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scotianostra · 6 months

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Happy Birthday the Scottish folk singer/songwriter Brian McNeill born on April 6th 1950 in Falkirk.

Brian was a founder member of the Battlefield Band, one of our finest Folk Groups. He also joined several other top Scottish Folk musicians including Dick Gaughan in Clan Alba.

Brian is a multi instrumentalist – chiefly fiddle, bouzouki, mandocello, guitars and concertina – and the importance of his songwriting has long been recognised with such songs as The Yew Tree, The Lads O' The Fair, The Snows of France and Holland, Strong Women Rule Us All With Their Tears, Any Mick'll Do and No Gods and Precious Few Heroes. Many of his songs have been performed and recorded by artists worldwide. He has been described as ‘Scotland’s most meaningful contemporary songwriter’.

Brian’s audio visual shows, The Back O' The North Wind, about Scottish emigration to America, and the sequel, The Baltic Tae Byzantium, exploring the influence of the Scots in Europe, have won wide critical acclaim. His long connection with America's Lone Star State led to him being created an honorary Texan by the then Governor George W Bush. For six years Brian was Head of Scottish Music at the RSAMD, now the Royal Conservatoire of Scotland.

Brian is increasingly in demand for his production skills and his album credits include Davey Arthur, The Paul McKenna Band, Lorne MacDougall, Rua Macmillan, Eric Bogle and John Munro, Matt Tighe and Tad Sargent, The John Wright Band, Drones and Bellows and Missouri a cappella quartet The Wee Heavies.

As well as his musical talent Brian has also turned his hand to writing, he pens short stories, crime and mystery fiction involving his hero, busker Alex Fraser and his heroine, private sleuth Sammy Knox.

Brian is currently on the road with the The Feast of Fiddles 30th anniversary tour.

A song Brian wrote is one of my favourite modern folk songs

No Gods And Precious Few Heroes

I was listening to the news the other day Heard a fat politician who had the nerve to say He was proud to be Scottish, by the way With the glories of our past to remember "Here's tae us, wha's like us", listen to the cry No surrender to the truth and here's the reason why The power and the glory's just another bloody lie They use to keep us all in line

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So farewell to the heather and the glen They cleared us off once and they'd do it all again For they still prefer sheep to thinking men Ah, but men who think like sheep are even better There's nothing much to choose between the old vain and the new They still don't give a damn for the likes of me and you Just mind you pay your rent to the factor when it's due And mind your bloody manners when you pay

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

And tell me will we never hear the end Of puir bluidy Charlie at Culloden yet again? Though he ran like a rabbit down the glen Leavin better folk than him to be butchered Or are you sittin in your Council house, dreamin o'er your clan? Waiting for the Jacobites to come and free the land? Try going down the broo with your claymore in your hand And count all the Princes in the queue

So don't talk to me of Scotland the Brave For if we don't fight soon there'll be nothing left to save Or would you rather stand and watch them dig your grave While you wait for the Tartan Messiah? He'll lead us to the Promised Land with laughter in his eye We'll all live on the oil and the whisky by and by Free heavy beer! Pie suppers in the sky Will we never have the sense to learn?

That there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And I'm damned sure that there's plenty live in fear Of the day we stand together with our shoulders at the wheel Aye, there's no Gods

#scotland #scottish #history #singer songwriter #folk singer #Youtube

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bravagio · 2 years

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some troughs of the game on top of my head, big spoilers ahead:

The world building and the visual arr really great! Maybe the plot is a little bland but whatever.

Audrey is an artist fr she just try to do her beloved job and then she's fucking murdered! Iconic!

Wilson sounds like he had smoked cement every day since he was six.

They really gendered the lost ones. ok. whatever.

I'm sorry but why the fuck you hype Porter in the promoting stuff and then give him three words and half minute on screen??

I'm not a great fan of the new ink demon's design. Through the open mouth is cool.

If you blink you miss Sammy scene in all the game.

Old batim characters like Wally, Shawn, Grant etc are present in written notes and audio records along with other random guys.

Every time I hear Natan Arch talk:

The books can't be canon? Like a lot of dates and places can't work in the batdr story. What the hell?? ? ???

Joey n Nathan are in competition for the most insufferable false cunt ever and they have both win the first prize🥇

Henry face reveal. It's not a bad design actually, very Henry-esque, but I really would have preferred it to remain unknown.

"She was the fourth" was actually about the the fourth Butcher Gang member, but beside a cartboard and a corpse there's nothing :(

Twisted Alice is Twisted Alice but with a gun.

*Twisted Alice and Allison Angel sapphic moment*

Allison Angel is Allison Angel but with a gun.

The rainbow lights on all the way to meet Wilson lol, lmfao even

The final boss design is FIRE!!!! This lil dude cartoon oc deformed by the machine, which can't do shit right, is splendid! I wish they'd put more monsters like him tbh

The fusion between the ink demon and Audrey is caked.

#bravagio #batim #bendy and the ink machine #batdr #bendy and the dark revival #batdr spoilers #bendy spoilers

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dangoarts · 2 years

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i realized something as i was falling asleep yesterday: if i want people to like the au i'm making, i need to actually share what the hell's happening in my brain. therefore

Blotted AU Masterpost!

I've mentioned the Blotted AU a bit here, but I've barely gone in depth about what it actually is. In short, it's a Batim/Batdr rewrite AU inspired by Epic Mickey. It roughly merges the concept of the Cycle with the early game story of Epic Mickey, ideas from Ink Machine and Dreams Come to Life, and the story of Dark Revival. The general plot is that the cast from Bendy and the Ink Machine are all dragged into the Cycle by the Ink Demon and now have to survive as a team.

Before I go in depth (and it's gonna be long i apologize), here is the google doc where I wrote down every idea dump I had for it, a cast list with their roles and brief history in the au, and a rough timeline. It won't be any better of a tl;dr for this post since it's a barely organized mess that only makes sense to me, but if you're interested in seeing how the au developed over time, feel free to give it a read! A lot of the idea dumps ended up being about Sammy whoops (he's my favorite).

~*~*~

The rewrite starts off when Joey commissions the Ink Machine from Gent. Originally it was to cut down on animation costs and time, but when he realizes he could make 3D actors with it, he starts to experiment.

His first attempt that lives is Ink Bendy. His disfiguration and uncannily human appearance is immediately met with hostility and rejection, and Joey basically crams him back into the machine to try again. Unbeknownst to him, that creates the Cycle and Bendy never actually died. The rejection and isolation along with being trapped in a realm that mimics the fleeting glimpse of the real world he could've lived in started brewing up his very negative feelings towards Joey and humans in general.

Joey tries to make Bendy again, but the only surviving clones are the Wandering Sin Bendy and Concept Bendy, both of which are "scrapped" like Ink Bendy. Once he accepts that Bendy won't work, he tries with the Butcher Gang. A lot more clones survive, but they all end up horribly disfigured and mutilated. All of them are thrown into the Cycle.

His attempts with Alice Angel make incredibly humanoid creatures (original Lost Ones minus the dead employee bit), and that leads him to try creating an actual human with the Ink Machine. Everyone is really concerned about his actions and the ethics behind it at this point, and they get Henry to try and stop him. Naturally, Joey ignores them, makes a secret room for it, and continues his experiments.

After numerous failures that end up creating the population of the Cycle, Audrey is born in 1941. Joey discovers the joys and struggles of being a single dad working an executive position until 1946, when the Ink Demon finally gathers enough power over the Cycle to control the Ink Machine. Joey Drew Studios floods with ink, and every employee in the building is dragged into the Cycle.

Nathan Arch inherits the studio rights and adopts Audrey like Joey's will requests. A lot of her childhood with Joey is forgotten due to normal childhood amnesia, but she still goes by Audrey Drew. Her life is relatively uneventful and she gets hired as an animator in Archgate Studios like normal.

Meanwhile, in the Cycle, the studio employees quickly have to find shelter from the hostile toons. After finding refuge in Artist's Rest, they start pushing back against the Ink Demon's relentless aggression. It turns into a war of survival, with each side fighting to trap or destroy the other.

The animators start losing the fight when Sammy gets his eye torn out by the Ink Demon. The ink from the wound creates a mental connection between the two, and he's slowly corrupted from the inside out. It culminates into the Ink Demon puppeteering him, forcing him to lead the toons into the animators' base. A massive fight breaks out that kills most of the studio employees, and the Ink Demon consumes Joey's soul to permanently kill him.

Besides Joey, the employees who died are reincarnated as toons or Lost Ones, dubbed "conversion death." Usually their memories of their past life are blocked off, allowing their original personalities to stay but creating a blank slate for the Ink Demon to control. Conversion killed toons can keep memories from their past human life, but they never keep all of them. They can also regain their human memories again, but the process is usually very confusing, drawn out, and painful, with the memories coming back as visions accompanied by migraines.

