top 10 most hated movies go
oh jude u understand my haterdom :') in no particular order.....
"the open house": netflix's low to mid-budget horror movies tend to be resoundingly boring with occasional glimmers of cleverness but "the open house" is genuinely one of the worst modern horror movies. at least "the bye bye man" had some unintentional laughs: "the open house" is one of the dullest, darkest, most boring excuses for a film ever made. it doesn't even have an ending, as if its expecting its audience to have fallen asleep before then and absolving it from coming to a real conclusion. AWFUL.
"escape from tomorrow": im not the biggest fan of jenny nicholson and her content, but she absolutely nailed it with her video taking down "escape from tomorrow". its an embarrassing ego trip with no semblance of story or thematic integrity. how can u secretly shoot a movie at disney world and be such an incompetent filmmaker and storyteller that the most interesting part of said film is the overdubbing of characters saying "neosporin" to avoid getting sued
"spencer": truly dont understand what the fuck anyone was on in applauding this film. "spencer" is basically "the haunting of sharon tate" with an arthouse filter over it. kristen stewart isn't a genius, this film was a depressing and embarrassingly voyeuristic slog, and i hope we all die
"la la land": a circle jerk about old hollywood masquerading as an "ode" to the movies and old movie musicals. pasek and paul need to be barred from the industry for their horrendous songs and chazelle should be ashamed of this masturbatory piece of insubstantial garbage that frames white mediocrity and paper-thin romance as the pinnacle of cinema. also it's just racist as fuck
"split": m night has made some awful movies and i have problems with almost all of them, but jesus christ, "split" is truly fucking vile. even putting aside the obvious demonization of personality disorders and james mcavoy's laughable performance, it's a boring, uninspired slog with a screenplay written on a fisher play laptop. also the theme of horrific trauma being something that makes u Special and intrinsically a Survivor?? kys
"the polar express": this one's a little irrational, ive just always hated this movie even as a kid. the cgi isnt just creepy, its so muddled and lifeless that it can't distract from the interminable running time. this movie feels 4 hours long and its like getting ur teeth drilled the whole time.
"the sandlot": this movie exists solely for men in their forties to reflect on and say "they don't make kid movies like this any more". it is so unbelievably grating and pointless. im biased because baseball is my idea of torture, but id rather sit thru 16 hours of "minions" content than watch one scene of this kids' "classic".
"easy A": idk WHAT people see in this one. i dont find a single aspect of this film charming or clever or funny, it all feels so shallow and wink wink nudge nudge aren't we SO clever for turning THIS teen stereotype on its head?? there are a lot of "subverting ur expectations!!!!" movies from this era of late late 2000s-mid 2010s that i really dislike, but "easy A" is just the pinnacle of insufferable.
"the breakfast club": this might inspire some hate but i despise this film lol. i dont care that its a seminal work or whatever, it is so crushingly unfunny and boring and filled to the brim with unlikeable characters. in the same vein as "easy A", none of this film is charming or clever and even giving grace to the more Outdated aspects of this film, its a grossly obnoxious, unengaging flop that thinks it's saying Something.
"a serbian film": look. we could sit here for hours debating the necessity of this film and what it says about censorship, especially in eastern europe, but at the end of the day, this is a cold, uncreative shock film that indulges in its own depravity. im not above fucked up movies with depraved elements, but "a serbian film" seems manufactured, not created in its depravity. also it perpetuates the myth of the "porn to snuff pipeline", which is a huge issue with a lot of films of this ilk.
7 notes
·
View notes
Hey, Hunter!
Aside from the chronic back pain, what other long lasting symptoms did you have from the Rot, if any?
((Okay! So my attempt to answer this somehow developed into a rant about Hunter’s characterization so… here you go lol.))
So I have to answer this on Hunter’s behalf, because part of his character is that he doesn’t like to admit any sort of weakness. Apart from chronic pain, I essentially just gave him the symptoms of low iron. He gets light headed and dizzy, and he is often tired or low energy.
Hunter has this mindset that being weak, or showing weakness makes you useless. (I wonder what could have possibly made him develop that way of thinking. Surely nothing to do with the way he was raised and treated growing up.) Keep in mind, Hunter’s very logical logic only applies to him. He wouldn’t judge Survivor for not being strong, Hunter just has unhealthy expectations of himself that definitely aren’t realistic anymore with his post-rot symptoms, and were never actually that realistic to begin with.
He has a habit of ignoring his own symptoms, and pretending to be perfectly fine when he isn’t. He’d never admit it if his chronic pain is making it difficult for him to function properly.
(His physical health is one thing, but don’t even get me started on how Hunter views his mental health lmao.)
Uhhh anyways bonus light headed/dizzy Hunter:
68 notes
·
View notes
we've both talked about how scully isn't jealous fire. what differences do you see between protective scully vs jealous scully?
yeah to me the main difference is that one is more external and the other internal. she gets very emotional when she’s jealous. in episodes like alpha (literally sitting that woman down and going “i’m watching you.” cracks me tf up. Dana nobody is taking your man.) and war of the coprophages, it’s kind of angry. it’s louder, but still something very vulnerable and true to her (hater-ism). in episodes like the end, it’s heartbreak. that’s one of the very few episodes where i think she was purely jealous, and sad. she usually understands what’s going on and i think she knew as soon as she heard him call diana by her first name that something was going to change. i think it hurt her feelings, that specific display of connection, usually reserved for her.
when she’s jealous she retreats. she watches quietly. she cries alone in her car. she needs a moment to herself.
it’s when she’s protective that you can’t shake her for anything. one of my favorite images in fire is her standing in the doorway while mulder and phoebe meet with the arson specialist. i didn’t even notice she was there the first time i saw it. she wasn’t invited. she’s just keeping watch. later, she’s standing in the hallway. after that, she’s in his hotel room, and doesn’t leave when phoebe comes in. says “are you okay?” the moment they’re alone.
people write off her behavior in this one as being “jealous” because she has a lil crush and there’s another woman there, but i honestly find that dismissive. sometimes people discuss scully through such a wide lens, not taking into account who she is. she’s really surprised throughout the time that phoebe was there. it’s that soft edge that still shocks to cruelty, that she never really loses. it’s what shocks in the pilot when the doctor hits mulder twice. what shocks in the following episode when the government agents punch him on the side of the road. (look at you you’ve radicalized scully). it’s what makes her wary of jerry lamana, even before he stole mulder’s work.
but phoebe is so cruel, and so personal, and has so much history. it’s not jealousy that makes scully linger in doorways. it’s not jealousy that spawns that folie a deux. no one else understands. no one else can be trusted. (which i do kind of think started in fire, i’ve said before). she isn’t jealous that he startles when he hears this woman’s voice.
and i know that’s a lot on phoebe as an example, but it doesn’t stop. she doesn’t stop keeping watch. she doesn’t stop shocking to cruelty. she’ll get loud. she’ll make plans. she’ll surprise herself. and it doesn’t come with jealousy’s mortifying intimacy.
(don’t have much else to say but i found this from an old post of mine and wanted to share: “scully has that kind of protectiveness towards him that you have towards a child that hasn't been touched by the world yet. it's very 'the world is at least half terrible, though i keep this from my children.’ 'good bones' by maggie smith. scully in the beginning is like......there is something here that should have broken by now. and she wants to watch him be able to walk into every room with the most hopeful answer and a hand out to every stranger.”)
she shares him with the world only reluctantly, Etc etc
25 notes
·
View notes