm on your skin before he dragged his tongue up the full length of your opening. You gasped, gripping at the cord. He lavished every inch of your needy, saturate flesh with long, deep stripes; devouring you viciously, your cries of pleasure riling him up. You heard the rustling of fabric as he slipped off his pants, fully freeing himself. You sighed as he rubbed his pulsing head up and down your slit, bathing it in your cum. “You taste delicious, my little lamb,” he slid his body over yours, his chest against your back; you barely restrained yourself from bucking against his hard cock pressed between your cheeks. “Are you sorry for taking my name in vain?” He nuzzled next to your ear. “Yes, sir,” you breathed. “Do you feel that hard dick?” He thrusted slightly, parting your cheeks further, “Do you want to feel like a really dirty whore?” Shakily, you answered, “Yes, sir.” His smile brushed against your neck, “Would you like it if I put my cock in your perfect ass?” Your mind reeled. It was filthy, wrong, sinful- “Yes, sir, please do that.” He kissed your shoulder, “Say it, (Y/N), we’re well past guarded language.” You almost screamed, begging him, “Please, sir, put your fucking cock in my ass.” He seemed to genuinely pause, taking in your words, before laughing, “Ask and ye shall receive.” He kissed down your spine, sitting up on his knees and positioning his cock right over you, taking fingers full of your juices and slathering them into your asshole, gently massaging it open. You braced yourself against the pike, already aching at the touch. You felt his soaked head stretching you out; you groaned, a slight burning sensation quickly replaced by delicious agony as he gently worked himself in, telling you how tight and perfect you were. He built up a slow, steady rhythm, which you took notice of with a pang of endearment. He wrapped his arm around your waist, using his other hand to caress your hair, “You’re being such a good girl,” he hummed, “such a good, filthy girl.” He pulled out slowly, your body feeling empty, less grounded to reality when he did. You felt the bed shift again as he stood to retrieve the two other ties. When he was in front of you, you looked up at him under innocent, submissive eyes, your lips red and swollen from your biting them so hard. He smiled, tucking messy, sweat-soaked hair behind your ear, “Come up here.” You furrowed your brows, but lifted yourself up to meet him. He pulled you close, breathing out, “You earned this.” He brought your lips together, oddly chaste; simply delighting in your kiss, the feel of your mouths meeting in a covenant of longing. He released the kiss, rubbing your cheek with his thumb, “Are you ready to cum?” You nodded, “Yes, sir.” “Michael,” he corrected, “I want you to be able to scream my name.” He untied your hands, “Lay on your back for me and stretch out your arms.” Once you had, he tied both wrists; one to each pike, and your ankles together flat against the bed so you were in the position of a crucifix. He straddled you, running his hands all over your body, “My beautiful, spotless lamb.” He parted your thighs once more, indulging in the way your tied legs kept you tightly around him as he entered you. It wasn’t long before he decided to forego the gentleness and began pounding into you against the bed, much to your relief. His cock slipped in and out at a frantic pace, the sound of your hips crashing together, wetness dripping between them, your skin slick with sweat and arousal. You were whining pathetically, wishing you could dig your nails into his back with each thrust hitting the exact perfect spot. He pulled your hair back to expose your neck, biting hard enough to puncture the skin. You cried out his name, like honey on your tongue, your breath catching in your throat, as you drenched his thick length. He lapped up the droplets of blood and around the forming bruise, moaning into the open wounds as your fluids soaked his mouth and cock. He hooked his arms under your legs as you fell back, gasping from your pleasure. “Look at me,” he snarled pounding harder, even faster strokes. You met his gaze, your eyes glassy and inundated with pleasure while his burned with dark lust; his chest and throat rumbled with deep, gravelly growls as he came. He roared like an animal, baring his teeth and sinking them into your neck once more. You squealed at the flash of pain, but welcomed his warm wet tongue soothing the abused skin. You moved your hips in tandem, slowly now, your slick heat mixing, each movement massaging it further into you. He took two fingers and gathered your cum, holding it front of you. “Open your mouth.” You obeyed and he spread his messy fingers over your tongue. “Hoc est enim corpus meum, this is my body,” he whispered before placing it on his own tongue and taking you in a passionate kiss. He pulled out, chest heaving deep breaths as he untied you. Your arms immediately wrapped around him, leaving reverent kisses on his skin; he did nothing to admonish your eager affection. You lay there exhausted, wordless. He finally gazed into your eyes, kissing your forehead. “I was right. You did feel like Heaven.”