Sammy was conversion killed after the fight that killed Joey. He was made into the Ink Demon's second in command, complete with receiving a fraction of his power as shifting through walls and manipulating his ink appearance. Susie and Norman were conversion killed during the fight, and they became Twisted Alice and initially a Lost One respectively. Norman's body was incredibly unstable and needed mechanical implants to survive outside of the Puddles, resulting in the Projectionist.

Henry steps up in Joey's absence and leads the surviving few to the Gent workshop after a few days of living precariously without safety. They switch their focus from fighting against the Ink Demon to surviving, now locked in a defensive stalemate with the toon forces. During the time, Thomas uses the familiar tech and supplies to create the signal towers, sealing off the workshop from the toons.

During the stalemate, the animators still had to brave the studio to gather food and materials. Jack, Wally, Shawn, and Daniel did most of the scouring, and Allison and Thomas only ventured out whenever they needed more supplies for his machines. While on those missions, Daniel was conversion killed into Buddy Boris, Jack's left arm was slashed and corrupted, and Allison and Thomas were conversion killed together into Allison Angel and Tom.

Boris forgot everything from his past life, but still shows sympathy to the animators. He lets them stay in his hideout he made if they need to and helps them evade the other toons. Allison and Tom forgot most of their past, but they remembered that the Ink Demon was dangerous and the animators weren't. They quickly went back to their side as soon as they could.

In 1963, Wilson disappears from the real world after finding out what the Ink Machine does in Archgate's museum honoring Joey Drew Studios. In the Cycle, he picks up where Thomas left off on the development of technicolor to combat the toons, along with trying to create his own ink life. He succeeds at both with the creation of the Keepers and technicolor ink, and the war flares back up.

Eventually, he uses the technicolor to gravely weaken and imprison the Ink Demon after a large fight. Henry is against his actions and torturous experiments on the Ink Demon, and he leaves after getting into a massive argument with him. To everyone else, he completely vanishes, but he instead takes up residence with Boris.

In 1973, the Ink Demon escapes from his physical prison Wilson trapped him in. He starts to recover from Wilson's treatment, but still can't get past the mental prison of Dapper Bendy he trapped him in. On the anniversary of the studio's disappearance, Audrey is lured into the Cycle by the Dark Puddles. Most of the story here follows Dark Revival's, with Allison finding her after a Piper raises the alarm, Audrey discovering Bendy and accidentally shocking him with her power, the Ink Demon getting released periodically from his toon prison, and Audrey finally making it to the Gent workshop.

When the Ink Demon's toon prison destabilizes, he acts a lot more aggressive and automatically treats everyone as his enemy. He kills anyone he can get his hands on, which included an overjoyed Sammy that ran straight to his death. He calms down after Audrey shows him kindness as Bendy, and he especially calms down when she shows him that same level of kindness and additional sympathy both as Bendy and the Ink Demon once she learns what had happened to him.

However, during that, Sammy took the death extremely badly, believing that he was killed because he didn’t free him, and does everything he can to earn his forgiveness again. Along with suffering through memory flashes of his past life, he tries to sacrifice anyone he can get his hands on, which includes the other toons that once trusted him. They reject him as their leader and start forming isolated groups, with some of them becoming Amok and their followers, the Ink Jets, the Demon Followers that still fight against the animators, and colonies of Butcher Gang clones. Alice wanders the studio alone, and the Projectionist stays in his designated area.

Sammy gets imprisoned after trying to attack the Gent workshop in a desperate attempt to please the Ink Demon. During his imprisonment, he regains most of his memories and starts to question how genuine his loyalty was to the demon. Audrey finds Henry shortly after and brings him back. Henry explains the full history of the Cycle to her, including what Joey did and the revelation that she's not human.

I'm still unsure whether or not I want Wilson to create a big scene with Shipahoy Dudley, and if he did, he would permanently die like Joey. However, I do want Audrey to deescalate the situation between the Ink Demon and the animators. His problems all came from Joey, and the other workers did nothing and were against his actions with the Ink Machine. Once he calms down and stops, he'd release everyone who isn't native to the Cycle back into the real world.

The ones who died in the Cycle revert back to mostly human in the real world. Some traits from their previous forms carry over like scars, Alice and Allison keeping their horns for example. They'd have to readjust to living like humans again along with revoking their legal death status.

~*~*~

and that's it! if you made it this far congrats you're a trooper

i'm still working on it and i wanna make stories for it like i did with sammy already, so praying to the motivation gods that i can get enough brainthoughts to write

now that i have the explanation done i can go back to posting cryptic nonsensical stuff about it

#batim #batdr #bendy and the ink machine #bendy and the dark revival #batim dctl #batim au #batdr au #blotted au #blotted au masterpost #blotted au explanation #writing stuff #gif warning #long post

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activitesparanormales · 1 year

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Pas vraiment d'ici

C’est Ralph Binder qui le premier a pointé le fait au début des années 90. A savoir l’absence totale de références à la seconde guerre mondiale dans les écrits des écrivains de la Beat Generation que furent Allen Ginsberg, William Burroughs et Jack Kerouac. Binder était un critique littéraire spécialiste de leur œuvre et leur avait déjà consacré plusieurs études. Le fait aurait pu lui sembler anodin s’il n’en avait pas déduit une hypothèse qui, il faut le dire, ne possédait pas à l’époque où il la formula toute la vraisemblance d’une vérité.

Lorsque Binder établit ce fait la chose pouvait sembler sans importance. Après tout ces trois écrivains n’avaient jamais eu pour but de se faire les historiens de leur époque. Mais il faut bien se rappeler ce que disait Binder. Il n’affirmait pas seulement que Ginsberg, Burroughs et Kerouac ne s’étaient pas intéressé au plus grand évènement du 20ème siècle. Il pointait le fait que dans leurs écrits, ni la seconde guerre mondiale, ni ses causes, ni ses effets, ni rien de ce qu’elle avait pu imprimé au monde n’y était perceptible.

De cette constatation irréfutable et d’autres données il en tira l’article publié il y a maintenant plusieurs années dans Future Memories. Ralph avait attendu longtemps avant d’offrir au public le fruit de ses recherches. La prudence dont il avait fait preuve plaidait en faveur du sérieux de son travail. Ceux qui l’ont bien connu l’ont même souvent qualifié d’esprit pointilleux et tatillon à l’excès.

Ceci explique pourquoi son article, en dépit de ses folles affirmations, fit l’effet d’une bombe et suscita un œil attentif de la part des spécialistes de ces trois écrivains. Que disait Ralph Binder en substance ? Tout simplement qu’il leur avait été impossible de parler de la seconde guerre mondiale puisque celle-ci, dans leur monde, n’avait jamais eu lieu.

Mais comment pouvait-on l’expliquer ? Ralph Binder affirmait que les trois écrivains avaient vécu dans deux mondes parallèles différents, le nôtre et le leur où la seconde guerre mondiale n’avait pas eu lieu. L’explication quant à l’interpénétration de ces mondes parallèles était à l’époque impossible à formuler pour Binder mais il supposait que l’usage fréquent de la psilocybine par les trois écrivains avait pu créer un trou de vers mental leur permettant de passer de l’un à l’autre.

Toujours selon Binder, l’existence de ce monde parallèle expliquait la vie aussi bien que l’oeuvre des trois « voyageurs des mondes » ainsi qu’il les appelait. La poésie échevelée de Ginsberg, l’errance pathologique de Kerouac, les disparitions inexpliquées de Burroughs et son absence au réel prouvaient bien qu’ils n’étaient pas vraiment d’ici. Binder allait plus loin. Dans le monde parallèle qui pouvait communiquer avec le nôtre, la mafia Nova existait vraiment.

Les années passèrent et l’intérêt pour l’article retomba jusqu’à ce que l’évènement singulier survenu en 2033 dans le grand collisionneur du CERN ne vienne confirmer la folle théorie de Ralph Binder. Ce dernier était déjà mort lorsque le 21 juin 2033, une surtension non contrôlée provoqua l’explosion partielle de l’accélérateur. On sait maintenant que l’incident dramatique provoqua la formation d’un trou de vers stabilisé reliant un monde parallèle au nôtre.

Dans le chaos et la panique qui suivirent personne ne remarqua les silhouettes chancelantes qui s’éloignaient des bâtiments en feu. Nul ne leur demanda leur identité et ils s’évadèrent dans la nature sans laisser de traces.

On connaît maintenant leur identité. Sammy the Butcher, Green Tony, Iron Claws, The Brown Artist, Jacky Blue Note, Limestone John, Izzy the Push, Hamburger Mary, Paddy The Sting, The Subliminal Kid, Blue Dinosaur, Mr. and Mrs. D., tous membres éminents de la Mafia Nova, profitèrent du trou de vers pour passer dans notre monde.

Leur but ne faisait aucun doute. Nova veut infecter la Terre et prendre le contrôle des opérations. Cette guerre est la guerre ultime. L’infection gagne toujours plus de cerveaux chaque jour qui passe.

