#anyways thank u again i love him FUCK

[sukugo]

me when when I when he when when

HEEEEEEEEEEEEE

[fumifooms]

I think you made me start shipping Marchil

Your posts got me thinking about their dynamic then I wrote a fic that was supposed to be platonic but midway through I realized it could actually be interpreted as romantic too and now I'm just sad about how little time they'll have together

First of all, you have a lovely icon, second, I’m so honored… I finally read Not a bad way to go and it was soo so good like. My god!!! Pre-canon is underused and you did so many interesting things with it.

It sounded like a cruel joke, that the one who needed her concern the most was also the one least interested in it.

^^^ go read it go read it

Chilchuck was drunk enough that he needed to hold onto the walls not to fall, but apparently still sober enough to remember emotional vulnerability was his worst enemy, as he made sure to avert her eyes and said: “Namari made me come talk to you ” to make it clear he wasn't being nice voluntarily.

Yeah.

“Of course I'm scared of dying.” He scoffed. Did she really think so little of him? “But if I could choose, I would want to die doing something I love, like drinking. Or maybe fucking,”

Maybe you wish you didn’t know but my new favorite HC because of this is that Chil dies yes prematurely not of liver failure though but during coitus. Especially if marchil, the thought of him busting a nut and his heart giving out makes me laugh so hard. My god. Lmao. Oh god. Lmfao. Worst day of her life

Marcille knew Chilchuck wasn't a kid, but she often struggled to take him seriously as an adult because he was just so adorable and small. In this moment, however, she saw them exactly for what they were, even if it was just a glimpse. A sheltered, naive little girl trying to tell a tired, much more experienced man how to live the rest of his life.

Standing ovation

She tried to find an explanation to give him, but she couldn't even find one for herself. Why would she miss him? He was just Chilchuck, her coworker, Chilchuck who was cold, aloof, sometimes crass, evasive, and even outright mean. He who was level headed, reliable, trustworthy, perceptive and clever. He who had the least time left, even in a best case scenario. “I guess that despite your best efforts, there's still a lot to like about you.”

This fic goes so hard, standing ovation pt 2

“I just think it's better if we don't get too close. Don't you agree?” “I… maybe” she said, uncertain as he didn't know how to feel about that. Caring about people would only hurt her in the wrong run, she knew that, but unfortunately she couldn't help it.

I looove how they can be read to be similar on this aspect. My hand clenching around my phone as I rear up to rant about Marcille and the way she does keep people at an arm’s length subconsciously again my god my goood. Obsessed with this obsessed with this, underused for marchil. Terrified of loss through death vs rejection duo I love youuu

Brilliant ending I’m in shambles. I’m not gonna spoil it

You get marchil so much you truly do. The way they mesh, the way their views on mortality clash and both soothe & bruise… He doesn’t have much time left even in best case scenario (which Mr I won’t eat well I’ll drink and smoke a lot I’ll stress all day every day is determined to not make happen) which makes it all the more meaningful for Marcille’s arc when she learns from him to finally enjoy the present moments… It’ll only be a fraction of her life, but to him he’s giving her the rest of his life. What are some decades of love worth? Worth it, surely, if nothing else

[yuwuta]

i politely demand you talk about your nge/pacrim au!

thank you for enabling my behavior and for all your art omg <33333 i will attempt to coherently and briefly outline my thoughts

the short version is: yuuta/rika saves you post-battle and both are irrationally upset when it turns out that you already have a boyfriend. 

yuuta would like to take some of the credit for digging you out the rubble, but the truth is, it was like his mech was on auto-pilot, overriding all of his controls to dig you out of a lifeless environment and stash your cold, limp body in the center chamber until yuuta and rika were transported back to the base. 

yuuta doesn’t understand why he lost control of rika like that, nor does he understand why he feels so upset when he goes to visit you in the infirmary and there’s already some other man by your bedside holding your hand. he vaguely recognizes kokichi as a junior engineer who’s done a few surface level repairs on rika, and he’s surprised and green with envy to find out that kokichi is also your boyfriend. 

yuuta doesn’t understand the anger he feels, or the headache he gets, or the panic attack that’s threatening to rise in him, or why his feet automatically drag him back to his mech, or why he feels like he could hear rika’s faint sobs and screams in his head and he lay in his pilot chamber. none of it makes sense and he can barely sleep because of it, but it happens every time he thinks about you and kokichi for too long; and strangely enough, if the thinks about how rika seemed to come to life to save you for too long. there’s some kind of missing link he can’t piece together. 

