#attack on titan is about cycles

[buylookwhatyoumademedo]

absolutely loved the credit scene of the attack on titan finale. such a profound perspective shift to show yes, you can spend your entire life in pursuit of a singular goal, you can destroy yourself and others for it, shed blood and tears for it, kill and die for it, and time marches forward. Your story, which was everything at the time, is sanded down by the winds of time. and history moves on. you become a blip on the timeline. and what was all that bloodshed for?

[hella1975]

i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating

[lacependragon]

I'm still waiting for the part where My Hero Academia goes:

"Actually this society isn't sustainable. One for All is leaving us forever and we continue to push adults and children to the brink. Just because All for One is gone doesn't mean big villains won't appear again. We need to work together to rebuild into something more sustainable that doesn't glorify brutalizing yourself and burning out as fast as possible to save a few more lives."

Because right now I'm sitting here going.

Okay cool you beat the villains. You know, the group that was mostly made up of people rejected by society through no fault of their own, abused, beaten, groomed, and trained to be perfect little monsters by someone else or by All for One.

Great, you stopped Tomura, the most victimized of them all.

Cool, you killed All for One, the guy who started it all.

What are you going to do what all these victims of the system? What are you going to do to ensure this never happens again? What are you going to say to point out that this pain glorifying burn out hero society you've built isn't fucking sustainable.

And I have to hope that's why My Hero Academia is going on so much longer than the war ending, according to the mangaka. I have to hope that's what he's building to, instead of another bad guy or "Somehow Palpatine has returned".

Because if you spend years, literal years, exploring why villains exist, and showing all the pain these kids go through as a result of adult heroes not being prepared or burning themselves out and breaking, and showing the flaws of this society and then don't change that society at all? Never acknowledge what caused this plot to begin with?

Then what's the fucking point of this entire story?

If you're not going to say "Hey the system that let All for One steal Tomura should change". If you're not going to say "The system that let these kids walk the streets in pain and fear while no one cared except to say 'a hero is coming' should change". If you're not going to say "This system which I have shown extensively does not work should change".

Then what' was the fucking point of even writing the damn thing?

Like. Endeavor knows he needs to change. But what about the society that created him? His father? That made quirk marriages viable and legal? What about the society that broke Rei so badly? That helped create Touya?

If this damn society ends as it began. If the only difference is motherfucking Izuku at the top and half the top heroes dead or retired because they broke themselves to try and save the world. If breaking yourself is still the only way to do it, and children still suffer, and people are still apathetic, and the only fucking change is that All Might is gone and so is All for One and ~magically~ that makes everything better--

Then it means nothing worth listening to. And the last decade has led up to nothing.

No amount of power of friendship or overcoming the odds means jack shit when society ends as it began and society was so much of the problem to begin with.

The opening of the motherfucking show is "Not all men are born equal" and Izuku goes on to explain how it's all because of fucking society.

So if the series, manga, show, WHATEVER, doesn't SAY ANYTHING about that society doesn't TRY TO CHANGE IT after everything if we END with the SAME LAWS as we began-

Then this was pointless authoritarian bullcrap.

I mean yeah it says a lot of other things. But nothing I can't get better elsewhere.

This is a problem I have with a lot of superhero media. Particularly the MCU. Which is why it's so wild to me I'm having the same problem with a fucking anime. Half a world apart and drinking the same kool-aid.

Please let me be wrong. Please let Hori just fucking write about society and Izuku changing things. Make him a little politician. An activist. A voice for the people. Just do something that tells me that you know this society needs to change. Give me something that tells me the characters want this society to change.

Otherwise I really feel like the climax of the war kinda. Destroyed a lot of the earlier messaging in the series.

[watchmakermori]

picked up attack on titan again after stopping for no reason (why do I always just randomly stop watching things even when I’m enjoying them) and I am really liking season 4 so far. the writing feels as good as it ever has, even if it’s a very different feel to the earlier seasons - which it needs to be, given how much we’ve learned about the world and how much the characters have changed

i think there’s a really interesting conversation to be had about the conflicting interpretations of this series, especially with regards to whether it is facist/antifacist and the complexities of using persecution against fantasy races as an allegory for real-life prejudice. I can definitely understand where the view that AOT is antisemitic comes from, and to some extent I agree with it, but I think the discussion needs nuance. the portrayal of the eldians has a lot of layers and grey areas.

i’ve never come across a series where people interpret the themes in such polarising ways, and that’s very interesting to me. AOT is problematic and should be watched with a critical eye, but it still does some really interesting, valuable things in its narrative - especially with regards to how it subverts its own premise by turning the ‘kill the mindless, invading monsters!’ trope on its head. I’m going to wait until i’m caught up on it before i post any thorough analysis here, but I’ve been thinking about it a lot already

[novadreii]

still procrastinating watching the final season of attack on titan. i've read the manga, i know how it ends, but i can't bear to see it animated. :(

[seafoamification]

Friend told me they were watching attack on titan because they wanted to watch a show that breaks cycles and had a sense of hope in the end and uh….

[maedhbros]

welp it’s over and i have a lot of Feelings but more importantly I AM FUCKED UP

[utilitycaster]

The thing that gets me abt the framework of downfall and the way Ludinus(and some ppl in the tags who seemingly are trying really hard to roleplay Ludinus) read it is that they're like "look at how the gods meddled and laid low to destroy this bastion of human achievement, they had no right and should have let themselves be systematically exterminated/have the world burn instead" when. Setting aside the revelation that the gods who struck down Aeor made themselves mortal to do it-- as in, they were on the exact playing fields of humans when they made their move and it wasn't some huge peacocking of power against upstart humans to strike them out of the sky-- the Divergence is going to happen. We KNOW the Divergence is going to happen. The gods are going to create the divine gate and remove any chance that they can ever do something like this again. "Blaugh, look at them meddle and plot-" and? Whatever they do, we know that the sun will shine once more. Melora, as brutal as she is as the starved Asha, will plant a tree of hope in the most destroyed wastes of Wildemount. And they will ensure that the suffering they wrought in the calamity, in Aeor, can never ever repeat the same way they had done it. Which is a HELL of a lot more than can be said for Ludinus who is actively reviving every cycle he can

first off "some ppl in the tags who seemingly are trying really hard to roleplay Ludinus" took me OUT so thank you for that.

