#anyway. i am so fucking excited for fontaine

[haunted-xander]

I NEED to know what the dynamic between these two are. Are they a family dynamic? Is she his nurse? She tries to get him to drink something. Why? And what? Why is he refusing to drink it? Is it medicine? Is he unwell? They're probably friends of some sort since they seem comfortable with each other (or, well, as comfortable as a short clip like this can show anyway). You can't give me potential family units without explaination like this hyv. I am going to go insane over this until Fontaine is released and I get confirmation.

[drinkingbitterboy]

alright. i have emotionally recovered from miles posting on instagram this morning, which truly threw off my plan to do a little concert recap bc i was busy yelling at my phone/on tumblr. as you do.

a couple notes:

i don't really do concert photos; literally took a grand total of 4 during the actual show. so sorry, don't have much there!

i did not get a poster :( turns out they ran out before AM even went on stage?? i'm sad, but not too pressed bc really i'd much rather have a good view than wait in the merch line.

here we go!!

so getting into the arena was kind of a shit show lmao. we rolled up around door open and the line stretched 5 city blocks and doubled back on itself; it was mostly organized but asshats loved to pop in when the line got broken up by the streets. took us almost an hour to make it our five blocks and the line behind us was still just as long by then. at least folks waiting by us in line were nice! beyond nice conversation the true highlight was outfit spotting. shoutout to the absolutely dedicated guy who showed up in the full on fwn clown outfit complete with face paint by himself. in this weather! found a couple folks dressed exactly like the car alex (again, why are you wearing a blazer in this weather) and you know. felt real old about it seeing some of the other concert outfits. i'm sorry, not to be judgemental of the tiktok girlies, but holy shit. i managed to out myself once as a weird fan about it bc i had "inside knowledge" aka i saw the ig stories james and davey posted lmao. i'm so sorry i'm incapable of holding it in when i want to correct someone. had a grand time talking to some people in line next to me around my age; one of them even had an old sias shirt from seeing them live back then! good bonding about "hey what have you done since they announced this album?" one guy switched jobs twice, we got married, and the other couple had a baby. jfc.

further highlights include the person who wrote the batphone and cheeseburger notes, a couple other car truck bits i didn't take pics of saying things like "who the fuck are the arctic monkeys", and the true comedy of whoever designed the tickets. big mike wazowski energy

fontaines dc sounded great! a lot of folks around me had no clue who they were, though. so the crowd wasn't too excited overall. also i have no idea who put together the playlist in between sets bc it was nuts.

and then: the big reveal (that i then updated tumblr on)

i'm really surprised the whole set made it! the anticipation before they took the curtain down was absolutely palpable. also, didn't get a picture of it but at one point someone had a giant pole and was trying to poke something right at at the top of the frame of the screen. no idea what that was about but it was hilarious. not pictured: the bonus screens on either side of the stage.

an aside: my partner is fucking hilarious. every time a roadie came on state with an instrument he'd go "i don't think that one is a monkey." he also generally calls them the "monkfys" anyway bc he really latched onto that clip aksdjfs

so this was interesting! they didn't show the body paint symbols at all on any of the screens; instead, they showed this colorful wheel thing.

and then the actual show. oh my word. opening with sculptures was absolutely my dream and honestly i don't have words for what it's like to see alex in person. he's absolutely captivating. hypnotizing. one of the most amazing things is watching how he proceeds through the show--how he goes from suave and put together with his choreographed arm movements for emphasis and his little things like the little bubble pop in that song. and then he starts to loosen up (along with his hair), we get the silly dramatic theatre kid during cornerstone and do me a favour, and by the time we hit body paint he's just completely letting loose. even when they played much of the usual setlist and i obviously know the music super well--better than anyone else around me--it was still absolutely thrilling to just be there and listen to the music and sing loudly and jump around until we felt the floorboards creak. they felt really high energy last night! turns out coming off of a break is good for them!

related, getting to watch the transformation into the poofy lion hair in real life is incredible.

i must admit, i am not immune to things like alex waving in our general direction to the crowd and walking over to our side of the stage and all of the charming bits. just can't help it.

otherwise, the only other person i could consistently see was nick - we were standing stage right, maybe 15 yards back? so you know. gorgeous as always. i'm sure jamie was wonderful also in his insane leather jacket -- didn't see him at all lol. i managed to get a very convenient window to center stage so i actually saw alex a decent amount. worked out well because i couldn't actually see the screens super well. i'm short. here's the only two pictures i actually took of the band, right at the beginning:

and now for the rest of the setlist -- we all know they played a lot of the usual suspects. as expected, much of the crowd was pretty young and very invested in only AM and the hype songs. i didn't mind; at least i wasn't the only person screaming for perfect sense (weren't a lot of us, i was the only one in my general area, but that's alright. i don't care.) my spouse was entertained by the person next to us who looked up the spotify set playlist in between every song; he was like "why look it up? if you don't know the songs well enough to identify by intro then how is the list supposed to help?" anyway, holy shit when is snap getting out of the playlist? and yet even though i was not thrilled by it it was still so fun to sing along.

4 out of 5 had a really funny bit at the end while he was just kinda ad libbing lines. "four stars out of five, not quite there yet, but almosttttt." teddy picker and view from the afternoon were absolutely fantastic, too. and then we get the basic AM bits again, though turns out the crowd was also really hype for fluorescent adolescent. 10/10

i was so goddamn loud for perfect sense. shoutout to the spouse again for only knowing that song bc i learned to play it and then played it constantly bc i wanted to manifest it aksjdflaskdj

he was constantly saying "very nice. very nice. very good" in between songs, which was adorable. "hope you're having a lovely evening, folks." as my partner put it: "very good. that's him like yes, i've met my crowd interaction quota for the night"

and then of course we brought out the drama for do me a favour and cornerstone. i cracked up that there were already gifs of the "forcing a smile" bit by the time i got home.

mirrorball started with alex conducting the stings again. i love it so much. also makes my musician ass miss performing lmao. but really, i can't get over how good mirrorball is. it's so dramatic, so emotional, then the actual mirrorball reveal??? i cried. it's insane. it's beautiful. it's honestly indescribable. i generally don't like people filming a lot or taking tons of pictures but you know what? mirrorball is an exception. holy mother of god.

and then 505!! i know i mentioned this earlier but really??? the mirrorball is only lit up like this for 505 and then they pull it back up?? there better be a mirrorball for me, he says, then we pull it down for the very miles song, and then they get rid of it???????? i had some thoughts.

our end of the stage got a bit distracted during do i wanna know bc we had someone go down in the crowd and had to call someone over to help. good news is that they were pretty close to the wall/barrier so it was easy to make space. even so, i realy can't get over how good that guitar sounds.

and then body paint. we've all seen videos of the extended outro and really, truly, it's just a life-altering experience to watch it life. it sounded incredible, it looked incredible with the rainbow lights, everyone looked like they were having a blast. i am a little biased bc i'm so attached to that song i'm getting tattoos about it on monday lmao. but man. not over it.

and finally the encore. ONE POINT PERSPECTIVE?????? i was NOT expecting it and absolutely lost my shit. unfortunately at this point bc we did some shifting around i no longer had a good view of anything. so it goes.

dancefloor, as always, was an absolute jam. bonus points bc now it's forever associated with our wedding. and r u mine had the place going nuts bc you know, the AM only folks, but really, i am also not immune to how hard that song goes.

all in all, that concert was absolutely incredible. i had an absolute BLAST and it was such a joy. i loved getting to be loud and truly did not care that there were bits where i was the only one who knew all the words. even my partner who is only really a tangential am fan had a really good time. they sounded amazing. i'm absolutely still on a high from it. hopefully the transition to a smaller venue again after the huge stadium tour was nice for the band, too!

and now time for some more coffee.

[mmriesoftvat]

coming here to talk about arlecchino, my queen.

may contain spoilers or leaks or something but i have thoughts.

my first thoughts are about her animation. I KNOW IT'S SUPPOSED TO BE THE OG TIMELINE because of scaramouche being there. but i saw a theory on twitter the other day that had me thinking about potential theories, and i thought they'd be fun to discuss. namely, if this was her remembering the past and scaramouche is there, then she potentially remembers who he is. i like this theory, i may adapt this to my own portrayal. and perhaps for her own reasons, i can see her keeping this shit to herself for her own reasons. which means she can and would just pretend like she has no idea who he is overall. it makes it feel more fun.

AND HER VOICELINES.

saint showed me the video last night and specifically pointed out the one about dottore. and BOY did i get excited. because that's exactly EXACTLY what i thought would be the case! she works with him and basically trades children that give her zero potential to him for experimentation. i HAD A FEELING that was the case. she is the kind of person that prides herself on her own work, and the perfectionism of it, and she loves that she can whip these orphans into shape and have them be loyal as fuck toward her and the fatui. she's also the kind of person shady enough to be like "here dottore, this one won't listen. perhaps you can whip them into shape."

SHE IS ALSO NOT HEARTLESS. god the amount of shitty/garbage takes i've seen over the course of months about how she doesn't give a shit about anyone because she's a harbinger, she's a villain. GROSS.

arlecchino isn't a good guy, no. she has her own agenda, obviously, but her voice line about childe PROVES she has a heart. she DOES care about people in her own way, she doesn't see everyone as disposable. people in this fandom are way too fucking quick to put someone in a black and white box and refuse to see nuance and anything in between and it's just tiresome at this point.

arlecchino is not a soft person, she definitely does morally bankrupt things without thinking twice over it. but she's not completely heartless either. she has a beating heart still and she does know how to use it. it's not a complete act either. we know she cares about her children. at least, about freminet, lynette and lyney. and we know she does care somewhat about childe. i knew she cared about him when she was the one who initially went to investigate his disappearance in fontaine.

she is a complex person and i am LIVING for it. i love this woman and i am so excited for her release. i have saved up for months and burnt myself out in the process, but WORTH IT cause she's literally right around the corner and HHHHHH.

anyway. i want to write her.

i want a thread of a younger arle meeting the other harbingers for the first time. i crave anything arl. just YES.

[cryoexorcist]

so i'm finally playing through the AQ, and i am about 90% done i think, on the 'finale' quest. i have thoughts. spoilers below, and i desperately need discussion.

so i haven't played for a number of reasons until today, and i managed to avoid spoilers for the most part. so if shit was already brought up, i didn't see it.

but basically, i wonder if neuvillete regaining power over fontaine and being sovereign again means that the other sovereigns will eventually come back into the picture. i refuse to believe that this is a one time thing. and with all the gnoses being given up, and the archons not having that much power, it means the sovereigns could eventually take a leaf out of neuvilette's book and follow suit?

