Indigenous Peoples Collection
Celebrate National Indigenous History Month in Canada by learning more about First Nations, Metis and Inuit people. Come down to your School Library to browse through our Indigenous Peoples Collection. This section of the School Library is devoted to titles from authentic indigenous writers.
All titles in the Indigenous Peoples Collection are designated with spine labels bearing the “IPC”…
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out of curiosity i decided to finally check out the old 2004 animated show "Drawn together", i remember seeing a couple scenes here and there as a kid and some of it seemed really funny, plus the memes that endure to this day.
wow. i know its cliched and trite to say this but this show truly could NOT be done today under any circumstance. shows like Helluva boss and Hazbin hotel like to act like they are these perverted edgy shows because the characters swear a lot and are sexually provocative but drawn together, with relatively few curses, comes off as way more shocking, way more uncomfortable to watch and way more fucked up.
the nice thing about drawn together is that, even though its shock value is a fundamental and overwhelming part of the product, it actually has incredibly silly, ridiculous and funny jokes that stand on their own right regardless of how obscene the theme depicted is. this is a show that does NOT lean exclusively on its adult rating in order to be funny.
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The Philosophy of Hip-Hop
Hip-hop, a cultural movement that began in the Bronx, New York, during the 1970s, encompasses a variety of elements including music (rap), dance (breakdancing), visual art (graffiti), and fashion. The philosophy of hip-hop extends beyond these elements, reflecting deep socio-political, cultural, and existential themes. Here's an exploration of some core aspects of the philosophy of hip-hop:
1. Self-Expression and Authenticity
At its heart, hip-hop champions self-expression and authenticity. Artists often share personal stories, struggles, and triumphs through their lyrics, dance, and art.
Authenticity: Hip-hop values "keeping it real," meaning that artists are expected to stay true to their personal experiences and cultural roots.
Narrative Power: Through storytelling, hip-hop provides a voice for marginalized communities, allowing them to share their unique perspectives and experiences.
2. Resistance and Rebellion
Hip-hop has always been a form of resistance against social, political, and economic oppression.
Social Commentary: Many hip-hop lyrics critique systemic injustices, including racism, poverty, and police brutality.
Empowerment: Hip-hop encourages empowerment and resilience, motivating individuals to overcome adversity and fight for their rights.
3. Community and Unity
The hip-hop community is built on a sense of solidarity and collective identity.
Collectivism: Hip-hop culture fosters a sense of belonging and mutual support among its members.
Collaboration: Collaboration is a key component, with artists frequently working together to create music, art, and dance.
4. Innovation and Creativity
Hip-hop is characterized by its innovative and creative spirit.
Sampling and Remixing: Hip-hop producers often sample existing music to create new tracks, showcasing creativity and respect for musical heritage.
Evolution: Hip-hop continuously evolves, incorporating new styles, sounds, and technologies, reflecting its dynamic and adaptive nature.
5. Cultural Identity and Pride
Hip-hop celebrates cultural identity and pride, especially within African American and Latino communities.
Heritage: It honors the cultural heritage of its founders and perpetuates traditions through its various elements.
Pride: Hip-hop instills a sense of pride in cultural roots and promotes the celebration of diverse identities.
6. Education and Knowledge
Hip-hop often emphasizes the importance of knowledge and education.
Knowledge of Self: Artists frequently explore themes of self-awareness and personal growth.
Social Education: Hip-hop educates listeners about social issues and historical contexts, encouraging critical thinking and awareness.
The philosophy of hip-hop is multifaceted, intertwining themes of self-expression, resistance, community, innovation, cultural pride, and education. It serves as a powerful vehicle for social change, artistic creativity, and cultural preservation. By understanding these philosophical underpinnings, one can appreciate hip-hop not just as an art form but as a significant cultural and intellectual movement.
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I'm curious have you ever tried writing from Lestat's POV? and if you have what voice do you find easier/more engaging for yourself to write? (kind of a moot question, since both your fics are from Louis' POV but still 😅)
Mm, I have tried to write from Lestat's POV before, yes, but it hasn't really stuck for me yet. I think there are two reasons for that - the first is that my knee jerk reaction is that his internal dialogue would probably be in French, and while I don't think that means it can't be written in English for the sake of fic, I do think it affects the rhythm with writing from his POV, if that makes sense?
The second reason is that we actually haven't gotten a really clear sense of his authentic voice yet on the show. He's so filtered currently through Louis, Armand and Claudia's perspective, and so writing him from Louis' perspective still just feels easier? I'm not saying that I'm not going to write Lestat-POV until this point - arguably I kind of did in Ungodly Hour with his long sequence of dialogue in recounting Paris and his turning, but I really had to rely very heavily on the book to find my way into that - but I do think I'll probably find his perspective easier to write once s3 is airing and I have more of a sense of how the show's going to have him speaking from his own perspective.
Funnily enough, I actually find Lestat's dialogue easier to write than Louis' though - I just tend to think of the most flowery and / or out of pocket way to say something and then Google Translate it to French lmao. I find I need to be in a certain headspace to write Louis' dialogue, and I have a few go-to scenes I watch to get myself back into the rhythm / pacing of his voice. I find him really dynamic to write as he code-switches so much and I try to mix up his Dubai vs Paris vs New Orleans way of speaking depending on the context of a scene. I hope it works, haha.
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