Ginsberg ne fit que nous divertir, Kerouac opta pour une fuite éperdue, William Burroughs – Inspecteur Lee de la Nova Police – se lança quant à lui dans la bataille. Chacun de ses écrits tenta de nous alerter. « The purpose of my writing is to expose and arrest Nova Criminals. I show who they are and what they are doing and what they will do if they are not arrested. [...] With your help we can occupy The Reality Studio and retake their universe of Fear Death and Monopoly. ».

On comprendra mieux maintenant pourquoi William Burroughs aimait tant les armes.

DH juin 2033

#text #fanzine #parallel world #william burroughs #william s. burroughs #litterature #science fiction #physics #experimental

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thehyperrequiem · 2 years

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Diego and the Scary Monstrous Revival (Bendy and the Dark Revival parody) cast

"Return to the cartoon studio from Diego and the Dino Machine™. See the ink-soaked kingdom of Diego Brando™ like never before through the eyes of Edge/Jolyne, an animator with mysterious abilities. Deeper, darker, and with more horror-stoked action, the Scary Monstrous Revival will keep you on the edge."

Edge (Mario + Rabbids) as Audrey Drew (Real World)

Jolyne Cujoh (JJBA Stone Ocean) as Audrey Drew (Cycle)

Starscream (Transformers Prime) as Wilson Arch

DIO Brando (JJBA Stardust Crusaders) as Shipahoy Wilson

Mikitaka Hazekura (JJBA Diamond is Unbreakable) as Porter

Mariah (JJBA Stardust Crusaders) as Betty

Wambus Troubleham (Bugsnax) as Steve McGregor

Carne (JJBA Vento Aureo) as Big Steve

Gwess (JJBA Stone Ocean) as Carley

Dr. Ferdinand (JJBA Steel Ball Run) as Slicer

Foo Fighters (JJBA Stone Ocean) as Heidi

Bakugou (My Hero Academia) as Bill Danton

Ghiaccio (JJBA Vento Aureo) as Mad Artist

Changelings (My little Pony) as Widows

Queen Chrysalis (My little Pony) as Widow King

Ringo Roadagain (JJBA Steel Ball Run) as Lord Amok

DIO Brando (JJBA Phantom Blood) as Shipahoy Dudley

Decepticons and Vehicons (Transformers Prime) as Keepers

Glamrock Animatronics (FNAF SB) as The Ink Jets

Limp Bizkit Zombies (JJBA Stone Ocean) as Iridescent Lost ones

Weather Report (JJBA Stone Ocean) as Henry Stein

Cromdo Face (Bugsnax) as Joey Drew

Scary Monsters Diego Brando (JJBA Steel Ball Run) as Bendy/Baby Benders

Partial Utahraptor! Diego Brando (JJBA Steel Ball Run) as Ink Bendy

Utahraptor! Diego (JJBA Steel Ball Run) as Beast Bendy

Hot Pants (JJBA Steel Ball Run) as Alice Angel

Partial Utahraptor! Hot Pants (JJBA Steel Ball Run) as Susie-Alice

Yukako (JJBA Diamond is Unbreakable) as Allison Angel

Koichi (JJBA Diamond is Unbreakable) as Himself/Allison’s Boyfriend

Gyro Zeppeli (JJBA Steel Ball Run) as Boris the Wolf

Johnny Joestar (JJBA Steel Ball Run) as Himself/Boris’s Friend

Giorno (JJBA Vento Aureo) as Tom

Pucci (JJBA Stone Ocean) as Sammy Lawrence

Rubber Soul, Devo the Cursed, ZZ and Steely Dan (JJBA Stardust Crusaders) as The Butcher Gang

Legoshi (Beastars) as Norman Polk

Formaggio (JJBA Vento Aureo) as The Projectionist

Daniel J. D'Arby (JJBA Stardust Crusaders) as Bertrum Piedmont

Dark Enchantress Cookie (Cookie Run) as Susie Campbell

Joseph Joestar (JJBA Battle Tendency) as Wally Franks

Caesar Zeppeli (JJBA Battle Tendency) as Thomas Connor

Snorpy (Bugsnax) as Jack Fain

Chandlo (Bugsnax) as Himself/Jack’s Lover

Tiziano (JJBA Vento Aureo) as Swollen Jack

Squalo (JJBA Vento Aureo) as Himself/Swollen Jack’s Lover

Triffany Lottablog (Bugsnax) as Allison Pendle

Floofty (Bugsnax) as Grant Cohen

Salt Cookie (Cookie Run) as Shawn Flynn

The Pillar Men and Santana (JJBA Battle Tendency) as The Butcher Gang Enemies

Utahraptors (Jurassic Park series) as The Searchers

Zombies (JJBA Phantom Blood) as Lost Ones

Megatron (Transformers Prime) as Nathan Arch

Airachnid (Transformers Prime) as Tessa Arch

Perceptor (Transformers Animated) as Alan Grey

Gramble Gigglefun (Bugsnax) as Telly Wester

Mario Zucchero (JJBA Vento Aureo) as Angus Newman

Tonio (JJBA Diamond is Unbreakable) as Dale Little

Eggabelle (Bugsnax) as Kay Lee

Beffica (Bugsnax) as Jane Todd

Gingerbrave (Cookie Run) as Lance Derby

Ratchet (Transformers Prime) as Hank Scott

Juno (Beastars) as Grace Conway

Deku (My Hero Academia) as Phil Clark

Sale (JJBA Vento Aureo) as Archie Carter

Carrot Cookie (Cookie Run) as Kitty Thompson

Quinn (Flipline) as Sally Newt

Telence T. D'Arby (JJBA Stardust Crusaders) as Hudson Doyle

Shockwave (Transformers Animated) as Chef Buck

Ironhide (Transformers Animated) as Muncie Dunn

Tea Knight Cookie (Cookie Run) as Eugene Lloyd

Thunder Mcqueen (JJBA Stone Ocean) as Carl

Scary Monsters Diego Brando (JJBA Steel Ball Run) (With Raptor teeth and eyes) as Sinful Bendy

Chapters:

Chapter 1: Drawn to Darkness

Chapter 2: The Raptor's Domain (The Demon's Domain)

Chapter 3: The Eternal Stand Power (The Eternal Machine)

Chapter 4: The Prison of Horrors (The Factory of Horrors)

Chapter 5: The Scary Monstrous Revival (The Dark Revival)

#crossover casting #JJBA #Jojo’s Bizarre Adventures #Bugsnax #Cookie Run #Jurassic Park series #Beastars #transformers prime #transformers animated #my hero academia #mario + rabbids #mario + rabbids sparks of hope #bendy and the dark revival #batdr #fnaf security breach #fnaf sb #flipline

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batim-newboss · 3 years

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New Boss AU Basics

Hello. Allow me to give a brief explanation about this blog.

This is the New Boss AU, Mod A owns the AU and Mod G is the artist for the blog.

What this blog is about: This is a happy family type AU. Henry had a kid, who had a kid, who bought the abandoned studio. The cycle does not exist in this AU.

The goal of the blog: Shenanigans and silliness. Usually.

Ships featured here: Susie/Boris, Sammy/Norman, Henry/Linda, Grant/Bertrum, Tom/Allison, Inky/Alice.

Characters featured here on the blog, as shown above: Beast (Beast Bendy), Inky (Ink Demon), Norman Polk (The Projectionist), Tom (Thomas Connor), Boris (The Toon), Sammy Lawrence, Jack Fain, Bertrum Piedmont, Grant Cohen, Susie Campbell, Allison Pendle, Alice Angel, The Butcher Gang (Charley, Barley, Edgar), Chewy (Concept Bendy), Bendy

OCs here: Beth Stein (shown above), Jelly the giant searcher.

#batim #bendy and the ink machine #about

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lucky-dreamfisher · 4 years

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The Illusion of Living Notes and Spoilers

I feel like enough time has passed for everyone who wanted to get the audiobook to get it, so here are all the notes I made while reading the book.

Please do NOT show these spoilers to anyone who didn’t give their explicit permission to be spoiled! And do not try to sneaky-spoil while being vague and pretending you’re not spoiling either!

TIOL was written in 1941 and published in 1942

Joey’s biggest dream is to become a God

Joey is explicitly not straight (reaffirms his distaste for dating women multiple times in the book, purposely avoids intimate gestures when meeting female friends, and reacts negatively to a straight couple kissing in his presence) but can be interpreted as either gay or asexual, and there’s evidence supporting both of these interpretations

Joey doesn’t think of people as real. He thinks of them as fictional characters in a show (well, he isn’t wrong)

He witnessed a murder at 10, but isn’t bothered by it, because everyone’s fictional anyway (watsonian perspective: little sociopath, doylist perspective: smartest character in the franchise). It was on that day that he started thinking of people as characters in a play, including his own parents.

He likes to throw peanuts in the faces of vaudeville performers he doesn’t like. Very proud of his aim

Joey’s dad sends him a pair of boots every year as a gift. Joey throws them out and buys himself better ones

Though it’s implied that the stories he tells about his parents aren’t true

While in the army, he was bullied for liking girl stuff, like reading romance novels and genre fiction

Nathan and Joey are very close. Nathan often gives him business advice and knows some of his secrets. Nathan looks down on artistic-type people. Joey is the only artistic-type person he admires, mostly for being business-oriented. Nathan is all about money.