ALSO

i'm really curious about the (forgive my spelling) hexenzirkel. it's coming up a lot more lately, and i feel like it's definitely making a comeback. and i know gold has a huge role to play to come, but i'm wondering exactly how big of a part she has to play.

there's definitely a war brewing between celestia and teyvat, and focalors all but spelled it out for us. i can't remember what all the other archons have said about celestial, but she was the first one to all but say she's defying them.

also MY BOY CHILDE!!! i love him so fucking much, i actually clapped when i saw him. i really only need him from now on and i'll be happy (+ all my faves but still).

i am really excited to see what we'll see next with childe and skirk, and i'm really happy she's finally in the game proper. i am SO GOING to hop on my other blog and plot shit out with her, so CALLING ALL CHILDES, COME HANG OUT WITH YOUR MASTER.

for an au idea for chongyun, i had the wildest idea that chongyun could also be an abyss student. i have not let go of my legendary wishlist item, in which chongyun and childe work together and share the same general goal, and chongyun is probably also a disciple of skirks. nothing would make me happier than to finally, FINALLY get this plot going, because chongyun and childe i think would be the best of partners.

i think, honestly, that this managed to top sumeru's storyline. or at the very least, fontaine and sumeru are my current favorite archon quests, and i can just imagine it'll keep getting better from here.

for the critiques, i wish mona played a bigger part. she felt more like a cameo appearance just to appease the fans, she shoud've played a bigger role. i'd be super happy to find out later that she's a part of the hexenzirkel in the future, she would be powerful enough for it.

i also didn't remember navia's friends that died. i'm sad for her loss, but i genuinely didn't remember who they were until she fell into the water and saw them in person. and then it was an "oh yeah" moment, but nothing tear-jerking for me. the impact would've been a little better if we didn't have to wait so long to see her again.

if i have any other critiques i can't remember them right now. but these are my current thoughts FOR NOW, i'll definitely have more later.

more childe, pls. i hate that he was unconscious both times we actually saw him before he was yeeted. like let us fucking talk to him!

anyway. i did cry. it was good.

[kyogre-blue]

Arlecchino's banner is ending in a couple hours, and the second half is a skip for me, so here's the 4.6 rundown:

C6 Gorou from event (FINALLY)

C5 Amber and C6 Lisa from shop

C6 Xiangling (whatever) -> but it does mean C6 Amber in October will be the last constellation I can get from starglitter shop

Qiqi at 57 pulls (50/50 loss)

another 50 pulls on guarantee, with no result

Arlecchino's spear and Lyney's bow from weapon banner

C0 Chevreuse from weapon banner

The C0 Chevreuse is huge and worth the weapon banner, really. She's the only 4 star I wanted in Fontaine. My actual goal was Lyney's bow which I use on Childe. I think it actually looks pretty nice on him because of the colors, somewhat better than Polar Star, and since I mostly use him for overworld, the 10% movement speed with no conditions is nice.

I didn't get Arlecchino, in the end, but I'm basically guaranteed whoever I decide to get next. Really hoping that either Childe comes back soon or there's an early Natlan 5 star that I want. Otherwise, having the high pity might become a problem at some point.

To get that nice even roll number, I ended up doing acts 1 through 4 of Fontaine, though I'm not going to bother with act 5 for now. It's bound to be really long. This already unlocked the Fontaine commissions and reputation anyway, so that will get me some of the achievements I'm missing (currently at 1208 achievements), the updraft gadget, and the furnishing blueprints for Navia's and Arlecchino's teapot sets. So that's nice, I guess.

4.7 is looking like a full skip on main, and for alt... I do want to get Alhaitham before he goes to chronicled, but my alt has no savings, so I don't see it happening unless I am just obscenely, improbably lucky.

Speaking of 4.7, there's going to be a new permanent endgame mode, which looks like it was designed specifically to piss me off, since it has forced trial characters. Cool :) I hate it :) It'll replace one of the two Abyss resets per month, so I guess I can just log in once a month now, haha...

The Natlan leaks aren't really looking much better, though they're just subjective opinions about the exploration, which isn't very reliable. But if what they're saying is true, I'm not really excited for it. I didn't like Remuria exploration at all.

Additionally, the game has started to lag and freeze more. I know the issue is probably partly because of Youtube. I usually play some video in the background when grinding and doing dailies, and Youtube has been fucking around a lot, which probably causes problems for Genshin as well, but it doesn't really matter when the issue does exist. Given the the system requirements are supposedly going up for Natlan, I can only expect it to get worse.

It's going to be funny if what gets me to finally quit Genshin is that it becomes too unplayable lmao

[aeviare]

{tiff's sneeby thoughts on act 1}

ugh the writing really does just get better and better for real. i'm sorry, but i don't like the inazuma archon quest lmao. there were some amazing moments, but a lot of the time i was just like 'wtf is going on and why.' i feel like the writing has gotten 10x better since then, sincerely. i am still reeling from the morn a thousand roses brings, yall. its one of my favorite quests

childe!!! AJAX!!! TARTAG IMPACT BABYBEEE *charlie voice* LET'S GOOOO!! i'm so happy to see him again and to hear griffin's!! voice!! he's getting so much love right now and it's a joy to see!! we love that dumbass ginger fr fr. the fact he STOPPED A FIGHT to talk to traveler is literally so freaking gay (just proves he's in love with them which we've known since his story quest smdh)

THE FONTAINE SIBLINGS ARE EVERYTHING TO ME. I WOULD KILL FOR THEM. i would fr die for each and every one of theM. I LVOE THEM SO FUCKING MUCH U DO NOT UNDERSTAND AFDAS FREMMIE??? LYNEY??? LYNETTE??? *puts them in my moutH*

furina is such a hot mess lmaooo she's so obnoxious and i love her. which is a change for me seeing as i do not like obnoxious characters. like, i'm sorry, but i hate fischl and the way she speaks fr fr. last year's summer event made me want to yeet myself. but i don't mind furina cause i cannot wait to see who she inevitably turns into. i'm invested in this story (not as invested as sumeru.... but listen its only act 1 i'm excited where this goes to next)

the trial and the murder mystery was a lot of fun. right now act 1 has given me heavy professor layton vibes. i mean, minus the puzzles. but the mystery and the top hats and the MUSIC!? oh yeah, it's taking me right back to the gameboy ds days bois. less go to the curious village ayyye

i am honestly so upset that aether walked away from lyney after baby boy poured his heart out to him. i understand canon aether's feelings towards the fatui, but like lyney and lynette have been nothing but kind and genuine to us??? yeah, they omitted some facts BUT I LOVE THEM so i will overlook it. i hope they make up. nobody tell me okay i haven't started act 2 yet asdfasdfa

i'm sure there are more but again, i am eeby lmao anyway!! if u made it this far congrats

[narwhalandchill]

uhhh anyway. so like yesterday was my first time ever doing story day 1 and i have many Thoughts about the AQ. mostly positive unfortunately my major gripes do relate to the childe/narwhal situation which kinda dampens the overall experience more than any other part being underwhelming would given (gestures in general direction of self). like we all know the multitude of diseases i have on the subject 💀

dunno how much of a complete nonsense rambley writeup thisll be i think i might take some time to sort out my overall thoughts and write sth more coherent specifically on childe/narwhal stuff, maybe leave out some other aspects i have more pointed thoughts on as well so this wont get mega long but eh lets see. this just all kinds of thoughts i have for now And its a mess so Beware

anyway. firstly. as scarred as i am by melus and silver. Its also just. holy shit man theyre truly just straight up tapdancing on teppeis grave like THIS is how you write NPC deaths in an actually emotionally impactful way. dunyarzad was a massive glow up already in terms of NPC writing in general but she didnt die so. but like the way their characters and bond to both callas and navia is built up and how the writers actually managed to make them feel like such dynamic people even if their roles are ultimately quite straightforward made their fates just... genuinely heartbreaking like what the fuck 😭😭😭 AND THE WAY THEY STILL SAVED NAVIA FROM BEYOND THE GRAVE AND SAID THEIR FAREWELLS I JUST. I CANT. i just teared up thinking about it again

idk what could be said about navia that hasnt been said a gigabillion times before like. Wow. she is just. Truly the moment. like she fucking blindsided my ass in 4.0 bc i wasnt expecting anything like how dynamic and compelling and complex her arc and characterization has been like. everything about navia her resolve her grit her experiences and her bravery and stubbornness just feels so incredibly human and raw and she is just? a wonderful character i never foresaw falling in love with her this much like truly. and she delivered JUST as hard in 4.2 too like if it werent for navia being the conduit through which we first experience the devastation of poisson i dont think it wouldve ever hit as hard as it did. i just wanna comfort her shes already been thru so much yet i also admire her insistence to keep going and keep living like man 😭😭😭 give her a happy story quest hoyo idgaf if it gets called shallow or some bs she deserves a break!!!!!

i think some ppl are disappointed by arles relative lack of presence in fontaine overall and while i get that i can genuinely say that its been so fucking refreshing to have an AQ centering on a conflict thats not entirely or mostly fatui based. its not like the weight or intimidation factor of arlecchinos presence has been any lesser just bc shes been largely on the same side as us. like personally i just Really enjoyed seeing her characterization throughout. the way shes been just so reasonable thus far makes me extra excited for whenever she might actually snap (at least hopefully she will). like both childe and scara think shes fucking insane?????? but yea. i also really enjoy arles dynamic with the HoH kids too like. i do think she genuinely cares for them in a way but i highly doubt thats all there is to it. and thats really neat. goes for things like her help to spina di rosula and poisson too; theres definitely strings attached to that aid lmao. even if arle has no particularly malicious designs in mind, shes a harbinger. like cmon. and i really like that!!

i dont have like. that extensive thoughts abt what i call the . uhhh. this is mean but extended cast of act 5 JKJKDWJKDJKAJK like HoH gang, clorinde, sigewinne, wrio. tho i do very much appreciate that clorinde dodged the sara allegations for good like. it was looking a little bit unfortunate in 4.0. her role wasnt super major but i love her english VA and this kind of grounded sort of character she ultimately is. also sigewinne jumpscare during furinas trial i love her so much.

mona n nicoles thing was unfortunately mostly a whateverburger for me bc. im sorry im not that interested in hexenzirkel lmao i feel like such an outlier in any lore discussion circles bc im just not that hype about them (gold is an icon however) idk why. it was neat, it happened, didnt bring any mega hype. what i liked the most was honestly just the talk with mona about destiny and fighting against it and all. she really felt like a friend trying to help us navigate our thoughts on this insane horrible situation going on!!

in terms of plot things uhhh i went in mostly blind? as to the actual events. i had spoiled myself a bit on some specific aspects (my own fault) but ultimately most had no effect on how much i enjoyed everything. also lowering my expectations on the. ahem. worries i had abt childe that unfortunately came true so i was less let down on the spot wjjkajkwdjkwd. my biggest issue was actually that i had to progress lyneys story quest TWO FUCKING TIMES by a pretty notable amount bc it was blocking locations. and that dumbass office drama world quest like i was morbing.

