#at least i am being consistent in creating

[magnet-lattice]

(Lifesteal s5 spoilers for my understanding of The Players' plans, from catching incomplete sections of streams and osmosis. I do not think this is spoilers for any of them but I am not keeping up very well, so please correct me if I am wrong and I'll edit this. It's a little bit rambly, sorry.)

So, aside from the unrequited pitchflirting, my understanding of the Players' main finale plans are that they want to remove all of the buildings and restore the server or at least the main areas to looking the way they did at the start of the server, before anyone built anything. And this has some justification about like being a fresh start to the world, aside from the fact that it's a cool dramatic thing to do, but also!

It's really neat how the thing it does is specifically making the server look as though nobody ever played on it. Because the Players' whole thing, their primary conflict with primarily Jumper and Minute (I don't think they have a team name?) is that they're the only people willing to play heel, to do cool evil dramatic shit that other people can make content by fighting against, and almost everyone else (no offense intended to Squiddo or Wemmbu but they haven't been on much lately?) is either neutral, inactive, or insistently playing face?

And in the arguments between the players and Jumper and Minute, it has come up that the opposing side wants to end the server without conflict, and the Players' argument in favor of what they're doing is that it's interesting content which creates a reason for the other players to log on and participate. (This has consistently been their motivation since early in the Abyss arc)

And I think that in addition to the other justification, restoring the world to look untouched is a pretty powerful statement of "This is what you're advocating for the world to be: one where nobody ever logs on and does anything or fights or builds things that matter."

(In the interest of fairness, I know Minute was talking about like, getting people onto the server by having temporary mods during the sessions, and Branzy does have his carnival, and I do enjoy this content, but... at least to me, the fundamental strength of Lifesteal content qua Lifesteal (Minecraft's deadliest SMP), as a reason to be watching this rather than something else-- like a modded or survival series that happens to be made by the same people-- is the social effects of a bunch of people who are mostly tryhards in a competitive environment that encourages conflict and teaming and subterfuge and paranoia and big dramatic clickbaitable gestures?)

(I do in fact think it's fun and interesting when there are some people on Lifesteal who care about morality and want to do the nice thing! This is a fun source of conflict! I just... think it's more fun when that's not the majority of people who are logging on and doing anything, because then there's the risk of them uncomplicatedly winning, or successfully preventing or mitigating or discouraging the majority of the dramatic evil/annoying stuff, and then nothing happening? Lifesteal content is primarily about conflict. It's maybe a little more fun when the people involved have in-universe justifications that are not just "it's for content", painting the fourth wall with a thin veneer of "it's because it's cool and asserts our power" or some galaxybrained self-serving philosophical/metaphorical justification explaining why this supervillain stuff is the real moral thing to do, or whatever? But it's still fun as long as people are like, logging in and doing stuff and fighting or arguing with each other, and maybe having some big feelings? and at least one person is live or making videos so we can see what's happening)

[neptunejheart]

Experimenting...

[theragethatisdesire]

scary dog privilege - best friend!eren x reader one-shot, 18+!!

hellooooo i have had this in my wips for like two entire months and i am giddy and ready to share it. this hopefully will just be a one-shot, but you guys know i love to create a universe for each of my erens so god only knows where we'll end up with this one. best friend eren appears to be my angstiest, broodiest one yet, and i love him lol. wanted to make some use of classic fanfic tropes, so here we get best friend eren and fake dating!! woohoo!!

beware: this is absolute, pure filth once you get into it lol

pairing: eren jaeger x afab reader

wc: 9.1k

DISCLAIMER: this post contains MATURE CONTENT that is intended only for those over 18. if you are a minor, please do not read below the cut.

CWs: smut, consensual hook-up, rough sex, biting, dirty talk, oral sex (fem!receiving), alcohol use, cussing, squirting, penetrative vaginal sex, swearing, use of names (baby, pretty baby, my girl), crying, multiple orgasms, eren being a menace per usual, jean's an asshole (i'm so sorry you guys know i love him but it had to happen)

have fun ;)

-

This is a terrible idea, and it had been from the start. You know it and so does he, but you had insisted. Now that you’ve made your bed, you have to lay in it, you suppose. You press your forehead to the cold, tinted window of Eren’s ridiculous muscle car, ignoring the vibrations from the rock music he’s blaring and the consistent fluttering in your stomach, and think back to your conversation earlier that week.

“Come on, Eren. It’s just one night!”

“And what about after? When you run into Sasha at the coffee place or Armin after work? Did we just suddenly ‘break up’?” Eren scoffs, pushing past you to grab a Red Bull out of the fridge. You collapse into one of the barstools in his kitchen, having prepared yourself to accept defeat from the moment you posed the question.

“I just can’t face him alone,” you sigh, “it’s only been four months and Sasha told me he’s hooked up with not one, not two, but three girls already. I haven’t even had a drunken makeout at the bar.”

“So? Just because Jean’s been whoring around doesn’t mean you have anything to prove.” Eren's tone is thoroughly unimpressed as he pops the tab to his energy drink.

“You’re my best friend. I just need one tiny favor.”

“Who would even believe us? It’s not like it’s a huge party- we know everyone going.”

You cock an eyebrow. “How many times have Annie and Mikasa tried to con us into a double date? Connie’s been teasing us for years, not to mention the waiter at lunch the other day–”

“Fine!”

“Fine?”

“Fine. I’ll be your date for one night. But all of the explaining is up to you. And,” Eren takes a sip, leveling a glare at you over the top of the can, “I’m going on the record as saying that this is a bad idea.”

He may be reckless, arrogant, and a bit of a brat, but if Eren Jaeger is one thing consistently, he was right. You chance a glance at your “date”. He’s in his typical uniform: black hoodie, black jeans, the little silver chain he never takes off, key swinging over his chest as he turns the car. He looks good, appealing even. If Jean dares to show up with a girl, she won’t consider you to have downgraded, that’s for sure.

You consider your own outfit, an anxious fist tightening in your stomach at the thought of seeing Jean for the first time as an ex. He would have hated it. Your nothing-to-the-imagination outfit is all thanks to Sasha.

You had clued Sasha in on the plan; you hoped having one more agent in on your secret would help sell the act. Sasha had gone all out, lending you an incredibly low-cut black top and some black leather pants that would have caused at least a twenty-minute argument with Jean. Had he not dumped you, you remind yourself bitterly. Sasha had insisted you borrow her all-black outfit to match Eren’s typical attire “just to be cute”. In hindsight, her enthusiasm about this whole situation should have been a red flag, but you’ve already gotten everything lined up, and it’s too late for regret.

It’s far too late for hindsight, too; you’re already ten minutes into receiving the official girlfriend treatment from Eren. He had worn you down on picking you up, opening the car door, the works. Hell, you wouldn’t be surprised if he pulled out a bouquet of roses at this point. You can hear his obnoxious tone now: Even if you’re my fake girlfriend, you’re getting the full package. Play stupid games, win stupid prizes.

Eren parallel parks smoothly on Armin’s quiet street, unusually busy with the buzz of a house party and lined with your friends’ cars. It’s Connie’s birthday, but Armin always hosts. It’s an unspoken rule at this point; you aren’t sure why he keeps volunteering, especially after Sasha had projectile vomited all over his bathroom at the last get-together, but again, dig your own grave and lie in it. You and Armin are in the same boat there.

When the car switches off, Eren takes a moment to consider you, wrapping and unwrapping his long fingers around the steering wheel, a nervous tic he’s had since high school. “You ready?”

“Ready as I’ll ever be,” you sigh, reaching for the door handle. Before you can wrap your hand around it, Eren leans over and pinches you harshly on the thigh. “Ow!”

“I open the door, remember?” Eren says, visibly annoyed.

You roll your eyes at him.“Isn’t this a bit much?”

“You think I’m going to be caught dead letting my ‘girlfriend’ open her own door? I have a reputation to uphold.”

You decide to bite back a snippy comment about the many girls who cried over Eren in college and cross your arms over your chest, pouting instead. “Fine.”

If Eren can be dramatic, so can you.

As naturally as if he had done it a hundred times, Eren slings his arm over your shoulders on the walk up towards the door; the weight of it, both physically and mentally, is heavier than you’re willing to acknowledge. When you catch sight of Bertholdt, Reiner, and Annie peering through the window, a flutter of nerves erupts your stomach; you reach a hand up to play with Eren’s fingers, absentmindedly spinning one of his rings and trying to sell the look as best you can. “We better pull this off.”

“It’ll be fine, just follow my lead.” Eren pulls you closer, kissing your hairline. Goosebumps rise all over your body; not at the action itself, but how disturbingly easy the affection seems to come to him. As Eren knocks on Armin’s bright red door, you pack that thought away and shove it to the back of your mind to collect dust.

“Hi…guys?” Armin’s friendly smile upon opening the door falters in confusion as he takes you in, absorbing the sight of you two intertwined on his doorstep. Armin’s wide, blue eyes flick between the two of you, and you can see the gears churning in his head, trying to make sense of how awfully close you and Eren are. Pitting your fake relationship against Armin’s intellect is the perfect first test; a nervous sweat breaks out under your skimpy outfit.

“Sup, ‘min?” Eren smiles back, the very picture of nonchalance, extending his free hand to shake Armin’s shoulder.

“Come on in.” Armin, ever polite, turns to allow for plenty of room for Eren to pull you inside. He doesn’t outright ask why Eren’s holding you, but his eyes betray his suspicions. It seems like your plan, as terrible as it is, is working. One down, a dozen or so to go.

Never dropping his arm from around your shoulders, Eren steers you into the living room where one of Connie’s favorite bands is already blasting from the speakers. Annie and Mikasa are curled up together in Armin’s recliner, hands interlocked as usual; Sasha and Connie are positioned at Armin’s bar cart, violently shaking two cocktail shakers apiece; Reiner, Bertholdt, Marco, and Jean are on the couch, arguing over something sports-related. With a sinking stomach, you notice that there’s only one unoccupied seat left in the room.

“My two favorite lovebirds!” Sasha cries, abandoning her cocktail shakers and rushing over to give you a hug. Upon Sasha’s impact, Eren drops his arm and grabs your hand that’s closest to him as a substitute, never taking his hands off of you. His actions are pointed, purposeful; every pair of eyes in the room looks between the two of you in surprise. You can practically feel a hazel-tinted laser beam burning a hole into your forehead. “You guys are so late; honeymoon phase gotcha already?”

“Laying it on a little thick, Sash,” you whisper into Sasha’s ear, cheeks burning. To your chagrin, Eren only curls his mouth in response.

“What?” Connie frowns, still shaking his drinks. “How long has that been a thing?”

You pause, your heart nearly stopping. You should have made up a story, you realize, something to explain–

“Just a few weeks.” The still-strange weight of Eren’s arm around your shoulder returns, and his jade eyes rest on you, adoration beaming through his always-cool gaze. Against your will, butterflies start dancing in your stomach; apparently Eren’s quite the actor.

“Yeah,” you jump in, grateful for Eren’s lead, “we just wanted to feel it out before we told everyone, that’s all.”

“Sasha knew.” Mikasa raises a suspicious eyebrow. Annie smirks at the two of you, a knowing look on her face.

“It’s about time.” Marco appears from the kitchen with a huge bowl of tortilla chips in one hand and salsa in the other. “Good for you guys.”

You can’t help yourself, finally meeting Jean’s eyes. He’s openly scowling at you, which is to be expected; where Eren is a criminally smooth liar, Jean wears his heart on his sleeve. You recognize that face all too well: anger to mask heartbreak, the same face he wore when you used to fight. For the first time, it occurs to you how cruel this plan might be, how Jean might react to you moving on with a mutual friend. Guilt washes over you, cold and heavy.

“Thanks for giving me a heads-up before you moved in on my fucking girlfriend, Jaeger,” Jean snips, taking a long swallow of his beer.

The guilt drops away from you as quickly as your jaw; you’ve forgotten what a prick Jean can be. Eren has been slowly guiding you over to the singular remaining seat throughout the conversation, and after Jean’s comment, he tugs you down firmly onto his lap. He rubs a large palm over your thigh, a blatant gesture of ownership.

“Not your girlfriend anymore, Kirschstein.” You can hear the distinct note of pride ringing through his voice, hear the nasty look leveled at Jean without turning to face him. It’s been fifteen minutes of fake dating, car ride included, and you can already feel the friendship line blurring. Your head spins.

“Anyway,” Armin, ever the gracious host, interrupts, breaking the awkward tension that has settled over the room, “what bar does everyone want to head out to later? Connie gets the first pick, being the birthday boy.”

The conversation in the room picks back up into a familial bickering over the evening’s next destination. All of your friends have become accustomed to the occasional awkward moment over the years now that some of you have begun to couple up; Mikasa and Annie especially are notorious for bickering like an old married couple, no matter who’s around.

“I need a drink,” you murmur to Eren, moving to stand.

“Do you mind getting me one, babe? Don’t want to lose our seat.” Eren pecks you on the cheek, smiling up at you as if everything about your situation right now is normal, natural for him. Jean’s eyes follow you every step of the way, and your face burns.

Over the years you’ve been friends with him, it’s never been lost on you that Eren’s attractive, not after the dozens of women he ran through in his college years. Peeking over your shoulder now, however, feels like you’re seeing him for the first time, seeing him the way the world sees him. Heavy-set dark brows frame his bright eyes beautifully, his jaw’s grown sharp and severe, and his lips are soft and pouty, stretching into a wicked smirk with sharp canines. He had grown into a heartbreaker, and he’s your best friend and now fake boyfriend– you swat away your private admiration as soon as it comes, taking a deep breath to center yourself and rifling through the bar cart in a daze.

“Want me to make you one?” Sasha waves a bright red concoction under your nose. “Connie and I made them- it has three different types of liquor in it, and you can’t taste any of it!”

One sip of the tiny cocktail straw has your nose wrinkling in disgust. You’ve worked behind a bar since the day you turned twenty-one, and the drink Sasha’s offering you tastes like an overly-syruped nightmare. “Um…no, that’s okay Sash. I’ll probably just stick to beer.”

Connie sticks his tongue out at you. “Boring!”

Predictably, Sasha pouts. “Okay, but we’re definitely making you take a shot. We can chill it in the kitchen, want to help me get some ice?”

Holding up a bottle of tequila, she cocks her head toward the kitchen and wobbles her eyebrows madly. You almost laugh; anyone who can’t pick up on a hint from Sasha is walking around with earplugs and their eyes closed.

“Fine. Let me just grab Eren a beer, and I’ll meet you in there.”

“Ugh, couples,” Connie rolls his eyes, wandering over to fiddle with the dusty karaoke machine that Armin claims broke years ago. You’ve always been dubious as to the truth of that, but knowing your friends, you can’t blame him.

Opening the cooler, you smile to yourself; Armin remembered your favorite IPA from the brewery down the road and stocked the cooler accordingly, nestling a few Hazy Daze’s between Reiner and Bertholdt’s domestics. You pick your way through the haphazard seating arrangements back over to Eren, holding a cold Budweiser bottle towards him. He pauses in his conversation with Reiner, grabbing your hand that holds the beer and removing it from your hand, bringing your knuckles to his lips, brushing them over in a light kiss. He looks you up and down lecherously as he does it, a dangerous curve to his lips.

You return a weak half-smile, doing your best to not appear outwardly shaken by Eren’s behavior and keep the what the fuck? thoughts from showing plainly on your face. Eren waves you off to the kitchen with a light pat on your bottom, innocent as ever.

“How’s it going?” Sasha asks, safe now in the privacy of the kitchen. Her face is already full-flush with excitement and that awful cocktail she was sipping.

“I mean, it seems like everyone’s buying it. Jean looks pissed, though.”

“What were you expecting? He’s always thought Eren had a thing for you.”

“Everyone thinks Eren has a thing for me,” you roll your eyes, “at least it’s working in my favor now.”

Sasha fixes you with a glare, wobbling slightly. “If you don’t think Eren actually has a thing for you, you must be blind. Deaf, too.”

“Sasha–”

“I mean, even if you hadn’t told me, I would have fallen for it. Is it not, like, weird for you guys? That it’s just natural for you two to–” Sasha burps, interrupting herself, and giggles. “Just makes ya think.”

“Sasha!” Connie calls from the living room. “Let’s do Eye of the Tiger first!”

“Woo!” Sasha shouts, abandoning you and running into the room to take part in the newly-revived karaoke festivities.

You stand alone in the kitchen, shell-shocked by Sasha’s observations. The truly irritating thing is that she’s entirely right. Not only do Eren’s little kisses here and there, the constant touching, even the pet names come naturally, it almost feels…nice. It’s as easy for you to receive his affection as it is for him to give it. You peek around the corner, grimacing at Sasha and Connie’s amplified wailing, just wanting to look at him. Really look at him.

Kicked back, beer in hand and jacket thrown over the back of his chair, Eren oozes charisma. Even doing nothing but holding a conversation with Mikasa, the room gravitates around him. Jean’s angry glare never leaves him; Armin has switched to drinking Budweiser, even though you know he hates it; Annie’s nodding along with whatever Eren’s saying; even Sasha and Connie are angling their performance around him, alternating between singing together and holding their microphones towards him, trying to elicit a reaction. He has this undeniable magnetic force, one that you aren’t exempt from.

