#avatar salt

[peregrinvs]

least favourite kind of character

[jet-apologistmybadhomies]

the craziest Thing in the atla fandom is

that ppl forgave zuko for being sexist,racist, classist and burning down a Village

BUT WILL N E V E R get over Katara saying

" then u didn't love her like i did" when she was upset and feeling like she was the only one who still cared and couldnt let go

INSANITY

[sad-endings-suck]

some of you are too angry at fictional children

[spop-romanticizes-abuse]

“catra is a complex poc” fuck that. here are some ACTUAL poc animated characters who are just as, if not more complex than catra.

grace monroe (infinity train) • black american

connie maheshwaran (steven universe) • indian-american

katara (avatar the last airbender) • inuk

wolf (kipo and the age of wonderbeasts) • black american

suhara/shadowsan (carmen sandiego) • japanese

korra (the legend of korra) • inuk

jesse cosay (infinity train) • indigenous (apache)

lars barriga (steven universe) • filipino

azula (avatar the last airbender) • japanese

ryan akagi (infinity train) • japanese-canadian

luz noceda (the owl house) • afro-dominican american

(there are a lot more, so i'll be making a part 2!)

[longing-for-rain]

Schrödinger’s Redemption Arc:

It was either perfect storytelling or an insensitive colonizer guilt narrative…depending on who you ship him with.

[yourhighness6]

The thing about the whole TSR discourse is that a lot of it is centered around who was right: Zuko or Aang. Although I have seen posts focusing primarily on Katara's feelings, I do think it is necessary to remind anyone who cares to listen every once in a while that it doesn't really matter who was right. It matters who enabled Katara to make her own choices and gave her the space to do so, and I think we all know who that was.

[theweeklydiscourse]

It’s just interesting to observe the differences in how people treat Zukka vs how they treat Zutara. Because I searched Zutara on TikTok to look for some edits and the comments were filled to the brim with people saying “But Katara belonged with Aang 🥺” or “How can you ship Zuko with her after Mai said such a romantic line?” Or perhaps the most insufferable of all “Maturing is realizing that Zuko would’ve thrown himself in from of lightning for ANYONE” as if that’s some revolutionary reading of the text. It’s so irritating how this kind of behaviour is…accepted by the fandom.

But you don’t get that with Zukka, instead you see people gushing over how sweet they are together, hailing it as a wholesome and unproblematic ship, praising artworks of it with positivity and appreciation. It’s difficult to find much negativity under Zukka posts, you won’t see people saying “But Sokka belongs with Suki 🥺” or boldly going on a tangent about how another ship is SO much better. I saw one person praise Zukka as the most unproblematic ATLA ship because of how little conflict there was about it, that you wouldn’t see the same hostility among that fandom as you might with Zutara.

But there’s a reason for that which has less to do with Zutara shippers themselves, and more to do with the harassment and hostility they face on all sides of the fandom. Fans will go out of their way to antagonize Zutara shippers, they’ll feel brazen enough to leave backhanded or outright hostile comments under Zutara posts and art, they’ll interject their shipping opinions in spaces where nobody asked and condescend Zutara shippers by framing them as shallow or delusional for shipping it.

I think Zukka is admittedly cute, and they definitely have their haters, but the difference between it and Zutara is astounding. It’s incredibly frustrating to watch this phenomenon play out, especially when these shippers carry themselves with a kind of false moral superiority that can only be found in shipping discourse.

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[immaturityofthomasastruc]

When you really think about it, Chloe is just a version of Azula written by people who failed to understand what made Azula work as a character.

They are both malicious 14 year old girls that have a final swan song where they fight the heros for the last time and have a breakdown when they lose. They both have neglectful mothers (but like at complete opposites of the neglect spectrum) that they crave love from, and they both have "loving" fathers that shaped them into the horrible people that they are today.

However, the writers of ATLA understood that Azula is the way she is because of her circumstances; if her father wasn't abusive fire Hitler that encouraged the worst parts of Azula's personality, and if Ursa was able to have a better relationship with her daughter, then Azula would not have turned out the way she did.

