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supernatural should be more about people getting cannibalized. not enough of it in the show. metaphorically and literally. someone should eat those winchesters.
Narilamb crack idea where lamb is a poor unfortunate sailor stuck on an island after a shipwreck and Narinder is the siren/seamonster circling the island attempting (unsuccessfully) to lure them into the water so he can eat them.
Over the course of time they end up bonding, and after multiple failed murder attempts on Narinder’s part he realizes that he’s stopped seriously hunting them, its more like a game between them at that point (lamb still assumes he would eat them if they fell in, though.) He eventually does catch them, but to lamb’s surprise, he lets them go.
Anyway that’s all I got for now but I am Thinking Thoughts
So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
Ochako kinned Izuku so hard she also unconditionally reached out to a traumatized violent blonde who's physically hurt them- leading to said blonde feeling indebted and unworthy, then giving their life to them.
What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.
“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.
“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated.
“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.
Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with.
“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.
In light of all this, why wouldn't you choose to live as deliciously as possible?”
isn't it wild that warden-commander invoked the right of conscription on anders with direct permission of the queen/king of ferelden and templars still didn't leave him be. isn't it wild that some of them were willing to drink darkspawn blood and bound themselves to another order just to get to him even though he was proven to be under warden-commander's protection. isn't it wild that the wardens had always been a golden ticket for mages who tried to get away from the circle and it was working perfectly fine for everyone else and then in his case it just didn't
I got. thoughts. about valens and voices in imperial roman history. but I also got a lot of thoughts about uhhhhhh choosing your brother for co ruling the Fratricide Foundation Story Empire. many thoughts about themistius' oration too
Brotherly Love, Themistius (trans. Peter Heather & David Moncur)