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#authentic voices
tweedsmuir-library · 4 months
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Indigenous Peoples Collection
Celebrate National Indigenous History Month in Canada by learning more about First Nations, Metis and Inuit people. Come down to your School Library to browse through our Indigenous Peoples Collection. This section of the School Library is devoted to titles from authentic indigenous writers. All titles in the Indigenous Peoples Collection are designated with spine labels bearing the “IPC”…
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rozmorris · 7 months
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Write what you know? Why the true test of authenticity is the effect on the reader – interview with James Ladd Thomas
Authenticity is a troublesome concept in the arts at the moment. There are things we’re ‘allowed’ to write, things we’re not ‘allowed’ to write. While this raises valuable debates, authors have always written about characters, places and situations outside their personal circumstances and experience, and made works that are honest and truthful. That’s our craft, isn’t it? My interviewee today is…
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palatinewolfsblog · 2 months
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The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. Neil Gaiman.
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gabessquishytum · 2 years
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Thinking A Lot about how Hob hung onto his "working class" accent all the way into 2022. So subtle and yet so meaningful. Huh.
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jarofalicesgrunge · 2 months
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Alice in Chains
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torawro · 5 months
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i like ‘em a little insane, covered in blood and severely mentally unstable <3
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shadystranger · 2 months
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the switch from worry for sam to appealing.. oh he knows how to fuck him up so perfectly tailored for him
#sam was vulnerable and knowing dean loves him so he doesn't want the demon thing could have cut things a lil more short than#sam knowing dean hates him which leads him to be borderline destructive while the former keeps him grounded#but to give dean his dues he did try every single tactic in the book to try to stop sam: forcing reasoning rationalizing#finding middle ground locking up threatening bargaining pleading#he was on a roller-coaster#we're witnessing the blueprint in swaying sam im seated#ruby should've stuck around to watch how a real sam master manipulator operates#he has sam so wrapped round his finger he told sam he'll kill him (faked voice note) and still managed to have sam choose him over ruby#who coddled up and manipulated sam to hell and back#the genuine concern about sam here is astonishing in how effective it is#violence (panic room) didn't work#so dean resorts to appealing to sam and whether this is authentic or dean's own brand of manipulation that I know he occasionally works up#it's still the most effective method so far. I feel like dean could genuinely have gotten through to sam#if he was just himself and poured his heart out wrt sam since early on but dean most of the time was too prideful to concede#it was an 'im protective and im worried about you' issue (this is half of the actual reason the other half is his own possessiveness)#rather than a 'morality/humanity descend' issue and appealing to angels and god to play on sam's faith.#once again dean tries several mental gymnastics to get his point across when#if he was straightforward it could've worked on sam from the get go because he himself carries weight to sam like no other#samdean#mine#spn meta in tags#sam winchester#dean winchester
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weldnas · 7 months
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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fipindustries · 2 months
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out of curiosity i decided to finally check out the old 2004 animated show "Drawn together", i remember seeing a couple scenes here and there as a kid and some of it seemed really funny, plus the memes that endure to this day.
wow. i know its cliched and trite to say this but this show truly could NOT be done today under any circumstance. shows like Helluva boss and Hazbin hotel like to act like they are these perverted edgy shows because the characters swear a lot and are sexually provocative but drawn together, with relatively few curses, comes off as way more shocking, way more uncomfortable to watch and way more fucked up.
the nice thing about drawn together is that, even though its shock value is a fundamental and overwhelming part of the product, it actually has incredibly silly, ridiculous and funny jokes that stand on their own right regardless of how obscene the theme depicted is. this is a show that does NOT lean exclusively on its adult rating in order to be funny.
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feminiel · 4 months
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Finding your voice is about finding your authentic self, finding your true self-expression, finding the energy that you are and loving it for existing.
@feminiel
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shironezuninja · 1 month
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Emotions were out of whack during the weekend. There was an Empathetic Intuition that I couldn’t place. Today, we all now know why.
I’m still unable to post stuff on Facebook through my new iPad. So I’ll create more collages after I mourn for the next 2 days, to make up for my confused, erratic behavior during last weekend.
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Apparently, modern writers engage with this thing called social media that I never fully got the hang of.
I've mostly just posted pretty versions of some of my posts here so far, but idk idk. Probably it doesn't matter. But tumblr gave me too much power with this poll option.