You’d met him nearly a decade ago, in high school, and initially couldn’t stand him. His hair-trigger temper had hardly cooled with age, and his ego had gotten unthinkably larger, but you grew to find both of them charming– to a degree. One thing led to another, and before you knew it, Eren was the one cleaning you up and getting you drunk after every bad breakup, introducing you to all of your favorite sports teams and lending you jerseys for the games; hell, he even read that smutty fairy fantasy series you’d been obsessed with in college. Had the man you attempted Star Wars marathons with until you both fell asleep really looked like that the entire time?

He catches your stare, beckoning you over with one long, crooked finger. As his girlfriend for the night, you have to obey, even though you would much rather roll your eyes at the cliche.

“Missed you,” he mumbles as you sit back on his lap, breath hot against the shell of your ear.

“You too,” you respond accordingly, wrapping your arm lovingly around his shoulder. Eren’s eyes flit down to your cleavage, but knowing him, it’s impossible to discern if it’s part of the act, or Eren being himself.

His hands rest comfortably over the casing of your pants, one on your thigh and one on the small of your back, one thumb rubbing circles into your soft flesh. Reveling in the drag of his rings over your clothed body, you couldn’t help but wonder how they’d feel on your bare skin, on your throat, on your–

Surprising yourself at the dirty direction of your thoughts, you swallow your beer too quickly, coughing. Eren, who had coincidentally been taking a sip at the same time, laughs at you mid-sip, choking beside you and spraying beer out of his nose.

The entire room bursts into laughter; Eren regains his composure and joins in good-naturedly. You giggle along, relief coursing over your body. Sure, Eren might look a little extra handsome tonight and be a bit touchy because you asked him to, but he’s still Eren.

“They’re practically in sync already.” Hitch, Marco’s girlfriend who had apparently joined the party while Sasha and you were in the kitchen, rests her face on her hand dreamily.

“It’s a little freaky,” Annie observes with narrowed eyes, but the slight curve of her lip betrays her. Not only were they believing your little farce, but they were happy for you. That’s enough to make you flush a little, realizing how naturally everyone’s just accepted your fake relationship. Everyone but one person, at least.

Jean suddenly stands, ripping a beer from the cooler and storming into the kitchen. The laughter dies as quickly as it had come, everyone exchanging nervous looks.

“I’ll go talk to him,” Eren offers, nudging you off of his lap. You blanch.

“Eren, I don’t know if you should-”

“It’s fine,” Eren drops a soft peck on your forehead, walking away before you can stop him. You meet Mikasa’s eyes, wide and concerned. To everyone else, Eren’s walking calmly, not a hint of aggression in his gait. But you know him, know him well enough to catch the anger simmering in his eyes, quiet, but there.

Jean and Eren have always been friends, albeit reluctant ones at first, but too similar where it counted not to get along. That had abruptly come to a halt when you had fallen for Jean. At first Eren had been confused, but over time that confusion had melted into constant irritation. Jean and you were wrong for one another, you know that in hindsight, but at the time, you had chalked all the fighting up to a passionate relationship. The constant tears had driven Eren nearly to a breaking point; multiple times you had begged him not to bring his frustration to physical blows. And now, your fake-boyfriend slash best friend and ex-boyfriend with the two worst tempers out of everyone you know are “talking”. You bite down hard on the inside of your cheek to keep the worry in your chest.

“Are you alright?” The question comes from Armin, who’s placed a steadying hand on your shoulder. “I’m sorry that Jean isn’t taking the news well.”

“There’s no news,” Mikasa says low enough for none of the others to hear over the music, now standing directly behind Armin.

A neat little cross appears between Armin’s eyebrows. “They’re-”

“Faking,” she interrupts Armin, “they aren’t dating.”

Armin stammers, trying to correct her and apologize to you for her at the same time, but you just sigh. “How’d you know?”

“One of you would have told me,” she shrugs, “or at least I’d like to think you would.”

“It’s just…I couldn’t bear to show up alone, not with Jean here and apparently sleeping around since the breakup.” You cross your arms over your chest, grabbing your own shoulders tightly. It’s your fault, you know it is, but you had only wanted to feel a little less pathetic, a little less heartbroken. Drama had been an unfortunate and unexpected side effect.

“Why would Eren agree to that? It seems silly,” Armin muses, noticing your glare and immediately turning bright red, “I- I don’t mean you’re silly, just, you shouldn’t-”

“You know.” Mikasa bumps him. The slightest hint of a smile plays on her face, a knowing look directed at you. You frown, trying to look confused through the pink rising to your face.

A loud crash from the kitchen catches all of your attention, saving you from an uncomfortable line of conversation but making your heart beat that much faster. Dashing to the kitchen door, the entire house party hot on your heels, your thundering heart sinks.

Eren has Jean pinned up against Armin’s cabinets, forearm tight against the other man’s neck. Jean’s still seething at Eren, raw ego washing against the cool anger blazing in Eren’s eyes.

“Need to learn how to watch your fucking mouth, Kirschstein–”

“Eren!” Your voice is surprisingly firm, given the nauseating mixture of embarrassment, confusion, and panic swirling in your stomach. “Let him go!”

“Do you want to tell her what you said, or should I?” Eren hisses, nudging into Jean further. Jean’s eyes dart to you, back to Eren, and for a fleeting moment, you have hope that maybe this all can be resolved peacefully. And then Jean makes a fatal mistake.

He spits directly in Eren’s face.

Just as Eren swings, Reiner collides with the two, just barely catching Eren by his forearm before he can make contact with Jean’s cheek. Bertholdt, as always, is Reiner’s shadow, grabbing Eren by the shoulders and wrenching him away from Jean. It takes Connie, Reiner, Marco, and Bertholdt to restrain both of them, Armin standing in the middle and shouting how ridiculous the fight is above the curses.

“It’s my fucking birthday, Jean, come on bro!” Connie growls, pinning Jean to the cabinets with his back.

“Jaeger- back off!” Reiner manages to pull him back a few inches, hardly able to contain Eren, who’s struggling furiously, in his massive arms. Jean finally relents, slouching into the multiple arms holding him back. After several seconds, Eren does the same, never taking his eyes off of Jean. Into the shocked silence, Armin bravely speaks first.

“Maybe we should leave,” he suggests awkwardly, “take the party elsewhere.”

You pity him, poor Armin and his hosting inclination. Eren finally turns to face you. The wrath laid bare in his eyes sends a chill over your body.

“We are,” he spits, sparing Jean one last threatening glance before storming over, grabbing you harshly by the wrist, and practically dragging you towards the door.

“Eren, wait–” you try to reason with him and dig your heels in, but it’s fruitless. Eren’s strong, stronger than you, and you don’t stand a chance stopping him now that his mind’s made up.

He doesn’t drop the act at the car, ripping your car door open, waiting impatiently for you to step into your seat, and slamming the door behind you. As soon as he turns the ignition, the same angry rock music you had listened to on the way over blasts from the speakers; Eren makes no move to turn it down and neither do you. After so many years together, his temper rarely scares you anymore; it’s more of a nuisance than anything when it flares. You stare out of the window, seething with anger, arms crossed and foot tapping.

Five minutes into the drive, you realize Eren isn’t taking you to your house, but to his. What he’s thinking, you can’t be sure, but you go ahead and start making your plans to give him an earful and call your Uber the moment you get there. You just can’t wrap your mind around why he would attack Jean and embarrass you like that– Eren may have been a hothead, but rarely did he let his temper escalate to that degree, especially against a friend.

Eren whips his car into the driveway, parking with such force you nearly knock your head against the headrest. You reach for your door handle, ready to throw it open, but Eren’s faster. He hits the child lock button and slams his own door behind him, storming around the car.

“The fucking child lock button?” You leap out of your seat once he’s opened your door, glaring up at him with your fists curled by your sides. “Is that what I am, Eren, a child?”

“Come inside.” Eren’s voice is low, dangerous. You’re too angry to indulge his temper.

“No,” you snap, “I’m going home.”

No sooner have you pulled your phone out to call an Uber than Eren snatches it from you, sliding it into his pocket. He repeats himself, more forceful this time. “Come inside.”

You stand rooted to the spot for a beat, so angry you aren’t sure what you want to do more: run home, punch him, or kick his precious car headlight in. Eren simply glares down his strong nose at you, face unreadable as ever, rage still glittering in his eyes.

“Come inside, please,” Eren repeats himself again through gritted teeth. You decide you’ll indulge him and go inside, hear him out, and then punch him. At least it’ll catch him off guard, and you’ll have a better chance of getting your shot in. Without another word, you stomp up the walkway to his house, into the house, and into the kitchen, shoving your shoes off. Stupid fucking kitchens, you think to yourself, kicking your bare foot against the base of his kitchen island. Immature, but the little burst of violence feels good.

Whether Eren’s house smells like him or Eren smells like his house you’ve never been able to decide. The distinct scent of him envelops you: a boyish, sharp smell, laced with a hint of the weed he kept in the living room. Ordinarily it’s a comforting smell, but tonight, it nearly makes you sick with irritation. Fighting with Eren is something you do rarely, but you know the both of you well enough to buckle down. Arguing with Eren means you have a long, nasty, and emotionally gutting night ahead of you. You’re more than ready, fists shaking by your side.

“What the hell was that, Eren?”

He doesn’t answer, swinging the fridge open and grabbing a beer. He twists the top, tossing it aside carelessly and taking a healthy swig, bun bouncing on the back of his head, making no move to acknowledge your presence.

“Answer me!” Your voice rattles the cabinets. “Yeah, was the fake dating a stupid idea? Sure, fine, it was stupid, but starting a fucking fight with Jean on poor Connie’s birthday–”

“You didn’t hear what he said,” Eren says simply, still chugging his beer and avoiding your gaze.

“What could he have said to make you do that? What was so awful that you had to–”

“It was about you.” Eren finally brings his eyes to yours, staring you down through the little hairs that have escaped his bun with such intensity that it nearly knocks you clean on your ass.

Your heart stutters. “You– what did he say?”

“Told me if I wanted to taste your ‘slutty pussy’ so bad, I could just smell his breath. S’why he spit in my face.” Eren’s fingers wrap and unwrap around the beer bottle anxiously.

Your mouth drops agape, tears immediately springing to your eyes. No, you set your resolve, praying your body cooperates. “He…he said that?”

“Why didn’t you tell me you’d been fucking him?” Eren spares you another scalding look. Your temper flares at his anger, one fire against another.

“Excuse me?”

“Don’t play dumb,” Eren snaps, “this whole thing was your idea. What am I to you, just some toy you can dangle in front of your pussyboy ex boyfriend? How long have you been fucking him?”

“I haven’t been fucking him,” you hiss, “he lied because he was jealous. And you’re not some toy, you’re– you’re my best friend. I needed you.”

Eren freezes, eyeing you across the kitchen. His expression has changed, infinitesimally so, a pinch of the fury fading from his face but none of the heat. It strikes you that in the years you’ve known him, he’s never looked at you like this before, not once. “Say it again.”

“You’re my–”

“The other thing.”

“I needed you.”

“Again.”

“I needed– fuck, Eren, what is this? Some kind of game?”

He stalks toward you, silhouetted by the light behind him and looking sinful, closing you in. He’s forceful and shameless as he backs you into the counter, as quintessentially Eren as he can be. “Say it one more time.”

“I…needed you,” you indulge him, brain slowing down to pick up each little detail. His cologne– when did he start wearing cologne?– musky and thick in the air, one of his tattoos peeking above the collar of his shirt, the tangible sensation of emerald eyes dragging along every inch of you.

“I like the way you say that,” his tongue darts out, wetting his lips. You stare blatantly. His mouth is red, pouty, and full, bottom lip a little chapped from where he was chewing it in the car. “That you need me.”

Words are lost on you; even if you could gather something to say, it would probably get stuck in your throat the moment it materialized. His presence is choking you. He brings one of those massive hands up, cupping your jaw, running a thumb over your lip. His posture, looming over you, is demanding, almost hungry.

“Do you still?”

“Still?”

“Need me.”

You blink, eyes still watery. “How?”

“You’re a smart girl,” Eren murmurs, hot breath laced with beer fanning over your face, “you know. You’ve always known.”

You do know. When he ghosted a hand over your thighs at the bar, when you fell asleep on his chest watching a movie, the way he had kissed your head, nearly fought Jean, protected you at every twist and turn. You had kept it relegated to the recesses of your brain, slid a hand between your legs and allowed it to simmer to the surface, maybe for a moment, before pushing it back down. You had always known. He has you on the edge of a cliff, and with a thin gasp, you understand him now: he wants you to jump. And so do you.

“I still need you. Now.”

Something critical snaps in both of you. The countertop digs into your lower back, a beautiful, aching pain blooming up your spine to meet the sting of his teeth sinking into your bottom lip. He’s kissing you; this magnetic, maddening man is kissing you, hard. It’s all tongue and teeth, fingers wrapping in hair, hands exploring familiar places in a new way. Greedy, demanding sounds slip through his teeth as he paws at your clothes, squeezes your curves through the silken shirt Sasha had lent you.

“This shirt is ridiculous,” Eren pants into your mouth, “wish I wasn’t about to rip it off of you.”

A little whimper leaves your mouth at that, and your knees buckle. Eren catches you, grabbing you by your torso and lifting you up onto the kitchen counter; you use the extra height to wrap your legs around his hips. A groan from deep in Eren’s chest rumbles against your lips as he rolls his clothed cock insistently against you. The low, simmering heat in your stomach catches fire; he’s big, even through both of your pants, rubbing himself into where you need him most. A hand creeps up your neck, grabbing a fistful of hair and forcing you to look up at him. It hits you how large he is; six feet and some change of taut, corded muscle, bad intentions, temptation.

His voice is quiet and controlled, so close to your face that his nose moves against yours as he speaks. “I’m going to take you to my room. If that’s not okay with you, I need you to say it right now.”

You nod urgently, relishing the burn in your scalp where he holds your hair tight. “I want it- want you.”

Eren slides you off of the kitchen counter and holds you firmly around his waist, making a beeline for his room. You mouth at his neck, enjoying the little grunts he makes against your ear. You drop unceremoniously onto the bed, left to watch as he tears off his shirt.

Oh, and do you watch. It’s difficult to comprehend that your best friend is the man standing above you. You’ve seen him shirtless countless times, but not like this: chest heaving, covered in a thin sheen of sweat, muscles flexing as he reaches for your shirt, ripping it from you and tossing it away. Your eyes draw towards the defined v leading down beneath his jeans, and you wonder how it might taste under your tongue.

Your bra comes next, Eren moving down to take your lips in his again as he deals with the clasp. He pushes you onto your back, kissing down your neck, sneaking harsh bites in between the gentle presses of his lips.

“Careful, Eren– you’ll leave marks,” you gasp, pulling at his hair.

“Good,” Eren replies against your neck, emphasizing his point with another deep bite to your neck, “you wanted everyone to think I was your little boyfriend, didn’t you? Let them see.” 

Your panties grow damp and hot against your core at that; you have no other response than to choke out a stunted moan.

“Fuck, you have no idea,” he growls, traveling down, teeth scraping the top of your breast, “what you do to me. How long I’ve wanted you.”

Your mind falters, caught in the crosswires of Eren’s confession and the way you’re clutching his head to your breasts, fingers desperately threaded in his dark hair and pulling him as close as you could get him. His mouth is so hot it burns, even against your feverish skin. 

“Remember…” Eren muses, mouthing his way down your stomach, “remember college? When you’d wear those slutty little dresses out?”

“I remember,” you breathe, impatient and urging him towards your lower half.

“Used to come home from the bar and jerk myself off, thinking about this sweet little cunt,” Eren tears your pants down your legs, panties following, “could practically see it in those short ass dresses. I’d cum thinking about how you’d sound when I stuck my tongue in it.”

A lewd whine rips out of your throat before you can stop it. Eren’s pressing your thighs open now, and his words and the quick little swipes he’s making across your clit are making you dizzy.

“Fuck…” Eren trails off, eyes wide, “got such a pretty pussy. Just look at you.”

“Eren, please,” you’ve never been the begging type, but the bright green eyes peering up at you from where your legs are propped open by broad, strong shoulders take your sense away.

“I’ve got you,” he shushes you, grinning as he leans into your center. A thick stripe of a lick up the center elicits a groan from you both. “So fucking sweet. Knew you would be.”

Eren hooks his arms around your legs, dragging you down the bed to be flush with his face. Eren’s no amateur when it comes to women, you know that, but you had never dared to let yourself imagine what that might translate to in practice.

He licks little figure-eights around your clit, not quite hitting it; he’s teasing you, the antagonist that he is. You tremble under him, little gasps and whimpers puffing out of your lips. Eren smiles contentedly against your pussy, nose flush with your clit, nudging against it rhythmically as he licks through your folds, circling your entrance. You bring your hands down your body, grabbing a fistful of dark hair and pulling him closer to you; you don’t even know what you want, the singular word more ringing in your head like a church bell.

Eren chuckles. “You need something?”

“Stop fucking with me,” you breathe, inwardly cringing at the desperation in your voice, laid bare for him to see. You brace yourself, looking down to meet his eyes, and instantly regret it. The anger has faded entirely from his face, replaced by an unyielding hunger. A wet, wicked smile plays at his mouth; you can physically feel your cunt dripping just at the sight of him.

“You want me to stop fucking with you?”

“Please, Eren, I need you–”

“That’s all you had to say.”

And then, like he does with everything else in his life, Eren licks into you like his life depends on it, like he’s trying to drown himself in you. His tongue pushes in and out of your hole, swirling around your clit, and you can distantly hear the most obscene sounds you’ve ever heard slipping from your mouth. He’s so good, better than you’ve had in years; you throw your head back against the bedspread, hardly able to focus on breathing.

