After very little research into the other writings of Laura Ingalls Wilder and Rose Wilder Lane, my hypothesis about the Little House authorship question is that the writing is mostly Rose's, but the heart is Laura's.
In Laura's newspaper columns, the parts that sound most like Little House mostly come from the extracts she shares from Rose's letters (incidentally, it's kind of adorable how proud she is of Rose: "My daughter's in France!", "My daughter's in Albania!", etc.) The prose of Old Home Town, Rose's inspired-by-my-childhood-home novel, has some of the same concise descriptive prose that I've come to associate with the Little House style (I could hear passages in the voice of the Little House audiobook narrator).
Yet the Little House soul is all over Laura's columns. She's fascinated by the simple tasks of life, believes in home and family and hard work, believes in holding onto the goodness of childhood and looking forward with hope toward the future. There's an optimism, almost a romanticism, about life. The children's series that bears her name clearly comes from the same woman.
Rose, by contrast, is much more pessimistic. When writing about childhood, she's almost cynical about the life of a small town. She highlights the dark stories underlying the wholesome exterior, is extremely sensitive to the pitfalls of the social scene around her. Part of the difference is that Rose is writing for adults, but there does seem to be an essential difference in the personality behind the pen, despite the stylistic similarities to Little House.
(At the risk of pop psychoanalyzing people long dead, Rose seems much more neurotic and introverted and sensitive than her mother. In her writings and in the books about her childhood in Missouri, she comes across as child of a fairly comfortable modern life, with all the modern anxieties, in contrast to a woman who grew up starving on the prairie and knows that there are much worse things to endure than small-town gossip).
It's not much of a thesis, but I'm just fascinated by the fact that the Little House series can share so many stylistic similarities with Rose's writings, yet feel so much more like Laura.
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horrible stupidass day. my aunt died. step-aunt technically; she was my uncle's second wife and she was amazing. they were putting up christmas decorations and she didnt feel well so she went to sit down and . that was it . feel weird bc its the middle of the week and im so wiped out from regular work crap that it isnt even hitting really i just found out and im . like sitting here thinking about dinner. but also she's the kind of person who wouldn't care; she'd think that was funny
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(@amorfati-rp Agares) She approaches the dragon quizzically. "You seem....different from the dragons I've heard about. How come you're so different?"
::THE GREEN DRAGON
Of all the people of the village who could have approached it, it was the half-elf girl that was most unexpected.
That girl, always flitting to and fro. Back from her home, across the village, into the forest and out again to the wells - it was understandable. To the dragon's knowledge, she was without a father, she and those two brothers of hers. The priest had been happy to share the news of a pregnancy in the village, one directly attributed to that girl's mother, and so it could only be expected that weight be put on the eldest's shoulders. Even so...
Similar to most residents of a grown age, the half-elf named Agares didn't press herself with coming too close to it most days, if ever. For some, it was merely their way of showing respect to a being as powerful as a dragon, no matter how diminished its powers had become in its old age. They didn't wish to bother it, and the dragon didn't mind - as a matter of fact, the gesture was appreciated some days when the pain had become overwhelming and it remained incapable of doing much else than simply laying with closed eyes.
There were others, however, who feared the Green Dragon and its watchful rest over the village, that whatever gossip or slander spoken in its presence would be taken and relayed to the priest. Of course, it had enjoyed listening to all sounds of the confined, bustling life inside the forest's walls - but it could hardly be thought of as anything more than simple interest and adoration. These worries that came from those humans were stemmed from fear. Fear from their old home, fear from the very same mistakes that had led them there - it could hardly bear any resentment against that.
Still, the priest hadn't been the dragons only company, much to its relief. The children, covered in dirt from their play, flocked to it nigh constantly despite their parent's lectures, climbing and shouting... It was a painful, but rewarding feeling. Most had never seen a dragon before, and paid little mind to the weakened form in distraction of the awe of its great wings and coiled tail. For those too shy to approach, it typically could afford to open its eyes enough to gaze back at the child, a cause of excitement for many. In these times, the priest would typically stay by its side, keeping careful watch ensure that the pain wouldn't grow too much, nor that any child ran astray. And from the shadows of the trees, that was when it had typically picked up on her presence.
Not with the other adults, but staring from afar.
