#back to using my sketchy style

[bimbvx]

punks not dead (but you will be) closeups under cut :))

...also i wasn't thinking while drawing this so uhhh in this au tim and toby are left handed ok

[sweetest-honeybee]

Wondering about stockpiling some cheap bust/waist comms for the holidays so save some extra cash

[chiropteracupola]

so I made some of those character-inspiration collages...

[moth and compass is a collaboration with @natdrinkstea!]

[loregoddess]

why does art have to be so art

[maikaartwork]

Artists, let’s talk about Instagram commission scammers

There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.

How they begin

Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.

What to look out for:

Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.

Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 

They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.

They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.

Where the scam actually happens

If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 

Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.

A few things can happen here:

They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 

They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.

The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 

You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 

Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.

You can find more info on that method HERE.

What to do when you encounter a scammer:

Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.

Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 

Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.

Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 

Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 

Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 

Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!

Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.

[patchouii]

It’s peak comedy how in episode one, Alana’s all like “Even if he doesn’t see me and even though Hannibal is great, Will hates therapists and knows all the tricks, so he avoids being honest, etc”. And Will is very vocal about his dislike of therapists, especially since one of them presumably leaked his patient information in the past with Chilton’s comments about how the Baltimore psychiatric scene probably wants to slice open his skull Hannibal-style. And then in episode two he shows up to see his new therapist, who had previously seen him in his underwear and brought him breakfast instead of just sending him some autoreply email for new patients, and says he wants to go back to work because killing Hobb felt good and powerful.

And instead of being disturbed, his new therapist goes on a tangent about how that’s totally valid because God kills people, actually, corners him up against a ladder while asking him how he feels, serves him alcohol during their 7:30 pm appointments, constantly says that Will’s his “friend” and that they’re having “unofficial therapy” or “just conversations”. And pushes the chairs closer so that he can sit closer to him. If that was my therapist, I would’ve been out of there like a shot, so there’s absolutely NO way that Will didn’t smell something generally fishy. Even Bedelia calls Hannibal on his obsessive behavior and says that it’s verging on unhealthy for him, too, and going to turn out badly, and sets a clear boundary between patient and friend while Hannibal affords her the freedom.

Like Will was a professor of criminal profiling who had to study psychology and was constantly begged by the BAU boss to glean people’s thoughts and motives, who’d seen therapists before and is friends with a generic nice therapist, can probably use his empathy to sense the massive weirdly intimate vibes Hannibal is giving off, there’s no way he thought to himself “Yeah, this is totally normal and not at all legally, procedurally, and morally sketchy as fuck, and also very lacking in homoerotic tension and heated eye contact.” Will saw the tip of the iceberg from the start. Instead of letting Will dive in on his own like he probably would’ve, he had to hit Will with it all Titanic style after hiding it by messing with his head. Hannibal could’ve been messing with his other head all along if he’d had less of an insane control complex….

[em-writes-stuff-sometimes]

sweeter than blood │ Spike x Summers!Reader

everything he wants 'verse: see my Masterlist for the correct series order!

Part 1 │Part 2 (Work in Progress!)

Returning to Sunnydale for the first time since Angel lost his soul—older, bitter, unprepared for grief—you never expected to fall for Spike. Through the eyes of the others, it's obsession, danger, betrayal. But to you? It’s the only thing that still feels real. (Set post-episode 14 of Season 5, "Crush".)

Hey, guys! Briefly showing up to post a short fic I wrote after getting whacked by the Buffy bug lately. Not going to be frequently updating or anything - I'm literally just posting this and popping back out. Couple notes: this is a three-chapter fic that I'm posting in one single hit. It's like, 22,250 words, so it's long. Also, it's mixed POV from pretty much all the main characters. Keep in mind that my writing style doesn't exactly fit in the Reader or in the OC category; best way I can describe it as nameless, vaguely-described OCs written in second person. Enough from either category to justify calling it both. If that's not what you're after, I recommend you don't read.

Buffy rolls her eyes when she recognizes who’s behind all the commotion by the door, turning away from Giles to give the intruder one of her meanest eyebrow-raises.

“What are you doing here?” she asks, fists clenched and knuckles white as she glares at Spike, tension etched into every line of her body. Her voice is a low, warning growl, her fingers itching to wrap around something sharp and stabby. Anything will do, really. “It’s the middle of the day.”

It’s been only a few weeks since bizarro entered Spike’s brain and he tried to tell her he loved her, and in that time it’s like it never really happened. Sure, he’s been loitering around the house like a pervert, glances lasting a little too long on her as she deliberately ignores him to unlock the door and retreat to the safety of a freshly-Spike-free zone, but his focus is all screwy. It’s like the tap of grossness has spun itself off, still dripping a bit but like… not flooding. Or something. She’s bad with figures of speech.

The evil bleached wonder sneers over at her, still furiously smacking at the smoke trails rising from his exposed skin and stinking up the shop. “None of your business, Slayer. Ain’t my bloody keeper. I can go where I like.”

“Does that have to be where Buffy is?” Xander snipes. “You know you’re never getting a shot with her. Why make us all put up with you?”

Dawn’s here, so Buffy makes a cutty-motion with her hand at him, warning him off the tangent he’s on. Even though Dawnie’s just as mad as the rest of them about Spike’s confession, she still gets huffy and moody whenever anyone spends too long mocking him for it, and Buffy totally can’t deal right now.

Spike shakes his head. “Look, I dunno what Buffy told you about that stuff with Dru―”

Giles advances on him, shielding her from view. “Spike, you’re not welcome here.”

“Yeah, and by the way, we’re working on a way to de-invite you from here,” Willow adds. Though there’s nothing super snarky about the indifferent way she looks Spike up and down, for Wills it’s positively cruel. “Even if it is a public place.”

Spike looks away, lower lip curling under his teeth as he scoffs. “Alright, maybe there was some expression of feelings, but ’m all―”

Whatever he was gonna say dies in his throat. He straightens himself up and runs his fingers through his hair, which, strange, isn’t slicked back like he usually wears it. Has he suddenly realized―re-realized, or whatever―that she’s there and is doing some uber-sketchy peacocking thing? She’s just about to ask him what the hell is up when you brush past her, bookbag swinging as you rifle through its contents.

“Buff,” you say, absent-minded, “d’you know where I put my―oh, hey, Spike. Nice hair.”

You look up and smile at him, a bit unfocused as you wander over to the table, scattering the items inside on its surface. Pens and textbooks go skidding across the wood as you dig through, muttering an aha! when you find your tube of chapstick buried at the bottom. Dawnie shoves at the stuff that’s rolled onto her homework, but you don’t seem to notice at all.

“Afternoon,” Spike says. Buffy narrows her eyes at him. “Settlin’ in alright?”

“Mm,” you hum, smiling, lips freshly glossy and reddened. “Stuff’s unpacked, classes all sorted… everything’s coming up me. How ’bout you?”

“Can’t complai―”

“Seriously, Spike,” Buffy snaps, folding her arms. “Clear outta here.”

She’s such a hypocrite for being so freaked by him basically ignoring her, she knows that. It’s not like she wants him stalking her, but she’s Puzzle Girl. She solves things, and the mystery is that Spike is acting stranger than usual. She hasn’t had time to figure it out, not between helping Mom, rearranging Dawn’s room—well, your shared room now—and grilling you about Hank’s way-too-young girlfriend. That doesn’t even begin to cover the stress of keeping Glory’s demon goons off Dawn’s back. Time is against her at the moment. And after Mom told you about the tumor? Yeah, no wonder you were all in for moving back.

“Wait,” Anya says, frowning. “I thought Spike didn’t know her. Why are they talking?”

“Introduced meself, yeah?” Spike’s stink-eye is ineffective as usual. “S’what civilized people do and all that rot.”

“If that’s civilized,” Anya mutters, too low for anyone but Buffy to properly catch, “then I’ve been using the wrong definition. Civilized people don’t pant like wolves in heat—”

“He’s nice,” you say.

“—yeah, most men pretend to listen,” Buffy hears her whispering to Tara. She tunes it out. “Vampires probably do it better. Less hormonal noise.”

Patting your sides down―looking for pockets, though as usual you’re wearing a dress that doesn’t have them―you shove your chapstick down the neckline before going back to sorting through the things you’ve discarded. Buffy watches Spike watch you, watches his eyes settle where the balm presses through your bra. Disgust curdles in her belly—but it’s not just disgust, and that’s the worst part. It shouldn’t matter. Really. He should look anywhere but at her. Still, the absence of his usual obsession lands like a slap. Her chest tightens, breath caught in her throat. Embarrassing. She rolls her shoulders back, forces her focus elsewhere.

“We talk sometimes,” you add. “He’s a good listener.”

“Thanks, pet.” Spike’s smile looks genuine enough to fool even her.

“Uh, he’s a vampire.”

“Good for you, Xan,” you say, levelling him with one of your are-you-the-dumbest-person-in-the-world? looks. You’ve always been good at that. “Your observational skills are A-okay. Congrats.”

Xander sputters. “He’s evil!”

“Not this again,” you mutter. Continuing in a deceptively mild tone, you say louder, “Evil’s relative, isn’t it? Is the lion evil for hunting and eating the gazelle? No, because you can’t moralize about the predatory drive of a completely different species with different—”

“He’s not another species, though,” Giles interrupts, taking his glasses off and scrubbing at them with his cloth. “He’s a demon.”

You cock your head, slight curve to your lip. “So, not human, right? Ergo, another species.”

“Okay, difference of opinion, agree to disagree!” Buffy calls out loudly. She really doesn’t want to deal with broken-brain Giles, and he always comes out when you prod at his whole Watcher upbringing. “We’re wasting time. Can we seriously get back to the whole April thing?”