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GHOST // Arise From Leviathan’s Shadow
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Mar 25, 2019 / WORDS Tom Valcanis / PHOTOS Elizabeth Sharpe
At Download Australia this year, Ghost had the toughest gig of all. Playing at the same time as Slayer. At the last time Slayer would ever play. Ouch.
Tobias Forge, aka Cardinal Copia, must have marshalled all his diabolical powers to pull punters away from the last chance to experience Raining Blood or Angel of Death. Ghost’s singular blend of pop and apocalyptic metal is a sight and sound to behold. The flock is shepherded by the mesmeric Cardinal Copia as bandleader and high priest of sin. Cardinal Copia might be a character in an elaborate charade; but what of the man behind the vestments? Talking to Tobias Forge out of uniform and relaxing against a boudoir-like velour booth trimmed in a royal purple, he sits cross legged, wrapped in leather battle-jacket. He’s unassuming. He wears well-combed hair that doesn’t touch his ears. Ripped jeans at the knees and a Voivod Dimension Hatross t-shirt. If you didn’t know what he looked like, you’d never guess he led a worldwide congregation of metal fanatics. Even so, Ghost’s many influences he wears on his lapel: King Diamond (of course), Kreator, and a mandatory Slayerbadge. So what lent Mr. Forge such reverence for the arcane and black arts? We find out in a post-Download audience with the Cardinal …
How were the shows? Playing up against Slayer must have been a rare honour and challenge.
It was what it was. We did this for a higher purpose, and that is to come back and do the full thing.
Was it a success giving Australian fans a live taste of Prequelle?
I think it was successful because we came down here, rekindled our relationship with the promoter, and rekindled our relationship with media again, and to the fan base that we had, that it seems to have expanded even though we haven’t been here for five years.
Wow, it has been a long time.
The goal was to get back here and get the promoter to understand that you need to get us back and not play a festival. That was my only goal of coming.
In Prequelle, the album touches on the black death and apocalyptic themes. The end times. With so many crises happening around the world today, would you be forgiven for thinking the same thing today?
Yes, but I don’t think it necessarily has to be apocalyptic. I hope that there are enough people in the world believing in a fruitful, peaceful society, that would actively or are actively working for the apocalypse not to happen, the apocalypse being, I guess, the end of the world. I even think so even with presidents in charge. If he was really, really, really dangerous, for real, no one is that stern of a believer in democracy that they would just, “Oh, but this is the president you chose. He can do whatever he wants in the name of democracy.” If he was really, really, really, really, really close to destroying the world, they would shoot him in the back of his head.
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Do you think it’s just divisive rhetoric? People talking tough?
I think the guy in charge as of this moment is obviously a great example of worsened rhetorics. I think that the risk of having him around is obviously multiple different things, but I think it’s the idea of refraining from sophisticated sort of politics talk that is sometimes still needed. There is a certain code, there’s a certain mannerism that I think is worth learning. This goes from everything from a 12 year old talking to a 90 year old. You just need to shape your lingo in order to be able to manoeuvre yourself between different age groups and different people. I speak to, in one way, if I talk to my buddies, I speak in a different way than if I talk to a 65 year old executive. I think that that is an art form, and that most people should master it in some way or form.
I think that if you have a so called master in charge who looks down upon that, shuns away from that, I think that that’s remarkable. Now I’m obviously just talking about rhetorics and linguistically, but I’m talking about the, as you say, rhetorics and how you speak to the world. I understand that a lot of people like politicians that say direct things and is witty and all that. Yes. Let’s move forward, but I think that there’s also a level of levelheadedness that I think a politician should do. I think that this is just a side step. It will probably go back a little bit to what it is in the rest of the world and what it has been before.
Ghost talks about fire, hell, and brimstone—is that a place you have thought about? A physical manifestation of hell?