I just reblogged a post with a quote from Cooldown that I think is really relevant in understanding the whole story of the gods and how we got to this point but like, just to summarize (and debunk a few things, hopefully) from the beginning of the episode to the end re: the life of the gods:

Gods (possibly aspects of the Luxon?) crash-landed on Exandria BECAUSE of what is all but outright said to be Predathos.

As far as I can tell, no deals were made between the gods and the Titans. The only person who has said this from what I can tell is Asmodeus, who I would not consider a reliable source of truth. Or rather: one might have been made but there's no corroboration that I know of.

They created the people of Exandria and sealed away Predathos both prior to the Schism

The Schism occurred when the Titans decided to attack the people (which to be clear - the people had been there for long enough to build that weird ruin on Ruidus with a portal, like, I would love to know what prompted the fight of the Schism since it had pretty clearly been millennia of coexistence).

The Betrayers decided the move was to leave and start over, and the Primes felt that was a dereliction of duty to the people. That's what the quote is about - it's about the fact that Erathis's motivation for being a Prime Deity isn't "mortals are my blorbos!" it's "we have an obligation to our creations" and more generally that the Prime Deities are invested in their domains for the overall good of Exandria but not necessarily the specific good of Aeor. (Taliesin follows it up with (as Melora) "You'd have to tear me from this fucking planet" w/r/t the idea that you cannot, in fact, destroy your bad first draft simply because it would be more convenient to you.)

Betrayers get sealed, unsealed, events of EXU Calamity occur (notably: the titans are all dead. you can fight about whether this was just or right later but they're gone and killing other people won't bring them back; the titans are largely used as a pearl-clutching prop by people with no arguments that are perhaps actually relevant to the current situation), and perhaps 50 or 60 years into the conflict the gods call a truce re: Aeor's Obtenebrator and commit to decades of living as mortals (and therefore limiting themselves considerably)

And so here we are

And I think this really gets to the point. Because ultimately, the argument in favor of leaving Aeor be is "when someone points a gun at you, lay down and die" and the argument in favor of the Betrayers is "when someone tells you to abandon your (living) obligations for them, do so." The former is despairing and nihilistic and the latter selfish and, well, a betrayal.

There is something profoundly nihilistic about Ludinus, for all he talks about freeing people and a better world. He's destroyed a city of innocents. He's indoctrinated hundreds if not thousands of people and many of them have died in his service; he's the architect of an empire and many wars in its name and is actively working with a second one. He's been killing fey and he's even physically given himself over to the cause. There is no crime or sin people attribute to the gods that he has not done himself in measures beyond nearly every other mortal. Like, I really think he's at a point where he just is unwilling to "lose" even though he has a friendless life and a legacy of violence and has destabilized the entire world and the weave of magic itself. I think he has to believe there's something on this Occultus Thalamus for him because if there isn't, he, like the Prime Deities, probably can't just pick up and start over. All he has left is to give in to just letting the world burn in the hopes that at least he gets the satisfaction of what he hates burning with him.

Basically, sounds like a rough time to try to roleplay him in the tags.

Something else you (and others) bring up is that amid all the "history is written by the victors" the story of Aeor and of the gods has actually painted them as far harsher. The story doesn't say that they were first chased to Exandria unwillingly and did not come in conquest; the story, as this post notes, evokes vast divine might striking down a city from the heavens and not like, living in fragile mortal forms during one of the most dangerous times in history and arguing amongst each other over how they can save both themselves and Aeor and if that's even possible. Like, even if you see the gods as the victors of this story rather than simply the survivors, the "unedited" version of the story makes them far more sympathetic.

You also mention the Divine Gate and that's a really interesting thing to me because the existing status quo of Exandria is actually remarkably nascent if you think about it. The Founding had gods, titans, and mortals. Post Schism had the Prime deities and mortals (and it is worth noting this is when the people of Exandria became the most technologically advanced; you want to talk about the Titans and Betrayers, you need to cover that the price of the wonders of the Age of Arcanum was that they were not present). Calamity had all the gods and mortals again, and the current era is the first where the gods are behind the gate. It's kind of a compromise between all the things that have tried to destroy one another - Betrayers and Primes are separated but all are free within their realms and can indirectly contact mortals; technically, so can Predathos. None can directly be on Exandria. Is it ideal? No. It's a compromise, and the sealed can become unsealed (which, consistently, goes very badly) but it's the option that doesn't involve the total annihilation of anyone. Ludinus seeks, by setting off this horrible cycle again, to undo that fragile imperfect compromise with a goal of wholesale slaughter. He provides no option for the gods other than "die by my hand" when even some of the gods were desperately trying to find other options for Aeor as of a day prior to its destruction. He's simply wallowed in his trauma for centuries, becoming colder and more unfeeling and less empathetic and more arrogant than the gods he accuses of the same flaws.

[hamliet]

the notion that bnha is pro authoritarianism or social hierarchies is nonsensical not to mention acting like being pro cop is bad

Err... BNHA is pretty pro-authoritarian. I actually find it pretty disturbing. And that's even if the story turns out with the League alive at the end.

As for being pro-cop--cops are human individuals, yes. But people have in recent years in multiple countries (including Japan, by the way) protested against cops being used as tools to maintain social hierarchies wherein people who are not part of that hierarchy suffer for daring to want to be treated as human beings. When I say I'm anti-cop, I'm not saying I hate anyone on the basis of being a cop. But I am saying that the ways in which the police force are used in many countries does societal harm. Critical thinking, yo.

Honestly I feel like this whole story (BNHA) and fans reactions throughout (especially when compared to other stories) demonstrate how people are not using critical thinking. And that can have real world consequences, though it doesn't have to.

I just find it weird that people are okay with a story where the ruling class is always right and always wins. Like... how have they not? I mean, even stories that end up suggesting the ruling class isn't entirely wrong or show flaws in rebellions generally don't go hard on the authoritarianism. But Horikoshi... is doing this.

The whole thing is so weird to me personally, too, because Horikoshi's wishy-washy framing and switches in coding generally seem to be the result of him caring, deeply, what his audience thinks and feels. Too much, really, but it also seems like he genuinely doesn't want to hurt people. Except this ending--even if Tenko does reappear as New Character and saves the League--is the exact opposite. (If Tenko doesn't reappear, then everything I'm about to say is multiplied by a thousand.)

It's catering to mean-spiritedness, and while I do understand fiction isn't reality, the side he's catering to now is making the argument that fictional crimes are real crimes and thus must meet real penalties.

I can play this game too.

If people are gonna make those arguments, I'm going to say they're the problem and the reason we have wars, genocides, assaults, and more.