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vaugarde · 1 month
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i am really enjoying revisiting “i am princess X”, i’d say it holds up really well so far (as of chapter 18) but man i forgot how i dont like YA romance djdjdjdjdjdj
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omegaphilosophia · 1 month
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The Philosophy of Hip-Hop
Hip-hop, a cultural movement that began in the Bronx, New York, during the 1970s, encompasses a variety of elements including music (rap), dance (breakdancing), visual art (graffiti), and fashion. The philosophy of hip-hop extends beyond these elements, reflecting deep socio-political, cultural, and existential themes. Here's an exploration of some core aspects of the philosophy of hip-hop:
1. Self-Expression and Authenticity
At its heart, hip-hop champions self-expression and authenticity. Artists often share personal stories, struggles, and triumphs through their lyrics, dance, and art.
Authenticity: Hip-hop values "keeping it real," meaning that artists are expected to stay true to their personal experiences and cultural roots.
Narrative Power: Through storytelling, hip-hop provides a voice for marginalized communities, allowing them to share their unique perspectives and experiences.
2. Resistance and Rebellion
Hip-hop has always been a form of resistance against social, political, and economic oppression.
Social Commentary: Many hip-hop lyrics critique systemic injustices, including racism, poverty, and police brutality.
Empowerment: Hip-hop encourages empowerment and resilience, motivating individuals to overcome adversity and fight for their rights.
3. Community and Unity
The hip-hop community is built on a sense of solidarity and collective identity.
Collectivism: Hip-hop culture fosters a sense of belonging and mutual support among its members.
Collaboration: Collaboration is a key component, with artists frequently working together to create music, art, and dance.
4. Innovation and Creativity
Hip-hop is characterized by its innovative and creative spirit.
Sampling and Remixing: Hip-hop producers often sample existing music to create new tracks, showcasing creativity and respect for musical heritage.
Evolution: Hip-hop continuously evolves, incorporating new styles, sounds, and technologies, reflecting its dynamic and adaptive nature.
5. Cultural Identity and Pride
Hip-hop celebrates cultural identity and pride, especially within African American and Latino communities.
Heritage: It honors the cultural heritage of its founders and perpetuates traditions through its various elements.
Pride: Hip-hop instills a sense of pride in cultural roots and promotes the celebration of diverse identities.
6. Education and Knowledge
Hip-hop often emphasizes the importance of knowledge and education.
Knowledge of Self: Artists frequently explore themes of self-awareness and personal growth.
Social Education: Hip-hop educates listeners about social issues and historical contexts, encouraging critical thinking and awareness.
The philosophy of hip-hop is multifaceted, intertwining themes of self-expression, resistance, community, innovation, cultural pride, and education. It serves as a powerful vehicle for social change, artistic creativity, and cultural preservation. By understanding these philosophical underpinnings, one can appreciate hip-hop not just as an art form but as a significant cultural and intellectual movement.
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pynkhues · 20 days
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I'm curious have you ever tried writing from Lestat's POV? and if you have what voice do you find easier/more engaging for yourself to write? (kind of a moot question, since both your fics are from Louis' POV but still 😅)
Mm, I have tried to write from Lestat's POV before, yes, but it hasn't really stuck for me yet. I think there are two reasons for that - the first is that my knee jerk reaction is that his internal dialogue would probably be in French, and while I don't think that means it can't be written in English for the sake of fic, I do think it affects the rhythm with writing from his POV, if that makes sense?
The second reason is that we actually haven't gotten a really clear sense of his authentic voice yet on the show. He's so filtered currently through Louis, Armand and Claudia's perspective, and so writing him from Louis' perspective still just feels easier? I'm not saying that I'm not going to write Lestat-POV until this point - arguably I kind of did in Ungodly Hour with his long sequence of dialogue in recounting Paris and his turning, but I really had to rely very heavily on the book to find my way into that - but I do think I'll probably find his perspective easier to write once s3 is airing and I have more of a sense of how the show's going to have him speaking from his own perspective.
Funnily enough, I actually find Lestat's dialogue easier to write than Louis' though - I just tend to think of the most flowery and / or out of pocket way to say something and then Google Translate it to French lmao. I find I need to be in a certain headspace to write Louis' dialogue, and I have a few go-to scenes I watch to get myself back into the rhythm / pacing of his voice. I find him really dynamic to write as he code-switches so much and I try to mix up his Dubai vs Paris vs New Orleans way of speaking depending on the context of a scene. I hope it works, haha.
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istherewifiinhell · 1 month
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v i WILL NOT. generalize. i will not. listen i knowwwww all the reasons (that i dont agree with) why ppl dont get on the rid15 train. and indeed. the WORLD BUILDING ASPECTS of that show. got things going on. so yes. u dont need to tell me. NO 1 DINO BOT ACADEMIC. why that grim is different than other grims...... but also...... [gritted teeth] i. wonder. whats. so. different. what. one. thing. different. about this grim. from all other grims.
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