Tumgik
#are both equal to 10
Text
i swear to fuck latin class teaching me that technically a vocative noun (ie. a name when someone is calling it) is supposed to be incased in commas is fucking destroying my fanfiction reading pleasure
because i keep seeing things like “Hello Larry, come help with this snapwobble problem”
and all my mind can offer
is that it’s supposed to be “Hello, Larry, come help me with this snapwobble problem.”
2 notes · View notes
l-just-want-to-see · 4 months
Text
hermitcraft season 10 is like if someone saw a guy that was obsessed with horses and loved building and was associated with the color green and was famously teamed up with ethoslab in a life series and was cartoonishly dramatic and a mounder and also short. and said: there shall be Two.
also skizzleman
825 notes · View notes
youngpettyqueen · 24 days
Text
im like 90% convinced that the Doctor is of the same species that the Toymaker and Maestro are
150 notes · View notes
theseuscloud · 3 months
Text
Tumblr media
Is Nigel the new Jurgen Leitner?
151 notes · View notes
indigo--montoya · 2 months
Text
one of my favorite things is elves having base 8 math. so you can have Situations™️ when someone in the dragang has a birthday. take for instance this hypothetical
Rayla: I'm so glad my parents and Runaan are back! And just in time for my twenty-fourth birthday!
Callum: your WHAT.
Rayla: My birthday!
Callum: no hold up a second. go back. you're HOW OLD???
Callum: so you were. you were twenty when we first started dating?
Rayla: yes? Is something wrong?
Callum: I was FIFTEEN
Rayla:
Rayla: WHAT?!?!?! How-- who-- what-- I think I'm going to be sick. You seemed older than that! I can't believe I-- so that means now you're--
Callum: Nineteen.
Rayla:
Rayla: what's nineteen
40 notes · View notes
steddilly · 24 days
Text
I could be writing half a dozen other things right now and instead I'm writing an au for an au where Steve and Eddie are werebats and they're still somehow flirting with each other. What happened to the mermay fic I wanted to write? It's currently drowning in my WIP docs.
20 notes · View notes
You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
152 notes · View notes
dkettchen · 10 days
Text
me, procrastinating on one project with another one: it's fine they're both for content I do this for the people and the people will receive SOMETHING sooner by me working on either one 😤
7 notes · View notes
pebblezone · 1 year
Text
Tumblr media Tumblr media
I don’t want a manga reprint I want him
Tumblr media
72 notes · View notes
dullahandyke · 21 days
Text
didnt even touch on the sandra lynn stuff int he tags of the last post bcos if i talk about her im liable to explode. get behind me, middle-aged divorced woman proficient in archery
#wasnt around for sy as it aired but ive seen the remnants of the liveblogging and its so foul#the genuine misogyny....#saw someone claim gilear was a better parent than her and i had to turn off my computer#i know we all love gilear and hes been tbh redeemed by comedy where sandra lynn doesnt get that#but like. be serious.#that tonal shift in difference of how gilear and sandra lynn are received is wicked interesting to me#and like pre-emptive disclaimer this isnt Gilear Problematic I Want Discourse. im just thinkin thoughts here#the way fy episode 1 gilear actively left his wife n daughter and calls her a demon even if he doesnt mean it that way#but then fig/emily takes an interest in him and from there hes a radically different character whos just kind of. pathetic.#im hesitant to call it flanderization because initial gilear only got like 10 minutes of screentime before wet cat gilear took the stage#but like. in ep1 both faeth parents are shown as equally flawed and on an even narrative playing field#which is then upset as fig latches onto gilear as a comedic force and hes not as much 'dad with tense relationship to daughter he disowned'#as 'guy the pcs do bits with'. esp in fy he doesnt do much but let fig live in his apartment sometimes#(and if u rlly wanna analyse u could say something abt her basically taking care of him instead of the other way around)#this then rlly impacts sandra lynn! bcos now fig has One tense parental relationship to rest all her angst on#and where gilear gets bits. sandra lynn really doesnt get much spotlight until the prison sequence#and the lack of focus on sandra lynn Is lampshaded in-universe and i like the resolution#and then u get to sy where sandra lynn gets as much spotlight as gilear but she doesnt have his comedic shield#so instead she has the dramatic spotlight and both the story and the characters are weirdly obsessed w her sex life#and yeah i know im an aro autist maybe i take cheating a bit lightly. but its in the same category as the 'zelda is mad at gorgug' shit#shes made a spectacle but because shes not gilear and society has notions about sex she gets judged for it#like something abt gilear disowning fig getting dropped while sandra lynn is scrutinised so much rlly rubs me the wrong way#she is FLAWED that is what THE JAIL EP WAS ABOUT!!!#she is TRYING arguably more than GILEAR but she doesnt have the absolution of rule of funny to fall back on#i go insane. i go insane#post not mentioning jy bcos i havent seen it. once again middle-aged divorced women proficient in archery get behind me ill protect u
10 notes · View notes
bambeptin · 1 year
Text
Tumblr media
paradeon
77 notes · View notes
neos-nero · 2 months
Text
TW// Blood
(Even though it’s horribly done, I’m not risking it 💀)
•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•
* Fights are boring if I win all the time!