If you ever want a cycle of violence/abuse to stop, someone has to accept that they've taken the last punch. Not keep going until the other side is WIPED OUT.

If you equate justice with equalizing losses, then you are enacting Dazai from BSD's statement on justice: justice is a weapon. You can never heal by it.

If you want to heal, you have to stop fighting and bandage wounds. And maybe you are too injured to do the bandaging. That's okay. But someone else can, and if you try to stop them on the premise of "but no one bandaged my wounds" you're a bitter person who makes the world a worser place.

If you say a tragedy is the story, sure. But you have to set up tragedies from the start. See, Attack on Titan, which's ending I love. It began with someone crying and an ominous message to the future. You don't set up your first chapter with "this is the story of how I become the greatest hero!" spend 200+ chapters criticizing hero society and have the hero fail at the goal he'd been repeating for 200 chapters in the end and join hero society and still think you wrote a story that delivered in what you promised. You failed.

Either you wrote a tragedy and are trying to pass it off as a happy story (see how well that works usually) or your understanding of a happy story is pretty much just fascist propaganda. And yes, BNHA does have fascist themes at this point. Way more than AoT ever did. But they have smiles and cute frog girls so it's not nearly as dangerous, right? (sarcastic).

The thing is, this is where the lack of critical thinking comes in. While I've seen people talk a bit about how BNHA seems like copaganda, it's taking things much, much further than other stories usually do and into territory where I'm frankly disturbed.

Yes, BNHA started out as a clever critique of hero society and of the very idea it's now seeming to uphold: that the human instinct (which is universal in real life to) to idolize people leads to a lack of humanity for those who do not have those traits we idolize, whether their fault or not, and for people to become villains in response. But not only has it failed to deliver on this premise by upholding society (hey, Naruto and to a degree Tokyo Ghoul also failed to completely change society), it's gone so far as to endorse what it previously criticized.

It's more akin to Game of Thrones Season 8 upholding racism, sexism, and classism, than it is to Naruto or Tokyo Ghoul. GoT ended with a joke about prioritizing brothels being open, as if the misogyny was actually a good thing and not what caused a lot of the problems. There's no critical lens here. It's just like "hey, there was no point in struggling. Monarchies that abuse women, rah rah, let's go!"

BNHA seems to be going a similar route. Deku's murder of Shigaraki, Ochaco's crying over Toga, the way Shouto reaches out to Touya--it's sad, but not framed as something the audience should see as a wrong done on behalf of heroes. In fact, the heroes are not criticized at all. Frickin' Edgeshot, whom no one cares about, is fine. All of them are fine. Their statuses are generally fine, too, except maybe Enji's and even then he's not like going to face the fate of the League and die alone. His family still supports him. Hawks is completely fine and framed positively. His regret over Twice is pure lipservice. Deku really did just need to kill Shigaraki, and all his "I want to save" spiel, much like Ochaco's, is for naught. He just needed to learn to grow up and get in line.

Even if Tenko comes back, and even if Deku like... somehow knew this would happen via vestiges or whatnot (let's be real, he will if this is the case), and the message is just that society isn't ready to move forward, but at least they can live, then... I don't know, y'all. That's still depressing. I don't see how Deku is a hero for that, much less the greatest number one hero. He decided to be a hero at the cost of his own integrity, and if this was a gritty story about the realistic struggle of living in a capitalistic society where ethics are always compromised that would make sense, but... it's not. Even until the final battle, the characters were endorsing idealism.

At the very least, Horikoshi didn't deliver on his promise in the first chapter. At the very worst, he's endorsing fascist ideals.

Like, I'm sorry, but "kill this person for the good of society," the violent upholding of oppressive societal hierarchies, the importance of being a cop hero and the way the military hero brutalities are worshipped, the way heroes are lauded and everyone who doesn't get in line with this is punished, went from being criticized to being endorsed. Those are all central elements of fascism.

The little guy deserves to lose, but, but Deku is the little guy, so it can't be! Except it can be. Because it's actually pretty common irl even to trot out examples of people like Candace Owens to be like "hey, you can't possibly say Republicans are racist!"

And don't you dare say "but Japanese culture makes it unreasonable to expect a non retributive justice!" The Japanese people are not a monolith. Not to mention... Naruto, Bungou Stray Dogs, Monster, Hunter x Hunter, Yu Yu Hakusho, Mawaru Penguindrum, Oshi no Ko, Dragon Ball, Attack on Titan, and Tokyo Ghoul all say hi.

I hated the TG ending, and still hate it, but I'm not going to say that it upheld the CCG as right all along because it didn't. BNHA thus far is doing that with hero society. And even if the answer is for the League be revived and to leave society or whatever, then how can we be happy Deku is a part of this society? How can we root for him, or his classmates? Is he going to work from the inside to change it? Why wasn't that emphasized beforehand as a theme or struggle?

tl;dr Horikoshi has cooked his story no matter what he does now, and I don't think it's salvageable. Either way it has themes that are disturbing especially considering real world events across the globe, and that people should be more aware of instead of focusing solely on stories that have fascism and monsters in them but don't uphold it.

[mythalism]

little details from the IGN video:

based on later screenshots, im 90% sure this "betrayal of felassan" occurs in the crossroads, at this "converged city". i think its probably related to one of the memories they mentioned us picking up around the crossroads if we explore.

"bloodbound" stuck out to me, making me think of both the vallaslin ("blood markings" used to mark slaves) and the comment in the v&v episodes about darkspawn being infused with blood magic. this "desmal" is a darkspawn.

i just thought it was interesting to see these are called "cysts"

possible day to night cycle in treviso?

these poor, petrified (?) wood looking creatures are all over the arlathan forest and we saw them under the tree statue in the crossroads right near solas's eluvian

i wonder if this actually interesting lore about ancient elven technology or just them slapping random jargon on a gameplay mechanic to make it fit into the world

rook is already varric's second in command by the time they get to the bar fight in the opening of the game?

ok i was trying so hard to figure out what the fuck this betrayal of felassan creature is. this is one of few clear shots we see of it. i dont know what "captain" means? perhaps its like denoting that its a boss fight? it also is definitely not a darskpawn, because you can see its skeletal legs and its not vulnerable to fire, like darkspawn are.

i have no idea what the hell this shield means. and theres a red fade rift above this fight, identical to the ones we see in minrathous at the beginning of the game as solas is conducting his ritual, but this one is BRIGHT RED?

there is also a throne and two statues behind the "betrayal of felassan" in this fight.

