I love that In Stars and Time gives the nonconsensual kiss a proper horrified reaction, by the way. Most media where a character can kiss someone out of no where either make it a funny thing or the "romantic" thing, but here Siffrin kisses without permission out of no where and Isabeau reacts correctly! He pushed them away! Because thats surprising, and fucked up to do to someone with no lead up and no permission! Isabeau had no context, and at the time when the kiss happened, was under the impression that Siffrin didn't like touch which can have a variety of horrible reasons for it. Not only that but... We don't know what face Siffrin was pulling and I don't think it was a nice one. Which, again, means that we don't have all the context either! This is a horrible event that has horrible consequences and I love that it does. Because it's something that is horrible and objectively one of the worst things Siffrin did to one of the others in the loops, so I'm just!!! So excited it had bad consequences!!!
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Edwin holding both of Charles' hands in his and telling him, "You cannot hurt me in any way that matters."
"I have been hurt beyond imagining and you have witnessed it firsthand, Charles. Do you remember it, as I remember it—clear as day? That was the worst agony imaginable. Unspeakable. Insurmountable. And you were wounded tenfold at the sight of it. You cannot hurt me in a way I will ever hold against you. And moreover you will not. No—don't look at me like that—I know you will not. Because you would sooner destroy yourself than cause me an iota of intentional pain. Your soul revolts against the thought of hurting me, does it not? Just as mine riots against the thought of you in pain. You saved me from hell—and Charles, you must not consign yourself to one of your own for fear of hurting me. Not when I am here to love you. Our love is not without risk, Charles, but it is a risk that is worth the reward."
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I do acknowledge that the Marvel writers were, to a certain extent, trapped in production hell when it came to adapting Clint Barton into the MCU and I do appreciate the glimpses of his comic personality that they managed to sneak into the MCU. Some of my favorites include but are not limited to:
“Look the city is-is flying. The city is flying. We’re fighting an army of robots. And I have a bow and arrow. None of this makes sense”
When faced with a completely unknown opponent who’s clearly some kind of enhanced the middle of a fight: “We haven’t met yet, I’m Clint.”
“Nobody would know. Nobody. Last I saw him an Ultron was sitting on him. Yeah I miss him already that quick little bastard.”
“Unfortunately, he’s still Barton” “Oh that’s terrible” Because he’s a little SHIT
“You’re no match for him Cap.” “Thanks Barton”
Hits a bullseye on the dart board half a centimeter from Tony’s face with absolutely no warning just because he can
In THE maximum security prison getting lectured by Tony Stark: “Blah blah blah…”
Actively lying on the floor after getting his shit rocked by a child: “Yeah you better run.”
Smugly, towards the aforementioned child: “What? You didn’t see that coming?”
Doesn’t tell his teammates that he’s taking them to his secret farmhouse in the middle of nowhere where he has a secret family. Also does not tell his wife that he’s bringing the entire Avengers lineup to her house. Because he’s a dramatic bitch with abysmal communication skills.
Does a stupid little dramatic flourish just to shoot an arrow into the fucking wall in front of literally no one but Wanda. Just for funsies.
Is played by Jeremy Renner, who I can’t Google without learning about his latest life-threatening injury. On brand.
Turns his hearing aids off at a bad musical
“Good thing they call you HawkEYE and not HawkEAR” “Hahaha. Block. Delete.” (100% did not block and delete)
Casually boards the subway after a whole entire car chase
“And the Challenger gets wrecked anyway!”
“How’s my apartment?” “…crispy”
“Sorry Santa!”
“You rely too much on technology” “Well my weapon of choice is a stick and a string”
“I’ve been taking karate since I was five” “Oh so last year?”
“Oh hey… I know you” Casually hands over the most powerful weapon in the universe.
To an actual literal chipmunk after he just jumped out the window of a skyscraper and landed in the Time Square Christmas tree “…hey”
“Clint where are you?” “I’m in the tree!” “What? Which tree?” “THE three!”
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Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.
But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.
Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.
Bonus
Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree
Namely Queen Protea who I designed as Poppys grandmother
Named after the Protea flower which part of her design is based off :D
In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death
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Byler is a slow burn y’all!
While it’s possible milkvan could break up in early s5, or maybe they consider their fallout in s4 their breakup and are only now addressing it and how they’ve realized they’ve been better off as friends over the last year, it’s still gonna take some time for byler to confront everything over the last few years and both get to a point where they have clarity about their own feelings and finally accept that the other one feels the same.
I don’t think there’s enough time to explore all of that before Mike and El have that talk on the roof, or even shortly after that, even if it’s post-time jump.
It will still be interesting to see where Mike and Will are at in their relationship by the time the time jump rolls around.
It’s unlikely the painting will have been addressed without us witnessing it, unless they decide to throw in a flashback at some point if it happened during the time jump.
Which means there is still a lot they need to talk about, let alone for them be literally dating.
I think it’s also possible Will won’t know Mike and El are over for real, not until Mike or El tell him and the others.
What this might result in is an episode or two of Mike pining for Will (single 😁) while Will is none the wiser and maybe even trying to keep his distance, now under the assumption that Mike wants space to be alone with El since they’ve finally reconciled once and for all.
There’s gonna need to be episodes exploring their dynamic as friends that can be something more if they want to be and how they navigate that and how obvious it is that, in contrast to Mike and El, while they are indeed friends, they work even better as being something more too.
They’ve invested the entire series to building this up, in a way that most of the audience missed. They need to spend some time now making it obvious so that people can rewatch a lot of their scenes for what they truly are (romantic) now that they know the truth, as opposed to just being ambushed with them being together.
I need people that didn’t even want it to happen to have to endure the tension all season long, to the point where they’re screaming at their screen JUST KISS ALREADY! GET IT OVER WITH! JESUS CHRIST!
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