Ever since I was a very little kid, I’ve always been interested in religion, and specifically obviously Hebrew religion, just because I grew up in a Christian country. Cinematically as well, I grew up watching a lot of biblical films. I’m talking about The Ten Commandments, Ben Hur, stuff like that, The Temptation of Christ. So, I’ve always been very fascinated by things like that. When I came into adolescence and started getting fascinated by occult and satanic themes, of course, I’m an imaginative person, so I do have a lot of visual fantasies about what it is or could be. But my fantasising aesthetic younger self is also holding a little bit more of a rational grown up person, and we’re struggling together to try to figure out how things are. But I could sit here and ponder ’til my dying days, because I have no idea. No one else knows, anyway.
The limited view of Scandinavian spirituality, we get from black metal. The Hel Vete circle. Church burnings. Those on the outside assume Scandinavia is this region steeped in Christian dogma and practice.
Yes. From a greater political point of view, Christianity has not been very dominant in Sweden in the modern day and age, but more on a local and municipal level. Where I come from, there were and there are still more mundane forces in society that is controlled by church or churches. They’re more private churches like that.
So it’s not like Poland, where Catholicism is so intertwined with civil society. Which makes Nergal of Behemoth such a vocal anti-theist, I suppose.
From a little person point of view in a little city, there are definitely things that I have, throughout my life, been rebelling against. But Sweden is nowhere near … we don’t really have the same Christian church presence from a law making point of view that they have in Poland. I come from a pretty secular country where you can basically say almost anything you like.
Almost anything.
Yeah. There are obviously some PC things that sort of makes certain things not okay, but anything that has to do with Satanism and all that, that’s fine.
Satanism seems to be a bit old hat now. People are shocked by seemingly more mundane political things these days.
Yes. I mean, of course. This is a conversation that I have more than often when I am outside of Scandinavia, because I’ve never regarded Ghost as being that provocative. Because I come from, again, a secularised country where freedom of speech is quite cherished. I come from a country where metal has always been very strong, where black and death metal had a big proving ground. Also, it’s part of my DNA, since I’ve been a rock fan for as long as I can remember. I’ve been a black and death metal fan ever since I was 11 years old, something like that. For me, writing Satanic lyrics and throwing around upside down crosses and pentagrams and goats and all that, for me, is so natural that it’s not as much of an appliance as it was for people in the Satanic panic, 1969. Because then it was something that you did because it was groovy with your 20 year old friends. You were also 20 years old, and two years ago you didn’t even know what Satanic was.
So, for me, it was never meant as a, “This is a way to upset mainstream media.” Never, because I didn’t even thought that we were going to be in anything remotely like any mainstream media. Whereas in America now when we have achieved some sort of mainstream following, they regard sometimes our image and my choice of presenting myself and then the band as radical, provocative imagery.
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Really? Still?
Yes. I understand intellectually, of course, that it’s regarded like that, but that was never the intent. I find it more mind boggling that a lot of the provocation that we cause is actually within the metal realms of people who are puritan and have a hard time labelling us what we are and why we are metal or not.
So the puritanism comes from certain sections of metaldom itself; thou shalt not mix pop with metal. That kind of thing.
From a progressive point of view, yes. But if we were talking about old school death metal, I would be very opinionated in a way that would probably come off as similarly closed minded. So, I completely understand where those tendencies come from, so I don’t grieve that someone doesn’t like us because we don’t sound as metal as Mercyful Fate does. It’s like, “It’s fine.”
We’ll be touring consecutively ’til the end of the year, and then I’m due back in the studio in January.Between January and May, I hope that we will be doing a few minor tours, possibly returning here. That’s my goal for at least here, to come back within this album cycle and do it properly. Happy?
I think I am, Tobias. I think I am.
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codyfernaesthetic · 5 years
Text
Unholy
A Millory One-shot
Inspired by @mvllorylvngdon “The Smoke that Swirls”
Summary: Mallory can’t get the handsome Father Langdon out of her mind.
Warnings: smut, public masturbation, derogatory terms, harsh language, nsfw, priest!Michael
Mallory was a faithful churchgoer. From her first breaths to now, her parents had instilled in her a sense of dutiful religion. The first thing she’d done after moving away from home was find a local church. She found a perfect one in The Cathedral of Our Lady of Purity; the congregation was warm and welcoming, she felt at home instantly. The church leaders were devoted men of God, upright and holy. She believed they were the perfect shepherds to her soul.
All except for one. A tall, young priest by the name of Father Michael Langdon.
