#at least until I started over thinking

[clarasghosts]

Evil - intro threats (seasons three & four)

[14dayswithyou]

tell ren to turn his location on👉👈

I saw one of the posts of how ren does get jealous of pets being loved over him and alll that so now I have the thought of the one meme of ‘ah yes, me, my partner and their [enter normal pet size] foot [pet]’

I don’t have anything else, it did pop into my head though and I thought I’d share with the class.

⌞♥⌝ ItsNotVivy on Twitter actually made that exact meme with Ren a looong time ago!!

[teapartycryptid]

Since I did one for my first farmer, I obviously had to do one for my second. We don’t play favorites in this house (except we totally do, I love her sm)

Her name is Jeannie, and she’s a half vampire on her dad’s side. Other than her appearance, vampirism hasn’t really affected her life that much, she just has to deal with a mild garlic allergy and getting sunburnt real easy. She also ages a tad slower than a normal person, but she does still age

[dutchs-paisley-vest]

Been thinking about Hosea a lot as I write this analysis on Dutch and Micah.

Maybe I’ll eventually whip something up about him, but for now I’m left with thoughts about knowing that not only is Hosea just as guilty as Dutch when it comes to how their boys were brought up (and continued to be treated through adulthood and ultimately up to their deaths), but also the way the two irreparably damaged John and Arthur’s entire lives beyond even their own comprehension. FURTHERMORE, they set forth a viscous cycle of familial violence and neglect that maintained momentum into the next generation. (See: John and Jack.)

The way Hosea’s action, but more importantly his inaction had in part led to… well, [gestures vaguely to RDR1 + RDR2].

Hosea might have been gentler than Dutch on the surface, but he saw it all, and at times both implicitly and explicitly encouraged it through the meticulous timing of his decisions to remain a “silent watcher.”

Yes, refusal to mitigate the violence makes him complicit, but the matter of the fact is… Hosea can’t even feign partial innocence as a third-party bystander because of how calculated he is in nature.

Additionally, there is no “third party.” Dutch and Hosea are a single unit. They occupy the same space even as two separate individuals in John and Arthur’s lives.

The deliberate nature of Hosea’s inaction puts him in the same position as the “perpetrator” because he isn’t just a watcher, he corroborates directly with Dutch and agrees with what he is doing on principle. He reenforces it in perhaps more subtle ways, but that doesn’t make him any less responsible for the outcome.

The only difference between the two is that while they’re dealing different cards, they are playing the exact same game.

[gods-favorite-autistic]

I have to imagine that Fig was not always bright red as a kid and her skin started turning around the same time her horns came in because otherwise Gilear saw this bright red child he had with his not bright red wife and said “ah yes this is biologically mine I made this”

[day-mark]

god i fucking love competitive play, i love watching high level, skilled gameplay from passionate players, i love learning the statistics for each player and the game as a whole, i love hearing everyone and especially the casters glaze the fuck out of my favorite players. mc summit/mojang and mc.c you will be fucking dealt with .

[dreamlogic]

E has dubbed this spring the "season of pain" and she's. not wrong.

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That

[microwavetoaster-selfships]

Stupid stupid stupid stupid stupid stupid stupid stupid stupid stupid I definitely didn't edit and cut this comp up myself I definitely didn't add the stupid ass music myself stupid stupid stupid I definitely found this online and just took it from there dumb dumb dumb dumb dumb dumb dumb I want to banish him to sitting in a corner permenatly he doesn't. Shouldn't. Get. Take him OUT of the driver seat of my brain he doesn't need to be there he d9esnt get a say in this take away his seat at the table gone removed out of this he doesn't get rent free, in fact he has to pay the most massive fee conceivable and I know that if I said this out loud I'd probably sound exasperated and a little breathless and fumble my words and groan and sigh and huff and make incoherent things to where I almost sounded upset but really with each muttering and long sigh there'd be a hint of .nof. of ....mfif8fifuidis soossssssssom.ssson.mthibg. something.mor.e.more. something more. Than that. The way someone sighs when walking past the bakery section of the grocery store and trying to pretend and act like they don't want it. They sigh and mutter that they don't need it but you can hear it and see it in their expression. Alas. This is over TEXT. And clearly I. Have been nothing but oh so the upmost convincing in my endeavors that. Scrolls back up. Scrolls back down quickly. Blankley stares at my keyboard. I want to slam a plank of wood sideways horizontal-motion across the back of his head.