Her resolve face is enough to get the Scoobies moving back to the counter, and though the conversation begins flowing in the right direction once again, Buffy can’t help but pay a little more attention to what’s going on across the room. You’ve sat down opposite Dawnie, tugging out the worn copy of Emily Dickinson poems that Buffy had to read when she was in junior year, too. You probably borrowed it from her closet, actually, where she keeps all her old high school stuff. That’s not the problem, though. It’s that Spike’s gone and swung himself across the seat right next to you, spread-kneed with arms folded and resting on the chairback. You shift obligingly, murmuring something just out of earshot to him, and he seems to be considering your words thoughtfully—for him, at least—gesturing to the text on the open page before you.

She watches Spike watch you as you’re preoccupied with getting your essay perfect. He used to look at her like that. In fact, he hasn’t so much as glanced her way like he would usually. She doesn’t know what to make of it.

“It’s weird, right?” Willow’s nervous voice interrupts her focus, and she turns to find her staring in exactly the same direction. “That. It’s like, all sorts of ooky.”

“Spike’s, um… he was a poet, wasn’t he?” Tara asks, uncertain. “It’s no–not that weird. He prob–probably knows a lot and wants to he–help with her assignment.”

Suddenly, you laugh, drawing their eyes back to you. Buffy’s stomach twists. That laugh—light, happy, normal—doesn’t belong here. Not in this context. Not with him. Spike’s grinning at you, unaware of all the attention on him. Even Dawnie seems a bit startled, her gaze darting from you to him and back again. And you… you’re looking back at him like he’s a good friend of yours. Like he’s safe. Like he’s normal, and not the soulless demon who’s caused so much hurt to so many people in the room right now, who would go on to cause even more pain and suffering if not for the leash in his brain keeping him from harming them. It’s like watching someone pet a cobra and call it a puppy. And Spike just… lets you.

“Yeah, right.” Xander huffs, scathing. “He’s probably thinking ‘gee, maybe the Slayer’ll get the lust on for me if I play besties with little sis’―”

“Unlike the rest of you,” Giles cuts across, adjusting his glasses, “I have little care to understand why Spike does what he does. So long as he is being useful and is leaving Buffy be, then by all means… Shall we return to the problem at hand?”

Buffy nods absently, mind still whirling as she tunes back in to the previous discussion. She can totally do two things at once. Xander’s right. Spike’s probably just trying to get her interest. Is it that you’re her younger sister, or is he trying to make her jealous? That won’t work. You don’t get involved in stuff like that. She’s wondered if you even notice boys sometimes, let alone get dragged into some messy demon-y love triangle. Line. Whatever. So it must be him thinking that you’ll get him on her good side or something, which ew. Talk about desperate.

It’s a good explanation. Perfect, actually. If only her chest didn’t feel tight in that way it gets when she knows, deep down, that she’s missing something. Not danger. She knows that feeling too well. This is worse. It’s something personal. Something close.

“… your thoughts, Buffy? Buffy? Buffy!”

“Huh?” Giles’s face is unimpressed. Buffy smiles apologetically, turning to face him properly. “Sorry. Problem-Solver Buffy, reporting for duty. Hit me again.”

For now, she’ll have to deal with the weirdness. She’ll figure it out later. There are more important things to worry about… like superstrong robot girlfriends causing havoc across Sunnydale. When did it begin?

Since you came back. The thought pops unbidden in her head as she tunes in to Slayer mode. Hm.

The muscle below his eye twitches as he watches Spike across the cemetery, moonlight tracing the sharp lines of his face. The graveyard is silent now, empty of mourners, the solemn faces of those in black who came to watch as Joyce Summers was laid to rest in the ground. Even Buffy is home now, numbed and tired from the hours spent cradled in Angel’s arms. Just faintly, his senses pick up the murmur of hushed voices: yours soft and raw, Spike’s a slow, gentle rumble. Of course he’s found a way to worm his way in, always lurking where he doesn’t belong.

You stand too close, arms wrapped tight around yourself and shivering despite the mildness of the night air. It’s the first time he’s seen you since you were sent away. Since Angelus. You were small then, too. Frightened, stalwart in your sadness over Buffy having convinced Joyce that spending some time with your father might make the night terrors go away. A cover that should’ve put you out for a month, maybe two, and instead led to years of isolation, all because of him. Guilt congeals acrid in the back of his mouth, from memory and from here and now, blurring together. He didn’t even think to check on you, so wrapped up in Buffy’s grief as he’s been. You look like Buffy did after the funeral. But not the Slayer version—the kid version. The girl who used to beg her mother for a later curfew. The one he couldn’t save from heartache, then or now.

He sees Spike shrug off his duster and drape it around you, fingers lingering on your shoulders. You tug it closer, inhaling deeply, the sleeves all but swallowing your hands. You look like a child in too-big clothing, hunched as though grief itself is sitting on your shoulders. Your eyes are puffy and red as you look down at the hole in the dirt, the place where what is left of your mother now lay, your cheeks streaked with the gloss of tears that glimmer under the glow of the night sky. Angel can hear the ragged edges of your breathing, the way you try and fail to even it out.

And Spike—

His posture’s casual, the type of relaxed Angel knows is deceptive, calculated. His focus is wholly on you, head bowed, eyes flicking over your face as if memorizing every twitch and quiver. His fingers find the crook of your elbow, stroking gently. Too practiced. Too careful. As if care could be learned by imitation. He’s never mastered the art of guile, for all that Angelus tried to beat it into him. Too soft. If not for the hair, the coat, Angel might mistake the demon ahead for the human he’d been.

It’s not just the way he looks at you that bothers Angel. It’s the way you look back. The small, anxious clutch of your fingers on his lapels, how you lean instinctively into the rumble of his voice, unguarded, drifting closer as though the space between you is a safety net. Spike’s too close, saying something low that makes your lips quirk up in a wobbly, trembling smile. His answering smile, lax around the edges, is unsettling—not the predatory leer or cocky smirk Angel’s used to seeing on his face. You step toward him, easily accepting the embrace he offers, and the way you fold into him makes the hairs at Angel’s nape rise.

He clenches his fists. It’s an act. It has to be.

Pushing forward, his bootfalls are deliberate and heavy, purposeful, and the noise draws your attention as he knew it would. The talking stops. You glance up, startled, and Angel takes note of how quickly you wipe your eyes, trying to hide the tears. Spike’s features harden, his mouth curved into a stubborn, disdainful sneer.

“What are you doing here, Spike?” Angel demands, crossing his arms. The chill of the air seeps through the layers of his clothing.

Spike smirks. “Nice to see you too, Peaches. Out for an evenin’ stroll?”

Angel’s glare doesn’t waver. “Get away from her. Now.”

You wince, but Spike doesn’t move. Instead, he lets his thumb brush the back of your arm, a gesture so brief, so casual that Angel might’ve missed it if he wasn’t watching so closely.

“Girl’s having a rough go, not that you’d notice,” Spike says arrogantly, “trailing after Buffy like you’re her bitch. Thought someone ought to check in.”

Angel’s eyes dart back to you, ignoring the barb. “You can talk to Buffy. Or Giles. Not him.”

“I tried, but… She’s got so much on her plate. She’s doing her best. I don’t—I don’t blame her.” You sigh, weary, pulling Spike’s coat tighter around you. “I just… I needed someone who could listen. Without trying to fix it.”

Spike glances down at you, the hardness in his gaze melting like ice in the heat. “Gotta let yourself feel it, pet. S’not weakness.”

You look up, eyes wet. It’s as though you’ve forgotten Angel exists. “It’s stupid,” you whisper. “I keep thinking she—she’s gonna just… walk in, tell me to wash my face, snap out of it.”

“Not stupid.” Spike’s mouth twitches. “Just means you love her.”

The words hang heavy in the air for a beat; two; three. Your chin dips, face crumpling, and Spike’s grip tightens, hand sliding to span the back of your head. You lean fully into him, forehead pressing to his chest, and he mutters something too low for Angel to catch. It makes you nod, knuckles clutching his red jacket. His hand drifts to your spine, drawing soothing circles, gentle and patient. It looks practiced. Habitual. Wrong.

“You’re using her,” Angel growls at him, feeling a bit of fang slip with the flare of his temper. “Trying to get to Buffy. It’s pathetic.”

Spike rolls his eyes. “Oh, right. Because I’m raring for the Slayer’s approval. Tell yourself whatever helps you sleep, mate. Assuming you can.”

Angel’s jaw clenches. “If you think for a second that I’ll let you manipulate her—”

“Not manipulating anyone,” Spike snaps, snarling. His arm curls tighter around you, unconscious. You glance between them, wary. “She’s grieving. Thought I’d help.”

“Help yourself, more like.”

Spike’s eyes flash, his own fangs bearing down against his lip. “Don’t care what you think, sire. M'here here for her. So unless you plan to dust me, sod off.”

Angel hesitates. He’d like to. It’s bad enough that Spike’s been after Buffy. But she can handle herself—you’re too easy a target.

“It’s okay,” you say then, shifting in place. You press closer to Spike’s side, entirely unbothered by the appearance of his game face. “He’s… he’s my friend. He’s kind.”

Spike scoffs. “Careful, pet. Man’s liable to think I’ve gone soft.”

“Nah.” You shake your head, the side of your mouth curling up ever so slightly. “You’re evil, remember?”

“Too right.” It’s warm, indulgent.

The words land heavy in Angel’s chest, like stones in a sinking ship. He glowers. “This isn’t a game, Spike.”

He’s not talking about Spike’s sudden helpfulness. The meaning is clear. ‘Not her. She’s too good for you.’

Spike stiffens, drawing himself up to height. “Never was. That’s your problem, Angel—you think everything’s about you. S’nothing to do with you, or anyone. Just me ’n her.”

Angel’s scowl deepens. “If you hurt her—”

“Get in line,” Spike interrupts, all arrogant swagger. “A popular threat, where she’s concerned.”

Angel’s stare lingers on you, on the openness of your expression: face relaxed, eyebrows tilted upward, lax jaw. He watches the way you lean into Spike, nonchalant, his grip proprietary.

“You deserve better,” Angel says.

“Maybe. Maybe not.” You hold his gaze, unconcerned and unafraid, bolder than he remembers. Surely, it’s easy for you to front up to him when you’re tucked under the arm of someone like Spike. “Either way, it’s my choice to make.”

