#art of the episode

[iwtvfanevents]

Rewind the Tape —Episode 2

Art of the episode

Just like we did for the pilot, we took note of the art shown and mentioned in the second episode while we rewatched it, and we are sharing our findings with you. Did we miss any? Can you help us put a name to the unidentified ones? Do you have any thoughts about how these references could be interpreted?

Unnamed painting by Marius de Romanus

Created for the show (uncredited artist).

Armand (still "Rashid") tells Daniel that Marius was a contemporary of Tintoretto (1518-1594).

Transformation

Ron Bechet, 2021

Bechet is a New Orleans-born visual artist. He's a relative of the early jazz pioneer Sidney Bechet. [Identified by Gizmodo's Linda Codega, here.] Exhibition Prospect.5 says about the collection this piece belongs to: "Bechet carefully renders the ways vines wrap themselves around trees for support and access to sunlight. At times, this relationship serves both the vine and the tree. Works such as Transformation depict a harmonious symbiosis, as tree and vine both flourish. (...) Through his immersive compositions, Bechet invites us to see history and ourselves in relationship to the beauty, power, and violence of the natural world." And, from Xula Gallery: "Here, we are gifted with the physical proximity of life and death – How they share the same organic space, how they sleep together as equals. The flora of South Louisiana's natural landscape is cleaved open to expose its roots. (...) Here is botany that has every potential of becoming monstrous. All of these meanderings are used to symbolize the deep historical roots of a family home and exhibits the precariousness of nature, both human and environmental, with all of its nurturing and destructive potential. (...) It is a diaspora body, skin folded back to reveal its elegant and resilient backbone."

Untitled photographs

Vivian Maier, undated

Maier was a street photographer whose work was discovered and distributed after her death —she took more than 150,000 photographs during her life, and never printed or circulated any. You can learn more about how her work came to light here. We don't actually see the third picture, which hangs to the left, until episode four. Interestingly, that one is a self-portrait.

Dancers

Edgar Degas, 1899

Degas produced countless paintings of ballerinas throughout his career. While he is often considered an impressionist, he himself saw himself more as a realist and preferred harsh gritty subjects of working class backgrounds. Ballerinas at the time often came from working class or poor families and worked intense grueling hours. [Identified by @nicodelenfent, here.]

Berthe Morisot with a Fan

Edouard Manet, 1872

Manet was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. The portrait in this scene shows his close friend, painter Berthe Morisot, wearing mourning blacks after the death of her father, but wearing a wedding ring —she was engaged to Manet's brother. [Identified by @nicodelenfent.]

Portrait of Erich Lederer

Egon Schiele, 1912

The Schiele depicts a young Erich Lederer, son of art collectors Serena and August Lederer, whose collection was looted by the Gestapo. [Identified by @nicodelenfent.]

Paddy Flannigan

George Bellows, 1908

The Bellows depicts a young impoverished boy on the streets of New York. [Identified by @nicodelenfent.]

A Doll's House

Henrik Ibsen, 1879

Lestat tells Louis "They'll seat us late, and we'll miss Nora's entrance with the Christmas tree," which quite a few fans soon identified as a reference to this play, in which a housewife becomes slowly disillusioned with marital life and eventually leaves her husband. This conclusion led to the play being banned in certain countries, such as Germany and Britain, and Ibsen was compelled to write an alternative ending, in which Nora's husband forced her to stay. In the two stage productions pictured above, you can see Kelsey Brennan and Nate Burger on the left, and Assad Zaman and Anjana Vasan on the right.

Unnamed paintings of Papa du Lac and Paul

Created for the show (uncredited artist).

Unidentified painting*

* The running theory is that the woman in this painting is Gabrielle, Lestat's mother; which would mean this is another uncredited prop painted for the show.

Woman in A Fur Coat

Edouard Manet, 1879

Additionally, on the bottom left corner of the frame you can catch a glimpse of another unidentified painting, but we couldn't get any clearer looks of it either.

Autumn at Arkville

Alexander H. Wyant, 1909

The one in the mirror and the one on the other side of the door are too blurry, but we managed to place the one on top of the couch! [Identified by @vfevermillion.]

The Lone Tenement

George Bellows, 1909

The National Gallery of Art says about this painting: "Bellows has imbued the composition with a sense of eerie wistfulness, recording the precarious positions of those who were being displaced to make way for the future." [Identified by @nicodelenfent.]

Don Pascuale

Gaetano Donizetti, 1842

The opera that Louis and Lestat go to at the end of the episode follows an elderly bachelor, who gets conned by his nephew Ernesto and his friend Malatesta into marrying the nephew's lover, Norina, under false pretenses. You can find a complete synopsis here.

The Storm On The Sea Of Galilee

Rembrandt van Rijn, 1633

Rembrant van Rijn, Dutch Baroque painter and printmaker from the 17th century, is best known for his biblical and allegorical pieces. Rembrandt's only seascape was stolen from the Isabella Stewart Gardner Museum in Boston on March 18th, 1990, alongside other 12 works of art. The case remains unsolved. [Identified by Gizmodo's Linda Codega.]