[lollytea]

If I can be so honest the "what is this feeling" period of Elphaba and Glinda's relationship is where I'm stuck at, it's so good. I'm so into their hatred being so brazen and obsessive and all the reasons WHY they hate each other so much and how it keeps teasing the line into something almost like affection and blah blah blah I love Gelphie best when they're fighting

[lbhslefttiddie]

my teacher for weather and climate gave us a main textbook which is the one we reference and need to read throughout the course and then three EXTRA optional textbooks for supplemental learning, with varying levels of technicality for those interested, and in the links she provided every single one was available online for free (in the creative commons sense, not the piracy sense, since obv that could get a teacher in trouble) and i could kiss her on the mouth

[ambagel]

HELP i watched rudolph the red nosed reindeer again and when hermey popped up and was talking about being a dentist i was like TREY CLOVER

The resemblance is uncanny

[timothyslucy]

lucy chen 🤝 stella kidd, certified goat whisperers.

[twpsyn-who]

Soulmates AU in which your soul is bounded to your soulmate's soul.

What does that mean exactly? That when you die, if your soulmate is still alive you can't move on. Instead your soul is stuck by your soulmate's side until they die too, so the two souls can become one in death. Depending on how strong the bond between the two is, one could see (and even interact!) with their deceased soulmate.

Now this but, you know by now, JeanMarco. With Marco waking up and the first thing he saw was Jean's terrified face while looking at the dead body- Marco's half eaten dead body. He learns it pretty quickly that he can't leave Jean's side, bound to follow his best friend around. He also learns that is possible for Jean to see and hear him during the ceremony of burning the fallen soldiers during Trost ; it lasted so little, too little for all the things Marco wanted to say. If he knew Jean was listening from the beginning, he would've started with exposing Reiner and Berthold right away. By the time he took notice that not only Jean was looking at him, but listening too, it was too late. Every other word from him was meet with silence, unheard by the living.

Isn't until the 57th expedition outside the walls that Marco learns that he can interact with Jean too, touch him. In his panic after Jean's failed attack on the Female Titan Marco didn't think and went straight to his best friend's side, touching his shoulder while looking for any injuries. Jean's eyes went straight to the place Marco's was touching, looking confused- until he followed the arm and saw Marco in front of his very own eyes. And just like everything, it lasted too little for Marco's liking. The Female Titan took hold of Reiner, crushing him in her hand, and Jean could no longer see him.

It was later, much much later than either of them would've liked, for Marco to understand how everything works. To know that he could only interact with Jean when his mind was filled with thoughts of Marco. By then Jean already began to move on, the secret of Reiner and Berthold's true selves already out. So Marco could only watch, unable to be there for his other half- for Jean.

And it was when they saw the ocean for the first time that Marco understood why he was truly stuck by Jean's side. When he saw his best friend having fun with the others and realized just how much he loves him. When he realizes that all he truly wants is to be by Jean's side, the way they promised each other to do during their training days.

Edit : Think of Ben and Klaus Hargreeves for easier visual.

[two-calicos-in-a-trenchcoat]

We're up to 4 harley mews and one chirpy sound when she jumped on her cat tree

[white-cat-of-doom]

Griddlebone Playlist

This playlist is meant to outline the complex (and fundamental) emotion of love, and the pitfalls and joys of chasing after something grand that requires another to reciprocate the affection.

More specifically for this set of songs, the want for love while having the feeling that something is not quite right, either with the other individual involved, or within your own mind. Through isolating oneself into hollow emptiness after heartbreak, and due to feeling devoid of being wanted, it is hard to be vulnerable and let anyone back into a place of emotional attachment.