Just when you think it can’t get any more intense, Eren slides one long finger inside of you, curling it against a spongy spot in your walls that makes you see stars. He chuckles at the loud, long moan that you let out.

“My girl likes being full, doesn’t she?” He pumps his finger slowly, testing your limits. Your walls clutch down on him, begging.

“M-more,” you stutter, barely able to form a coherent word through your panting.

“What was that?” You can hear the shit-eating grin on his face.

“I need– fuck– I need more.”

“Magic word?”

“Please, Eren, fuck!”

“Good, good girl,” he coos, pushing another finger into you, “so sweet and needy for me, yeah?”

Your eyes fly open at the stretch, the fullness of his fingers moving inside you. His other hand comes up to push on your lower stomach; your head snaps up, and you frown at him, panicked.

“W-what are you– oh,” you hate yourself for it, but you can’t even speak as he applies pressure onto your abdomen. You feel strange; it’s just right and too much all at once. The familiar bubble of an impending orgasm swells in the pit of your stomach, but it’s more intense, wetter than you’ve ever felt it. 

“Close?”

“Mhm,” you force out through gritted teeth. Eren moves his elbow slightly, just enough to bear down on your hip bone where you’re pushing your hips up towards him unwittingly. “But it- it feels weird…I, I can’t–”

“Sh,” he murmurs, mouth back against your clit, “you can do it, just for me, I know you can. It’s going to feel so good, you’ll see.”

Your eyes roll back in your head as you teeter on the precipice, blood roaring in your ears. You want to, you need to–

“Cum all over my fucking face baby, give it to me.”

The band in you snaps, your eyes rolling back into your head. You can feel your cunt spasming around his fingers, pushing something out. Liquid sprays from you, all over Eren’s face, soaking the sheets beneath you. You can’t even hear the lewd sounds coming out of your mouth, too surprised at the gushing orgasm. It finally winds down, and once you gather the energy, you shove insistently at his hand still pumping in and out of your sensitive pussy.

“You have the messiest little cunt,” Eren chuckles at you, wiping his face and kissing his way back up to your gasping mouth, “knew you were a squirter.”

He lands a few gentle taps against your sore pussy, and you flinch. 

“I–I’ve never…” you take a shaky breath in between every word, “never done that before.”

Pride illuminates his face. “Really? I knew you could do it– just for me, right?”

You nod, sitting up on trembling elbows. “Your cock, I– I want it in my mouth. Please let me.”

You reach down to fumble with the button of his jeans, but Eren grabs your wrist, pulling your hand up to kiss it gently. “Next time. I’d never forgive myself if I busted before I got to fuck you.”

Too overwhelmed to answer, you simply nod again, sitting back as he shimmies his pants off. Once you catch sight of it, your mouth waters. He’s big, bigger than you thought, wide enough to where your fingers wouldn’t touch if you grabbed it, and long enough to make you gag. The thought goes straight between your legs, cunt still throbbing and clutching around nothing, and a rush of anticipation washes over you.

Eren flips you over onto your stomach, shoving a couple of pillows underneath your hips to prop your ass up. “Christ,” he exhales, landing a sharp smack to your ass.

“Please, Eren- oh!” You jump; Eren’s circling your asshole, using the mess you’ve already made as lube to pop the tip of his thumb in. “Eren…”

“You’d let me fuck you there, one day, I bet,” he mutters, more to himself than to you, you think. Your body tenses in response, the memory of your first glance at his cock fresh in your mind. Eren swears under his breath. “Maybe next time, then.”

You hear him spit, hear the slick sounds of him lathering himself up. You have a brief moment to think to yourself, with the last glimmering shreds of consciousness in your orgasm-dazed mind, that this is Eren. This is your best friend, pinning you to the bed by the back of your neck, rubbing your lower back, admiring you, fucking you. And then the head of his cock is pressing into you, and that last little bit of hesitation gives way.

“Oh, baby,” Eren bends over you to growl in your ear, “never gonna forgive you for keeping this perfect pussy from me all these years.”

“Eren, it’s so– oh my god,” you trail off, eyes rolling back into your head as a few more inches of him sink into you. The way your body stretches for him, the way he fills you, is unbelievable, sweetened by just the slightest burning sensation.

“Fuck,” he hisses, pressing his forehead into the back of your neck, “you feel so fucking good. Best I’ve ever had.”

You whine at that, pushing your hips back into his and forcing him to bottom out. Eren swears against your skin, nearly collapsing on top of you. Your cunt pulses around him, desperately trying to hold him. You can hardly fathom the weight of him inside you; you’re just so full, the word runs through your mind on a loop.

And when he rolls his hips into yours– you nearly start praying. He drags against your walls so nicely, you nearly cum again then and there. He works up a torturously slow rhythm, grinding his hips into yours. You bite down hard on your bottom lip, trying your hardest to suppress the obscene groan about to leave your mouth. You taste blood.

“Never giving this pussy up,” Eren grunts above you, “never letting you give this to anybody else again. It’s mine, isn’t it?”

You nod into the pillow beneath your head, tears pricking at your eyes. He’s picking up the pace now, and the exquisite push-and-pull rhythm of Eren moving inside of you coupled with the fact that it’s Eren moving inside of you is destroying any semblance of intelligent conversation you can muster.

“Say it’s mine,” his face is beside yours now. A hand grabs your hair, turning your face towards him. You know how dazed you must look, mouth open in a permanent gasp, eyes watery and full of hearts. “God, you look fucking incredible. Say it.”

“My…my pussy is,” you swallow hard around the delicious knot of shame in your throat, “yours. It’s yours.”

“That’s my girl,” Eren sits back up, thrusting even faster, “my pussy, my girl. Isn’t that right?”

“Yes,” you pant, canting your hips back against his, feeling your next orgasm approach embarrassingly fast. Eren understands, already knows your body as well as he knows you, and moves the angle of his hips just so to hit that spot he had found so quickly with his fingers earlier. You keen, drooling into the pillow, letting him fuck you stupid.

Eren shoves you over the edge for the second time that night. It’s toe curling, almost violent in nature, the way you cum around him, listening to him hiss as you tighten around him, vice-like. He fucks you through your orgasm for just long enough to see you through it, and flips you onto your back the moment you begin to twitch and shove at his hips, desperate for a break.

You slowly blink your eyes open in surprise, letting the tears roll down your cheeks, expecting to see Eren lining himself up, ready to fuck you senseless once more. Instead, he’s studying you, wiping a tear from your face, licking it off of his finger. There’s a moment happening here, an important one, one you don’t have the mental capacity to absorb right now.

“I want to see you now,” Eren says quietly, “need to see your pretty face when I cum, m’kay?”

You nod dumbly, not knowing how to respond to him in the thick air hanging between you. Before Eren can get any more words out of his open mouth, a loud ring startles you both.

Your phone is buzzing on the floor where it fell from Eren’s pocket; the name on the screen nearly stops your heart. Jean.

You stare into Eren’s eyes, a long, silent beat passes between you both. Your hazy mind is scrambling, grasping at anything you can say to take his mind off of the awkward interruption, but to your surprise, Eren cracks a grin. It’s a wicked grin, prettier than the devil himself and twice as evil.

“Your other boyfriend calling? Checking up on you?”

“He’s not my-”

“Better not be. Not after what I did to you tonight,” Eren’s voice drips with ego. Something in his eyes is territorial, carnal.

You find your words, but they come out quiet. “He’s not. Never again.”

Eren’s grin grows darker. He’s nudging your knees apart with his own, reaching down and pulling one of your legs to wrap around his waist. He’s pushing himself in now, the ringing of your phone fading into the background as the all-encompassing stretch of Eren inside you takes over your thoughts.

“Such a good girl,” he coos, thumbing at your bottom lip, “such a good mouth. Always telling me what I want to hear.”

You nod again, urgently this time, pulling your other leg up to hook them around his waist, hold him inside you, make sure he never leaves again. You’re addicted already; addicted to the pressure in your abdomen, addicted to the way his tip kisses your cervix, addicted to the taste of his sweat as you lick a strip of it from his face, cheekbone to temple.

“I…” you aren’t sure how to articulate how good it is, how good he is. A defeated laugh of your own making interrupts you. “You feel so fucking good. I feel so fucking good right now.”

“God, just look at you, all fucked out for me. You love it, don’t you?” Eren kisses your forehead, face to face with you after propping his elbows on either side of your face. “Love how I fuck you like a whore, don’t you? Tell me, baby.”

“I love it,” your voice is quivering, and you’re vaguely aware of tears streaming down your face. You’re overstimulated, you at least know that, but he just feels so good that asking him to stop seems more painful than letting him keep hammering into you.

“My pretty baby, you’re so fucking perfect,” Eren rambles, “so pretty when you cry for me.”

You can’t break away from his gaze, not through the tears or the rapid-fire speed of him fucking into you. Your legs are shaking so badly you can barely hold them up; Eren’s letting a flurry of little grunts and groans fly out, grabbing onto your cheek with one hand.

“Gonna cum soon,” he huffs, hips still pistoning into you hard enough to hurt, “gonna cum in your pussy, really make it mine, okay?”

“Okay,” you whimper, clamping down on him at the mere thought of it.

“Fuck, you like that don’t you?” He seethes against your forehead, thrusts beginning to falter. “You want to be mine? Want this pretty cunt stuffed full of my cum?”

You can feel him getting closer now, sloppy thrusts punching into your cervix, the ache of bruises forming on your inner thighs as he uses you, chasing his orgasm. You force your eyes open, meeting bright, hypnotizing green. Your voice is going to break, you know it, you hate it, you love him for it. “I– I want to be yours. P-please cum in me Eren, I need it.”

He slams into you one last time, holding his hips as tightly to yours as he can manage, cumming deep inside you with a breathless curse. You arch your back, relishing the feel of his cum in you, warm and filling. Even in your fucked-out mind, you know it’s a lot; you can feel the drip of it, seeping out around his cock and down onto the sheets. The leaden collapse of his body into yours, the gradual softening of him inside you, grounds you, pulling you down from the clouds and back into the bed.

It’s Eren on top of you, sweaty skin clinging to yours, his cum that you begged him for leaking out of your abused pussy. Your eyes shoot open. He’s incredibly heavy, your breath still coming out in short puffs as you try to catch it. He slides out of you; one last pitiful whimper leaving your lips as you find yourself empty.

“Holy shit,” Eren breathes out into the tension, a humorless and exhausted laugh punctuating his statement. As he rolls off of you, you’re overcome with the urge to smack him.

“That’s one way of putting it.” You scrounge around in the bed, trying to find the edge of the sheets to cover yourself with. Eren lays beside you, arm tossed over his eyes, as if the entire axis of your friendship hadn’t just flipped on its head. After a beat, you speak your mind, testing the waters. “I should probably call Jean back.”

That catches his attention. Eren sits up, scowling at you. “Why?”

“Maybe he wants to apologize.”

Eren snorts, rolling off of the bed and pulling you up with him, bridal-style; you aren’t sure where he’s taking you, but all the fight’s been fucked out of you, and you melt into his arms, eyes falling closed. “Who fucking cares?”

“I might,” you answer quietly, adjusting to the heat radiating off of his body. When your eyes open, you realize he’s carrying you to the bathroom to clean you up. Your heart thuds sadly in your chest, overcome with so many emotions you couldn’t begin to name them if you tried. You almost want to cry again, for a different reason now.

Eren sits you on the toilet, not responding to your small confession. He drops to his knees before you, reaches a long arm behind him over to the fixtures on his obscenely large bathtub, pushing the plug in and turning the water on. You draw your knees up to your chest, suddenly feeling incredibly exposed. Satisfied with the water temperature, Eren turns back to you, one hand placed firmly on each of your kneecaps.

“You don’t need him,” he says, solemn as you’ve ever seen him, “and from what I saw tonight, you don’t even want him. You know that now, right?”

There’s something about the way he says it, a hidden thread of pleading woven into his words. Your exhausted brain holds onto that, but your heart refuses to believe in it, broken and beating wildly in your chest.

“I just–”

“I meant it, you know,” Eren avoids your direct gaze, eyes flitting over every feature on your face, “I’ve been thinking about this for a long time. Meant every word of it.”

You pause, wondering absentmindedly if he can hear the pounding of your pulse. “Really?”

“We don’t need to get into it now,” he shrugs, “but you know that. You know I’d do anything for you. You know I’d treat you well. ‘M not a bad guy.”

Your chest aches. “I know, but Eren–”

“So that wasn’t the best sex you’ve ever had in your life?” He fixes you with a singular, raised eyebrow, so serious that you giggle in his face.

“You might have me there.”

“Better than horseface?”

“Watch it.”

The light returns to his eyes; it loosens a hard little piece in your chest, flooding you with warmth. It hits you just how much you love that little sparkle amongst the green, just how much you would give to see it as often as you can. “We won’t talk about it, for now at least. I’ll get us cleaned up, and we can go watch–”

“Mamma Mia,” you blurt, hopeful.

“No fucking shot. But we can watch something else of your choosing, if you let me eat you out again.”

“Eren!” You smack his shoulder, scandalized. Both of you laugh; your fake outrage is twice as funny considering the state of you right now, smeared makeup and bruises on your neck.

He grins crookedly back at you. “That’s not a no.”

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[schraubd]

In the Image of God

A recent study found that Jews are the demographic group most accepting of trans individuals in the United States.

When certain Christians assert a religious freedom right to discriminate against trans individuals -- particularly, a right to misgender them -- their argument typically proceeds something along these lines:

1. They believe every individual is created in the image of God.

2. Part of that image is the person's sex (and by extension, gender).

3. In particular, a person's sex/gender is inalterably assigned by God from conception.

4. They are forbidden from lying or falsifying God's choice.

Therefore, they say, they are religiously obligated to refer to people by their chromosomal sex, regardless of how they identify or publicly present. This religious duty, in turn, is used to press against rules and policies which require respectful treatment of trans individuals (including refraining from deliberately misgendering them, deadnaming them, and so on).

What's interesting about this framework is that a lot of it actually resonates with how I view the relationship of my Jewish faith and trans individuals -- with some crucial alterations. To wit:

1. I believe every individual is create in the image of God.

2.  Part of that image is the person's sex (and by extension, gender).

4. I am forbidden from lying or falsifying God's choice.

The major distinction, of course, comes in prong 3:

3. A person's sex/gender is not necessarily or inalterably assigned by God from conception, but rather can be part of a person's own process of discovering who they are. Where such self-discovery leads to a person to conclude they are trans, non-binary, or any other identity that departs from the sex they were assigned at birth, they are not deviating from God's plan. They are uncovering their authentic self as God has created them.

The result of this process is part of God's image. Those who refuse to accept it are not cleaving to God's image, they are rejecting it.

God's process of creation is not, in my understanding of Judaism, a set-and-forget sort of deal. It is not a matter of passively being puppeteered by a divine hand. It something we do together -- we are partners in creation. To deny the results of that partnership is, for me, a denial of God's plan and practice just as much as it is for adherents of other religious views who adhere to a more static and calcified notion of the role of the divine.

And so for me, and I suspect for many Jews, the religious freedom obligation pushes in the other direction. Many conservative states have, or are considering, laws which require (at least in certain contexts) non-recognition of trans identity. For Jews (and others) who share my religious precepts, these laws would force me to deny -- to bear false witness to -- a key attribute of how God created some of my peers. I do not believe -- and this is a deep, fundamental commitment -- that God's "image" of trans persons was for them to be locked in a body or sex or gender identity that clearly is not authentically theirs. When they find their full self, they are equally finding God's image of themselves.

Consistent with my lengthily expressed feelings on the subject, I suspect that what's good for the goose will not be good for the gander. Despite the clear parallel, liberal Jews who assert religious liberty rights to be exempted from laws seeking to enforce by state mandate a transphobic agenda will not meet with the same success enjoyed by their Christian peers.

Nonetheless, there is value in promoting this sort of framework, and in unashamedly asserting Jewish independence from hegemonic conservative Christian notions of true religiosity. It is not woven into "religion" that God's image requires rejection of trans individuals' full selves. That is a choice, an interpretation of some religions or of some who call themselves religious. Other religions, other religious persons, have a different interpretation of how to respect and dignify the facet of God that is in every one of us.

via The Debate Link https://ift.tt/vlsH4T2

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[egos]

let me just say this, but my mental health has reached an all time low since the first half of 2018

[nayatarot777]

What Blessings Are Coming To You Within The Next 3 Months? {Patreon Exclusive}

• Pile One •

Hi Pile One, welcome to your reading!

The first blessing that I’m seeing is that your intuition is going to be almost tethered to you. You might feel like your intuition comes and goes - or at least your ability to connect to your intuition, since your intuition is always there - but sometimes you might feel like you are being blocked from tapping in to it. However, one of your blessings over the next three months is that you are going to experience your ability to tap into your intuition in a very consistent way. Your intuition is almost going to feel bound to you. Like you can’t get rid of it. Like it can’t go anywhere. Like you can’t be blocked from tapping into it anymore. And this is going to give you the opportunity to use your intuition to protect - not only yourself - but also other people. I’m seeing your intuition even scaring off energies in the spiritual realm as well as energies within other people who don’t have your best interest in mind. I’m seeing that the people who this scares off may be frightened by how it seems like you’ve all of a sudden been able to see through them by this point. For others of you, I’m seeing that you may be meeting new people who your intuition warns you against. The strength of your intuition and how they feel you’re able to see who they truly are and their true intentions will scare them off, because it seems to them like the secrets and the things that they would much rather hide are clearly being perceived by you.