a particular standout moment (beyond the Obvious. i need not name it THE LAUGH THE FUCKING THUMBS DOWN also singed FL can kinda lowkey 100% absolutely get it) for me was when i was so invested in our conversation with furina in poisson and in the magic box that i actually fucking forgor about the whole trap scheme thing even existing and then the box fell open and i was like WAIT WHAT THE FUCK and started laughing for like a solid 5 minutes i was caught so off guard. what an incredible moment. bc like. when the thing we were hiding in w furina started shaking i was just hell yeah narwhal modcheck? narwhal modcheck? bc obviously i would. and didnt question for a second that it could be something else. like the trap we were LITERALLY plotting to set up just a bit earlier it actually killed me. altho the fact that one of the cursed lyney quest situations were in between the scheming scene and the poisson segment prolly had to do with it. anyway it was just really funny

i think this post is gonna take me 287382 years to finish if im gonna go into the like furina character arc situation and her trial and focalors and all that shit super in depth (+ narwhal/skirk things) but like. BELIEVE me i fucking loved it so much like its so awful and painful and horrible and just. best written archon easily. zhongli n venti i think r very well written but theyre p static characters bc oldies so its a bit different. raiden is. inazuma moment no comment needed. nahida is good but tbh i never truly reconciled with the way rukkha getting irminsuled sorta just erased the central conflict behind her inferiority complex so it somewhat ruined her character arc for me even if it did make me cry and i do love her chara overall. but furina i think they executed the whole setup and reveals and everything so incredibly well its insane like. god. 500 years........ and like. the way furinas arc just flops everything uve known about her and the interactions uve had with her sideways and turns it upside down realizing the predicament shes been in and what shes been grappling with. its just incredible man. harrowing but incredible like they truly delivered on that one. like that portion of the finale was just really well done

anyway not all thoughts i have by any means but whatever. ive just been Thinking. overall had a great time with the AQ n cutscenes in particular are only getting better and better, i thiiiiink this one tops sumeru for me? but like its sorta unfair bc i was never a scara stan whereas. even a narratively mishandled narwhal is a fucking world-devouring narwhal. unfair advantage. childe being there at all even if i have my gripes is too much points in favor KJWJKWJKDWDJKJK. theres things that make me really hopeful for the future writing but also things that concern me. so its an interesting situation rn. but im glad it went as ambitious as it did even if my fave got arguably sidelined the most. just hoping they actually do sth more with childe sooner than later if they want to leave all those loose ends unaddressed in 4.2. interlude rights PLEASE

[grapejuicefilledpools]

Spoilers for Fontaine Archon quest~~~~~~~~~~~~~

Anyways endorphins wore off good archon story not my favorite but there were moments later in it that got me. Fontaine flooding is kinda weird cus it’s elevated so I’m guessing it was localized cus that’s the only explanation that makes sense to me. Mainly because the other nations would have what the fucked their way thru that. When the cutscene for that flooding but was happening I did think about like, old people. Like what if you couldn’t swim? Or didn’t have the ability to? Gonna mark that as ppl from Fontaine can breathe underwater(I think they actually can based off of when we resonate with the Statue so yeah).

I’m surprised that there were people out there who thought Furina was actually the way she portrayed herself in the early acts of the Archon quests? I saw thru it when she was first showing up cus hey, I’ve faked it before. Honestly one of the reasons why I wasn’t fond of her in the beginning. Now that the quests have wrapped up? Yeah she aight. Not my fav but I can understand why someone might find her to be their favorite. She’s cute and I like when people cosplay her too. Now Focalors? Understandable why she did what she had to do but it’s still giving fuck her. Her acts were justified but I still don’t hv to like her. Weep womp.

(As the resident, “I-don’t-like-Childe-but-he’s-in-my-main-party” person that I am)I thought the way Childe has the whale for his burst was like: fell into the chasm/abyss/hole and saw the whale there then vision popped and now whale as burst. I’ll hv to read his vision story to confirm but I thought we kinda got there? But other than that, uhm he’s gonna get his shit explained. The Fontaine archon quests ain’t really about him so I wasn’t expecting much(I was PISSED when Kaeya was given the one-two step and then he left so my expectations are at zero for anything else like that). I would’ve read his vision description again if we were gonna give it away but I didn’t so fuck me I guess.

More lore bits for me to watch someone else to tear apart and for me to nod along with! I do wonder how far apart the descenders are. The third’s remains are in the gnosis’ and there’s the traveler so it’s been a fucking while I’m assuming. Unless the gnosis’ were giving out post-cataclysm? Idk I’m way too excited for Natlan that Fontaine is kinda getting pushed to the side in my head rn.

I don’t get the Furina and Neuvillette pairing. Like she’s giving “&” and not “/“ to me. Like I kinda get the Focalors one but that’s just a doomed by the narrative pairing. That and I wasn’t feeling that from them talking but who am I? (Side note: not feeling Focalors fit. It was giving npc with playable character head.) I’m not used to hetero pairings in this game so it’s probably that tbh lol. That and their conversations(with Furina and Focalors) weren’t really giving romantic either TO ME. But sure I guess. I get platonic but it has so much depth to it that it beats out the standard romantic relationship. Blah blah blah romantic relationships shouldn’t be endgame platonic pairings have the ability to show so much more but people limit it cus romantic is endgame blah blah.

[jeromefart]

Genshin archon quest 3 spoilers

I am loving this so far but gosh it is tedious having to run around and work, collect info, and move day through day as a prisoner. Don’t get me wrong because I am enjoying it but it feels like it could have been executed differently. I feel like giving us the choice of how we would spend our time was kinda pointless? But also its better than just clicking through more dialogue i guess.

Anyway i am very excited for the story to actually progress. We are slowly collecting clues so i do understand the point of this long investigative process, but its just.. very long. I enjoyed the beginning more when i got to see Arle and Furina. Or when we were speaking to Sigewinne and Wriothesley.

So far we have learned very interesting info though such as Furina not having the hydro gnosis (its because shes not the hydro archon duhhh)

Anyways archon quest stuff aside I explored the new area a little bit? The new puzzles are really fun and the world is so fucking beautiful. I love exploring Fontaine and the old areas are at over 90% exploration so finding new stuff for once is exciting

[lostacelonnie]

Definitely understandable i easily lose the energy to talk with people when i have to interact with family. So you're good. Ah yes the dont worry about it approach my favorite. Especially when what you do in regards to you is your business. Well between last message & now i forgot so thats a good indicator of how thats goin. Beaches over here are hit & miss but the closer ones to me arent as popular thankfully. Hm. What is a2 knowledge & how is it getting worse? I adore colder climates heat is not kind to me at all. Tents are. Well. Some are decently priced depending on how big of one you get. Oh i definitely recommend going with friends its a lot of fun. Ive been slacking a bit on the game but so far clara is workin for me. Probably wont have enough for kafka. Oooh good luck to you with all your pulls. Story spoilers aren't a major thing for me because the how is always still fun. Definitely understand some just dont want em at all. Every time i try minecraft im like. Never sure what i want to do. So kudos to you for stickin with the game & having fun. Smaller cities are nice love having close stuff without being in like. A big city. Ah dang i hope you find that dye again in the future. Makeup is hard it should be easier for those who wanna wear it. Ive been so busy i missed. So many events whoops. Problem of bein stuck level gaining to continue story. Motivation is hard to come by. I busy myself reading or looking up new science discoveries when i dont wanna leave my room.

thankies ahdhfjfj!!! and, once again, apologies for the late reply. my grandma fortunately left a while ago but i was feeling Cranky and didnt wanna sound Annoyed With Existing ahdjfh. still kinda dying inside since i return to school in 2 weeks but fuck it we ball we stay silly etc. COMING BACK. yeah like "nobodys gonna know-" "theyre gonna know." "how would they know". and understandable sjdkfgjk consider this your reminder then. and ahh fair i live pretty far away from the sea so i dont really know good Spots i guess. BUT i do like lake beaches since theyre way more quiet most of the time. and basically im not exactly sure in how many countries it applies, im thinking most of europe? but essentially language knowledge here is divided by levels, a1 -> a2 -> b1 -> b2 -> c1 -> c2 with c2 being the highest. and well i guess theres also a0 but thats just when you start. a2 is just speaking Basic English, so like enough to survive if you go to an english speaking country but not much more. for reference, by tests ive done, my level is like between b2 and c1 so very decent but i dont know most of the "fancier" and more specific words. and with it "getting worse" i mean that [at least from what our teacher told us] the textbooks are getting easier and easier so people are leaving school not actually knowing almost anything. yeah SAME its been so hot here recently so ive been Suffering. and yeah i know but me and my mother dont really know if its a good idea to buy one since we dont really go camping anyway. but maybe when im an adult im gonna get more into it, esp if i have ppl to do it with. and ah thats nice to hear!!! i DID manage to get kafka and her lightcone so ive been having fun with her recently. actually overpowered. tho i heard shes quite f2p friendly. and oh understandable!! i unfortunately used to be on tiktok where they spoil EVERYTHING and its impossible to avoid so ever since then ive been extra careful. tho i kinda feel that way ab fontaine rn [cos i ended up actually being kinda interested] since i cant download it rn but still am excited 4 the story despite knowing little unconnected bits. and fair, minecraft def isnt for everyone but its very good for chilling out at least to me. rn im procrastinating on beating the ender dragon so im just maxxing out my gear rn. and yeah but im still gonna see whether or not i wanna live a long way from my family. oh well i still have time. also thanks!!! i have not been successful yet but i bought another dye so im gonna keep you updated on that. and ahhhh understandable, ive been Grinding so i didnt have that problem sjfkg i should build my sampo but. ah. i hate grinding artifacts. pretty excited for the 1.3 simulated universe update tho!!! esp since im really curious about the aeons so seeing more of the propagation is sth im looking forward to. but good luck!!! and VERY real i like doing wikipedia deep dives esp about marine animals. im a fishpilled oceancel but i unfortunately suffer from Not Remembering Anything Ive Read Ever.

[aewinning]

Hey you!!! Long time no chatting (uni is still kicking my ass, possibly harder than last time) it's me, the anon who begged for the scara/tighnari maintenance fic (tbh i still brag about that, it was an AMAZING fic). I just read "A Certain Dreamlike Quality"!!! Fucking chef's kiss. Very very nice. Lovely concept as usual. And Kavetham felt even more in character than ever. I really really liked the comment about Kaveh treating Alhaitham's granny's journals with care, it was very sweet. And i also started thinking about that whole porn trade in Port Osmos. Like yeah it makes sense, Teyvat SHOULD have pornography. Probably not what u wanted the reader to focus on but it did seem like a nice subtle world-building element. Either way, really good work!!! Also ur gonna get Baizhu soon!! I think i remember u being excited about him finally being playable. If im mistaken then sorry lol. Im saving up for kaveh. Anyways have a nice day!!! Looking forward to more delicious writing!! 🤗

Hello hello! Welcome back and I hope university eases up on you soon! Thank you for the kind comment and I'm glad you enjoyed the fic, it was so much fun to write. I do hope to do more for them at some point especially after Kaveh's profile/lore drops, but right now I'm working on getting out the third fic in my Baizhu/Childe/Zhongli series haha.