when you’re conscious, you can’t seem to recall any part your childhood, and only have your memories from college onwards, save for bits and pieces of the attack you were a victim of. yuuta learns that you were studying to be an engineer, that you were moving to work at the hangar and be closer to your boyfriend, that kokichi was slated to pick you up from the airport that ended up being the site of attack. a small part of yuuta wishes kokichi had been there, thinks that rika wouldn’t have found him in the rubble. 

you’re the miracle save, and somewhat become the baby of the hangar. world-renowned pilots you’d only ever studied in class stopped by to give you their condolences, offer their help. you try to remain calm when satoru gojo and kento nanami make an appearance as a duo in your tiny recovery room, calling you brave and bowing to you with a home cooked meal in hand. senior engineers do their best to recover your work from college, assuring you that your injuries and recovery period would be a non-factor in the hiring process—that you were free to start as soon as you felt comfortable. you get the most attention from yuuta, who makes himself a friend, and a critical part of your recovery, essentially firing your physical therapist in favor of fixing you himself. 

everyone makes you feel welcome, but yuuta makes you feel safe. he holds your waist while you re-learn to walk, he sneaks you into the pilot’s lounge while the jaegers have their repairs done—and nods in faux-sympathy as you mourn the presence of your boyfriend, who seems busier than ever these days with nuisance repairs, jokes about how yuuji and megumi seem to be particularly reckless with their jaeger lately—he squeezes your hand when you have headaches and fractured flashbacks of your past that you can’t piece together, he holds you when you cry out of pure frustration of not being able to remember who you are

yuuta’s a real smooth talker, too. always knows exactly how to comfort you while your boyfriend is busy, always talks to the press about you so preciously, always makes you feel like you have a purpose even if you can’t remember your past self—maybe you weren’t meant to remember anything before him and rika, maybe it was meant to be this way. it’s a twisted comfort, but it’s something to cling to, it’s better than crying over memories you no longer have.

everyone notices yuuta’s weird reverse stockholm syndrome lol… the way he hovers over you like he’s your sole protector and savior, the way he demands to be privy to all decisions about your health care, the way he remains close to you with no fear of your boyfriend. nobody says anything, though—yuuta’s a pilot, a good one, and one the few solo pilots in the entire world. he’s precious and vital to humanity, worth a thousand men, worth ten thousand engineers. besides, his friends see something special between you two, especially the co-pilot pairs; satoru and kento, megumi and yuuji, choso and yuki—they know compatibility when they see it, and boyfriend or not, you have something special with yuuta. they all share a common thought: kokichi is fighting a losing battle. and even if he could beat yuuta, he’d never win against rika.

[batsplat]

maybe it's from the particularly acute disappointment of marc injuring himself at the sachsenring but this weekend (so far) has made me feel incredibly nervous for marc's future. like no guarantees of course but if marc was going to win anywhere this year (when the gap between the gp23 and gp24 is increasingly obvious, as you mentioned) it was going to be here. and i'm definitely overreacting because i'm emotional about it but it feels like him hurting himself here feels like a bad sign not just for this year but for the future at large. because it's a reminder that his body can't handle the riding style that used to take him so far. scary!

taking these two together ahahaa. this is truly the life of a sports fan huh

honestly with marc I've now swung so often and so far between 'it's so over' and 'we've never been more back' that I've gotten to an exciting point of. well. I suppose we'll have to see. I mean look, back in that jerez to catalunya stretch it did look like he might be able to be a serious title contender this season. at risk of making myself look like an idiot, I think we can pretty safely conclude that's not happening this year. but y'know, broadly what he needs to do is to figure his shit out for the rest of the year... like he kinda needs to just understand what this version of him can do under what circumstances. the thing about winning is that it's also a habit, it's something that becomes essentially muscle memory, you need to kinda have that reflexive understanding of how you've done it in the past - both in the context of races and titles. and it's still in there for him!! but he's just got to... take the rest of the season to chip away at the gap. currently, pecco and jorge don't just have the edge on him in pace, they have the edge on him in process. that's not just the bike, though it is also affected by marc being less familiar with the ducati. but pecco and jorge have just kind of gotten to the point where they know how to approach most weekends in a way where, more often or not, they will kinda maximise what was on offer for them that weekend. sometimes they chuck it down the road! but in terms of pure pace potential, right now they're getting to the point where they're there. marc is just a series of 'what ifs'. they're not all his fault, he's gotten unlucky, he's in a tough situation, he's still getting used to the new tracks on a ducati etc etc etc... but that's what this year is for. figure out the process, figure out how you actually go about getting wins in the current era - keeping your physical condition in mind - and take it from there