Nathan wears a suit, has perfectly slicked back hair, and an elegant mustache. Smokes Cigars. Calls himself Nate

Nathan says that Lottie (the girl from the preview) isn’t real. It’s implied that there are more made-up people in the book. The epilogue implies that Joey intends to bring the made-up people to life one day, just like the cartoons

After leaving the army, and before starting an animation studio, he worked at a bookstore together with Henry for a few years

He took late-night art classes together with Miss Lambert

Bendy was named after Joey’s friend, who murdered a man to take a photo of his dying face for an award show. Joey finds it inspiring. In his words: "Thank god for dark paths, they lead all great artists to their greatest creations". Joey also likes the name Bendy, because it means someone who bends the rules

Nathan says that Joey had a genuine change of heart in his old age, and had “too much guilt and worry”. Nathan is not pleased with that

Abby Lambert is one of Joey’s oldest friends, and the one who introduced him to Henry. She and Joey used to perform vaudeville acts together. Joey played a Devil and Abby played an Angel

It’s implied that Henry created the Butcher Gang, and they were some of his oldest characters, even older than Bendy, Boris, and Alice

Henry left a year after the studio’s creation because he wanted “something that isn’t Bendy” (it’s either that he felt like his creativity was being stifled by being forced to work on the same project all the time, or that he wanted a real family, as opposed to the “studio family” that Joey was satisfied with)

Joey disses Henry a lot in the book. He paints him as untalented, unimaginative, boring, and a poor dresser on top of that. Nathan thinks that pretending to not care about Henry is Joey’s “greatest illusion”

Nathan hates Henry and thinks that Joey’s going too easy on him (if BATDR is Nathan’s world, Henry’s gonna be screwed)

Sammy used to play music at a movie theatre when he was a teen and Joey came to watch his performance every day

They met again a few years later and Sammy recognized him. Joey hired him and Jack on the same day

Sammy smokes

Sammy and Jack performed jazz songs at vaudeville together for some time before working at JDS

Jack gets upset when people ignore him and only pay attention to Sammy. He loves being the center of attention, and has a knack for showmanship. Very optimistic and good natured

Sammy was hired a year after Henry’s departure and has never met him (curious, given that he recognizes Henry in the game) Not true - turns out Sammy was hired in October 1930, so he still could’ve met Henry

As part of his deal with Joey, Sammy has full creative control over his department and people he’s working with (did Sammy replace Susie?)

Sammy hates being at the center of attention and is always very serious. Making jokes comes hard for him, but he plays along sometimes. His expression is very hard to read and he always seems suspicious of people he’s talking with. He’s dressed very neatly and appropriately (unlike Jack, who wears bright and flashy clothes), his hair is long and not slicked back. He’s a few years younger than Joey, but acts much older

Joey thinks that Sammy is his best decision and the man who comes closest to fully understanding him. He takes pride in the fact that Sammy sticks by him for all these years out of his own will, and not because Joey makes him. He thinks Sammy is a genius and deserves to be worshipped like a god (he doesn’t hesitate to tell him that). Asked him once whether there’s anyone Sammy worships, and it’s painfully obvious that he wanted to hear that it’s him (Sammy replied that a god of this magnitude hasn’t been invented yet, which is a nice foreshadowing)

Allison is already working at the studio at the time of TIOL. Before that, she was a Broadway actress. Joey likes to watch her recording sessions. It’s not confirmed which character she’s voicing, but Susie wasn’t mentioned anywhere in the book, so there’s a possibility that Allison was already voicing Alice Angel in 1941

Joey’s meetings with Jack Fain and Grant are just an excuse to have a coffee and chat with them

On his first meeting with Bertrum Joey got drunk and flirty with him. Bertrum told him he’s “not that kind of date” and Joey played dumb (the scene is played for laughs though, so idk if it’s supposed to be seriosuly indicative of Joey’s sexuality)

Bertrum returned from retirement to work on Bendyland

Disney exists in this universe, Joey wishes he could be able to achieve the same with Bendy

Nathan wants to prove “very soon” that he is limitless

The moving ink was developed as part of the Sillyvision film process at some point around 1941. The purpose of Sillyvision was to make corrections to images that have already been created, without having to redraw them from scratch. The ink is activated through contact with a special paper

Joey describes Bendyland’s conception, and the Dark Land sounds eerily similar to the studio world in BATIM & BATDR

Light Land is Alice’s Domain, and as the name suggests it will have many lights. It’s designed to create an illusion of being lifted up

Tiny Land is Boris’ Domain and it gives an illusion of getting shrunk

Big Land is Butcher Gang’s Domain and has giant airplanes and battleships

Joey hates the real world and wants to escape to a make-believe one. He was hoping Bendyland would be that for him. His greatest fear is being unable to create that perfect world, and creating only its dark reflection (ironic)

Joey feels like he won’t be able to truly die and rest his soul until his dream fully comes to life. He calls art his “doorway into immortality” (is Dapper Joey?)

Joey believes a soul is needed to make a lifeless artistic imitation of the world into a real breathing world. He says that he’s been looking for a soul for a long time (he means it metaphorically, but it feels like a foreshadowing)

#Bendy and the Ink Machine #batim #bendy and the dark revival #batdr #bendy: the illusion of living #dreamfisher certified

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hello-im-not-a-possum · 3 years

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18. Skeleton

Buddy and Sammy find the “goldfish room” as the latter calls it, AKA the closet where Joey keeps his skeletons, literally. And in the process, Buddy learns about a few of the skeletons in Sammy’s metaphorical closet. (Set during ink hell, pre loop, post Buddy befriending the lost ones/searchers.)

The Prophet was a strange ally.

It was weird to work alongside someone who worships the guy who tore you in half and is the biggest reason why you’re stuck in a nightmarish, inescapable studio, especially when it wasn’t the nicest or friendliest person before getting claimed by the ink. (Although, as he thought back on it, had he ever met Sammy before it was claimed by the Ink?)

But ANY ally was better than an enemy, especially when that ally knows the studio better than anyone else down here. Besides, it seemed like the Ink man was either unaware of their past or didn’t even know who they used to be, and even if it did, it wasn’t angry about their past issues.

At the same time, working on scavenging trips with the former musician was a nightmare; it was way too tranquil about the situation, and there were too many weird murderous monsters that the wolf and gofer were aware of.

“I do not need to run, little wolf. I can evade these creatures without issue through my Lord’s gift.” The Prophet calmly stated as Buddy gestured confusion about why it didn’t run when the pair heard something that sounded suspiciously like the projectionist’s screams. “Besides, running through these halls is risky, I would be heard by those… more unsavory denizens of this studio and get ambushed by them.”

He wished his typewriter was quieter in instances like this, being able to type out ‘But what if you get caught by your lord?’ and other messages to hand to him without risking alerting the Ink Demon would be great. Or just having his voice back in general.

“If my Lord decides to send me back to the puddles, then it is his right to do so to prove I have changed.” He answered the unspoken question. “But it does mean that I have to work harder to get him to notice how much I have improved, get him to notice me…”

‘Please don’t read my mind unless I give you the “go for it” gesture. It’s creepy otherwise.’

“My apologies, little wolf, while your thoughts come in quieter than everybody else’s… they’re still noticeable, especially when it’s just the two of us.”

Buddy hesitantly nodded and just tried to lead the Prophet out of the ransacked room to look for more stray supplies.

A few more hours of searching lead the pair to a locked room, something that experience told him meant that either it was another dead end or a hidden treasure trove of supplies, and not wanting to go back to the safe house empty handed, he was ready to roll those dice.

Buddy gestured for the Prophet to stand guard as he picked the door’s lock, and as the door slowly creaked open, he was thankful that he couldn’t speak because the scream that came out from his mouth would’ve been loud enough to alert every monster in the studio.

The former gofer felt sick to his stomach when he saw them. Piles upon piles of rotting, mangled, corpses. Human Corpses, not toony corpses like the other Borises or the butchered up members of the Butcher gang. Most of them were unrecognizable, partly because he had never seen most of these people in his life, and partly because they had decayed so much that what remained was hard to figure out who was who and what. The oldest corpses were nothing but skeletons and clothes, and the freshest one looked like…

...Like his own body.

“The goldfish room...” The prophet muttered loud enough for Buddy to hear, startling the poor pup out of his skin as he didn’t hear him enter behind him.

The wolf shuddered and continued to scour the room for anything worth the hassle of all of this. Boris wanted to take a few of the bones, which Buddy unenthusiastically obliged.

“Don’t eat those!” The Prophet interjected so loudly and harshly that it startled both the former gofer and the wolf toon. The ink creature’s anger was so much scarier with how rare it was to see now. “Especially not him! He’s my-” The Prophet stopped itself by covering its ‘mouth’ with its hands as if it was about to reveal a big secret and just took the skeletal arm out of Buddy’s hands and put it back where he found it. Its voice went back to it’s normal calm tone that reminded him of someone who was on the verge of falling asleep, but Buddy heard somberness in the musician’s pitch. “...they’re unclean...”