Did you ever actually feel what 'love' was? Are you really deserving of being loved? After everything, wherever can you find it?

川口雅代 (Masayo Kawaguchi) – Melty

ROMY – LOVE コマーシャル (Love Commercial)

越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

Meow Meow & Thomas Lauderdale – Hotel Amour

Tracks 1 and 2, 3 and 4, 5 through 7, and 8 and 9, are meant to represent different sections of time in the life of the Queen.

Signature song with playlist: Meow Meow & Thomas Lauderdale – Hotel Amour

Track One: 川口雅代 (Masayo Kawaguchi) – Melty

“ううん･･･ ････何でもないけれど 少し 不安になっただけ" ("Ugh... ...It's nothing, but I just felt a little anxious") 知られた分だけ わたしから 冷めてゆくのが こわいから (I'm afraid that the more you know, the more you'll grow colder from me) "･･･そうよ･･･” (That’s right…”) すき間もない程に 昨夜 ひとつになったの (Last night we became one, with no gaps between us) しがみついたら 微笑うけど どうしていいのか わからない (I smile when I hold on to you, but I don't know what to do) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた 気分 (I can't grasp it, why? I feel like I've been ignored) 何にも言わずに 抱き寄せて (Without saying anything, I hold you close) 朝の光が あなたの景色変えないうちに (Before the morning light changes your scenery) “い���よ” ("No, no") ･･･言いかけてやめるのは うまく 言い聞かせるつもりね (...I'm trying to convince you to stop when I say it) 困らせたいの! (I want to embarrass you!) "お見通し” ("Foresight") 小悪魔ぶっても かなわない (Even if I act like a little devil, I can't compete) Melty 手を引かれて 溶かし溶かされ 充たされるはず充たされるはずなのになのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? (I can't grasp it, why?) 何かが 違ってゆくの 何も言わせず 抱き寄せて (Something is going to be different, don't let me say anything, hold me close) めかくししてね ちぐはぐなこと 言わないうちに (Before I get too confused and say something foolish) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた気分 (I can't grasp it, why? I feel like I've been ignored) 何も言わずに 抱き寄せて (Hold me close without saying anything) めかくししててね (Please cover your eyes) 朝の光で 見えないうちに (Before you can see it in the morning light)

The initial apprehension of being more intimately involved, emotionally and physically, with another person comes with the realization that she felt nothing when it happened. She should be able to feel a deeper connection, but something is not right, and instead pretends and acts accordingly like everything is fine.

Track Two: ROMY – LOVE コマーシャル (Love Commercial)

指の中で タバコふかし 何もないのに 愛にまみれた (I smoked a cigarette in my fingers and was covered in love, even though there was nothing there) 気にするコトが 自分以外の あの人に対する 愛の神経 (What I worry about is the nerves of love for someone other than myself) いつか見た あの人はいない 私の人には ならなかった (That person I saw someday wasn't the same person I was) 私はなまけて ただならぬ犬より (I'm better than a lazy dog) ただの人を 選んでみただけ (I just picked a person) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me) 頭の中で おもいふかし 何があるのか 夢のざわめき (I wonder what's going on inside my head, The buzz of dreams) ただならぬ人だから あえて こわがって あの人に対する 愛の恐怖 (Because he is an extraordinary person, I dare to be afraid of him, and the fear of love towards him) 抱かれる日は 心 うきあし もうひとりの私 かくしきれない (The days when I'm held in your arms, I feel happy, and I can't hide my other self) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me)

A reflection on not feeling love when, or to the level, you think you should, while worrying how it will affect your partner. There is a comfort in being together with someone, but that surface level connection will eventually face the challenge of it being something more for them, and she is not prepared or ready for that.

Ultimately, it is up to Griddlebone to move forward in the best way that makes sense to her, and that path is one alone.