Your next blessing is that whoever has been persecuting you, vilifying you, and sending a bunch of hating energy your way is going to experience a complete reversal in the direction of their negative energy. Whoever has been sending this persecution your way is going to be experiencing it for themselves. You may have done a return to sender for the witches out there or the magicians or the people who have discovered the ability to manipulate energy. Whichever way you do your return to senders, it is going to work and it is going to hit this person intensely. All these people. As I’m even seeing a group. It’s almost like they wanted to burn you at the stake (figuratively speaking), but there’s going to be a complete transformation in the direction of the energy. Whatever energy they’re sending your way is going to come back onto them. This is even hitting the bystanders. The people who have enabled this person or group who have been vilifying you. The same people who stood by and just watched and didn’t say anything and didn’t step in. It’s going to hit them too.

Another blessing is that you are going to experience some type of virility. A viral moment that you have manifested because you stepped into the magician energy and understood that you had all of the tools to create and manifest whatever it is that you wanted to. You’ve been using your resources around you to create a stable foundation. You’ve been using your natural skills and abilities and for this, you are going to experience huge popularity. Maybe even fame. This fame could be related to messages that you give out or advice or counselling. Or the way that you empower people in someway. I am even seeing that you may be given the opportunity to sign a contract. Or this is you being in the position to give other people contracts in order to work for you. If you’re the one being given a contract, this is being given by someone who has a lot of leadership energy. A lot of masculine energy. They have a lot of abundance and it’s almost like they own their own kingdom figuratively and they see your potential. They see your skill. They see the magic in what you create or what you do and they wanna add you into their empire. This person could come across as quite intimidating in a way. There is a lot of Aries energy that this person has. This definitely could be a masculine. There’s also something about tapping into your intuition with this person because working for them will require you to give something of yourself. To sacrifice something of yourself and I don’t feel like this is a negative energy because this is about your blessings - however, just make sure that you know exactly what you’re getting into so that you can be prepared for whatever the work is that you’d need to do for this person.

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• Pile Two •

Hi Pile Two, welcome to your reading.

The first blessing that I’m seeing for you guys is protection around your financial stability. Protection around your career, your job, your business, and maybe even your family since the 10 of Pentacles is out here. If you are worried about an elderly person - specifically an elderly woman - then she is also protected in terms of her health. Her health will be stable. This could also be protection around an inheritance from an elderly person or an elderly woman. So if you are worrying about an inheritance possibly being taken from you unfairly, then don’t worry. That inheritance or windfall of money will be yours and it will give you a lot of financial stability and blessings. Your finances are growing quite quickly. I’m seeing multiple streams of income, and together, they will create a very stable income for you. I’m also seeing a scenario for someone in which an elderly woman is trying to deceive or lie or take from your family for financial reasons and you are protected from this elderly woman. She has quite a cold and callous energy. She may even come across as evil within her mindset and the things that she is willing to do, but you don’t need to worry because you and your family and your families’ assets and money are protected from her.

The next blessing is an amplification in true, genuine love between you and another person. For most of you, I am seeing a romantic relationship but this could definitely be a best friend or someone who is just very close to you. It could even be a family member, but the communication of love between you and this other person is definitely going to increase. And again, I’m seeing your connection with this person being very protected. The protection around this connection with this person is actually getting stronger. You are vibrating alongside this person at a very high frequency. You are both individuals who have high frequency within your energetic field. Both of you can tap into pure, genuine love for yourselves as well as each other, so lower frequencies and lower vibrations really can’t affect you and your connection with this person. If this amplification of love isn’t with another person, then I’m also seeing that this is just an amplification of love towards yourself regarding the way that you talk to yourself. As well as how you talk about yourself to other people, and even the way that you think about yourself. There is more alignment within yourself over these next three months because of the fact that you have increased your self love. You are treating yourself and feeling about yourself the same way that you would a partner who you love, so just take which message resonates - whether this love is about you and the connection to yourself or you and another person.

Another one of your blessings is a secret, and I feel like this isn’t necessarily a secret to you, but it is a secret that you will be holding. In terms of you working and collaborating on a project with other people. If this is a secret to you, then I’m seeing that there are people collaborating behind-the-scenes, and again, these people are collaborating as a way of protecting you. You might not even realise this consciously, but for some of you, there may be people who are working together to protect you from someone or something. The blessing is that you are going to be able to collaborate with people who are a very protective group of people. You could even be in some type of hidden or secret group and I feel like you’re going to learn a lot from this group of people. I’m seeing a lot of studying. A lot of taking notes. Whether this is literally or mentally. This group is going to be teaching you a lot of practical advice. They could be giving you valuable information on how to structure something for the sake of your financial or practical stability. This could have something to do with metaphysics and manifestation, but I’m definitely seeing that your blessing is learning from a feminine energy who has a lot of knowledge alongside other people. And all of you will be learning very valuable information on how to reprogram your mind or your life. I’m seeing a bunch of code - programming code - in my mind, so I feel like this is the energy of learning how to manipulate energy. How to see through what most people would call “the matrix” or the illusions and how to reprogram the matrix for the sake of your own benefit, stability, and comfortability. This is hidden knowledge that you guys are learning and this is a big blessing, so please value it and make sure to take notes and study what you need to in order to put this into practice.

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• Pile Three •

Hi Pile Three! Welcome to your reading about your blessings over the next three months.

So the first thing that I’m seeing is that any blockages that have prevented you from showing up as your authentic self and expressing your authentic identity is being removed. I’m seeing that you’ve had a history of being attacked by other people for your authentic nature. However, part of this blessing is realising that there is a lot of knowledge to be acquired about yourself through your authenticity. I’m also seeing that you could be connecting with a group of people. I’m hearing up to 2 people who are also authentic in their nature and somehow teach you how to step into your authenticity too. Or you may have given up on expressing your authenticity because it seemed to be the root cause of a lot of pain and conflict that you had to experience, however I feel like you are going to be intuitively seeing the value and the worth of your authentic nature. You could also be teaching other people about authenticity. You could be the one helping someone else who has been so beaten down for their true self, and this could be another way that you find value in your authentic energy - by helping others.

Another part of your blessing is also the wisdom that you are gaining. And I feel like this wisdom about yourself is something that you will have to defend, but you are prepared to do so. And I’m seeing two very loyal people again - these could even be spirit guides who are helping you to defend your knowledge about self and your knowledge about authenticity. This blessing contains a lot of self empowerment and standing up for yourself. Defending yourself and having support in the process. Your creativity is also a huge part of your blessings. You’ve been crafting something, and again I’m seeing two energies here in this card about creativity. These two energies are being depicted as the silhouette of two crows, so I feel like these are two spirit guides that are protecting your creations. Perhaps 2 people who have passed over? Your creations are somehow bringing balance and justice into your life, and I’m hearing that you are relaying messages from the divine and channelling what you’re intuitively picking up on within your creative process. Whatever it is that you create, it is something that is futuristic. It’s something that might not be entirely popular now but I am seeing that the energy that you have been putting into this creation is coming back to you in the form of monetary value, mainly. Whatever you’re creating, you are making from the heart. Your heart space is being channelled into this and it makes sense because your intuition is definitely connected to your heart. Again, I’m seeing that what you’re creating is bringing through wisdom to help other people step into their authentic nature, and as a result, your good karma will come your way within the next three months. All of the energy that you are putting into your creations is coming back to you mainly in the form of status or money - or both.

I am also seeing that another blessing could be your leadership when it comes to being the protector of other people. Perhaps up to 2 other people in particular. I feel like you are not just defending yourself. You are also defending other people who have been hurt in the past, as well as teaching them how to value themselves and their authentic selves.

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[sneezypeasy]

Why I Deliberately Avoided the "Colonizer" Argument in my Zutara Thesis - and Why I'll Continue to Avoid it Forever

This is a question that occasionally comes up under my Zutara video essay, because somehow in 2 hours worth of content I still didn't manage to address everything (lol.) But this argument specifically is one I made a point of avoiding entirely, and there are some slightly complicated reasons behind that. I figure I'll write them all out here.

From a surface-level perspective, Zuko's whole arc, his raison d'etre, is to be a de-colonizer. Zuko's redemption arc is kinda all about being a de-colonizer, and his redemption arc is probably like the most talked about plot point of ATLA, so from a basic media literacy standpoint, the whole argument is unsound in the first place, and on that basis alone I find it childish to even entertain as an argument worth engaging with, to be honest.

(At least one person in my comments pointed out that if any ship's "political implications" are problematic in some way, it really ought to be Maiko, as Mai herself is never shown or suggested to be a strong candidate for being a de-colonizing co-ruler alongside Zuko. If anything her attitudes towards lording over servants/underlings would make her… a less than suitable choice for this role, but I digress.)

But the reason I avoided rebutting this particular argument in my video goes deeper than that. From what I've observed of fandom discourse, I find that the colonizer argument is usually an attempt to smear the ship as "problematic" - i.e., this ship is an immoral dynamic, which would make it problematic to depict as canon (and by extension, if you ship it regardless, you're probably problematic yourself.)

And here is where I end up taking a stand that differentiates me from the more authoritarian sectors of fandom.

I'm not here to be the fandom morality police. When it comes to lit crit, I'm really just here to talk about good vs. bad writing. (And when I say "good", I mean structurally sound, thematically cohesive, etc; works that are well-written - I don't mean works that are morally virtuous. More on this in a minute.) So the whole colonizer angle isn't something I'm interested in discussing, for the same reason that I actually avoided discussing Katara "mothering" Aang or the "problematic" aspects of the Kataang ship (such as how he kissed her twice without her consent). My whole entire sections on "Kataang bad" or "Maiko bad" in my 2 hour video was specifically, "how are they written in a way that did a disservice to the story", and "how making them false leads would have created valuable meaning". I deliberately avoided making an argument that consisted purely of, "here's how Kataang/Maiko toxic and Zutara wholesome, hence Zutara superiority, the end".

Why am I not willing to be the fandom morality police? Two reasons:

I don't really have a refined take on these subjects anyway. Unless a piece of literature or art happens to touch on a particular issue that resonates with me personally, the moral value of art is something that doesn't usually spark my interest, so I rarely have much to say on it to begin with. On the whole "colonizer ship" subject specifically, other people who have more passion and knowledge than me on the topic can (and have) put their arguments into words far better than I ever could. I'm more than happy to defer to their take(s), because honestly, they can do these subjects justice in a way I can't. Passing the mic over to someone else is the most responsible thing I can do here, lol. But more importantly:

I reject the conflation of literary merit with moral virtue. It is my opinion that a good story well-told is not always, and does not have to be, a story free from moral vices/questionable themes. In my opinion, there are good problematic stories and bad "pure" stories and literally everything in between. To go one step further, I believe that there are ways that a romance can come off "icky", and then there are ways that it might actually be bad for the story, and meming/shitposting aside, the fact that these two things don't always neatly align is not only a truth I recognise about art but also one of those truths that makes art incredibly interesting to me! So on the one hand, I don't think it is either fair or accurate to conflate literary "goodness" with moral "goodness". On a more serious note, I not only find this type of conflation unfair/inaccurate, I also find it potentially dangerous - and this is why I am really critical of this mindset beyond just disagreeing with it factually. What I see is that people who espouse this rhetoric tend to encourage (or even personally engage in) wilful blindness one way or the other, because ultimately, viewing art through these lens ends up boxing all art into either "morally permissible" or "morally impermissible" categories, and shames anyone enjoying art in the "morally impermissible" box. Unfortunately, I see a lot of people responding to this by A) making excuses for art that they guiltily love despite its problematic elements and/or B) denying the value of any art that they are unable to defend as free from moral wickedness.

Now, I'm not saying that media shouldn't be critiqued on its moral virtue. I actually think morally critiquing art has its place, and assuming it's being done in good faith, it absolutely should be done, and probably even more often than it is now.

Because here's the truth: Sometimes, a story can be really good. Sometimes, you can have a genuinely amazing story with well developed characters and powerful themes that resonate deeply with anyone who reads it. Sometimes, a story can be all of these things - and still be problematic.*

(Or, sometimes a story can be all of those things, and still be written by a problematic author.)

That's why I say, when people conflate moral art with good art, they become blind to the possibility that the art they like being potentially immoral (or vice versa). If only "bad art" is immoral, how can the art that tells the story hitting all the right beats and with perfect rhythm and emotional depth, be ever problematic?

(And how can the art I love, be ever problematic?)

This is why I reject the idea that literary merit = moral virtue (or vice versa) - because I do care about holding art accountable. Even the art that is "good art". Actually, especially the art that is "good art". Especially the art that is well loved and respected and appreciated. The failure to distinguish literary critique from moral critique bothers me on a personal level because I think that conflating the two results in the detriment of both - the latter being the most concerning to me, actually.

So while I respect the inherent value of moral criticism, I'm really not a fan of any argument that presents moral criticism as equivalent to literary criticism, and I will call that out when I see it. And from what I've observed, a lot of the "but Zutara is a colonizer ship" tries to do exactly that, which is why I find it a dishonest and frankly harmful media analysis framework to begin with.

But even when it is done in good faith, moral criticism of art is also just something I personally am neither interested nor good at talking about, and I prefer to talk about the things that I am interested and good at talking about.

(And some people are genuinely good at tackling the moral side of things! I mean, I for one really enjoyed Lindsay Ellis's take on Rent contextualising it within the broader political landscape at the time to show how it's not the progressive queer story it might otherwise appear to be. Moral critique has value, and has its place, and there are definitely circumstances where it can lead to societal progress. Just because I'm not personally interested in addressing it doesn't mean nobody else can do it let alone that nobody else should do it, but also, just because it can and should be done, doesn't mean that it's the only "one true way" to approach lit crit by anyone ever. You know, sometimes... two things… can be true… at once?)

Anyway, if anyone reading this far has recognised that this is basically a variant of the proship vs. antiship debate, you're right, it is. And on that note, I'm just going to leave some links here. I've said about as much as I'm willing/able to say on this subject, but in case anyone is interested in delving deeper into the philosophy behind my convictions, including why I believe leftist authoritarian rhetoric is harmful, and why the whole "but it would be problematic in real life" is an anti-ship argument that doesn't always hold up to scrutiny, I highly recommend these posts/threads:

In general this blog is pretty solid; I agree with almost all of their takes - though they focus more specifically on fanfic/fanart than mainstream media, and I think quite a lot of their arguments are at least somewhat appropriate to extrapolate to mainstream media as well.

I also strongly recommend Bob Altemeyer's book "The Authoritarians" which the author, a verified giga chad, actually made free to download as a pdf, here. His work focuses primarily on right-wing authoritarians, but a lot of his research and conclusions are, you guessed it, applicable to left-wing authoritarians also.

And if you're an anti yourself, welp, you won't find support from me here. This is not an anti-ship safe space, sorrynotsorry 👆

In conclusion, honestly any "but Zutara is problematic" argument is one I'm likely to consider unsound to begin with, let alone the "Zutara is a colonizer ship" argument - but even if it wasn't, it's not something I'm interested in discussing, even if I recognise there are contexts where these discussions have value. I resent the idea that just because I have refined opinions on one aspect of a discussion means I must have (and be willing to preach) refined opinions on all aspects of said discussion. (I don't mean to sound reproachful here - actually the vast majority of the comments I get on my video/tumblr are really sweet and respectful, but I do get a handful of silly comments here and there and I'm at the point where I do feel like this is something worth saying.) Anyway, I'm quite happy to defer to other analysts who have the passion and knowledge to give complicated topics the justice they deserve. All I request is that care is taken not to conflate literary criticism with moral criticism to the detriment of both - and I think it's important to acknowledge when that is indeed happening. And respectfully, don't expect me to give my own take on the matter when other people are already willing and able to put their thoughts into words so much better than me. Peace ✌

*P.S. This works for real life too, by the way. There are people out there who are genuinely not only charming and likeable, but also generous, charitable and warm to the vast majority of the people they know. They may also be amazing at their work, and if they have a job that involves saving lives like firefighting or surgery or w.e, they may even be the reason dozens of people are still alive today. They may honestly do a lot of things you'd have to concede are "good" deeds.

They may be all of these things, and still be someone's abuser. 🙃

Two things can be true at once. It's important never to forget that.

[bakuhatsufallinlove]

Omae Part 2 Electric Boogaloo

Tomorrow is the one-year anniversary of my post Omae: Complexity of Self-Expression and Intimacy in the Japanese “You.” In honor of it, I’m doing a follow-up post.

Why? Because I made two claims in that post:

“as far as I can tell, Izuku is the only person Katsuki has ever used the pronoun omae (おまえ) towards in-canon”

“Furthermore, he has only used omae towards Izuku on three occasions.”

I prefaced both with “as far as I can tell” because I had some doubts that Katsuki’s use of omae was exactly that exclusive, but I knew it was pretty damn exclusive, so I went ahead and wrote the meta anyway. And I still stand by my assessments of how he uses it and what those moments mean.

But I was wrong on both counts.

Katsuki has used omae towards people other than Izuku.

He has used omae towards Izuku on five occassions, as of chapter 409.

Of course, chapter 409 wasn’t released until months after I wrote my pronoun meta, but at the time of my post, I had in fact missed one pivotal omae directed at Izuku that occurs much earlier in the series.

