Okay so we know Maysilee was the previous owner of the Mockingjay pin,
BUT
There is no mention of the pin as Katniss and Peeta watch the 2nd Quarter Quell footage (I don’t think this is an oversight on Katniss’s part: At this point she has an inkling that the mockingjay is connected to the rebellion and wouldn’t she (or Peeta) be hyper aware of it, especially while watching its previous owner?!?!) - leading me to believe that the pin was not her token and never saw the inside of the arena prior to 74th.
So
What if we discover that Maysilee was in fact wearing it and all footage of her with the pin was erased after the initial airing?
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wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?
& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?
and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?
and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.
just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof
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ever think about how art transcends time? debussy wrote rêverie in 1890. and you can listen to it now to fall asleep, in 2024, on a device he could never have imagined. but still, you might feel what he was hoping you might feel, listening to it. connected across centuries. the fact that we have music, that we have art, that we have libraries and archives and catalogue projects. to help us hold on to the people of the past. and to preserve us for the future. to help us hold on to what we share. someone fell in love to a song before you did, had their world rocked by the same album 20 years ago that you just discovered. the artist who painted that piece you love lives on each time you look at it and smile. zines. hand drawn art. mixtapes handed out on street corners and given to loved ones. no one and nothing is ever truly gone, it continues in the collective unconscious.
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The Owl House takes place on a corpse. That's clear from the beginning. The people we meet, the fantastical things we see, every part of it is life that comes from death, and it's beautiful. Luz says that, the first time she's far enough away to see the bones. It's beautiful. The Titan was so full of life and magic that what he left behind could be passed on and made anew, and the people who sprung from that, who rely on it, understand that and are grateful. Everything they have is built on the bones of a god.
But what grows from the bones of children? Nothing. Nothing at all.
The Titan hunters killed children. They said they were monsters, but they were children. Children who played games and laughed and from their first conscious moments wanted to be loved and belong. And they hunted them to extinction, and kept their pristine skulls as trophies. An entire room full of them, of tiny skulls that could've become something wonderful and terrible and life-giving but never had the chance. They wear them, as a badge of honor. Look what I've done, look what I destroyed.
Philip Wittebane had been making grimwalkers for hundreds of years, sure, but even knowing that, there's so many of them. How many could've reached 20? There's piles of them, of bones and identical masks, scattered at the bottom of a pit, and god, were they dead, when he threw them down there? It's clear that he doesn't care, that the only thing that matters is disposing of them once they wear out their usefulness, moving on to the new model. Children tossed aside, left to rot and decay, and when we see them the bones are all clean.
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i love bisexual eddie munson, but specifically in like a shang from mulan kind of way, you know? like he knew he liked boys, that made sense. just another way he’s different from everyone else, just another reason he’s a freak. so why bother examining it? he’s gay, hawkins hates him, might as well lean into it. maybe chrissy was the first time a girl made him feel butterflies (or bats?) in his stomach, and it confused him so bad he didn’t know what the hell to do about it except make a fool of himself flirting with the queen. maybe he took one look at nancy wheeler with a sawed off and went “yeah ok holy shit i get it, i see why steve was willing to burn his life down for her and why robin keeps making moon eyes at her and why jonathan lost his mind and pointed his camera through steve’s window like an insane person.” like he’s still into steve, obviously. the man is swanning about shirtless and bloody in an apocalyptic wasteland like the embodiment of all of eddie’s weirdest fantasies, there’s no way he’s not into steve. but i just love the idea of eddie being the one going through an Upside Down sexuality crisis (TM) rather than steve. what is happening to him?? why does he suddenly want to kiss everyone??? get it together munson you are running from a goddamn mob!!!
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