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mostlymovieswithmax · 4 years ago

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Movies I watched in July

Once again I’m doing my monthly round-up of movies I’ve watched. This was a good month for the cinema getting back on track and seeing new releases including the new M. Night movie, Old and James Gunn’s The Suicide Squad. Pretty sure Marvel put out a new movie also. I’m hoping that this list can help in guiding a decision about what to watch (or what to avoid) and introduce people to movies they may otherwise not have heard of or bothered to see. These short reviews are my own subjective opinions on each individual movie and maybe a more informal approach to movie criticism can help include others who are just passing through. Here is every film I watched from the 1st to the 31st of July.

Bridesmaids (2011) - 4/10

Off to a good start. I won’t say Bridesmaids is a terrible movie but I don’t think I’m exactly the target audience. As far as I know, this is a beloved comedy but I just can’t get on board with all the boring, juvenile humour; with Maya Rudolph shitting in the street, with Rose Byrne and Kristen Wiig trying to one-up each other at a toast that went on forever, with Melissa McCarthy shitting in a sink… the conflict is so done to death and makes the movie feel unspecial. I do understand the appeal of the film, especially for women in that before this movie the likelihood of seeing something like this, where women play up the more crass and gross side of comedy, was probably few and far between. But the story is very tired and while I did appreciate some moments, namely a couple of decent jokes and some of the more intimate scenes, for the most part it felt like they wanted to corner a more quiet type of line delivery in a way that was supposed to be understated but very funny so as to not rely on over the top body language or musical cues, and it ended up being super dull.

Spectre (2015) - 7/10

As far as I can tell, a lot of people don’t like this instalment of the James Bond franchise… but I really enjoyed it! I’ve really taken a shine to these Daniel Craig-era Bond movies and while I can’t say any of them are the most amazing thing, I have a lot of fun with them. The biggest problem I have with Spectre is the villain being utterly pointless and uninteresting in basically every way. The idea of every villain Bond has fought before being tied to this one organisation controlled by this one guy is ridiculous, and what makes it worse is that the villain is barely in it! There’s so much that doesn’t come together in this but as it goes, I still had a really good time. Daniel Craig holds the whole thing together; he is excellent as 007 and the main reason I’m up for each of these movies is because of him. Sam Mendes directs again after the previous instalment and for what it’s worth I do think he does a good job with some of the action set pieces and the locations. I’m so ready for No Time To Die.

Shazam (2019) - 7/10

Shazam is a genuinely fun superhero movie that doesn’t take itself seriously at all. I was having a great time throughout and while it could conform to some of the same tropes we’re used to with these kinds of movies, it still remained playful and used the character of Shazam to his fullest potential in a way that showed an understanding of just how silly the idea of a kid who can turn into an adult and shoot lightning out of his hands is.

High School Musical (2006) - 6/10

So as you may or may not know, I co-host a podcast: The Sunday Movie Marathon. It’s a film podcast and every week I get together with my other co-hosts and watch movies. For episode 38, we watched the High School Musical trilogy. This first movie blew me away. I was really surprised with just how much fun I had, and if you want to hear more of my thoughts on the film, please listen to episode 38 of the podcast.

High School Musical 2 (2007) - 4/10

We then jumped into the second and while it’s certainly not as good as its predecessor, there are still some brilliant songs that manage to top the last movie. Again, more of what I have to say can be heard on episode 38 of the podcast.

High School Musical 3: Senior Year (2008) - 3/10

Senior Year was pretty hard to get through. I don’t remember it being as bad as it was, but then I didn’t really remember it anyway. It did however have one redeeming quality, which you can discover on episode 38 of the podcast.

The Piano Teacher (2001) - 9/10

What the fuuuckkkk. The Piano Teacher is horrendously affecting and I was so upset when it ended, maybe not because it’s not what I wanted but because it’s just so fucking dour and unrelenting. This is the second Haneke movie I’ve seen (after the original Funny Games) and I’m so impressed with how well executed it is. Following a woman who teaches piano, we get a glimpse into the life she lives, how sheltered she is from living with her mother at an age where you’d reasonably expect a person to be living alone or with a partner or friends (even going so far as to be sleeping in the same bed as her), and how repressed she is sexually. It’s clear she’s never experienced any kind of sexual interaction or romantic love with another person, so she goes out of her way to take control and make that happen. The upsetting nature of it comes from just what she does in pursuit of it or as a result of her repression, and what is done to her. It is by no means a movie to recommend to your parents but The Piano Teacher offers so much in terms of the ideas it presents (and I’ll admit there seems to be a lot more going on than I think I picked up on a first go round) about women in modern society, and about the portrayal of sex and expectations of people when it comes to how that is represented in a person’s character depending on their gender. I really enjoyed this movie but it is not for the faint of heart.

Sharpay’s Fabulous Adventure (2011) - 1/10

My podcast co-hosts decided it’d be a right laugh to add Sharpay’s Fabulous Adventure to this episode and that might have been a fun idea for them because they got to watch it together, but I was just watching it alone. Just a 24-year-old man watching Sharpay’s Fabulous Adventure alone and having a miserable time, I might add. But for a short and sweet ramble on what we all thought, please listen to episode 38 of The Sunday Movie Marathon podcast.

Dr. No (1962) - 6/10

A lot of very iffy parts of this movie. A lot of discomfort arising from how black people are portrayed that really didn’t sit right with me. As far as a Bond movie goes, this first instalment in the series is one I’ve seen before and it’s not wholly engaging but it plants the seeds for the rest, with Sean Connery breathing life into the role and making an otherwise lacklustre plot bearable.

Black Widow (2021) - 6/10

I think probably the best part about Black Widow is the experience I had while watching it. It was great being back in the cinema with a couple of friends in a packed theatre. The energy was high and I’m sure for a lot of people, this is the first time they’d been to the cinema since Endgame. For what it’s worth, I did have a lot of fun with Black Widow and I’ve explained more of what I thought about the movie in episode 39 of the podcast.

The Climb (2020) - 10/10

The Climb was added to Now TV recently and I already knew I loved it, having seen it in an empty cinema theatre last year, which I had an absolute blast with. The Climb details the years of a rocky friendship told over scenes filmed as one-shots. Not only is the presentation something to gawk at, but the performances by the two leads playing these friends with a terrifically dysfunctional dynamic is truly captivating. They’re both trying to figure out their own lives and where one can come across as being rather selfish, the opposite is true in his counterpart, whom everyone loves. This is a truly funny and heartwarming movie with a lot to say about how we choose to live our lives and who we choose to be with. It’s a shame the distributors of The Climb didn’t do a very good job because if not for it being available on Now TV, it would be near impossible to watch without forking out more money than is necessary to purchase a film.

From Russia With Love (1963) - 5/10

The second Bond movie. I thought perhaps I’d change my mind on it with another watch, having seen it for the first time maybe a year ago. But no, it’s still largely boring and it treats women like absolute garbage. From Russia With Love is one of those movies I forget as I watch it, and I was trying very hard (in the middle of the day!) not to fall asleep.

The Good, The Bart, and The Loki (2021) - 1/10

I don't usually talk about the short films I watch but for this I'll make an exception. As we all should know, Disney owns The Simpsons now, through their acquisition of Fox, so, coupled with another of their properties, that being Marvel, they decided to make a six-minute animated film wherein Marvel’s Loki is stranded in Springfield. This felt as though it was a minute long due to the horrendously jarring pacing; it is a movie that feels adamant that it needs to exist, while trying as hard as it can to be over as soon as possible. It serves only to stare the audience directly in the face and say “look, characters from The Simpsons are dressed as Avengers”, shit out three credit scenes, then end before you’ve even processed the atrocity you just bore witness to.

Russian Ark (2002) - 8/10

For this next episode of the podcast, we watched a few Russian movies, starting with Russian Ark, a film shot completely in one take as the camera moves about a luxurious museum in a first-person perspective as this main character watches what is happening around him, seeing people moving about the place but unable to interact with them, guided only by another man who seems to be just slightly out of his own perception of reality. This is a tremendous feat in filmmaking and more can be heard about what I have to say in episode 39 of The Sunday Movie Marathon podcast.

Ivan’s Childhood (1962) - 7/10

For my own pick of Russian movies to discuss on the podcast, I chose the debut feature from one of my favourite directors, Andrei Tarkovsky. It’s amazing that while this is not his best film by far, Ivan’s Childhood is still such a stellar debut, jumping around in its timeline as it details a child’s experience in the second world war. Again, I do go into more depth in episode 39 of the podcast, so be sure to check that out.

Outlaw (2019) - 1/10

The third movie chosen for this marathon is apparently the fourth Russian LGBTQ+ movie ever made. I’m unsure of the ultimate goal of this movie but what seems to be clear is that it hates the LGBTQ+ community. This is perhaps the worst film we’ve discussed on the podcast to date, so listen to episode 39 to understand exactly why it’s such trash.

Almost Famous (2000) - 7/10

I too love heavy music and also studied journalism so it stands to reason that a movie about a teenager who makes his way onto a band tour, following them through America and interviewing them as they hang out and play shows is going to be a premise that resonates with me. This certainly did. I enjoyed Almost Famous a lot; this kid is living the dream and I was so along for the ride, seeing a lot of myself in what was being portrayed. That said, the story itself is at times a bit by the numbers and I really would’ve been more on board if the visual component was more interesting. For what it is, technically it’s fine enough but nothing in that department ever jumped out at me.

Minari (2021) - 8/10

It’s crazy that this didn’t get a theatrical run where I live in the UK. It feels as though I complain about film distribution all the time but I really don’t understand the process by which a movie gets no cinematic release and yet, months later will pop up on the front shelf of hmv, taking pride of place. But of course I got the blu-ray straight away. Minari has a lot to say about the immigrant experience, specifically in America as a family comes over from Korea and tries to start a business and make something of themselves. You get to see a lot of what you might not think twice about when you think about immigration: the hardship of coming from a place where you know everyone to somewhere rural and sparsely populated, having to make friends with locals and integrate within the community; the strain it can put on a family and on a marriage where this idea is presented about the importance of making it on your own in order to live and not just survive, while also taking into account why you’re doing it in the first place and the value you place on being part of a family that you decided to make because that was more important than money, than economy, than proving you were good enough to make it in a place that gave you very little advantage from the offset. This concept of the promised land, of the American dream is a construct. There are times when it’s not pretty, when you have no running water, or you’re in debt, or a family member is dying and it just feels like you’ve been dealt as bad a hand as you can get. But it is better to know you’re not facing all that alone.

Roma (2018) - 10/10

This was my recommendation for the podcast episode on Alfonso Cuarón movies. Roma is as beautiful as it is heart-wrenching and I would recommend listening to episode 40 of the podcast to find out more about my thoughts.

An American Werewolf In London (1981) - 8/10

In all fairness, London is enough to make anyone a little crazy at the best of times. An American Werewolf in London showcases some fantastically grotesque effects, akin to something like Carpenter’s The Thing, in showing the dead brought back to life and a horrifically gory transformation scene. Although the film is from the perspective of an American protagonist, directed also by an American, the depiction of British culture and climate is something I’ve not seen many films pull off quite so well, and I was pleasantly surprised at the more comedic tone the film has overall, which is something that works more in its favour than straight horror would.

The Party’s Just Beginning (2018) - 6/10

Karen Gillan’s directorial debut is… pretty good! There are a lot of ideas I like in this movie: a woman living life and through convenient circumstances, is confronted with death in many ways. Gillan obviously knows her homeland as well as she can, imbuing the whole thing with an intensely Scottish vibe (though maybe not in the same vein as something like Trainspotting) that makes it a bit more unique than a more run of the mill movie of this ilk, backed up in no small part by her own main performance. The plot itself is no great diversion from the kind of story I’m used to with these smaller movies and for something that’s trying to include messaging about transgender issues and suicide, it probably could have been handled better or done in a different way.

Solaris (1972) - 9/10

Another Tarkovsky joint, one I thought I’d revisit to see if there was indeed more to get out of it a second time. Well, it’s no surprise that yes, there was certainly more to get out of it. Solaris is a crazy trip of a movie and I would liken it to Kubrick’s 2001 in terms of how grand the scale of it feels. Yet this is a film that comes across as deeply personal, choosing to focus on a specific character as he goes to a space station to help those on board who are experiencing some kind of emotional crises, only to feel the effects of the planet, Solaris invading his own mind as it has the crew. To many, I can see this lengthy Russian sci-fi being a tad slow but my personal experience is one of deep engagement. Solaris pulls its viewer in a lot of different directions and it is always doing something unexpected in terms of where its narrative goes. There’s a lot to think about with the movie and thankfully it’s no chore to watch again.

Y Tu Mamá También (2001) - 9/10

Another recommendation for the podcast episode on Alfonso Cuarón movies. This is a very relaxed experience, following three young people as they go on a road trip, visit different places and have sex. Listen to episode 40 of The Sunday Movie Marathon podcast for more of my thoughts.

Children of Men (2006) - 10/10

My favourite Cuarón movie, one that never stops being tense as its characters are constantly moving towards the end goal. Set in a future where humans are infertile, the oldest living person is 18, and London is the last city in the world that’s still keeping it together, somewhat. This is masterclass filmmaking. Listen to episode 40 of the podcast for more insights.

Minority Report (2002) - 5/10

I’m really not the biggest fan of Spielberg… Minority Report is an interesting movie in terms of its concept of stopping crimes before they happen by way of prediction, but I just didn’t connect with the heart of it. The colouring is way too overexposed in a way that’s supposed to be eliciting a futuristic vibe but instead feels so early-2000’s in the worst way. My biggest problem with Minority Report is just how long it is, clocking in at two hours and twenty-five minutes which allows for a lot of meandering, all while never quite developing characters enough for you to care about.

Caché (2005) - 9/10

Oh god! Another Michael Haneke movie! Here we see a couple periodically sent video tapes featuring hours of footage of the outside of their house. The anxiety ratchets up and the mystery gets deeper with every minute. There’s always at least one moment in any of his films that have so far made me realise just how out of my depth I am. Caché is no exception, and I won’t spoil anything here because I think it’s better just to watch the movie and see for yourself. He is a director that wants the audience to know something and that something is never what is explicitly shown at face value; it is pressed into the fabric of the film - plainly evident, yet hidden. Caché is so stupidly clever in displaying its themes and messaging - making reference to the Siene Massacre of 1961 as well as a deeper study of colonialism - and there’s no way to change a single detail of it without risking the Jenga tower crumbling to the ground. It all works in tandem. It is passion and fury and haunting.

Coco (2017) - 7/10

Pixar had a string of around seven forgettable movies before this point so thankfully Coco emerged to show the company still had something good in them. Coco deals a lot with themes of death and legacy, remembering those who are gone in order to preserve them and while its plotting is quite basic and there are certainly moments that either drag or cannot escape the same Pixar formula, most of what the movie has to offer is a lot of fun, with creative, colourful animation and emotional beats that resonate the way they’re supposed to.

Incredibles 2 (2018) - 5/10

Oh, they almost had it! There's a lot here that could have been explored in far more interesting ways. Setting Incredibles 2 directly after the events of the first movie was not a good idea. If it had taken place five or ten years after, the characters could have been in different places in life and it would feel as though they'd actually changed and developed. But instead of trying to be a film that actually cares about its characters and the journeys they go on, a lot of the film is wrestling with the idea that Bob isn't supportive of his wife and Jack-Jack has to fight a raccoon… They have to shoehorn in a villain that in no way compares to the genius of the original. The ending of the original introduces another antagonist that gets wrapped up within this film's first ten minutes, except they don't catch him and he's never mentioned again. It's a real shame because the animation is fantastic and the acting is superb and there are great ideas sprinkled throughout. It just doesn't come together.

