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#at this point this is a diary
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i need my boyfriend in the scream mask right now then ghost from cod and dressed like black noir
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louisbxne · 18 days
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black vampires + witches
akasha, queen of the damned (2002)
louis & claudia, interview with the vampire (2022-)
tara thorton, true blood (2008-2014)
blade, blade (1998)
marcel gerard, the originals (2013-2018)
sarah fox, my babysitter's a vampire (2011-2012)
alex & camryn, twitches (2005)
rochelle zimmerman, the craft (1996)
bonnie bennett, the vampire diaries (2009-2017)
vincent griffith, the originals (2013-2018)
marie laveau, american horror story (2011-)
macy vaughn, charmed (2018-2022)
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puppyeared · 2 months
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horrible truth bomb dropped on my head 20 min ago
#I DIDNT KNOW I DIDNT KNOWWWWW#when i say damn thats crazy its bc i DO think its crazy i think a lot of things are crazy. like how birds have cloacas#or the way ppl draw a five pointed star in different ways and everyone assumes their way of doing it is how everyone does it#my brother is not letting me live this down btw he literally shouted at me like HOW DID YOU LIVE THIS LONG AND NOT PICK UP ON THAT#IDK!!! IDK I THOUGHT SOMETIMES IT COULD BE USED TO EXPRESS GENUINE SHOCK??????#he says its my delivery that makes it sound insincere bc i say it in a monotonous voice which when i think abt it YEAH....#THAT DOES MAKE IT LOOK KINDA BAD IN HINDSIGHT.....#and then i told him i keep a list of phrases that tickle my brain so i can remember to use them in conversation and apparently#most ppl dont do that bc he was like ???? stop doing that??? just let the conversation flow naturally it sounds fake>????#idk man i feel like if i did that and blurted out 'i forgot people find stuff like underwear arousing for some reason' instead of#smth like 'i wonder what kind of ppl find this kind of stuff the bees knees' like i normally do. it would. not go so well.#ALSO THE FLOW CHARTS ARENT NORMAL? i make flow charts before i call the bank or smth so i know what to say#its not just to blend in its also so i dont waste ppls time going uhhhhh as i think of how i put smth into words#its called stalling for time and i dont care if i have to say smth like thats just how the cookie crumbles if it gives me#5 more seconds to process whatever the fuck someone said without letting them think im not paying attention#doodles#diary#sona#puppysona#comics
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hualianschild · 9 months
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moggettt · 11 months
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"If I wanted to take over the station's systems and kill everybody, I'd have done it by now."
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dailykafka · 1 year
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— October 7, 1915 / Franz Kafka diaries
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poorly-drawn-mdzs · 4 months
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Shout out to all artists who had to work without any strong direction or instruction.
I wish you a merry “the client likes it anyways”
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untitledgoosegay · 2 months
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re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
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milkymolle · 7 months
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happy valentine's day 2 murderbot
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jackie-mae · 6 days
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Mystreet Incorrect quotes pt.2 Electric boogaloo
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in-kyblogs · 3 months
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“But today at the cemetery I finally understood something so obvious, which I had pondered for a decade - why they made me. To be Louis's sister”.
Interview with the Vampire (2022) - Episode 5 “A vile hunger for your hammering heart”
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hi i haven’t posted in a while and ive been on here intermittently it’s nice to see that some people have found my account and liked my posts i genuinely didn’t think anyone would see these but here are some life updates
1) i never was able to afford my tuition and am taking time off while i work
2) i’m still seeing that guy i posted about months ago and jesus christ he’s fucking perfect i’m so in love with him also he doesn’t know about my tumblr though maybe one day we will go through it together but it’s cringe honestly anyway he is pretty dominant but doesn’t know much about bd/sm (again idk if tumblr will censor/suspend me) but he did agree to go to a local membership bd/sm place for education they have classes and seminars which is good because i want to be with someone educated before we engage in anything more than we have been doing but also let me brag real quick THIS MAN KNOWS WHAT HES DOING the shmex is so good oh my god it’s always double digit O’s and i love him so much he’s a biker and the helmet pix are so hot and the black compression shirt and grey sweat pants combo has me fighting for my life i always feel like i need my inhaler when i see him like that but i am so in love with this man i hope i spend the rest of my life with him genuinely i adore him and he treats me so well
3) i had previously mentioned avina st graves’ books i became friends with the author and am also a beta reader for her she has written more books and her writing has me in a choke hold the book skin of a sinner by avina st graves has scenes in it that i helped write and it’s so surreal to have my ideas in a book that so many people have read and are reading it’s insane
4) my life honestly fell apart for a bit but i wasn’t alone to pick up the pieces my boyfriend helped me i’ve spent most of my life alone and very independent so having someone in my life telling me to stop and not worry because he is going to take care of it and me is something i’ve never experienced before and it’s truly a blessing
5) i’m still disgustingly broke and spending all my money on books and paying bills
6) my father actually put me in a shit ton of debt that i didn’t know about until i started getting phone calls saying i owed debt collectors money and i am utterly fucked on that front
anyway that’s all i know so boring and again no one will probably see this but i sometimes find solace in writing these and posting them
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somevagrantchild · 10 months
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Missing Loustat scene discovered in Anne Rice's diaries
I HAVE SOMETHING AMAZING TO SHARE WITH YOU!!