Meanwhile, the writers of ML honestly think that Chloe is a bad person only because of her choices, despite writing the exact opposite. Chloe got her ideals of Rich superiority from her Father who raised her alone for most of her life, who is also shown to constantly abusing his political power in the early seasons, but the show dosen't point out that obvious connection beyond "he dosen't punish Chloe enough because he loves her too much UwU". Chloe's mother straight up dosen't care about Chloe and acts like a meaner version of her, but Chloe is the one the Narrative treats as the big threat that needs to be stopped? Andre gets rewarded with a new daughter despite being the reason why the old one turned out so bad??

Azula and Chloe are both cogs in the evil machine that realize they are unloved at the end of their stories, but while ATLA puts the blame on the machine, ML puts the blame on the cog and it's really weird because they laid the ground work for the evil machine!

Also, Zoe is like a dollar store version of Zuko I guess.

Here's another thing that made Azula work: Her progression as a villain felt more natural.

During Season 3 of Avatar: The Last Airbender, the show acknowledged how screwed up she was mentally. After losing Zuko, Mai, and Ty Lee and being made Fire Lord only for her father to crown himself Phoenix King, Azula's sanity gradually degraded, and it was played seriously. It was clear that as evil as she was, she has a lot of issues that make it hard to just write her off as beyond saving.

With Chloe, after the betrayal, the writers ramped up her evil moments while acting like she's always been this cruel. While you could argue these have been traits she's had since Season 1, there's no natural progression to her getting worse after she betrayed Ladybug.

[they-call-me-haiku]

whenever someone says they dislike huntlow, the usual comeback from toxic huntlow fans is that “you're a misogynist and you don't want to see the woman in a relationship being stronger”. so i want to address this issue today. is huntlow bad only because willow is stronger than hunter and isn't a damsel in distress?

in my opinion, absolutely not. that's not the case. i myself am a fan of subverted tropes and relationships where the woman isn't just a passive damsel with no personality. i like seeing independent women and i like seeing men being vulnerable for once.

to demonstrate my point on why huntlow doesn't pull off this trope well, let me compare it to a ship with a similar dynamic: sokka and suki from avatar the last airbender.

let's go through each of the reasons why sukka works as a ship where huntlow fails.

1. Does it make sense for the characters?

the first question here is: do the roles of the strong independent woman and weaker man suit these characters?

sokka was introduced as.. just a guy. he was a regular teenager who wasn't trained in combat. he could fight well enough if he wanted to and being the only man in a village full of mostly children and elders, he was the best warrior in his village (if we are even to believe his claims in s1, that is).

suki, on the other hand, was a trained warrior. she had spent her whole life training in combat and fighting to continue kyoshi's legacy. in her very first appearance, suki is confirmed to be a skilled warrior who is much stronger than sokka.

this setup makes perfect sense. it wouldn't come as a surprise later on that suki is stronger or a better fighter than sokka, and would have to rescue him or help him out in a moment of crisis.

now let's come to huntlow. in s2, hunter is introduced as the emperor's right-hand man who is young but powerful. while most of his intimidation factor came from his artificial staff, it was clear that he was not an amateur and had decent combat skills.

this assumption is only solidified when we see him go head to head with amity, only losing because 1. he was using a new staff 2. he was sleep deprived and 3. he was in an extremely erratic emotional state.

willow, on the other hand, was the sokka in this relationship. she was a regular teenager who grew up in a normal family and went to a regular magic high school.

she was certainly incredibly skilled in plant magic but she was not a trained child soldier like hunter. she had a lot of potential to be a good fighter but she had only recieved the education that every other student had recieved. not to mention, most of her stronger magic came from her emotional outbursts.

so.. does the whole girlboss-malewife dynamic work with huntlow? no. it really doesn't. even if willow trained and grew as a witch, there's no reason why she should be stronger and more skilled in combat than hunter, who had to pass seemingly impossible trials in order to qualify as the golden guard. especially since after the first half of s2, hunter was not only weaker than willow but just weak in general.

i get it, he doesn't have natural magic like the others. but he was still shown to be a very competent fighter. he was also shown to be cunning and strategic, being able to find a way out of any situation if he wanted to. but after joining the hexsquad, he is dumbed down to willow's shy and pathetic boyfriend, who doesn't really do much on his own.