Toy Story 4 (2019) - 6/10

I was rather reluctant to watch Toy Story 4 because from the get-go I’m not really here for sequels being made just for the sake of it. Everyone loves Toy Story and making another one is a sure fire way to make money. This is the first time I’ve seen Toy Story 4 and for what it’s worth, I did enjoy it. The animation is immaculate and that alone feels like a huge flex from Pixar who tend to step up the game when it comes to animation in film, despite not having the best track record for films generally at this point. While it was nice to see these characters again, I found a lot of them to be side-lined (namely Buzz) in favour of a story that focuses mainly or entirely on Woody, who I just don’t like as much as in the previous movies. Generally the movie is good and decent enough but there’s no real antagonist and the plot is quite loose… it doesn’t feel as though it needed to be made from a story point of view.

Onward (2020) - 6/10

And with that I have seen every Pixar movie. And Onward is a fine one to go out on. While I don’t think it compares to the likes of earlier Pixar it’s still pretty fun. Or maybe I’m just a sucker for a medieval setting filled with bright colours and magic! Speaking of which, the animation was super and the medieval quest element is something that hooked me with the film. Again, plot-wise it does feel very familiar and I don’t know, maybe I’m past the point now of expecting Pixar to mix it up where their formula for story-telling is concerned but the movie is quite predictable. Nonetheless, while I’m not rushing back to see Onward I would hardly turn it off or refuse if someone wanted to watch it.

Old (2021) - 3/10

Oh boy! New M. Night movie dropped and my word, was it fun! For more of my thoughts on this… masterpiece (?) of a movie, please direct your attention to episode 41 of The Sunday Movie Marathon podcast.

T2 Trainspotting (2017) - 5/10

Trainspotting is perhaps one of my favourite movies and I had never bothered with the sequel, 20 years on, because the ending of that first movie is so conclusive. T2 felt more an excuse for these guys to get together again and in that, I probably would have preferred a couple of pictures on Twitter of the main cast and director, Danny Boyle having dinner or something. This is a fine movie - very arty in its presentation but meandering and dull in its story that doesn’t offer much in the way of proof that it had to exist.

Taste of Cherry (1997) - 9/10

What makes life worth living? This is a central question and theme of Taste of Cherry, and one that leaves such interpretation not only up to its central character but to the viewer as well. This film got me thinking about times in my life when I truly have had no answer to hard questions. Because it’s hard to convince people of things they are so adamantly against and harder still to rationalise what you believe if you’re not even entirely sure why you believe it in the first place. We are all of us alive and in recognising that, does that make it precious? And if indeed living is not a happy thing, why then should we fight so hard to preserve it? I felt upset as I watched this movie because I’ve been asked these kinds of questions before and it makes me feel stupid when I’m unable to answer. But the only real answer I can give is, everything. And if you can’t see the point then you’re not looking hard enough. Taste of Cherry is beautiful in its exploration of these topics and in its overall presentation, offering some of the best visuals in any movie I’ve seen - fitting for a feature with so much to say about the beauty of life - and an ending that as much pulls the rug out from under you as it does pull you out of the dark and make you realise just how lonely you’ve felt.

Bones (2001) - 2/10

Snoop Dogg is Jimmy Bones! This film is super funny but I’m not sure it’s trying to be and I really didn’t love it overall. But I do talk more in depth about it in episode 41 of the podcast.

The Duchess (2008) - 5/10

Another recommendation for the podcast. The Duchess was pretty much exactly what I thought it was going to be and there’s a lot to like about it but generally it’s a bit sparse. For more chat on the movie, listen to episode 41 of the podcast.

The Man With One Red Shoe (1985) - 1/10

This was another one for the podcast and man, was it awful. We had to watch it at 1.5x speed towards the end because it just wasn’t getting finished otherwise. To find out more, make sure to listen to episode 41 of the podcast.

The Emperor’s New Groove (2000) - 7/10

Pull the lever, Kronk! Haha! Slays me. I do quite miss this era of Disney, where the animation was hand-drawn and the stories were actually compelling and funny. The Emperor’s New Groove is vibrant, it’s got great characters and memorable moments that will forever be ingrained in the memory of culture. All in all, it’s just a solid flick that doesn’t waste time, developing the standard fall from glory type of arc but smoothly and in an entertaining way.

The Suicide Squad (2021) - 8/10

Oh, bloody hell! They actually made a good one! The Suicide Squad is not only better than the ‘Suicide Squad’ of 2016 in every way, it’s a genuinely great film! This time, James Gunn (director of Marvel’s Guardians of the Galaxy movies) is at the helm and it seems clear that Warner Bros. basically let him do what he wanted with the movie, as it doesn’t seem to bog itself down with the restrictions of a more family-friendly rating. The result of this is a far cleaner, colourful film with a clearer vision that takes from early Vietnam movies and uses that style to craft a superhero/villain movie that differentiates itself among the copious amount of existing films of the genre. The Suicide Squad wastes very little time, introducing fun, crazy characters we’ve not seen on the big screen before and isn’t worried about killing a whole bunch of them, with standouts being Elba’s Bloodsport, Melchior’s Ratcatcher 2, Stallone’s King Shark (expertly rendered with fantastic visual effects), and Robbie’s returning interpretation of Harley Quinn. A lot of Gunn’s trademark sense of humour is laced throughout and more often than not, it hits. The audience at the cinema were truly loving this movie and I’ll admit, I was right there with them. This mix of the gritty, gory and absurd is not something that should work as well as it does but the basic premise of the film is already so silly (and boy, do they know it) that it just works! Certainly one of the best DC movies since The Dark Knight and one I’d be more than happy to watch again. This is what the modern comic book movie should be: just balls to the wall fun!

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writing-prompts-for-friends · 5 years ago

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Questions to Help World Build

I’ve realized I have a big problem with my writing. I am awful at world-building. Like, I just start writing without thinking about the world. And since I write fantasy. Well. That’s pretty no bueno and leads to all kinds of problems down the road. So I did some brainstorming with my friends and we created a list of over 100 questions to help think about our stories’ worlds and make them more concrete. Thanks to everyone who chimed in and gave me a hand!

A traditional Japanese clock, wadokei, that counted hours from 9 to 4, starting from sunrise, and then starting once again from sunset. (1-3 were not used for religious purposes.) They’re super interesting and confusing. You should definitely check them out.

Temporal

Is your story set in the past, present, or future?

Specifically, what year(s), month(s), day(s)?

Are days 24 hours? Or does time pass differently in this world?

How many months are there in a year? Is it a seven day weekday? Does the concept of weekends exist?

Have most existing societies developed a timekeeping device?

Is there a way to communicate across long distances?

The concept of time zones is still relatively new to our world. Prior to the late nineteenth century, timekeeping was a purely local phenomenon. Each town would set their clocks to noon when the sun reached its zenith each day. Do standardized time zones exist across the world?

Geographical

From a planet perspective, is it Earth? If it is not Earth, or an alternative version of Earth, what is it like? Is gravity the same? Does it have a moon or multiple moons? Can you see other planets? Is it closer or further from the sun? If so, what impact does that have on the climate and passage of time?

What town, state, region, country, continent, planet does this story take place in? What are its bordering/nearest neighbors? Draw a world map if you want.

What kind of land is it? Landlocked? Mountainous? Along the sea? Desert? Tundra? Tropical forest? Plains? Agricultural? Industrial?

What kind of plants and animals are common to the area? Are there any that do not exist in the real world?

What are the most common crops and livestock in various regions? What geographic features influence certain regions ability to grow/raise their crops and livestock (positively and negatively)? Are the regions diets strongly influenced by what they are able to grow themselves, or do other circumstances (like strong international trade) allow them to have more varied selections? How does religion influence what is considered ‘normal’ to eat?

What, if any, natural disasters are common to the region? Earthquakes, floods, tornadoes, monsoons, blizzards?

How many seasons does it have? Are any longer than others?

What is the typical weather like for those seasons?

Does the region have any unusual geographical features that set it apart? Perhaps there is some weird thing like Devil’s Tower just chilling out. Or hot springs because of volcanic activity?

Is it easy to travel from place to place within the area? Is it difficult to travel because of terrain/technology issues, or because travel is strictly regulated?

Main Locations: Cities

Many stories take place within one city. In Neil Gaiman’s Sandman, a character remarks, “So, if a city has a personality, maybe it also has a soul. Maybe it dreams.” What personality does this city have? What soul does it have? What does it dream of when it slumbers? If your story takes place within a settlement, town, or city, give these questions some thought.

Exactly where is it located within the lands you conjured up in the above Geography questions? Does it have a bay? A river? Does it butt up against mountains? Draw a map of the city.

How big is the city? Is it compact, or sprawling?

How old is the city?

What is the history of the city? How did it come to be? What tumults and triumphs has it seen?

What is the population? Is it currently increasing, decreasing, or remaining the same?

Does the town have any claim to fame? Any tourist attractions? What are they? What’s the story behind them?

If it’s a big enough city, how many and what kind of districts does it have? Residential, Commercial, Industrial, etc. Where are they?

Are there any areas that are deemed unsafe? If so, where are they and why are they unsafe?

Is there public transportation? What kind, bus, tram, train, subway, monorail? Is it good?

How do people get around this city if not by public transportation?

Are the roads narrow or wide? Crisscrossing in a methodical grid or higgledy-piggledy?

What are the buildings like? What materials are they made of? If they’re wooden, are they new wood, old wood? If they’re painted, what colors? If they’re stone, what stone? If they’re brick, is it new red brick or blackened, crumbling brick? If they’re glass and metal, are they sparkling with new hope or dull and jaded?

Are there many skyscrapers? Or are most buildings 1-3 stories tall? What does the skyline look like?

Are there many parks?

How is the city powered? Coal? Hydroelectric? Wind? Nuclear? Has it always been so?

What is the city’s main source of revenue? Agriculture? Tourism? Manufacturing? Mining? Something else? A combination? Dive deeper into this. If it’s agriculture, what do they grow? Tourism–what is famous? etc. This will help to determine what a lot of people do for a living.

What are the demographics? Ethnicity, age distribution, distribution of upper, middle, and lower class, etc.

How many schools are there? Universities? Are any of them good? Do they specialize in anything? Do schools even exist? Perhaps there are clans that teach their children everything they need, for example, or education isn’t viewed as important.

Are there any particular landmarks within the city that standout?

How many and what kind of restaurants are there?

Are there supermarkets, open air markets, or both?

Where do young people go to spend time? What about adults?

Do people there bustle or do they amble?

What are the nights like? Does the city grow quiet, or does it grow rowdy?

What does the city smell like?

If you had to give your town a color, one that represented its personality, what color would it be?

Main Locations: Houses (or buildings, but mainly houses)

There are many stories that have a house or headquarters or hospital or some sort of building as their main setting. These questions will mostly be geared towards helping you figure out a house, but you can apply these to other buildings too probably.

Exactly where is the house located within the city or outside the city? How does your character usually get there? Draw a map.

What year was the house built?

Was this house built by the current family or their ancestors? Who else lived in the house before the current dwellers? What were they like? Did they leave their mark on the house somehow?

What style is the house? Bungalow? Cabin? A shed? A cave? (makes the following questions mostly useless if so lol)

How many stories is it?

What is it made of? Wood? Brick? What color is it?

Does it have a lot of windows?

Are the curtains usually open or drawn? Are thee curtains at all?

What does the front door look like?

Is there a porch?

You enter the front door. Or maybe you don’t. Maybe you use the side door because the front door is for show or something. Anyways. You enter the house. What room do you step foot into?

Draw out the floor plans for each floor. How many rooms are there? Where are they? How big are they? How are they connected? What color are they? What style of decor?

Is there a basement? Is it used or is it just a home for spiders and darkness and unwanted things? How about an attic? Crawlspace?

How many bathrooms?

Are there any rooms that only certain people are allowed to enter? If so, why?

What is the flooring? Carpet? Wood? Tile? Linoleum?

What does the house smell like?

Government/Military/Economy

In other words, “the boring stuff,” if you ask me. But this is a very important aspect of any world.

What sort of government is in place? Democracy, oligarchy, etc? Is it a just or corrupt government?

How are goods exchanged? Bartering? Money? Coins and bills? Credit cards? A specific kind of sea shell? Lol

What are the police like? Strict? Lax? Is there a curfew?

Do taxes exist? If so, do the people feel as though they are heavily or unduly taxed?

Where is the intersection between theology and law? Is it common to have religious leaders in positions of power? Are laws based around religious ideology, or is there an effort to keep them separate?

Is there an organised structure devoted to halting criminal acts? Are they corrupt? Who runs the organisation? How does their reputation change based on demographic? What is the history of the organisation, and how does that history influence how it operates today?

Regarding potentially criminal acts, what is the elgality of prostitution, sex work, ect.?

What about drugs and other illicit substances? Alcohol, illicit drugs, recreational use. Legality, festivity, age limits, etc.

Underbelly. How prevalent is crime, what sort of crime (scaled from pickpocketing to human trafficking) is there? Are there areas that have bad reputations because of it?

Regarding war, are there currently conflicts in the world? Are they international or civil wars? How common is it to have an active war? What is the history of war? What does current warfare look like (Is it dudes in metal suits swinging swords? Have longbows been invented? Gunpowder? Tanks? Missiles?) Is military service mandatory or voluntary? How is the military seen? Is there a sense of patriotism for the military, or does the common man fear it?

Is there stigma around certain genders entering the military? Are come genders regarded as better recruits than others? Is it illegal for some genders to enter the military? Does a person's sexuality affect their ability to serve?

How has religion influenced war? Have there been holy wars in the past? Do any religious institutions hold their own military forces?

Cultural/Historical

I’ve put these together because events in history lead to cultural change. You can apply these questions not only to the world/country, but also the city or even the neighborhood, workplace, or school that your story takes place in.

What is the history of the region? Who was it settled by? Was another group of people displaced? After that, did any new cultures come in? Did they get along?

Were there ever any wars or serious conflicts in the region? What was the cause and what was the outcome of the war if there was one?

In our world, the internet, social media, and film/tv are massive cultural drivers. They determine the latest fashions, jokes, topics, and expressions. What are the big cultural drivers in your world? Books? Plays? Radio? Oral tradition?

Is it a collectivistic or individualistic society?

What languages are spoken by your characters? Is multilingualism common?

What sorts of cultures can be seen? Do any clash? Do any mesh?

What sort of foods are most common?

What superstitions do people hold? Is there a version of “knock on wood” or throwing salt over your shoulder after a funeral? What are the roots of these superstitions?

Are there religions? If so, what are they? Do any conflict with each other? Are zealots or extremists an issue?

Does slavery or indentured servitude exist?

Are there any class or caste systems? If so, what are they, and what does an average day look like for a member of each class/caste?

How does a person's appearance change from country to country? Do certain countries have very distinct fashions? If so, are the fashions influenced by religion, surrounding countries, the cultural majority or international trade partners?

How does a person's clothing relate to their social standing? Is it very easy to assume someone's roll by appearance alone? Are there punishments for dressing above or below your social standing?

Does the society place a great deal of importance on a person's presentation, or is the society more lenient on such things?

Is there an emphasis on conformity to a dress code, or is individuality encouraged? How strictly is clothing regulated by gender binary? Is it commonplace to see a man and a woman walking down the street in the same cut of clothes? Is there a social stigma when a person does not conform to the most common form of dress for their gender?

How are sexual rights viewed? Does the LGBTQ community have the same rights as people outside the community? How are sex acts between people of the same sex viewed? Is it legal? Taboo? Are there cultures that encourage those relationships in some circumstances (like how the romans were down with guys with guys in the military)?

Are there any groups of people that are victims of prejudice? If so, who are they, who holds these views against them, and what views specifically are they?

In regards to gender, do certain societies hold differing beliefs? Is there a commonly accepted number of gender identities or does it change regionally? Is the most common gender spectrum a binary, or do certain racial and cultural differences allow for a wider range to be seen as the baseline?