He eyes Spike, who glares back with an unspoken challenge. ‘Leave,’ he says without speaking. ‘Go back to where you came from. You aren’t needed here.’ Eventually, Angel turns away, shadows clinging to him. “If he lets you down—”

“He won’t,” you say, conviction lacing your voice.

The certainty makes Spike’s eyes widen, smile hinting at the edges of his mouth, a glimmer of something raw and unspoken to be read in the planes of his face. Angel’s frown deepens. How can you trust him? What has he ever done to deserve your confidence? Angel earned Buffy’s affection, her faith, and look where it got him: no girl, no love, no happy ever after. It’s as though Spike hasn’t even had to try, the resentment a sword to his chest all over again. He murmurs some vague attempt at goodbye, an invitation to reach out if you need anything, though you and he both know you’ll never do it. You’ll never need it. Spike, he snubs entirely, suddenly exhausted, not wanting to see the victory in the set of his frame. As he sets off, a shade in the moonlight, he expects some final dig to reverberate across the cemetery, some juvenile taunting yell that’s so typical of the other vampire. Instead, nothing. Angel turns, taking one final look at the pair of you, standing together so damn closely.

Cigarette smoke drifts up, curling in revolutions from Spike’s loose grip. “Brave girl,” he tells you, fond.

“Or stupid.” You sigh.

“Never that, pet.” Spike’s palm drops to the small of your back, spanning wide. He cards through your hair, rubbing the strands between his fingers. “Never that.”

Angel swallows, flexes his fists once, again, and walks away.

He doesn’t hear what Spike says next. Doesn’t see the way you press your cheek into his shoulder like you’ve done it a hundred times before. He never sees it coming. That’s what hurts most of all.

The sun is setting, the sky colored in bruised purples and fiery oranges. Anya leans against the half-wall that separates the porch from the side of the Summers house where she slumps, watching as night falls. A storm is brewing. A metaphor, maybe, but it definitely feels like something’s up with the world. It’s like the Earth knows what’s about to happen. What they’re up against. Dawn’s in trouble, and they have to save her from the hellgod who wants to bring death and destruction to this dimension.

Everyone inside is tense: dealing out weapons, talking through battle plans, trading worried looks. Buffy’s on a rampage, taking everything anyone says the wrong way, as an attack on her littlest sister—especially Giles. He only suggested killing Dawn once, and he apologized for it, but Buffy won’t let it go. Willow’s busy trying to distract Tara from walking out the door until it’s time to fix the brain-suck Glory pulled on her, so she can’t stop them from fighting like she would normally. Xander’s the one trying that, and even though Anya loves Xander, he’s not the best at calming people down. So yeah, everyone’s freaked, driven to it by all the waiting, trying to pretend like they aren’t secretly hoping for some miracle.

Anya doesn’t believe in miracles. She’s lived for a thousand years. She believes in what’s real: power, blood, the occasional loophole in cosmic prophecies. She knows the sound of desperation, though, the smell of it, even if she doesn’t have her old senses anymore. But that doesn’t mean she doesn’t understand what she’s seeing now.

Spike’s standing in the front yard under the tree, far enough away that he probably can’t tell she’s out here too, smoking one of his cigarettes with a too-casual stance that only makes the tension on his face more obvious. He’s not alone: you’re with him, arms hugged to yourself like you can keep all your bottled-up worry and fear from exploding out. Anya’s watched the two of you skirting around each other for weeks now. She’s not the only one who’s noticed. Most of the others have. They’re just too determined to pretend they don’t know what it means.

She remembers the argument from earlier, how Buffy and the others tried to order you to stay behind, to leave Dawn’s fate to the rest of them. ‘Too young,’ they said. ‘Too helpless.’ Anya disagrees. She knows better than most that appearances can be deceiving. The fire in your eyes reminded her of a certain vengeance demon who once went toe-to-toe with hell lords and never flinched. She wasn’t all that shocked when you refused them, furious, but it was Spike’s support that threw her a bit. He sneered at them, claiming he’d make sure nothing happens to you. After you stormed outside, he rounded on the Slayer, reminding her how headstrong you were when you thought you were right, asked how she planned to stop you from following after. That exchange was ugly.

Buffy’s eyes narrow, lips pulled into a thin, furious line. “You think you can keep her safe?” she snaps, crossing her arms. “Like you kept Dawn safe?”

Spike’s jaw tightens, muscles twitching. “That was a trick. Can’t fall for the same one twice.”

“Doubt you’ll get the chance,” Buffy says, voice cold as a blade. “If you even think of letting her get hurt—”

“Yeah, yeah. Big, scary threats,” Spike drawls. “But if you think anyone’s gonna keep her from fighting, you’re wrong. Least this way, I’ll be there when the fists and fireballs start flyin’.”

For a moment, Buffy looks like she might argue, but then her shoulders sag, and she nods sharply. “Fine. But if she dies—”

“I’ll be dead first,” Spike interrupts. The promise lands heavy and solid, and Buffy’s glare softens, but only slightly. She turns away, shoulders stiff. He watches her go, tension simmering, then stalks outside.

Anya ducks a bit further down when Spike starts speaking, not wanting to get caught. Something’s telling her she’ll want to hear whatever it is that’s going on.

“I might die tonight,” he drawls, flicking ash to the ground. His voice is rough, a strange sort of fragility lurking underneath. Her brows arch. It doesn’t sound like his usual bravado.

Anya’s eyes flicker over Spike’s tense stance, and she huffs softly. She’s never understood him. A vampire with no bite, a demon mooning after a Slayer and now her sister. Pathetic, she’d say, but he fights for them anyway, chipped or not. Sometimes, she thinks he’s a fool. Other times, she wonders if he’s the only one who really gets it—that love comes with a cost.

You startle, brows knitting together as you frown. “Don’t—don’t say that.”

“Why not? Might be true.” Spike’s smirk is twisted, bitter. “Glory on the rampage, me all chipped ’n useless. But if—”

“Stop it,” you mutter, grabbing his sleeve. “Don’t give me your ‘if I die’ speech.”

He huffs a bitter laugh. “Feels like the end, luv. Night like this—you say your piece or regret it forever.”

He tosses the cigarette, the cherry glowing and then fading in the grass. He doesn’t look at you, jaw tightening. “Bloody hell. Can’t believe I’m doing this. Stupid. Pointless. But when you’re up against a soddin’ hellgod and odds that make death look cozy, what’s the use in leavin’ things unsaid?”

He huffs, scrubbing a hand through his hair, agitation radiating off him. You stay silent, but the concern shows in your face, your posture.

“Suppose I should’ve said something sooner,” he continues, half to himself. “Not like I’m any good at this. Maybe never was. Back when I was… well, different story. Used to be all flowery words and grand gestures. Always had to prove meself.”

He risks a glance at you, eyes flicking away when they meet yours.

“Not much of a man now, am I? But the way you look at me… bugger me if it doesn’t make me feel like I could be.” He forces a chuckle, brittle around the edges. “Maybe it’s my own foolishness talking. Wouldn’t be the first time.” Spike stops, swallowing hard. “But if this is the end, I need you to know that… that every stupid poem I scratched out, back when my heart was still beatin’—they were shadows of what I feel now. For you.”

You take a slow, shuddering breath, eyes wide and lips parted in a soft ‘O’ as you stare up at him. The porch light’s come on, the glow shading warmth into your expression. His fingers reach out and touch, delicate across your cheekbone, down to cup your chin. “You’ve gone and wrapped yourself ’round me. Tight as sin, sweeter than blood. I can’t stop wantin’ more… Reckon I never will.”

You’re voiceless, your mouth opening once, then again, before giving up. Anya smirks to herself. Powerless in the face of blunt truth. You mortals and your weird little problems.

Spike rubs the back of his neck, avoiding your gaze. “Said more than I meant to already. Should shut up before I make an even bigger mess. Send you runnin’. Hell, maybe I deserve it. Always cocked things up when it mattered.”

You inhale sharply, staring at him. “Oh…” You swallow. “Spike…”

His smile widens, but it’s not a happy thing.

“S’alright, pet,” he says, stepping back a foot. Ash is smeared across your cheek. “Not expectin’ anything. Just wanted to say it.” He hesitates, gaze dropping. “Never thought I’d be worth a damn to anyone, not really. But you—hell, you make me feel like I am. Like I’m enough. Like there’s somethin’ good left in me worth savin’.”

He turns to go, but you stop him. “Wait―I―”

The surprise on his face might seem deliberately put there to anyone who doesn't truly get demons. Anya knows it’s real. He really wasn’t expecting a response.

“You are enough. You are. And I―” You huff, biting your lip and averting your eyes. “You weren’t supposed to… be this—this important. To me.”

He looks at you then, eyebrows drawing together. You twist at your fingers, looking as though you’re desperate for something to hold on to.

“You drive me crazy,” you say suddenly, words tumbling. “With the attitude, and the way you think you can just―just―say stuff like that, like it doesn’t mean anything. Except it does. It does, and I—” You stop, breath trembling. “I can’t―I can’t lose you.”

His eyes widen, mouth opening, but you plow on, words spilling over themselves. “I didn’t mean for it to happen, but it did. You make me feel… like I can breathe, even when everything is falling apart. And I know it’s insane, and I shouldn’t, and everyone will hate it, but I—” You take a breath. “But I’m already lost. I don’t want to find my way back.”

Something startlingly human spreads across Spike’s face. He cocks his head as he stares down at you, shy wonder making his features less cutting. It’s as though he’s just a guy and you’re just a girl, and this is just a scene out of an ordinary life.

Suddenly, you laugh, a short, small sound, but it breaks the oppressive atmosphere. “Damn. This is so cliché,” you say, shaking your head ruefully. “It’s like we’re in a movie.”

The mood shifts, and with it Spike’s distinctive brashness returns. His posture adjusts, less bumbling fool and more leonine hunter, tongue curling behind his lip in invitation.