‘Prophet?’ Buddy gave him the “go ahead, read my mind” gesture. ‘Prophet, what is this place? Who are these people?’

“...You’ve seen your own corpse among them, correct?”

Buddy nodded.

“I know you’ve met Joey, but tell me; ...Has he ever called you ‘Henry’ before?”

‘Yes he has, but what does that have to do with…’ he gestured at the bodies on the floor ‘this?!’

“Henry’s been gone for a long time now.” The prophet stated, but there was a hint of recollection in his tone that weakened the calmness, and the more he talked, the more broken (for lack of a better term) his voice became. “Do you think that you were Joey’s first replacement goldfish? That after Henry left the studio, you were Joey’s only other other Henry?”

Buddy’s ears began ringing and he heard music; it was loud, distorted, fast-paced, and all over the place, the type of music that makes your heart pound out of your chest and makes your hackles stand up, the type of music that tells you to run, but doesn’t clue you in to where or why. The prophet’s body started to shake and tremble.

“The first Other-Henry was actually named Henry as well. And like his predecessor, was an excellent artist who really connected with the characters...”

‘Sammy? What’s going on? do you hear this too?!’

“But unlike Stein, Ross was a very stubborn person who refused to let anyone push him around, especially by either Joey or myself. Surprisingly, I liked that man, but he didn’t last long...”

Fear kept Buddy’s legs frozen to the ground as he covered his ears in a fruitless attempt to muffle the music, it felt like it was being played directly in his head, and then it clicked when the whispers started up, whispers in their tone, but not in volume, they were loud enough to drown out parts of what the Prophet was saying;

‘Sammy help us!’

“The next one was more like you, a younger, less experienced and more skittish person, his first name was ‘Lawrence’ so everyone called him ‘Larry’ to avoid confusion...”

‘Sammy, where are you?’

“...But he was also too nosy for that poor boy’s own good.”

‘you’re too weak!’

“The one after that was a scatterbrained fellow, very passionate about his work but didn’t focus very much on one topic or another...”

The Prophet’s monologue was completely drowned out by the music and chorus of desperate and angry “Other Henries” at this point. Buddy knew he was still talking because of the musician’s gestures, but didn’t hear a single word out of him.

‘Saaaaaammyyyyyyy....’ ‘You’re such a spineless coward...’ ‘Sammy please save us..!’ ‘Why did you let Joey kill us?’ ‘The ink... it’s so cold...’ ‘No wonder Susie hates you so much...’ ‘Sammy, please! It hurts!’ ‘Why did you let us die?’ ‘Why won’t you help us?’ ‘You’re no better than Joey.’ ‘Sammy, help us!’ ‘I thought you loved me...’ ‘Sammy, help us!’ ‘You promised me that you’d always be there!’ ‘Sammy, help us!’ ‘They were right about you...’ ‘Sammy, help us!’ ‘Saaaaaammyyyyyyy....’

He knew that the lost ones, searchers and Prophet could hear each others’ thoughts, but didn’t understand what that was like until now that he was hearing Sammy’s thoughts. No wonder most of them were always so depressed and on edge...

‘Sammy?’ the gofer shook Sammy gently, only to hear his own voice join the chorus of other Henries as one of the ones who sounded like he was mad at him. ‘Sammy, snap out of it!’ he shook the Prophet harder, still not waking the Ink creature out of its trance. ‘SAMMY!’ Doing the first thing that came to mind out of desperation, Buddy slapped the mask clean off of it.

The music and voices died as if they were a candle light snuffed out by the wind.

For a few seconds that felt more like hours, Buddy and Sammy stared at each other in silence before Sammy put its mask back on as if nothing happened and led the toon wolf out of the goldfish room, took a key out of its pocket and locked it behind them.

-----

Back in the safe house, Buddy started up a pot of bacon soup, the stuff tasted a little bit better when it was hot while Sammy tuned the banjo in the dining area and Dot tried to stir up conversation.

“So... how did the supply run go?”

“Fine.”

Buddy involuntarily let out a snort as he took the soup off the stove and took out his typewriter.

[It was the scariest one we’ve ever done so far.

While looking around for stuff, we ended up in this place S The Prophet called ‘the Goldfish room’ and it was filled with dead bodies. HUMAN dead bodies. And mine was in the pile! I couldn’t tell if it was haunted or if it was just the prophet’s thoughts going]

“Little wolf, I do not wish to think about that room again...”

[Sorry.]

The wolf sheepishly put the typewriter to the side and poured the soup into bowls. As the toon and lost one ate, the prophet mostly just stared into his bowl as if he was watching something in it.

“...Before my enlightenment, I was not a good person.” The masked musician stated unprompted.

“Huh?”

“I wasn’t an evil person per say, and I wouldn’t go as far as to call the man I used to be a monster.” He sighed and adjusted his mask. “But I was certainly a bad person, an asshole, a coward who hid behind physical strength, and I had more vices than virtues.”

[Prophet, what are you talking about?]

“I’m trying to answer the questions I know you have before either of you two pester them out of me. Maybe when you’re sated my Lord will allow me to forget again.”

[Are you sure? you seemed really upset back ...there.]

“Well look at it this way, maybe getting it off your chest will help you feel better about it?”

“I suppose...” The prophet sighed again.

“So what does you being a crackhead before finding the Ink Demon Religion have to do with a room full of dead bodies?”

“Dorthy!”

“...I’ll just listen before asking anything else.”

“Thank you.” It readjusted its mask. “Now where was I...” it hummed to itself for a bit before speaking again, with venom slowly but surly pooling into its words. “I had more vices than virtues, and Joey could see all of both, using my virtues to his advantage, and using my vices against myself, he did everything he could to keep me from leaving him too, and it worked.”

The prophet took in a deep breath to stabilize itself.

“Every time I tried to leave, he did something else to make me stay; ‘I love you’s turned to gifts, gifts to false promises, false promises to threats, threats to blackmail, blackmail to going through with it, and when he felt me slipping through his fingers he turned to taking advantage of my addictions... That... monster was a parasite in all aspects except physically... And I didn’t even notice until I might as well have been a walking corpse as I was seeing others march to my fate, but I couldn’t even so much as squeak out a warning without Joey swooping in on his behalf. Some Henries, heads of the art department, didn’t need to be warned by me as they found out what would await them and fled. But Joey didn’t like that... When I tried to warn the ones who needed to be warned, it was easy for him to dismiss me as a loon, a drunk, and an addict, until eventually I just gave up. I couldn’t even save myself, let alone anyone else... let alone the other art departments...”

“...I just stopped trying to keep Joey from leading the sheep to the slaughter, maybe they’re right to be angry at me for being such a coward...”

It then turned to face the wolf and put its hand on his shoulder.

“You’ve asked yourself if you’ve ever met me before the Ink had claimed me, as for that, I don’t know, nor do I think it matters, Buddy. I was nothing but a shallow and beaten husk of myself long before I even had tasted the ink. Even if you met me before then, you only met a ghost, not a person.”

The three then stayed in silence for a while before the clicks of Buddy’s typewriter caught the other two’s attention.

[Well, if it helps you any I think you’re not as bad of a person as you tell yourself you used to be.]

“And I don’t need to hear everyone’s thoughts to know that you’ve really stepped up to the plate when it counted. I don’t think a coward would try to do have the stuff you’re doing now.”

“Thanks you two” The Prophet’s voice cracked with emotion. “That... that really means a lot to me.”

#Bendy and the Ink Machine #buddy boris #buddy lewek #sammy lawrence #dot batim #fanfic #drug abuse tw #abuse tw #dead bodies #psychological trauma #ink demonth

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bestdjkit · 2 years

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from Best DJ Kit https://edm.com/news/odesza-swedish-house-mafia-rufus-du-sol-tickets-live-nation-concert-week

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touchstarvedsam · 4 years

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I was really gonna ignore that "superior"natural thing but I saw that they seem to have some talented artists. So I thought maybe they are doing something interesting (even if it's destiel) so I checked out their Google doc and omg I'm HOWLING! Eileen calls Sam moosie, Cas calls Dean squirrel. Dean calls Cas kitten, Sam calls Eileen otter. They say it's just a incollection of ideas that might not make it into the project, but you get a sense of what you're dealing with there. And this is from1/?

A brief perusal to see how much attention Sam gets compared to Dean & Cas (a word search gave 27/87/100 results for each respectively, so not too much attention to Sam. But sure, Sam is the favorite character of some of their writers). I'm sure a deeper reading will unearth more (like, Dean saying you are home to Cas, who says we're not at the bunker, Dean replies but you are home. That sounds like something Dean would say. And Dean wishes a tulpa into existence 'cause he misses Cas too much)2/?