Are children raised by their biological parents or are children considered to be in the care of the wider community? Is it common/acceptable for extended family to raise children, such as parents needing to study, work, or serve time in the military? Is adoption a common thing in society? Is there a stigma around adoption/being adopted? Do cultural or religious views impact how adoption is seen by the wider community? What is adoption like for a single perspective parent? When adopting, is interracial adoption accepted/common, or is it seen in a negative light? Are some societies more open to adopting children outside of their own race?

How is sex and virginity viewed? Does religion influence it? What is the age of consent? What is appropriate on a first, second, third date? Is sex something that is talked about openly, or something taboo? Are you supposed to wait until marriage? Do couples stay monogamous while dating? Do some regions place higher importance on virginity than others? Do some place higher importance on one gender’s virginity than others?

How is marriage viewed? Are arranged marriages a big thing, or are people free to choose? Is monogamy common? How is a marriage symbolized? A wedding ring, or something different?

How is divorce viewed? What is the divorce rate? Can people remarry?

Magic and the Supernatural

If magic or spooky stuff doesn’t exist in your story, disregard this section.

Does magic exist? If so, who can use it? What are the limitations to their magic? What things are they capable of using their magic to do? What things are they incapable of doing?

Are there laws against what kind of magic can/cannot be used? What sort of laws? Who enforces them? What are the punishments for breaking said laws if they exist?

How does the existence of magic affect religion? Are there religious institutions that infuse magic into their worship? Are there religious sects that see magic as immoral and in direct opposition to their faith? Have there been conflicts in recent or ancient history between religion and the supernatural? Do some sects employ people to hunt and/or enforce law over the supernatural?

Assuming that magic does exist, is it taught? Are there different schools of magic? Is there a system of ranking for magic users based on their skill level?

Do non-magic users look towards magic users with respect or fear?

What role does magic play in this world? Has technology not advanced because magic solves many problems? Or has technology advanced and the use of some magics has become unnecessary?

Are there any mythological creatures/monsters, such as vampires, demons, skinwalkers, dragons, or other creatures of your own creation? Are they common? Do people believe in their existence? Do people worship them? Where can they be found? Do they interact with humans? Do humans fear them or try to put up with them as they do nature?

Do the dead continue to exist in some form, such as ghosts or zombies or the like? Can the dead be summoned or brought back to life?

Are there human/supernatural hybrids? Perhaps a half-demon half-human, for example? How are these people viewed by their peoples, and by society as a whole?

How has the supernatural influenced war? Do armies tend to have a mix of regular and supernatural soldiers/weapons? Have there been wars between the supernatural/magical and those without? How does magic influence a person standing in a mixed army? Is it more likely for a magical being to be promoted than a non-magical being? Conversely, are supernatural being forced into service and seen as pawns?

The End!

Please feel free to reblog and share, and add on any questions you think should be added!

#worldbuilding #world building #creative writing #writing fiction #writing tips #brainstorming #creative writing methodology #writing prompt #writing exercise #writing prompts for friends resources #long post #writing inspiration #writing prompts for friends

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pair-annoyed · 5 years ago

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Anime I Watched This Fall

My first semester of college is officially over and the December holidays are upon us! I hoped to make one of these posts sooner, but I have been incredibly busy with schoolwork. Now that things have slowed down, let’s take sometime to reflect on things I’ve watched.

These anime are listed in chronological order and encompass everything I’ve watched from 9/1/2020 - 12/15/2020

Like always, they will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn’t like about each show!

1. The God of High School - 6/10

Despite the stellar animation from MAPPA and my high expectations, I was really disappointed by how this series was treated. Most of the story’s crucial elements were handled poorly. I finished this series feeling more confused about the plot than when I first began. The power system is really cool, but poorly explained. More time should have been spent on exposition and world building for this series, instead the fights were given the most screen time.

2. Doukyuusei - 7/10

I really liked the style of Doukyuusei. Granted, this was another movie I chose to watch primarily because of the hype surrounding it. The dynamic between Kusakabe and Sajou is an interesting one, and I also enjoy how the movies different acts were separated by the seasons. However, there's nothing that really sets Doukyuusei apart from other romance movies, its a little generic. Still, I enjoyed it nonetheless.

3. Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8/10

My opinions on Re:Zero’s second season are biased. This was, by far, the sequel I was most hyped for during the summer/fall anime season. I was so happy to see the story’s continuation and I’m looking forward to the season’s second part coming sometime in January. Re:Zero is one of my all time favorite series because of the way it handles it characters and power dynamics. I also really enjoy the show’s psychological aspects. If you haven’t already, give Re:Zero a try!

4. Saint☆Oniisan (Movie + OVA) - 8/10

This was a wonderful comedy. I wasn’t sure how the subject of Jesus and Buddha living together would be tackled, but it was handled wonderfully. I was laughing for pretty much the entire movie. I love the art style and little references to both Buddhism and Christianity, plus the incorporation of Japanese culture. Saint Oniisan is a bright comedy, with two eccentric main characters. If you like a show that doesn’t take itself too seriously, and need a good laugh, I can’t recommend this more.

5. Clannad: After Story - 10/10

Never, while watching anime, did I cry as much as I did while watching Clannad: After Story. I didn’t realize how much I related to Okazaki until I saw him grow up in After Story. I was left sobbing, especially after episode 18. I still, to this day, cannot listen to the Dango song without tearing up. The original Clannad is nothing special, but the continuation of its story its something heartfelt, emotional, and down-to-earth. I love Kyoto Animation with all my heart, and Clannad made me appreciate everything the studio has done just a little bit more. Thank you Clannad, for reminding me about the kind of person I strive to be.

6. Nakitai Watashi wa Neko wo Kaburu - 5.5/10

The art in A Whisker Away was beautiful. The story itself, however, is nothing too enjoyable. I found it difficult to like our protagonist or her love interest. Nothing about this movie is inherently memorable. The emotional climax came far too early which made the second half of the film seem long and drawn out. All in all, the movie has a wonderful concept, I just believe it could have been so much more emotional than it was. When I watch a move, I like to empathize with the characters. It’s difficult to do when the characters aren’t given the proper exposition to be empathized with.

7. Shikioriori - 6/10

This is less of a movie and more of a collection of short stories. Flavors of Youth is something you shouldn’t watch on an empty stomach, all of the food looks incredible. The same cannot beside for the rest of this feature. The stories themselves seems heavily clichéd. Much like A Whisker Away, the initial premise is intriguing, but the execution results in something that comes across as trying too hard and carries no emotional weight with the viewer. If you plan on watching, pay more attention to the artwork and animation than the actual plot. You won’t be missing anything.

8. Vinland Saga - 7/10

Vinland Saga helped me get out of the rut that Clannad: After Story. Not only does this show have a great story, its action packed with lots of interesting fights. I especially enjoyed all the Nordic history embedded within the show. Its really unlike any of the other historical anime I’ve watched. I will say, it’s gory. But, compared to all the other things I watched this time around, I finished this series the quickest. Its good, its graphic, its fast paced!

9. Mononoke Hime - 7/10

It’s ironic considering how much anime I’ve watched that I have yet to watch all of the most classic Studio Ghibli films. Princess Mononoke is grittier than most other Ghibli films I’ve seen, but it’s message is positive and its characters are wonderful. I can’t really speak ill towards classics like these. I guess maybe my one complaint is that this movie could’ve been a faster pace. Other than that... I really enjoyed everything Princess Mononoke offered! I understand why it’s so popular.

10. Howl no Ugoku Shiro - 8.5/10

Can you believe it took me this long to finally watch Howl’s Moving Castle? Me neither!! This movie is so endearingly beautiful. I loved every second of it, from the characters to the soundtrack. So many iconic things come from just this one movie. I would like to take this time to thank my best friend for reminding me that Studio Ghibli films are wonderful! Thank you for watching this with me, I loved it! All in all, I regret not watching this sooner!

11. Toradora! - 6.5/10

Toradora took me a while to finish, just because I lost interest about halfway through. But, I powered through it, and ended up really enjoying the show! I’m not the biggest fan of the ending, but that’s just a personal preference. Somehow, this show also made me cry? I’m not entirely sure why because Toradora! is probably the thing farthest from sad. Apart from the show’s dull slice of life moments, it was super cute! A much needed light-hearted romance.

12. New Initial D Movie: Legend 1 - 5/10

Full disclosure, this is the only thing related to Initial D that I’ve ever watched. My band and I watched this expecting to hear some of that iconic Initial D music, itself all we got was a mildly confusing story about different types of cars. It was cliché and frankly a little boring. Although, I am still considering watching the original Initial D just so I can hear the music in the way it was original intended. I’ve got no other opinions on this movie. It’s best not to watch these movies without the context from the rest of the franchise.

13. Uchuu Patrol Luluco - 7.5/10

I didn’t really understand why people enjoy studio Trigger so much until I watched Space Patrol Luluco. I loved all the fun references to other studio Trigger works. I loved the humor, and I loved all the bright colors. The animation was extremely high energy, and the art style fits the show’s premise. Each episode was only 12 minutes long so it was a super quick binge. If you’re looking for something quick, light-hearted and comical, this is the perfect show to watch.

14. Orange - 7/10

I owe a big thanks to a tumblr mutual for recommending this show to me! This holds the honor of making me cry by episode 3! I honestly did not expect the subject matter of this show to be as dark as it was. Usually when I see the genre ‘shoujo’ I do not associate it with a love story like that of Orange. The heavy subject matter made it a little too close to home for me, but I still really enjoyed this series. It reminds me off all the good times I had with my friends in high school, and of all the regrets I carry with myself to this day.

15. 3-gatsu no Lion - 7.5/10

March Comes in Like a Lion is another show that was a bit of a slow burn for me. Each episode left me feeling emotionally drained, so I had to take a lot of breaks while I was working on watching this series. Shaft, the studio behind this anime, holds a special place in my heart because I loved their work on the Monogatari Series. March Comes in Like a Lion is a little different. It’s driving force it is characters, and it was cathartic to watch our main character transform through the entire duration of the first season. I know the show’s second season is much better, so I’ll be starting that soon!

16. Yojouhan Shinwa Taikei - 8/10

I loved how artsy and smart The Tatami Galaxy is, but honestly I couldn’t watch too much at once cause it would hurt my head. I also couldn’t watch this show while I was tired because the speaking rate is much faster than typical anime. The Tatami Galaxy is so unique for its medium. I loved the different time loops and the crazy animation. The characters were fascinating. The dialogue, although very fast, it also fantastic. There’s an element of humor to this unique story telling, and I enjoyed ever minute of it!

Currently Watching:

Hunter x Hunter - 6.5/10 (As of Episode 30)

I pride myself in having watched a lot of shounen anime, but I was reluctant to start Hunter x Hunter for years because I thought I would find it boring. I was oh so very wrong. Considering great shows like Naruto and Fairy Tail that fall under the same category, I expected Hunter x Hunter to be subpar in comparison. It gets a low score for two reasons. One, the power system was introduced a little too late and now I’m wondering if all the fights post episode 30 will involved nen in some way, shape, or form. Two, its still on hiatus.

Two Cursed Additions For This List

Please to do not let these be representative of my anime taste.

1. Yarichin☆B*tch-bu - 4/10

I am a CLOWN for not knowing this was 18+. The only reason I watched this was to see why everyone was talking about the pink-haired boy with the glasses and tongue piecing. I know why now, and I regret it. This was a massive mistake on my part. But hey, at the least the art and ending song kinda slap?

2. Euphoria (Dropped After 1 Episode) - 2/10

If you know what I’m talking about when I say Euphoria, I am so sorry. And no, I am not talking about the HBO series. Seriously, don’t google this. Don’t watch this. Don’t interact with anything related to this. You’re probably wondering, “Then why did you watch it?” I did not watch this willingly. You see, I have a very bad habit of starting anime and then taking months to finish them. I made an ultimatum with a friend, lost, and then was forced to watch this a punishment. Not a fun experience. I’m very glad there are no GIFs of this on tumblr...

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astheroid · 4 years ago

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A Friend’s Confession

Randomly generated stories: in which Honi attempts to cure her writer’s block with a random word generator and character wheel.

Plot words: escape, platform, negotiation, trivial, public

Character: Oikawa Tooru

Genre: Fluff (enemies to kind-of lovers)

Word count (not including texts): 2,420

You sighed, head down on your desk. School was a nightmare, and there was a dull throb forming in between your eyes. The asshole behind you wasn’t helping, either.

“Y/N! Y/N, hey.”

You buried your head further into your arms. Luckily, your teacher was too busy playing Candy Crush at his desk to pay attention, so you could get away with slacking off. As of right now, you attempted to escape the hellhole that is 7th period social studies.

“Y/N, I’m being serious. Please.” You lifted your head to glare at the boy behind you.

“Not the right time, Trashykawa.” He grinned.

“When is the right time, considering you’ve told me that every single day since our first year?”

“Never.” You were back to resting your head on your desk, too tired to deal with him.

“Like actually. I talk to one of your friends once and you’re dead-set on hating me.” He said, tapping your desk with his pencil.

“Yeah, ‘cause you’re an ass.” He let out a soft huff and you swear you can hear his frown.

“That’s not very nice.”

“Mhm, I don’t care. Please shut up.” His chair creaked.

“Fine.”

You were rudely awoken by the shrill screaming of the school bell. As you sluggishly zipped up your backpack, shoving your half-finished notes into your binder, you felt an irritating presence loom over your shoulder.

“My day’s been shitty already, I don’t need you bothering me right now.” His shadow wilted a bit.

“Kind of rude, don’t you think?” He replied snarkily. “I’m just trying to talk to you.”

“Why do you need to talk to me?” You were packed and ready to go, but Oikawa was blocking your way.

“I want you to watch our practice. The Aoba Johsai Volleyball Club hasn’t had enough spectators recently.” He grinned. You scoffed.

“Yeah, no. Now get out of my way.” He shook his head. After a few seconds of wondering whether you should punch him or not, you decided to shove him out of the way and continue walking. Right before you could, however, he sighed.

“Look, I really need you to be there. It’s important.” You grimaced.

“Why? I don’t want to watch sweaty man-children hitting a ball back and forth.”

He snorted. “I don’t need to tell you.”

“Ok, then I’m not going.” You tried to side-step him, but he blocked your path once again. You pushed your hair behind your ear with a frustrated sigh.

“Let’s make a deal. Have a negotiation, if you will.” You raised your eyebrows as he continued speaking. “Someone on the team likes you, and I-” he ran a hand through his hair, “am the one assigned to be their wingman. Come to this practice and I’ll tell you who afterwards.”

You considered it. “Are you sure they like me?”

He held up a peace sign. “I wouldn’t be here if they didn’t.”

You shook your head lightly. “Fine. Fine, I’ll go with you.”

He beamed. “Great! You won’t regret it.”

Following him out the door, you grumbled “Of course I won’t…”

As soon as you entered the gym, Oikawa pulled a flustered Iwaizumi to the side and whispered something in his ear. Iwaizumi nodded and shot you a wide-eyed glance before turning to address the rest of the team.

‘Oh. So it’s probably Iwaizumi then, huh. This is… good, actually. Not what I expected, but good.’

You had a few classes with Iwaizumi, but you’d never really spoken to him (save for a few times he’d dropped his pencil under your desk in Language Arts). Sitting on one of the lower bleachers, you examined the boys on the team.

There was Oikawa, of course, with his side-swept hair that looked kind of like a walnut. Despite his snobbish attitude and annoying persistence, he was kind of attractive and his volleyball skills were impressive. You smiled when Iwaizumi hit him in the back with a volleyball. Iwaizumi. In your opinion, he was the best out of all of them. Short, dark hair and muscular arms with a stern attitude. You especially appreciated how he made fun of Oikawa.

Hanamaki and Matsukawa were cool too. You’d seen them around and always thought they were pretty funny. Kyotani was a bit scary, but not too bad-looking. Yahaba was hard to judge, but he seemed pretty nice. You wouldn’t mind if any of them had a crush on you. Except for Oikawa, of course. He was the only one you couldn’t stand.

