Ranting about ice cold takes on twenty-some year-old comics below the cut:
Given what I know about the M*rvel fandom, I shouldn’t be surprised anymore by absurd opinions, but that some people villainize Scott for breaking up with Jessica is some of the most absurd shit I’ve seen so far. Like, I know I’m severely biased in Scott’s favor, but yeah, no, he’s not the bad guy for breaking up with someone who got pregnant by another guy behind his back. Not to mention the emotional cheating she engaged in, while Scott did his damnedest (and honestly, too damn much, he was kinda overbearing at times) to get her to trust him and open up to him.
But whatever, God forbid we don’t make someone into a heartless villain when dealing with an awkward love rhombus situation even if it makes no sense in context to do so.
Argh, anyway!
I really enjoyed the book and loved Jessica. I did like her when I read Y0ung Av*ngers, but it was cool to read something longer with more focus on her and get an even better feel for her.
And yeah, I still did enjoy her and Scott’s relationship, despite the trainwreck of it all. It fucking figures that of all Scott’s canon ships that this would be the one I was all-in for from the get go. Just my luck, lol. Like, this is the prime example of why I don’t get shippers who lose their minds over their preferred crackship not going canon. Being canon is fucking overrated, man, lol.
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so like. at what point are we going to stop listening to game companies saying "the game was poorly received and didn't meet our sales targets, and that's why we're removing it from storefronts and taking down all the servers mere months or even weeks after release" for titles that had a long expensive development, were barely marketed, and nobody knew they'd even released until after they heard they were getting shut down and couldn't be played/purchased anymore?
I feel like the prevailing takeaway for anyone who doesn't just conclude "yeah, game was pretty mid, makes sense to me" has usually been "this company just has unreasonably impossible sales expectations and treats every project like a failure if it doesn't print a trillion dollars". but these ARE allegedly experienced business execs who aren't complete idiots, and after this most recent debacle with Concord I'm starting to wonder if a bunch of these "games getting wiped out of existence when they underperform instead of just being allowed to persist as they are and maybe improve with time" cases in recent years might be more of a Warner-Discovery type situation, like nuking an entire animated series or film that was worked on for years and preventing it from being sold because it has to be officially unprofitable for the company to use it as a tax write-off. I look at a game that was worked on for 8 years and only made available for 2 weeks, and it's hard not to see the parallels.
great work, AAA games industry, really normal and sustainable stuff you're doing over there as usual
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i'm surprised i haven't seen any text posts yet about the Unsubtle Differences between astarion’s tiefling party/high approval forest scene and the one you get after the goblin party.
there’s something so terribly interesting about how the conversation afterward plays out depending on which variation you pursue.
like, most people have seen the tiefling party version by now. astarion basking in the sunlight the morning after, playing off most of what tav says with relative ease, even when they ask about his scars and he tells them about cazador. his cadence is smooth and composed, his smile almost friendly, even though you know, as the viewer, he’s playing a game of manipulation at this point. the only real crack in his demeanor is if tav notices that cazador’s “poem” was written in infernal, which, understandably, startles him.
but recently i watched the goblin party version of this same scene, and everything reads so differently. unlike at the tiefling party, it’s still the middle of the night when astarion tries to leave, thinking tav is asleep—almost immediately after the act, in fact. when tav does speak to him, he’s visibly nervous, halting and stammering in the middle of lines delivered unflinchingly in the other version of the scene. he gestures broadly and fidgets more while talking, his smile comes and goes. there’s even some of his distinctive high pitched, fake laughter sprinkled throughout the exchange, almost identical to later scenes where he's very, very obviously uncomfortable (like if raphael mocks him and magics off astarion's shirt to show the party his scars in act 2, or when confronting the gur children in their cell in act 3, etc etc).
siding with the goblins represents something deeply familiar to astarion, a level of cruelty he's more than familiar with and embraces likely because cruelty and duplicity, to him, go hand-in-hand with the power and freedom he craves so badly—but he won't stay the night with this tav, even if he approves of their actions. no, in this case, he'll keep to what's familiar and attempt to leave them in the forest under the cover of the very same darkness he resents having been cast into by cazador. when he gets caught, it sets him on edge, and everything he says becomes such a blatant lie to save face that tav would have to be completely oblivious not to see through him, or maybe just not care enough to.
but if tav saves the refugees? challenges his worldview and comes out victorious? oh, he'll complain of the poor rewards for his trouble at the party and whine about it being boring, but he decides to stay with tav through the night while they're asleep and on past dawn. he takes a moment to enjoy the morning sunlight, returned to his life after two centuries without. the same is true if you have high enough approval that he asks before the party, in which case, you've almost certainly hit his biggest approval gains: trusting him and supporting his safety. maybe he doesn't trip over his words when he speaks because, well, maybe this is someone he doesn't have to worry about. someone who's already more than proven themselves a foolish, heroic sort with a bleeding heart or otherwise demonstrated that they're already in his corner. in other words, not a threat—at least not to him.
does any of this make sense. i wanna study this guy under a microscope.
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Has AJ and Chester ever secretly talked to each other about how off it feels with ‘Timmy’ after he came back? Do they wonder why he is so odd even though he is in general the same?
They can’t question it much, right? Since it IS Timmy. Just not the same Timmy they used to know.
They've had discussions. AJ and Chester has picked up how Timmy's... changed somewhat. He doesn't initiate conversations as often, he doesn't create schemes as he used to, and worst of all- Timmy doesn't laugh at their jokes!!!
But his cheer and optimism has never left, and he's still overeager to do all sorts of things with them!!! AJ and Chester chalks it up to Timmy growing up faster than they are. They did their best to slow him down to their pace though.
Bitties Series: [Start] > [Previous] > [Next]
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Hello, I'm not sure if you're aware, but tumblr is going to start helping midjourney gather data for their AI. You're one of the artists I follow here pretty actively and I wanted to warn you to maybe start nighshading your art before posting it here so it doesn't get swept up!
I've seen a couple of posts about it. Feeling disappointed but not that surprised. Also not excited about having to start nightshading/glazing my pieces but if there isn't going to be any serious regulations regarding data scraping and ai "art", there aren't a lot of choices.
Thank you for taking the time to warn me just in case, it was very thoughtful of you!
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