Neither an adult nor a child, as the dragon had understood it, but still - far more child than adult. Those eyes were never settled on it, but rather, the priest besides it. In a way, that feeling of "Love" no matter how misplaced was the closest she had gotten to womanhood. Most others her age had already been married, or were much too caught up in their own affairs to afford the luxury of such needless pining and delusions. It was an obsession, one regarded with the same nonchalance as the dragon had with all affairs of the village, and so remained an unspoken secret between the two. It could tell it clearly; she meant no harm. She simply didn't know what to do.
It was unexpected, then, that she had saw it.
It was with the same bravery and innocent curiosity of a child that she had approached the resting dragon, and only after those words were spoken did it began to stir. Beyond the priest, the dragon didn't care to speak to anyone, simply preferring to watch their lives and interactions without its interference. And in those rare moments it did have something to say, it was always through him that those thoughts were conveyed. And this girl...
There wasn't anything special about her. At least, not that commanded it's attention - she was a villager, a simple but precious existence it had seen years and years before. The dragon knew she would get along well without the need for words.
Dulled, yellow eyes rolled open to stare drearily up towards her, and a long, tired sigh was its answer.
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Speaking of fashion, I will eventually have the appropriate amount of time to dedicate myself to a proper attire headcanon post. For now, I only have examples for silhouettes pertaining to dresses gathered. Which at this point can ultimately be narrowed down in explanation as Muu holding preference for a bodice that does not require even just a modest breast size.
Although he does wear bralettes (which is not out of gender dysphoria or euphoria on any account actually. Instead, it is more so like a running joke with himself at this point due to the fact he's actually had an infatuation with wearing them since he was a sixteen year old boy that found a bra lying in the street) he doesn't do so with the intent of applying padding to them-- especially when considering the fact he has some minor gynaecomastia due to stubbornly persistent baby fat going on. He can deal with those, but he definitely doesn't want to even so much as imply he has "real breasts."
He also isn't one to gravitate towards those built around the necessity for breasts due to the fact that he does not wish for the attire adorning his body to appear as though something (or somethings) is missing. Which is also the given reason why even in his decision to wear what is considered women's underwear underneath the dresses similar to above, he does not engage in the act of tucking. Yes, that does come within treacherous territory per the fact that he is then advertising himself as a flamboyantly youthful individual with an occasionally visible (and not incredibly well endowed, mind you) genitalia outline in his attire. That's not even to mention the detectability of his disabilities on establishing conversation with him.
Beyond that, he's not too partial to much else. Length and material is otherwise irrelevant as long as he can freely move within it to accommodate an in-between active and sedentary lifestyle. He would also best appreciate those that are not overwhelming to the senses in one manner or another-- this includes itchiness, heaviness, lack of breathability, and so on. Textures usually aren't too worrisome to him, however, as he has been raiding the closet of his female friends (such as Hannah of @kannojo predominantly) for years, so by now he knows what he does and doesn't like with enough ease that even unexpectedly finding something is unappealing to him van be easily remedied without any fit.
The bottom line with all of this is while Muu strictly wears what is primarily marketed as women's clothing, he does not do so out of the desire to be a woman. In fact, he's asked that question within himself many times only to come up with the same conclusion each time: He is simply an aged up boy caught up in having to navigate too many things at once, therefore eccentricities intended to lighten his load have transpired. Being that 99% of abusers have been men throughout the years, and women his sanctuary from them, it became sensible at some point for him to cease one struggle for favor of mirroring his safety while he sources through another. Muu has no idea even how to be a person yet, let alone a gendered one.
That is also not to say he wishes to abolish entirely in favor of utilizing they/them pronouns. In fact, it still remains quite the opposite. At this time in his life, he's not looking to be othered more than he always has acquired for himself. Being gridlocked into a perpetual state of regression in his present has been isolating enough as is that he doesn't wish for more beyond that. It also has intriguingly been almost beneficial in keeping some of his identity centered, though, as being so interwoven with his inner teen provides connection with the perspective of character held back then.
When he was sixteen, he was very self assured in nearly all aspects in life until led to second guessing the bulk of them. Of those is one of which where he was well adamant that he was a boy with a preference for he/him pronouns to demonstrate that. And while he's been able to find appreciation for femininity that he'd have otherwise mocked in his youth, that is as far as it goes for the time being. Working beyond the semantics of that just isn't on the table at this time in his life.
Where he might go with it during Pride Month is still up to him, but, really, his focus is far more centered on fulfilling and answering other aspects of his person at this time. Generalized comfort and safety are of the utmost importance to his emotionally led manner of living. Once that is established, whether or not he opts for reintroducing what is considered men's attire back into his wardrobe is completely up in the air.
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