Time passed quickly with very few interruptions. The most interaction you got with the team was a few side glances and some waves (and Oikawa winking at you, but you returned the favor by glaring at him).

You made idle conversation with the team manager as you waited for them to leave the locker room.

The Great King™ and his entourage arrived shortly, chattering away as they approached. Oikawa smiled and you made a noise of disgust.

“Heyo! Are you down to take a walk around town later?”

“Absolutely not. If you’re not gonna tell me what you promised you would,” you emphasized, “I’m leaving your bitch ass and never talking to you again.” Makki and Mattsun burst out laughing at Oikawa’s offended face.

“Dude-” Makki hiccuped, “you just got completely shut down.” They doubled over wheezing, and Iwaizumi shook his head in disappointment.

Oikawa narrowed his eyes at you. “Well I can’t tell you here,” he said, waving at the gym, “said person is present. If it makes you feel better, Iwa-chan can come too.”

“I never agreed to that.” Iwaizumi said, eyebrows furrowed.

“Oh come on, it’s just for like two hours!” Oikawa pleaded, turning to look at his friend. “If you come I’ll do your clean-up two turns in a row..”

Iwaizumi looked at you and then Oikawa, contemplating his options. “Fine.” he grumbled. “You better not make me late for dinner, though.”

You stared at them. “I still haven’t agreed, you know.”

“If you go with us, I’ll tell you and even maybe set you up.” Oikawa wiggled his eyebrows and you groaned.

“Let me think about this first, I need to decide if it’s worth it or not.”

He nodded and you walked out of the gym, glad to be free of the stuffy air.

Sitting down on a bench, you weighed your options carefully.

Agree to go with them and find out who has a crush on you, but be forced to spend time with the one person you genuinely dislike

Deny the offer and have wasted your time at his practice

Your thoughts were interrupted by Oikawa, who was tapping his foot impatiently next to you. “Are you done now?”

You stood up. “Yeah. I guess I’m going with you, but if you cheat me out of my answer or pull anything, I’m punching you and leaving.”

“I won’t, I swear on Iwa-chan’s inevitable beating-of-my-ass.” Oikawa promised, putting his hand over his heart.

“You still haven’t told me what this deal is about…” Iwaizumi muttered, trailing behind you as Oikawa excitedly led the way into town.

It took 30 minutes and an awkward bus ride before you arrived at your desired location. It was a part of town you usually avoided due to the mass amounts of schoolgirls (in your experience, every teenager attracted to men simped for the guy you were currently standing next to). Although quite populated, you had to admit it was nice.

The trees swayed gently in the breeze, and the murmuring of shoppers drowned out Oikawa and Iwaizumi’s trivial bickering. You were led into multiple stores by the boys, trying in vain to switch the topic to your secret admirer. Oikawa dodged the questions and Iwaizumi tuned out of the conversation before disappearing entirely.

You looked around, suddenly all-too aware of Iwaizumi’s lack of presence as Oikawa dragged you into another shop. “Where’s Iwaizumi?”

Oikawa looked at you, and then at your surrounding area. His eyes widened. “Uhhh… I don’t know?” He offered sheepishly. You grimaced.

“We need to look for him.”

“Why? We’re having so much fun.” Oikawa teased. “Iwa-chan’s responsible, he probably just went home.”

“It couldn’t hurt to at least text him. I don’t want to watch Iwaizumi yell at you for losing him in public.”

He shrugged and pulled out his phone. “That would be quite embarrassing.”

He scrolled for a bit and then showed you texts Iwaizumi had sent around fifteen minutes ago, explaining that he was getting bored and went home. “See? Told ya so.” You rolled your eyes.

“Ok, so now that that’s out of the way, can you tell me who has a crush on me?”

“Hmm… maybe later. Let’s keep shopping.” He said with a smile. You weren’t so amused.

“You literally promised to do it after your practice, but you dragged me on an hour-long shopping trip and refuse to tell me. You haven’t even bought anything!”

“All things come with time.” His tone was serious, but the mischievous smile on his face was not. You shook your head and decided to walk away.

“Wait!!” He called after you, speed-walking to catch up. “I’ll tell you, I swear. Just be patient.” You didn’t take this well.

“I’ve been patient for three hours. Tell me or I’m leaving.” You don’t know why you haven’t left already.

“Just do one thing for me, and I’ll tell you, alright?” You glared at him suspiciously.

“What do you want me to do?”

He waved at the shelf behind him, populated with plushies of all kinds. “Pick one!”

You stood there, confusion and suspicion mixing in the pit of your stomach. “What?”

“I said pick one. I’ll pay.”

“Why?”

“It’ll be a nice gift for your secret admirer, don’t ya think?” He beamed, prodding at one that vaguely resembled a duck.

You nodded, still suspicious. After around a minute of browsing, you picked up a small stuffie. He hummed in approval, plucking it from your hands.

“Off to the cash register! Don’t get lost now, you’ve almost discovered my secret.”

You waited in silence as he talked to the cashier cheerily. Despite his demeanor, you noticed his hands shaking when he took the bagged animal. He must have check-out anxiety.

Oikawa reached out to you, looking at you for approval. You shrugged your consent and he patted you on the head while slipping the bag into your hands. “C’mon, let’s get out of the store. I can’t properly confess someone else’s feelings to you in a place with so many people.” You followed him out, noting how he fidgeted with the edge of his shirt.

He led you through an intricate maze of pathways, adorned with soft pink trees and flowering bushes. You made a few snide remarks about how far he was going for someone else’s confession and he replied with teasing gestures of his own. The air, now slightly colder, carried the smell of spring.

At the end of the many paths he had led you down was a small pavilion made of old (slightly musty) wood. The raised platform had a border of carefully carved patterns and a few potted plants on the side. The trees filtered light in an intricate pattern, highlighting the natural themes. There were a few benches near the outside, moss-covered and looking like they had been popped out of a storybook. Fortunately (or unfortunately, depending on how you look at it), there was no one there but you two. It was the ideal place for a confession.

You stood in the center as Oikawa brushed his hands through his hair and fumbled for words.

“So… you’re probably wondering who’s crushing on you.”

“Yeah, duh. That’s why I’m here.”

“Right.” He muttered meekly. “Anyways, uh… you know what? I’m just gon- I’m just gonna go for it.” He took a deep breath. “It’s me. I like you. I know you kinda hate me and that kinda sucks, but I wanted to prove that maybe I can be okay sometimes. It’s like totally fine if you don’t feel the same way and everything, but do you maybe want to get to know each other better? And you can keep the stuffed animal. That was for you anyways.” He paused at the end of his rant, blushing profusely. “So, yeah. Um. That’s it.” You just stared at him, mouth slightly parted in shock.

This was the last thing you’d expected. Before, when Iwaizumi left, you thought it would be weird for him to avoid the person he liked. Because of that, you figured it was someone else on the team. Or Oikawa was lying to you as some sort of cruel joke. Never in your 18 years of living did you ever think Oikawa Tooru could be attracted to you. And you didn’t think you could ever bring yourself to like him, either.

He was annoying and stubborn and pushed all the wrong buttons, but during his practice you couldn’t help but notice how he gave such specific praise and advice. You’d heard of his infamous rejections, due to him having tons of confessions daily, but he never left his fangirls crying. Despite his playboy attitude, he took the time to let them down easy and encourage them to go for someone else. His sarcasm and jokes were well-planned and rarely had sinister intentions (save for when Ushijima or Kageyama came around, his disdain for them was barely concealed).

All in all, he wasn’t the worst. And he was most definitely the prettiest guy to ever show interest in you. You couldn’t be completely sure of anything, though.

“Do you actually like me?” You asked.

He gasped. “How dare you assume I don’t! Of course I like you, I wouldn’t lie about something this important.” Behind his joking, you could see the glimmers of sincerity peeking through.

“Okay then. Uh, I don’t really know you all that well because… y’know I’ve hated you for a long time, but maybe we could be friends. I want to know you before we like, date and all that stuff.” He nodded eagerly.

“Sure! I kind of expected that, to be honest.” His eyes were lighting up and he bounced back on his heels a little. “Thanks for tolerating me today.” He winked and you sighed, but you couldn’t stop a small smile from making its way onto your face.

“Yeah, yeah. Want to exchange phone numbers so you can convince me you’re not the worst person I’ve ever met?”

“Gladly.”

This was actually really fun OvO my original plan was to write an enemies-to-lovers Oikawa story for my close friend @calicocatwrites (who coincidentally hates Oikawa lmao), but I got stuck on the plot so I used random words to form one :D I think I’ll write some more stories like this eventually. And this is my 100th post, woo!!

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aros001 · 4 years ago

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First time reading through the light novels. Vol. 1 random thoughts.

A while back I'd seen the first episode of the anime and...didn't take it well because of that one specific scene. I was interested in where Goblin Slayer and Priestess would go from there but I was worried about my ability to handle the rest of the series. So months later I asked this Reddit if you guys would recommend I continue and you were very supportive and encouraging. I watched the rest and really enjoyed it. I just recently wrapped up another light novel series (at least the books that were available in english) and figured why not give Goblin Slayer's LNs a try?

These are just some random thoughts I had while reading the first volume. I did the same with Rising of the Shield Hero and it was fun to do, with other fans pointing out things I might have missed and starting discussions about what happened each book.

Right off the bat, I think Goblin Slayer is one of the few series I've ever read that brings up weapons getting dulled and damaged by blood and fat (or even bringing up fat from a slain foe at all). Shield Hero had a little bit that early on but most stories just have weapons that are so high quality that the quality never dips.

Also, back in the anime I'd found it interesting that goblins could make poison when everything else about them seemed so crude. But in a general view "poison" is basically a harmful substance that you don't want in your body. That the goblins can make poison out of their own shit and some herbs actually makes sense and works with the idea that they have the mental capacity of cruel children.

The first kill we see Goblin Slayer make seems to say a lot about him. Pinning a goblin to the wall with his shield before stabbing a burning torch into its face. Efficient yet feeling almost vindictive.He kills it in the most painful way he possibly can at that moment.

The Priestess blocked the one goblin with her staff on instinct and kept it from getting away long enough for Goblin Slayer to throw his sword into the back of its head. I'm curious if that's why he let her accompany him through the rest of the cave or if he would have done the same regardless? If he didn't see her potential would he have ordered her to leave instead of asking what she was going to do?

Are the gods of Truth and Illusion meant to be literal gods or just figurative? Either way, I'm looking forward to hearing more about them and the Earth Mother, Dark Gods, and Supreme God. I like mythology and that includes the party's talk about where goblins come from. I like that they, and we the audience, don't yet have a for-fact answer. All the possible origins they share are from legends, folktales, and stories you tell children (with some racial bias thrown in between the elves and dwarves). It really helps the world feel more real and lived in.

Out of curiosity, do Slimes exist in the GS universe? They mention giant rats and goblins as the monsters a lot of beginners take on and slimes are a famous kind of newbie monster in other fantasy stories, so I'm curious if they have those as well (or if it's a Konosuba kind of case where slimes are NOT a monster beginners should be fighting).

Oh jeez, the anime really wasn't exaggerating with Cow Girl flopping over the windowsill. Why is that so funny to me?

“Yes. A group of rookies are in the southern woods. That one is a request from a village near the forest.”

“Beginners,” he murmured. “Who was in their party?”

“Let’s see...,” Guild Girl said. She licked her thumb and began paging through a sheaf of papers. “One warrior, one wizard, and one paladin. All Porcelain rank.”

...

The day after that, showing no hint of fatigue, he joined Priestess in venturing to the southern woods. Cow Girl heard later that the rookies never returned from the forest.

I might be misremembering or thinking of a different group but the rookies came back alive in the anime, didn't they?

A big thing that helped me get through the anime was the introduction of High Elf Archer, Dwarf Shaman, and Lizard Priest. They brought a lot of life both to the series and to Goblin Slayer himself. He's a man who really needs friends and something other than goblins in his life. What he does is important but spending too long in nothing but that darkness would eventually break anyone. In fact, nearly all the characters help bring some enjoyment to the story. I was afraid Spearman was just going to be another Motoyasu but he quickly proved himself to be, overall, a pretty good guy.

I also like that this novel gives more insight into the extra characters. Not just the humans like Guild Girl, Heavy Warrior, and the Hero (which was a very welcome surprise. I want to know more about her), but also some of the goblins as well, like that one guard of the old elf ruins. Even if they can't talk in a way humans can typically understand, it's cool (and a bit uncomfortable) having a direct show of how an individual goblin thinks.

While it's not as much as Priestess, I do really seem to have a soft spot for Guild Girl. Why she seems to like goblin Slayer is just really appealing for me. She likes him because he's different but not in the traditionally tropey way of "Oh, he's so different from the other guys". He takes the jobs that no one else wants to do, not to brag about it or hit on her, but simply because they need to be done, which means a lot less newbie adventurers have died or worse at the hands of goblins, something she's indirectly seen happen way too many times, even if it's a reality she has to live with. Completely unintentionally, he takes a lot of burden off her heart and mind. I can easily see how her respect and appreciation for him would eventually lead into feelings of affection.

Goblin Slayer = Beard-Cutter? I can understand to an extent Orcbolg and that both names come from a goblin killing sword, but do Dwarves refer to goblins as Beards? And if so, why? Or am I missing something here? This confused me in the anime too.

“I owe it all to you, sir!” Her gaze, her beautiful eyes, bored into him. He caught his breath. What should he say? There was a long pause.

“Not at all,” he finally squeaked out. “I didn’t do anything.”

“You did so much!” she responded with a grin. “You saved me when we first met.”

“But I couldn’t save your companions.”

“True, but...” Her face stiffened for a moment. She couldn’t quite finish her sentence—understandably.

Even he still remembered the awful scene all too clearly. Warrior, Wizard, Fighter, who had all lost everything. Her party had been trodden into the dust.

I really like this. It's be really easy to just make Goblin Slayer a complete hardass who's oblivious to everything and cold to the world (and to an extent he is). But he does still have emotions other than anger. He's at a loss by Priestess' gratitude and doesn't know what to say. He has regret that he couldn't save her old party. He's used to the sight of what happened but still finds it awful. He appreciates the elf, dwarf, and lizardman's help and isn't against partying with them again, even if he won't go out of his way to join them again. He feels truly helpless when he tells Cow Girl he can't defeat the Goblin Lord's army. As the story goes on I imagine it'll be explored how much he's doing what he does to keep the past from happening again vs. him just wanting revenge on all goblins. Which side rules him more?

But all things must end—often too soon.

The end to his idyll appeared in the form of repulsive black blotches on the dew-drenched morning pastures. Trailing mud and excrement across the fields, they were unmistakable: small footprints.

This is the one part I think the anime did a little better, if for no other reason than that we had a lot more times of Goblin Slayer checking for signs of goblins every morning. It was a great Chekhov's gun. It was something the audience knew had to come back into play later...but that you really, really did not want to because you knew what it'd mean. Every time he checked and didn't find anything was a relief but it left worry about the next time, building up that dread and anticipation, until finally we get that morning where he sees all the tracks.

At a table deep in the room, High Elf Archer made to stand, her face a furious red, but Dwarf Shaman and Lizard Priest stopped her. Witch sat on a bench, a slippery smile floating on her face. He glanced at the front desk to see Guild Girl vanishing into a back room in a panic. It occurred to him that he was looking for Priestess.

Awwwwwwwwwww! He does like having her around!

I think the main reason the story works, at least for me, is because it isn't just one of those "Life sucks. The world is dark. F**k you." types of "adult" literature. Yes, the world of GS does get very dark and messed up, but what gets you through it are these very likable and sunny characters who do care a lot about each other. At least with the content of this volume and what was covered by the anime, the draw isn't supposed to be how "edgy" the story can get but rather these characters trying to fight back against the darkness that exists in their world.