* Sometimes, I like to act like they’ve actually got a hit on me.
Tumblr media
* Seeing their shocked expressions when I regenerate using (their or my own) blood, gives me a sense of satisfaction.
* I guess Nightmare enjoys it too. Since, he’s always there when it happens.
Tumblr media
Some info on Pandora ig???:
• Pandora isn’t the original Sans of his au. The original died and their dust was used to create Pandora (along with a random bat monster, a crap ton of animal blood and iron ore).
• Pandora is naturally soulless (being a homunculus).
• Nightmare has a “tough love” approach when it comes to Pandora.
• Nightmare doesn’t allow Pandora on missions. This doesn’t stop Pandora from causing trouble in other au’s though.
• Due to the high amount of animal blood used to make Pandora, his magic is centred around blood instead of bones (manipulation, creation, transmutation, etc.).
• He’s highly proficient in his use of blood magic (not mastery). If only the same could be said for blue magic (he doesn’t know how to use it lol).
19 notes · View notes
basofy · 6 months
Text
i hate that the horrifying context makes it hard sometimes to enjoy the sillier parts of this conversation cuz
FUCK YOU MEAN FLESHY PARTS SAY BREASTS!!!!!!!!!! SAY BOOBS!!!!!!!!!!! YOU VIRGIN
Tumblr media
11 notes · View notes
aroacehanzawa · 1 year
Text
i can't stop thinking about this particular feeling of alienation, which i'm sure applies on different levels to anyone who doesn't fit in to society's expectations of straight and monogamous, but i'm speaking specifically from an a-spec perspective - the feeling of alienation from the way that everything seems to revolve around love and partnership and family (and specifically family tied by blood)
like, i'm just a reading a book and because it's a book aimed at adults instead of teenagers, the recurring theme at its core is the connection between parents and children, which i can relate to, except it's specifically from the perspective of the adult who has chosen to form a family and have children with their partner - and suddenly i can no longer relate to it, not because i currently don't have children but could still imagine it and therefore gain something meaningful from the text, but because that is something so completely outside of my world that this entire pillar of society or "humanity" is lost on me
idk what i'm trying to say here other than that the a-spec experience is just so fundamentally alienating from the world, on top of and regardless of the queer experience, because you're constantly faced with these fundamental "philosophies" of society but can't fit in to any of them: even if i had a purely romantic partner of the opposite gender, it would be considered "incomplete" if there was no physical relationship; even if i wanted children and decided to adopt, it would be considered weird or unnatural to not want biological children
anyway i guess my point is that aro/ace exclusionists are wrong because someone could be asexual heteroromantic and they would still not be "straight" in the eyes of society. do you get it
38 notes · View notes
lisbonsteresa · 1 year
Text
Tumblr media Tumblr media Tumblr media
seeking directions for the nearest cliff
42 notes · View notes
flowerflamestars · 1 year
Text
Timeloop AU snippet
Knife-blade face tipped up to the sky, Eris scowled as the first drops began to fall.
  As Lucien bothered only to tuck his books safely away before falling back again, spine pressed the length of the little skiff, rainwater stinging cool, steam rising from his skin.
  “What,” Eris snapped, after several minutes, “The hell.”
  Lucien cracked open an eye, to take in the dripping fury. “Will stop in a minute. Rains most afternoons here.”
  The outermost isles of Summer’s hegemony. Quiet. Palatial. Wild in ways that could almost soothe the hungry creature that lived in his heart, flame without necessary fuel. Eris’s was the first High Fae face he’d seen in months.
  “Which you know,” Eris hissed, shaking blackened blood-dark hair out of his face like nothing so much as an angry feline. “Because you live here. Half the pair that led the most savage, swiftly successful war in High Fae history, and now you’re both fucking hermits. Do you even know what they call you? In the Courts? Archeron and you? The World-Breaker and the Memory-Maker.”
  Lucien, who’d saved every life they could save. Nesta, who’d done the killing blow.
  “Tarquin,” Lucien said, tightly, “Won the war.”
  Just Summer, only Summer. A court decimated by Amarantha, a court that had risen again like the tide rises, and destroyed Prythians oldest enemy without debasing itself before fellow courts that did not respect its ways or people.
  “Should have thought through how long that lie could live,” Eris snapped back, “When you evacuated Hybern’s civilian population. The wreckage might have sunk beneath the sea, but we all saw it on fire first.”
Silver and gold. Magic twisting on magic, the slumbering giant of Nesta’s power let loose, let free, dragging light from Lucien like he’d forgotten he could even be.
He should have known it then. He should have- well, Lucien could not actually pretend what was true now might as well have always been true in every way that mattered. 
  “Technically,” Lucien pointed out. “I’m Summer’s seaward ambassador. Not a hermit.”
  “And technically,” Eris picked right up the thread, “I am the least of the Vanserra. You want to tell me why the crown came for me?”
29 notes · View notes