If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!

This week, we will be rewatching and discussing Episode 3, Is My Very Nature That of a Devil. We can't wait to hear your thoughts!

And, if you're just getting caught up, learn all about our group rewatch here ►

[xan-from-space]

Worst friend group to ever exist. Reblog to throw rocks at them

[thesapphiccrytid]

Falin?

[astearisms]

catalysts, protectors

[egophiliac]

bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

[themetalhiro]

The End

[soadscrawl]

TOGETHER, THEN

[stinkyeggbow]

I love you,I love you,I love you

[ariirdraws]

Hopping on the trend

[minimanuke]

Two babies talking, one throws tantrum because of a rival, the other because of his favourite show, i love them

[nekophy]

✨👏 DOUBLE DAD DEFENSE!! 👏✨

KFP3 pt1 - KFP3 pt2

[iwtvfanevents]

Rewind the Tape —Episode 1

Art of the episode

During our rewatch, we took note of the art shown and mentioned in the pilot, and we wanted to share. Did we miss any? Do you have any thoughts about how these references could be interpreted? How do you think Armand and Louis go about picking the art for their penthouse in Dubai?

The Fall of the Rebel Angels

Peter Bruegel the Elder, 1562

This painting is featured in the Interview with the Vampire book, and it was important enough to be included in the draft pilot script!

Bruegel the Elder was among the most significant Dutch and Flemish Renaissance artists. He was a painter and print-maker, known for his landscapes and peasant scenes.

Three Studies for Figures at the Base of a Crucifixion

Francis Bacon, 1944

Bacon was an Irish figurative painter, known for his raw, unsettling imagery and a number of triptychs and diptychs among his work. At a time when being gay was a criminal offense, Bacon was open about his sexuality, and was cast out by his family at 16 for this reason. He destroyed many of his early works, but about 590 still survive. The Tate, where these paintings are displayed, says this about the work: "Francis Bacon titled this work after the figures often featured in Christian paintings witnessing the death of Jesus. But he said the creatures represented the avenging Furies from Greek mythology. The Furies punish those who go against the natural order. In Aeschylus’s tragedy The Eumenides, for example, they pursue a man who has murdered his mother. Bacon first exhibited this painting in April 1945, towards the end of the Second World War. For some, it reflects the horror of the war and the Holocaust in a world lacking guiding principles."

Strawberries and Cream

Raphaelle Peale, 1816

Peale is considered to have been the first professional American painter of still-life. [Identified by @diasdelfuego.]

Outfits inspired by J.C. Leyendecker

Leyendecker was one of the most prominent and commercially successful freelance artists in the U.S. He studied in France, and was a pioneer of the Art Deco illustration. Leyendecker's model, Charles Beach, was also his lover of five decades. You can read costume designer Carol Cutshall's thoughts on these outfits on her Instagram.

Iolanta

Pyotr Tchaikovsky, 1892

The opera Louis and Lestat go to was composed by Tchaikovsky, another gay artist. The play tells a story "in which love prevails, light shines for all, lies are no longer necessary and no one must fear punishment," as put by Susanne Stähr for the Berliner Philharmoniker.

On the Hunt or Captain Percy Williams On A Favorite Irish Hunter

Samuel Sidney, 1881

The unidentified painting on the right might be from the same hunting series, though we couldn't identify the exact one. There's also a taxidermy deer, ram, and piebald deer on the wall. [Identified by @vfevermillion.]

The Artist's Sister, Melanie

Egon Schiele, 1908

Schiele was an Austrian expressionist painter and protege of Gustav Klimt. Many of his portraits (self portraits and of others) were described as grotesque and disturbing. [Identified by @dwreader.]

A Stag at Sharkey's

George Wesley Bellows, 1909

Bellows was an American realist painter, known for his bold depictions of urban life in New York City. [Identified by @vfevermillion.]

Mildred-O Hat

Robert Henri, undated (likely 1890s)

Henri was an American painter who studied in Paris, where he learned from the Impressionists and determined to lead an even more dramatic revolt against American academic art. [Identified by @nicodelenfent, here.]

Starry night

Edvard Munch, 1893

Munch was a Norwegian painter, one of the best known figures of late 19th-century Symbolism and a great influence in German Expressionism in the early 20th century. His work dealt with psychological themes, and he personally struggled with mental illness. [Identified by @vfevermillion.]

If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!

Starting tonight, we will be rewatching and discussing Episode 2, ...After the Phantoms of Your Former Self. We hope to see you there!

And, if you're just getting caught up, learn all about our group rewatch here ►

[edensbackyard]

Tape recorder click sound my beloved

[joshuamj]

The Magnus Protocol 1 - First Shift

[glitchedcosmos]

Yeah he’s fine.

[aru-art]

sourdough rolls with homemade lemon curd what the absolute fuck man