Original Reddit post: https://www.reddit.com/r/GoblinSlayer/comments/fq3z9a/first_time_reading_through_the_light_novels_vol_1/

#goblin slayer #random thoughts #reddit repost

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pinkflamingcreatures · 4 years ago

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“Tux and Fanny”: An Appreciation Post

The hardest part about learning to be an adult hasn’t been teaching myself to do taxes or figuring out car insurance policies - although those have been really hard - it has been trying to maintain excitement with tasks that I have to perform everyday, struggling to find joy in monotony.

Of course, an easy solution to this problem is to do new things. “Mix up your schedule!” they tell me; and I have, to a certain extent. But really, my schedule can only take so much mixing up before I’ve fundamentally changed the way I live: I have to work a set amount during the week, I have to eat a couple of times a day, and ideally I leave the apartment at least once every 24 hours. So, although a walk before breakfast instead of after lunch is a welcome change, it is still a walk around the same neighborhood which often leaves me feeling bored and unfulfilled. Who can get excited about getting out of bed in the morning when the day doesn’t greet you any differently today than it did yesterday?

Alas, there is always a new movie to watch once the sun goes down. A recent dive into the world of Letterboxd lists introduced me to Albert Birney’s Tux and Fanny, a compilation of 79 1-minute long animated shorts originally posted on Instagram. The description reads: “Tux and Fanny are two friends living together in the forest and these are their adventures!” Being a notorious lover of all things fun (especially when they only take 82 minutes of my time), I was hooked. The concise blurb and pixel-art style led me to believe that it would be a simple, entertaining watch - which it was! What caught me off guard was the emotional depth of the characters, and the ways in which the film explored mundanity and absurdity with an equal amount of weight and humor.

Tux and Fanny does exactly what it promises: follows two characters named Tux and Fanny through a whole lot of day to day activities, although it would be a stretch to call most of them “adventures.” Tux is pink and speaks in a lower voice than Fanny, who is purple. They live in the same house in a forest and sleep in separate beds (in the same room). Beginning with a very basic premise, the film goes to some pretty bizarre places. The first segment shows Tux and Fanny kicking a soccer ball back and forth in their yard when a black cat walks up. Tux wants to bring it inside, but Fanny worries that it might be flea-infested. They bring it inside anyway, and it turns out the cat is infested with fleas. Thus begins the first conflict of the movie: how to stop the itching? The internet sayeth: Peanut Butter! So, our protagonists lather themselves with peanut butter, and: sweet relief. But how to get it off? While Fanny opts for the ol’ hose technique, Tux goes a different route: “I’ll lay down on this ant hill and feed thousands.” Unfortunately, the ants not only eat the peanut butter off of Tux’s skin, they eat his skin, too.

Peppered among these absurd situations are moments when Tux or Fanny pauses and ponders a lofty philosophical question. Covered in peanut butter, Tux picks up a dandelion and says “Look at the shape, the structure. Millions of years of evolution has brought it to this design. These gentle pilgrims will disperse to the four corners of this vast universe. Fanny, we are like these seeds. The day will also come when we must float away and seek our destiny.” He promptly blows the seeds away which inevitably land on Fanny and stick to the peanut butter on her skin. It is juxtapositions like this one that help bring comedy to lofty topics like eternity, while injecting some much needed wonder into seemingly dull moments.

Aspiring to a world view like Tux and Fanny’s would probably be unsuccessful and maybe even undesirable, but there is certainly something about the way they interact with their day to day activities that struck a chord with me at this moment in my life. The fact that Tux can still see beauty in things like “the sunlight through the leaves, the sun dappled grass,” and “the butterflies, so light and free” when he is a literal skeleton is truly inspiring. I have been at a place in my life when everything looked new, and every day gave me a novel insight. It pains me to acknowledge how fleeting the feeling of awe can be: how do I get it back once it’s gone? Is it just a part of getting older?

The film raises more questions than it answers, like, “are Tux and Fanny humans?”, and “Why can’t they go to the store to get food if they’re hungry?” Maybe they can go to the store - where did they get the peanut butter in the first place? - but these characters constantly turn to absurd solutions for simple problems (like keeping a chicken trapped inside of Tux’s ribcage as a source of food). More often than not, Tux and Fanny are involved in situations that seem drenched in mundanity, like eating turkey on Thanksgiving, standing outside on a windy day or playing a computer game, yet inevitably take a turn for the absurd: the growth hormones in the turkey cause Fanny to grow extra limbs, Tux gets whisked away by the wind, and Fanny gets sucked into the computer when lightning strikes the house. These instances offer a new perspective on the tedium of adulthood. There is always a new way to see things.

Even if I can’t live just like Tux and Fanny (would I even want to?), I can learn lessons from their attitudes. “What if for every grain of sand here, there exists another universe out there. And in each universe, there exists another version of us.” “That’s a lot of us. If we do exist out there, I hope we have sunsets.” To display reverence for the small, and nonchalance towards the lofty. Why should I entertain ideas I can’t comprehend but ignore the richness of my immediate surroundings? The best lesson I can take away from this silly, hilarious and beautiful movie is to slow down and appreciate each moment as I live it. I may be able to notice something I’ve never seen before.

#tux and fanny #albert birney #cinema

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punz4lyfe · 4 years ago

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Pokemon Journeys Character Partnerships

No guys, this is not about shipping. The word “partnerships” doesn’t always equate to shipping, ya crazies.

Putting the Pokemon and Team Rocket aside, let’s look at Pokemon Journeys’ primary human cast. We got six characters (with good intentions), with Ash, Goh, and Chloe being the main characters and Professor Cerise, Chrysa, and Ren being major side characters. I mean, it makes sense as per usual anime tradition; the first three are young trainers and the last three are apparently what keeps the Cerise Lab functional, which is pretty much the main hub for this series.

And yet, even with all these characters, many of their interactions are severely limited.

As of now when I’m writing, over half of the episodes have only featured Ash and Goh working together, with only about three episodes of all three main trainers traveling together and Chloe barely getting any alone time with any of the boys at all. You can easily see this issue by looking back at my review for Episode 67 where I criticized how almost every filler episode focuses on just Ash and Goh getting involved with the episode’s plot, and yeah, it’s also a problem for non-filler as well. Like remember when Goh released his White Flower Floette? As shoehorned the emotion of that scene was, wouldn’t it make things a bit more heartwarming if Chloe was there with Ash to support Goh on this decision? Ignoring Raboot who came to Goh, Floette was the first Pokemon Goh ever had to release, so wouldn’t having his childhood friend be there with him make more sense?

Speaking of the fact that Goh and Chloe are childhood friends, what really bugs me is that they barely have any alone time together. The only few moments I can think of them interacting alone would be the first few episodes before Goh got completely accustomed to Ash and Episode 49 where they went to school together, but even that was pretty limited since Goh was mostly used to distract the scientists away from Chloe so that she could keep Eevee safe. And then Episode 57 kind of implied that she doesn’t like to spend too much time with her own childhood friend because she’s afraid he’ll just condescend her for her lack of knowledge of Pokemon compared to his. That’s honestly pretty shallow. Goh and Chloe are both new to being trainers, at the very least compared to someone like Ash or Cerise, so it would make a lot more sense if they developed their experiences together.

And why can’t Ash and Chloe have an episode together? Something like that could finally make a friendship between the two seem passable and hopefully drop out Chloe’s own shallow view of him.

At the very least Chloe is helping Chrysa get some development with the two hanging out and talking about Pokemon on a few occasions, but that also makes Cerise and Ren even more dull and lifeless by comparison. Honestly, interactions with other characters could actually give those two characters some actual, distinguishable personality traits and, yeah, I think we all know Ren could use some of that.

Maybe since Chrysa is having so much “girl time” with Chloe, maybe that should motivate Ren to have some “guy time” with Goh, perhaps helping Goh find more electric types or help him with some homework. (seriously, even though Goh can apparently have all the excuse notes / makeup work in the world to skip school, I’m pretty sure he can be easily classified as ‘truant’ since we’ve only seen him at school for one episode and even then he pretty much skipped the entire day due to Eevee) Perhaps he should’ve been the one who got caught in the big Gulpin ball with Goh instead of Ash considering the two already spend too much time with each other as it is.

Yes, Ash and Goh are friends and friends spend time with each other, but not 100% all the time, people. By that note, Goh and Chloe are also friends, so what’s your argument for the two barely having any episodes together while Ash gets all the time in the world with him?

And going back to Cerise, maybe we could get more character out of him instead of him being just a bland direction-giver most of the time. I’ve said this before, but Cerise’s only real gimmick can be summed up as this: “Hey, u 3 idiots, go to dis place cuz im too lazy on my ass to go to it myself”. Yeah, real interesting character, people.

I mean it when I say that I often forget Cerise is even Chloe’s father. Since Chloe is now becoming a trainer, instead of having Ash, Goh, or Chrysa do all the work in helping her develop, shouldn’t Cerise have some say in this as well? Maybe, as a parallel to Kukui letting Ash catch Rockruff, he could permanently put Yamper under her care, knowing it would help the doggo grow more to the point of even evolving. Or perhaps we could get an episode solely focusing on Cerise and what he does at the lab, finally putting out an excuse on why he doesn’t just go to the places he sends Ash, Goh, and Chloe to himself. Maybe he’s working on expanding the lab and finding new additions to it in order to make it more beneficial to the ever-growing number of Pokemon Goh keeps adding to it.

And let’s be honest, since Professor Cerise already sucks enough as a character, so not giving him any focus could easily lead him to be one of the most bland, boring, and annoying character the anime could ever have to offer.

#pokemon #pokemon journeys #anipoke #pokeani #ash ketchum #goh #chloe #professor cerise #chrysa #ren

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repmet · 5 years ago

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Fic: Iris

For FowlFest2020: Obscure Character Appreciation Day. Iris is actually an OC, but her family is mentioned so... that counts right? Shoutout to @ms-nothingspecial for betaing and listening to me stress about word choice for far too long.

The fairy shuttle port at Tara was an impressive operation. Ten thousand cubic metres of terminal concealed beneath an overgrown hillock in the middle of the McGraney farm. For centuries, the McGraneys had respected the fairy fort's boundaries and, for centuries, they had enjoyed exceptional good luck.

- Artemis Fowl: The Arctic Incident

Iris McGraney is born at midnight on a full moon, which for a McGraney is the very best of luck.

The birth goes smoothly and without complications, and Iris is born quietly, wailing briefly to let the world know she’s arrived, before settling on her mother’s chest, quietly basking in the comfort of her family around her.

Iris McGraney is born lucky. Then again, her family always has been.

When Iris is 7 she gets sick, as children do.

Plans are made to see the doctor in the morning, but McGraneys have a certain way of treating illnesses first that most others don’t.

Iris is well enough to listen to her Dad tell her to keep the bedroom window open all night, even as he bundles her up in blankets and turns the heater on.

He puts a note on the sill along with a single gold nugget, just in case.

“We’ve invited them in before, but it’s better safe than sorry, isn’t it? And you should never ask without offering something in return. It’s rare they take it but it’s only polite.”

The McGraney’s were always digging up gold, especially near the fairy fort. Iris knew it was a secret though, or else everyone would want to come dig on their farm which would make the cows sad.

“Now, go to sleep,” her Dad tells her, tucking her in tight. “You’ll feel better in the morning.”

Iris doesn’t wake all night, and in the morning, the note is gone, the small piece of gold now sitting on her night stand.

Iris picks it up and runs to the kitchen.

“It moved, Daddy!” she announces proudly, the picture of a healthy child. “They didn’t take it but it moved.”

Her father laughs and hugs her.

“That’s how they let us know they were here.”

When Iris is 14 a severe looking boy in a suit sits down across from her at a cafe she’s in, and puts a phone on the table.

Iris recognises the model, it’s seven months away from being released and the hype is already intense.

“For a moment of your time.”

Iris stares at him.

“My parents are gonna think I fucking stole this.”

The boy sets a letter down on the table as well. Iris has a brother so she ignores the letter at first and continues staring at the boy, hoping to unnerve him. He seems unbothered, maybe he has siblings too. She picks up the paper and reads a very official looking letter from the phone manufacturer congratulating her on being selected to test an early release prototype.

It’s fake of course. Iris isn’t an idiot, she is however a teenager in a tiny village with not much going for it. In short, she’s bored and whatever the hell this is, it’s interesting. Also her parents don’t know shit about technology or how major releases work.

She shoves the phone in her backpack.

“What do you want?”

“The fairy fort on your property, I want to know about it.”

Iris raises her eyebrows, that’s hardly top-secret information.

“I don’t know, man, it’s been there for ages. We take care of it, respect the boundaries, and we get lucky.”

“In just the past fifty years your family has uncovered a lost work of Holbein the Younger, a sword owned by Íriel Fáid and seven seperate stores of gold. You’ve also never lost an animal to bovine spongiform encephalopathy in all the history I could find of your farm.”

Well it was more gold than that at last count but they’d stopped being so vocal about it and also-

“Yeah... what’s that last one?”

The kid gives her a disdainful and patronising look. “Mad cow disease.”

“Right.” This dude is a dick. “Like I said. Lucky.”

“It seems a bit more than lucky.”

Iris shrugs. “Look man, you don’t need to believe in the People if you don’t want but you’re in the wrong town. We eat that shit up here, the Hill of Tara borders our farm, there’s three fairy-dedicated gift shops in this village alone.”

He looks interested now though, leaning forward in his seat.

“The People?”

His eyes are weirdly intense, Iris can’t wait to tell her friends about this. Orla is super into vampires right now, she’s going to love it.

“Fairies, the fae, the fair folk, aos sí, whatever you want to call them. Maybe it is just luck, I’ve never seen one-” She frowns, a memory bubbling up then she shakes her head, brushing off a dream of a small winged figure on her windowsill one night. “The People is what my grandparents called them though. Capital P.”

“What else did your grandparents tell you about them? Did they have any superstitions specific to your family?”

Iris doesn't even need to think on that one.

“Grandpa Rob had this thing where he would make everyone wash their hands after we came back from church. Said it was not to harm the People with the holy water, but no one else I know does that, even the Creideamh Sí families.That means -”

“The Fairy Faith,” he interrupts. “Yes, I’m aware. I’ll need to know anything else your family knows about them.”

He pulls a laptop out of his bag which looks like nothing Iris has ever seen and her family is pretty well-off (selling lost works or art tends to help).

“This is getting to be more than a moment, dude.”

“I can take the phone back.”

Iris laughs, he’s not wrong that the phone is worth more than a short conversation, but the threat is just plain funny coming from a pre-teen who looks like he’d never seen the sun in his life and a stiff breeze would knock him over.

The man standing behind him, who Iris initially assumed was his dad but now isn’t so sure, clears his throat and there’s something in the way he does it, or maybe the way he glances down at her, that makes it very clear this tiny undertaker looking child would be leaving with either his answers, or the phone.

If Iris were older or wiser, she would be suitably unsettled but today she just waves a hand at the mountain of a man.

“Chill, I don’t mind, just weird to be honest.”

“You’re welcome to whatever opinion you please so long as you answer all of my questions with as much detail as possible. Now, tell me more about the holy water.”

This phone better be worth it. (It is.)

When Iris is 19 the world ends.

Kinda.

Her PlayStation is ruined at least which is annoying as shit.

More importantly, the fairy fort is gone and there’s an actual fucking fort there.

“I always thought it would be a bit less… concrete.”

She’s not sure who she’s talking to, her brother’s moved to London and her parents are out at lunch with friends. But it’s rather the sort of day where Iris thinks she might not believe anything at all if she keeps it just in her head.

The door gives a loud bang and Iris yells and leaps backwards. The banging continues and she realises there’s someone on the other side.

“Are you okay?’ she calls, trying to keep the sudden nervousness in her chest from coming through the words.