Her trepidation had no basis in outward appearance. He was by all accounts a calm, disciplined man who took great care for the disenfranchised and delivered the most impassioned sermons she’d ever sat under. He was charismatic, helpful, walking in a regal dignity one expects of a representative of Christ. Perhaps it was his looks that so unnerved her. Often when looking upon him at the altar, she would compare him to the stone and stained glass angels encompassing the sanctuary. His golden hair would glow from the streaming sunlight, casting a halo around his head. His face was pure, sculpted marble, not one feature ill placed or imperfect. His eyes were blue as the heavens, and could hold you fast in your place like a command from God himself. His lips...
She shook her thoughts away. Father Langdon had plagued her mind for three months. She would scold herself, commanding her body to free itself from carnal desires; but the image of his mouth, his body, his manhood hidden under black trousers she wanted to see free and throbbing-
Oh God!
This was her reason for going to confession today. She’d been neglecting it, but now she knew she couldn’t give allowance to her sins any longer.
The Cathedral was as grand and opulent as any, white columns, golden holy imagery welcoming the searching soul. There were a smattering of people, elderly men and women praying, some deacons milling about. The left door confession booth opened and a middle aged man stepped out, tipping his hat as he passed her. She entered the booth, making the sign of the cross upon sitting down, and took a deep breath, “Forgive me, Father, for I have sinned. It has been 3 months since my last confession.”
Her blood chilled when a familiar dulcet voice came from the other side.
“I would have pegged you for more of a faithful confessor than that, Mallory,” the voice chuckled.
Her legs tensed as she instinctively fidgeted with the hem of her skirt, “Father Langdon...”
The lattice of the window separating them still allowed the general shape of his blond locks to peek through, “I’m sorry, I know that’s not an appropriate thing for a priest to say at confession. I just hate how formal this has to be. I consider us friends, Mallory,” his voice inexplicably dropped to just above a whisper, “Don’t you?”
She swallowed, her chest thumping, “Yes, but would a friendship at all impede this sacrament?”
His silence made her clarify, “I mean, for there to be bias on both sides.”
He hummed, a vibration that made her breath catch, “As iron sharpens iron, so one man sharpens another. There is no one better to confess to than a friend.”
The booth was suddenly cramped, musty. Her throat dry like a desert.
“The Lord has also given me a unique talent,” he continued, “an ability to discern the darkness of human souls. Those hidden sins, forbidden lusts that wake them late at night,” his tone was penetrative, “cause them to writhe upon their bed. I can unravel their mysteries and bring them to the light.”
She closed her legs even tighter, desperately ignoring the pulse between them, “I don’t have any dark places.”
“None?” He played with every word like a cat with its prey, “If we say we have not sin, we are a liar and the truth is not in us.”
She cleared her throat, the heat beneath her skirt begging for attention, “I meant, of course I have a sinful nature, but I simply don’t possess as deep a dark place as you speak of,” she dug her nails into her thigh, “I’ve never been one to contemplate on sinful things.”
A tense silence hung between them.
“I can sense that in you, Mallory,” he finally said, “A purity of heart. Yet surely you didn’t come to confession to brag about your own holiness.”
Her voice trembled, barely leaving her mouth, “Of course not.”
She could practically feel the smile dripping off his tone, “What is thy sin?”
She closed her eyes, imagining it were any other priest, pushing through with gritted teeth, “I have been assaulted by the Devil in more...potent ways than ever.”
“Are these the Devil’s sins, then?” He interrupted.
She paused, caught off guard, “No, Father, they are mine.”
“Then claim them, Mallory,” his voice was a whisper, cajoling, tender, “Tell me that you have committed sins...and have taken great pleasure in them.”
Her mind felt hazy, “I have allowed my mind to be filled with perverted fantasies against a fellow Christian.”
“How often, my child, have you dwelt on these fantasies?”
If she isn’t know any better, she’d say his tone was...desperate.
“Months. I have welcomed sin into my heart and mind, and have let my imagination run wild.”
“Where does it run to, Mallory?”
“Lusts of the flesh,” she dodged coyly, “unbecoming to a young woman of faith.”
“Speak them,” he commanded.
She nearly jumped at the sudden change, “Father Langdon?”
“Tell me of your lusts,” he demanded again.