Track Three: 越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

彼は時間に遅れて 私は指輪を忘れた だけど ゴメンも言わずに つまらぬ言い訳ごっこ 空は春 時は今 幸せですと言わんばかり だけど 二人の心は ちぎれ雲 (He was late and I forgot my ring But we don't say sorry, we make boring excuses, And the sky keeps saying that we're happy now in spring but our hearts are torn apart by clouds) 恋はファニー・フィーリング かまわず回る 恋はファニー・フィーリング 慣れっ子 だけど (Love revolves around funny feelings, but love is used to funny feelings) 彼は口笛吹きながら 私 ため息つきながら 通り過ぎる 街角 小鳥の歌だけ響く (He was whistling, I pass by with a sigh, Only the song of a small bird echoes on the street corner) いろんなことが あったけど みんないい思い出ばかり だから ここらでピリオド それがいい (A lot has happened, but we all have only good memories, So it's good to have the end around here) 恋はファニー・フィーリング 手を振りながら 恋はファニー・フィーリング 深刻ぶらず 歌いながら 笑ってサヨナラするわ オー ファニー オー ファニー ファニ ファニ オー フィーリング オー ファニー オー ファニー ファニ ファニ オー フィーリング (Love is a funny feeling, while waving, Love is a funny feeling, don't take it seriously, I'll laugh and say goodbye while singing Oh Funny Oh Funny Funny funny oh feeling Oh Funny Oh Funny Funny funny oh feeling)

In a goal to subside the loneliness and longing to feel proper love, Griddlebone moves through relationships over time to find the elusive 'love' she believes is out there. Scared of getting too involved with someone she holds minimal emotion for, she breaks off any connection before feelings develop from the other party, and plays it off as something lighthearted.

Despite her efforts, she cannot find someone who fulfills her inside the way she thinks love should be.

Track Four: 宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 泣きまねの 電話 かけて 街灯り 胸はずませ (I made a phone call imitating crying, and the street lights made my heart flutter) あの人を 呼び出したの (I called that person) 数えては 時間をかせぐ (Counting the time to buy myself some) 優しさを 言い訳して 赤い血が 流れる前に (Kindness, before I make excuses and red blood flows) 嘘をつく ずるいあなた 忘れてよ あの娘の事は (Forget about lying You're so cunning about that girl) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 待つだけの 女なんて さよならよ 今夜こそは (Say goodbye to the woman who only waits, tonight) 愛の 糸 足にからませ あの人を もう逃がさない (I'll let the thread of love entwine around my legs and never let that person slip away again) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door)

A new connection with someone shows promise, but she discovers that her partner is a cheater, something that hurts Griddlebone in a way that she has not experienced before. Not used to being treated as a second thought, and feeling like she is not worthy of love if made so inconsequential, she plots to destroy and expose her partner for what they have done to her.

All the joy and hope that she felt in locating a person that is right for her is now crushed, and she vows to not let herself be taken advantage of ever again in the pursuit of love.

Track Five: いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

ひとりソファーに寝ころんで 恋の歌聞くでもなし 歌うでもなし (I lie alone on the sofa and listen to love songs, but I don't sing them) 私は日暮れを見つめています (I'm staring at the sunset) 部屋の窓には東京湾の 船の灯が小さく揺れて (In the window of the room, the lights of the ships in Tokyo Bay sway slightly) 一人ぐらしに疲れた時は 結婚なんか考えてます (When I get tired of living alone, I think about marriage) 夜汽車で旅に出る時は 色のない写真のように 素顔のままで 東京駅から出かけています (When I travel by night train, I leave Tokyo Station with my bare face, just like a colourless photograph) 幾度か恋にこの身を灼いて 歌を忘れた私だけれど (I have forgotten how to sing because my body has been burnt by love many times) 淋しさだけを心に積んで 今日もぽつんと歌っています (But today, I sing alone once again with only loneliness in my heart) くちづけ交す恋人にさえ 私の気持は言えないでしょう (I can't even tell my feelings to my lover who kisses me) 人に知られず流した涙 (The tears I shed without anyone knowing) 私は今日も歌っています････ (I'm still singing today...)