They say they want to eliminate plot holes but it seems what's a plot hole depends on whether it serves their ship: purgatory stays (we know they love that arc) even if it makes no sense for Crowley and Cas to go through that much in S6 when apparently there are many ways in and out. Cas, the guy who failed at almost everything he's done, is a "master strategist". Every other retcon of later seasons stays as long as it serves ship purposes. Sam gets his fair share of attention but Dean is the3/?

One who teaches Cas about being human including the textures of food (Sam and Cas pbj moment erasure) and Cas should be the one to teach Jack about his powers (no mention of Sam and Jack's relationship). Other ooc things: Cas rides a bike and when Dean asks says it reminds him of flying. After Cain, Dean takes Cas to the farm for bees (?). Cas and Dean snuggle. Knowing Cas is alive gives demon Dean strength to fight to be cured? Dean speaks enochian to Cas. Cas making a mixtape for Dean. 4/?

Cas being in regarding Dean. "Baby jack walking around in cas’s trench coat going “I’m an angel”." Home alone type ep with Jack. Dean kissing cas's forehead when he's dead in 13.01. Crowley is Jack's godfather and gets him a hellhound pet. Sam has a pet fish? Dean sings you're my sunshine to Cas as he sleeps. "Uncle Gabe". Apparently John dropped Sam and Dean off at Bobby's all the time? I don't think this is canon? Keep 15.18 but change 19&20 (of course). There's no drama or angst like 5/?

Kevin's death or Crowley's death or anything that might add tension to the story. Unless of course it serves the ship so plenty of trauma for Cas including darkness (from the empty) and sharp objects (from Naomi). A small mention of Sam's trauma with Lucifer, thank God, but it's interesting that they have so little Sam. They can say they'll flesh out more arcs for Sam but it's clear he's not a priority from how he's not present where he should be. For example, Dean will explain everything 6/?

To Mary and break her out of her brainwashing. But where's Sam? She's his mother too. Other than Eileen Sam's most meaningful relationship seems to be with his pet fish (still confused about that). Even if this project gets better in the future, which I doubt, it's clear what the direction here is. It baffles me that they think this is superior to the show we have, as problematic as the show is. I wish them best of luck but I don't have any high hopes for this. Thanks for the laughs though. 7/7

Sorry for that long ass rant in your inbox. It's in the middle of the night but I'm cackling after reading their doc and I had to share it with someone. I thought you might find it amusing as well. Hopefully all my asks go through. On the one hand, I feel bad hating on a fan project. But the way they've positioned it ("superior"), the blatant disrespect to Sam, and all the shit their side has pulled since the finale (and long before that) has really irked me. Again, sorry.

I just- this whole thing was a whirlwind of nonsense, it took me a whole week to process it. I don’t even know where to start here, or if I want to just yeet my laptop out my bedroom window into the snow. They really consider their ideas superior to the original show? More like Inferiornatural, to be honest. Superinferiornatural? They can’t even seem to characterize them correctly, let alone come up with a decent plotline or idea.

So we’ll start with the nicknames, since that is where you started. The whole thing is painfully out of character, but the worst (and funniest) of them all is Dean calling Cas “kitten,” I might actually laugh myself into an early grave with that one. Dean gives nicknames to shorten people’s names (besides Sam; Sammy is the only person who gets an extended nickname). He’s not going to give someone a longer nickname than the original nickname he uses for them! And Cas wouldn’t actually give nicknames, especially not giving Dean the nickname Crowley gave him??? Otter?! Moosie?! W H A T. Can we move on from grade school kiddie crush nicknames?

I’m currently manifesting Dean saying “kitten” in his gruff voice with that lip curl he does sometimes and I’m cracking up about it. Thanks for the amusement, heIIers.

Of course Sam would only be mentioned 27 times to Cas’ 100 because Sam means nothing to them. He’s only ever either been in their way or a cheerleader for that horribly characterized ship of theirs. I just love how, in order to make DestieI, they have to butcher the characters so irreparably that they’re unrecognizable. Good for them, they can’t even have fanfiction of their ship where the characters keep their canon personalities. 10/10 would laugh at again.

I love the Sam erasure. It’s true to the heIIers’ character at least. They’re a one-trick pony. I’m so used to it by now that I’m totally desensitized to their bullshit. But Dean speaking Enochian? What? When and how did he learn that? I can’t see Dean in his 30s sitting there willingly to learn the language of the angels. Not even if his “kitten” is the one to teach him. Dean doesn’t give a fuck about that. If any of them is going to learn Enochian, it’ll be Sam, and they can fight me on that. I will kick anyone’s ass that argues.

I hope the mixtape Cas makes for Dean is just 4 hours of that Spaghetti song by The Wiggles because Cas sucks at doing human things.

I’d love to see the Sam erasure in the Regarding Dean one. Just swap Sam out for Cas? So Cas is the only one Dean recognizes? Hmm. Where would Sam go? A smoothie place? Yeah, as if Dean would remember the angel who he’d barely known for 8 years at that time over Sam who he’d known since he was 4 years old, lol. Sure, Jan.

The entire 5th ask is WILD, nonnie. A pet fish? Dean singing you are my sunshine? Dean kissing Cas’ forehead? LMFAO. Crowley is Jack’s godfather. The KING OF HELL is Jack’s GODfather. I’m- hgfjdksl I’m sure Dean who was ripped apart by hellhounds would love for Jack to have a pet hellhound. Yeah. Absolutely. “Uncle Gabe” yeah, fuck that guy in particular. Honestly, I’m surprised they haven’t erased Eileen to make SabrieI endgame in their fic. SabrieI is the Sam version of DestieI. It’s just as nasty and abusive :) which was why the heIIers ship it. They’re into abuse. It’s their shtick.

I do wonder what the point of the fish is... Sam has always loved and wanted a dog... you’d think they’d give Sam a dog... but I forgot they don’t pay attention to the show unless the episode has Mushy in the credits. I literally saw a heIIer say they skipped episodes if Mushy wasn’t in the credits... so they don’t know how to characterize Sam or Dean, but from this message they don’t even know how to characterize Cas who seems to be their precious uwu baby angel so I’m not surprised. I can’t wait for them to start releasing this shitshow. It makes for good fodder to make fun of them all over again. They really watched a grand total of 146 out of 327 episodes and thought, “Yeah, my opinion about the show definitely matters,” and I think that’s fucking hilarious.

Sorry for taking so long to respond! Hope I did a good job, nonnie. <3

#anti destihellers #anti destiel #hellers really can't characterize worth shit huh #this is honestly sad and pathetic #hellers are good for nothing if not for laughs #long post #sorry guys #anon #kiri answers asks

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magiefish · 4 years

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hhhhhhhhhh guess who drew all the batim characters in prep for the comic they’re making!

yeah so it took like 4 days to draw all these guys, and it was actually pretty fun figuring out colours and designs and stuff!

(also, update on the Reveries Twisted comic, I have a plan for the first chapter but i have like, 7 tests next week and I haven’t started drawing it yet so it’s definitely not going to be coming out anytime soon sdfgsdfsj but i am still working on it!)

anyway, i felt like writing little descriptions for every character, so feel free to read these below the ‘keep reading’ line if you feel like it! My ask box is also always open, so if u have any questions feel free to ask