“Yeah?” he asks, sauntering into your space, up close and personal. “Pretty sure the sort you mean ends in a kiss. Rounds out all the talk.”

He’s goading you, trying to recoup and save face, but it’s also an offer veiled by provocative words. Anya sees your uncertainty, the red flush working its way across your skin, and her anticipation begins to fade. Darn. She should’ve expected you to quail under the full force of his charm. She’s realistic enough to recognize that even she wouldn’t be unaffected by him. He’s very pretty for a vampire, and he knows it.

But wait—

After a moment of vacillation, you surge forward, fists grasping the collar of his duster to pull his mouth to yours. Spike’s eyes widen briefly before sliding shut, hand tangling in your hair. She watches your lips mash together awkwardly for a second before Spike takes over, tilting your head just so until you slot together like puzzle pieces, your bodies converging to match. He kisses you like he’s memorizing the shape of your mouth, the taste of you, like it’s the last time he’ll ever kiss anyone—and it might be. It’s intense. Desperate. Romantic.

You let out a squeaking sort of sigh, muffled, a sound answered by the bass growl of the vampire attached to you as his arm spans across your waist, raising you up on tiptoes and into him even further. The flickering globe lighting the front of the house paints shadows across your entwined forms. The corners of Anya’s mouth lift.

You look very nice together. The sex will be great, she’s sure—when you’re ready, of course. And you could do worse than someone like Spike, who definitely has decades of experience in giving pleasure. She’s happy for you. Quality orgasms are necessary.

But there’s an obvious catch. Buffy, Giles, Xander—they’ll hate it. Spike is nothing but a monster to them, a rabid animal on a choke chain. No way they’ll tolerate his increased presence, never mind the very idea of him even touching you. You might get Tara and Dawn on side—and if you have Tara, you’ll most likely get Willow, too—but the possibility is far-fetched. Even if you do, it’s easy enough to sway them. Anya’s seen it in action time and time again. She knows how it’s going to go, when this gets out: they’ll call it disgusting, wrong, the scheming of a soulless demon. She can already hear it.

In her heart, she wishes they were more understanding. Humans make love messy when it doesn’t have to be. Demons love simpler. When they want something, they take it. No wringing hands, no guessing games. But there’s something intoxicating about all the fussing. She understands why some demons get obsessed.

Anya crosses her arms, thinking back to Xander’s proposal—so clear, so certain, like he’d already made the decision a hundred times before asking. It’s a rare, beautiful thing, certainty. Not like the mess playing out on the lawn now. She thinks about the ring, nestled in the little black box Xander offered. She didn’t take it then—no point in promises if they don’t survive the night—but the offer sparked something bright and unexpected in her. Delight, disbelief, a warmth and depth of emotion she didn’t know she was capable of. A reminder that demons, ex or otherwise, can know love as fiercely and deeply as any human.

Watching as the kiss breaks, Spike’s forehead resting against yours, she sighs. When it blows up, and it will, she’ll inevitably be dragged into it. Great, she thinks. More drama.

But, as she sees you embrace under the steadily darkening sky, she can’t help but feel a pang of… something. Envy, maybe, at your audacity. Nostalgia. Or the bitter understanding that love is a gamble, and fools are the only ones brave enough to take it. But it’s a gamble worth fighting, worth losing, maybe even dying for.

Giles stands in the corner of the back room, pretending to clean a counter already spotless. The pretence is for your benefit, perhaps Spike’s too, but not his own. He knows exactly why he’s here. Buffy is dead. And you, her younger sister, are throwing yourself into the very life she died living. He tells himself it’s just concern. That he’s watching to ensure you’re safe. But it’s more than that. With Buffy gone, everything he failed to protect now rests in you. And Spike—compulsive, volatile—is the one you’ve chosen to help carry that weight.

The Magic Box is still and dim, cloaked in that aching quiet that has lingered since her death. The only sounds are the thud of your fists on the heavy bag and Spike’s low, muttered instructions. You’re quick, focused, but Giles can see it in the way your shoulders tighten, the way your mouth presses into a hard line. You’re angry. You’re hurting, and Spike is right in the middle of it.

Once, he stood in this very spot and watched Buffy move.

Not like this.

She was light, fluid, grace sharpened into purpose, a dancer in motion even at her most frustrated. He remembers the flash of her blonde ponytail in the air as she twisted into a spin-kick that sent the padded dummy reeling. How she bounced on the balls of her feet with a smirk and said, “Again?” even when sweat was dripping into her eyes.

He remembers correcting her stance, only for her to adjust slightly wrong on purpose to get a rise out of him. The way she’d laugh when she nailed something new. How she complained, always, but never stopped trying. Now, the echoes of those moments sit in the corners of the room like ghosts. But watching you move—raw, stiff, driven by pain instead of instinct—feels like watching someone drown slowly under the weight of her shadow.

You decided to train properly just days after her death. It’s understandable: each of you have found your own methods of working through your sorrow, Dawn blaring her uncomfortably loud music from within the confines of her room while you find yourself here, or away from the house, out at all hours of the night. The others are wrapped up in their own hurt, the wound too fresh to consider the plight of the Summers girls beyond the most basic of necessities. While Giles cannot make himself comfortable with the notion of you in any sort of battle, at least here he can keep vigil. For her.

You aren’t built like your elder sister: your frame is too slight, too small, and your punches lack the power to truly hurt. You’re about as threatening as a fly, but Spike does not coddle you.

“Potential there, yeah?” he said enigmatically when last Giles asked, smirking. “Something raw ’n fierce. She’s no Slayer, but she can surprise a nasty or two.”

When Spike offered to train you, he framed it as a way to keep you from getting yourself killed on the patrols you’d abruptly become insistent on joining. It is your way of honouring your sister’s sacrifice, Giles thinks, though he wishes you might choose some other means. With the Slayer gone, there were none suited to the task save Spike, and thus the proposition was reluctantly agreed to. The chip in the vampire’s head makes his sparring with you impossible, much to everyone’s relief, but he has turned instruction into drills for evasion, for striking with speed and precision, for using your size to your advantage. You’ll not make for a spectacular fighter, no, but Spike ensures you might hold your own.

“Footwork,” the vampire barks as you stumble back from a missed hit. “You’re dancing like a drunk. Move your feet.”

You scowl, breathing hard. “I am moving.”

“Yeah, like a duck. Gotta be faster, light on your toes.” His gaze flicks over you, lazy but appraising, lips curling. “All that talk about training—wouldn’t want to bruise anything too delicate, would we? Keep your face pretty. Gotta keep the goods intact, yeah?” He leans closer, a teasing lilt in his voice. “Though you might wear a bruise well, pet. Bit of edge suits you.”

You bristle, cheeks flushing and indignation flaring in the pout you level him as you obey, focusing on the way Spike glides predatory, almost elegant. He demonstrates a simple but effective series of moves, unnaturally fast, hands ghosting close but never touching. Giles can see your mounting frustration at your inability to replicate the finesse of the supernatural, limbs shaking with exertion.

You lunge abruptly, no rhyme or reason to it, throwing a punch that flies wide. Spike dodges easily, grinning. “That it? Come on, you can hit harder than a wet noodle.”

“Not like you can punch back,” you mutter, blowing a strand of hair out of your face.

His eyes narrow, playful. “Then make me dodge.”

You strike again, quicker this time, a low jab aimed at his ribs. He twists away, swift as a snake, but instead of stepping back, he moves into your space and catches your wrist in a carefully firm grip. Before you can react, his other arm wraps around your waist, pinning you flush against his body. Giles jumps, box slipping from his hands to the counter with a dull thud. Neither of you appear to notice.

“Close,” Spike is murmuring to you, voice a rough rumble, “but no.” His hand slides a bit lower, fingers splayed against the curve of your hip. His mouth brushes your ear. “Distracted, baby? Can’t blame you. Hard to focus when you’re all tangled up, yeah?”

His hand twitches lower―just enough to provoke, to threaten―before releasing you with an odd little twist to his lips. Giles stiffens, teeth clenching as he looks on, sees Spike’s regard intent and glimmering on you. For a moment, he thinks the vampire wishes to bite you, to drain you dry, but in an instant, the moment is past and you return to starting positions.

It is hard to watch. But watch he must, for it has long been his mandate to guard against the malevolent creatures who hunt and slaughter innocents. Not only that, but in Buffy’s absence―the pang each time the memory resurfaces of her lying there atop the rubble nearly bowls him over―someone ought to keep their eye on this strange development between the pair of you.

“Ready?” Spike’s tone is clipped, stance relaxed. “Again.”

Giles watches as you push harder, your muscles trembling, frustration mounting with every falter. Spike’s needling is mild but targeted, sustained, enough to build up the uncharacteristic anger in you. The vampire never raises a hand against you���he cannot, after all―but he pushes, demands, making you curse your own limits and curse him just the same. He’d perhaps be grateful for the efforts Spike is undertaking if not for the way his gaze lingers a fraction too long, or how carefully he listens when your voice cracks.

He’s tried to intervene. Truly, he has. It seems from the very second you returned to Sunnydale, armed with a superciliousness that can only come from having attended an institute like Thacher for near three years, you have met his every entreaty with a discourse on the intellectual failings of dichotomous thinking. Spike has no soul―one cannot unilaterally quantify a soul’s impact on the quality of personhood. Spike is evil―‘evil’ is subject to time, place, culture, any number of qualifiers that make it impossible to define concretely. Spike can only cause harm―then that is your cross to bear, and your lesson to learn. Interesting, certainly, but gullible. The accusation that Giles is in some way lacking rationality is galling, though he sees your point. However, he’s seen Spike in all his unholy glory, knows what he is capable of. You can question the basis of his suspicion all you like, but it does not change the simple fact that Spike has done things that even the most abominable human beings would shudder to behold, and he has rejoiced in the horror.

Ben, hand clawing at his arm, weakly trying to twist away—No. His thoughts turn back to you.