2. are they in character when in a relationship?

when writing a relationship, this is really important. if you write a relationship where one or both characters have to act wildly out of character to make sense for the relationship to happen, those characters are not compatible. it's like when your friend acts uncomfortably different around their crush or partner.

let's start with sokka and suki.

sokka is goofy, cynical and quick-witted, with or without suki. his relationship with suki doesn't drastically change his character, but it does improve it. suki helps sokka change his misogynistic worldviews and respect women, but apart from that necessary improvement, sokka is still the same. he is not out of character when he is with suki.

as for suki herself, we don't see a lot of her away from sokka but it's still safe to assume that she is being herself around sokka. she is not forced into a new role in order to be in a relationship with sokka. the times we do see her on her own, she is pretty much the same rational, independent and nonchalant person that she is around sokka.

and yet, both of them have incredible chemistry and very clearly care for each other. it's not one-sided and it doesn't feel unnatural.

but huntlow?

hunter is introduced as a sarcastic and bratty but deeply traumatized teenager. he is quick to start a banter with whoever he is with, he tends to talk too much, and he generally has a nonchalant attitude to cover up with trauma.

but with willow? hunter is not just shy or awkward around her, he is a completely different person. i can understand that being attracted to a person can make you act strangely sometimes. but with hunter, that awkwardness never fades away. he is always blushing around her, he is often portrayed as pathetic and helpless, and constantly needing willow's support and guidance.

as for willow, she is introduced as this insecure and good-natured teenager. after her confrontation with amity, willow is pushed to the back for a while. all we know about her at that time is that she's the supportive mom friend of the group. she builds her confidence after a while but she is still shown as a kind person who doesn't use force on someone else, unless necessary.

but with hunter? willow is suddenly not just confident but also dominant and forceful. she basically snatches him from the sky and drags him to the ground, just to invite him to her flyer derby team. hunter is practically terrified at this point, but it's played off as a fun cute-meet. later, when hunter wants to leave the team for understandable reasons, instead of respecting his wishes, willow once again forces him to join her again.

i wouldn't call willow toxic or abusive, because she isn't. but i would say that she didn't respect hunter's boundaries in the slightest. she doesn't treat anyone else the way she treats hunter. she's not exactly mean to him but she also does not seem to respect him as an individual. again, she is written wildly out of character just so that she could fulfil the role of the “powerful girlboss” in the relationship. and it doesn't help that a dominant and forceful figure is the last thing hunter needs, considering how he was controlled and abused by his uncle his whole life.

3. Equality

it is my opinion that in a relationship, both individuals should play an important role. and they should balance each other out, instead of clashing with each other. it doesn't necessarily have to be an “opposites attract” situation, they just need to have qualities that brings a balance to the relationship.

in sokka's and suki's relationship, we've already established that suki is the brawn. she's the trained warrior and her agility, skill and speed are her strengths. sokka, on the other hand, is the brains. suki is still a rational and smart person but sokka is the strategist, the “idea guy”.

here, there's a balance. neither sokka nor suki are weak or incompetent, they're just skilled in different areas.

but when it comes to huntlow, willow is the brawn while hunter.. does close to nothing. after meeting willow, he's basically useless. the most impactful thing he does is stand up against belos in “Thanks to Them” and rescue willow from a short fall in the next episode. otherwise, he is mostly pushed to the back despite, again, having a personality and his own strengths prior to meeting willow. the problem here isn't that hunter shouldn't be weak or vulnerable, but rather that he is forced into the damsel role when it goes against his original character.