I did spend a lot of time figuring out where Alhaitham would go for sex research of the places we've been, lol. I probably thought about it TOO much, to be honest. My thoughts:

Mondstadt probably has plenty of naughty content, being as open as it is, likely in poem or novel form for the most part? Liyue probably has more traditional erotic paintings and a few instruction manuals, often in less savory sales stalls off the main street (like under the docks).

Same for Inazuma, though it may not be an art form that's flourished while Inazuma was in the grip of so many decrees. I bet it's about to undergo a renaissance though, with the loosening of restrictions and resumption of imports. And Sumeru...the Akademiya probably has some dry old books on sex from people that have never had it, focusing on anatomy, but I imagine Port Ormos the party town probably had quite the fun knowledge capsules when the Akasha was functioning, haha.

Fontaine is probably about 5 years out from filming the first adult movie. idk about Natlan's current status due to the game's allergy to giving us Natlan lore, but Snezhnayans probably pass dirty mags around the barracks and give each other handies to keep warm. And you KNOW there are a lot of pinups that look suspiciously like the Harbingers, lmao.

You are also correct that I am hella looking forward to Baizhu! He's who I've most looked forward to ever since I met him when I started playing in 1.3. Two years of waiting! I have about 360 wishes saved for next patch and unfortunately I want Nahida, Nilou, Baizhu, AND Kaveh, but the good news is that I'm 40ish into pity on a guarantee right now. I may decide to skip Nilou in favor of going for Baizhu's weapon, we'll see. I refuse to go below 180 pulls before his banner, he WILL come home one way or another.

Good luck on your own Kaveh pulls when the time comes! He looks like a really fun unit and I'm planning on triple crowning him myself b/c babygirl deserves to be treated just as well as Alhaitham even if he's not a 5 star. (Which will make...4 dendro guys triple crowned for me. Send help, I have an addiction.)

[hematomes]

NO NO SEE I LOVE THIS ABOUT ANEMO CHARACTERS. i am IN LOVE with the concept of visions/the 7 elements having their associated respective “values” but like,, everyone being DENIED the very value they’re associated with. EXACTLY LIKE YOU SAID FOR ANEMO RAAAH

and it’s the same for zhongli and ei in my opinion? venti has been chasing freedom, zhongli has been chasing stability and safety but he can’t seem to find it, everything keeps shifting under him all the time, ei was chasing eternity but never found it, instead she created a super unstable, constantly changing environment and LOST the time she could’ve spent with her people/remaining loved ones, instead of GAINING time . i just. i love this concept and when all 7 archons (+ khaenri’ah and celestia?) are released, i plan to write a multi chapter fic about how each gnosis cost SOMETHING and that something is what you value most - freedom, contracts (stability/safety), eternity (time). this is also why im suPER EXCITED FOR FONTAINE bc the concept of justice is. im. obsessed with it as a focal point in narratives so. RAAAH I WANNA KNOW WHAT KINDA FUCKED UP SHIT IS GOIN DOWN IN FONTAINE

also i think that bc gnoses cost the thing you value most, vision holders often pay that price too (smaller scale bc. well. they’re not immortal (MAYBE)) - like u said abt xiao never being free, kazuha and grief, etc. like they’re free, bc they’re free from something that tied them down, but sometimes you don’t wanna be free, sometimes you need an anchor and losing that is. is not what you need or want

i just think that it’s neat that all the anemo users are free but only in the sense that they A. paid for that freedom and B. the price they paid was the thing that influenced them the most, i.e. the things they loved that stood in the way of pure, unadulterated freedom - which no one REALLY wants bc it’s dangerous and it’s like being in free fall, you’re free from causation and purpose and everything, you’re free but you’ve lost yourself and everything that held meaning in the process.

i. i have a genshin oc and the concept of freedom is explored sO MUCH so i brain rot abt this + anemo and geo duality a lot. im just. i love lore very much and the way all the pieces fit together and i am trying to construct the big picture before the big picture is revealed bC I WANT TO BE FASTER RAAAAH but also bc im fascinated and sjjddj i love connecting all the dots and pulling the strings and watching it all play out exactly how i predicted,,, that sounds bad i . ANYWAYS

also i’d totally sing u a lil tune to save u from ur karmic debt, but im… not the best singer. i can play the flute tho, so i can do that famous venti scene >:)

yeah i agree!!! every archon has an ideal but loses it somehow </3

honestly im also excited about fontaine (I MEAN IM FRENCH SO YK) because like you said the notion of justice is soooo interesting, and dainsleif's line about the hydro archon is!!!! like wHAT + the fact that the former hydro archon died, the whole thing with rhodeia etc.... <3 not until 2023 huh,,,

a genshin oc omg!!!! and with freedom explored aaaa it must be so cool?????

DSKJDSN pls play me a little tune and save me from my demons (starset starts playing in the background)

[spookyboywhump]

alleeeeeen what game what song omg please scream about it

WELL SINCE YOU ASKED-

I’m sorry I go full nerd down here

The song in question:

It’s a fan song for the game Bioshock! It’s a first person shooter game that came out back in 2008, it’s kind of a survival horror game but I wouldn’t say it’s all that scary. It takes place in an underwater city called Rapture, which looks like this by the way

And some interior shots

For me, the setting is the main draw of the game, it provides such amazing atmosphere and it’s just so beautiful. There’s a lot to talk about when it comes to the ideas presented within the game but unfortunately I am stupid, I cannot get into all the philosophical stuff. Anyways

The city is in a state of disrepair and decay, it’s very post apocalyptic, but instead of zombies, the most common enemy you encounter are Splicers. Splicers are what happens when someone overuses ADAM, a thing in the game that essentially rewrites DNA and gives you different powers, you have to spend ADAM to get these things (you recharge that bar tho with EVE). You get ADAM from little sisters, these freaky little girls

I’m using a picture from the second game because the graphics are better but it’s basically the same deal. I think they’re kinda cute.

They gather ADAM from corpses with these huge needles, and they’re protected by these guys, called Big Daddies

They’re fucking terrifying

You have to get through them to get to the little sister, which is how you get ADAM. You can choose to harvest or save them, as they’re genetically modified and just kinda fucked up. You get more ADAM if you harvest them, but I choose to save them because 1. It feels nicer and 2. Whether you save or harvest them determines your ending

Anyways the point of the game is to fight your way through Rapture to get to Andrew Ryan, the city’s founder, and off him. You’re guided through a radio by a man named Atlas, and along the way you’ll hear bits and pieces about a man called Fontaine (I can’t remember his first name rn lmao but they usually just call him Fontaine anyway) there are other characters of course but yeah

Now, the game came out in 2008, and takes place in the 1960’s so. There are some questionable things but I feel like a lot of it is meant to be seen as a bad thing, not glorifying it. Also I don’t recommend this game to anyone who doesn’t like needles, as there are A LOT, and the only way to get more EVE in your body is via injection which is shown, every single time.

OH also, the game has a hacking feature. You can hack security cameras and turrets to attack your enemies, you just have to solve this like puzzle mini game. I fucking. Love. The puzzles. I’m proud of my speed on some of em lmao. Unfortunately they took this feature away in the next two games. Also throughout the game you can pickup video diaries from various people, which gives you more info on the story and the way Rapture was Before.

I just really fucking love this game. I can’t even fully explain why I just DO. The last time I played, I beat it in one sitting, and when I was done I just started sobbing and hyperventilating because I was so overwhelmed by how happy it makes me. The setting is beautiful, being underwater, Rapture has this very Art Deco aesthetic, it’s so lovely. It’s genuinely one of my all time favorite games, and I didn’t even cover everything here to avoid going into spoilers for anyone who’s actually interested in playing/watching a playthrough. Thank you for letting me scream. I’m feral. This game makes me need to scream from excitement

[grimelords]

So since the last time I posted one of these the entire world has changed dramatically and hopefully 4 hours of music will tide you over in quarantine for a bit longer. Strangely I’ve been busier than ever, and what started as a personal challenge to listen to a new album every day in February turned into me listening to 116 new albums in March and 124 in April. I’ve got a stacked google doc full of star ratings and dates now and it’s really been a lot of fun, I highly recommend trying it yourself. This is my March playlist, because I accidentally took a month off, and I’m thinking of either switching these playlists to weekly to make them a little more digestible or just dropping them whenever. Who knows. Let me know what you think and drop album recommendations in the comments please.

Listen here: https://open.spotify.com/playlist/0k1JjT8fXcUFO6VpM3kaez?si=gWSv88vdShKSnHhLJ_80pQ

If you’d like to receive these playlists in a more digestible email format, please subscribe to my tinyletter here: http://tinyletter.com/grimelords

On A Slow Boat To China - Bing Crosby & Peggy Lee: Ok first off it’s amazing this song isn’t more racist. I don't remember now how or why I came across this. I think I was just thinking about crooners and how as a genre it's now existed in common popularity as a nostalgic idyll of a mytholigised past far longer than it was ever actually popular which is interesting. The origin of this song, according to wikipedia, is also one of the most 40s ideas I've ever read: "I'd like to get you on a slow boat to China" was a well-known phrase among poker players, referring to a person who lost steadily and handsomely. The idea being that a "slow boat to China" was the longest trip one could imagine. Loesser moved the phrase to a more romantic setting, yet it eventually entered general parlance to mean anything that takes an extremely long time".

Fight Night - Migos: I saw that Offset had some new show on Quibi the extremely fake sounding streaming service and I thought "how did Migos get so world conqueringly large that they get to make 10 minute shows nobody will watch for a $2 billion venture capital funded app that will never make any money?" They seem to have this massive reputation without having much to back it up. The last thing I remember everyone talking about was how Culure II was two hours long in order to game streaming numbers and was simply not good. They seemed to have sort of settled into making background music for scrolling instagram. But then I remembered Fight Night and I thought: "oh wait, that's right, Migos are fucking great". Where their other big hits like Bad And Boujee and Walk It Talk It have this sort of laid back vibe where they've comfortably nailed the formula and relax onto it, Fight Night commands your attention. StackboyTwan killed the beat - it has this propulsive momentum where it feels like it's constantly ramping up, moving up from the sidesick and bassline in the verse, up to the claps on the beat, and the big gang chants on the offbeat once the full instrumentation kicks in - then it just goes around and around and around with the constant bassline the whole tim. It's a perfect all-rise production because it never actually explodes, it's all building tension held down by an unchanging bassline.