Moving on from her heartbreak, Griddlebone refrains from being involved with anyone else for a lengthy period of time, as that means she cannot be hurt once again. However, she cannot help but feel that the emptiness inside her continues to grow as time passes, even if she tries to remain strong willed. Her thinking is that she does not need anyone to sustain her happiness if she keeps the love she has to give tightly held internally.

Track Six: 麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

淋しい笑顔と 言われるのに馴れても (Even if I get used to being told that my smile is lonely) 真夜中の鏡 覗けばつぶやくの (When I look into the mirror in the middle of the night, I whisper) Say, Love is the shadow play, shadow play Love is the shadow play 恋しても (Even if I fall in love) Love is the shadow play, shadow play, shadow play ひとりぼっちじゃ怖い (I'm scared of being alone) 街角の華やかさに 気がつけば急ぎ足 (If you notice the glamour on the street corner, hurry up) 片思いのままなら 恋も失くさず済むでしょう (If you keep your love unrequited, you won't lose your love) Say, Love is the shadow play, shadow play, shadow play Love is the shadow play, 密やかに (Secretly) Love is the shadow play, shadow play, shadow play 遠くあなた見てる (I'm watching you from afar) 気づかないで (Don't notice) darling 壊さないで (Don't break it) wow wow Love Love Love Love Love Love, darling, Love Love Love Love is the shadow play

Her loneliness begins to swell to a point of action, and Griddlebone cannot ignore it or remain dormant for much longer. She is unhappy being completely alone, and wants to feel any form of connection with another, but does not want to be hurt again.

Feeling unworthy of being loved due to her faults, her past pursuit of love becomes less of a task to complete and more of a buried burden she has to carry.

In order to protect herself from emotional suffering, she develops a cold façade to protect herself with.

Track Seven: 竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

突然のキスや 熱いまなざしで (With a sudden kiss and a passionate gaze) 恋のプログラムを 狂わせないでね (Do not cause a malfunction to the love program) 出逢いと別れ 上手に打ち込んで (Type in encounters and separations well) 時間がくれば終わる (When the time comes, it ends) Don't hurry! 愛に傷ついた あの日からずっと (Since the day I was heartbroken, I've been having a life) 昼と夜が逆の 暮らしを続けて (That's been reversed between day and night) はやりのDiscoで 踊り明かすうちに (While dancing the nights away at the popular disco) おぼえた魔術なのよ (There is a magic I've learned) I'm sorry! わたしのことを決して 本気で愛さないで (Never love me seriously) 恋なんてただのゲーム 楽しめばそれでいいの (Love is just a game, all I need is to have fun with it) 閉ざした心を飾る 派手なドレスも靴も (The showy dresses and shoes decorating my closed heart) 孤独な友達 (Are my lonely friends) わたしを誘う人は 皮肉なものね いつも 彼に似てるわなぜか 思い出と重なり合う (The men who flirt with me are Ironically always similar to him for some reason My memories with him are overlapped) グラスを落として急に 涙ぐんでも わけは尋ねないでね (Don’t ask me why even if I drop my glass and suddenly glisten with tears) 夜更けの高速で 眠りにつくころ (When I fall asleep by the highway at dawn) ハロゲンライトだけ ��しく輝く (Only halogen lights are mysteriously shining) 氷のように冷たい女だと ささやく声がしても (Although somebody is whispering that I’m an icy cold woman) Don't worry! I'm just playing games I know that's plastic love Dance to the plastic beat Another morning comes

Relationships become more of a pursuit of pleasure, rather than meaningful connection, for Griddlebone. A cycle of one night encounters to keep her company before the new day begins and she starts over again with someone new. Her self-worth starts to become tied with being seen as attractive and desirable by another person. She has convinced herself that this lifestyle will quell the void inside of her, although she knows in her heart that she is still painfully lonely. The isolation does not cease, no matter how many individuals she crosses path with.