As I was reading Anne Rice's diaries in the special collection library at Tulane University while I was in New Orleans for the Vampire Ball, I discovered this intensely sexy scene she wrote between Louis and Lestat that never made it into her books. This is Anne Rice's original writing, never before shared anywhere online.
Anne Rice wrote this scene by hand in her diary dated November 6, 2015 (which she mentions is the day before Stan's birthday. He would have been 73😭). I have deduced that it is her very first (and very rough) draft of the scene that eventually became chapter 4 in Prince Lestat and the Realms of Atlantis, aka the scene where Louis agrees to move into the chateau and be Lestat's partner/companion again. The final version of the scene in the book reads like wedding vows, serving as the beginning of their marriage in the modern era. As you'll see, the first draft was rather different. 
In Prince Lestat, Louis and Lestat's interactions are extremely brief, and they aren't able to talk beyond one stolen moment to reassure each other of their love. It would seem that in the six months between the end of Prince Lestat (when Louis thinks to himself that he will be with Lestat very soon), and the beginning of Atlantis (when that finally ends up happening), Louis and Lestat do not have any intimate conversation. They may have talked somewhat, but only briefly about superficial matters, or they may have not even spoken to each other once over those six months until Lestat asks Louis to meet him in New Orleans for chapter 4.
In an earlier diary entry, I found a note where Anne said she wanted their first reunion conversation to begin by finally addressing Louis dumping Lestat's body in the swamp after Claudia tried to kill him—something they have never once discussed. So when I came across this scene in a later diary, I could tell it was a direct follow-through on that idea. 
The scene begins with Lestat speaking to Louis, and it seems they are outside on the streets of New Orleans, but someplace private where they aren't being observed by mortals. This is different from the final book version with them sitting at a sticky table at the Café Du Monde (though it is similar to how Lestat tells us they walked around the city streets together for hours after the reunion scene was over). 
Anne headed this part of the diary entry with: Early on: L+L quarrel—
“I can forgive her for what she did. She was never a human being. She went from being an infant to a monster. But you—you stood there and watched. You carried my body into the swamps and dumped me there as if I were trash—you were the one I hated! How could you do that to me? Decades we’d been together!”
He stared at me for the longest time—not defensive, not angry.
“I could do it because I was afraid,” he said. “I didn’t know how I was going to live without you.”
“I don’t believe you. You were fine without me. You were preparing to sail to Europe. You were making plans.”
A torrent of words.
“Stop!” he said. “I’m here now. I love you! I thought you wanted me here! I thought you’d forgiven me. I thought we had a second chance, now, you and I. And miles to travel together!”
I nodded.
“A second chance!”
I nodded.
Then I took hold of him as if I was going to kill him. I threw him up against the wall and bit into his neck for the first time in two hundred years—the first time since the first time—and when the blood gushed into my mouth, I saw again—for the first time in two hundred years—his soul, his heart.
I was lost in his mind, his thoughts, his dreams, flashes…
I drew back—I’d drunk too much. He was being held there by me, his head bowed. I slapped him hard and when he opened his eyes, I pushed his open mouth against my neck. I forced his fangs into me.
And we were together, wrapped in one another’s arms…
Finally I pushed him back.
He was sitting on the paving stones, hair in his face, back to the wall. I took his hand and helped him up.
“Kiss me,” I said. “No, really kiss me.”
Finally I let him go.
“I can’t live without you! “ he said. “I swear, you wander off on me again, I…”
“I won’t. I won’t ever.”
We walked along in silence.
“He loves you too,” he said.
“Who?”
“The silent one, the one who’s never spoken to me, the one inside you.”
It was time. I could have lingered a half hour more in the old times, but the time was now.
The End 
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Above is the clean version, which I have corrected for missing punctuation, missing letters/words, and necessary dialogue tags.
Below is the original rough version as I have transcribed exactly from Anne Rice's handwritten diary.
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“I can forgive her for what she did. She was never a human being. She went from being an infant to a monster. But you—you stood there & watched. You carried my body in the swamps & dumped me there as if I were trash—you were the one I hated! How could you do that to me? Decades we’d been together!
He stared at me for the longest time—not defensive, not angry.
I could do it because I was afraid, he said. “I didn’t know how I was going to live without you.”
“I don’t believe. You were fine without me. You were preparing to sail to Europe. You were making plans.”
—A torrent of words.
“Stop! I’m here now. I love you! I thought you ’d wanted me here! I thought you’d forgive me. I thought we had a second chance, now, you & I. And miles to travel together!”
I nodded—
“A second chance!”