Do It Puritan! - El Hombre Trajeado & Sue Tompkins: I am extremely delighted to announce that Sue Tompkins of one of my all time favourite single album bands Life Without Buildings has broken a nearly 20 year musical hiatus to appear on this song by El Hombre Trajeado. It is so nice to hear how her voice has changed and her approach has stayed the same. Her style is so unique and so good and I don't think I'll ever get tired of it.

5 8 6 - New Order: Before 'the incident' I had tickets to see New Order at the end of March and so I embarked on a big listen through of their discography, which has now unfortunately made it feel even worse that live music is cancelled indefinitely.

Oom Sha La La - Haley Heynderickx: First of all I love songs where they talking about how they're writing a song halfway through. And I love songs that seem like a pretty normal singer songwriter indie thing where someone just starts screaming near the end. I love this song. A great staring at the wall and absolutely losing your mind because you haven't done anything with your whole life anthem.

Elektrobank - The Chemical Brothers: Can you believe I've never listening to a full Chemical Brothers album before this month? Can you believe big beat ever went our of style? It feels insane that we ever swapped this sort of energy for the beige algorithm of EDM. I think there's a real triumph in this album, and in this track especially of replicating the live feeling in studio. Giving it this much space to grow and change and get very hairy near the end is amazing, it feels like it was just recorded live.

My Mind's A Ship (That's Going Down) - Katie Pruitt: It feels very rare to me that this sort of extremely smooth Nashville prduction actually makes a song better. It has a habit of strangling the life out of a song and making it blend into a boring paste of soundalikes, but with Katie Pruitt it works amazingly. Her songwriting is so distinct and clear and her voice, especially near the end where it punches hole in the sky, is so strong and so her own that it doesn't need anything else.

Water - Ohmme: "What if Tegan And Sara were a noise band instead?" is a question I didn't know I needed an answer to. I love any band that has the guts to write songs like this that sound like pop from an alternate history, so off kilter and odd and noisy but with this undeniable pop heart that the duo vocals make sound like schoolyard clapping chants remixed by Lightning Bolt.

Lions, Tigers and Bears - SLIFT: A friend put me on to Slift and described them as French King Gizz and really, I'm inclined to agree. This is the traditional long last song at the end of their new album, and as usual I am advocating that every song should be the long last song at the end of the album. I love this style of jam where everyone else goes to space but the rhythm section just digs in and works hard as fuck for ten minutes. Then the whole last 3 minutes of the song are just fat drone riffs. This song's got everything.

The Pines - 070 Shake: This 070 Shake album is unbeleivably good and it warms my heart to see the dark energy of The Pines live on through another century in yet another permutation. I have more to say about it later in the Jackson C Frank version coming up but it feels like this 070 Shake album kind of came and went but I implore you to listen, it’s an aoty contender for sure.

Standing On The Verge Of Getting It On - Funkadelic: If you can stop thinking about the intro, which I certainly can’t (Hey lady won’t you be my dog and I’ll be your tree and you can pee on me.) there is so much goodness in this song. For a while now I’ve been thinking about how, for lack of a better word, ‘positive’ music is consistently underrated in the critical canon. Dance music, disco and funk especially are derided as empty sugar music, while every cookie cutter metal band absolutely demands to be taken seriously. In dance music this manifests as genres like tech house sucking all the fun and individuality out of music until it’s just an endless parade of producers working to a schematic of the barest essentials. It feels like you can’t have fun and be taken seriously at the same time, which feels like an obvious contradiction but shouldn’t be!

Spoils - Dry Cleaning: Dry Cleaning are my Lock Of The Month Band To Watch In The Future Because They’re Gonna Go Off. They have such a great sound and I’m desperate for an album because I just need more. This song absolutely knocked me down when I first heard it. I love any band where it sounds like the singer has just wandered in while the rest of them were rehearsing. There’s a very good talking-songs movement happening in the UK right now between these guys, Do Nothing and Fontaines D.C and i’m excited to see where it progresses. I might put together a playlist a little later to show you what I mean.

As - Stevie Wonder: I finally listened to Songs In The Key Of Life this month, which is an experience I would recommend to everyone. This shit goes for 21 songs over 105 minutes and absolute bangs the whole way. The original release of this album was a double LP plus a 7", which is yet another reason I am grateful for streaming that I don't have to buy a damn box set to hear this thing.

Sleep Now In The Fire - Rage Against The Machine: I am working on a very niche playlist called Songs Where The Guitar Amp Accidentally Picks Up A Nearby Radio Station For A Couple Of Seconds and it's only 3 songs so far. A Man A Plan A Canal Panama by The Fall Of Troy, Melody 4 by Tera Melos and Sleep Now In The Fire by Rage Against The Machine. In every single one of those songs it feels like a critical component even though it's just an accident that's been left in because it sounds good. Here it's the perfect ending as the rage dies down and the commercial world fades back in. Anyway, my other question about this song is about the great Michael Moore directed video where they famously shut down Wall Street for an afternoon. There's a shot of a guy for a second holding a sign that says Donald Trump For President in 1999. Which is odd but not out of the question, he's been famous for a long time and there's always been freaks. My question is why the fuck did he have that sign that day? Was he amongst the Rage Against The Machine Fans that showed up? A counter protestor? Was he, perhaps most chillingly of all, just walking idly around Wall Street with his Donald Trump For President sign like usual and stumbled upon this whole hoo-haa accidentally?

Applause (Purity Ring Remix) - Lady Gaga: Did you fucking know that Purity Ring did a remix of Applause? If there’s something I’d love to know more about and it’s Purity Ring’s forays into pop production. After their first album they did some production for rappers like Danny Brown in the great track 25 Bucks, which is a good fit really - their sound is witch house with the tempo pushed back up, witch house of course just being chopped and screwed reinvented by tumblr users. So it’s a natural fit to take that new perspective back into the world of hip hop. They also did this fantastic remix of Applause after their first album. Then, after their second album they produced 3 songs for Katy Perry’s Witness album, and one Katy Perry song for a Final Fantasy mobile game soundtrack (?) and feel like the long silence and delay between their second and third albums is because of more behind the scenes pop production work - but if that’s true, where is it? Is it, as I suspect, part of my own personal Pepe Silvia, Katy Perry’s scrapped 2019 album that has vanished into thin air? Or is it part of Chromatica? I think Purity Ring have solidified an interesting place in pop, paving the way for Billie Eilish and Kim Petras’ dark anti-pop and so i’m excited to see where they go after this new album now that they’re the architects of the new wave.

React/Revolt - Drahla: The smartest thing you can do is add a saxophone to your band. The whole first half of this song could go for 20 minutes of growling screaming saxophone post-punk and I wouldn't mind. Then when the second half of the song kicks in it's fantastic in the way this whole Drahla album is: it's tight and sprawling post-punk at the same time with a complicated structure that seems to just pile onto itself instead of ever circling back.

And I Was Like - Porridge Radio: I'm seemingly having a real thing this month for songs that open with a bizzare acapella chant. Between this and the Funkadelic one it's a genre I'm very interested in hearing more of. Isaac Newton was a virgin and it's important to recognise that. The thing I love about this song is how it's in 3 distinc sections: Isaac Newton was a virgin, she's a birthday girl in a birthday world, and mum no please it's grunge, and they all feel like the concentrated energy of a 14 year old's thoughts. She sounds like she's almost crying when she sings 'she's a birthday girl in a birthday world'. The concentrated confusing teenaged energy of this song is just overwhelming.

Dirty Mattresses - Mama's Broke: So much of contemporary 'traditional folk' either exists as pure nostalgia music or as music that's trying too hard to be 'authentic' and evoke a mythology of a bygone time, but Mama's Broke manage to make it feel new and modern but honest and  authentic at the same time. The super close harmonies and modern approach remind me of House And Land who I also love, but the songwriting is in another class entirely.

Building A House - CHOPCHOP: I don't know if you've ever seen Bad Boy Bubby but CHOPCHOP feels a little like the band that he ends up joining at the end. A musical ensemble built to enable the will of a very strange man. I think the band is from the UK and I'm not sure where the singer is from, but he has this incredible deeply accented voice that brings such a gravity to everything he sings in the way that anyone speaking english as a second language accidentally brings new weight to common turns of phrase.

Universal Soldier - Jay Electronica: It feels fitting, looking back, that Jay Electronica finally released his album right before the world ended. It was literally now or never. Some how Jay-Z is the breakout star of this album for me. He's got some of his best verses in years on here and he's a great opposition to Electronica's flow when they trade verses. I would also, as an aside, like to know the origin of the kids cheering sample throughout this, because it's the same one from AM//Radio by Earl Sweatshirt and Wish You Were Gay by Billie Eilish. So what's that about.

Sticky Hulks - Thee Oh Sees: I've been very slowly getting into Oh Sees and I love them a lot so far. Their unweildy, huge discography spread across a lot of variations of the same name makes digging into them very rewarding as well. There's a great line on their wiki detailing all the times they've changed their name that goes: Orinoka Crash Suite (1997–2003), OCS (2003–2005, 2017), Orange County Sound (2005), The Ohsees (2006), The Oh Sees (2006–2008), Thee Oh Sees (2008–2017), Oh Sees (2017–2019) Osees (2019) to give you some idea of what we're working with here. Basically it's just everything you could want from a pychedelic band like this: a history and discography as shaggy as the songs themselves.

Knife On The Platter - BODEGA: In reading about Bodega I learned that they don't have a drummer in the traditional sense. They have someone credited as a 'stand up percussionist', and in listening back I realised that's they key to the groove in their music. He's not playing a kit he's just slamming at a tom and a snare on a rack, while one of the singers plays hi-hat here and there. So all the drumming has this barebones caveman feel to it and I absolutely love it. The band feels a lot like The Fashion, and that whole mid-2000s dance-punk movement that I've been desparate to come back so naturally I love it a lot.

Against Gravity - Horse Lords: Horse Lords are one of the most incredible bands I've heard in a long time. Somewhere between a more analogue Battles and Laddio Bolocko, they make a kind of churning math-jazz that sounds like huge intersecting squares of rhythm slowly overlapping. It feels like there's an infinite depth in these songs, you can listen and focus on a single instrument and see it shifting in and out of place with everyone else, before you lose it again and it retreats back into the swirling mass.

Plain To See Plainsman - Colter Wall: I've been listening to this Colter Wall album a lot, and it's really beginning to rank among my all time favourites. I grew up around the flattest place in the southern hemisphere, so I love the plains and it's very nice to have a cowboy song I can relate to like that.

The Nail - Sarah Shook & The Disarmers: Sarah Shook has so much character in her voice I completely love it. She is also a fantastic songwriter that manages to make outlaw country punk that sounds authentic and doesn't have the rockabilly posturing that a lot of the genre suffers from.

Inner Reaches 慾望的暗角二 - Gong Gong Gong 工工工: The best thing about Gong Gong Gong is you can listen to this whole song before you realise they don't have a drummer. They're a guitar and bass duo that play and sing with such a layered rhythmic intensity between the two of them that they really don't need one. A drummer would just clutter the space already taken up by their ferocious rhythm.