THE GODS WHAT??????????? WHO????

literally no clue what this is. it almost looks like an airship? there doesnt seem to be any water nearby. an ancient aravel maybe? or a precursor to the aravels?

taash armor we havent seen yet. woof

qunari encampments in occupied treviso

what the fuck is a rathera bro

skeletons? ghouls? what are these guys

mythal dragon statues in the lighthous

wolfie statues in the dining room <3

orbs representing titans hearts (assuming the symbolism solas used to represent the titans hearts/orbs in his murals in trespasser is consistent across all his murals) and cracked earth, over which elgar'nan and mythal (?) stand.

barely visible, but elgar'nan says "they need strength" right before mythal says "and wisdom".

thats all for now folks going to go have a heart attack now

[cosmicjoke]

Alright... okay... I just... need a moment.

Fuck, I'm emotional. I'm trying to gather my thoughts, but it's difficult. So I'm going to try my best.

First, I just want to say thank you, thank you, thank you to everyone involved in the creation of this anime, of this story, of this masterful, masterful piece of art. The animators, the composers, the writers, the voice actors, the directors, the producers, just, everyone. And most especially, to Hajim Isayama, who, without doubt, has created one of the greatest stories ever told.

And with that said, I'm just going to say this. "Attack on Titan" is, in my opinion, the greatest show ever made. I mean that, sincerely, and with all my heart. It's the greatest show, and one of the greatest stories, of all time. It's truly a masterpiece. A pillar of great art. I don't think that's hyperbole. I think that's absolutely true.

I don't even know where to start.

I'm just blown away. Completely blown away.

Ahh, well, I guess I'll just start by talking about some of the changes that were made, and what wasn't, and how much I appreciate both. I knew they would stick with the overall story and not change the ending, and I'm so glad they didn't, because it was always the right ending. I don't care what anyone says, what anyone's criticisms are. This was always, always, always the right ending.

The obviously biggest change was the conversation between Armin and Eren near the end, and I think, given the controversy caused by this particular moment in the manga, I'm not surprised, and I think they did an excellent job of clarifying what Armin actually meant, and most importantly, that he wasn't ever condoning Eren's actions. That they had Armin instead take on and shoulder the responsibility of Eren's actions, in a show of love and friendship to Eren, was incredibly moving and gut-wrenching at the same time. That Armin blamed himself for what Eren did as much as Eren himself, and said that they would be together again someday, in hell, was actually incredibly shocking to me. But then, it makes perfect sense for Armin's character. Armin, who from the very beginning understood and accepted the bleak reality of war, of having to abandon one's humanity in order to accomplish victory. Armin's never shied away from who he really is, or what he's capable of, or tried to console himself with an idealized self-image. It doesn't surprise me that he blames himself for Eren's actions, or takes on as much responsibility for them as he places on Eren. Though one could argue all day against Armin's self-condemnation, I think it makes perfect sense for his character. I also adore how they really clarified and left no room for doubt as to the motivation behind Eren's actions. He just flat out admits at the end that it was because he wanted to "see this sight", meaning a world completely devoid of humanity, of life. He admits to Armin that he's a "slave to freedom", that this outcome came about because of who he is and for no other reason. Not to make the alliance into heroes, not to save Paradis. It was because Eren couldn't accept a concept of freedom beyond what he'd seen in Armin's book. Because, as he says of himself, he was an idiot who came into power. 80% of the world's population died because of that. But as Historia also admits in the end, it's also a result of ALL their choices. I always have maintained that AoT is a cautionary tale of what happens when we blame and persecute and hold accountable people for the sins of the past. Eren, an idiot, only came into that power to begin with because of Marley's persecution of the Eldian's, continuing to punish the Eldian people for the crimes of their ancestors. Indeed, Historia was correct. It was a culmination of all of their choices. Violence begetting more violence, and on and on the cycle continues.

The Jeagerist's created an army out of fear of reprisals from what remains of the outside world, but in doing so, they sealed their own fate. In becoming so hostile to begin with, they ensured those reprisals. That's the great irony. They formed an army to protect themselves, they became a hostile nation, an isolationist nation, and in the end, it lead directly to them being destroyed. As Armin tells Eren, his violence and desire to see a world wiped clean of humanity leaves them with nothing but the lesson of kill or be killed. It leaves nothing but a legacy of continued violence. That's the whole point of this story, of course. That violence only ever leads to more violence. Even when we don't have a choice, even when we're backed into a corner and there's no way out but to fight, even when it's the right and only choice. That's the tragedy of violence. That's the tragedy of the world. That's the tragedy of humanity. It's not that violence is always wrong. Violence isn't always wrong, but it's always tragic, and it always only leads to tragedy. Armin's condemnation of Eren and his actions here, telling him that he's robbed the world of even the small hope of one day understanding one another, that's the condemnation of Eren's violence, the condemnation of the cycle of violence. He pushed Paradis toward armament through his actions, but so did the rest of the world. People will always fight one another. There will always be war as long as there are people. The only way there won't be war is if there are no people, as Armin says, and that's the biggest joke of all. There's no such thing as lasting peace. Paradis meets its demise in the very end because it falls to the same trap, the same cycle of violence, the same cycle of continued hate that drives all war and that, saddest of all, is intrinsic to the human condition. Violence is intrinsic to the human condition, and to nature itself. In the end, Paradis brings about it's own demise, just as, in the end, Marley and all those who persecuted the Eldian's, brought about theirs. This is an anti-war story. That's what it's always been. Anyone who says otherwise is a fool. But it's also a story about the tragedy of humanity and the inescapability of our nature as a species.

So, okay, now, because I'm primarily a blog which talks about Levi, and because Levi is probably, far and away, my favorite character of all time, I have to talk about him.

What can I say?

Levi was the hero of this final episode. Of this final bow of what, again I repeat, is the greatest show I've ever seen, and one of the greatest stories ever told.

Levi is a hero.

First, if anyone, if I see anyone ever, ever, ever question Levi's commitment to humanity and to saving it ever again, after watching this episode, I will come down on them like a fucking bomb myself.

Levi saved humanity.

They all did, of course. They all contributed.

But Levi... Levi was the leader that saved humanity. He became the leader in that moment that humanity needed. For all the talk and accusations thrown Levi's way, of robbing humanity of it's greatest chance at survival in Erwin, by letting Erwin die, it was in a time of humanities greatest need that Levi stepped up and took the reigns and didn't let humanity fall.