4. Screentime, interaction and development

one thing that huntlow and sukka had in common is neither ship had too much screentime together. suki wasn't officially part of the gaang until s3 and before that, she just gets two interactions with sokka. but these interactions were used to their fullest potential.

when they first meet each other, sokka and suki do not get along well. sokka was convinced that women aren't good warriors and his pride is hurt by the fact that suki is stronger than him, while suki is understandably put off by sokka's misogynistic and condescending attitude. after he tries to teach her how to fight and is consequently defeated by her, sokka rethinks his worldview. he goes back to suki and asks her to teach him how to fight, apologizing and admitting his mistake. suki agrees to teach him and through this, they bond. it is revealed at the end of the episode that both sokka and suki may or may not have a thing for each other. afterwards, sokka has to leave and suki has to stay behind.

their next meeting is a lot more brief but even here, we see a clear demonstration of their dynamic. sokka is overjoyed to see suki but he still hasn't moved on from yue, so when suki confesses to him and tries to initiate a kiss, sokka rejects her. suki apologizes to him later for what happened, and sokka kisses her as a confirmation that he has now moved on and likes her back. we see a clear respect of boundaries and personal choices from both sides.

finally, after suki is captured by azula, sokka frees her and they are reunited again until the end. at this point, they're basically a couple. there's no more awkward blushing or stuttering; they're just a pair of teenagers who are in love with each other. they have a bit of playful banter and they're very casual and comfortable around each other.

suki was originally supposed to be a one-time character so it's incredible that they pulled off on the best ships in atla with her and sokka. their chemistry was undeniable from the beginning, and the writers knew how to expand on it.

now let's come to huntlow. hunter and willow meet each other for the first time in the s2b episode ‘Any Sport in a Storm’. willow is looking for candidates to join her flyer derby team and she sees hunter flying on his palisman. completely unprovoked, the willow who normally never attacked or forced something on people for no reason, decides that the best way to scout this random guy she doesn't know is by encasing him in vines and dragging him to the ground, destroying the concrete in the process. this may have been portrayed as something of a slapstick comedy, but that kind of humor never stuck with me.

after willow explains herself to hunter, he agrees to join her team, thinking it would be an easy way to recruit students into the emperor's coven. fast forward, they get a few members to their group.

hunter notices that all of these members are visibly slacking off and gets discouraged. he turns to leave and willow stops him in his tracks. when she tells him to give them a chance, hunter ‘opens up’ to her a little, by telling her that he had to earn chances, especially as a “half a witch”. this comes out of nowhere because we never see hunter being referred to as half a witch by anyone prior to this. there were certainly characters who disliked him, like lilith and kikimora, but they called him names like “golden brat”. in fact, it's not even clear if anyone other than hunter and belos knows that he has no magic. the whole half a witch line was added so that hunter and willow would have something in common.

willow, instead of reasoning with hunter or respecting his choice to leave, drags him to the ground once again and seemingly teleports him back to the flyer derby team. while this may not have been done with malicious intent, it was still another instance of willow invading hunter's boundaries and forcing him to do something.

hunter is convinced that the team is, in fact, competent. he plays the game with them and has fun doing it. after getting the team captured to join the emperor's coven and saving them from darius, the episode ends with darius turning out to be the good guy and hunter getting a penstagram (or whatever they call it, i forgot).

after this, the huntlow scenes are very scarce. we barely see them interact, especially not alone with each other. in the next episode, we see willow standing up for hunter and hunter blushing and recognizing that the fake willow isn't willow. while this would be sweet for an already established couple, since hunter and willow barely had a bond at this point, it just comes off as hunter being observant. which is somewhat in character for him.

afterwards, there's just a sprinkle of this ship, most of it consisting of hunter being shy and nervous around willow. and willow treating him like she treats everyone else. there's no sign of willow liking hunter back until literally the episode before the finale. where, instead of focusing on hunter's recent trauma with being possessed by his abusive parent and losing his best friend, the show decides to focus on willow's issues instead. of course willow deserves her own arc, but she already got it back in s1. there was no reason to give her ANOTHER issue to work on, just so that hunter can comfort her and give her a reason to like him back.

overall, it was really forced and these two characters never had the kind of natural chemistry that sokka and suki did. their interactions were either awkward or surface-level wholesome. we get exactly two (2) episodes where they interact properly and even that isn't done well. it just feels like these characters were pushed into a ship dynamic that they didn't naturally fit into.

[coccinelle-et-chaton]

sincerely asking the natla haters to tag their salt.