the physical stuff is the... yeah. the thing is, I do think he is capable of winning without all this crashing to figure out the limit. honestly, this approach of his made me deeply uneasy well well before what happened at jerez 2020. that injury and aborted comeback didn't feel like a fluke, it didn't feel like bad luck - in an awful way, it did feel like it had been a long time coming. that being said... well, y'know, marc was the only one who could win titles on the late 2010s honda, and part of the reason for that was that he figured out how to get a capricious bike just to the limit during races. you do not need to chuck the bike down the road fifty times per season to win the title on the ducati. pecco and jorge have very much shown that. sometimes it will just be dumb luck who gets injured or not! the sachsenring crash yesterday you can't really put down to marc being stupid or being irresponsible. he was hardly the only one who fell, weather conditions were tricky, shit does happen (not ideal that he tried to save the crash specifically because he knew his other bike had problems, plus the thing where he went out again before going to the medical centre, mind you). sometimes you fall a lot and you're fine, like marc for most of his prime. sometimes you crash at the start of the race and fall in front of the pack and your survival is up to fate. which is of course what happened last year to pecco, still one of the scariest crashes I've ever seen live in terms of crashes where you really do think you just got very very close to watching someone be killed in real time. this is the thing, right... at the end of the day, you can hope that marc finds an approach that relatively minimises the risk to his body - but also, you can only control so much. especially with where his body is at right now, there's only so many bad knocks you can take. you never know, you can only hope

overall, I have been thinking for a while that it's almost a bit... odd? how the physical stuff hasn't really featured at all in 2025-26 hot takes? I reckon people don't really want to think about it playing a big role, and also I suppose 'well one of them could get injured' is treated as just an underlying assumption of following motorcycle racing... but like we saw with catalunya last year, it's not just stuff that takes you out for ten races that can have big title race repercussions. especially given how marc traditionally went about winning titles, how big a part of that process it was for him. we've had such an incredible lucky streak from the start of the season until mugello that being afraid of injuries has almost... receded a little bit? in everyone's minds? after last year, in particular, where it just felt like you were always worrying about someone, it was just so relentless... and now injury worries have just come back with a vengeance these last few weeks and it is a little scary. a lot of this is scary. no real escaping it I'm afraid

but yes! anon! I agree with you! we'll get back to the smile and we'll get back to the optimism too.. at the end of the day, you can only do what you can do. we'll see what happens. if we're all massively underestimating just how much that sweet red bull cash can do and ktm comes out with a rocket ship next year and pedro wins the next ten titles, so be it. you never know

[unhealthy-leon-brainrot]

i would like to thank every single leon x reader fic writer who has written about reader being generally insecure about their self and their worth in the relationship 💐😭

(if you’ve written one, please reblog with a link to your fic!! i promise you ill read it and hype it up !!!!! i seriously love supporting the leon kennedy nation!!! 💞)

[okitanoniisan]

i keep saying i need to make some zhaoryu shit but i'm back on my y5 kazusaeji bullshit again they are just so. m

[yellowloid]

hey! i was sort of reading “something to rely on” lyrics, and i remembered that you analyse some of miles, monkeys and tlsp songs. so, i just wanted to ask what are your thoughts on this song, cause i particularly think it’s about alex or some of it. anyway, other songs from cdg can be fully about alex, but barely no one talks about this one, so i thought it’d be great to discuss about it.

there’s also “adios tara tara” that i also think it’s about alex, as other songs from change the show, but that’s for another time! i also love your blog, your fanfics and song analysis, they’re always really good! 🫶

sooo first of all sorry for being this late lmao this is kinda embarrassing because this ask was sent MONTHS ago maybe almost a year ago it was so long ago i literally don't remember. i'm only just answering now BUT better late than never i guess skgshdfh