Country Pie - Bob Dylan: I'm a big fan of Bob Dylan's dumb songs. He has a lot where if it's the first song you ever heard from him you would be mad at whoever told you he was the greatest songwriter to ever live for trying to trick you like this. What I especially love about this song is how abruptly it ends, like dad just came home and everyone panicked cause they're know they're not supposed to be staying up that late.

You Did It Yourself - Arthur Russell: It seems hard to believe that I've only just found out about Arthur Russel. He seems to be a mainstay of Music Guy lists and somehow I've only heard of him this month. I've been obsessing over the Iowa Dream album, which is a compilation of a lot of different (mostly extremely high quality) demos from the late 70s to mid 80s and what really shines through other than the singular strength of his songwriting is how readily and easily he bends from country style folk to romantic piano ballads, to groovy post-punk like this. What I love so much about this song is it's a great lesson in songwriting: sometimes a song can just be a vague review of a middling movie and still have emotional resonance. Incredible. There's a great NPR article about Arthur Russel and the process of assembling half-takes and demos into complete recordings that you should read if you're interested. https://www.npr.org/2019/11/20/779721417/which-arthur-russell-are-we-getting-on-iowa-dream

The Dogs Outside Are Barking - Arthur Russell: I love this song because it's such a perfect distillation of a teenaged moment: trying to find a moment alone with someone when you have no freedom at all to create one. The song cycles through potential situations but leaves the problem unresolved, existing in the moment of nervous romantic tension preceding an unasked question and it's just beautiful.

Men For Miles - Ought: I love the vocal melody in the verse here so much. Spiking up unnaturally at the end of the lines like a nervous and strange version of The Strokes. Even the way he cramps his words in in the chorus is so good, switching registers randomly like he's impersonating someone else.

Mister Soweto - Lizzy Mercier Descloux: https://pitchfork.com/features/from-the-pitchfork-review/9828-lizzy-mercier-descloux-behind-the-muse/ Pitchfork has a great article about Lizzy Mercier Descloux detailing how she is continually undervalued and underappreciated. I found her though my Discover Weekly and became immediately obsessed with this album - a perfect mix of off-kilter 80s bass and brass that is so colourful and seems to move in a million directions at once like the songs can't even catch up with themselves sometimes. I'm excited to dig into her discography more and try to understand her more because she has a truly unique approach that I can't get enough of.

Sweden - Marilyn Crispell: I've been looking for a while for other pianists of Cecil Taylor's calibre, rare type that it is and I am so glad to have finally found out about Marilyn Crispell. She plays free jazz like Taylor, but in much less percussive and disonnant style. There's a New York Times quote that seems to follow her that says "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz." and it's really very apt. She will move with seemingly no warning at all from mediative, colourful stokes to a mad descent unto uncertainty and beyond, then back again without a moments hesitation. Her music moves like a dream, linking a stream of unlinked images with an ease that only seems incongruous on reflection.

Twins - Gem Club: I have loved this song for a very long time and I come back to it over and over and appreciate it anew. What I appreciate about on listening to it this time is the strangeness of it's structure, following up the verse with an instrumental break, and then a long instrumental intro to the chorus gives it so much space to spread out and breathe, giving the beautiful gravity of the song even more weight. Then after the chorus it moves straight to a bridge and then the intro and first verse again. It's a fantastic song that makes it's small parts so large, where another songwriter or another producer would pare them down.

Grand Central - Paul Cauthen: Something I've learned in listening to a lot of cowboy music is that the number one thing that cowboys hate and fear is getting hanged. They hate it worse than cats hate getting sprayed with water. I found out about Paul Cauthen combing through Colter Wall's similar artists looking for more of this brand of new old fashioned country and I really found it here. Paul Cauthen comes from four generations of preachers and left the church to pursue country music instead, which feels like an extremely old fashioned position to be in here in 2020 but I guess lots of people in Texas still live like that, and thank god they do or we wouldn't have Paul Cauthen's big mournful Elvis voice to sing us songs about the railway.

Serafina - BAMBARA: I love this sort of spoken word leather jacket rock and roll. It's so extremely Cool in an old fashioned way. Like a more rock and roll version of Enablers.

So 4 Real - The Hecks: I love love love this song that sounds like a sped up Prince demo. The strange thinness of the mix and the way the vocals are buried just makes it sound so strange and great, like it was put together on some ancient 4 track recorder that can't handle the pure energy of the song.

In The Pines (Version 2) - Jackson C. Frank: There's a very good 3 hour compilation of Jackson C. Frank recordings that came out a few years called Remastered And Unreleased that I listened through the other day. It's just magnificent. This version of In The Pines is one of my favourite I've ever heard, the mournful vocals coupled with his churning rhythm guitar really brings out the darkness of it in a way I've never heard.

(Tumble) In The Wind (Version 1) - Jackson C. Frank: Another favourite from this compilation that is slightly hard to listen to. I don't know if there's a date on it but I'd guess this was recorded near the end of his life. It is so beautiful, but you can hear in his voice and breathing that he's unwell. In Horseshoe Crabs by Hopalong she sings a story from his perspective this song really seems to fit in the second half of that. "Woke from the dream and I was old / Staring at the ass crack of dawn / Walked these streets up and down / Looking for Paul Simon / All I found was myself, lost in time / I tried singing my songs / But I lost my mind"

Sludge - Squid: I'm thinking of putting together a playlist of all the great Black Midi-adjacent bands I've found out about recently and Squid is at the top of the list. This new breed of art-punk is so fantastic and goes in a million different directions. I'm just so excited it exists.

Straight Shot - Quelle Chris: I love this song and Guns is a phenomenal album but there’s one thing bothering me. The ‘who are you, what are you’ part at the end sounds so incredibly familiar to me and I can’t figure out why. As far as I can tell it’s not a sample, but googling reveals that the english voice on it is fucking James Acaster the standup comedian. So what’s going on? Quelle Chris himself is less than helpful: “Straight Shot is one of those ideas that reached out to me, we got along and I simply showed it around town. The chorus, poem at the end and basic piano progression literally came to me in two separate dreams”. Who knows. Great song though.

Levitation - Dua Lipa: What I really like about this song is that she says sugarboo. This whole album bangs and Dua is really reaping the benefits of being the only pop star with the guts to release an album while everyone’s in lockdown I also have a half-baked theory about the way this song is almost interpolating Blame It On The Boogie in the ‘moonlight, starlight’ part as a sort of aggressive takeover of Michael Jackson’s cancelled legacy. Which is smart really. The same way Taylor Swift is re-recording her albums, let’s just get The Weeknd in the studio for a couple of days and give the world back it’s bangers.

Another Crashed Car - Nine Inch Nails: I am so glad Trent Reznor put out another two volumes of Ghosts. Ghosts I-IV from 2008 seems to have been the bridge from his Nine Inch Nails work to his film score work, and now that he’s had such success with that it’s nice to hear him writing in this style without telling anyone else’s story again. It’s also interesting for him to go back to this project now that Ghosts I-IV has paid dividends in the form of the sample at the centre of Old Town Road but that’s neither here nor there. It’s hard to pick and individual track from these, because they work so effectively as long form albums and not individual tracks, but I chose this one because I put the album on as background ambient while I was doing some boring data entry at work and this track is the point at which I realised I was going out of my mind with stress from doing the simplest tasks because of Trent’s Damned Chords.

Lilacs - Waxahatchee: This is a perfect song. It makes me want to like, draw charts about it and go through it bar by bar to figure out how she did it. It’s perfectly put together. It feels like she uses every trick in the book and it just comes together flawlessly in 3 minutes. Amazing.

Cool Water - Hank Williams: I decided to properly listen to Hank Williams because his shadow stretches over so much of country music, and while a lot of his music really alienated or bored me, and a lot of his songs feel like they would read as novelty songs today (like Hey Good Looking), this is the song that made me understand why he’s so revered.

In My Bones (feat. Kimbra and Tank And The Bangas) - Jacob Collier: Jacob Collier generally irks me. He makes brain music for redditors that lose their mind when someone shows them chord inversions or odd time signatures. Youtubers whose whole personality is ‘y’all heard Giant Steps?’ But he killed it on this song. It’s great despite him. There’s still a lot of corniness to work through, mostly in the big yuck funky lyrics, but structurally it’s a kaleidoscope and a big chunk of its success I’m putting down to Kimbra and Tank who understand that performance is a bigger part of a song than composition in a way Collier maybe doesn’t yet. He can overload the bassline and stop-start the rhythms as much as he likes but without actual personalities driving it it’ll just sound like a Peter Gabriel midi played at 200%.

Earthquake - Graham Central Station: I learned something wonderful in researching this band. The leader, Larry Graham, who was in Sly And The Family Stone is credited with inventing slap bass. He himself refers to the technique as "thumpin' and pluckin' ".

Quand Les Larmes D’un Ange Font Danser La Neige - Melody’s Echo Chamber: Once again furious that I’ve known of Melody’s Echo Chamber for years but never listened to them until now. I have been missing out. This is a perfect sprawling psychedelic jam punctuated with a bizzare cut-up recording about shitting yourself when you die and being declared brain dead in the vatican. It’s got everything. I had to look up who the drummer was on this song because he’s just nailing it, and it turns out it’s Johan Holmegaard from Dungen which is really a perfect fit.

Murder Most Foul - Bob Dylan: I was thinking the other day about how Bob Dylan is doing in quarantine. The man who hasn’t stopped moving his whole life and who’s been on a never ending tour  since the 70s is now, I assume, just pacing a hole in a hotel carpet somewhere and jabbering to himself. The strangest part of Bob dropping this 17 minute song about JFK out of nowhere is that he hasn’t put out any original music since 2012. So a gigantic song like this is an even bigger surprise. I, already a huge fan of gigantic songs and Bob Dylan, unsurprisingly love it. I love the slow stirring of the instrumentation, like he hired Dirty Three as a backing band and I love that nearly the entire second half is just listing good songs that he knows. It’s a remarkable song and unlike anything i’ve heard before from Dylan or anyone else. It’s interesting to hear Bob Dylan step into being the great chronicler of the 60s like he’s been told he already was his entire life almost 50 years later, finally accepting the fate foisted on him. The other thing I love about this song is the line when he for some reason praises Lee Harvey Oswald’s shooting “Greatest magic trick ever under the sun / Perfectly executed, skillfully done”

https://open.spotify.com/playlist/0k1JjT8fXcUFO6VpM3kaez?si=gWSv88vdShKSnHhLJ_80pQ

[starkeaton]

the adventure zone: graduation character list

Well, i accidentally deleted the original graduation character list post, so here i am making another one. Oops. And as always, if anyone has important details i should add then feel free to suggest them!

Here are all the characters introduced in episodes 1-25. Named characters only!