You protest Giles’s every exhortation, strong-willed, resilient and reckless in such an unassuming manner that it terrifies him. You aren’t a Slayer, but you are a Summers, and let no one tell you what you can and cannot do. You insist that Spike is helping. That you need the distraction, the outlet. That you need someone who sees you for more than the grief and the guilt that plague your waking hours. And perhaps that’s what terrifies him most: that Spike might actually be helping. That darkness, once cut loose from consequence, can learn the shape of meaning, wear it like a mask.

Over the following weeks, Giles observes from a distance, acutely aware of how your dynamic with Spike has changed. The vampire’s instruction has become softer, more invested. Confident, maybe, in the lack of challenge to his conduct. Spike encourages you, listens to you. Something protective lays in the way he steps closer when your voice wavers or when fatigue drags your movement. Giles sees it all.

The contradiction bothers him. Spike has no soul, his every innate impulse leashed by the metal sliver in his skull. And yet, here he is, teaching you, protecting you, caring. The chip keeps Spike in check, but it does nothing to curb emotions. Even a soulless vampire can develop fixations, obsessions that mask themselves as something softer, sweeter. Spike is a being of passion, his fascinations consuming. His almost violent preoccupation with Buffy has transmuted, found a new form in you as he reveals himself a man possessed, but it is the way you look back that worries Giles more. Longing, visceral and bursting. You cling to him like a tether, held together by someone just as lost and just as dangerous. He knows that Spike would chomp at the bit to take you in hand, to save you, possess you; though for what purpose, he knows not. It gnaws at him.

Giles lingers late in the shop now, a Watcher in a ghost town, listening to your sessions with Spike. He tells himself it is concern that keeps him still, ears searching for snippets of conversation―but the more he hears, the more he realises with growing dread that there is something more to your connection. Mouths too close. Bodies too familiar. Words too tender, hidden behind closed doors and from averted eyes. Spike is no longer a distraction. He’s become vital, like breath, like blood. A companion, a confidant. The full scope of it hides below the surface and out of Giles’s sight, save for the ripples of recognition that make themselves evident in gradual increments.

The question eats at him: what happens when Spike’s obsession inevitably turns darker, when fleeting touch and veiled intent no longer serve his desires? Will you recognize the danger before it consumes you? Will you even care? Though it keeps him up at night, Giles cannot bring himself to confront you. Not yet. Grief drives people to foolishness, the need for comfort outweighing common sense. He’s considered confronting Spike directly—pulling him aside, demanding he explain himself, threatening consequences if he oversteps again—but what good would it do? Spike would only smirk, lean back with that insufferable slouch, and twist concern into something vulgar. A taunt, a dare. He would make it a game, because that’s what vampires do. They play at humanity. And Giles is so very tired of playing.

The time for subtlety is drawing to a close. He must make you understand the risk, even if it costs your trust. Watching isn’t enough. Not anymore.

Upon an evening after your training comes to a close and you rest, smarting and sore as Spike prowls away to his shift on patrol, Giles corners you.

“You’re playing a dangerous game,” he begins, the edge in his voice betraying his fear.

You look up at him. He sees it in your face when you grasp his meaning, your nostrils flaring just the once, frustration fleeting. “I know what he is,” you say after a pause, quiet and tired. “But that doesn’t mean he can’t choose to be more.”

Giles sighs. “He’s a vampire. Change isn’t in their nature.”

“Isn’t it?” you challenge softly. “He protects Dawn. He fights the good fight. He ca―He’s… trying. That has to mean something. Maybe he just needs a chance. Maybe everyone does.”

“Naive,” Giles mutters, pinching the bridge of his nose. “Evil doesn’t change. It adapts.”

“Maybe I’m wrong,” you admit, gaze unwavering. “But if people never get a chance to be better, what’s the point? Even you gave Angel a chance. Or was that different?”

Giles looks away, ashamed at how small the truth sounds when you say it like that. He absently pats the pocket of his jacket, fingers brushing the edges of a plane ticket he hasn’t yet decided to use. He doesn’t know if it’s cowardice, or mercy, that’s kept him from boarding it. “He had a soul.”

“And Spike has a choice.”

Silence hangs between you. Giles wonders if you’ll ever understand what he’s seen, what he’s lost. But the fire in your eyes is familiar. Unyielding. He thinks of Buffy, of her tenacity and persistence, and then of you: juvenile, grieving, determined to carry burdens too heavy for your shoulders. With her gone, he is supposed to protect you. But how can he protect you from yourself?

There is no future to be found here. Not with Spike. Not like this. And if Giles does not leave while he still can, he will remain stuck, resigned to watching the inevitable fall.

God help you both.

Dawn’s tears feel cold as they slide down her cheeks. She’s not sure if she’s crying because she’s angry or just tired—but either way, she’s so sick of them.

She doesn’t mean it. Deep down, she knows that. They’re trying. They get her up in the mornings, drive her to school. Pick her up, spend afternoons making stilted conversation. They help you with the bills, with dinner, with making sense of all of Buffy’s ID stuff so that Social Services still thinks she’s in the picture. Dawn sees the self-help books they hide whenever she enters the room, the step-by-step how-tos on helping their child cope with loss. There probably isn’t one on ways to fix a ball of mystical energy after her fake mom and fake sister die. She hates how they avoid it, how they won’t say Buffy’s name. The looks, the half-finished sentences, the careful choice of words. It feels like they’re all pretending. Months have passed, and nothing’s better. Mom’s dead. Buffy’s dead, and no one wants to say it out loud.

Tara’s soft voice echoes in her ears, gentle, soothing, so understanding it made Dawn want to scream. Willow’s hovering didn’t help either. It felt like drowning in marshmallow fluff. She had to get out. She needed air, space, somewhere she wasn’t the Key or a broken kid sister. Somewhere no one would baby her, hover, be in her face all the time.

It’s kinda depressing, but the cemetery has always felt peaceful to her. It’s familiar: the dirt beneath her sneakers, the rot of dying grass, the mildew dirtying the headstones that stick up like crooked teeth out of the ground. It’s bleak, but honest. The air feels cleaner here, cool and bite-y, a reminder that she’s still alive.

“The hardest thing in this world is to live. Be brave. Live… for me.”

Buffy’s last words hit her like a hammer, shocking her with a fresh wave of sadness prickling in the corners of her eyes. She looks up. The stars are out, cold and distant, glinting in the sky so far above her. It’s comforting, in a way. They’re all trapped in their own galaxies billions of light years away, never getting to meet each other. Alone in the dark, just like her.

Her vision blurs. She swallows hard, the lump in her throat thick and heavy. Everyone leaves her. Mom and Buffy, bodies in the ground, Dad and Giles an ocean away. She feels small. Insignificant. But at least here, the quiet feels less accusing, less full of expectations. She drags in a breath, shaky but grounding.

Shivering, she looks around as she nears Spike’s crypt. Everyone thinks she’s pretty weird for hanging out with him sometimes, but he’s the only one who doesn’t try to tell her everything’s going to be okay. He doesn’t try to make her talk. Sometimes, he doesn’t even say hello to her. He just nods at her, lets her sit there in silence until the anger and the hurt melts away. Spike is… Spike. He gets it. She remembers what he was like before: obsessed with Buffy, creepy and desperate, kinda vicious in his insistence that her sister felt something for him. The way Buffy looked at him—like he was disgusting, an ant under her shoe, like he was less than a bug to her—comes back to her. That was always painful to watch. But he learned from it, grew, turned his feelings into something else. He got less threatening and aggressive; pulled back, focused less on her and more on what was important to her, on you and Dawn. Showed Buffy that he could be someone to rely on, someone to help with the Slayer’s kid sisters.

Guilt eats at Dawn. She hasn’t come to see him a while. All the Scoobies have taken up so much of her time by dragging her through the motions, convinced that she’ll move on with her life if they remind her to do her homework and stick a chore chart on the fridge. She’s seen him plenty at home, but it’s always hard to tell how someone’s doing when they’re just visiting.

I guess I’ll find out, she thinks with a slight prickle of nerves.

As she draws closer, she instantly notices something off. She squints, taking in the sight of the stone outside. Is the door… painted? Yup. Still has that slightly funky chemical smell, so it’s gotta be pretty fresh. The stoop is clear for once, none of the crackly dead leaves announcing her presence under her feet, and there’s a broom tucked behind the pot plant. Weird. There’s even a flowerpot sitting next to the column, a splash of bright. The inside is cleaner than she remembers. Swept floors, no cigarette butts, the beer bottles gone. A faded throw is tossed over the back of the armchair Spike took from their house, and the moldy damp smell seems a little less intense.

Huh. Spike isn’t exactly Mr. Domestic. What gives?

It takes her a moment to realize that the trapdoor is open. He doesn’t usually leave it like that, whether he’s out or staying in. She’s heading for the ladder before she’s fully aware of it, careful not to make a sound as she goes down. Her steps are light, careful, not wanting to disturb Spike, or whoever’s in here.

Edging along the wall—not too close, because erghh and ick with the spiderwebs—she’s just before the bend when her ears pick up voices. More than one. Muffled, but clear enough to hear the difference. One is definitely Spike’s—gruff, low, offensively British—but the other one is… softer. Younger. Familiar. Her heart lurches before she can stop it.

What are you doing here?

Her curiosity outweighs her sense, and she peers just around the corner to see you. And Spike. You and Spike, together.

Her eyes widen. Spike lays in bed—a real one, not a ratty cot or a stone slab—bare-chested and propped up by kitschy pillows that match the new rugs on the floor. You’re spread out atop him, equally free of clothes, your chest pressed to his so that all she can really see is the span of your back and the way Spike’s fingers trace lazy circles across your skin. Your cheek rests in the crook of his neck, your hair messy. The rumpled sheets barely cover some seriously X-rated stuff, though Dawn can tell that your legs are tangled together, and that his other hand is on your thigh beneath the coverings. It’s obvious what you’ve been doing. The scent of it clings to the air: sweat, skin, warm and strong. Heat climbs her cheeks, but she can’t look away.