Levi wasn't the strongest in this battle. He wasn't humanities strongest soldier anymore. He wasn't the most affective in battle, or able to single-handedly turn the tide of the battle, like he might once have been able to. But he didn't let anyone give up. He didn't let anyone give in. He didn't let anyone lose hope.

I've been saying this since the manga ended, but seeing it brought to life like this only drives it home all the more.

Levi rallied and organized and held together his soldiers when they were all ready to give up and give in. When his own body was ready to give in and give up, Levi's heart and will wouldn't. It was Levi who enabled Mikasa to deliver the final, killing blow to Eren by not giving in to despair or fear or grief when it became clear that everyone on the ground was going to turn into a pure titan. It was Levi who, in the end, fulfilled the dream of his fallen comrades of a world without titans, by keeping it together and giving out orders, by abandoning his own driving need to save lives, like he's always done, since the beginning, in order save more, in order to save the lives of people who had done nothing, in fact, but condemn and persecute him his whole life.

Levi is a hero. He's a pure hero. He has the purest heart of anyone. He's the best of them all.

And I think the change they made to Levi's final scene just drives that truth home all the more.

I'm not gonna' lie, I nearly burst into tears seeing what they did in Levi's last scene. To have him sitting there in his wheelchair, his body not even a fraction of what it had once been, but still finding a way to help people, to help, especially, children, again, it drives home without doubt what Levi is. A hero. To see him handing out candy to children, to see the happiness he finds in that simple act... Jesus Christ, I really don't even know what to say about this. It was maybe the most beautiful moment in the entire series. Shit, I'm gonna start crying just talking about it. To see him smile, again, at last, to see him truly at peace. He found a way to be a hero, even with his strength gone. He found a way to be a hero without having to be a weapon, because Levi's heroism was never in his strength. It was never because he was physically strong, or a weapon. It was never because being a hero was easy for him. It was because of his heart. Because his heart is the heart of a hero. His heart is the heart of someone who has only ever wanted to help and protect others. That he still wants to and does help people, despite already having given everything...

Yeah, don't nobody ever, EVER say to me again that Levi doesn't care about humanity. He helps even when he doesn't have to. Even when he deserves to be selfish.

He cares more than anyone.

Man, that's all I have for now. I'm pretty speechless about this episode. I'm just beyond words.

Greatest show ever. Not anime. Just any show, ever. One of the greatest pieces of cinema ever made. One of the greatest stories ever told, with some of the greatest characters to ever exist.

Thank you Hajime Isayama, for giving this gift to the world.

[watchmakermori]

every single episode of attack on titan season 4 is basically saying in bright flashing neon letters ‘do not demonise people who seem different to you. you are the same in all the ways that matter. painting others as evil only leads to senseless violence, which causes more violence in turn until you are trapped in an endless cycle of it’ and yet somehow all the crunchyroll comments are full of people like ‘eren did nothing wrong’ ‘i hope someone kills gabi’ ‘marleyans deserve to die because they struck first’ like oh my godd oh my god oh my fucking god. did the wind part your hair when the point sailed over your head

[fandomtrumpshate]

Listed fandom fun

A bit of random data before we jump into the rankings for listed fandoms …

Since the numbers post yesterday we've had signups for nearly 60 new auctions, bringing the current total to 779. That beats the number of signups for 2016/7, 2018, 2019, 2020, and 2021, and puts us withing spitting distance of our record last year of 819. Can we do it? Will we do it? Signal boost FTH posts and encourage others to participate. More money raised for good causes, more fanworks in the world — it's a win/win!

We posted yesterday about the state of our unlisted write-in fandoms (we've had nine new ones since then!). Time to check in with the rankings for the listed fandoms.

At the top of the pack we have:

87 K-Pop * 66 Good Omens 50 Sherlock Holmes * 44 Harry Potter * 37 Marvel * 32 DC * 31 Mo Dao Zu Shi / The Untamed 27 Red, White, & Royal Blue 25 Star Wars * 23 Scum Villain's Self-Saving System

Our first tie is for 11th place -

22 Avatar The Last Airbender 22 Teen Wolf

And after that, nearly every other place is a tie. And which ones are ties for which places can be shifted slightly with just one signup. Or completely upended with two. Where will your fandom land?

Remember that if your fandom isn't here (or in the rest of the list below the cut), you can write it in. Signups are OPEN through Monday!

19 Supernatural 18 9-1-1 and 9-1-1 Lone Star 18 Locked Tomb Trilogy 18 Stranger Things 17 All for the Game 16 Our Flag Means Death 16 Tolkien * 16 The Witcher 15 Boku no Hiro Akademia (My Hero Academia) 15 Original Work 15 Percy Jackson and the Olympians 14 Baldur's Gate 3 14 Hockey RPF 12 The Old Guard 12 Tian Guan Ci Fu (Heaven Official's Blessing) 11 The Magnus Archives 11 Star Trek * 10 Check Please! 10 Dungeons & Dragons 10 Haikyuu!!! 10 Hazbin Hotel 10 Jujutsu Kaisen 9 A Song of Ice and Fire/Game of Thrones/House of the Dragon 9 One PIece 8 Doctor Who * 8 Hades (video game) 8 Heartstopper 8 James Bond 8 Kingsman 8 Merlin 8 Naruto 8 Suits 7 Dragon Age * 7 Justified 7 Raven Cycle 7 Rusty Quill Gaming Podcast 7 The Sandman 7 Shadowhunters 7 SK8 the Infinity 6 Captive Prince 6 Critical Role 6 Final Fantasy * 6 Fullmetal Alchemist 6 Hannibal 6 Kinnporsche 6 The Maze Runner 6 Queen's Thief 6 Stargate 6 Steven Universe 6 Top Gun Movies 6 Yuri!!! On Ice 5 Alex Rider 5 Grishaverse 5 Interview With The Vampire 5 Malevolent (Podcast) 5 The Murderbot Diaries 5 Nirvana in Fire 5 The Owl House 5 RWBY 4 Erha He Ta De Bai Mao Shizun (The Husky & His White Cat Shizun) 4 Genshin Impact 4 Les Misérables 4 The Magicians 4 Pokemon 4 Witch Hat Atelier 3 Arcane 3 Disney's Descendants 3 Elder Scrolls 3 Hetalia 3 Hunger Games 3 Legend of Zelda 3 Spy x Family 3 Tian Ya Ke / Word of Honor 3 Trigun 3 Welcome to Night Vale 3 Wheel of Time 3 Young Royals 2 Benoit Blanc Mysteries (Knives Out, Glass Onion) 2 Disco Elysium 2 Encanto 2 Gundam Wing 2 The Last of Us 2 Leverage 2 Miraculous Ladybug 2 Miss Fisher's Murder Mysteries 2 Mysterious Lotus Casebook 2 Schitt's Creek 2 Super Mario Bros. 1 Assassin's Creed 1 Attack on Titan 1 Diamond no Ace 1 Fire Emblem Three Houses 1 Homestuck 1 Stellar Firma 1 Wednesday / The Addams Family

[arclundarchivist]

[Spoilers C3E104] Likely Timeline of Events.