Also i can’t hide spoilers! So, um..... I can’t put spoilers on this one. If you need the version with spoilers try this version of the post that i made on the adventure zone subreddit but youre not missing out on much.

# -EPISODE 1- (19 characters)

Hieronymous Wiggenstaff (he/him): Head of the Hero/Villain school. at least 400 years old. wears shining blue armor with gold accents. also an elf. according to Tomas, he led the charge at the "battle of blood valley", brought the Kingdoms of Rickart and Dawnbreak to a peace treaty, and founded the school. a little boastful, a little prideful, [SPOILERS OMITTED], and overall a pretty good dude.

Higglemas Wiggenstaff (he/him): Head of the Sidekick/Henchperson annex, cranky old elf. has a dog named hero who shows no signs of anything strange at all, ever. 

Gary (he/him): friendly room gargoyle. pseudo-hivemind.

Groundsy (he/him): the groundskeeper. a pretty nice fellow. don't go in his shed.

Hernandez (he/him): beautiful centaur professor of animal handling.

Jimson (he/him): human battlegrounds trainer for sidekicks/henchpeople, world famous featherweight champion, wields a staff. married to crushman.

Crushman (he/him): silver dragonborn with a sickle, and self-described beefy boy! heavyweight blood champion married to jimson. never lost a match for 8 years. full name Frostus Crushman.

Rolandus Fontaine (he/him): former prince, son of deposed king, kind of an asshole, maybe. wears a cape (important detail)

Zana (she/her): "terrifying" tiefling villain sorcerer, friend of rolandus. barkept the test tavern in ep2

Rhodes (she/her): hero ranger, friend of rolandus.

Buckminster Eden (he/him): hero guy. son of "The Iron Lord". their dad is stronger than rolandus's dad. his wiki page says rogue so i think hes a rogue? i never caught that and ive listened more times than i wish i did

Leon (he/him): softspoken buff, bald "fighter" (although i dont remember any clarification on how exactly he fights), sidekick of buckminster, around 28. anyone else keep forgetting he's bald? i keep forgetting it. >!gets sorta-drafted into becoming a falcon for higglemas and so far hasn't done much else.!<

Rainer Michelle (she/her): cheerful villainous necromancer with a floating chair. also, her name is pronounced "rainier" despite not being confirmed as such? travis ships her with fitzroy.

Tomas (he/him): human man with "kind eyes" and a good (psychic???) memory. guidance counselor.

Stewart LeBoeuf (he/him): brawny human man. serves food. there is no joke here, i promise

Mulligan (he/him): teaches potions. mentioned but doesn't appear yet. and we're like 25 episodes in. maybe we'll see him someday

Germaine, Victoria, Rattles (he/him,she/her,???/???): Skeleton crew. They live in the training room i guess, and as a result can never die, because "no one dies in the training room!" (note: someone now HAS to die in the training room). also their races are never explicitly stated but i guess they're probably human? in episode 3 travis brings up something about how many bones are in "the human body" and at this point i think i'm looking too deep into this so i'll just forget about it and you probably should too.

# -EPISODE 2- (9 characters)

Riveau (he/him): halfling, blame-taking teacher.

Mimi (they/them): gnome sidekick who builds cool robot prosthetics

Bartholemus (he/him): owl aarakocra accountant teacher, known for being the best accountant in the land and having a face some might describe as "smoochable". very pro capitalist :’( hope he gets better

Ramos (she/her): goliath teacher of shieldwork. *

Dip (she/her): sidekick, half-orc twin of pip

Pip (she/her): hero, half-orc twin of dip

Festo (they/them): fairy with "beautiful gossamer wings", independent study teacher of magic, loves to party

Snippers (he/him?): Let me tell you my story about Snippers the magic crab. When Travis gave the list of animals that Griffin could choose as Fitzroy's familiar's current form, he listed crab near the start, and this gave me excitement. Now i knew that crab was pretty unlikely but god i hoped that he would choose it. When the list went on- Bat, Cat, Crab, Frog, Hawk, Lizard, Owl, Poisonous Snake, Fish, Rat, Raven, Seahorse, Spider or Weasel- I nearly lost hope. I was hoping so hard that Griffin would choose the crab, but i was ready to accept a non-crab familiar. It was just buried in that list. It wasn't the most useful animal and it was an obscure pick. And as Travis informed him that it didn't have to keep the form for the whole campaign, Griffin said those five words i wanted to hear so, so badly. "Well then it's a crab." Folks, I do not often react physically when something happens in media. But in that moment, i remember very clearly, i fist-pumped and yelled, "YES!!!!!!"

so anyway, Fitzroy has a crab.

Jackle (he/him): kenku teacher of sneakery. creepy dude. apparently knows something about argo? also his name is not spelled "jackal" for some reason. Also in later episodes theyve started calling him "The Jackle" for some reason??? *

# -EPISODE 3- (1 character)

Dakota (they/them): tavern instructor, clad in black/red leather. no race stated? probably human. *

# -EPISODE 4- (6 characters)

Gerry & Tom (she/her, he/him): shopkeepers at barns and nobles who seem to have very bad names. also constantly competing for customers? these guys got dropped faster than the heathcliff quests, which is honestly just sad.

Barb (she/her): the bartender. runs Springs Eternal in Last Hope. has a sweet seeing-eye hawk familiar. 

Jaryd Reginald (he/him): owner of Reginald Ore. Wants the workers to be held responsible for the damage caused by the xorn. (fun fact: originally i wrote down "Jerrod" because i wanted it to sound like a fantasy name, then realized it was probably "Jared" because theyre named after listeners, but i was pleased to find it confirmed that it's actually "Jaryd")

Candice (she/her): A Miner. thought those werent allowed in bars but, i guess not. Wants the mine owner to be held responsible for the xorn's damage.

Jade Johnson Esq. (she/her): lawyer.

# -EPISODE 5- (1 character)

Xorn: a big hungry gem eating guy from the plane of earth Low-Down Deep with 3 arms and 3 legs. why did travis just say "multi-armed" instead of specifying it was 3? who knows! Anyway it leaves

# -EPISODE 6- (3 characters)

Osric (he/him): the man, the myth, the bursar. finally shows up after being mentioned in episodes 2 and 4. he's an elf. 

breeze through the willows (she/her): Pegasus attacked by demons, lost her parents. introduced in ep1 but gets a name here so fuck it. also in ep>!16!< we find out shes a "white arabian pegasus" and i dont think thats a spoiler bc we shouldve really known it from the beginning

Sabor (he/him): Librarian/research teacher. also a TORTLE. Really good at recalling stuff, i guess. kinda reminds me of Tomas's memory thing but i'm sure that's just a coincidence... *

# -EPISODE 7- (1 character)

Mosh (he/him): The goliath blacksmith who welcomes argo into the unbroken chain. Also, and this is specific to the tumblr version of this post, all the characters with an * at the end of their descriptions are also members of the unbroken chain. if someone knows how to do spoilers on tumblr please tell me

# -EPISODE 8-

:)

# -EPISODE 9- (2 characters)

Eeiïäá#æ&éñn (pronounced like "Ian") (he/him?): an imp but without a shitty voice. also happens to not be violent. what a coincidence?

Terence (he/him): a chain devil with a real demonic name. minor boss of the imps. very convincing and very threatening. has the frightening ability to make you zone out during his fight

# -EPISODE 10- (2 characters)

Althea Song (she/her): elf with autumn-orange hair. representative from heroic oversight guild. i'd like to personally thank travis for spelling her name out.

Crabtree (she/her): Artificing teacher. Long gray hair with a long grey beard. no mentioned race, one might guess dwarf but that would be an assumption i suppose. also unbroken chain member, presumably the dwarf argo didn't recognize in episode 7.

# -EPISODE 11- (3 characters)

Marie (she/her): Grey-haired elf woman. She's the school's physician, i guess. Member of the unbroken chain.

Dendra Maplecourt (she/her): Fitzroy's mom. Has hot mint gum, i guess. She was mentioned earlier but i wasn't convinced she was a real person until this episode

Cool Gary (he/him): AYY ITS ME GARYR

# -EPISODE 12-

no new characters again!

# -EPISODE 13- (7 characters hhhyyyuu)

Kale (???/???): Head of the Placement Department, in charge of real world assignments. First mentioned in Ep4 but i missed that the last few times bc it is so brief. Gives exposition about missions i guess????? is that the only reason this chara cter exists

satyr thief (unnamed) (he/him): tries to rob thundermen, dies instantly

Ogre (he/him): teamed up with the satyr. his name is ogre.

Moon (he/him): A Sidekick. small pale sullen guy. no mentioned race. Why is there another FUCKING sidekick WE HAD ENOUGH hhhyuuuuuu

Deanna (she/her): A bigoted centaur with an obnoxious voice. Malwin the Strong's second in command.

Malwin the Strong (she/her): Leader of the centaurs of the scarlet woods. Wants to appease the spirit of the scarlet woods so that thecentaurs of the scarlet woods will be protected in the scarlet woods. Had a relationship with Arturas in the past but their clashes are currently known to get pretty heated.

Arturas (he/him): Leader of the Centaurs of the Valley, i guess. Had a relationship with Malwin. Centaur. Did i mention centaur? i cant think of anything else about this character

# -EPISODE 14- (2 characters)

Calhain (he/him): Human wizard, Malwin's magical advisor. Kind of an amateur wizard in a job high above his skill level. Graduated Wigginstaff's as a hero.

Spirit of the Scarlet Woods: A spirit who requires sacrifice in order to keep Malwin's herd safe and prosperous. Not keen on dubiously canonical combos, i guess. i wouldnt be either. also apparently the sacrifice depends on personal value, not how much value it has to the spirit.

# -EPISODE 15- (2 characters)

Sylvia Nite (she/her): Fitzroy's magic theory teacher at knight night school, who he turned into a catfish by accident. oops!

Chaos (they/them, maybe more): Presumably a deity, gave Fitz his powers and wants him to give in to his chaotic desires. (physical desc: 9 foot tall, iridescent 'mother of pearl' skin, pure white eyes, fine burgundy cloak with gold/onyx lining. their physical form beyond that seems to change every time they show up.)

# -EPISODE 16-

none -w-

# -EPISODE 17-

some demins happened. the big dudes are called "Pit Fiends" and the armored demon ladies are called "Erinyes", by the way. that was incredibly hard for me to figure out the first time, especially without headphones, i thought travis was saying "pig feet" and i just could not discern what the other things were

# -EPISODE 18- (6 characters)

snow on the mountain: shire horse pegasus

storm at sea: peruvian paso pegasus, vehement defender of The Guardian. doesn't have a goofy voice.. but he could have....

thaw of the spring: a winged horse

night of no clouds: a winged hhorse

The Guardian: "An ancient and powerful being that guards the unknown forest." Has protected the flock from demons for many many years. apparently is the voice that was talking to our firbolg in episode 1?

