#ask discussion

[samble-moved]

post itself

false flags

trans/adjacent tags

accessibility features

tumblr live post (thanks for the link, @problemnyatic)

flashing / strobing / lights

unblockable flashing ad

buying ad free

staff @/macmanx guilt trip

list of staff + more issues

[0039pf]

can i get a kiss?

and can you make it last forever?

i said i’m ‘bout to go to war

and i don’t know if i’ma see you again

[goldxnfemme]

I finally found an essay that discusses the origins of the word "bulldagger" and its association with black lesbians, hell yeah!

[theriverbeyond]

tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"

[bixels]

Why the hell, shit, you damned bastard son of a bitch

[txttletale]

Does transmisogyny have a specific meaning besides "bigotry towards transfeminine people"? It's strange to me to answer "what are your thoughts on transmisandry" [which admittedly doesn't feel like a good faith question] with "misandry isn't real." You're obviously not saying "men aren't institutionally discriminated against so there's no point in discussing bigotry towards transmasculine people" but I can't tell what you ARE saying.

do you think that the 'misogyny' part of transmisogyny is just a fun false cognate we put in there for kicks

[potato-lord-but-not]

(Feel free to ignore if this is too raunchy)

In the wake of the malevolent men titties appreciation post/poll, I’ve been consumed with curiosity regarding the fandom’s opinions on the quality of ass in this show. I’m thinking John has the best ass, then Noel, then Oscar, of course we all know Arthur is flat as a board back there. As the leading expert in the ourthur field I figured you or your followers could offer some insight?

hmh I will NOT be drawing men’s asses today but I think I agree with your line up here- Kayne gave John the juiciest ass imaginable because he thought it would be funny, and Arthur has no curves no meat only freak. Although I think where you put Oscar and Noel depends on how you picture them, cus I’d say they both have delectable cheeks in their own ways.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[uncanny-tranny]

The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.

Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.

[vero-niche]

can i just say how much i adore how Nao-chan's gender is treated so casually in skip to loafer

like, as a white cis woman who is also quite tall and havent read the manga i didnt even realize she was trans until this scene in ep2:

and i didnt even have the time to get nervous how they would handle this as they already moved on, ignoring the comments (just like queer people learn to do so) except for Mitsumi's comforting touch (implying she also heard the comments):

and there were no sad words or anything about this either, it was just handled so.... normally. which should not be something worth highlighting, but, well, you know. also on that note, special shoutout to P.A. Works for casting a woman as her voice actor as well.

she's shown being the supportive and lively aunt and like seconds later in this scene she's back to being her usual self again:

in conclusion

[pillowspace]

hello. i am. perhaps 👉👈 interested in that au art with the verry sleepy looking sif. would you. maybe be open to sharing what its about?

Sleepy Sif <3 sure, I sorta just made it up on the spot after I had already finished sketching, but it kinda stuck with me. Here's extra dialogue that I was going to draw, but I got tired:

Basically, it's an AU where Siffrin never left the island north of Vauguard. The people there are like ghosts, going through routines while never processing much of anything, while the country itself is like a hazy dreamscape you can't quite focus on without it all falling apart. Loop serves as an anchor, keeping Siffrin the most coherent out of anyone on the island, though Siffrin is still forgetful and, as you said, sleepy.

I know that Siffrin's king, but I can't decide what they were previously. If he lived a normal life and Loop just went "you're the closest to a person out of anyone here, why shouldn't we live in luxury?" Or if he was already a prince before the island stopped existing. Either sounds interesting. Regardless, it's not like Siffrin would remember though.

Isabeau ends up on the island due to some incident with a boat and a storm I suppose, no one can really choose to go there on purpose. Maybe the others also came along, Isabeau just hasn't found them on the island yet.

Since the island is being held to reality with flimsy tape and Siffrin's been entirely alone outside of Loop's company and villages of unseeing eyes, Siffrin unconsciously sways the island into being inescapable, dreading when they'll leave while still trying to be supportive. Since Siffrin seems to have such a fierce but melancholy bond to their home, no one's really gathered the will to ask if he wants to go with them yet.

That's the general idea! I also like to imagine different colours come and go on the island, but red's always there. Sometimes the grass is grey, sometimes the grass is green. Etc.

[genderkoolaid]

i’ve been seeing that “nooo tboy mutual don’t reblog that transandrophobia post, there are so many other non-reactionary frameworks that you can use to understand your experiences” post go around (unfortunately from. a lot of my mutuals.)

and it’s really frustrating to me bc like. i would love to hear them!!! i would love to discuss different lenses of viewing the specific kind of oppression that transmascs face, i would love to learn about different perspectives!!

but so much of what’s out there either 1) doesn’t include us at all or 2) insists that our oppression isn’t anything more than transphobia, or that it’s just misdirected transmisogyny, or that it’s just transphobia and misogyny, but no discussion of how transphobia and misogyny interact to specifically impact transmascs. it just feels so disingenuous and dismissive because whenever we talk about our experiences, no matter what language we use, we’re shut down over and over and over again.

Godddd I saw that post the other day and could not help but roll my eyes. Saying there's "so many other frameworks" to use disregards a fundamental reason why this framework is being created in the first place: transmascs, across different ages and races and other variables, feeling silenced and absent in other models of society, even those claiming to be for trans-feminist. Like if you are trying to convince trans guys to not use the term transandrophobia maybe start by acknowledging the absence of proper frameworks to discuss the unique position of trans men & mascs. & you know damn well none of these people will acknowledge how every other iteration of "transandrophobia" ALSO got shut down for being Problematic™, including "isomisogyny" which was literally just misogyny with a prefix attached to assure cis women that we would never DARE to imply that transmascs might be oppressed by the same social force as them!

But that's the problem with people trying to make the discussion of anti transmasculinity palatable! They want to have a version of this discussion that isn't threatening at all to the deeply ingrained anti (trans)masculinity in queer spaces. Literally any criticism, no matter how lukewarm or carefully handled, is labeled "reactionary." After you get rid of everything that people hate about transandrophobia theory you are left with none of the things that make it valuable to transmascs + everyone else who benefits from this discussion.

[daily-odile]

twewy fit....

ref/based on:

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[adamsrcnan]

It's official. I have finished The Sunshine Court. I have so many things to say and yet have no idea what to possibly say. It was perfect. It was absolutely perfect and heartbreaking and gut wrenching and an insane emotional roller coaster and everything i could possibly have asked for from Nora. Like she really truly delivered and i'm so fucking INSANELY grateful she has shared this story with us after all these years. We do not deserve her.

[bixels]

Hey, discussion question:

Is Rose Quartz a war criminal? I see that term bandied around so much for her that it feels like a given that she's a war criminal, but I'm wracking my brain and I can't... actually recall any real war crimes that she committed.

I'm talking objective war crimes, by the way, not war crimes by Homeworld's (the fascist government's) standards. It's literally legal for the Diamonds to shatter (split a person's soul into shards of ceaseless torture) their citizens, I don't value their definition of morality, lol.