I wanna talk about those two extra omae towards Izuku and who else he has used omae towards. Much like Katsuki, I am a perfectionist, so if I'm gonna revisit this topic, I'm gonna go all the way.

So, I went through 409 chapters and catalogued every single time Katsuki uses a second-person pronoun.

STRAP IN, BUCKOS.

An Exhaustive Analysis of Bakugou Katsuki’s Second-Person Pronoun Usage

These are all the “you” pronouns Katsuki has used in the manga. We’ll go over them one-by-one and talk about who he uses them for, when, and my thoughts on why.

First, a note about rudeness: In many languages, and certainly in Japanese, familiarity and rudeness go hand-in-hand. In dictionaries and on grammar websites, you’ll see advice about using a term only with “people above you” or “people equal to or below you.” In general, you are either talking up to someone (polite speech) or you are talking down to them (casual speech). Excluding outright derogatory language, talking down to someone is the same as treating them as your equal.

Talking up creates or maintains distance between parties. Casual speech, familiar terms, and directness are nuances that generally get introduced into relationships as they deepen. Basically, being close to someone gives you the “right to be rude” to them. To speak this way with a stranger or people who are your hierarchical “social superiors” is considered rude in part because you lack an established (or equal) relationship with them.

I mention this because I think some people are under the misapprehension that for Katsuki to show someone he cares, he would have to speak respectfully towards them—that is, talk up to them. That simply isn’t the case, and in fact such behavior might convey callous indifference instead, because switching from casual speech to formal speech with someone you have history with puts distance between you, pushing them away.

Instead, there are more nuanced ways to connect and affirm bonds. Katsuki using omae rather than temee, for example, is not him being more polite, he's just being less insulting. He is still talking down, and one could argue that by refusing to talk up to anyone, Katsuki treats everyone equally. I mean he is still a foul-mouthed little monster, but you know, at least he’s consistent about it.

Anyway, keep this “right to be rude” in mind.

As mentioned in my first post, temee is basically Katsuki’s default second-person pronoun. If he’s addressing someone directly and he isn’t using one of his mean nicknames, it is almost guaranteed to be this word. This graphic is the only one that is not exhaustive, featuring just the top three.

Temee is derogatory; it is often translated as “you bastard,” and even when it’s not, its presence encourages translators to slather a veneer of rudeness across the sentence as a whole. Unlike the other pronouns we’re going to talk about, there is basically no scenario where you could use temee and not come across like an asshole. You could use it with friends or family to joke around, but you’re still being an asshole, just a funny one.

And... can we just acknowledge the vast gulf between Izuku’s 62 and runner-up Todoroki’s 14? Obviously Izuku is the protagonist, so it makes sense that much of the dialogue we are shown from any character is about him or directed at him. But it’s also just really funny.

No single use of temee is particularly notable since it's so common, but it is obvious why these two are at the top of the list: Katsuki has a lot of scenes with them, and he considers them his rivals. As a result, they tend to throw him into a tizzy often.

Anta is a contraction of anata. If avoiding a “you” pronoun entirely is the most polite way to refer to someone, anata is arguably the next most polite way. It is considered polite towards someone of “equal or lower status,” but can seem distant—you hear it in commercials when the narrator has to address the audience, “you, the customer.”

Anta strips away that distance and expresses either familiarity or contempt, depending on how you want to read it, which makes it pretty fucking funny that Katsuki uses it for his mentor figures. It is worth noting that anta is significantly less offensive than his typical temee and arguably even omae. A normal person would never use anta towards their boss or teacher—or their lifelong idol, for that matter—because it is talking down, which puts them on your level. But Katsuki’s whole persona is built around rebellious superiority, so out of all the options, he affords All Might and Best Jeanist the least offensive pronoun he can stomach using. Essentially, “I’m not gonna be fuckin’ polite but god, fine, I’ll be LESS rude, I guess” while still maintaining plausible deniability.

I also wanna note that there are instances where Katsuki technically uses temee towards All Might and anta towards Izuku, because he uses them in the plural form to refer to both of them at once. It’s actually pretty interesting to see who is framed as the “primary subject” of his scolding based on which pronoun he uses.

Chapter 257

All Might is the one droning on and on, so Katsuki’s response pluralizes his All Might pronoun anta into antara, lumping Izuku in with him. Basically: “stop wasting my time and get to the point (and that goes for you, too, Deku).”

Here we’ve got him pluralizing temee and, between All Might and Izuku, it’s definitely more the Izuku pronoun. So this reads a little like “dammit Deku you kept this secret so badly I found out and then you swore me to secrecy but you’re STILL UTTER SHIT AT HIDING IT so you are MAKING MY LIFE EVEN HARDER (and you, All Might, don’t you fucking know better??)”

Aaaand now we’re at the good shit. Okay, let’s break it down.

Ochako

Chapter 36

Katsuki addresses Ochako with omae at the very start of their Sports Festival battle, and this is in fact the first time he addresses her personally with a second-person pronoun. It’s a great writing choice: unlike every other fight we’ve seen Katsuki in so far, he isn’t busting out his typical boisterous insults. Rather, what he says reads as a measured assessment of her as a threat, and omae contributes to this. Had he used temee, he might still have come across this way on the whole, but the use of omae as the first word out of his mouth—when the audience knows he uses temee—sets this moment apart even more.

The text of Uraraka vs. Bakugou isn't ambiguous: Katsuki takes Ochako seriously, immediately, when no one else does. This is of course a rejection of sexist assumptions about girls, but it is also because Katsuki is smart. Kaminari’s battle is the foil to this fight. Where Bakugou succeeds, Kaminari failed, having been too sexist, cocky, and just plain dumb to properly assess his opponent and the danger they pose to him.

I said in my first post that Katsuki’s omae towards Izuku immediately after Deku vs. Kacchan 2 reads as him addressing Izuku as an equal, and I would say the same is true here.

After Ochako tries to execute her plan and Katsuki accuses her of colluding with Izuku, he uses temee towards her. It’s his standard choice, of course, but the change feels a little loaded in hindsight. She might have been afforded a different pronoun once, but she quickly gets lumped into the temee pile at least partly due to Proximity To Deku.

Katsuki talks the most shit when he’s on the ropes—a strategic, cocky camouflage for his vulnerability. We know from his thoughts watching Todoroki vs. Midoriya that at this moment, he was pretty worried he was at his limit. But Katsuki also likes a good challenge, and he respects people who can give it to him, so in gearing up for the climax of this fight, he calls her by her surname.

The progression: omae + mean nickname → temee → surname.

In later scenes, he addresses her with his typical temee, which just goes to show you that Katsuki really picks and chooses his moments.

Or, as All Might put it:

Speaking of picking and choosing his moments, this next one was a delight to discover.

Jirou

Chapter 182

As with Ochako, this is the first time Katsuki uses a "you" towards Jirou personally. To be precise, what he uses is a sound-shifted variant of omae pronounced omee (written variously as おめえ, おめー, and おめぇ). We’ll talk about whether that means anything later.

This occurs during the school festival when Jirou belts her heart out suddenly. Katsuki thinks back to how the band had criticized his improvisation and her specifically telling him not to do it during the show. So he says out loud, to himself, “omee ga surun kai,” for which I think the funniest translation would be, “OH BUT YOU CAN DO IT, HUH??”

The official English translation is “hypocrite!” which isn’t bad, but yeah, he is being such a grumpy little sarcastic baby about it, it’s very funny. Just muttering complaints under his breath, with no actual ill-will attached. The fact that he uses omee reinforces the sense that this is not a serious complaint; it’s good-natured ribbing and contributes to the reader’s awareness that Katsuki likes and respects Jirou.

While Kaminari and Sero mischievously try to trick him into participating in the festival, Jirou earnestly asks for his help while acknowledging his skill.

Chapter 171

On top of outright asking "onegai" (please, but literally: "a request"), the verb construction she uses (やってくれたら, yatte kuretara) frames his participation as a favor; kureru is basically “to do for the benefit of someone else [often to your disadvantage or inconvenience].” And then she personally works her ass off to make their performance the very best it can be.

Later during the Joint Training Battle, Katsuki relies on her, uses a nickname for her (to her annoyance), and saves her. Kirishima and Kaminari both astutely comment that the festival band reinforced Katsuki’s trust in his classmates and his willingness to work with them towards success.

In this moment during the festival, Katsuki is letting Jirou shine, because each of them doing what they do best is what makes the performance a triumph in the first place.

But the boy’s still gonna be a bossy little tsundere about it.

4th Grade Bullies

Chapter 62

In Izuku’s flashback, little Katsuki uses omaera (plural form) towards the 4th graders who pick a fight with him.

You might be thinking, “Hang on, haven’t all the omae uses so far been for people Katsuki likes or at least respects? So why is he using it for these two?” And you’d be right, at least when it comes to present-day, teenage Katsuki using omae, because it’s no longer his default.

Flashbacks to Katsuki and Izuku’s childhood tell us that Katsuki’s default peer address as a kid was most likely omae, and that he switched to temee as he got older and became more of an obnoxious little shit. I emphasized in my first post that omae seems softer coming from Katsuki because it’s a departure from his normal way of speaking. The flashbacks show us a time when he was... kinda just a regular kid using language common among boys his age.

Still, there is a “cool tough guy” air to this moment, because omae can also come across as contemptuous—which is how Izuku uses it towards villains in present-day. Izuku uses boku for himself and kimi for peers, the combination of which tend to be seen as kind of soft and boyish, rather than macho and cool. Little Katsuki uses the boastful pronoun ore for himself and omae towards the bullies, who are both older and therefore technically "above" him.

So Izuku marvels at Kacchan, who talks big and tough like a grownup. Kacchan who can do anything, who stands his ground, fights to win, and invokes the heroic ideals of All Might.

Izuku

Chapter 9

The first time we see Katsuki call Izuku by his name is when we learn the origins of the nickname Deku. It also happens to be the first time we see Katsuki address someone with something other than temee. This scene shows us a glimpse of what their relationship looked like before it totally fell apart: before Katsuki nicknamed him Deku, he called him Izuku. And before Katsuki started hurling insults and screaming “you bastard” (temee!) at Izuku all the time, he used a different “you” word for him, too. Little Katsuki addressed him as a little boy would address a peer or a friend.

It made me wonder… is the aftermath of Deku vs Kacchan 2 the first time Katsuki has addressed him as an equal since they were little kids?

And, furthermore, little Katsuki uses the sound shifted variant, omee.

You might be surprised to learn that temee itself is a sound shifted variant of temae (手前, てまえ). Temae literally means “before the hand” and historically, it was a humble first-person pronoun, meaning “me, who stands before you.” Omae (お前) literally means “the one before [me],” it was historically very polite and only used for extremely high-class people. Somewhere along the way, temae became a second-person pronoun like omae, and both started to be perceived as quite rude.

Tough guy Japanese speech patterns are epitomized by sound shifts and bitten off words. Supposedly, this dialect originates in Tokyo’s historic Shitamachi area, which is characterized as rough and working class in sharp contrast to the wealthy, high class Yamanote area.

So, does omee mean something different than omae? Maybe, but not always. Does it mean something different when someone says “Thank ya” rather than “Thank you”? Or when someone says “y’all” rather than “you all”? Not exactly, but… does it feel different? It can.

Little Katsuki’s sound shift links this moment to our last example:

Chapter 409

As you acquire language, you develop a personal relationship with it informed by your experiences. More than just dictionary definitions, you gain cultural and emotional associations, and that impacts how you interpret media and other people. I don’t think anyone can say that omee definitively conveys something different than omae, but I do know that when I personally read Katsuki use it in 409, the shift feels like casual fondness. Like letting down your guard. A reassurance spoken softly. It somehow feels just a bit softer than if he had enunciated omae.

Years ago, Katsuki used it to tease Izuku about how he can’t do anything. And four hundred chapters later, he uses it to say “I won’t get in your way anymore.”

You should read pikahlua's really, really good meta about what this line means.

Whether it was intentional on Horikoshi’s part or not, I think it is a meaningful callback. These are the only two times Katsuki has ever used omee towards Izuku. It emphasizes how he has changed, yes, but it also ties in the context of his own past "uselessness" and how he has surpassed it, that he won't ever again be "a weakness others can exploit" to get to Izuku. But also, as pika says:

(And I read that he’s ready to let Izuku be the main character.)

The only other time Katsuki has used omee is towards Jirou, when he affectionately teased her for being a hypocrite while also making sure she got her time in the limelight.

And what does Katsuki think in the next chapter?

“Izuku, do your best.”

Izuku gets his time in the limelight. They each brought their own strengths to this final battle, and Katsuki has held up his end. He wasn’t a burden, he didn’t hold Izuku back—he came back from the dead, saved their hero, and took out All For One. Now Izuku has to do what he does best.

A lot of the things I said in this post simply reiterate the meaning of the text itself, and that's because the nuances in Katsuki’s dialogue support the narrative. They reinforce what the story tells us about him and his relationships, and I think that's pretty amazing.

[mutfruit-salad]

read your criticism and have a genuine question about your thoughts on the branding scene. i completely understand how max's branding is inherently tied to a racist history, and it always will be, but i dont feel like the scene itself was written with that bias/intent. thaddeus also gets branded in later episodes and it's implied to happen to every aspirant upon their promotion. at what point in writing are black characters morally barred from specific story points because of their similarities to a history that's not directly related? sort of similar with barb, at what point can black characters not do bad things at all, especially in a story where there are near a dozen non-black characters who do worse things? also considering it's implied (at least, i understood it as) she's sticking to vault-tec to protect her family?

I am not in the best position to comment on this, because I am not black. I will do my best to add what I can, but this is a space for others to chime in.

Barb is interesting because she's essentially become the person who did the most heinous crime in the entire setting- by far and away worse than anything anyone has ever done. There really aren't white characters who did worse things- because all the crimes of Caesar or the Enclave or whoever else pale in comparison to being the one who literally set into motion the total annihilation of all nations on Earth. (This is setting aside her willing participation in the inception of the vault experiments- which is an entirely separate also horrific crime.)

The issue is they've created a setting that is, as presented, colorblind. Race is invisible to the writers, who did not consider it meaningfully while producing the show- as is often the case with white creatives putting characters of color into their stories. Colorblindness does not always produce entirely racist results- and when done with tact and intentionality it can even be revolutionary. Look at the relative inclusivity of star trek as an example, and the radical depiction of Uhura in the original series.

The thing that makes Fallout different from Star Trek however is that it is not depicting its colorblind future with tact and intentionality. This is a show that is intensely concerned with depicting the specific brand of nationalistic American politics of the 1950s and the Cold War- and they've reproduced that system for the show but with a black woman at the head. That's where the issue comes up.

This was a system that had racism baked into it by design. It still does. American Nationalism and corporate violence are built on racism against black people and other minorities. And this show desperately wants to depict these things, but they've decided to put a black woman at the head of them. They're depicting systems that are, by their nature, violently racist- but they've decided to portray them as being run by a black housewife.

Fallout 3 does a similar thing with how it depicts every major slaver as a black person. Eulogy Jones, the slave buyer at Paradise Falls, the head slaver in the Abe Lincoln memorial, Ashur in The Pitt. Hell Mothership Zeta adds in a black woman from the wasteland and even SHE'S revealed to have been a slaver. This is something Bethesda consistently does- depicting ideologies and practices with a deep history of racialized violence- and then showing black people at the head of them, seemingly to try to avoid actually addressing any aspect of racism in their stories outside of hamfisted metaphors like synths and ghouls. (I use Fallout 3 as an example but Fallout 4 does many of these same things.)

Thaddeus does also get branded, and he does also get treated to the same demeaning servanthood as Maximus. The difference, quite frankly, is that Thaddeus is white. There are just some things that are straight up inappropriate to depict happening to black characters without appropriate thoughtfulness and context. Never before this series has the Brotherhood ever done brandings- and yet this show opens with it in the first episode and introduces this brand new jarring concept with the visceral image of a black man being branded by faceless fascist cultists.

It's also important to note that even if they didn't intend the scene as racist, it still is. Like I don't think the scriptwriter sat down and said "oh I'm gonna do a racism" cuz intent just doesn't matter here. The scene was intended as a way of showing the severity of the brotherhood- but it also thoughtlessly reproduces images of historic black violence.

@orange-coloredsky I know you've been talking about this stuff all day, and your initial posts about the antiblack racism in the series were what prompted me to write my thoughts today- which is what this ask is in response to. I was curious if you have any other input with all this.

I'd also be more than happy to have any additional input from people better suited to answer these questions.

[kandavers]

Doodle Dump!

Hello Kandavers Tumblr Nation! If you can't already tell, I've been absolutely BRAINROTTING over www-related content these past few days HEHE

I've been drawing a lot of his interactions with my Beloved Mutuals' OCs and I thought I'd post it here as a mass post because they're Too Silly and Goofy (and Doodly) AND I WOULD ALSO LIKE TO RAMBLE ABOUT IT PLEASE AND THANK YOU

(Warning! Some of them are mmmildlyyyy suggestive hehe) (As a Treat!)

Characters heads up: Will Wayward by Me! Starii by @dianacoreexe Valentine Hart by @chronnellian Mimix by @sleepyzuku Mori Moonlet by @kawaiialeisha

Here's Mimix, Will and Mori jamming together in their MWM Band (Outfits subject to change HAHA we never really got that far with the Designs save for Mimix (common sleepyzuku slay)):

(Adding a Keep Reading button so that the post won't be too Long!!)