I nodded—
Then I took hold of him as if I was going to kill him. I threw him up against the wall & bit into his neck for the first time in 200 years—the first time since the first time—and when the blood gushed into my mouth I saw again—for the first time in 200 years—his soul, his heart—
I was lost in his mind, his thoughts, his dreams, flashes — (more)
I drew back—I’d drunk too much He was being held there by me, his head bowed. I slapped him hard & when he opened his eyes I pushed his open mouth against my neck. I forced his fangs into me.
And we were together, wrapped in one another arms — (more)
Finally I pushed him back.
He was sitting on the paving stones, hair in his face, back to the wall. I took his hand & helped him up.
Kiss me. No really kiss me.
Finally I let him go.
I can’t live without you! I swear, you wander off on me again, I … I ”
“I won’t. I won’t ever.”
We walked along in silence —
He loves you too
Who
The silent one, the one who’s never spoken to me, the one inside you.
It was time. I could have linger a half hour more in the old times, but was now —
The End 
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The spots where she wrote (more) are clearly areas where she intended to expound upon all Lestat was seeing and feeling in Louis's mind, soul, and blood, and then what he felt and saw as Louis was drinking from him. How I wish we could know what she would have written there! Also the lines that start or end with a — make me wonder if she intended to add more to those bits as well. Would she have actually written out Lestat's torrent of words?
Lestat's line "Kiss me. No really kiss me." isn't in quotation marks in Anne's diary. I chose to add them, because there were many other obviously spoken-aloud dialogue lines also without quotes. But it is possible that Lestat only thinks these words as he and Louis are kissing each other. It reminds me of in Queen of the Damned, when Daniel thinks, "I like kissing. And suggling with dead things, yes, hold me." The narration doesn't tell us Armand actually starts holding him, but Anne's style of using internal monologue makes it clear that's what happens in the action. So the "Kiss me." could be similar in this instance as well. And in that case it might mean Louis is the one who initiates the kiss, and this is Lestat’s internal “yes, yes!!” reaction to it. But I do suspect he is actually meant to be saying it aloud.
With the em dash at the end of it, the very last line could have been meant to continue: "but was now ______" was now...something. But considering she wrote "The End" after it, it seems like it was meant to be a final statement, so that is why I added the missing words I chose in my edited clean version.
Although this conversation is very different from the one we get in the final version of Atlantis, I do still see elements of it in the book's scene:
Louis's line "I can’t live without you! I swear, you wander off on me again, I …" became "so I'll come. And when you tire of me and want me gone, I'll hate you of course."
They still kiss, really kiss. In the book, it is moved to before their conversation, when Lestat first sees Louis in their Rue Royal flat, wearing the new clothes he ordered for him and Louis says, "This is what you wanted, isn't it?" and Lestat is so shocked, he's unable to respond.
They do still discuss Amel in the book version, in much more depth than he is mentioned here. Louis having never heard Amel's voice in his own head remains consistent. 
They do still go walking around the streets of the Garden District, though it happens after the conversation, not during it. Lestat does say they talked for hours during that walk, but about Amel and what's been happening to Lestat as Prince. Not about themselves or their past. 
MY THOUGHTS!
The confirmation here that Lestat never tasted Louis's blood before their new marriage begins in Atlantis is one of the most amazing parts to me, when combined with the offhand way that Lestat mentions what Louis's vampire blood tastes like in Blood Communion. Even though the final version of Atlantis never shows us Lestat drinking Louis's blood (either forcefully like this scene, or consensually in other ways), the mention in Blood Communion does confirm that it DOES happen off the page at some point during the years between Atlantis chapter 4 and the beginning of Blood Communion. 
We know that Louis drank much of Lestat's blood at the end of Merrick, and this was his first time doing it because we were told in previous books how much he resisted his powers being increased by drinking ANY other vampire's blood. It is nice to have it confirmed that Lestat never bit Louis or drank any of his blood in return either before or after Merrick. But now, after Lestat becomes Prince, this is now a new element to their relationship. It makes me consider more strongly that Anne perhaps meant to imply that they then for the first time began to engage in blood sharing the same romantic way Lestat did with Akasha in Queen of the Damned, and then in the even more explicit way she shows us with Rhoshamandes and Benedict in Prince Lestat. 
I don't take all Anne wrote in her diaries as canon. It is clear that much of what she wrote there were spitball ideas that she later chose to absolutely reject (as opposed to deciding they were true but she just didn't mention them in the books). But I do not see anything in this scene that the final versions of the books contradict. So even though this scene didn't actually happen in canon, we can believe that the feelings and emotions that drive this scene are still canon. And I love that for us 🥰
I have cross-posted this on ao3 to give us a good place to talk back and forth to each other about it in the comments section there. Reblog and reply to this post as much as you like, but if you want to have some conversations and share your own thoughts on what she wrote, ao3 will give us a much more organized place to do it, where other people will be able to easily find and read your meta as well.
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squirrellypoo · 7 months
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It’s Mardi Gras! Which also means…
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officialspec · 8 months
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hourlies from yesterdayy
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rosechata · 4 months
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point bonita + point lobos, california
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