She knows this is a scene she was never meant to see. Something private. It makes a strange, painful knot form in her stomach, but at least she’s finally figured out where you’ve been going now that you’re not at home as much. You’re here. With Spike.

Privacy, boundaries, respect, blah blah blah, she thinks, intending to back away until you speak again, finally near enough that she can hear you.

“… and I—I can’t fall apart,” you say, voice thick with sadness. She finally takes in your expression: crumpled, eyes rimmed red. The kind of face you make when you’ve cried too much and can’t anymore. “Buffy’s… she’s gone. Mom’s gone. And I―”

Spike hushes you, gaze locked on you in a way that makes Dawn���s heart skip a beat.

Your breath hitches. “I’m supposed to hold it together. For Dawnie. I’m the oldest now. And everyone expects me to―” You stop, hesitant.

“You can say it, sweetheart. Go on,” Spike encourages softly. “Let it out.”

You choke on a sob. When you begin again, your voice is small. “I… I’m her sister. Buffy’s. Her real one. The one with real memories and real love, and I have to… I have to bury it all. Because if I don’t, who steps up? Buffy’s the Slayer, but I’m the strong one, and I can’t―”

Your words break, face turning into his throat as a noise unlike anything Dawn’s ever heard escapes you. She almost throws up. Wants to storm in, yelling, asking you if that’s what you really think of her, if you see her as just some thing instead of a person. It hurts something fragile and breakable in the very darkest parts of her to hear you say what no one else will: that she’s a fraud, a phony that doesn’t belong. Not real. Alone. If that’s how you feel, then why do you even bother?

But then, Spike’s arms tighten around you, holding you even closer, and she pauses.

“Not wrong for what you feel,” he murmurs. “Bloody awful mess. Not fair. And you’ve been carrying too much of it alone.”

Your fingers curl against his chest. “I hate feeling this way. I hate that I even thought it. Dawnie… I love her.”

Spike presses a kiss to your hair. “You’re allowed. Doesn’t make you a bad sister. Makes you human.”

“I… I miss her,” you say, unsteady and so, so young. “I miss Buffy. I miss… I want my mom. I want them back. How do―how can―how am I supposed to do this?”

“I know, baby.” His hand slides up to cup the back of your head. You grip him like a lifeline. “It’s rotten, the hand you’ve been dealt. But you’ll get along. You’re brave. And you’re not alone. Never alone.”

Dawn presses a hand over her mouth, backing away slowly. The quiet, broken sound of your crying follows her as she slips out, heart pounding. She makes it halfway home before her legs wobble, forcing her to sit on a crumbling stone wall.

The way he held you… Like you were something precious to him. She swallows back the lump in her throat. You and Spike. You and Spike, together. It’s weird, and part of her wants to be grossed out, but the look on his face sticks in her mind. He’s never looked at anyone like that before. Not Drusilla, not Harmony, not Buffy, not Dawn. No one. No one but you.

She gets it now. Why Spike’s around so much. Why she seems to always find him with you at the Magic Box, at the house, in the cemetery, the Bronze. She wonders when it all started. What she’s seen tonight isn’t random. It didn’t look like two people just trying to cope. It looked like… it reminds her of Buffy, how she was with Angel.

Dawn sighs. Sure, it stings, but she gets it. Her rage has left her, replaced by something stinging and bittersweet. She can’t unhear the pain in your voice, can’t unsee the way Spike held you like you matter, maybe more than anyone else in the world. She knows she should tell someone what she saw—maybe Willow or Tara—but the idea makes her stomach churn. It would hurt you, betray you. And Spike, he would never forgive her.

She rubs the salt from her eyes with the heel of her hand, then grips the edge of the wall like it might steady her. The choice settles into her chest, warm and a little heavy. She’ll keep your secret. For now.

The house feels thinner tonight, hollowed out. Smaller. Quieter than she’s used to.

Buffy’s away, dragged by Willow and Xander to the Bronze in the hopes that bass and bodies might shake loose the shadows she’s been carrying since her resurrection. Dawn’s at Janice’s, sleeping over, probably halfway through a horror movie and a bag of microwave popcorn, equipped with gossip and a parent who can pretend not to notice how late they stay up. And you—you’re usually the one who stays behind, always so gentle with Buffy lately, so patient with Dawn. Steady, in your own quiet, hurting way. Tara assumes you’ve gone to sleep already, or out again, whereabouts unknown.

For once, she can breathe. No awkward silences. No Buffy’s thousand-yard stare across the table. No tiptoeing around the tension that still clings to the walls like smoke. She’s been floating for weeks, a warm presence pressed into the background, not quite seen, not quite necessary. The only time anyone touches her anymore is when she initiates it. She can’t remember the last time someone held her like they needed to.

She moves softly through the hallway now, mug of tea in one hand, the intention simple: grab the spare quilt from the room you share with your little sister and curl up on the couch with a book. But then she hears it. A sound, soft and aching. A moan, breathy and real, the kind of sound that doesn’t come from pain.

Tara pauses outside your bedroom door, which hangs slightly ajar. She should walk away. She knows she should. But something makes her glance through the gap. She tells herself it’s concern, not curiosity, that the sound you made could’ve been from pain. Just checking. One breath. One heartbeat. Just long enough to see something that will never leave her.

She freezes.

You’re on the bed, bare from the waist down, hips tilted to the edge of the mattress and thighs parted in surrender. Spike is on his knees on the floor, shirtless, pants riding low and sagging, undone, skin pale as milk in the moonlight. His shoulders ripple with restrained tension, arms banded tight around your thighs as he buries his face between them like a man starved. The lamplight from the corner casts long shadows across his back, glinting along the ridges of his spine, the curve of his neck. One of your legs is slung high over his shoulder, trembling. The other braces against the mattress, and you're huffing, squirming.

Your head tosses back on the pillow, lips parting on a soft, drawn-out moan. He’s working you over with slow, luxuriating confidence, worshipping, hungering. His tongue traces slick, purposeful circles, every movement intentional. Tara hears him, hears the filthy little noises he makes when you twitch and jolt beneath him, the wet suck of his lips when he draws your clit between them, savoring you like sin.

“Spike,” you breathe, and he groans like it’s the only word that matters.

Her breath catches.

Spike pulls back only to spear into the furl of your entrance, pressing his nose in hard and inhaling. Your body judders helplessly, your fingers digging into the bedspread, into the air, into nothing at all. The muscles in your stomach flex, then tremble. You whimper, low and wrecked, and he makes a sound in return: primal, appreciative, entirely unashamed. It’s obscene. And yet, there’s a softness to it.

Tara’s seen Spike grin through blood and violence, heard him mock the pain of others. But this—this isn’t that. She remembers the tower: his hands slick with blood, the way he stood, shaking and hollering your name as a stray hit sent you reeling to the ground, afraid. Broken. She hadn’t known then what it meant. She might now.

His hands aren’t being cruel. His mouth isn’t taking. It’s giving. Something in him is folded open, gentle. Wanting. He moves, draws his tongue over your clit with careful precision, then slips lower again, teasing your opening before easing back in, slow and sure. One hand trails up to splay wide across your belly, grounding you. He growls, eyes half-lidded like it’s better than blood.

“Such a sweet li’l cunt. Heaven,” he murmurs, voice gravel-soft and decadent, velvet dragged over grit. “Could die here, buried in you. Wouldn’t even mind.”

Tara flinches, face flaming. But you—you make a shuddering sound of agreement, helpless and high-pitched. Your hand fists in his hair, pulling without thought, and Spike laughs, low and delighted. Not mocking; giddy, like a man dizzy with luck.

“Greedy thing, aren’t you?” he chuckles, nosing along your thigh before dipping back in, tongue wicked and unrelenting. “Already twitchin’, beggin’ for more. Look at you. Bloody gorgeous when you come undone.”

Your hips cant forward, chasing his mouth.

“C’mon then,” he urges, licking slow and deep, practically cooing. “Lemme feel you break.”

Tara swallows, heart thudding. The room smells like skin and salt and something sweet, air balmy and thick enough to taste. She presses the mug to her mouth like an anchor. Doesn’t drink. Just holds it, fingers damp with warmth. Everything else goes quiet.

She should look away. But the way you move—hips lifting, breath catching—draws her in. You whisper his name like a plea, and he doubles down, suckling hard enough to make you arch off the mattress. Crying out, you twist the sheet in one hand and reach for him with the other. He catches your wrist and kisses your palm, never pausing.

Then—

“Oh god,” you sob. “Please, please, I—”

“Shh,” Spike soothes, voice ragged against you. “Give it to me. Let go, baby, I’ve got you.”

And you do.

You crest with a gasping, hitched cry, back arched and mouth open. Spike moans against you like he’s the one unraveling as you tremble, thighs clamped around his ears. Your chest heaves. Your lips part. For a moment, you look unmade: tears streak your cheeks, sweat glistens on your skin, and your breath comes in gulps, shallow.

He doesn’t pull away, his caresses softening, slow and adoring. It reminds Tara of how Willow once touched her wrist in a crowded room. She envies it, the ache turned to tenderness. To be truly seen, desired. She mourns how rare that feeling has become. There’s awe in it, and something worse. Need, maybe, or love. Ever since Buffy came back, the world’s been tilted slightly sideways—sunlight too yellow, silence too thick. But this? This feels real, loud, alive.

Spike presses his mouth to your thigh as you come down, uttering affection too low to catch. He licks up the mess he’s made of you, gentle now, like you’re sacred.

“Too much,” you whisper, blinking. “Can’t…”

He eases back, wiping his chin, then nestles into the cradle of your hips. His fingers trace the wet between your legs—not to arouse, but to relish in, the tip of his nose gliding along your belly, devoted. He lingers, lips brushing the slope of your mound like prayer.

Tara starts to move. She should leave. Any longer, and it won’t be an accident. If you see her, it becomes something else. A breeze shivers through the hallway and she stills, heart pounding, suddenly certain that if Spike turns his head, he’ll know; that if you catch her, it will live between you like a ghost. She tells herself it’s only curiosity, that it’ll vanish from her memory come morning. But she knows it won’t.