And the slicked back hair WWW I drew just for the occasion:

I KNOW I HAVENT OFFICIALLY POSTED A PROPER WWW X MIMIX SHIP POST BUT I've mentioned before WWW and Mimix are in a relationship, and we have this running joke that Mori would occasionally be a third wheel in their relationship it's HILARIOUS !!!

(cw suggestive:)

And shy Mimix got me so weak HAHA:

It's so cute that Mimix can't handle intimacy that well, so Will always helps him take the initative aaa,,, DO YOU SEE WHAT I MEAN WHEN I SAY I'VE GOT BRAINWORMS

☆════ ⋆★⋆ ════☆

"Out of everyone in this entire universe" (The first panel is by Diana themselves for context LMAO)

See, we both agreed that Will and Starii would be Adopted siblings! There's a little bit of lore to it, which is Starii is an Alien whose space ship crashed onto Earth when she was Smaller, and Will, being the Space Nerd (tm) he is, he offered to let her Stay with him while he fixed her ship! (And for context, Winnie is Will's biological sister that I have not designed nor planned yet !)

☆════ ⋆★⋆ ════☆

This one is just so funny to me HAHAHA

(cw: suggestive)

But despite the erm... Physical Admiration 💀 Will has for Valentine, I offer you SOFT and WHOLESOME doodles and they make me SO VERY WEAK I AM SO SOFT FOR THEM ARGHHHH

And bonus kissy,,,,

When they say "I love you" while affectionately gazing at each other like that... ouuuu I think I will Pass Out /pos

☆════ ⋆★⋆ ════☆

Bonus cute details:

Will used to have just 1 earring pierced on his Left Ear (if I recall correctly 💀 hashtag bad OC creator) but he went to get the other one pierced with Mimix

After meeting Starii, she gave him one of her earrings, so his Right Ear would always have a star-shaped earring! (Don't worry about consistency i literally forget all the time too LOL)

He has one of those succubus-looking tattoos on his tummy 😳😳 Solely because I think it's cute and ZESTY and it has 0 things to do with his character but thats okay. <3

And honestly shout out to All These Artists for feeding my delusions and brainrots at 2-3am even, with their ideas and headcanons too, they got me Giggling and Kicking my Feet and Everything WAAA

I REALLY LOVE HOW I AM ABLE TO CREATE THESE COOL AND MUSHY OC INTERACTIONS WITH THEM <3333 Honestly I love my mutuals so much they're so Amazing hehe

That's the Doodle Dump for Now! Thank you for reading this far and listening to my Deranged Rambles about them !

And last but not least, go follow my Mooties if You havent already 🫵🫵💥‼️‼️ I love You!!! /p

[777bae]

ROOKIE OF THE YEAR AWARD

PAIRING… f1!drivers x fem!driver | WC… 2.1k | Masterlist

Interview/comment clips… George, Alex, Lando, Y/n

“As you know I love a powerpoint presentation so today I’ve created a powerpoint to show you why I am rookie of the year.” George begins, waving his hand about enthusiastically as you sit in between Alex and Lando.

“I wouldn’t say I’ve got it in the bag, I mean…”

“So I thought I’d start with a photo of me probably overtaking Lando here.” He introduces.

“I’m pretty sure I’m lapping you there.” Lando exclaims as you and Alex try to stifle your laughter.

“Not sure, anyways. Fact one, most consistent qualifying position. Oh Alex, look at that. What’s that all about?” George cuts off the discussion before presenting a graph, not forgetting to take a dig at Alex’s downfall. You laugh as Alex and Lando begin to try to point out his errors and how he’s only been consistently last.

“As we know, in Formula 1, consistency is key.” He finishes, pointing a finger at you as you notice how much your data fluctuates.

“Fact two, Least amount of points behind teammate.” Russell presents his second graph, your result not being quite as bad as Lando’s as his goes into the 50s. “George Russell, one point, Lando Norris, 58 points behind his teammate.”

You laugh along with Alex as Lando only sits there, unable to come up with an answer.

“…”

“Fact three, most positions gained on opening laps.” He shows yet another graph whilst you immediately notice how low Lando and Alex are. “George Russell, two, Y/n Y/l/n, zero, Lando Norris has lost four and Alex Albon lost ten. What’s that all about mate?”

“Yeah but you started at the back.” You point out.

“You can’t lose positions when you start last.” Alex continued your point as you look at the producers of the video for help.

“Fact!” George exclaims whilst Alex still tries to reason his case. “I’ve qualified P19 before, I’ve had someone behind me.”

The video would quickly cut to your ‘interview’, your disappointed face being the only thing shown as you were unsurprised with George’s lack of evidence.

His statement causes you to immediately start laughing before Lando soon joins in, Alex still trying to prove his point in the back.

“Fact four, as we know Formula 1 is a lot about the cars.” The driver continues once you had all settled down. “2018 Formula 2 championship, fourth, Y/n Y/l/n, third, Alex Albon, second, Lando Norris, first George Russell, oh.”

Photos of the podium and George’s celebration began to flash on the screen before an enlarged ‘FACT’ appeared, an obama meme quickly following.

“I was surprised that Williams gave him the confidence to show that. If that’s what his presentations are then, uh, I expected more.”

“The were real, they were real facts.” George points out as he walks over to you all, his hands placed on his hips.

“Yeah, I feel like you were taking advantage…” Lando begins.

“Of your bad qualifying.” You finish, a large smile on your face as you try to suppress your laugh.

“So, you were consistently at the back.” Alex continues.

“Consistency is key.” George tries to reason.

“I think throughout the season you could have lost…” Lando pauses trying to find the right words.

“One position.” You laugh, sticking your finger in the air as George scowls at you jokingly.

“I think it’s a good presentation but not a convincing argument.” Alex finishes off your comments, before getting up ready to present his evidence.

“Okay so I don’t actually have a presentation, so you’re gonna like this, but, uh, I haven’t been very well organised.” He begins, trying to find his piece of paper beneath all the rubbish. “So how do I do this?”

“Uh, tick tock, the times ticking.” George comments as you chuckle at his statement.

“I was uh, a little concerned for him when he told me he was doing a rap.”

“I’m nervous about this.” Alex mumbles, an awkward smile on his face.

“I’m nervous for you.” You speak, he had previously told you that he was going to do a rap and you told him how great of an idea it was, obviously without including how amusing you found it.

“For me?” Albon questions.

“Yes because after yesterday’s performance in that sky sports interview, that was shameful.” You reply, a smug smile on your face.

“That was great!” He tries to reason.

“That was absolutely shameful.” Russell comments.

“That’s some great banter.” Alex says before turning to face the screen.

“Haha, he’s chatting shit like always.”

“This has got all the characteristics of embarrassment.” George remarks.

“For who?” Alex questions.

“You!”

“For me? Not for me!” He argues as you and Lando just sat there, waiting for the charade to end. “Okay, anyways ready?”

“There once was this kid called Lando,

Who thought he could fill the shoes of Fernando,

He managed to bin a hotlap,

Sat your head in your hands,

But Johnny dug him out of the gravel trap,

Where are your one million Instagram fans?,

We came from F2, but we didn't have a clue,

But when you're off the pace and leave too much space,

Like how you did that in that Suzuka race,

Just know that I'll spank you in every race.

How about I introduce you to the only girl on the grid,

She’s joined the top when she’s only a kid,

Missed a lot of chances at coming first,

Caused her to have quite an angry burst,

“I don’t think so.”

Being behind me all the time must be a struggle

The stress of it all must be hard to juggle,

Qualifying for her never seemed to be so hard,

Maybe it’s because I’ve upped my guard.

Now onto our boy Russell,

Who likes to flex the muscle,”

“George’s topless instagram stuff that he likes to do, and I always give him rubbish about it”

“The only driver yet to score

What are you even doing this for?”

“It’s true.”

“Just kidding, I know you can take the flack

By the way, Lewis called: he wants his yellow hoodie back!

Last but not least, let's talk about me

Alex Albon, number 23

Try and stop me getting past?

That's fine, I'll get through on the grass!

I'm going through front wings like no tomorrow

I'm the asian Tom Cruise, so give me a follow

Last race, I came close to champagne

Which thanks to Lewis, never came

But now I'm here to state my claim

If I'm not top rookie, you must be insane!”

You all giggle throughout, immediately clapping once it finished.

“He pulled it off so…”

“Pretty good performance, needed a bit more flow… just like his racing.”

“If only he could do such a good performance on track.”

“That was great.” George assured.

“You could get a career in rapping after that.” You joke, still trying to remain serious.

“You can take this home, uh, just to have it.” Alex hands you each a piece of paper with the rap on, trying to suppress his laughter.

“I’ll hang this on my wall.” You say before Lando got up and got his presentation ready.

“I haven’t got a lot to say, cause the video speaks for itself.” Lando announces before clicking the play button.

The screen quickly presents ‘Reason 1 2 3 4: overtakes’ before showing a video from the race.

It shows Lando overtaking a Renault before having an explosion effect go off on the side, causing you all to laugh.

“That came in a bit early but okay.” George comments before the video moves onto the next scene.

“Okay this one was good.” Alex announces before you point out how Lando was overtaking Alex himself.

The video has another explosion go off before playing the ‘you’re going too fast!’ meme as George quickly mimics it.

‘Reason 5: Respectful’ Quickly presents itself on the screen before showing an interview between Daniel and Lando.

It then shows a montage of clips, the last few being slowed down radio communication causing you to laugh again.

‘Reason 6: Fashion icon’

“I disagree.” You put your hand into the air quickly before letting the video continue, only to be shushed by the presenter himself.

“Respectful… yeah”

The screen finally rolls the credits where it just all goes to Lando.

“Lando, poor effort, really.”

“You know, I expected more from him.”

You just end up shaking your head, a disappointed look on your face.

“Well you’re not getting a round of applause from me.” Alex comments as Lando just stairs, unsure on what to say before looking into the camera.

“I don’t think it was my best performance. I think, uh, I’ve done better things this year driving on track.”

“Alright my turn.” You announce, stepping up from your seat and setting up your video.

“Uh, so, my video contains less facts and just more about why I am the better person in general.” You comment, earning a few ‘offended’ faces before clicking the play button.

The video immediately cuts to a clip of you trying to do a three-legged race with Charles but it just ends up in the two of you falling over. The next clip shows you singing into your radio during the formation lap as your engineer tries to tell you to stop but just gets ignored.

“Haha, she’s gibbering.”

These first clips earned a few chuckles from the guys before it continued.

The next clip shows you going into a hug with Sebastian when your helmets suddenly knock onto each other causing you to nearly fall over. The video finally ended with a few photos of you trying to do yoga poses with multiple drivers before showing a video of you falling straight onto Lando after a failed attempt.

“Pretty good, pretty good.” George comments as you bow.

“Okay verdict.” Alex begins as you quickly sat down in a chair to join the discussions.

“I think yours was pretty good.” You say to Alex as George quickly nods.

“I think I had the legs on them.”

“I think Lando’s was worse.” George suggests as you and Alex quickly nodded.

“Lando’s gotta choose.” You announce as the boy quickly looks at you surprised.

“I’m like the deciding vote.” He reluctantly agrees..

“Well, you’re not the deciding vote.” George tries to reason.

“I know I’m last.”

“I mean, I’d still put me first.”

“Can I say why I think I won?” Alex asks before continuing. “George’s presentation was just facts, you know, facts facts. P19.”

“Yeah.” Lando mumbles.

“I’m actually surprised you only went up two positions.” Alex comments.

“He only went up two? In the whole season?” You questioned, shocked at his lack of improvement.

“Don’t give me that.” Russell shakes his head.

“And with Y/n, there were no facts.” He finishes as Lando nods his head.

“It’s up to you Lando.” You say as he chuckles.

“If it’s based on performance I think Alex has got it, if it’s based on the track, I think we got it-.” “Performance on track.”

“I don’t think I got the hand on them.”

“I’m going to have to go with… Alex.” Lando finally announces after a moment of silence.

“I almost agree, I almost agree, I’m gracious in defeat. He’s gotta have one to show no defeat.” George comments as you pat Alex’s back.

“I’ll take the flack, I’m used to it.”

“And you guys have a trophy as well.” Alex points out as Lando reaches back to grab onto said object, trying to connect the trophy back onto its podium.

“It’s my trophy, my only trophy- ahh.” Albon screams as he nearly drops it, causing you to laugh a little.

“He pulled it off, he pulled it off so…”

“Yeah, like Lando said he needs to transfer that onto the track and he’ll, uh, be in good shape for himself.”

“I think it’s gonna leak.” Alex points out as he pours redbull into the trophy.”

“Oh, it’s leaking real bad.” You point out as Albon quickly drinks out of it.

“Thank you very much, and uh, it’s detachable as well, so uh, I can put it in my suitcase.”

Bloopers/funny bits:

“I can see why Williams chose you after that presentation.” Alex jokes after George finishes, earning a laugh from all of you.

-

“Lando could fit the whole post-it note on his forehead, it’s that big.” George laughs as you all sit there laughing with notes stuck onto all your faces.

-

“Where’s my mouse?” Lando questions, his hands spreading everywhere trying to find said object.

“It’s there.” Alex points as Lando quickly finds it.

-

“Can we, uh, dim the lights.” You ask the producer as they quickly follow.

“No, cause they can’t see our faces you mug.” Alex responds before quickly laughing, causing you to roll your eyes.

taglist :: @topguncultleader @aurora-maria @oooglaabooglaa @teti-menchon0604 @g4ns3y @jivas0 @missskid @anicega @envisionracing @treehouse-mouse @navixfr @gulabjamoon @revemixer @thatsadsmallchild @ideajpeg

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[stevelieber]

Thoughts on giving critiques to comics artists.

Seeing lots of discussion from students about sour experiences with an unhelpful art teacher, so here's a long, long post about giving critiques.

NB: I have no formal training as a teacher, but I was a student, and I've spent decades giving artists feedback on their work.

When someone brings me a portfolio, I like to establish my limitations & clarify my perspective. My work is firmly rooted in traditional US comics storytelling (i.e., not manga or art-comics.) I can give feedback on other approaches but they should know where I’m coming from.

“We've only got a little time for this, so I'm going to spend that time focusing on things to correct. That doesn't mean you're doing everything wrong, or that there’s nothing good here, but it’ll be more helpful if I identify some problems and show you how to fix them.”

Why? Because for many young artists their entire sense of self worth is wrapped up in being good at what they do. (It was for me!) In school they were probably the best artist in their peer group. But now if they're hoping to turn pro, they’re at the bottom.

Sometimes you know what’s up when you see page 1, but try to keep an open mind. Some build their portfolios by sticking new pages at the back & don’t weed out the old stuff up front, so the work gets better as you go. When it’s like that I ask: “Show me your best 8 pages.”

I ask questions: "What's the goal? Do you want to be hired to work on someone else's project, or to get the story you're showing me here published?"

If 1, I steer towards a portfolio that'll showcase hirable skills. If 2, I look for what tweaks will make that particular story more effective.

"Do you have teachers giving you regular feedback? What are they telling you?" Sometimes a student is getting bad advice. In cases like that, I'll do my best to be extra clear WHY I'm giving them advice that's 180 degrees from what they've been hearing.

“What artists are you looking at? Is there someone you admire or try to emulate?” This often helps me understand choices they're making, and I can sometimes incorporate things those artists do into my suggestions.

I ask myself questions about what I’m seeing. First: Is there a narrative? If not, I make it 100% clear I'm not speaking as any sort of expert. I'm good at critiquing storytelling, but don't have anywhere near as much to offer illustrators or designers.

Can I follow the story? Or am I confused about what's going on? Are the characters and settings drawn consistently? If not, is the artist at least making use of tags (distinctive clothing, hair etc.) to keep the characters recognizable?

Does the artist demonstrate a good command of basic academic drawing? If not, Do I think they need it? Do I focus on "how to draw" or on "what to do when you can't draw?" Is the artist putting the viewer’s eye where it needs to be to tell the story effectively?

(At this point I’m usually doing little doodles to go with my instructions. I scribble out ugly little 5 second diagrams that I hope will clarify what I’m talking about. Or they might make me seem demented. Hard to say!)

Is the artist making choices that are creating more work than necessary? Is there a particular weakness? I once spoke to an artist with a portfolio full of great work when he was drawing animals and monsters, but his humans were amateurish in comparison. I spent that critique talking about drawing people.

A crit can be a grab bag. In addition to big-picture advice, I'll point out tangencies, violations of the 180-degree rule, wonky anatomy, weird perspective, places where the artist neglected to do important research, odd choices in how they spotted black, whatever catches my eye.

I also try to make a point of defining the terms, so that jargon like “tangency,” “180-degree rule,” and “spotting black” don't go over their heads. Find simple, concrete ways to talk about these things, & clarify why it's a problem when they aren't done correctly. Draw diagrams!

Recognize that even a perfectly phrased explanation might not sink in. Some lessons can only be learned when a student is ready, and it might take a year or two of work before they can understand what you were saying. It's good to plant seeds.

Are there other artists who are particularly good at solving the problems the student is trying to solve? I steer them towards that artist's work. And I always recommend life drawing & the use of reference to give work variety and authority.

Despite what I said earlier about focusing on what's wrong, I try at the end to find something encouraging to say. And if I’ve really piled on the criticism, I emphasize that I only spent the time and energy to do so because I take their efforts seriously.