Beyond the fact you literally can just. Not engage with the remake. You are entitled to your own opinion, but don't force-feed your hate to the rest of us who actually want to enjoy it, please.

Most of us watching are tired millennials with soul-draining 9 to 5s who can barely make ends meet. Let. Us. Have. This.

[broadwaybalogna]

All this discourse over Kataang and Zutara is so fucking exhausting. Like, I’ll be looking through the Zutara tag tryna find a cute lil thing to read and all of a sudden 50 people are bashing and hating on the ship. Now, I can’t speak for kataangers and whether they see the same shit on their tag but I’m sure it’s true. Y’all, literaly just stick to your ship and… Enjoy it??? Is it really that hard to watch other people enjoy a ship??

Now for a personal message:

Kataangers- YOUR SHIP IS CANNON!!! You have nothing to prove! It’s cannon!

Zutarians- I respect the dedication to the ship. But you have GOT to stop provoking Kataangers😭 (Kataangers also need to stop provoking)

How long has this been going on for??? How many circles have y’all gone through??? Is this not FUCKING EXHAUSTING!?

(I’m going to tag both Kataang and Zutara so just so y’all know: I ship Zutara. If you come onto my blog looking for Kataang content, you won’t get it, but that doesn’t mean I won’t welcome you!)

[miraculouscriticismshub]

Every child deserves a parent but not every parent deserves a child. Give it a few months before we see Zoe start to act like an entitled brat .

If you want to know more about my thoughts on Andre : check out my post " Why Andre is a horrible father and badly written character" on my tumblr.

Please stay respectful

[spop-romanticizes-abuse]

“catra is a complex poc” fuck that. here are some ACTUAL poc animated characters who are just as, if not more complex than catra. (pt. 2)

mako (the legend of korra) • mixed (japanese and chinese)

min-gi park (infinity train) • korean-canadian

zuko (avatar the last airbender) • japanese

caitlyn kiramman (arcane) • bi-racial (east asian and presumably scottish)

miles morales (spiderverse) • puerto rican, afro-latino

amaya (the dragon prince) • east asian (ambiguous)

marshal lee (fionna and cake) • half-black (technically, marceline is black too but i figured marshal would be considered better representation)

carmen sandiego (carmen sandiego) • hispanic (argentinean-mexican)

toph (avatar the last airbender) • chinese

callum (the dragon prince) • half asian (ambiguous)

[longing-for-rain]

regarding aang becoming offended bc of his portrayal as a woman in ember island players, i think his anger was justified on that specific occassion? I mean, the fire nation was mocking his gentle nature and pacifism by portraying him as a blithering naive idiot who never took things seriously and the belittling of his culture and beliefs. This is one of the worst episodes for him, dont get me wrong, but in this case, femininity was utilized as a source of derision and weakness imo. I dont say this with bad intentions, just thought i would write this bc i also condemned aang for the same thing before

If that was what Aang was upset about I might be inclined to agree, but everything he says and does throughout that episode points to the contrary. Aang doesn’t say anything about the incorrect portrayal of his culture and personal values. Here is what he does say:

[Note: the above expression is before the actress hardly says anything so he’s clearly just mad about the fact that she’s female]

Aang: [angrily] Is that a woman playing me?

Aang: I don't do that! That's not what I'm like! And I'm not a woman!

[Note: the official script includes the emphasis; again, it’s very obvious that he’s most bothered by being played by a woman]

Then this exchange:

Toph: I don't know, you are more in touch with your feminine side than most guys.

Aang: [Standing up, angrily] Argh!

Katara: Relax, Aang. They're not accurate portrayals. It's not like I'm a preachy crybaby who can't resist giving overemotional speeches about hope all the time. [Everyone looks at her] What?

Aang: [Turns around and sits down. Sarcastically.] Yeah, that's not you at all.

You know what I love about this conversation is that is proves two things at once. Firstly, yet again, it’s clear that being portrayed by a woman is what is most upsetting to Aang. Secondly, his reaction (and, honestly, insult) to Katara’s values here shows that he’s not thinking that deeply about this. It has nothing to do with values. Aang is offended at the idea that he is being portrayed by a woman and with more “feminine” qualities, which honestly plays well with his creepy, possessive behavior with Katara later this same episode.