(as usual don't take this too seriously lmao this is just a silly theory, i'm in no way implying it's the truth. it's just delusion o'clock)

now, if you follow me you know what i think of coup de grace as an album - and that is, the fact that it's soooo about alex it's crazy like. bro was so angry and in love and heartbroken????? and he wrote a literal masterpiece of an album????? that's iconic if you ask me

so to no one's surprise, let's follow the usual theory - them having some sort of falling out after eycte because of miles getting serious and alex consequently chickening out, which led to Peak Gay Drama Year, also known as 2018, when they both release albums that - more or less explicitly - contain images that could easily be interpreted as references to each other. something to rely on is no exception:

"crescent moon, left in my drive / all too soon, you made your point"

the reference to the moon creates a pattern, since the semantic field of astral entities is also present in songs such as killing the joke, with "interstellar, dressed in leather, drinking bitter boy" - which as we all know is one of miles' most direct lines when it comes to referencing alex, and it can easily be linked to am's own space-themed album, which miles definitely got to listen before its official release date.

opening the song with a reference to the moon could be a way of @ a certain someone, letting him know that yes, this song *is* in fact about him, if he didn't get the other billion hints in the whole album. (however, for the sake of keeping it vague, i won't be referring to him directly but rather to a ~mysterious person~) (i'm sure you get my point tho *wink wink*) [gunshots]

mentioning the moon could also be a way of referencing the ever-present theme of nighttime encounters in the entirety of mk/am/tlsp's discography: sometimes those encounters are described as fun, sometimes they mean trouble; sometimes, they leave the people involved with a sense of guilt and/or shame, on which we'll come back later and which often leads to bad decisions ("all too soon, you made your point"). in this particular case, the first image that comes to my mind is someone leaving sneakily after a (series of) one-night stands, with the song obviously being from the pov of the person being left, who also gives us a reason why they think the other person left:

"keeping off the radar, how does that make you feel? / keeping it clean, through all the things you wanted me to be / out of touch, with all the rumors i keep hearing of you / keeping off the radar, how does that make you feel?"

this person doesn't seem to want other people to know about their affair, and that's why they keep it secret; it seems that they want miles to be something he's not, or something he can't be - or maybe they ask all these things of themselves, which would maybe make it easier for them to accept the relationship going public. this person wants to keep it neat and clean, picture-perfect and fitting to everything everyone expects from them; but as much as they try to stay lowkey and not attract attention, the narrator informs us that no matter how much this person tries to hide, there's still rumors going around about them, as an individual as well as their relationship(s) with other people, most likely with the narrator too.

"all aboard the guilt train / last call before we leave / last call before we learn to love / the last call before we leave"

the line referring to guilt is insanely queer-coded and i will die on this hill because it just SCREAMS internalised homophobia, with which the other person might be struggling. it wouldn't make sense otherwise - because what would that person feel guilty about, if it were a straight-passing relationship? unless it was a cheating situation, of course... but it could be a cheating situation AND also a queer one, with this person being in another (het) relationship while having a same-sex lover (the narrator), which would give that line a double explanation. also every time i listen to this song i just can't help but think about 'all aboard the kane train' WHAT WHO SAID THAT

however, the narrator tells us that this is the "last call before we leave" - meaning, he's giving this person an ultimatum to make up their mind and decide if they want to be with him for real or not, since the latter possibility would result in him leaving - not necessarily for good, but... just trying to get over that person once and for all. at the same time, though, it's also the "last call before we learn to love" - which is incredibly soft imo, because it's him still putting trust and hope into that person and a positive decision on their part. he believes they will eventually choose to be with him, he hopes for it and trusts the other person to make the right decision, which would lead to them being together and learning how to love each other without limits nor second-guesses. the repetition of the leaving line could also be seen as a way for him to give it a new meaning compared to the first one: if they ended up together, they could leave that world based on nasty rumors and appearances, ignoring them all to just be happy together. because, after all, miles declares it openly:

"you're all that i wanted / all that i need / you're all that i wanted / you're all that i need"

i mean. does this even need an explanation. bro is down BAD

"something to rely on / something to get high on / i don't want to beg or steal, i don't want to borrow hearts / i just want to make it real / something to rely on / the making of a mystery, wishing on a falling star / i don't want to let this sadness rule my heart / your actions from the start / in spite of me insightfully inviting me to fall apart"