If I've done my job right, they'll leave my table with tools to make their work better. And maybe in a few years they'll be looking at some younger artist's work, surprised to discover just how much you can learn when you're asked to teach.

[buwheal]

[You've Got Mail!]

You can now send your favorite salesman emails!! YAY!!

Here's some rules and information about the askbox.

First and foremost;

I try to answer as many asks as I can, but I will not answer every single one. Sometimes I just cant do anything with it that will work realistically with the perimeters of the world, and I apologize!! Its nothing against you guys!!

(Unless you break the rules ofc.)

So if you dont see yours after a long while, it’s probably something that wont work, sorry! You can always send more than one ask whenever and see if that one works instead!

Besides that, here’s the rest of what you need to know!

[RULES] :

Spamton physically PRINTS OUT each "email", so dont send asks that have a physical interaction. Sorry! Thats just how i decided to set up the world/situation, and is not really anything against you guys :-)

(more of a request than a rule tbh) Preferably try to send real questions or statements. most joke asks are funny, but are surprisingly hard to create an in character response for. You can still send joke asks if you really want to, just dont expect an answer X-P

I know he may be a personification of spam emails... BUT DONT SPAM!!! I mean it! It clogs the askbox and is a real pain. You can send him more than one ask, though, as long as you arent repetitively sending a ton in a short burst!!

Dont be sexual or romantic, please! Even "As a joke". I dont like Spamton like that and it makes me uncomfortable, plus I can't really answer that in character in a way that wouldnt provoke more of that. Thank you!!

Be respectful and patient!! I am just one person doing everything, lol, and this got far more popular than anticipated, so i will take a long time. I try my best to get at least one out every other day but i'll need breaks eventually!!!

I cannot spawn or give/spawn/materialize things for/to Spamton if you ask because of the way it’s set up. You are really just lines of text from a computer to Spamton, BUT... You can still do a lot if you think outside the box. or,, errr,, outside the computer. Kind of. Your words and your actions affect him and his reactions to you, so word it correctly and you can get him to do something or say something. Hes not stupid though, and he CAN usually tell when your intentions are... less.. than good.

[INFORMATION] :

[YGM!] is technically an AU!!! not only do the events of the game not occur, but this is also set before then!

Asks are put out one a day, regardless if i have more than one, UNLESS i need to connect two(or more) to complete one event.

I am one person doing every ask and every unique frame of art, so expect 1 ask (If youre lucky, two) maybe every other day Monday-Friday depending on my workload per day. I have weekends off so more asks, around 2-3, CAN (but usually arent) be done for future use.

This is just for fun!! I am using the askbox to exercise my drawing consistency, Spamton's personality, and the way he speaks and responds to different situations! This is a way I am using to improve my understanding of him as a character, so it wont be always consistent as I am growing and learning!

Just a little disclaimer, he WILL be mean. He is a sour, nasty, grumpy, bastard and I am absolutely not opposed to him responding as such. Just keep that in mind when sending an ask if you dont want that!

If you want a common outcome, talk to other people about it! go crazy! I dont mind long threads on my posts if you want to create a plan. Infact, I can even help and tell you things occasionally!!

What you say to him DOES and WILL affect the way he responds. Trust is lost far easier than it is gained, so keep this in mind. It is possible to regain his trust, but still hard. He is not a trusting person to begin with and being mean certainly doesnt help. BUT.. I am not opposed to being mean. Infact, they are quite fun to do. Either way is entertaining for me, so do as you will. YOU can choose to hurt or help him.

Using tone tags, while not required, are really helpful and assist me in understanding the intention in your ask if you think it may be interpreted another way! (i.e. sarcasm) :-)!!

I pick and choose asks depending on his situation, or if i have a good idea for a response, so you may need to wait a bit before i can get to yours!! Ones that i have an idea for take priority, especially when its to progress a scene. Or, alternatively, i am saving your ask for something i have planned.

I WILL reuse frames and poses to get these out faster and for my convienence :-) especially for the frames where there is no need to change his pose! So like.. dont think too hard about it lol.

Also, i prefer if you specify if the ask is for me /or/ Spamton. I do still do normal asks, lol. If its for me, just let me know!! I can usually tell, but most asks will be interpreted as for Spamton. I appreciate ones that start with his name before said thing is asked/stated specifically!! (i.e. "Spamton, __ __ __")

I wont be consistent with the way its answered. Sometimes it's one panel, sometimes its a couple panels, or sometimes they're animated gifs!! It varies depending on what i feel, so if youre lucky you can get a gif, lol. Those take longer usually though. Ive mostly switched to a gif formatting rather than multiple panels in a comic style, for the formatting! The animation quality can vary :-)

Thats about it!! Have fun!! ^_^

[themorningsunshine]

Pretense

(Requested)

Masterlist

Pairing - Bucky Barnes x f!reader , platonic Avengers x reader

Summary - You have been with orverprotective parents your whole life, and it never bothered you as much. You know they mean well. Until they spew lies in front of your friends and ruin everything for you, including your chance at love.

Warnings - shitty parents, angst, fluff, misunderstandings, a lot of crying, slight language. not proofread 

Word count - 7k (I need to be stopped) 

a/n - This was requested by the lovely @caritobbg​​. I thought it would be a short one shot but it instead turned out to be the longest fic I have ever written. I tried to do the idea justice, hope you lile it, girl. 

"Yeah, dad. I am at the tower."

"What do you mean why? I live AND work here."

"Yeah, I am taking care of myself, mom." "No, they don't fight each other all the time."

"No, Tony hasn't filled the tower with deadly robots." "No, Steve doesn't conduct history lessons here."

You sighed as your parents asked you for the 10th time this week if you were being kept hostage at the Avengers compound.

Your dad spoke from the other side of the phone. "You know we worry about you, princess. We just don't trust those superheroes."

You smiled a little at the nickname your dad had always called you since you were a little girl. "Yeah, dad, I understand that you worry about me but they are my friends and I trust them. I really wish you could trust them too."

Your parents had always been a little too protective of you. Being an only child, you were the object of their affection more often than not. It had never bothered you as much. You know they meant well.

But it had gotten much worse now. About a year ago, Tony Stark himself offered you a job to work with the avengers considering your skills and obviously, you said yes. It was an opportunity of a lifetime and you had found a family in the team too.

You hadn't told your parents about your new job for 6 months because you were afraid of their reaction. As you had anticipated, they didn't take their little girl working for superheroes very well.

Okay, that was an understatement. Your parents didn't trust the Avengers and they surely didn't trust them enough to be able to protect you. They took any chance they got to convince you to leave the job. All you wanted was for both of your families to get along. Maybe it was too much to ask for.

"Dad, we are friends. We look out for each other. We have each others' backs. Give them a chance, please. Why can't you try to trust them?"

"Hmm. Let me see. Your 'friends' consist of ex-assassins, a witch who used to work for Hydra, a "genius" and his scientist friend who created a robot that wanted to kill the whole of humanity. Oh, and the scientist also has huge anger issues. Like he literally turns into a monster when he is angry. Your best friend has killed more people than she can count. And this group of yours almost broke up once when the best friend of one killed the parents of another. Oh, and that soldier of yours has also reportedly killed a president. You are right. What's there to not trust?"

"Dad, he was brainwashed!!"

"Doesn't make him any less unstable."

You sighed. These arguments with your parents were a dead end. You knew you weren't going to get anywhere.

"Alright, mom, dad. I gotta go."

"Okay, sweetheart. Just take care of yourself. At least until we come to meet you next month."

You smiled at that. "Can't wait. I want to introduce you to everybody. Love you, guys. See you soon, Bye"

"We love you too, princess."

Your smile dropped as you hung up the phone and realization struck you. Your parents were going to visit and as much as you wanted them to meet everybody, you were scared. You could never be sure about how your parents would react. They were too unpredictable.

You were so lost in your thoughts that you didn't hear footsteps approaching.

"You okay, doll?"

The voice startled you as you turned back to be met by the beautiful blue of Bucky's eyes. You kept a hand on your chest to calm your breathing. "God, you scared me, Buck."

Bucky just chuckled as he looked at you, eyes filled with concern. "Well, maybe you should be careful who sneaks up on you, doll. This is not really the safest place on Earth."

"The only person who sneaks up on me is you, Bucky." You replied with a smile of your own, as you felt your concerns slipping away.

"Exactly my point. I am not really the most trustworthy person either."

"Then why do I trust you with my life?" The words slipped before you could think about how they would sound. Your cheeks turn little red as you look down at your feet. "You are too good for your own good," Bucky replied with a slight blush of his own and he meant it with everything he had. You were too pure and too trusting for this world. He would never know how he got to even call you his friend.

His eyes squinted as he noticed something. "Doll, there's something in your hair."

Before you could react, he took a step towards you and with gentle hands removed a piece of confetti out of your hair.

You ran your hands through your hair before looking up to thank him when you realized how close the both of you were standing. You were pretty sure he could hear how fast your heart was beating.

The both of you stood there staring into each other's eyes until Bucky took a step back, red color creeping up to his cheeks. He rubbed his neck, flustered, before finally speaking, "Um, I should - I should go."

You nodded your head, trying desperately to get your heart to beat normally. "Yeah, yeah. I'll see you around."

As Bucky walked away, you couldn't wipe off the smile from your face when suddenly your conversation with your parents hit you again.

God, it was going to be a long month.

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚

"And if you need anything, you can also ask Jarvis." You explained to your parents with the widest grin on your face.

"God, I can't believe you guys are finally here."

Your parents smiled at you before your mom engulfed you in a hug, 7th in the past 1 hour.

"Okay, guys. You know I love you both so much, but we are going to go in now and meet everybody. Can you please, please be nice?"

Your mom put her hand on her chest with a dramatic expression, "You don't trust us?"

You chuckled at how dramatic your mother could sometimes be. "I do, You know I do. But I also know as a matter of fact that both of you aren't very fond of my friends. And all I am asking is that you give them a chance. They are great people, mom. They are really really great and I care a lot about all of them. So, I just need you to be a little open-minded about them. That's all I am asking. Can you do that for me?" "Of course, we will, princess. We hate these inept superheroes but not as much as we love you."

Your parents then looked at each other a too long, which you didn't think much of, too excited at the prospect of your parents and friends getting along.

You took them inside the compound as they looked around in what you hoped was awe.

"Good morning, J.A.R.V.I.S" You greeted the AI just like you did every day.

"Good morning, Ms l/n"

Your parents looked around in shock trying to figure out where that voice came from when you chuckled. "Mom, dad, I told you, you need anything, just ask J.A.R.V.I.S"

Your dad narrowed his eyes at you. "Where is this JARVIS of yours?"

You giggled before replying, "Everywhere and nowhere." Troubling your parents never got old.

"Stop putting forward riddles, we are not in a fantasy adventure movie." Your mom complained.

"Sorry. Sorry Mom, dad, meet J.A.R.V.I.S. He is an AI that operates the whole tower, literally. If you want to know anything, just ask him. Tony created him. That man is such a genius."

Your dad almost rolled his eyes. "Why couldn't he just hire a human to work for him, just like normal people do?"

You sighed, just hoping that the day goes smoothly.

You couldn't be more wrong.

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*

"And this room is the briefing room." You opened the door to let your parents in but they just looked around from the doorway.

You had just started showing your parents around the compound, readying yourself for the inevitable. The whole team was pretty excited about meeting your parents and you knew sooner than later that someone will run into you.

The inevitable happened as soon as you stepped into the dining room.

Tony was standing there, getting his morning cup of coffee and his face told you he hadn't slept very well last night. Ever since he picked up the mission to update the compound's security system last month, he had hardly been sleeping. You were worried about him.

"Tony?" You said in a soft voice so as to not startle him.

"Oh, hey, kiddo. Awake a little too early today?" He said with a tired smile on his face, taking a jab at the fact that you were definitely not a morning person.

"Are you okay, Tony?"

"Hmm, yeah. Totally." He then looked at your parents who were standing beside you with a scowl on their faces. "Won't you introduce us?"

"Oh, right." A wide grin spread on your face as you turned towards your parents. "Mom, dad. This is Tony. Kind of the co-leader of the group. Tony, these are my parents."

"It's a pleasure to meet you, Mr and Mrs l/n. You have a great daughter."

Your cheeks turned red until your parents began speaking.

"So, he is the guy who has his head so up his arse that he doesn't care about anyone besides himself?" Your dad with a scowl on his face.

You gasped as Tony's eyes widened. "Dad, what are you talking about?"

"He is Stark, right? That's what you said about him after the first day you worked here."

Your eyes widened as your mouth fell open. What was happening? You hadn't even told your parents about your job for the first 6 months. Why were they -

Your eyes frantically searched for Tony's and you felt a slight pain in your chest when you saw how hard he was trying to feign the hurt in his eyes. You needed to set this right. "Tony - "

"Oh, and could you please stop annoying our daughter with all the science and tech talk? That stuff bores the shit out of her." Your mother interrupted you before you could even say anything.

You looked at Tony, desperately trying to explain to him that it wasn't true. You had told your parents how much you loved listening to Tony rambling about his latest creation. You loved how passionate he was about his work. You couldn't imagine your parents using that against you like this.

Before you could say something, Tony spoke, "Oh, I am sorry, I didn't know me talking about what essentially pays your salary irritated you so much." He said with a snarl in his voice that he had never used with you before. Even though the both of you weren't that apart in age, he was like a dad to you and you would never hurt him.

"Tony, it's not what you think." You said, desperately asking him to give you a chance to explain yourself when some more people walked through the door.

You watched as Nat and Wanda entered the kitchen, engrossed in their talk, smiling when they see you.

"Heya, girl"

You internally panic. You didn't know what your parents were up to but this couldn't be nice. You just wanted to take them away from here.

Tony speaks up before you can do anything, "Her parents are here. And they have something very interesting to say. Turns out our goody two shoes has some very different thoughts about us."

"Tony, no. It's not like that. I don't know why - "

"Hey, let me guess who are these two." Your mother exclaimed, conveniently shutting you up.

Wanda looked between you and Tony in confusion before smiling at your parents. "It's a pleasure to finally meet you. Y/n talks a lot about you."

Your mom looked her up and down before saying with disdain in her voice, "Redhead. A pretty face. You must be the witch."

Wanda's smile wavered but she didn't let her discomfort show.

"You're the one who is so desperate for love that she is dating a toaster."

Wanda gasped as her smile fell. She looked at you, confused and hurt.

"Mom, what are you - "

"That's what you told us, princess. That she is dating a toaster. What's its name again? Vi - Vis.." "Vision. His name is Vision and he is NOT a toaster." Wanda then looked dead into your eyes. "But it's good to know that that's what you think, y/n."

You shook your head frantically. "No, no, Wan. It's not like that. You know that's not true. I would never say that."

Wanda's eyes didn't waver and dread filled you. Your friends were not trusting you.

"What does she say about me?" Nat spoke up. She asked as if she couldn't care less but being her best friend for almost a year now, you could read it in her eyes that she was almost as afraid of the answer as you were.

"You're the black widow, right?" Your father questioned.

Your mother spoke up without waiting for a reply, "You are the useless one. No, like, really, the three of us always wonder, why are you even a part of the group? There are supersoldiers in here, witches and literal gods, what do you do? Throw some punches? Kicks?"

"Gods. That reminds me, where are the self-proclaimed gods/aliens of yours?" Your dad snickered, amused.

"Which one?" Your mom questioned in reply. "The doofus or the monster which can never be trusted?"

You had had enough. You exclaimed, "Okay, guys. Enough. Stop talking."

Your dad smirked. The audacity. "Come on, princess. Aren't you tired of pretending? Don't you want your friends to know what you actually think about them?"

You opened your mouth to tell them that whatever they were saying was as far from the truth as it could get when everybody in the kitchen heard footsteps approaching.

You heard Steve before you saw him, "Who thinks about what?" He asked, genuinely curious.

Your heart started beating frantically when you realized he wasn't alone. Sam and Bucky had entered the kitchen with him. But unlike the other times, your heart was beating with fear. This couldn't be happening. No, no.

"Y/n's parents are here. They were telling us all the great stuff she says about us to them." Wanda said with pure disgust in her voice. You had never seen her this mad.

"Guys, trust me. It's not - " "Come on, y/n. Let them speak." Sam said before turning towards your parents. "It's a pleasure to finally meet you, Mr and Mrs l/n."

Your father rolled his eyes before saying, "You're the one who got kicked out of the Air Force and then kissed Captain America's arse for a job."

Sam's jaw dropped but before he could say anything your mom replied, "No, honey. Y/n told us it was that Ant-man."

Your dad shook his head. "No, no. Antman is the one who went to jail. He is Falcon."

You were seeing red now. You knew that your parents were a little too overprotective of you and hence didn't like you taking this job. But you thought meeting your friends and realizing how caring and nice everybody was would change their minds. You never thought that they would ever do this to you.

You desperately wanted to explain yourself. To tell your friends that this was all a lie but you couldn't. You could see it in their eyes that they already hated you. And with your parents standing right there, you knew it would be impossible to give them. Maybe you could talk to them after your parents left. You just hoped they would give you a chance to explain yourself.

When your dad's eyes landed on Bucky, panic swelled inside you. Nononono.

"Oh, and you must be the winter soldier. That metal arm makes it pretty obvious though." Your dad said as he pointed towards Bucky's left side with pure disgust in his eyes as if it was the most horrifying thing he had ever seen.

Tears welled in your eyes as you saw how Bucky pulled his sleeves to cover more of his arm and blocked it from view.