I think I have a general run down of events that lead up to modern exandria, at least how it has truly been hinted to exist as Brennan, Matt and Aabria have shaped it.

Origin: The Luxon Finds and becomes a part of Exandria.

Before Tengari Arrival: The Luxon's presence spawns the first life on Exandria, the Elementals and a Primordial Form of Life separate from that that we know, including the Eidolons(And possibly Proto-Fey). It is chaos, with no intention, other than to exist. The Titans are present, but have no ideation of what they are or what they could want.

The Luxon Divests Itself: Now this one is more tenuous, as there are two different depictions. Either, it sought commonality with its children the Titans, and was rebuffed, as unlike it they were near mindless and violent, fighting each other and attempting to attack it, so it divested itself in an attempt to better understand itself and them, *AND* notably grant a form of reincarnation to the life on the planet so they would not be lost to the "darkness beyond" as the Titans were. Which, considering what Matt mentioned of the Eidolons and Hearthdell's history... seems kind of fitting.

There is another version of that story, but that needs to wait for...

The Tengari Arrival: Tengar dies, seemingly to Predathos, and the few dozen that remain of that place are drawn to Exandria (perhaps by the nascent Luxon), they arrive, giving physical forms to their conceptual ones, and as Brennan put it in one of the After Shows, granting conceptual ideation just be arriving to the purely physical Titans. Brief conflict between the Titans and Tengari occurs, and seems to calm, and may not have been as cut and dry as it seems.

The Founding: The first form of modern Exandria is formed by the Tengari. Mortals are either created wholesale, or shaped from those Primordial things hidden in the pockets of primal nature with the Eidolons. Here the second story of the divestment occurs (likely not the true one), claiming the Luxon grew curious regarding what the Tengari were doing and wanted to become a part of their cycle and learn of itself through interaction with mortal souls. At some point Mortals are givin divine magic, unsure if that means Clerics solely. The "First" Dragons are also created, possibly from Elementals that were drawn to the Tengari, raises questions about the origins of Bahamut and Tiamat. The first celestials(Seemingly not creations of the Tengari) and Demons are drawn to Exandria by the presence of mortals. The Gods begin being put in certain perspectives and positions due to the beliefs of their creations. Not all are happy with this change.

Falling Star: Predathos arrives at an as of yet unamed island on Exandria, possibly having chased the Tengari from their previous home. Ethedok and Vordo are consumed. The Gods refusing to give up their new home, make a compact with the Titans to imprison Predathos within the island and jettison it, yet somehow either by Predathos's will or something else it remains with Exandrias orbit as Ruidus. Precursor of the Divine Gate is seeded in the Lawbearer's mind. The Rudians possibly origin, already corrupted by the presence of Predathos within their home, or afterwards as they are trapped with it.

The Schism: The Primordials angered by the presence of Divine Magic begin attacking mortals. The Tengari split into factions, those that want to wipe the slate free, some noting a deal/promise they made to the Titans, the Primes seek to protect the mortals, some citing different promise and oaths. Corellon steals the Arcane from Lolth, possibly causing her fall, and gives it to Mortals to help them fight the forces of the Betrayers and Primordials. The former are trapped, most of the latter are slain, excluding Rau'shan and Ka'Mort, who notably seemed most present at the making of Ruidus. The Primes are victorious, and continue to walk Exandria into a "golden age". Notably, the Eidolons are left as they are, raising questions about their existence, and how they connected to the Tengari and Titans. Vasselheim is founded.

Age of Arcanum: Many Exandrians begin believing they can rise to the power of, or no longer need pay heed to the Gods thanks to the gift Corellon gave them. Vast flying cities soar above Exandria. A clear division between the Mages of those Cities and the Worshippers and even Druids of the surface begin to form. The first possible case of a Ruidusborn is accounted for: The Matron of Ravens. The Matron then Ascends to Godhood, seemingly slaying and erasing all memory of the previous God of Death, even from the minds of the Tengari.

Fall of Avalir: Following the erroneous attempt by Vespin Chloras to become the new Lord of the Hells, Asmodeus manipulates matters to lead to the destruction of the Tree of Names, a guardian against presences that should not be on Exandria. The tree is destroyed by a mage of Avalir, her name largely lost to time, in pursuit of her own goals. The Betrayers are fully freed to walk across Exandria once more, founding Ghor Dranus, and setting about wrecking havoc across the world, while the forgotten heroes of Avalir stop the Titan Monarchs from being released, slaying them and leaving but a shard of their power behind. All it costs is Domunus, now forever known as the Shattered Teeth.

The Calamity: Two-Thirds of Exandria dies in the divine war that follows. Vasselheim and Nirdol'Poc are the only cities known to survive the devastation from before the Calamity. Marquet burns, defended from total destruction by the second-oldest known Ruidusborn: Alyxian, thrice-blessed by different Prime Divinities, raising a number of interesting questions. Tharizdun arrives, at some point, but when is uncertain. I personally believe that it is after the fall of Aeor that it fully pokes in, but it may have been waiting in the wings for longer than that. The first vestiges are created to help mortal champions fight against the forces of the Betrayers. The Luxon is discovered by Leylas Krynn and her followers.

The Fall of Aeor: Aeorian Mages craft a weapon that can slay the gods, thought factions work against each other when it comes to how it will actually be applied. The Gods agree to a pact to stop the weapon. They chose to do so by becoming mortal. Some of the Primes seek to simply destroy the weapon, others seek the fall of the city. Some Betrayers show regrets for how they now exist in the world. The end through tragedy, manipulation and desperation, Aeor falls not just at the hands of the Gods but partially born by mortal action as well. Damned twofold, all by the conniving hand of Asmodeus seeking to end his Prime siblings and mortals, consumed by his rage. Something defends some of the citizenry of Aeor from destruction. Two individuals are saved by the Primes. A Young Ludinus watches the Fall. The Primes begin talking about the construction of the Divine Gate, though not all are in agreement. Cognouzas flight from Aeor sends them crashing *into* Tharizdun briefly, horrifically warping both the bodies and minds of the citizenry.