She stays. Listens.

“I didn’t mean to cry,” you mumble, throwing an arm over your eyes.

“I like it when you do.” He kisses your hip and climbs up over you, licking his lips. It doesn’t sound cruel. “Means you feel me. Means ’m not just makin’ this up in the dark, yeah?” He pulls you into the crook of his arm, palm cradling your cheek, thumb gentle beneath your eye. You sniffle. His mouth skims along your temple. “There she is. My brave girl.”

The way you melt into him, it’s not only comfort. It’s trust. Tara knows love doesn’t always look gentle. He coils around you like you might vanish, nose grazing your temple, hand stroking your back. You toss your leg over his, and he slides his fingers to touch where you’re still slick, to which you wriggle but say nothing.

“Still with me, kitten?” he asks.

You nod. “You didn’t have to be so—”

“Didn’t have to. Wanted to.” He nuzzles your hair. “Wanted to make you feel good. You always make me feel like I’m still… real.”

You bury your face in his chest. He exhales.

Tara never thought vampires spoke in anything but hunger—but Spike does. He calls you gorgeous. Brave. And the way you twine around each other… it’s not lust. It’s sanctuary.

“Love you,” he whispers. It sounds like confession, like surrender. “So much it hurts. So much I’d burn for it.”

Your fingers curl against his skin. “I know. I love you, too.”

That’s when Tara steps back. She closes the door gently, careful not to make a sound, her hand lingering too long on the knob before letting go.

She should feel horrified. She doesn’t. What she saw wasn’t twisted, wasn’t wrong. It was private, fierce, soft in a way Spike isn’t with anyone else. If Buffy knew, it would break something. If Xander knew, he’d burn it down. But Tara understands the truth of it—the strange, aching, imperfect truth. She saw you: the girl clinging to something fragile and fierce, and the monster who looked like he was terrified to let you go.

That truth belongs to you and Spike. Not the rest of the world. She walks away, silent and thoughtful, and decides she didn’t see anything at all.

Buffy will come home tonight with mascara smudged and shoulders slumped. She’ll shuffle through the door like a ghost who got lost on the way back to her grave, and Tara will hand her tea and ask about the music. Neither of them will mention how long it’s been since anyone laughed.

The house still feels hollow, but not lifeless. Something still beats beneath its ribs, reckless and messy and lit with want. Tara doesn’t know if it’s hope, but it’s something. She doesn’t know what it is she envies more: the hunger, or the way it’s fed.

He wants to tear his eyes out, rip his eardrums from his skull and swallow them all. Anything to escape the full-on assault in front of him.

Well. Not an assault. It’s pretty quiet, all things considered. But still. There’s a special kind of hell in watching whatever the crap this is. Your face is pretty much all Xander can really see of what’s going on―brows furrowed, mouth open, eyes hooded―but the uh. Bouncing. Yeah. That’s painting a pretty graphic picture. And the sounds. Wet, gross, thrusting sounds.

Your hands are clasped against the back of Evil Dead’s neck, fingers twisting and twisting away in the ungelled hairs at his nape as you make those haunting little wounded noises with each―oh god, yuck―drive of his hips against you, pushing you further into the wall of the dusty old crypt you’re hoisted up against. Xander’s eyes flicker down before he can stop himself―bare calves jolting with the rhythm, skirt hiked high—and snaps them back up just in time to see Spike’s mouth dragging along your throat. Hands flex on your hips, steering you squirming into each harsh roll of his body. Thank the Powers That Be that he’s still fully clothed.

Well―

Nope. Not thinking about what’s unclothed right now.

"Spike…” you gasp, high and pitchy, but whatever you were going to say is swallowed by a vicious kiss, Spike’s bleach-blond head blocking your face from view as he devours you. The sight jolts Xander’s heart sideways, but he can’t—can’t—look away.

You used to call him Xan the Man. Used to ask for rides home from school and come to him for help with the printer. Now you’re wrapped around a monster like he’s the only thing keeping you upright.

“The thing he’s doing with his tongue,” Anya whispers, wide-eyed. “She’s probably having multiple orga―”

He waves a harried hand at her, the universal motion for shut the hell up, Ahn, partly because he so does not want to hear the end of that line of thought and partly because he doesn’t want Spike to know they’re here. Also, to be honest, because he’s still kinda trying to process what he’s seeing. It’s like watching a train wreck: he can’t look away. Are you under a spell?

“Shh, shh,” he can hear Spike murmur then, voice low and coaxing, his nose dipping to glide along the arch of your throat as he hitches your legs higher. “Gotta stay quiet, yeah? Don’t want any beasties coming ’round.”

You yelp, and Xander flinches. The bleached wonder makes his own series of sounds, then, deep and growly, and his lips curve in a wicked smile against your ear. Fingers curl tighter against your hips in a way that should be making that chip of his fire off, make him scream in agony, stumble off and away. But nope, of course Xander’s not that lucky. You writhe closer, gasping.

His pulse pounds. A hundred bad scenarios run wild through his head—Buffy’s face twisting in rage, Dawn crying, you lying cold and broken after Spike gets bored. He feels sick.

“You want that, then, baby?” Spike croons, lips skimming your jaw, your cheek, the corner of your mouth. “Want ’em to see you hanging off the Big Bad’s cock, slack-jawed ’n titties bouncing? Mm, give ’em the treat of their lives. Show off my girl and her tight li’l quim.”

“Oh my god,” Anya mutters. Her expression is fascinated and maybe a little aroused, but she doesn’t seem surprised, which is one to file away for later.

Xander’s stomach revolts. He’s heard Spike talk like this before—sick, lecherous, all swagger and filth—but hearing it directed at you is… it’s wrong. You’re too young, too trusting, too damn human. You’re Buffy’s sister. Dawn’s sister. Hell, you’re practically his kid sister, still fourteen in his mind, still asking him to reach the cereal from the top shelf. And Spike? He’s leering at you like a prize to ruin. But you don’t look ruined. You look… hungry. Yearning, with the bright flush spreading across your face and your arms winding tighter around his neck, ankles locking round his back like a limpet.

You’re shaking your head, but your lower body is curving off the stone to grind back down on him, keening out, “No, no―”

Spike grins, tongue flicking against your earlobe as his hips roll deeper. Xander wants to snap something—an insult, a threat—but he can’t risk it. “Course not. You’re a good girl, aren’t you? Selfish, I am. Plucked you for my own and I’m keepin’ you, all mine. My good girl.”

‘A good girl.’ The phrase slithers down Xander’s spine like ice water. The edge in Spike’s voice freaks him out. Maybe… maybe we should’ve been more wigged out when he started spending time with her instead of sniffing around Buffy.

His gut clenches hard as you cry out, clearly in pain as the vamp staccatos his thrusts like he’s stabbing you through to your core. The chip still doesn’t go off and you’re writhing closer, not away, completely unbothered by the slamming of the hand by your shoulder and the rock that crumbles under superstrong fingers digging into the wall.

Xander keeps hoping the chip’s gone dead.

Because that’s easier than admitting you’re not fighting back.

God, do you even want Spike to stop?

Xander’s stuck, warring with his desire to burst through the thicket concealing him and Ahn and stake Spike for what he’s doing to you, but he can’t figure out if the chip’s malfunctioning or not.

“You gonna cum, kitten?” Spike’s asking, teeth fixated on the skin where your neck and shoulder meet, nipping and sucking like he’s getting ready for a feast. You’re clinging to his hair, crunching the gel all out of it, knees scrabbling but unable to find purchase against the leather coat until he hooks his arms under them. He folds you near in half so you let out a squeal, feet kicking. “Yeah? Feel you gettin’ hot for it, squeezin’ down all desperate … Come on, gimme it, get me all drippin’ with it, yeah―”

You seize up like you’ve been tazed, electrocuted, a sobbing whimper bursting out as he works you up and through it, pace frantic―

“Yeah, baby,” he’s moaning, “came like a dream―know it’s hurtin’, jus’ gotta let me finish, lemme―”

―and you wilt, limbs loosening to jelly so much so that Spike’s all but shoving you through the crypt wall. Your voice is fervent and cracking as you say, “Please, Spike, please—want it inside, want you in me—please, please—”

You whine high and clear while Spike pounds at you, animalistic, though you clutch yourself to him tight as he grunts and blusters his way to his end. Making little encouraging cries, you arch back obligingly as his chin dips and―hoo boy, that’s definitely more of you than Xander ever planned to see, thanks, never mind the tongue and teeth all over you. The movements slow and slow until there’s nothing more than a lazy shuddering roll of Spike’s lower body against yours. You tilt your head back, eyes closed and sighing.

“Wow,” Anya breathes. Yeah, wow’s right.

Xander feels like he’s been gutted. He’s seen plenty of things on patrol, but this… this is something else. Something private and raw and so, so wrong. No, not just wrong. It’s unwatchable. Buffy’s sister, tangled in Spike’s claws, and he can’t do a damn thing about it. The helplessness burns.

Spike kisses you again, touches you like he’s starved for it, his body cradling yours with sickening tenderness.

“Come back with me, sweetheart?” he asks you softly.

Huh, still with the nickname-y thing. Xander’s mind twists back to Drusilla, how she used to cling, how Spike would all but melt into her, feral and indulgent. The comparison knots something ugly inside him.

“Got you all messy,” Spike’s still saying. One of his hands disappears, and you make a noise Xander can’t really place until he sees the vamp stick his fingers in his mouth, lewdly suck them with a pop. “Can’t go off leakin’ all the way home.”

“If I had my panties back,” you say, laughing, “maybe that wouldn’t be a problem.”

Zipper sounds, and Spike lowers you with more care than Xander’s ever seen him use, fiddling with the skirt of your dress. Your knees are pressed tight together.