And I actually do like the fact that you brought up femininity being used as “a source of derision and weakness” because guess what! That’s the definition of femininity itself. Femininity doesn’t mean simply being a woman; femininity is the social behaviors and roles that women are expected to fulfill. Which is why I don’t have any sympathy for a man who is offended by being called feminine or compared to a woman because it’s reflective of a deeply misogynistic attitude on his part. If Aang thinks femininity is so degrading and weak, what does that say about the fact he expects his crush to behave that way? I mean, this is what he thinks of Katara, through his own perspective:

So yeah, that’s my question. If being compared to a woman is so insulting and humiliating to Aang, what does that say about how he intuitively views actual women? Why does he think he’s above that treatment but women aren’t? People act like I’m crazy for saying that he exhibits toxic masculinity this episode but this only furthers that point.

Oh and before someone jumps in here and acts like this goes both ways, let me point you to this:

Toph’s reaction to finding out she’s being played by a big, buff, stereotypically-masculine man. She’s thrilled! Why? Because we are products of a misogynistic society and therefore intuitively view being compared to a man as a compliment and a woman as an insult. The respective roles assigned to each are not equal. Masculinity and femininity were never equal and the system was deliberately created that way. You can see this idea ingrained in the writing of this episode because it’s a bias we all hold to some degree, including the writing and creative team here.

So I’m sorry, but considering the bias clearly present within the writing team and the way the characters behave this episode, it’s clear to me that Aang’s reaction has nothing to do with his culture and everything to do with his misogyny.

[yourhighness6]

I can't remember where I saw this but there was this post I saw a while ago about how if zutarians "really wanted to engage in media analysis they would ship zvkaang" and I just... Ugh.

For one, the age difference is gross to me, especially considering a lot of anti-kat@ang zutara arguments center around the fact that Aang was not mature enough to be in a relationship based on the way he treated Katara, and pointing out that Katara is considerably more emotionally mature than Aang throughout the series. Shipping Aang and Zuko, who remember are canonically twelve and sixteen throughout the series, may be okay for a lot of chronic anime fans (from my understanding anime has huge age gaps like that all the time) but a large age gap is basically the first thing that puts me off of a ship. It's the same thing with ships like tokk@ and zvtoph and sokk@ang. A two year age difference is fine for high schoolers, but four years is really, really pushing it, especially when you consider that Aang would be fourteen when Zuko is eighteen.

And if that weren't disqualifying enough, whereas zutara has a truly incredible amount of romantic coding from the music used in certain scenes to small gestures such as them reaching for each other in the final agni kai and Katara's thumb on Zuko's lips in the crystal caves scene to the "she's not my girlfriend!", a common romantic trope being used several times between them, zvkaang has no romantic coding. They honestly remind me of that "platonic tension" textpost that was making the rounds a while ago. That being said, I do understand that "chemistry" and "romantic coding" are fairly relative concepts, but it definitely isn't heteronormativity that makes people see zutara instead of zvkaang as romantic (and although I also ship zvkka to a lesser extent the same can kind of be said there).

Anyway, with a weird age difference and zero romantic coding, that, in my opinion, kind of derails the ship, but its also worth mentioning that the original post's only argument seemed to be that just because Zuko and Aang are narrative foils, it makes sense that they should be romantically involved, which frankly, isn't a very good argument, especially when you consider that Zuko and Azula are also narrative foils and siblings. Narrative foils come in many forms, and come to think of it, I don't think I ship narrative foils from any show I've ever watched. The parallels between zutara often specifically highlight how they might suit each other romantically, and fit with the show's themes of balance.

This is just my opinion, and certainly not meant as a callout for any zvkaang shippers, especially those who are zutara and zvkaang shippers, I just felt it necessary to debunk the idea that if zutarians actually cared about literary analysis, they would ship zvkaang. It's just another half-assed, poorly thought out way to delegitimize zutara shippers and pretend that the ship has no canon basis, while in reality, anyone with an objective eye for media analysis can see that zutara is by no means a ship to be ignored.