i left the chorus last because imo it captures perfectly the whole vibe of the song and what i think is miles' outlook on life in general: the narrator wants something stable and secure, an established relationship with the other person; he doesn't want to have to beg and argue and make it more complicated than it probably already is, he doesn't want to be a pastime or just some lover. he wants something thrilling and intense, almost addictive - but most importantly, he wants something real. this complicated situation with the other person is making them both suffer, and the other person's behaviour doesn't make it any easier; but in spite of everything, and in spite of his sense of self-preservation, he still finds himself unable and unwilling to resist them, to let them go for good. and no matter how self-destructive this might be, he doesn't want to be ruled by negative emotions; he's already fallen for them, too deep to even consider letting them go. he just keeps falling, and yeah, the outcome of their situationship might still be a mystery, but he chooses to be hopeful - "wishing on a falling star", bringing the song to a circular end by mentioning other astral entities that inevitably remind us of the "crescent moon" that opens the song. which also evokes the idea of circularity that is typical of situationships like the one described here, where the moment he seems to have made up his mind (or maybe the other person finally did?) it's like rinse and repeat, and once again they're back to square one.

[ranboo5]

Anyway [stretches] under a cut because it got Long as usual; tl;dr at the bottom

The thing abt c!Ranboo is his motivation and his actions don’t always align and that is bc of the eternal nature of c!Ranboo as living in a society and Balancing Priorities. He is always self-compromising in its relationships w/ others; more often than not when it agrees to do smth with someone it is doing it not bc it believes in the cause but because it has priorities it needs to mitigate. (Ranboo has not believed in any of the causes put forth by Someone Else in their life the closest they get is the Syndicate and even there it’s only reassured to bc it is reassured it can share opinions)

This starts off wayyyy early with it agreeing to help grief despite not really having a personal reason to do it, and with it collaborating w/ New L’Manberg even through things like the Butcher Army. It consistently does not want to be seen as In Opposition. It works with Tmmy and Techno in large part bc it doesn’t want to come off as opposed 2 them, and bc it has personal investment (+guilt) in Tmmy. Ranboo will literally act like this

- as self preservation - out of a desire to help+spare the feelings of ppl it doesn’t trust to negotiate with - especially later, so it can try to mitigate the parties it’s collaborating w/ -- if he’s involved in the effort, he has more traction 2 attempt to mitigate anything terrible it might do (even when most of the time he doesn’t manage to do this)

This is part of why he initially joined th Syndicate and this is why he worked with Wilbur over th course of the burger arc. Some combination of this is also why he works w/ Dream, smth that is frequently overlooked in Ranboo Analysis; Ranboo volitionally[1] collaborates w/ Dream despite, obviously, having a lot of Active Dislike for Dream and what he is doing, out of a combination of a) he would not want 2 frame himself as Opposed To Dream in any interaction w/ Dream, b) he is generally sympathetic and pitying, c) ideological agreement w/ some aspects of Dream’s goals, and d) desire to mitigate/stay close to Dream. Ranboo keeps his friends close and enemies closer 2 some degree

His relationship w/ Tbbo is not an exception to this it is part of the pattern. It’s just one that has much more present, personal, and consistent stakes. Ranboo complies w/ Tbbo the same way he complies w/ the Syndicate when he’s worried they’re threatening, the same way he complies w/ NLM, the same way he complies w/ Wilbur in the burger arc, th same way he complies with Tmmy early on, the same way he complies w/ Dream offscreen. This is a Known Tactic Ranboo pursues; their project is ultimately of survival and compassion and survival and compassion are both things they have to sacrifice to keep

Tbbo is a unique priority to Ranboo almost in the same way all of the aforementioned r slightly different, unique priorities; in Tubbo’s case, Ranboo is extremely invested in keeping Tbbo safe from others and from Tbbo’s own self with a particular fervor for a very long time. I’m not rehashing the entire beeduo meta here but Ranboo does have particular interest and a particular prioritization for Tbbo for a long ass time; arguably post-NLM and thru burger arc, Tbbo is its first priority bc Ranboo loves him and has convinced itself it’s the only one who can fix him and has also mostly-correctly observed that no one has really been looking out for him. Tubbo is an urgent target in Ranboo’s projects of compassion and of survival both

When those stakes r released, tho, in the burger van conversation (the “you weren’t happy before?”) Ranboo no longer has Tbbo at the same priority level irt the project of survival especially, and, despite how guilty and upset it makes them, prioritizes their 5D chess game with Wilbur instead (ironically sacrificing a solid chunk of its project of survival). Its motives @ the end of Ho16 r commonly cited as being abt Tbbo but that’s not entirely what he says and if it was Ranboo HAS the kind of analytical presence of mind to know that it Killing Himself doesn’t help Tbbo as much as it deals with Wilbur