Bertrum Piedmont-he/him, gay/ace

-Started working as a mechanic at about 15 and worked his way up from there -Everyone in the studio @ him: why are u british -His big ego often gets in the way of things, but at his core he's a good person (doing bad shit but ultimately having good intentions is common among these guys shdgfs) -Wlw & mlm solidarity w/ Lacie, who is his most trusted confidant and friend -Actually treats his employees well, even when they do basically nothing all day, so he does a lot of work himself most of the time Linda Stein-she/her, straight as a ruler -Parents immigrated from Spain -She's very catholic and very into 'traditional family values' and that sort of stuff -She is sweet, but her strict morals and black and white ethics often make her do unintentional harm -She is also pretty oblivious to most things Jack Fain-he/him & they/them, pan/ace, OCD -Mother immigrated from China to France, and then he moved to America, it's confusing -Can play the violin really well, but is terrible at composing his own pieces -Peak friend material -Short and round and soft with a love of a good espresso -Kind and quiet but ultimately ineffective and happy to watch from the sidelines Daniel 'Buddy' Lewek-he/him, aro/ace, autistic, jewish -He is curious and observant, but very very naive -He finds it hard to pick up on social cues, and tends to daydream a lot -Never really had a father figure, and unfortunately kind of half sees Joey as one (baaaad choice), but his mother is great -Loves drawing and tends to chew on pens (and most objects really) -Too young Susie Campbell-she/her, demi -Her parents were Russian and she picked up their accent, but taught herself how to cover it up. She is now excellent at voice acting. -Has a birthmark most theatres turned her away for. But luckily voice acting gave her another chance at performance, and the music department really does not care about it. -Her dad was a butcher, so she now knows a concerning amount about how to cut up and dissect meat. -She gets easily attached to things emotionally, and has a whole pile of random bits and bops she keeps on her person because she can't throw them away. -Naive, but smart enough to know how to read and deceive people if needed. Ms Abigail Lambert-she/her, lesbian -A very gifted artist, who is quite frustrated with the business aspect of animation. -Picked up quite a few things about engineering from Lacie. -Stern, but kind. Motherly, if she likes you and you squint hard enough. -Used to fighting for things. -Giving her food is a pretty good way to get her to like you. Being an artist, she forgets to eat at the correct times a lot, so a meals always appreciated. Norman Polk-he/him, gay, albino -Knows how to fix things, knows how to fight, knows how to hide -General cool uncle vibes -He watches people a lot, and gives off some creepy vibes, but he does genuinely care about people -Knows something is up and is determined to find out what (even if he dies trying) -Fought in WW1, then worked at a cinema for a bit. Emma Lamont-she/her, heteroflexible -Keep dancing even when everything goes wrong -Bit of a 'i'm better than these fools' mentality going on -But she's pretty chill, and willing to act when needed -Basically every woman in the studio knows her on the basis that she chills in the girls bathroom. -Hates Joey, but knows those who stir up a bit too much trouble usually 'resign' Sammy Lawrence-he/him, (vocal-romantic) bi/ace, ADD -His dad sucked, so he ran away. He's also the reason he's largely abandoned his faith, but he still holds hope that there is some kind of god out there. -He and Jack are basically brothers, they've known each other for a long time. -He can compose music in his head, but can play basically every instrument. -Tall and thin and sharp with a love of black coffee. -He's actually pretty chill and nice, but the conditions of the studio (workload, noises, dreams) have left him quick to snap and a stressed out mess. -He's pretty oblivious to his own feelings and spends basically all his time thinking about music, so he usually only realises that he has a crush on someone if he hears them singing (hence the vocal-romantic joke) Johnny Hart-he/him (she/her), gay (trans), heart condition -A nervous wreck who avoids everything and everyone -Trans but doesn't realise it, he thinks this level of discomfort has something to do with his heart condition or something like that. -Speaking of which, if he gets genuinely terrified or panicked he could have a heart attack. -Hence why he's a recluse who remains in the organ room and interacts w/ literally no one. -Except Dot and Buddy (who forgets he exists and who he also has a crush on). Wally Franks-he/him, pan -Friends with literally everyone who isn't one of the older folks (and thomas) -Honorary member of the music department because he can play a harmonica and vibes with everyone there. -Tries to put a positive spin on everything, often beyond the point of reason -A mischevous, mildly selfish prankster with a heart of gold -Gossip pals with Susie and Norman The Violinist-she/her, nobody knows -Has literally never expressed an emotion ever -Seems to know things are going to happen before they happen -Just generally pretty weird -She isn't friends with Dot, they're both just vaguely interested in what the others doing -She looks a lot like Allison, but the two have never spoken and nobody knows if they're sisters Thomas Connor-they/them, gynephilia -He is just. So tired. -An actual mechanical genius who gets his work used for the wrong purposes. -Is very of the 'when you're on a path stick to it' mentality -Cold and hard exterior that vertually no one except Allison has ever managed to get through. -He can and will beat you up. Henry Stein-he/him, gay, vitiligo -Nice and hardworking. -Doesn't have many emotions other than to draw. -He's in fucking narnia he's so deep in the closest. -Feels emotions, but buries them deep down and doesn't express them too clearly. -Has difficulty setting healthy boundaries with people and represses himself far too much. Joey Drew-he/him, homoromantic/pansexual, bipolar disorder, alcohol and cigarette addictions -Chaotic, feral, short little man who lies to everyone -Charismatic as hell, but also a terrible friend and person in general -He doesn't blink enough, does not know the meaning of personal space, and hasn't aged for about 4 years, which are all very bad signs. -Doesn't understand how to run a business but does so anyway. Doesn't understand how to interact with people but does so anyway. Doesn't understand how to create life but does so anyway- -He isn't pure evil, he just gets into very bad mindsets and makes poor decisions that lead him down the wrongest way to go. -Does some self evaluation and goes 'maybe this wasn't the right way chief :/' just a bit too late Audrey Dempsey-she/her, lesbian, Borderline Personality Disorder -Feral conspiracy theorist -May or may not be related to multiple studio members -Everyone's called her crazy for years and made her feel like a burden, and she is hellbent on proving everyone wrong -Quite socially awkward, and rather sarcastic with a dark sense of humour -Works for Archgate Allison Pendle-she/her & they/them, androphilic/ace -Is forever lost in a vintage clothing store -Most people say she seems nice, but everyone just kind of subconciously registers that there is something up with her -Knows a lot about the supernatural -The person closest to Joey, which doesn't necessarily mean they're friends -Nobody has ever seen the right side of her face Dot Acciaci-she/her, pan -Her parents are Italian, and she speaks a little herself, usually using it to encrypt her private notes -Mischevious & curious, but ultimately kind -She will find out your secrets, and is very good at reading people -Great storyteller -Struggles with loneliness a lot Dr Eleanor Hackenbush-she/her, aro/ace -Science knows no bounds -Doesn't care what your motivation is, as long as you give her some cash and some experiments -Filled with nothing but utter spite Ms Reina Rodriguez-they/them, demi -Tired of everything -Although she puts up a calm exterior, Rodriguez is very attached to the studio and views it as her 'new family', having a terrible relationship with her old one -Her family drama connects to the fact they're very catholic, but she nobody knows what this drama is other than Joey Tessa Arch-she/her, straight -An absolute bitch -Trusts her husband far too much -Not very smart, but compensates for this for being good looking and rich Shawn Flynn-he/him (intersex), pan -Jovial, but gets angry quickly -Willing to do 'wrong' things if it helps someone else out, kind of like Robin Hood or something -His mother taught him how to sew and he helped her make clothes when he was younger -Found it hard to get a job because he's Irish, so despite being tired of all the bullshit of JDS, he is reluctant to look elsewhere -Friends with Lacie and Grant because they appreciate his humour Lacie Benton-She/her, lesbian, trans -Tougher than the toughies -wlw & mlm solidarity w/ Bertrum, who she views as one of the only genuinely smart people in JDS and who she has worked for for basically all of her life -Feels like something is up, but doesn't notice much if it doesn't connect to her work -Has automatophobia -Friend with Shawn and Grant because she respects their dedication to their work Grant Cohen-He/him, bi, depression, jewish -Absolute madlad at maths -Acts like he doesn't care what you think, cares far too much about what you think -Everyone wants him to just get therapy already -Doesn't have many friends, but has a weird 'we're both horribly overworked' kinship with Sammy, so they usually just chill and smoke together -Friends with Shawn and Lacie because they're actually mentally stable and he needs some rocks Nathan Arch-He/him, straight -You should hate him -You should hate him a lot -Super rich and doesn't pay his workers enough -Silver tongued -Basically a spider. Creates webs of manipulation and lies, sees a lot, and knows plenty about waiting for his prey to come to him.

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scotianostra · 3 years

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Happy Birthday the Scottish folk singer/songwriter Brian McNeill born on April 6th 1950 in Falkirk.

Brian was a founder member of the Battlefield Band, one of our finest Folk Groups. He also joined several other top Scottish Folk musicians including Dick Gaughan in Clan Alba.

No Gods (and Precious Few Heroes)

I was listening to the news the other day Heard a fat politician who had the nerve to say He was proud to be Scottish, by the way With the glories of our past to remember

"Here's tae us, wha's like us", listen to the cry No surrender to the truth and here's the reason why The power and the glory's just another bloody lie They use to keep us all in line

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So farewell to the heather and the glen They cleared us off once and they'd do it all again For they still prefer sheep to thinking men Ah, but men who think like sheep are even better

There's nothing much to choose between the old vain and the new They still don't give a damn for the likes of me and you Just mind you pay your rent to the factor when it's due And mind your bloody manners when you pay

And tell me will we never hear the end Of puir bluidy Charlie at Culloden yet again? Though he ran like a rabbit down the glen Leavin better folk than him to be butchered

Or are you sittin in your Council house, dreamin o'er your clan? Waiting for the Jacobites to come and free the land? Try going down the broo with your claymore in your hand And count all the Princes in the queue

So don't talk to me of Scotland the Brave For if we don't fight soon there'll be nothing left to save Or would you rather stand and watch them dig your grave While you wait for the Tartan Messiah?

He'll lead us to the Promised Land with laughter in his eye We'll all live on the oil and the whisky by and by Free heavy beer! Pie suppers in the sky Will we never have the sense to learn?

#Scotland #scottish #folk singer #songwriter #author #happy birhtday #musician #independence

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hlootooart · 3 years

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hey hlootoo!! i;d love 2 hear ur idea for a batim swap au where the butcher gang is swapped with bendy n co (like... charley barley and edgar w bendy boris and alice, in that order) just 2 see ur take on it!! any concepts of that kind of au in that head of yours?

Eeeeehhhhh not reallyyyy. The closest idea I had was an idea of the Gang (as raised by Sammy) going through this sort of psychological horror journey to save him from something or someone. It also involved dealing with their own artist's past and traumas (in my universe they were stolen from their true creator). So not so much as swapping places with Bendy and friends, but more like Henry.