“There’s a fire in here, and the suppression systems aren’t working.”

Iris takes several long breaths, processing several things. One, her family is not mad, fairies do exist. Two, they do in fact have a fort on their farm. Three, she might be about to meet them for real. Four, it’s kinda ugly and dull, she expected a bit more… magical?

She looks up to try and centre herself and catches sight of a plane, trailing smoke and flying disturbingly low before it disappears over a hill. In the distance there’s the sound of thunder.

Right, the world is possibly ending, perhaps that should be higher on the list. That part is plain not registering in her head.

She tells herself she imagined the plane, there’s no room in her head to process the alternative right now.

“Who are you anyway?”

Iris’ head snaps back up at the question. Right, fairies trapped in a burning building. Focus.

“Iris McGraney! Stand back, I’ll kick the door in.”

“This door is built to withstand more than you, human.”

Iris frowns, annoyed. “You prefer to suffocate?”

There’s a long pause then, from what sounds like a distance, the voice calls back, “Alright, give it a go.”

Iris is a farmgirl through and through. She’s been stacking hay and climbing fences and eating well her entire life, she wouldn’t be carrying the Dinnie Stones any time soon but she could best all the local boys in an arm wrestle and carry a small calf several fields if she had too.

Her first kick connects with a satisfying crack. The second gives more of a crunch and on the third the door snaps and slams inwards. It’s a pretty cool moment, Iris wishes the day wasn’t so surreal so she could bask in it more.

Smoke starts to billow out as soon as it meets the outside air and there’s a lot of yelling and organised panic as thirty-odd fairies of differing colours and various sizes of small come pouring out, most coughing.

One, in an official looking uniform, makes a line for Iris.

“You’re a fairy,” she tells him.

“Yes, a gnome if we’re getting technical.” He pulls out a handkerchief and starts dabbing at his forehead. “Thanks for that, by the way, Frond only knows what’s going on. One moment we’re getting the call that Haven’s locking down the next the electronics start sparking and melting off the walls.”

“The same thing happened in the house.” Iris tells him, rapidly compartmentalising, there was far too much to take in today. Fairies sure, but gnomes? She pushes it in a box for later. “My phone melted, and the TV almost started a fire.”

The gnome shakes his head worriedly. “This is not good, not good. No contact with Haven and all our tech going bust. I bet it’s that Koboi pixie somehow, right crazy one she is.”

Iris nods for a moment, then shakes her head. “No, I don’t know what that means.”

“Not good, is what it means.”

Iris looks across the fields to several columns of smoke rising in the distance, the further she looks in every direction the more there are.

Not good at all.

When Iris is 32 her parents die.

It’s sudden and so plain, after a life of quiet magic and unrelenting luck. Her mother took a turn too fast and hit a patch of ice.

They didn’t suffer at least.

She blames the People at first, but even as the anger bubbles inside her she knows it’s only grief behind it. She’s learnt over the years they’re just people themselves, no capital letter. They can do extraordinary things but miracles are miracles for a reason.

After the wake is passed and the friends gone home, her brother reluctantly back across the channel, promising to call that same night, Iris is at a loss.

She had expected to be but still.

The knocks at the door are so frequent she doesn’t even startle when another comes. She’s not sure she’s in a mood for more well-wishers but she’s not doing well alone either so- she sighs and goes to open the door.

On the other side is a black-haired man in a three-piece suit, still pale but Iris felt less concern now that he might combust if the sun ever does manage to find him.

“Artemis Fowl, I didn’t expect us to meet again.”

“You remember me.” He doesn’t seem surprised.

“Being interrogated by a ten year old tends to stick in a girl’s mind.”

He smiles. “I was 12.”

Iris invites him in and makes tea.

It’s a welcome distraction right now because you have to be living under rock in Ireland not to know how just very extraordinary Artemis Fowl the Second is. Three doctorates, Time Man of the Year at 22, already one Nobel Prize and smart money’s on a second soon.

If anyone could have done it at 12… well.

For a moment she almost hesitates, but Artemis gives her a real smile, as if he already knows what’s on her mind.

(In the years ahead she will come to know him well enough to realise that’s exactly the case.)

She hands him a cup and sits down.

“Tell me, Dr. Fowl, did you ever find the People?”

#artemis fowl #fowlfest2020 #artemis fowl fanfic #prompt: suggests named characters #me: but what if that one family briefly mentioned just that one time and never referred to again #fanfic #fanfiction #do you know how long it's been since i posted a fic #like damn

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catharrington · 5 years ago

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15. "You know he's/she's/they're just as gone on you as you are on him/her/them, right? Like I've seen the two of you taking turns staring at each other while the other one isn't looking and let me tell you, that shit is not cute." whichever pairing you want. (but please make it asexual?)

Thank you thank you for the prompt!! I love the list!!!💜

Okay I’m going to stay inside this Au I made for the last fill because I seriously love them. And I’ve seriously fallen in love with ace!steve. Like the boy just wants safety and cuddles okay. I hope this is accurate for the community and please let me know if not or if there is any problematic language or something could be better. I will be continuing this~~ I’ve got some ideas ;)

***

The food court of Starcourt mall is unusually quiet. Robin is picking at her milkshake with her straw violently almost, and Billy is doing his best to ignore her. They are sitting across from the huge windows of Scoops Ahoy looking in as Steve finishes up his shift so Billy can scoop him. Robin is just counting down the time before she has to take his place. For Billy it cannot come fast enough. Because the food court is unusually quiet, and Robin is acting like she has something to say.

Billy tries to focus on the way Steve smiles at a group of children, the way the light blue of his work place tshirt, swapped out from their gaudy uniforms for budgets sake, makes his hair a brighter shade of caramel.

Robin’s next to him in a matching blue shirt, and she’s leaned forward. She definitely wants to talk.

“Spill it, Buckley.” He groans.

“Touchy, touchy, Hargrove. Who says I want to spill anything?” She snarks back. Billy turns to glare at the smile growing on her face.

“You’ve been stabbing that milkshake so hard it’s going to turn to butter. Something on your mind? Wanna talk about feelings?” Billy puts on his best Austrian accent and adjusts an invisible pair of glasses on his nose.

Robin’s laugh in reply is short. “Firstly. Honestly surprised you know how to churn butter, jock fiend.” She nods at his lifeguard shorts and long sleeve white shirt reading Hawkins Community Pool. “And second, it’s not my feelings.”

That’s strange. “Then what’s up?” Billy’s not eager, but bored.

Robin bites her lip a little. She turns to look at Steve through the window once, then back to Billy. And that makes his stomach tighten. “You know he’s just as gone on you as you are on him, right?” Billy looks down from her, suddenly very interested in his fries. “Like, I've seen the two of you taking turns staring at each other while the other one isn't looking, and let me tell you... that shit is not cute."

“It ain’t like that, Buckley.” He replies while jabbing a cold fry into his mouth.

“Pretty boy doesn’t look at me any sort of way. So get that out of your head.”

She isn’t deterred by him talking with food in his mouth. She just rolls her eyes, propping her chin on her hand. “So that’s it? Huh? You think Steve doesn’t like you back?”

“Didn’t say that-,”

“You don’t have to.” Her voice is softer but still scratchy with a little venom. It makes Billy ridged. “It’s obvious. And it’s also obvious he likes you. I’m telling you he stares and it’s gross.”

Billy wonders what she’s trying to prove. Why she’s trying to convince him of something she knows isn’t true. Billy’s even slightly growing annoyed at the implication of Steve wanting him that way, when she knows. She’s supposted to know.

“Steve doesn’t look at me anyway and I’ll tell you why, Buckley.” He gets serious. She notices and leans forward on her arms a little. Billy motions her closer with a wave of his hand, she follows. They are sitting inches apart now so he speaks quietly, right into her face. “My huge fat cock for one.”

She draws a sharp breath through her nose and jerks backwards. “Hargrove! I should kill you for that!” She fists her milkshake and actually stands up from the table. A righteous lesbian flurry of blond hair, she’s great to pick on.

“Leave it alone, okay?” Billy says hurried. Quiet under all her yelling. But she hears him and settles a little from it. Robin sinks back down into her chair. Hair still frazzled, milkshake straw moving in her fingers, but settled.

“You know,” she starts again, softer than last time, “that’s not always a defining factor. It’s different for different people. Have you actually talked with him about it? Asked him how he felt?”

Billy watches her. Has he asked Steve how he felt? Not in so many words. It’s always been easy with Steve. He’s got an animated face and talks with his whole body, his hair even gives away how he’s feeling like a cartoon character. Taller and brighter when he’s happy, dull and messy when he’s sad. Billy can read him, he’s good at reading him, but he’s never really talked to him.

Oh. Billy pokes another fry into his mouth. “Nah, don’t need to. I live with the guy, come on. You think I would know him.”

She’s furrowing her brows. Robin knows when Billy is full of shit. “Asexuality is a spectrum, dude. Maybe for once try and-,”

Then the glass doors of Scoops Ahoy are opening and Steve is walking towards them with caramel streaks in his hair and smile on his face. It was a good day at the ice cream prison, Billy doesn’t want to ruin that for him. He stands up shortly and moves to throw out his tray of food. Robin’s left sitting, churning because he cut her off, but Billy doesn’t care.

He only cares about how breathless Steve’s smile makes him when he walks close.

“Hey man,” and that smile turns away to Robin to fill her in on the shop. Slow day for customers, the freezer is messy, he forgot to mop the front again. Billy still watches and is still soaking in Steve’s happiness.

Robin sees him from the corner of her eye. Billy thinks she can get bent. Her snarky comments were unwelcome, but maybe Billy could take some advice. Maybe instead of just reading Steve he could actually ask him.

“Thanks for coming to pick me up,” Steve says towards Billy. He’s holding tight on the strap of his messenger bag and wearing one of Billy’s old denim jackets. Billy thinks about how Steve said it made him feel cozy one day, super warm; so after Mike or Mark or whoever broke Steve’s heart Billy casually lent it out to him. The look on Steve’s face gave him all that he needed. It still was.

“I came for a burger, didn’t even know you were getting off, Bambi.” He lies. But it makes Steve laugh.

“Yeah- okay, thanks. Let’s go home? I really want to take a shower. I’m all sticky and sweaty and just not a good look.” Steve runs one of his hands through his hair and smooths it back to a neat but tall quaff. He smiles lopsided.

Billy is already spinning his keys on his finger. “Lead the way,” he says.

#whispers: i only write harringrove im sorry #harringrove #billy hargrove #steve harrington #harringrove fic #my fic #steve/billy #harringrove fanfic #prompt fill

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almasexya · 5 years ago

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Return of the King (King Kong vs. Godzilla, 1962)

It’s difficult to overstate the impact of King Kong vs. Godzilla, the third movie in what was to become the Godzilla series and the first to be shot in color, yet a movie that has also been almost completely overshadowed by everything that came after. Produced to coincide with Toho’s 30th anniversary, King Kong vs. Godzilla was the most ambitious kaiju movie to date, a landmark production involving two of the most famous movie monsters put on screen. To try and give a modern day comparison, this was the equivalent of the first Avengers movie or Avatar (remember Avatar??)

That said, something tells me if you’re out looking for a Godzilla movie from this era, you’d pop in vs. Mothra or Mechagodzilla or one of the other more popular entries. The fact that until 2019, the only legal version that most of us in the west could get our hands on was the inferior English cut due to a licensing agreement between RKO (the original owners of King Kong) and Toho didn’t exactly help either.

But really it goes deeper than that. King Kong vs. Godzilla is a downright weird movie no matter which version you watch. And I’ve seen both of them, the Japanese cut a few times and the American version exactly once last night, since it came with my Criterion Blu Ray set. More importantly, that set came with a decent restoration of the notoriously shitty-looking Japanese cut, and represents the first time that version was ever legally available stateside, so that’s nice!

The Japanese cut was put together by the usual crew, with Ishiro Honda directing, Eiji Tsuburaya on effects, Akira Ifukube on soundtrack duties, and Tomoyuki Tanaka producing. The writer is again Shinichi Sekizawa, though from what I’ve read, the sheer wackiness of the plot has more to do with Honda and Tsuburaya than it does Sekizawa, though I highly doubt he wasn’t an unwilling partner in all this.

The main plot (of the Japanese cut at least) is that the constantly riled up Mr. Tako (Ichiro Arihima) is tired of the TV shows his pharmaceutical company produces bombing in the ratings, so when he hears of the news that a giant monster has been sighted in the south pacific, he sends two of the salarymen in his employ off on an adventure to bring the monster to Japan so they can make a TV show about it.

This plot, frankly, is fucking ridiculous. Even knowing what comes later in Godzilla’s career, it’s really difficult to take the first half of this movie seriously, and even when the second half introduces some tension, it barely ever lasts, usually foiled by the monsters mugging and clapping, or the antics of Mr. Tako and his two cohorts.

This was, in part, Honda’s idea. He had apparently been disgusted with the “ratings wars” numerous TV producers were engaged in at the time, and took that idea to its logical extreme by making a TV producer start a literal monster war.

And go to war they certainly do. Sakurai and Fujita, Mr. Tako’s subordinates, bring Kong back from the island just in time for Godzilla to pop out of the arctic fresh from his seven year nap after Godzilla Raids Again, and after some general dicking around they go at it for the first of two times, and the results are... interesting. Tsuburaya apparently wanted to take the monster action in a lighter, more family-friendly direction, a move which Honda was very much opposed to. The result is the inception of the boulder-flinging (get used to it) and a lot of mugging and general wackiness that couldn’t be more different from the animal savagery in Raids Again. Harou Nakajima and Shoichi Hirose, who played Godzilla and Kong respectively, apparently did their own choreography, and took a lot of their inspiration from pro wrestling.

It’s here that I’ll bring up the effects which, sufficed to say, are a disappointment. While the few city sets that the film shows look good, Kong sure as hell does not. With a dopey, blinking face and ratty fur, Kong looks like an old rug somebody forgot to throw out. Godzilla fares quite a bit better in his first color appearance, with a mean, angular face and great proportions. The matte work used to put the human characters in the same scenes as the monsters is downright repugnant, and has been done better in earlier movies. I’m inclined to think it was just that Tsuburaya’s team bit off more than they could chew, but it’s still hard to look at the effects of a movie this big and see literal green screen outlines around the main cast.

That said, the movie is still a fun watch, if only to try and make sense of it all. Kong miraculously gains the ability to eat lightning, (a relic from when the movie was planned to be a Frankenstein vehicle, let’s not get into it) Akihiko Hirata has a small role as a doctor, and this also is the first movie to use Ifukube’s famous Godzilla theme.

Almost none of these praises can be sung of the American version, which is a dreadful and boring disaster of a movie that seems to have had a singular objective of making as little sense as possible.

The team producing the English dub did have their work cut out for them, if I can say this one thing in their defense. The plot they had to work with of a deranged TV producer sending his underlings out to bring back a monster in order to boost ratings was so distinctly Japanese that, instead of trying to work with it, they just threw it out entirely.

Well, they threw out as much as they could. Sakurai and Fujita’s expedition to Faro Island and their retrieval of Kong takes up a significant portion of the film’s first act, to the point that they’re so integral to the plot that you really can‘t remove them and then explain where the hell Kong even came from.

The English cut solves this problem by trimming their appearances down to the sheerest atoms of footage they could, resulting in a movie that has no real protagonist or focal point at all. While Mr. Tako and his dynamic duo were hardly great protagonists, they at least have some claim to the title. Characters from the Japanese cut whizz by with the slightest possible introductions when they get one at all, leading the viewer to not understand what the hell they’re doing their in the first place.