The Divergence: The Primes defeat the Betrayers once more and lock them away once more within their prisons. This includes Tharizdun, who nearly kills Ioun, and is stated to not be actually part of the Pantheon, and is an alien influence, not so dissimilar from Predathos. The Rites of Prime Banishment are written and worked for the first time to get rid of it, and several powerful divine shackles are created to keep it chained. They then leave Exandria, forming a protective net around it that will keep them out and protect Exandria from the full might of divinity for ever... or so it is said. This magical lattice work becomes known as the Divine Gate. Some servants of the Gods remain on Exandria, some attempting to become new Gods all their own, while some are kept in different prisons scattered across Exandria, others working to heal the devastation wrote by their creators or continue to revel in the chaos. Those would be divinties are imprisoned by mortal mages or cast down by their now distant creators, to eventually form a compact in the far future. The influences of the gods are still felt, but not demandingly and this distance becomes familiar and comforting to many. Many more Drow enter the light of the Luxon, abandoning the Spider Queen.

511 PD(Post-Divergence): Trist Drassig, son of the tyrant and other possibly Ruidusborn Warren Drassig causes the first mass extraplanar incursion on Exandria since before the Divergence, summoning a number of demons and a Demon Prince to Exandria to slay the rebels under Zan Tal'Dorei.

585 PD The Fall of Molaesmyr/The Crush: Ludinus contacts Predathos for the first time using Aeorian Tech and a magical font beneath the city. It goes catastrophically wrong on both sides of the link. Molaesmyr is consumed by a wave of corruptive energy that warps the landscape, the people, the animals and the forest beyond, spreading further and further with each year from that epicenter. The survivors, including Ludinus flee to Bysaes Tyl and Uthodurn. On Ruidus, a series of devastating earthquakes shakes the moon, devastating the Collective, the previous ruling body of the Rudian peoples, that was much more egalitarian and say the rise of the Weavemind and Kreviris Imperium to supplant them. The Weavemind destroys centuries of Rudian history and culture and begins manipulating their people and the other peoples of Ruidus through global indoctrination and eugenics programs. Ludinus's plots against the Gods and peoples of Exandria likely hit their stride, at some point following or before this point he begins consuming the essence of divine and fey being to empower himself and considerably lengthen his lifespan, making him into... something other than mortal. A noted obsession with the Matron also begins somewhere around this time.

812 PD: The Arch-Necromancer Vecna, another relict of the Age of Arcanum succeeds in ascending to Godhood, but is then successfully cast out of Exandria into his own prison plan as with the Betrayer Gods, joining him to their Pantheon, and technically making him another of the Tengari in essence if not origin.

835-836 PD: Tharizdun manipulates several powerful entities across Exandria in an attempt to free itself, causing a number of semi-diving figures to get free. Ludinus manipulates the factions of Wildmount, causing a war and allowing him to finally get his hands on a Beacon. The first of the Triad of Would-Be Gods, Uk-Otoa comes close to being released. Cognouza a "nascent-plane" is nearly released to prey upon Exandria. It is hinted that regardless of its defeat, a change is coming to Exandria, hinting at the Apogee Solstice.

And now here we are in the Era of the Red Solstice, new weapons being forged, great changes echoing across the world, evils new and old throwing off their shackles, and who knows what new dawn will be facing Exandria when all of this is said and done. But... it does seem like we are setting up for a whole new era of history. What do you think it will look like?

[clanwarrior-tumbly]

Thank you so much for the furfrou headcannons I absolutely loved it🥰

May I request headcannons for Arven,penny,Nemoma and Mr Hassel(my new dad) with a reader who actually lost their main partner who was a deathly protective mightyena but was…removed should we say…by their dad who was a fighting type gym leader but hated that his kid had a Pokémon like Mightyena,so he had a incredibly violent fight with his lucario and mighty was unfortunately lost in the end.Reader ran away and found a little rockruff puppy who was abandoned,he later became a dusk form lycanrock who is fiercely protective of reader.

I wonder how Hassel would react to a parent doing something so unforgivable to their child and seeing how close she is to her lycanrock and how terrified of fighting types she is.

How would Arven feel seeing someone who dropped everything to help him because she couldn’t stand seeing the cycle repeat in a way.

What about nemona? Would reader be terrified to let lycanrock battle against her pawmot?

If this is to dark I completely understand!

Oh ouch :(( This is fine to request dw!

......

Arven

He knows a thing or two about having shitty parents.

But absolutely nothing could've prepared him for the truth of why you never spoke to your dad and went through so much trouble to help his Mabosstiff recover:

Because you, too, had a dark type dog Pokémon partner..but tragically lost them after a vicious battle with your dad, a fighting type gym leader who was disappointed in you choosing Mightyena as your ace.

You two had an argument that turned violent as he sent his Lucario against Might, Mega Evolving him to teach you both a "lesson" that ended up wounding them badly.

He didn't think it was fatal, but sadly not even a Pokémon Center could heal their severe injuries.

So you comforted Might in their last moments, burying them that night and grieving, before running away from home--never speaking to your father again after that incident.

At some point, you found a friend in an abandoned Rockruff: a very young one left on a leash outside by their trainer.

You two formed a connection, and years later they remained by your side, having evolved into a Dusk Lycanroc that had the same protectiveness and loyalty as Might once did.

Arven already has tears in his eyes by the time you finish telling him everything, and when you bring out Lycanroc, he has nothing but respect for them.

Both of you wind up making sandwiches and take a break from tracking down the Titan Pokémon.

He's glad he opened up to you, and vice versa.

But boy, he'd love to give your dad hell for what he put you through.

Penny

During Operation: Starfall, you had a pretty bad panic attack when Eri brought out Lucario--an event that Penny unfortunately witnessed.

Your Dusk Lycanroc knew why you were so distressed and, despite the obvious type disadvantage, was fueled with enough rage to cleave through her team and take down the Starmobile.

After that, they helped you calm down and recuperate.

Later, after Penny reveals that she's the Team Star leader, she talks to you in private and admits to seeing that frightening moment.

But she's still unsure why you reacted that way.

Since she was open to you, though, you decided to open up to her about your past with Mightyena and how you lost them after fighting your dad's Lucario.