If any of that made sense lol.

#batim #batim au #batim butcher gang

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mwolf0epsilon · 4 years

Text

First off, before everyone comes after my butt with their "No Fun Allowed" and "Cringe" signs, this is in no way something to be taken as gospel or insightful. It's not a prophetic enforcement of canon. It's literally a theory done for fun, and to try to piece the Bendy Crack up Comics into the general and messy lore of the BatIM franchise.

Most of you get this and don't need a big wordy warning about fanon interpretation, but a lot of peculiar people tend to show up in my ask box hoping to start a fuss over my headcanons and AU ideas, so I thought to be nice and leave a polite and diplomatic "Kindly Fuck Off" sign at the door for them.

With that said, there will be mild spoilers, carry on of your own volition, down below under the cut that will definitely show up because Tumblr mobile is a functional app that's never given me trouble!!!

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[[MORE]]

The Bendy Franchise has an established issue with cohesion in its lore. We all know what I'm talking about, we all have reservations about canonical character discrepancies (game vs novel vs guidebook) and we all have been racking our brains with a few holes in the timeline, as well as how BatDR (which is neither prequel nor sequel) will fit into this, since it's connected to BatDS and that's an established prequel to BatIM.

Granted I myself am missing a lot of pieces, having to scrounge around for info since I can't really get any of the reading material myself and rely heavily on @british-hero (who owns the novel plus got her copy of the comics yesterday), a very incomplete wikie, and analysis and theories from SuperHorrorBro's Bendy videos.

Heck, I also rely on a lot of gameplay footage, because BatIM has a bit of subtle storytelling through visual design of its levels, and hints of how certain characters work through a few game mechanics.

Through this mishmash of collecting puzzle pieces for the greater picture I even have a few notes on my phone to piece together certain events in established dates, something which comes very in handy for this theory since it talks about two particular characters, the Projectionist and Brute Boris (and I guess Twisted Alice to some extent but it's more of a note on some interesting thoughts I have of her).

Without further ado, here's what this theory is all about: Why did Norman become the Projectionist, and why did Twisted Alice turn Buddy Boris into Brute Boris?

If you think about it, there's only two creatures in the studio that really seem out of place in the world of BatIM, and that's Prophet Sammy and the Projectionist. Neither are inherently similar to any of the cartoon characters, nor are they considered to be Lost Ones. They're certainly not Searchers, but while we know Sammy is unique because his method of transformation was different, we never got an explanation for Norman's. It could be that it's a process similar to BatDR's new enemy type that's larger and seems to have bits and bobs stuck to it, but then those big guys seem like the equivalent to Swollen Searchers for the Lost Ones. The Projectionist doesn't really fit the puzzle.

Or at least he didn't.

With the introduction of the Crack up Comics collection, we get three new characters that were definitely designed in the same manner that the Butcher Gang was. Beginning with a corrupt monster forms and then giving way to perfect and pristine rubberhose toon forms.

I'm talking about Miss Twisted, the Brute, and Cameraman.

The villainous trio from the Souper Boris comic strip.

To us it's obvious the artists created them in parallel to Twisted Alice, Brute Boris and the Projectionist, but to the actual canon this actually has a bit of an impact on the Projectionist's existence.

Why, you ask? Because those characters were introduced between 1936 and 1940.

Bendy Crack up Comics table of contents, showcasing the publishing dates of the strips.

For anyone who doesn't know (either from not paying attention to the Joey Drew Studios channel audio logs, or from not owning the books) the Ink Machine wasn't conceptualized or installed until 1942/1943. Putting that into perspective, the only other thing that happened in Joey Drew Studios in 1940, was the conceptualization of Bendyland (which is likely the origin of the idea for the Ink Machine itself).

This means that Cameraman existed well before the Projectionist ever came to be, and that made me think about another thing: The Ink's apparent sentience.

I'll be frank, the Ink is very hard nut to crack. I consider it a form of alchemized entity, others consider it pure black magic, and I'm pretty sure Joey Drew himself had no idea what he was dealing with when he began using it. The fact of the matter is that the Ink is alive and that it has its own agenda. One that coincides with Joey's, out of mutual interest.

In the novels it seems to want to be free, but it can't exactly do that as a formless liquid, so it tries to body-snatch people (ex: Sammy and Buddy's grandpa).

When Joey tries to use it to give life to Bendy through nothing more than using the Ink and a template (likely a character model sheet) the Ink tries to follow the model but immediately becomes a distorted humanoid version of it (which honestly rings so many fucking alarm bells on its own). Things… Escalate there on out, with Joey trying to perfect the method and only managing to succeed through Daniel Lewek (and many other nameless Boris Clones), Allison Pendle and Thomas Connor.

An important thing to take from this, however, is that by trying to perfect this method Joey not only taught the Ink to reshape things into viable referenced material, but that he had to have lost control of just how many souls were being pumped through the Ink Machine for him to monitor and keep up.

Sammy started killing people when he completely turned, and it didn't seem to take long for him to cut down people in likely both the music and art departments. At this point he had no self-restraint and was completely wrapped around inky fingers and Joey's lies.

Norman is one such potential victim, and Dot and Buddy even passed by his ink-wrapped body while fleeing.

Now, the thing about trying to follow a specific guide and not having the actual means to make it exactly the same thing, is an easy enough notion to get (as shows like "Nailed It", and years of trying to perfect visual style mimicry, have taught me).

The Ink likely had the template it needed (maybe a printed copy of Souper Boris that got thrown around in the chaos), the insight of what Norman's role in the studio was, the amount of mass it needed to consume and transform his dead body, but not exactly the right sort of… Centerpiece for it...

Cameraman using his lens to light up his path.

But what's a projector besides a bigger fancier camera? Both blink, both take film, same thing right? The ink doesn't see the difference and just stitches together this humanoid bootleg cameraman with the pieces it finds that are similar enough.

Mechanical blinky head? Check.

Strange round disc near the belly? There's a speaker. That's round! Check.

Film? There we go, a nice big round reel full of film in it, let's put it near the head, that's how it works right? Check.

Lastly, no Joey to actually direct this artistic recreation of a one-off character. The Ink did it all by itself while he was off getting his hand broken by a rightfully upset Buddy Boris.

If you look at it objectively it makes sense that being the projectionist tasked with not only recording and maintaining the projectors themselves, that the entity in the Ink would pick Cameraman as a template for Norman's transformed self.

It also makes sense that the Projectionist is so off-putting in the studio. He's almost perfect, but not quite because there just weren't the right materials. He's stuck in between Twisted Alice and the Butcher Gang clones as another failed recreation.

Moving on to the next question on why Twisted Alice turn Buddy Boris into Brute Boris, when she hadn't done the same to any of the other Boris Clones.

It's hard to say really, but I think it all comes down to who Twisted Alice really is. It's very likely that, as Susie Campbell, she would have knowledge of the comic strips. A few were most likely made into cartoon shorts even (which isn't an unusual assumption to make), and maybe Susie voiced a few background characters for said shorts.

Susie may have lost her role as Alice, but before Joey came to her with his proposition for the "special project" it's very likely that she remained in the studio, forced to do the voices of characters that weren't noteworthy or that she felt completely disconnected from (talking chairs and singing hens really don't become beloved fan-favourites) . Maybe if the Souper Boris story was made into a short, she might have voiced Miss Twisted (which honestly would be personally insulting considering she once had the role of the main heroine).

Point is, Susie knows her lore, and that translates to Twisted Alice's repertoire of insightful knowledge on the abominations lurking around the studio.

She never did turn other Boris clones into brutish lackeys because at the time she didn't need to. But it doesn't mean she hadn't considered it. Henry's disruptive behaviour is just what she needed to put that plan into motion.

There was already a "Cameraman" walking about, one that could easily rip apart anything it came across, so acquiring the means to recreate the "Brute" would have been benefiting from her point of view. The Projectionist doesn't take orders and can't be reasoned with, so if she could make something just as strong that took her orders she could, theoretically, be safe from most terrors in the studio. If that didn't work, she would still likely send others to their death by simply sending them down to Level 14, or maybe lure the Projectionist to them herself (just because he doesn't take orders doesn't mean she can't use him to achieve her end goals).

Miss Twisted, the Brute and Cameraman in their evil swamp lair.

But why Buddy Boris specifically? Why couldn't she have used any of the bodies laying around? Freshness most likely. Rigor mortis is probably still a thing, even for living cartoons. Easier to work a fresh dead body than a bunch of stiff wolves.

That's at least why I think Brute Boris is a thing. Susie's knowledge of most Bendy cartoon/comic strip characters, taking inspiration from the Projectionist's presence, and honestly a very twisted sense of humor and irony. In her quest to become a Perfect Alice, the heroine of the show, she ended up becoming just as antagonistic (although more sadistic) as Miss Twisted, a Bendy comic strip villainess.

#bendy and the ink machine #batim #bendy crack up comics #bendy spoilers #spoilers #theory #headcanons #speculation #twisted alice #the projectionist #brute boris #long post

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