In place of the original plot, we get a pair of talking head newscasters and a doctor who reads dinosaur facts out of a big picture book. I would have been alright with the removal of the original plot if what they’d replaced it with was worth something, but this just isn’t. The general plan was to present the movie as if it was being told through a newscast, meaning that many of the new actors stare unnervingly into the camera while reading their lines, which are often presented with the complete absence of emotion, befitting the detached newscaster aesthetic. Not to mention there’s something really disappointing about seeing shots that were simply part of the movie in the Japanese cut shrunk down to the size of a TV screen in the English version just to service this frame story that’s not worth shifting focus to.

To give them credit, this strategy worked for the American edit of the original Godzilla, a movie I decided not to cover due to the fact that it’s generally fine at what it does in that it tells the story through an American narrator but generally leaves the plot alone. Not so here, where the bizarre first half is replaced by something equal parts confusing and dull, with stock Universal monster music replacing Ifukube’s score to boot. They did at least dub over the American submarine crew who become Godzilla food, who sound like they’re reading their lines at gunpoint in the Japanese cut.

I don’t hate this movie, though it may seem like I do. King Kong vs. Godzilla is more of a mixed bag than anything else, a film that’s remembered more for what it started than what it is. Pretty much every Godzilla sequel we’re in for follows the whimsical template that started here, and whether that’s good or not is totally your call. But we did get Godzilla’s infamous dropkick out of the deal, so it isn’t all bad. Watch the Japanese version while you wait for Godzilla vs. Kong to come out, but stay far away from the English cut.

#monster monday #godzilla #king kong

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plasticnightmaredoll · 5 years ago

Photo

Well, it’s a bit late but it’s time, as a life-long Godzilla fan, to give my thoughts and opinions that no one asked for or cares about on Netflix’s second attempt to make a Godzilla anime, “Godzilla: Singular Point.”

And this time, it’s going to be a TV series! (Well, “TV” series since this is a Netflix series) Ambitious, much?

I’m curious, because there hasn’t been a Godzilla TV series in a long time. Also, if it’s a series, then there must be a lot of plot to cover, which could be a good thing...or a bad thing, if it’s not very good.

Let’s get something out of the way first:

Netflix’s first Godzilla anime was a trilogy: Planet of the Monsters, City on the Edge of Battle, and The Planet Eater.

Overall, to put it simply, it was a hot mess. “Planet of the Monsters” was pretty entertaining, though. The story, backstory for the story, Godzilla’s design and plant-based origins, and the plight of the human and alien survivors all worked well together. It was fun, thrilling, and the animation was decent.

However, “City on the Edge of Battle,” is one of the WORST Godzilla movies, in my opinion, and the only reason it isn’t as bad as the TriStar 1998 Godzilla movie (don’t hate on me) is that Godzilla looked and acted like Godzilla. Otherwise, CotEoB is a complete bore that seems to think it’s “Star Trek” or something, as I learned more about one of the alien races than I cared to. Godzilla also was basically given a cameo...in his own movie.

“The Planet Eater” was somewhat better but again, it was still on the dull side. Godzilla and Ghidorah barely did anything except exist.

Now, we have a second attempt to make a (good?!) Godzilla anime and the trailer definitely captured my interest.

So, here’s what I think of what I’ve seen so far:

I will say what I don’t like since there actually isn’t much:

I don’t like the super cliché anime designs of the two leads:

Yeah, I know, it’s an anime but this is also anime, too.

But lucky for me, I don’t usually care about the human characters in Godzilla movies so I guess it’s not that big of an issue.

Let’s talk about kaiju!

Godzilla

Ok, our boy Godzilla looks pretty fantastic. His design (from what I can see) reminds me of Godzilla 1999-2000, Heisei Godzilla, and the 1954 Godzilla. All great designs on their own, so very interesting and smart combination. His jaw looks...insane, like his mouth looks really wide (ala his 1999-2000 design). The only thing I don’t like is the ridiculously large fangs hanging out on his upper jaw. It looks like they are strange tusks or something. Not sure why they’re there but maybe they will look better when getting a better look at Godzilla.

I do love how the trailer ends with an iconic Showa Godzilla roar. Not sure if that’s what they’ll actually use for him in the series, but it would be kind of neat if they did.

Rodan

Now, this is a very interesting design. It’s the most Pteranodon that Rodan has ever looked, but the chest and head are clear very ~RoDaN~. He looks a bit like his 1956 self and also his 2019 self. I like the look but...I wish his head was in proportion to his body more.

????

Not sure who this is going to be. It’s not Rodan, and there seem to be a bunch in the trailer so...Rodan’s squad?

Anguirus

Good old Anguirus...he’s looking fierce here, and his design here strongly I like how crazy his spikes look. He looks like an absolute beast here. His head is looking a bit smol, though...again, proportions.

Titanosaurus

Wow...now that’s a major redesign! Seeing as how he is an aquatic dinosaur, and his 1975 look wasn’t exactly a great fit (not that it matters and I’m not complaining), this is an excellent look for him! It’s extremely different but you can still tell it’s Titanosaurus by the color of his skin, his head design, and the orange stripe running along his dorsal fins. I love it, I want to buy toys of it. Chop, chop, Bandai and X-Plus!

Jet Jaguar

Not sure why he looks so flat here...maybe he’s being viewed on a large monitor or something? Anyway, Jet Jaguar looks a bit more bad ass here than he did in the 1973 movie, however, I feel like this design is dated. Maybe it’s the color scheme, or maybe it’s the wide body, but something about it just doesn’t strike me as “modern giant robot warrior.” Mixed feelings on this ne, although, I’ve never been a big fan of Jet Jaguar to begin with (reminds me too much of Ultraman)

I will say, it’s nice that it’s not Mechagodzilla this time around. I love Mechagodzilla as much as everyone else, but it is almost always him when it comes to robots in Godzilla movies. M.O.G.U.E.R.A. is just too...goofy-looking to deal with, so I guess we ... have Jet Jaguar.

Gabara

Wait, wait....

Gabara? Is...is that you?

GABARA?

Who gave Gabara the right to get swol? Who gave Toho the right to make Gabara a goddamn badass beast? I mean.....GABARA, THAT GOOFY SHIT is now a monstrous MONSTER of monsters??

He still look kind of ridiculous, though, so I know it’s definitely Gabara...but he still looks like he can be taken seriously now.

Final thoughts:

I have no idea what this series will be about other than kaiju rampages. The trailer is very vague, only giving us some good eye candy shots to satisfy our nostalgia. They gave us some seriously iconic monsters with some seriously iconic redesigns (except Jet Jaguar who looks “meh” to me), so I’m in just for that.

Hopefully, this series will be better than the anime trilogy, and Godzilla and his monster pals won’t be stuck having cameos in their own show.

And let’s hope the protagonists aren’t whiny edge lords like Haruo was.

#godzilla singular point #godzilla #rodan #gabara #titanosaurus #godzilla anime #jet jaguar #anguirus #godzilla netflix #godzilla movies #godzilla series #toho #toho monsters #gojira #king of the monsters #kaiju

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deltaengineering · 5 years ago

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Spring Anime 2020 Part 1: united states of whatever

BNA: Brand New Animal

So after Beastars wasn’t all that (feel free to tell me how wrong I am about everything ever, because I don’t already know this), Trigger is now taking a shot at the lucrative “Furries are a great metaphor for... society shit or whatever, I don’t know” market. It’s no surprise that it looks good; Trigger’s animation style is as easy on the eyes as ever and they brought in some of the ＡＥＳＴＨＥＴＩＣ from Promare. Expect CGA palette 1 in here. Of course, it’s not Imaishi, so it won’t annoy the pants off you in seconds. Usually that’s a cause for celebration but keep in mind that this is Yoh Yoshinari instead, and Little Witch Academia TV did nothing to change my impression that a Trigger writer is the janitor mopping up after the animation bros are done partying. The first episode of BNA in particular is just as vapid as expected, but they helpfully released more and it does improve somewhat, with more effort put into the worldbuilding and characters than none at all and even a few attempts to intentionally subvert the lameness. There’s still issues; Michiru is just the goofy and dim Trigger main girl again and aloof loner Shirou is either extremely someone’s wolf fursona or an uncommonly stealthy pisstake on someone’s wolf fursona. The social commentary is very “I see what you did there” and there remain some doubts on the long-term viability of any Trigger endeavor. So, is it good enough to watch? I dunno, to be honest. More like it’s not bad enough to not watch. Thanks, Trigger.

Hachi-nan tte, Sore wa Nai deshou!

Oh boy, it’s the isekai light novel again, and expectations are so low that I’m positively surprised when I’m merely bored while watching it. Hachi-nan is one of those isekai things where the isekai is more or less perfunctory: regular dude gets reborn with complementary hax magic in ye olde kyngdomme of fantasy, whoop. A plus is that he’s put in a disadvantageous position and has to work for his power fantasy, i.e. he isn’t starting with an instaharem etc. - or rather, he does, but it’s a brief flashforward that seems mostly there to assure the viewer that they’re not watching anything good by mistake. And even that is not egregious, to be fair. It’s so “not even all that bad” that I’m wondering who’s supposed to watch this: People like me will never give it the time of the day with its tired gimmick and very unimpressive production, and people who start “lookin 4 ainme w/op mc” recommendations threads on reddit won’t get anything out of it either. How very curious.

Kakushigoto

I can only assume Kouji Kumeta (of Sayonara Zetsubou Sensei fame) has a daughter now, and like all new dads he just can’t stop telling people how cute she is. Case in point: This manga, which is about a mangaka keeping his manga-drawing exploits secret from his very adorable daughter and that’s the joke. The character design is obviously very Kumeta, and so is the ceaseless discharge of puns, plus Ajia-do even put some light SHAFT touches on the adaptation. However, SZS’ semi-smart bickering is just replaced with very basic panic manzai antics here. You can even tell Kumeta is a good comedy writer, since the stories are fairly elaborate, introduce elements, go somewhere else and bring them back, and it’s all very technically solid - but that doesn’t change the fact that the punchline is lame and predictable. It’s like David Mamet writing a fart joke, you can admire the craft but at the end of the day, it’s still a fart joke. Adding to that is that I’ve grown rather tired of SZS over the course of its endless run, and this isn’t even as good as SZS. Maybe worth getting back to when we’re 30 volumes in and Kumeta reveals the daughter never really existed in the first place.

Tamayomi

I don’t know if you noticed this, but in baseball, there’s a pretty close relationship between pitcher and catcher. We’ve seen the BL version of this in Battery, and now someone’s doing it with girls, in Kirara no less. Even the name is Tama + Yomi, you know, like Haru + Kana (Receive). So far so good, only this is about baseball, the most boring team sport you’re ever likely to see an anime about, and Yomi’s special power is an unhittable pitch - which means that if everything goes right for our heroes, the game is even more boring. Some hackneyed tragic backstory about how only your waifu can catch your bomb-ass pitch doesn’t help. Being very dull isn’t even the worst problem here though. Tamayomi is adapted by Studio A-Cat (of Frame Arms Girl and Amazing Stranger “fame”), and they manage to make it look like episode 7 of a 2004-vintage DEEN production. Bad animation, dusty character designs, off-model shots, it’s all there, and this is the best-looking episode this show is ever likely to get. Ouch.

Tower of God

Crunchyroll is producing anime now, and I’m sure they know better than most people what sells. The answer is “Jump Shounen”, which is something I also knew, but whatever. Of course Jump doesn’t let them anywhere near their properties so they got the next big thing: An immensely popular Korean webtoon people unironically describe as “like One Piece” while thinking that that’s praise. And then it isn’t even like One Piece much, apart from where it’s about having fights to get to the thing (eventually). What it seems to be is the fighting shounen in the abstract: No “pirates” or “ninjas” or “shinigami” or other “setting” excuses here, the tower is just a whole bunch of fights stacked on top of each other and some shounen characters dropped in to excrete Jump-brand baby dialog. I guess that’s what fans of the genre are looking for. It isn’t much of a production either, the best I can say about it is that it’s colorful and has some really good music by Kevin Penkin. The animation is just functional and of course without a setting it doesn’t have any unifying aesthetic either. But the real decider is this: I thought the pacing was sluggish and interminable, and then I find out that fans of the source material think it’s rushing through it at a breakneck pace. This is likely going to be outrageously popular, so I will never struggle to find out what did or didn’t happen in the latest episode and can safely skip it.

#anime #impressions #brand new animal #hachi-nan tte sore wa nai deshou!#kakushigoto #tamayomi #tower of god #spring2020

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sternenteile · 5 years ago

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THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

tagged by: @battleshell ; we all care blue, u do, i do, we all do tagging: holy shit my whole dash because exorbitantly long memes are the BEST. i aint even sarcastic when i say that, i love this kind of shit. u GOTTA do it.

my muse is: canon / oc / au / canon-divergent / fandomless / complicated

Is your character popular in the fandom? YES / NO. [ he is in two fandoms, in fact. he is both a fan-favorite from super mario rpg, the very first in the line of mario rpgs we’ve gotten over the years, and a pretty popular smash bros. request. he even got a mii costume in 4 and a spirit in ultimate as a result of the love. he’s very beloved, to the point that i’d, even as a geno fan myself, deem him a bit overrated. why? b/c where is all the love for all the other smrpg characters!!! they are all good. i love them all. ]

Is your character considered hot™ in the fandom? YES / NO / IDK. [ i mean ?? i’ve met and seen many people who have/had crushes on geno so ??????? but i don’t think it’s like. that. ghfskjhgsg??? ]

Is your character considered strong in the fandom? YES / NO / IDK. [ oh yes, he is undeniably very strong, both in personality and in battle. he is often seen as the level-headed straight man of the party in smrpg (which, in the case of my geno, is... semi-applicable LMAO), a star spirit with unwavering bravery and confidence. his in-battle stats are also pretty crazy, favoring geno as a glass cannon and enemy sweeper. he is also the only character in the game to have a move that will insta-kill any enemy besides bosses. well, and exor. idk why exor, but there ya go. needless to say, pretty much everyone in the fandom agrees that geno is a powerful mfer. why wouldn’t a literal, living star be? ]

Are they underrated? YES / NO / IDK. [ as i mentioned before, there is no shortage of him being underrated in the fanbase. i’d even say he’s a little overrated. some people treat smrpg as ‘that game with geno in it’ rather than everything else it has going for it. i love star boye as much as the next gal, but pls appreciate smrpg as a whole. it’s such a vibrant game with a colorful world of characters to love. ]

Were they relevant for the main story? YES / NO. [ he is actually, completely central to the plot. the subtitle of smrpg is legend of the seven stars, which directly relates to geno’s core mission: to find the seven star pieces and restore star road. the rest of the gang had different ambitions, but they all ended up banding together over geno’s objective. one could argue he mostly is the exposition-granter and could be replaced with anyone else, but i feel he’s irreplaceable. smrpg would be so different without him, like it or not. ]

Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG. [ i wouldn’t say he is the protagonist, obviously, as that is very much mario’s spot. that being said, he is a pretty obvious deuteragonist for smrpg, given how much the plot revolves around him. he’s relevant to mario, for sure, as well as peach, mallow, and bowser. he’s relevant to many characters beyond them. he represents the fight for everyone’s wishes to be able to come true. he’s, uh... very relevant rofl. ]

Are they widely known in their world? YES / NO. [ the star spirits are somewhat known in the mario universe as entities capable of granting wishes, kinda like fabled gods with a tinge more evidence and reality to them. geno himself isn’t a known name, not like the seven star spirits of star haven, but his people are decently known. he, however, is not. ]

How’s their reputation? GOOD / BAD / NEUTRAL. [ he is basically the epitome of ‘good’ until you overthink star society like i do lol. not all wishes can be granted, what constitutes as a ‘good wish’ is subjective, why some good wishes still can’t be granted anyway, etc. it puts him more towards neutral good with a dash of lawful and an undercurrent of chaotic, given his rebellion against his superiors. ]

How strictly do you follow canon? — i mean, it isn’t hard to be strict to mario canon when there isn’t that much of a foundation to work with anyway lol. it’s all rather simplistic until you get into the nitty gritty of it ??? that said, geno is built on a lot of headcanon. like, a lot a lot. star society and its rules for star spirits of his kind, his relationship with rosalina (a matronly figure), his relationship with the seven star spirits, the fleshing-out of his basic personality traits shown in smrpg, etc.? headcanon upon headcanon.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals. — a star possessing the form of a children’s toy, like toy story but with more cosmic pew-pew. a chill and sassy guy still learning the ways of how earth (and other planets) work on a more intimate level, meaning there will be lots of adorkable moments as this curious one makes discoveries. sometimes attempts to innovate with what he learns to be ‘ahead of the curve’, leading to interesting results. (he likes to sip bubble tea, but replace the tapioca pearls with star bits. good result. mopping a counter-top because it would be ‘more efficient’? not-so-good result, got him lots of stares.) straight outta the 90′s, so be ready some of that rad 90′s slang and know-how from back in the day. (what do u mean they’re bringing back dunkaroos? that’d mean they stOPPED MAKING THEM?!?) very intrigued with new technology, became stuck to his smartphone upon discovering them, fell into the time-sink that is animal videos on youtube. he’s humble and likes to relax, have a good time, and relax w/ the squad. video games, netflix binges, the whole nine yards, he’s gotchu. he is a hell of a fighter and loves to fight, as well. help him push his abilities, and he’ll help you with yours. likes being a little shit for fun, only to an extent (harmless moments of impishness, not serious, hurtful pranks). has a sense of humor that is easy to tickle, even with stupid dad jokes and classic puns. the brother-friend that will fire lasers at ur enemies for u. likes to play violin. cute. super cutie. v. tiny in his star form. almost five whole feet of sparkly, twinkly fun. likes super soakers.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?). — despite intrigue to learn more about the world around him, there is only so much that he does know. societal norms are often beyond him, and there are just so, so many earth hobbies he is not aware of. without handing him a bone, it makes him a little more limited than someone who’s more savvy. he is prime slice-of-life material, but that may also make things rather dull in an rp without an extra twist to spice things up. (thankfully, his being a total SNOT sometimes helps with that.) in canon and strictly in canon, geno doesn’t really have much personality, something that this geno has plenty more fleshed out. a good chunk of fandom finds him to be incredibly boring and droll, to which i personally disagree, as there are little things in smrpg that hint towards him having more to explore.