And you see the shock in her eyes before she shakily mutters "I'm so sorry", realizing she played a part in making you relive that trauma by battling Eri.

But you reassure her it's okay. She didn't know, and you don't hold it against either of them.

You've just been afraid of fighting types for so long, which is why you saved the Caph Squad base for last.

She's a gal of few words, but she's willing to lend you her Eeveelutions for emotional support should you ever need them.

There's a good chance she's always gonna feel somewhat guilty, especially when she catches Lycanroc sneaking glares at Eri and her team.

Nemona

Your battles with her start out normal, with your Dusk Lycanroc taking down most of her team with ease.

But when she sent out her Pawmo for the first time, you become frozen with fear--something that she notices right away and stops the fight.

She asks if you're okay, but you just quietly switch Lycanroc out for another Pokémon and swiftly end the battle before leaving.

It'll be a long while before you admit to Nemona why you looked so terrified that day, so she assumes you had a bad experience with a Pawmo before.

But when you feel comfortable enough to tell her, she feels guilty and promises to change up her team.

Ngl she's probably gonna tear up after learning how awful your dad was to your Mightyena.

She vows to battle the bastard himself and take away his gym badge for good.

But you tell her it's okay. Karma will come for him, and you just wanted to continue healing from your past wounds.

Eventually, you'll be fine battling her Pawmot, though knowing her passion you just...have this nagging fear that she might overdo it and seriously hurt your Lycanroc.

So you avoid using them if she sends that one out.

Hassel

Of all the teachers, he was closest to being the father figure you always wanted, but never got (considering your own was a dirtbag who didn't deserve his gym badge).

So you trusted him a lot, often chatting with him about homework, his elite four job, or how your treasure hunt was going.

But one day, Hassel notices how sad and distant you seemed in class today.

Considering you're always participating, it's unusual seeing you be so quiet.

So he asks you to stop by later, wondering what was weighing so heavily on your mind.

He may or may not have brought you to tears as you explain that today was the anniversary of your Mightyena's death.

After you go into detail of how your Dusk Lycanroc became your next companion, he starts sobbing his eyes out while hugging you.

Never in his life could he imagine a parent doing something so awful to their child's Pokémon.

It shatters him to know that you, too, were being forced to follow in someone else's footsteps, with your dad wanting to raise fighting-type trainers but you wishing to have a dark-type partner...and ultimately being punished for it.

Since then, Hassel has been 100% supportive of you, always saying that he'd proud of you and how well you raised your Lycanroc.

[fourormore]

[Image description: A polyam flag with the words “four or more fic-a-thon” on it. To the left of the infinity sign, there's a post-it that says "4 weeks to go". End description.]

THE FOUR OR MORE 2024 FICATHON HAS ONLY 4 WEEKS LEFT — Prompts by fandom

AO3 COLLECTION | SQUIDGEWORLD COLLECTION

Whether you've been itching to write something for that one prompt that you've been chewing on since day one or you're just hearing about this event and your curiosity has been piqued, this is your chance to see if someone has requested a fandom you're interested in. And if no one has requested your fandom, why not go ahead and leave a prompt. You never know who's watching.

Fandoms listed alphabetically with links to the respective prompts below the cut. Don't forget comments can have more than one prompt.

THIS LIST CONTAINS PROMPTS LEFT UNTIL SEPTEMBER 21st 1:30 pm GMT/UTC -4. Want to know if maybe someone has left more prompts after this? Check the main Ficathon post for more info.

A

A fandom you've never written before

Ace Attorney

Angel the series

Attack on Titan

B

Babylon 5

Buffyverse (Part 1)

Buffyverse (Part 2)

C

Chicago Fire

Chicago Med

D

Days of Our Lives

Doctor Who

Doom Patrol TV

F

Fate/Stay Night

Final Fantasy VII (Part 1)

Final Fantasy VII (Part 2)

Final Fantasy VIII

Fire Emblem: Three Houses

Friends

Full House

G

General Hospital

Grey's Anatomy (Part 1)

Grey's Anatomy (Part 2)

Grey's Anatomy (Part 3)

Gossip Girl

M

Monster Prom

P

Pretty Little Liars

Psych

S

Sabrina the Teenage Witch

Saved by the Bell

Sense8

Star Ocean 2

T

Teen Wolf

The Murderbot Diaries

The Scum Villain's Self-Saving System

Twisters (2024)

W

Warhammer 40000

Women's Murder Club

X

X-files

Y

Yu-Gi-Oh! VRAINS

Multiple fandoms or crossovers

A League of Nobleman, Tian Guan Ci Fu, The Scum Villain's Self-Saving System

Ace Attorney, Any fandom, Amphibia, Doctor Who, Dracula, The Owl House, Pokemon Horizons, Stardew Valley, The Great Ace Attorney, Star Trek AOS, Star Trek DS9, Star Trek Lower Decks, Star Trek TNG

Animator Vs. Animation, Any fandom, Deltarune, HfjONE, Omori, The Demon Headmaster (2019)

Angel the series, Buffy the vampire slayer (Part 1)

Angel the series, Buffy the vampire slayer (Part 2)

Any fandom, Angel the series, Buffy the vampire slayer

Any fandom, Charlie's Angels

Any fandom, Chicago Med

Any fandom, Danganronpa, Team Fortress 2

Any fandom, NU: carnival

Any fandom, Pitch Perfect

Any fandom, Love Between Fairy and Devil, Marvel, MDZS/The Untamed

Any PreCure Series, Delicious Party PreCure, Star Twinkle PreCure, Tropical Rouge PreCure

Beast Wars: Transformers, Detective Conan/Magic Kaito, Leverage, RWBY

Bridgerton (TV)/Much Ado About Nothing (Shakespeare or 1993 movie)

Caos, H2O, High School Musical: The Musical The Series, Outer Banks, Teen Wolf, The OC

Critical Role, Star Wars

Dead Boys Detective Agency, Julie and the Phantoms, Sense8, Star Trek Voyager, The Raven Cycle

Dishonored, Dragon Age

Final Fantasy VIII, MDZS, Teen Wolf, Voltron (2016)

General Hospital, MCU

Kamen Rider (various series), Ohsama Sentai King-Ohger, Samurai Sentai Shinkenger, Yu-Gi-Oh! 5D's, Yu-Gi-Oh! ARC-V, Yu-Gi-Oh! VRAINS

MDZS, Star Trek, The Scum Villain's Self-Saving System, Voltron (2016)

If you have any questions, don't hesitate to contact us.