Her voice was so tiny, her heart leaped into her throat, “I don’t think-“
“Sin can only be absolved once it is fully confessed, Mallory,” she heard him moving, his form leaning closer to the window, “Tell me of your desires. This fellow Christian, as you call them, what do you think of them doing when your imagination takes hold? Are their lips upon yours? Delighting in the sweetness of your mouth with a chaste kiss? Or are they hungry? Ravenous as their tongue dances over yours? Do they bite your lips, drawing beads of blood before licking them clean?”
Her core throbbed at his words. Her mouth hung agape, shallow breaths escaping.
“Are you naked?” Even the way he spoke the word was sinful, “Have your clothes been discarded on the floor in a heap, leaving your sensitive, aching pussy exposed to their lustful eyes?”
Every inch of her flesh was hot and riddled with goosebumps. Not simply from what he said, but how it was as if he’d plucked her own thoughts from her mind and were reading them aloud.
“Are you against the wall?” He stifled a little moan, “On your knees? Spread out on silk sheets, a delicious morsel all for the taking, for devouring? Tell me, Mallory,” it was like his voice was right next to her ear, “tell me everything that’s in that slutty imagination of yours. Confess every sinful perversion you’ve dreamt about committing,” he chuckled darkly, “the ones you long to have committed against you.”
Her fingers slipped under her panties as if of their own will. She massaged her pulsing clit, her folds already wet with desire.
He continued in agonizing detail, his cadence falling into a steady rhythm to which she pumped two fingers in and out of herself, biting her lip to detain her ardent whimpers.
“Do you feel their teeth on your soft skin, greedy fingers toying with your hard nipples? Where is their tongue? Is it licking your wetness, spreading it over your lips, or teasing your needy slit? Are their lips gently wrapping around your clit and sucking? Can you hear,” he paused on each word, tasting them, “the slick...wet...sounds? The growling need as they gorge themselves on your perfect, sweet, delectable cunt?”
Hot shame flooded her, but she kept going...faster, harder. What would those poor congregants think if they knew she was making such a filthy scene for the priest?
And yet that made her desire grow.
“Can you feel them slide up your body, their hard cock pressing against your soaked thighs? Can you taste yourself on their lips? Do you taste good, Mallory?”
An obscene noise almost freed itself from her throat, but she placed her other hand over her mouth.
“Do you wrap your legs around their waist like an eager little slut? Are you begging, whining to have them slam their thick, throbbing cock into your pussy over and over again until you cum all over it, screaming?”
His voice was thick with need, “Do you feel yourself stretching around them, taking in every inch? Do you like being filled?” He paused, “Answer me, little lamb.”
Barely trusting her own voice, she whispered, “Yes, Father Langdon.”
She could hear the satisfied grin behind his words, “Do you want to be fucked aggressively? Do you want me to use you as my plaything, my own personal whore to pound my cock into? Do you want to please me?”
She felt herself climbing towards the edge, “Yes.
“Yes, what?”
She sounded so pathetic, “Father Langdon,”
He changed pace, as if sensing her closeness; gently guiding her towards her orgasm, “How about I take you slowly? Whisper blasphemies in your ear while I slip in and out of your yearning pussy? Tell you how you feel like Heaven around my dick. Worship you like an idol, sweet hymns escaping my throat in my moans because you feel so fucking good. My ultimate praise spilling out inside you, anointing you as mine.”
The word was like a signal, releasing her tension as she rode the high. As she came down, her breathing slowed, and her mind gained back enough sense to panic over whether or not anyone outside had heard.
“Does that sound like your fantasies, Mallory?”
He sounded so casual now, returned to his calm, disciplined self.
“Yes, Father Langdon,” she muttered breathlessly.
“Are they sated?”
She removed her fingers from her panties, quickly searching her bag for a tissue to wipe them on, her face painted red, “For the moment, yet they seem stronger than ever.”
He laughed, “Such is the nature of man. Perhaps we could discuss your sins in further detail at a later time.”
She froze at the implication, and scorned how it made a new wave of excitement crash over her.
“Find a way to...absolve them in a more tangible way.”
She sniffled, “Yes, Father Langdon.”
There was a knowing, excited lilt to his voice, “Peace be with you, Mallory.”
“And with you also,” she returned quickly, stepping outside the booth and trying to hurry outside in the most inconspicuous way possible. Perhaps it was her own anxiety, but she was sure a few squinting glares were thrown her way.
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