Maybe one day she will not feel this way, but she believes it is her fault that everything turned out the way it has to this point.

Track Eight: 工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

夕顔姐さん 部屋には 夏でもね (Yugao-san, even if it's summer in your room) こたつが置いてある 束ねたコードを つついてる 退屈な 白い猫が家族 (A bored white cat is pecking at the bundled cords next to the kotatsu table) 今夜のお座敷 長過ぎる いつもなら (The tatami room tonight is too long, as normal) 帰ってる時間 (Time to go home) お勝手の隅の 猫メシは 山盛りで (In the corner of the kitchen, there is a mountain of cat food) とても食べきれない (I can't eat it all) 明かりは点いてても 時計の音ばかり そろそろ聞こえて来る はずなのに (Even though the lights are on, all I can hear is the ticking of the clock) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さん 来年 数えでね 六十三になる (Yugao-san, I'll be turning 63 next year) 近頃男はダメだね 粋じゃない それが口ぐせです (Men are no good these days. It's not classy. That's what they say.) 衣ずれの裾は 萩の花 つい昨日 かけたパーマネント (The hem of my clothes was like a clover flower, a permanence that I wore just yesterday) 西に傾いた 大きな お月様 帰りを急がせる (The big moon leaning to the west hurries my return home) 浮かれ足の男 物欲し気な女 (A playful man, a wistful woman) 若いネオンの街に カラコロと (In a young neon city, colourfully) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 細い路地に入ると 犬達が吠えだす 待ちくたびれた猫は夢で聞く (When I enter a narrow alley, the dogs start barking, and the tired cat hears it in a dream) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta)

Years removed from the emotional low point of her life, the empty hedonism to fill the void inside her, Griddlebone has taken up residence with an older, single woman that has mirrored her own experiences in the search of love. The familiar sounds of geta beckon the arrival of her human home to Griddlebone, and her days are spent resting in the sun and keeping busy through the house, all while reminiscing of a past of incomplete love. She has become accustomed to a quiet, uneventful life where she is loved by Ms. Yugao as a sweet pet and taken care of like the beautiful Queen she is.

Still, there is an unshakable feeling that she has missed out on true love in her life, despite her current, content happiness.

Track Nine: Meow Meow & Thomas Lauderdale – Hotel Amour

Fun fact: Meow Meow played Griddlebone in the 2019 movie!

I looked for Love in the beautiful cities I looked for Love up in the air I looked underground though I knew that I shouldn't And still, no Love was anywhere I went to the place they call Heaven I went to the Hotel Amour I sat still and wrote Love some letters But Love doesn't read anymore I sang Love into my stories And I danced Love into my dreams But Love didn't find me Let alone blind me Love is nowhere it seems I looked for Love by pretending I wasn't I looked for Love close to the bone I fixed up some wings and I bought all the permits So Love could take flight when it was grown I followed the maps, I read all the signs I bought Love a building called "Home" I filled in the forms and I paid all the taxes Still, Love left me alone... My heart's still jumping out of my skin I've nothing to keep the feeling in I've nothing to do to make Love stay I've nothing to keep the darkness away You're all in the grandness of little things A leaf that's shaped like a heart A simple breeze, a feather Morning light, evening star And I'm singing to you my stories And I'm dancing with you in my dreams... Love... Love is everywhere... it seems

Throughout her life, Griddlebone has done everything she thought was correct to find and feel a form of love that made her feel complete, but could be deemed as unsuccessful in that pursuit.

Although it never manifested for her as love with another, she has felt the unconditional love of someone that cares for her as the most important thing in her life.

Looking back on her life now as a senior Queen, Griddlebone comes to a realization that love can now be found all around her. It was never her fault for not finding the idea of 'love' that she felt she needed, and there may never have been an instance where she felt that she had found the prize she was after, but love was always with her in the little things of life.

@the-cat-at-the-theatre-door I am not sure if you are still interested in these after all this time, but in case you are, enjoy :).