"Do you have any idea how difficult you make it for people to work in this compound? Y/n complains to us how she has to walk on eggshells around you, scared that anytime you would get back to being the assassin that you have always been." Your mother uttered the words with a permanent frown on her face.

"But can you blame her though? You can not just kill hundreds of people and live freely, pretending to be a hero."

"Enough." You shouted. You couldn't take it anymore and your parents had gone too far.

You looked at Bucky, about to explain to him that none of it was true. That you were never scared of him. Not even for a second. Because you loved him. Since the day you had met him, your heart had held nothing but love for him.

But the look that you saw in his eyes made you stop in your tracks. He wasn't looking at you with hate or anger. No, it was much worse. He looked hurt. As if someone had pulled his heart out of his chest and stomped on it. You couldn't help but notice that his eyes held a little bit of understanding too as if he didn't blame you for thinking that way.

Your chest hurt and you wanted nothing more than to reach out to him.

"Wow. That - that was." Steve broke the silence, but it was the first time you had seen him out of words. "Is that really what you think about us, y/n?"

"No, no, Steve, None of it is true."

"Come on, princess. You don't have to put up a facade anymore. No more pretense."

"Stop it." You shouted at your parents. This was the first time you had ever raised your voice at them, but you couldn't care less. They were ruining everything.

"Guys, you need to trust me. Please." You looked at everybody, begging them with your eyes and words to just trust you.

"I don't understand. Why did you pretend to be our friend for so long? Why pretend to care when that's what you really think?" Wanda spoke, bewildered.

"No, no. That's not - " You spoke, tears at the brim of your eyes. This couldn't be happening.

"For the money, of course. Come on, why would someone live in the most dangerous place on earth if not for a buttload of money?" Your dad said as if it was the most obvious thing in the world.

"No, no, no, please. You guys have to trust me, please." You looked around at everybody, frantically searching for even a hint that everything was not ever. That they could trust you. But all you got was hurt faces and built-up walls.

"Why are you doing this to me?" You shout at your parents. You were extremely close to sliding on the floor and crying your heart out.

"We are trying to help you, princess. We are freeing you." Your mom said with a smug expression.

"You don't have to do that anymore," Tony spoke and all the eyes in the room looked at him. Hope swelled in your chest.

"You don't have to stay here and pretend to like us. I really really want to fire you but you know too much and your statistical skills are too good to be wasted. So, you will be transferred. Somewhere far from us where we don't ever have to see your face." Tony spoke with a sense of finality in his voice and your heart broke into a hundred pieces.

You looked at your feet and swallowed the lump in your throat before looking at him and whispering, "You don't have to do that." You then turned and looked into the blues of Bucky's eyes which you were so familiar with and all you could do was whisper, "I am sorry."

You didn't wait for anybody's response before walking out and towards your room.

There was nothing that you could do anymore.

You were not going to take that transfer.

This job was never about money to you. You had found a family here, and you loved them with everything you had. But it still wasn't enough for them to trust you.

You cried and cried and cried till you had no more tears to let go before getting up and packing your bag.

You had to leave. You couldn't face them again.

There was only one thing left to do.

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*

The compound was silent.

It was as if nobody even lived here anymore.

Everybody sat at the dining table staring at the food in front of them, nobody taking a bite.

It was as if a part of them was missing. As if the one thread that had bound them together was somehow suddenly torn apart.

There was an unspoken agreement between them. Nobody would talk about what had happened earlier that day. The wound was too fresh to be confronted.

Nobody knew where you were right now. But everybody just assumed that you were in your room.

Steve was very close to barging into your room and bringing you to the dining table. He couldn't count the number of times he had told you that you shouldn't talk while eating and even after choking on your food twice, you hadn't listened to him and Steve was glad. There was nothing he wouldn't give right now to bring back the lively chatter that had always surrounded the dining table. But he had to remind himself that everything he had thought was a lie, a pretense.

Tony was angry. He was seething. He had cared for you like you were his own daughter and you had thrown all of that into a drain.

Wanda just wanted to know how you were so good at acting. How you could pretend to be her best friend when you hated her all along?

But Bucky just wanted to know one thing - why. He didn't blame you for thinking that way about him. You weren't the only one who did. But he wanted to know why you would pretend to be his friend, to care about him when you thought him to be a monster. Why did you comfort him after all those panic attacks and nightmares telling him it wasn't his fault when you blamed him for every single thing? Why had you let him fall in love with you if you couldn't even stand him? You had to know that it would leave him devastated. He didn't blame you for hating him, but how was he supposed to live without your light now? Especially when he knew it was never for him?

Nat couldn't take it anymore. She couldn't just let everyone swallow themselves in silence for a person who never even cared about them in the first place. She harshly got up before walking towards the living room for a bottle of wine.

She shook her head when the memories of all of you hanging out at the same place plagued her mind.

As she walked past the bookshelf, she noticed something which had never been there before.

She frowned as she walked towards it to realize that it was a pen drive. She slowly picked it up to find a note attached to it which just read, "Sorry".

She was so engrossed that she didn't hear footsteps approaching until a hand took the pen drive from her. She looked up to realize Tony was looking at the drive intently as if scanning it with his eyes.

"What's this?" He asked, confused.

"No idea. Found it on the bookshelf."

Tony read the note and recognized the handwriting almost instantly. "It's y/n's."

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*

Everybody sat in the living room staring intently at the screen before them.

Tony had assembled everybody and they had all agreed to watch the pen drive once. Maybe it would answer their questions. Maybe it was just an old pen drive and had to do nothing with what had happened today but they had to know.

The system finally finished scanning the drive after what felt like a lifetime and your face flashed on the screen.

Your tears-stained cheeks and red, swollen eyes, told them that the video was indeed today's.

"Hey, guys." You sounded broken and defeated.

"I am not even sure that you are going to watch this." You let out a sad chuckle.

"But I just needed to say this 'cause it feels like if I don't, it will swallow me whole. And you guys deserve to know the truth, too."

"I just - I want you all to know that all that you heard today, none of it was true. Not even a single word of it. And I need you guys to know this." You looked directly into the camera as if begging them to trust you and nobody dared to move.

"I - I don't know why my parents did what they did. I have no idea. I can tell myself that they were trying to protect me, but who am I trying to convince? 'Cause, you don't protect someone by taking away the best thing that ever happened to them." You sniffled, rubbing your palms on your face to wipe off the tears.

"And that is what this team was for me. This job, this team, was the best thing that ever happened to me. And it was never because of the money or the luxuries of living in the tower, it was you guys. You were a family I found in a city I knew nothing about. And that was what mattered to me."

Tony wanted to shut the video off, to tell everybody that maybe you were lying here too, pretending, but he knew it wasn't true. Your eyes shone with guilt and desperation and eyes never lie.

The video continued. "And maybe you are not even watching this video. Maybe you will never know how I actually felt and will hate me forever, but if there is even a slight chance that you are watching this, and there is a small part of you that can trust me, I want you to know what I actually think about you.

Tony, you were like a dad to me. You always looked out for me and were so damn concerned about me the whole time and I can't thank you enough. Thank you for always looking out for me and I never for a second got annoyed by you talking about tech, you might not know this but your eyes shine brighter when you are talking about your creations and I would never get tired of that. The only complaint I had for you is that you need to take care of yourself more. Stop sleeping in your lab and eating shawarma all the time in the name of food, it's not healthy. Take care of yourself, Tony, 'cause there are some people who will always need you."

Tony looked away, blinking hard so as to not let the tears roll down his cheeks. All the times when you brought him food in his lab because he hadn't left his spot for hours and then you forced him to finish it all, you didn't do it as a pretense, you did it because you genuinely cared about him.

"Nat, you're the bravest and the most badass person I know. Don't tell anyone, but you are my favorite fighter. I admire you so damn much. Who cares that you can't lift things with your mind or fly? You can kick people's asses without blinking an eye. You inspire me so much."

"Wanda, you and Nat are my best friends and I am so proud of you. After everything you've lost, gathering the courage to love again is the most courageous thing I've ever seen. You and Vis make me believe in love. Hell, I even had a speech ready for your wedding as your bridesmaid." You had a small smile on your face as if remembering something, "Now that I am not going to be there anymore, Nat, I am going to ask you to give a great speech from my side too. I know you are not a very emotion-oriented person, but please try. 'Cause Wanda deserves nothing but the best."

Wanda sniffed audibly and Nat kept a hand on her shoulder.

"Thor, prince of Asgard, Son of Odin." You said in the voice that Thor had taught you to intimate a long time ago and chuckled. "I know you are the one who stole all my pop tarts." As Thor's eyes widened, the video continued, "Don't act surprised. Why do you think I never changed the place of keeping my pop tarts even after they went missing every single week? I am not upset, nope. I don't even like those that much. I just need you to know that I won't be there to keep those tarts there. Ask J.A.R.V.I.S., he knows where I brought them from. He will tell you."

"Sam." Sam looked up from his spot as he heard his name. "I am a little upset with you. You never let me use red wig." You pouted and Sam chuckled. "But you do know that you are the funniest, smartest, and one of the most deserving people to be on the team, right? Hell, bringing you to the team was the best decision Steve ever made."

You stopped for a moment looking down at your feet, when you breathed, "Bucky." Your voice was much softer now as if his name was a prayer.

Bucky looked up into the camera, his heart beating a mile per minute. If this was all a lie too, he didn't want to know what you had to say. Even if it was actually how you felt, he wasn't sure he was ready for what you were going to say.

"I - " You stopped and took a deep breath. You looked vulnerable as if you were apart to lay your soul bare in front of you. "Bucky, I just - Whatever you heard today, it is not true. None of it. Since the day I met you, I have never been scared of you. Not for a single second. You know I don't blame you for anything that Hydra did, you have to know. I don't think you were a monster. I think you are the sweetest, kindest and bravest person I know. I wasn't lying when I told you that I trusted you with my life. I trust you, I care about you, and I - "

Bucky's breath hitched in his throat as you suddenly stopped.

"Well, there is a major chance that you're not even watching this, so .. why not? It's not like I am ever going to get a chance to say it to you. So, here it is -

I love you, Bucky. I am in love with you. I have been for a very long time now. I could tell myself that it was just a small crush and it would go away sooner or later, but who am I kidding? I want to spend every single moment of my day with you. You're the first thought that comes to my mind when I wake up and my last memory before I fall asleep. When you are around, I can't stop looking at you and when you are not, all I want to do is look at you. I know that you might never feel this way about me, especially after today, but I just had to say it once."

You took a deep breath before speaking with finality in your voice, "I just hope that one day you guys will know that it wasn't a pretense. That this team was everything to me. I found a family, a place to call home, I found love. I hope that one day you will be able to forgive me."

The video stopped and everybody bowed their heads down while Bucky just stared at the screen desperately, as if you would walk out of it.

You loved him.

You wanted to be with him and god if that thought alone wasn't the best thing that had ever happened to him. He didn't think you could love him. He had accepted the fact that he was destined to love you from afar, a love that you would never know about.

But you felt the same. He didn't have to watch you fall in love with someone else and get your happily ever after, because you wanted that to be him.

You could be his happily ever after.

Before he could let himself be hopeful, realization struck him and left him breathless.

You had said that you would never get the chance to say it to him personally. The things that you had said, the finality in your voice, it had all sounded like a ... goodbye.

He stood up abruptly, only to realize that all the eyes were on him.

Some were filled with tears, others were trying really hard to keep their emotions in check. No, no, this couldn't be. How was he supposed to live without you now that he knew that you loved him too?

Without muttering a word to anybody, he rushed out of the room, through the corridor, and towards your room. You couldn't have gone yet. No, no, he would beg you to stay, get on his knees and ask you to forgive him.

He stood outside your door for a moment, taking a deep breath, mentally preparing himself.

He brought his hand to knock on your door, only to realize that it wasn't locked.

With bated breath, he pushed the door open.

It was vacant. Everything that you had put in to make it a home, was gone.

You were gone.

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*

The whole team stood in the living room, waiting.

Bucky walked in, his head shaking and arms trembling.

Nobody uttered a word as they waited for him to give words to the inevitable. He looked up, tears brimming his eyes as he whispered, "She is gone."

Everybody gasped as guilt filled them.

Only if they had trusted you.

"No, no. We cannot give up. We need to find her. I am going to find her. We cannot give up this easily." Bucky said, praying that he was right, that not everything was lost. There was still hope. There had to be.

"He is right. We can't just let her go." Wanda said, tears straining her cheeks. "There has to be a way." Sam agreed.

Tony suddenly lightened up as he took out his tablet. "We can track her. If she hasn't switched off her phone, we can find her exact location." He had enabled a tracking sensor in everyone's phone some time ago. He remembered the way you had pouted and teased him that it was an invasion of privacy, but had finally let him install it nonetheless.

He let out a sigh of relief when he realized he could still check the location of his phone. "She is heading towards the airport."

Dread filled everybody as Tony's words sank in. You were leaving. Forever.

"She is in a cab right now. I can figure out its number, but it might be too late."

"I have to go," Bucky exclaimed. "I am not going to let her go. No. I need to find her." He looked around, ready to fight anyone who came in his way.

But everybody just gave him a reassuring look as Steve whispered, "Go, get the girl, Buck."

✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*❋ ❋*˚┉༝✧✧༝┉˚*

You looked through the window as the city lights bristled by.

Your cheeks were still stained with tears as you left behind the place you had called home.

But there was no other option. Your parents had left you with no other choice.

It hurt that they had actually been successful in their mind games, but there was nothing you could do. Your parents had taken from you, the best part of your life.

You were going to miss the city, the team, and your friends, but there was one person you were going to miss the most.

Leaving him was like leaving a part of your behind and you knew that Bucky Barnes was always going to have a piece of your heart, even if he didn't know about it.

You swallowed the lump in your throat as the cab came to an abrupt, sudden stop.

The cab driver looked back at you before asking, "Ma'am, are you okay."

You nodded your head before asking, "Are you?" After he nodded, you continued, "What happened?" "A man just rushed his bike past us, way beyond the speeding limit, and then stopped it right before us, in the middle of the bridge."

You frowned as you looked in front of the cab.

Your breath hitched in your throat as you recognized the bike and the man getting down from it.

"Bucky." You breathed before opening the cab door, against the driver's protests, your legs on autopilot.

When your eyes met Bucky's, you could see him visibly relaxing with relief.

"Bucky, what are you - " You exclaimed against the sound of the wind.

He got down from his bike and started walking towards you quickly. "Doll, how could you?"

Your heart skipped a beat at the nickname before you lowered your head. Of course, he hated you after what had happened. He didn't trust you.

You looked up to realize that he was a couple of feet distance from you now. You opened your mouth, apologies about to come tumbling from your lips when you were cut off by him.

You gasped in shock as Bucky closed the little distance between the both of you, pressing his lips to yours, in a gentle, yet desperate kiss, as if he was drowning and only the feeling of your lips could bring him back to the shore.

When the surprise finally washed off, you brought your hands to his chest as his led down to your waist, and you kissed him back. You didn't understand what was happening. But if it was goodbye, you wanted it to last forever.

When the necessity to breathe arose, Bucky pulled back but stood close.

He leaned in and touched your forehead with his before closing his eyes.

You breathed him in. He smelled of fresh coffee and pine. He smelled like home.

"How could you leave me, doll? Without even saying anything. Not even a goodbye?" He tried to be upset with you. But who was he kidding? You could stab him through his chest and he would still thank you.  

Tears brimmed your eyes as you took in a deep breath, you wanted to savor this moment. "Buck, I - I am sorry. Whatever my parents said today, it was a lie. A huge lie. I wanted to tell you, but - "

"It's okay, doll. I trust you. But, I - I need to ask you something." He took a deep breath, already dreading your answer to the question he was about to ask. "Did you mean it?"

"Of course, I didn't. None of it. I don't blame you for anything, Bucky. I am not scared of you. I have never been."

"That's not." Bucky closed his eyes shut, praying that he could word his feelings correctly. "We - we saw the video."

Your eyes widened as realization struck you. He knew.

You had stupidly confessed all your feelings on a video. What were you thinking? He would be so embarrassed right now but you couldn't back out now.

"Buck, I - I do love you. That is the truth. But you don't have to say anything. I understand if you don't - "

Before you could finish your sentence, Bucky brought his fingers under your chin to make you look up at him before leaning in to press his lips against yours once again.

Hope swelled in your chest as you brought your arms to encircle his neck and kissed him back.

He pulled away a little too quickly to look up at you with a small smile on his face. The look in his eyes made butterflies erupt in your tummy with a ferocity you had never felt before.

"I love you too, doll. I do. With everything that I have. I love you and I am so so sorry that I didn't give you a chance to explain. I am so sorry that I didn't trust you.

I never told you this because I - I am not good enough for you, doll. I don't deserve you."

You shook your head, about to correct him, when he continued, "And I think I still don't. Being with you puts you in so much danger too, maybe I shouldn't even be with you. But I am tired of pretending that I don't want to. I am tired of pretending like I don't want to spend every single moment for the rest of my life with you. So, if you'll allow me, doll, I'll spend the rest of my life, trying to be the man you can proudly call yours 'cause I love you so damn much."

Tears were now flowing down your cheeks for a completely different reason. You leaned in to kiss him again when the both of you were interrupted by the cab driver shouting from the cab, growing impatient, "Madam, do you want to go or not?"

Bucky looked at you with hopeful eyes and you turned back to yell to the driver, "Never"