Ho16 is abt Ranboo winning aforesaid 5D chess game; Tbbo is only part of the stakes 4 that and Mitigating Tbbo is no longer Ranboo’s top priority w/ that. Ranboo’s final monologue is more than anything reminiscent of his earlier arguments about sides and collateral. It’s part of the larger project of compassion, and it’s about the distorted version thereof tht comes with Ranboo getting stuck in its head and its machinations, too; like Tbbo is important to Ranboo and the carelessness abt Tbbo is something unacceptable but to claim Ranboo’s motivations revolve around Tubbo specifically is reductive of his other relationships and actual larger ideological motivations 

I have a problem w/ framings of this as positive/romantic devotion that amkes Ranboo better or as devotion at all bc repeatedly it is shown it makes him Worse, and is in fact the opposite of devotion it's disingenuous by nature. Ranboo is lying. This is so essential to all of this when Ranboo acts like he is in step with you specifically he is lying you are never guaranteed to be the priority. This is him at his worst, th project of compassion at its most compromised, and it’s a state that they explicitly don’t like. Ranboo does not like compromising itself and when they do that they Get Hurt (NLM and outpost arc having the most confabulation we’ve seen in Ranboo in general, Ranboo hating himself for this, Ranboo complying w/ shit like the experiments, Ranboo in all these environments where he is playing this being Constantly Markedly Afraid)

Even throughout the time period where Tbbo is technically priority #1 Tbbo is still . Priority Number One as opposed to like a genuine devotion. Tbbo having a handle on Ranboo in this way is not devotion it is fear and it is again not a mechanism tht Ranboo Only engages for Tbbo it’s just a mechanism, that again IS BAD FOR RANBOO BOTH IRT MENTAL HEALTH AND MORALITY, that has thru circumstance become one tht Tbbo is best at unintentionally activating. Ranboo Does This When You Are His Project. And When He Had A New Project Aside From His Husband That’s What He Did To Him

TL;DR

Ranboo does comply with Tubbo in various activities tht he doesn’t believe in but this isn’t ? Unique to Tbbo this is just Ranboo’s general socialmeta+ what allows it to move in the world the way it does

Ranboo cares about Tubbo deeply and this is relevant to his motivations but that’s only one part of his larger motivations

It’s also honestly not great to frame this complianceas romantic or good bc it’s actively smth that Makes Them Worse in multiple senses

It takes out a ton of Ranboo’s decision making and the negative effects thereof

Anyway stream

[1] No, one dumb as fuck line from Dream Of All People in that lame ass excuse for a finale does not negate All The Things In CRanboo’s Story including working w Dream being part of this consistent pattern, Ranboo’s story being abt agency responsibility and decision in such a way tht it is completely undercut by mind ctrl plots, Ranboo’s ideological agreement w Dream on some matters, the alliumduo parallels, and everything we do know abt the enderwalk as a concept and Ranboo how he acts in and out of it

[autoneurotic]

called out at work as an astarion girlie

[ayyponine]

girl help im going back n forth on whether or not i should send an email to thank the beautiful man fr letting me join the drawing session last week (more info on that entire situation here and here) and letting him know i probably wont be back but appreciate having had the experience either way. great or horrible idea leave a comment or DM to lmk.

[springcatalyst]

🖊 for any milo and/or reiji details they fascinate me ^-^

YES thank u they live in my brain

Let me go on a tangent before I even get to what this ask actually is cause why wouldn’t I- Milo and Reiji are interesting characters to compare to each other, because despite their entwined storylines, I don’t draw a lot of connections between them as they were designed.  Characters that never interact are fun to draw conclusions with because it’s more obscure out-of-universe things:  Julian and Milo are so different but they follow very similar paths and come from very similar places.  Milo and Brooke (actually they do interact but only like, once) both deal with the results of a corrupted worldview that once questioned, can’t be ignored once again.  Reiji and Diana share an inherently wary, bleak outlook on how the world functions as a result of their own experiences.  And characters that do interact but were designed that way are... designed that way.  Julian and Liliana are the same stuff poured into different molds, impossibly similar and impossibly different, and that drives everything about their relationship- they’re foils.  Diana and Julian start at the same place in the same situation, (for different reasons), and end up wildly different people in opposite directions- they are diverging paths evidenced by truth or lies. 