What inspired you to rp your muse? — funnily enough, seeing smash bros. fandom railing on geno fans + hyping him up all at the same time made me revisit smrpg after having only played it as a teenager. i expected geno to be a boring slate of nothing like fandom often portrays him, but i found that i was terribly wrong. with a newfound perspective on him, noting little details that defied my expectations for this li’l guy, i decided to give him a geno whirl and see what kind of expansion i could do with his character. the amount of lore i came up with him and started wondering about piled on and on and on, and i realized that he had so much more potential than what nintendo and square properly tapped into. (some of it is also a matter of being timely, though, meaning later mario materials such as rosalina, star haven, etc.) i wanted to flex out that potential and see how much i could fill this little doll up with, and lo and behold, i rp him today with extensive amounts of development poured into him with love. to put it simply, there was so much untapped potential that i wanted to share with the world, to show geno the love and in-depth exploration that he deserved, to show that he was more than what he was given.

What keeps your inspiration going? — chattering about mario lore with pals, whether it relates to geno or not, reading, watching shows or videos that remind me of him, learning more about cosmology and the universe we live in (and boy, i’ve learned a lot of neat stuff!), revisiting my childhood (the 90′s) since it’s very geno-appropriate, drawing The Boye, literally anything to do with playing, watching, or doing ANYTHING with smrpg/paper mario 64/smg1&2, and probs a lot more. i’ve got a lot of fuel in me for this guy lol.

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice? YES / NO / I SINCERELY HOPE I DO? [ on one hand, of course i hope that i do! on the other hand, i mean... nintendo and square don’t do jack for him, so i think almost anyone can do him more justice than they have, lbr. it’s... not hard... :’) ]

Do you frequently write headcanons? YES / NO / SORT OF? [ ok i gotta just copy-paste what blue said in her response because my god, she nailed it: “you know when you have a concept and in your own mind you can see it clearly, without fuzziness or confusion, but you can’t seem to put it clearly into words without it turning into an essay because you need to connect all the other points that’s in the single concept you envisioned? yea.” basically, this but in spades, because i have a huge amount of headcanon and lore that i’ve either not gotten around to writing about yet or am purposefully staving off (wink wink). i have written a lot for him, though! it’s just... comparatively so little to what all i’ve thought up over-time. ]

Do you sometimes write drabbles? YES / NO [ not! often! enough!!! ]

Do you think a lot about your Muse during the day? YES / NO [ all i know is fine dining, breathing, and adorkable starman. ]

Are you confident in your portrayal? YES / NO / SORT OF? [ funny enough, i’m pretty damn confident in my portrayal, albeit still very modest. i mean, i am at least confident that i give depth to a character that had so little, and i feel like geno is just... real. (not literally ofc i mean like, he FEELS realistic.) he’s got character perks, character flaws, strengths, weaknesses, personal issues, ongoing obstacles, relatable themes where appropriate, interests, knowledge (or lack thereof), daily routines... i could go on. if nothing else, i at least feel good about trying to make geno feel less like some exposition character and more like a person. considering he wants to achieve personhood that most of his kind never gets to find, it’s oddly poetic lmao. ]

Are you confident in your writing? YES / NO. [ eehhhhh. i mean, i guess it’s fiiiIIINE, but i often feel like i lack a certain pizzazz, something that’ll keep people interested and intrigued with what i write, giving enough material for them to adequately bounce back. on the same token, i like to babble with my prose, so i often worry about going on and on and on way too much. stale, quantity over quality, substance-less writing is what i fuss over the most. ;; ]

Are you a sensitive person? YES / NO. / SORTA. [ sensitive to empathy and other peoples’ emotions, yes. i’m an insanely empathetic person, and i have a lot of love to give. that said, with only few exceptions, i have a pretty iron-clad skin. sometimes, i daresay it’s to the point that i often misjudge what other people can take, and i feel i can end up being too harsh and forward. that being said, it is also a good thing at times. harsh or not, if i feel a certain way about something, i make that shit known and i make it known as loud as it necessarily should be. i don’t beat around the bush; rather, if i have a beef, i will make that beef known. consequently, if i have love to give, you damn well better be ready to swim in a pool of hearts and your favorite kind of cookie (if applicable). ]

Do you accept criticism well about your portrayal? — as long as it isn’t complaints with lack of substance/reasoning, yes! even if i may not always agree and may take things with a grain of salt, i am insanely receptive to criticism, even over the pickiest things. it’s something i’ve grown used to due to prior rp venues being particularly harsh. i will never throw a fit or act like a child if there is something i could do better with geno. in fact, there always will be! i’m not perfect, and i love to hear about ways i can improve and do better. it’s paramount in a hobby like this.

Do you like questions, which help you explore your character? — LET’S-A FUCKING GOOOOOOOOOOOOOOOOOOOO

If someone disagrees to a headcanon of yours, do you want to know why? — sure, i’d love to know! it can make for some neat conversation!! c:

If someone disagrees with your portrayal, how would you take it? — that’s a’ight. i’m sure there are things about my geno that won’t resonate with everyone, especially given he’s a very sentimental character for old fogies like me lol. as long as there is no disrespect thrown this way, it’s all good. this stuff is subjective, after all.

If someone really hates your character, how do you take it? — oh, a lot of people really hate geno lol, but i’m guessing this means personal portrayal only. in such a case, i would be curious as to why, admittedly, but i acknowledge that i am not owed anyone’s reasoning. if they really, absolutely hate my geno, then it’s their prerogative, whether they want to give a reason why or not. again, it’s all good unless immaturity and disrespect rears its head. i won’t tolerate that and will ignore any such behavior.

Are you okay with people pointing out your grammatical errors? — sure, it happens to the best of us!

Do you think you are easy going as a mun? — i’d like to think that i am! i’ve often had people tell me that i’m very nice and mature, but of course, i have no right to say how i come off to other people. that is not in my territory to judge, only theirs. that being said, it’s not easy to upset me or anger me, and i’m more often willing to listen and pal around than not. i’m the living embodiment of (shrug). i am just (shrug).

#★ ; ( ooc. )#★ ; ( meme. )#★ ; ( headcanon. )#WHHHHOOOOOHHHHH THIS WAS A BLST #THANK U AGAIN BLUE I LOVE THIS

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honeylikewords · 5 years ago

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Oh. My. God. So i started learning Gaelic on Duolingo (pray for me). And i just got slapped in the face by my friend who was like, imagine David teaching you Gaelic while you teach him English. Imagine Highlander AU! David who has a farm going and loves those really pretty highland cows who have lovely eyelashes, and makes his own butter and wears a kilt 👀💯👌 and David and his lady love sit on a hillside and tell stories about forest fey and say pretty words of love in both languages 💞💓

Pt.2 And then theyre both excited to be learning together and she points at a potato and shes like "buntàta!" And David looks at her all rosey cheeked like, yes little bear thats a potato im so proud of you, youre doing so well 💞💓

Aww! I’m so glad you’re learning a new language! Languages can always be hard, but I have confidence that you’ll do well! Plus, it’s a great way to spend your time and keep your brain flexible (especially now, during quarantine)! Do let me know how it’s going as you head along on your linguistic journey!

And this is a really sweet idea! I love people using their own unique languages and backgrounds to build their relationship!

But I think there’s been a little bit of confusion; David is Irish, not Scottish, and Gaelic traditionally refers to the Scottish language. Kilts are typically associated with the Scottish (though the Irish do have them!), Highland cows are Scottish, and “the Highlands” (and, thus, the title of “Highlander”) refer to the Scottish Highlands.

Scotland and Ireland are actually two separate areas, with Ireland being a separate island slightly to the west and south of Scotland!

Pilgrimage takes place in Ireland (though I can’t quite recall which exact area the movie is set in, it says that the movie was filmed largely on the West Coast of Ireland, such as Galway and Mayo, which seems to me to be rather distant from Scotland), so I assume the characters depicted are Irish (though, since David is kind of mysterious in his origin in the film, it’s perfectly reasonable to suggest he could come from somewhere else!).

While the two languages do have a lot of overlap and come from similar roots as Goidelic languages, they are considered to be rather distinct! Since you reference “buntàta”, I’m guessing you’re referring to Scottish Gaelic!

I will admit that from what I have read, “Gaelic” can refer to both languages, at times, since they have some transfer between one another, and many outsiders (myself included!) can have difficulty tracing what came from where, who holds claim to what, et cetera, and because “Gaelic” also refers to the overall of anything that is descended from the Gaels. There’s a lot of discussion about which terms mean what and who gets referred to as what, so I’ll leave that specificity to people who actually are Irish, Scottish, or have studied the topic more intensively than I.

But I will say that what I know from my time in the UK (and being in Scotland) is that the Scottish and Irish people do have completely distinct cultures, very, VERY much do not enjoy being conflated as one identity, and are very protective of being seen as separate, unique peoples.

So while I do agree that the Highlands are very romantic (I’ve been, and it’s lovely!), and David would do well in such an area, for the sake of keeping David distinctly Irish, maybe we can rework some of these ideas for romanticizing the Irish countryside and Irish languages!

He could definitely have a lovely farm in Ireland, and I imagine he loves cows! Cows and horses, specifically, because he’s a big fan of the larger animals that he can steer around and herd, likely with a nice, big dog by his side. I think he farms sheep, cows, horses, a few chickens, but no pigs (he can’t stand pigs, not even to eat, excepting a few rare occasions when he’ll accept a slab of smoked bacon at market), and loves to take care of his herds and flocks as best as he can.

He’s quite good at making butter because of his upper arm strength and patience, so he can just sit there for hours, working the cream and the churn, just utterly silent. Someone who didn’t know him might find it offputting or creepy, the way he can just zone out and churn for hours in complete silence, but his beloved knows that, yep, that’s just him relaxing! He’s probably thinking about his favorite cow, or what he’s going to eat for dinner, or about how nice it’ll be to cuddle tonight when he gets back to bed and is able to rest with his lovely one.

I like to think that the days he takes “off” (in quotes because, really, you can’t take a real holiday from a farm, since those animals need feeding and watering and walking and milking, and there are always daily chores) are Sundays and church holidays, but, every now and then, he can be convinced to get all his chores done early in the morning, leaving a day for him and his sweet one to do anything they like, whether that’s going into town (very rare, since David isn’t very fond of town) or just having a stroll together through the hills, through the fields, off in their own little world.

David likes when she talks as they walk, letting her just chatter and following the drift and flow of her thoughts, streaming like a pleasant, bubbling river that carries them both along. They walk arm in arm, and every now and then, David will stop and point at something-- a bird, a stone, a tree, a wandering deer-- and raise an eyebrow at his sweetheart, which she knows is his wordless probing to ask her to tell him the name of the object in Irish Gaeilge.

She’ll pause and chew her lip, looking at where his large finger is pointing, and take a moment before giving her answer-- éan, cloch, crann, or fia, for example-- and if she has answered correctly, he’ll give her one of his sweet, shy smiles, the ones that crinkle his eyes and hide his lips behind his beard, cheeks rounded up, eyes reflecting just a light glitter of happiness. If he’s in an especially good mood or she’s answered a particularly obscure question, he might bend down and kiss her temple, beard tickling her face as he nuzzles into her hair.

David likes to help her climb up the hillside, since so many can be so dreadfully steep, and it’s so cute to see her try to scrabble her way up the side of the hill and then need to hold onto him for support. Once they’re both safely at the top, David will sit himself down in the tall grass, guiding her to sit on his sturdy lap and gaze out over the countryside, all verdant and sprawling. The wind will whistle through the trees and past their ears, and David might find himself humming along, his voice low and rumbling in his chest and carrying into her back as she leans against him.

He holds her hand and waits, resting his chin on her shoulder, keeping her held warm and cozy against his large form. He doesn’t always know what he’s waiting for, but he waits, regardless, and something lovely always shows itself, reveals in response to his patience.

Sometimes, it’s a sudden burst of sunshine-- the clouds parting overhead, showering glowing light down on the shimmering green hills and fields-- or a flock of birds tittering out in the fields, or her, his love, turning around in his lap and burying her face in the crook of his neck, or gazing into his eyes and playfully rubbing her nose against the lumpy, broken bridge of his, hovering her warm lips over his to ever-so-sweetly tease him into leaning forward and giving her a kiss, hungry and impatient, in contrast to his usual self-control.

Once in a while, they’ll bring along a basket of food, often much larger than what would normally be brought on a picnic due to David’s ravenous appetite, and a book for her to read aloud, perched on David’s knee as he chews on a sandwich and listens intently.

He likes for her to read fairytales or stories from the countryside, but doesn’t mind, the occasional turn of something dramatic; he’s let her read him ghost stories or tales of woe, though he sometimes gets bored of the dull and dreary tone and waits for an especially tense moment of the story and scares her by grabbing her waist abruptly and going “boo!” in her ear in that deep voice of his, making her shriek and flap around in his lap (which, of course, leads him to letting out a rough, heavy laugh and squeezing her close, kissing her cheeks in apology).

But when she reads stories of princesses and noble knights, or maidens fair and lovely, he looks at her with adoring eyes and knows that the holds his own little princess on his lap, and that he’d slay any dragon, swim any sea, trick any fae to be able to come home to her every single day.

He’s always proud of her, always.

I love this idea and I do hope you send in more adorable things like this!

#long post #gif warning #messages #anonymous #the mute #sorry if this is WAY TOO LONG i just wanted to clarify the details and not get the countries confused ghdkghg #im absolutely not calling you out anon (it's a totally normal mistake and i have VERY LIKELY made it myself before)!!#i just know i have at least a few followers who ARE from either nation and from my own experience w being there IRL people care abt #not getting them confused!!

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