Grey, the Demon Prince (he/him): wants to cause a war, originally wanted to kill hiero and higgs, forces the heroes to build an army to fight his. As "Fauxronimous", he has skin the *color and pattern of* (but not necessarily made of) slate splashed with liquid, pointed ears, sharp teeth, shining eyes, horns of unspecified shape. 12 fucking feet tall. wonder if the slate-looking skin is related to garys. plot twist detected? Also i recently looked at the episode descriptions and found out his name is spelled "Gray", but really does it truly matter?

# -EPISODE 19- (2 characters)

Shabree Keene (she/her): Argo's mom, killed on the Mariah, possibly by the Commodore. Long auburn hair, green eyes. Mentioned earlier but described here, so fuck it.

**Thomas** (he/him): Argo's first mate on the Mariah, as the Kraken, in his chaos-dream. may or may not actually exist.

# -EPISODE 20- (1 character)

The Commodore (he/him): Reknowned hero of the seas, military regalia, great naval hero, presumably responsible for the death of Shabree Keene. No mentioned race. Seriously, they never mention this guy's race. The only thing described about him is how he's dressed and his evil smile. Does that mean he's human? Elf? Dwarf??? Who knows! maybe it just doesnt matter. 

# -EPISODE 21-

none

# -EPISODE 22-

not any of them. not any.

# -EPISODE 23- (1 character)

Ozymondelius (sp???) (it/its): A warforged teacher who just so happens to like war or something? i guess its in the name. only mentioned in this episode, doesnt show up yet.

# -EPISODE 24-

they have a fight in the training room but nobody dies :\\ maybe next time. also no new characters. pog

# -EPISODE 25- (4 characters)

Gherkin (he/him): Tall lankier skeleton, has a scimitar and a merkin, which is a pubic wig... and he wears a jerkin? which i guess is a kind of coat? also i think hes mute 

Tibia (she/her?) : Shorter skeleton with gold teeth, and long canines. i think both of the skeletons are mute actually.

The Lich King aka Gordy (he/him): Rainer's dad. Commands armies of the undead. lives in The Crypt. described as a hooded, skull-faced man with intricate black lines on his face, but changes to a shaved-head man with dark skin and vetiligo. Abandoned as a babby, raised by traveling parents, had necromancy powers, took Rainier in. Not actually very scary at all i don't know why he did the creepy laugh. Kind of a warm fatherly figure actually. hm. also people are speculating Gordy might be short for Gordita and his parents are maybe supposed to be lup and barry but THAT S JUST A THEORY.

our firbolg's father (he/him): A firbolg who lived by the code and was there when our firbolg was banished. Came to respect our firbolg's interest in a new way of life, in his final moments.

TOTAL: 72 NPCS! (well, including 2 extra PCs, i guess.)

Average: 2.88 NPCs per episode.

i was gonna not include the bone-PCs and have it be 69 but our firbolg's dad was just too important to not respect with a spot on the list.

anyway as always make sure to smack me with a blunt object if i forgot any characters!!!!!

[sftswigan]

Manchester gutter punks, The Battery Farm, talk to us about horrific crime inspiring a song and how they just had to form this band...

We’ve got frontman/guitarist Ben from the band.

Alright Ben, can you tell us about the band. Who plays what and how the band got together?

Hallo! We are The Battery Farm, four gutter bastards from Manchester playing gnarly, seething punk rock music.

Ben Corry on Vocals and Guitar, Dominic Corry on Guitar, Paul Worrall on Bass, Sam Parkinson on Drums. Me and Dom formed this band from the ashes of a band we'd previously been in together for 8 years. At the point we formed The Battery Farm we were in a low place, feeling like failures, feeling defeated by this thing that we'd built for years just imploding, feeling angry and scared and hopeless at the utter state of the world. We basically decided to do this in the pub one night when we felt like we had absolutely nothing to lose. It was formed as a desperate reaction to two lives and minds spiralling out of control in a hostile, hateful world.

That must have been tough but, seems like it’s worked out well and the band from what I can tell is going from strength to strength. How soon did you find the remaining members, Paul and Sam? What have they brought to the band?

It has actually. Helpfully, it was a fertile environment from which to create. The first wave of songs - stuff like I Am a Man - are the purest distillation of that sense of lashing out, that sense of desperation we were feeling at the time.

We found Paul pretty much straight away. I'd known him for years through Manchester's Fringe theatre scene, having been in a couple of plays with him. He'd come to see me in a play, I knew he was a musician as well as an actor (although I don't think I'd grasped just how good he is), so I asked if he fancied playing bass for our new band. Sam we actually didn't know before the band, and it took a little longer to get him in. He works for the same company i do and I'd heard he was a drummer, so I got his contact details, asked him if he fancied coming for a rehearsal with us. It all clicked, and the rest is history.

Paul and Sam bring a massive amount to the band. They lift the songs me and Dom write and add a very particular combination of power and melody which you'll be hard pressed to come by very often. They're fucking ace and they know what is good for the song. No ego, no fucking about. They know what's important.

Sounds like you needed that new band to form quickly and to find drummer and bassist when you did you was very fortunate. I watched an interview of you and Dom recently and you talked about inspiration for songwriting and I was interested in where 97/91 came from. When it comes to writing where do you first look to for ideas?

Yeah we did, finding a drummer was comparitively difficult and I think if we'd have really struggled then we honestly would have just given up on it. 97/91 came about after I read an article about the murder of Suzanne Capper in Moston, north Manchester, which is where me and Dom grew up. I'm not going to go into details but if you look it up you'll see that it's the most horrific thing you've ever read. It stuck with me for weeks afterwards, and part of that was because I knew the streets where it had taken place and the community in which it had taken place. The houses it happened in - numbers 97 and 91 - are still there to this day. I got to thinking about why I reacted so viscerally to that story in particular; atrocities happen every day and we don't bat an eyelid, not really. It had such an impact because I was so familiar with the setting, so familiar with the type of person involved. It was too real. 97/91 explores the idea that we make a trade-off in our lives, one which enables cognitive dissonance that shields us from the impact the mass, relentless violence of the world. It also means that when something evil happens in a familiar setting the impact is much greater.

How can it only be real when you can see it? 97/91 isn't necessarily about the Capper murder itself, but the murder is a jumping off point to explore the faustian pact at the heart of the human condition, the one that keeps us sane but also ebbs away at our souls.

Our ideas just literally come from trying to explain our perspective on the world, we don't necessarily make a conscious effort to look in one place for ideas. We just write about whatever moves us. That can be mental illness, corrupt political systems, or the fact that I've never been to Gorton, which is literally the title of one of our new songs.

I find reading about crime stories really interesting, it’s madness what goes on in this world! This is one I’m not aware of but this must have been difficult to write about with it being so close to home? I love the anger and aggression in your music and lyrics.

You mentioned being an actor earlier, do you think this has an influence on your performance as a front man?

Yeah I went through a short phase of listening to true crime podcasts earlier this year but i had to stop bec it was all too grim. It was difficult to explore the ideas that particular incident led me onto but the endgame wasn't to just write about the murder itself, so I suppose keeping that in mind kept my head clear and made things easier.

Honestly, i try to keep any ideas of acting and theatre separate from the band. The actor thing can be frustrating at times because people conflate that with what I do in the band and think that everything must be a performance of some kind, which it isn't. The whole idea of putting The Battery Farm together was that it could give us an outlet to express ourselves honestly, and to me the stuff I do as a frontman is just an honest reaction to what I'm singing and what it makes me feel. I try not to overthink that aspect of it because I feel like to do so would water it down. It needs to be raw, it needs to be stark, it needs to be reality. If it's an actor's performance I'm not really getting anything out of it.

It’s amazing how reading/listening to one can lead on to another one. But yeah hard to shake off once you’ve learned about them.

You’re performance on stage seems very honest and I love to see in a frontman.

Moving on to the music scene...Manchester in particular is buzzing at the minute. Did the band find it easy to slot in? What’s been your favourite gig up to now?

We did actually. We knew a couple of people anyway from being in previous bands but until now I'd always found the Manchester scene a little unfriendly. It's totally different now. Not only is it overflowing with incredible, original, exciting new bands but it's also full of amazing people, and in the year we've been gigging we've made some wonderful friends. There's a proper sense of inclusivity and community, a lack of ego and aloofness that wasn't there before.

My favourite, and I think the others would agree with me, is our first headline set which was at The Peer Hat last November. It was an Abattoir Blues night and they're always amazing. The venue was packed to capacity and the atmosphere was electric. It was the kind of big, simmering sweatbox that seems impossible to imagine in the current climate. I want every gig we play to be like that one.

Yeah it’s great to see bands appreciating each other’s music and plugging their stuff on social media etc. I love going to Manchester for a gig. It’s a great time for guitar music in the UK at the minute with bands like Idles, Fontaines DC and Sports Team doing really well. And also The Blinders bringing album 2 out very soon!

That gig sounds like a great night!

When all this is over and we get some normality back...what are the bands plans?

Well, we're heading into the studio later this summer to begin work on... something. Beyond that it's hard to say because like everyone else we can't really make plans at the moment. Like everyone else we're pretty much having to make it up as we go along. We do have gigs booked for November and December but whether they'll happen or not remains up to fate. Everything going to plan, we may be in for an exciting end to the year. Maybe.

Gonna be very exciting for all bands and music once gigs/recording etc can happen again isn’t it.

Got so many new bands I want to see. Have you discovered any new bands during lockdown? If not, what have you been listening to?

Lockdown's actually been really fruitful in terms of new bands releasing amazing stuff. I've been listening to a lot of Tinfoils recently, they're a delight! Also been loving new stuff from Cold Water Swimmers, The Red Stains, Richard Carlson Band, The Maitlands, loads of stuff. I've also recently discovered John Shuttleworth, a comedy singer from Sheffield who does weird Phoenix Club-type songs about stuff like margerine and vans. I love stuff like that, real end of the pier nonsense.

I love Tinfoils and down to have them on here in Wigan but then lockdown came. The other bands I’m aware of too but not the solo artists you’ve mentioned.

Yeah Tinfoils are great. John Shuttleworth has been around for years i think. I can imagine he won't be to everyone's taste. Richard Carlson Band are actually named after the actor Richard Carlson, who was in The Creatire From the Black Lagoon. There is no Richard Carlson in that band! They're absolutely ace, they released their debut single a few weeks ago and I've had it on repeat.

I’ll be sure to listen to your recommendations, love finding new music to listen to.

We’re coming to the end of the interview now, I’ve just got a couple of questions. You’ll get two options, you pick one answer...

Winter or summer?

Sex Pistols or The Clash?

Roast dinner or Chinese?

Film or Book?

Winter

The Clash

Roast Dinner

Book

Thanks for having me! Hopefully see you soon

Thanks Ben for taking the time to chat to us. Hopefully we’ll cross paths at a gig soon.

If you want to listen to the band please go and follow them on social media and their music is on Spotify etc.