But Milo and Reiji aren’t connected by anything inherent or anything unchangeable.  Their meeting in the first place is mostly chance and a little bit of give and take of compassion.  They stick together because the alternative is being alone in a world that’s so much bigger than both of them, so much older, and just a little bit more broken.  Their relationship is a choice in a way that really isn’t the case for a lot of other characters. 

And I mean, they do have parallels, but they seem different somehow, because they actually apply in-universe.  They reflect off each other.  They both leave something behind that they wish they could get back: but while Reiji’s was taken from him by circumstance and chance, Milo’s was a culmination of something grown that eventually he had to choose to abandon, though if there was any other way, he would have taken it.  (He tried, before.  It didn’t work.) 

But now they’re both missing something, and with it, their place.  Reiji doesn’t know where he belongs and the truth is that he doesn’t belong anywhere.  He can’t return to the one place he did- (it wasn’t a place, but a people.  They’re long gone, even as they live) -and now he searches aimlessly for someplace he can return to.  He doesn’t find one.  Milo loses everything he’s ever known when he walks away, and even as he makes the decision to, it feels like the admission of some crime (it looks that way to them, and he knows it).  He longs for the community he lost, but even if he gets something close to it, it’s wrong, because it isn’t them, and because the reason he left still follows him. 

They’re both ghosts wandering a vast expanse of unknown.  There is exploration in it- Milo especially does genuinely love the places he passes through, the people he meets briefly, the idiosyncrasies of each town, city, village.  Reiji less so- he’s only ever known the wandering, so it isn’t as special to him.  He’s always looking for something that will change, but even so, traveling with Milo forces him to see things he wouldn’t otherwise. 

The difference between them is that Milo stops being a ghost.  As time goes on, less and less is searching and more and more is exploring.  More is fixed than is broken.  But the opposite is true for Reiji.  As he finds nothing it feels more and more like he is one of very, very few.  That he has found no place to exist because there is no place for him, for those like him.  Reiji is looking for answers in an environment that buried most of them, in a world that hunts the rest.  And it becomes this obsession- a thousand whys. 

Why didn’t his flock look for him?  Why did he even survive?  Why is he hunted?  Why did it start and why won’t it change?  Why is the world sitting on the ashes of an older one?  Why are people broken by something they don’t remember?  Why does every place he goes scream that there used to be more?  Why are his people a part of it?  Why are they here?  Why do they occupy a world that is so clearly not made for them?  Why does he not know where they are made for? 

Reiji asks a thousand whys and they can all be summarized by one what: What happened?

Milo and Reiji cross incomprehensible distances and in the time that takes, a lot changes.  Milo goes from being a ghost of who he was and who he should be to being alive in a way he wasn’t before, genuine in a way he didn’t allow.  Milo looks for an answer in a different way than Reiji, because he is looking for certainty.  He wants someone to tell him, with no room for error, what is true and what is corrupt.  He wants surety and permanence in a way that just doesn’t exist, and so instead must choose which side he’s on- he must decide what to believe, because nobody can tell him black and white.  With that choice becomes an acknowledgement that the world isn’t as simple as good and evil, and the two can very much coexist, that perfect and unredeemable don’t really exist, not here, anyway.  He’s allowed to just be.  Reiji, though, doesn’t get the opportunity to make that choice, to take that answer.  He isn’t looking for the answer to a moral question or a cosmic should.  He is looking for a reason, which is an order of magnitude more impossible to find.  He looks to the past for why and the nature of time is that he keeps getting further and further from it.  He finds very little, which only makes him look harder, which makes it worse when he finds even less.  He starts down an impossible spiral that he can’t get out of until he finds what he wants, but what he wants just doesn’t exist in the way he needs. 

[hellfireeddiemunson]

i am simply going to kill myself because my brother listened to my snapchat out loud in front out our mother and aunt and now both those bitches are fucking babying me

[depresseddepot]

I'm reading the winternight trilogy by katherine arden and I gotta be honest, I am obsessed with whatever fucked up nonsense konstantin has got going on

[kuiinncedes]

adfjgbak;ngajkfglkafhg

[ame-to-ame]

love being nd and have the tism wolf Inside me be so drastically uncomfortable with uncertainty that i physically cannot think about school and having to deal w the unknown of that whole situation without losing 5lbs in 2 days

[chiistarri]

i hate change id rather die