“Were you wearin’ any?” he asks with false innocence, tucking strands of hair behind your ear and following the plane of your shoulder, your arm, winding his fingers with yours. “Can’t remember.”

You laugh again. You keep doing that. “Spike.”

He tugs you from the wall, arms holding you like a vice against him. The expression on Spike’s face as he looks at you… Awareness feels like nausea.

This isn’t just screwing around, is it?

Of course. The way Dawn hovers. Tara’s looks. Giles leaving—not after Buffy died, but after something else. They all knew. They just didn’t say it. How long has this been happening while everyone’s looked away?

“Feel better when you’re with me,” he says, voice low. His forehead presses down against yours and you sway together, idle, caught in a spell. “Watchin’ you sleep, heart beatin’… Get to hold you, too. S’nice. How ‘bout it, hm?”

Too soft, too soft.

Your eyes are wide, adoring. “I’ll call home. Tell them I’m out for the night.”

Suddenly, Xander’s thinking back to all those times Buffy or Dawnie or Willow or Tara have mentioned you staying over with a friend, going out late and coming back the next afternoon, or the afternoon after that. How many of those times have you actually just been with Spike?

You shriek, nearly cackling as the vamp hoists you up into a carry, spinning in an arc so your hair flies gleaming behind you. “Oh my god, Spike!”

“Yeah, baby, say my name.” He stalks off into the night with you, no doubt to make good on taking you back to his crypt.

Xander stands there.

He wishes he never agreed to go patrolling tonight; wishes he decided to turn right instead of left; wishes he didn’t hear those noises and decide to stop, to creep up and scope out the source beyond the cover of bushes. Wishes he didn’t have to know that you and Spike are together, and that―worst of all―this isn’t just some fling. You’re in deep. Maybe he is, too.

He lets out a slow, deep breath, searching for his inner calm. “That was… disturbing as hell.”

“Why?” Anya tilts her head, frowning. “Because they’re in love?”

“Wha―No! No, that’s not the issue!” He rubs his face, trying to ignore the heart palpitations at Ahn’s use of the word love.

Her eyes narrow slightly, brow set in an even deeper furrow. “I don’t know why you’re so upset.”

“I don’t—” He stops. Don’t lash out. Inner calm. He sighs. Starts again. “This is bad. This is very, very bad.”

Anya nods, clearly not understanding. The great thing about her is that she doesn’t push when she doesn’t get it. “Okay. Should we―should we just go home for now? Maybe you’ll feel better about it there.”

If Buffy finds out and doesn’t stop it—if she looks at this and says it’s fine—then maybe the world’s already broken beyond repair.

Xander shakes his head, already pulling out his phone, scrolling to ‘B’. “Not yet. I gotta make a call.”

He doesn’t even know what he’s gonna say. Just that someone has to know. Someone stronger. Someone who can stop it before it’s too late.

Willow steps through the front door like she’s bracing for a spell to blow back in her face.

The house feels wrong the second she enters. Too still, like the quiet after a slammed door. The air’s brittle with tension, the kind of tension that’s made her call in sick to work and grab the first bus back across town. It’s been a while since this atmosphere settled, long enough for her to head back out, get her copy of Witchcraft from where she’d left it behind the counter at the Magic Box. It was Buffy’s request. She thinks Spike’s put some kind of love spell on you. No one has the heart to tell her that you’re not acting like you’ve been under a spell.

Tara’s waiting in the entryway, pale and subdued.

“She knows they know,” she murmurs, voice soft but heavy. “I called her.”

Willow nods, avoiding her gaze. It’s painful, seeing her so soon after she moved out. “Thanks.”

Dawn’s been sent up to her room. The conversation that’s coming isn’t one for her ears, though Willow assumes she’ll probably just hide herself in the hall upstairs so she can listen in. For once, though, she didn’t put up a fight against her oldest sister’s demand. There was something sad in the set of her mouth, like she knew what was about to happen.

In the living room, it’s a standoff. Buffy’s pacing like a caged animal, arms crossed so tightly they could splinter bone. Xander’s by the fireplace, jaw set and eyes sharp, practically vibrating with righteous fury, while Anya is perched on the arm of the couch, watching everything like she’s about to start taking bets. That leaves her and Tara, awkwardly dancing around each other. Willow doesn’t know what to think. She doesn’t have long to figure it out.

The front door opens again. You come in first, proud and tense, daring anyone to speak. You’re holding Spike’s hand, clutching it with knuckles white. He remains a half-step behind you, his usual leather and arrogance somewhat marred by the tired, guarded expression on his face, like he’s expecting a stake through the ribs at any second but will gladly take it if it means standing with you. You pause in the entry to the living room, hovering, indecisive.

Willow’s stomach flips. She doesn’t mean to stare, but she can’t help it. The way your fingers are laced with his, as though it’s the most natural thing in the world—as though you’re not standing in a room full of people who once would’ve bled to keep you safe from evil like him. It’s shocking.

Buffy’s the first to speak. Of course she is.

“Really?” she spits, voice like a lash. “You thought this was a good idea? Bringing him he―”

“We didn’t come for your permission, or your blessing,” you say flatly, raising your chin. A blaze burns in your eyes, threatening. “We came because I’m tired of hiding.”

Spike raises his eyebrows slightly, clearly amused despite everything. Willow wants to scream.

“Oh, don’t worry,” Xander cuts in, face red. “No one thought you did. But maybe you should have. Or, I don’t know, used the part of your brain that goes ‘hey, maybe I shouldn’t be having freaky sex with the guy who’s tried to kill everyone in this room?’”

Buffy whirls around to glare at him, but you beat her to it.

“Shut up, Xander,” you snap, the hostility so unlike you. Perhaps you’ve finally been pushed to the edge. Or maybe―just maybe―you’ve found something, someone worth the fight. “You don’t know a damn thing about us.”

“Please,” Xander scoffs. “What, you think that because he’s not killing people anymore, it makes this okay? He’s a monster! He’s—”

“He’s not!” you snap, stepping forward unconsciously. “He’s more human than half the people in this room.”

Willow finally speaks. “He’s a vampire with no soul. Do you even hear yourself?”

You look at her like she’s failed a test you thought she’d pass. “Yeah. I do. Better than you do, apparently.”

She flinches. That stings.

“You think this is some epic romance?” Xander scoffs. “This is Spike. He doesn’t love; he obsesses. You’re just the next thing he’s latched onto.”

Shaking your head, you say, “You’re wrong. He cares about me.”

Buffy’s in Spike’s face before Willow can blink. “Stay away from her. Stay away from my family. You touch her again and I swear to god—”

“Buffy.” Willow tries, she really does. But her voice is small, hesitant. She doesn’t know how to fix this. She doesn’t even know what this is.

Anya chimes in, voice low but unflinching. “This isn’t helping. Yelling at her like this. It’s not going to make her stop loving him.”

Everyone freezes for a moment, surprised. Anya shrugs, then folds her hands primly in her lap. “If yelling could fix love, none of us would’ve ever made a single relationship mistake. But here we are.”

The bite in the room is momentarily thrown off.

You’re shaking now, but not from fear. “I’m not some toy you can shove in a box when it makes you uncomfortable! I’m not yours to protect, or judge, or decide for. I’m the only one who gets to decide who I love.”

“Oh, god,” Buffy mutters, eyes wide with something between horror and heartbreak. “You really think this is love?”

“I know it is.”

Buffy’s breathing is sharp now, unsteady. She’s staring at you like she’s seeing someone else, someone she can’t recognize. Her voice, when it comes, is cracked at the edges. “Giles knew, didn’t he?”

The words land with more weight than Willow expects. There’s no venom in them, only something raw and wounded, almost betrayed.

You flinch, barely. “What?”

“That’s why he left,” Buffy says, eyes narrowing. “He couldn’t watch it. Couldn’t watch you… this.” She gestures to you and Spike like the very sight of you burns.

Willow stiffens, heart sinking. She knows Giles’s departure had nothing to do with you—at least, not directly. But Buffy’s not really asking for answers. She’s lashing out because it’s easier than facing the loneliness that’s been creeping closer every day since he left. Willow can see it in the clench of her jaw, in the brittle shine of her eyes. Buffy’s not stupid. Deep down, she knows the distance between her and Giles is her own doing. But tonight, she needs someone to blame, and it’s fallen on you.

“Don’t put that on her,” Spike says, low and warning.

“Don’t speak,” Buffy snaps, flicking her gaze to him. “You don’t get to talk. You’re the reason she’s like this.”

“I’m not some project he corrupted,” you fire back, shaking now. “I chose him. I wanted him. And he—”

“Stop,” Buffy barks, stepping forward. “Stop talking like… like it means something! Like this is anything but sick.”

The heat radiating off you is palpable. “You don’t get to judge me just because I love someone you couldn’t handle! You want someone to hate? Fine. Hate me. But don’t pretend this is about Spike!”

“Like hell it’s not,” Buffy growls. “You’re dragging him into this house again like he belongs here. Like you do, while you’re—you’re letting him crawl inside you like some… some thing.”

Willow doesn’t even have time to intervene before you go cold, your voice like ice. “Don’t you dare.”

“Oh, I dare,” Buffy spits. “Because someone has to! Someone has to tell you how disgusting this is—”

“No,” you snap, sharp and clear. “You don’t care about what’s right. You want someone to blame. Someone to scream at, to shove out, so you don’t have to feel the way you feel. Because you’re still mad the world kept turning without you in it.” You gulp, unsteady, readying for the killing blow. “Because my vampire gives me what yours never could. Guess a soul doesn’t count for much after all, does it?”

Buffy raises her hand. Time slows.

The slap cracks across your cheek, the sound sharp and awful. For half a second, everything stills—and then Spike moves, shoving past Willow, fist meeting Buffy’s jaw with a brutal crunch. It sends her stumbling back against the wall.

“Don’t you touch her!” he growls, yellow eyes scorching as his human mask slips, revealing the demon below.

She’s already pulling a stake from her waistband. Tara moves at last.

“Buffy, no!” she gasps, her voice trembling as she reaches out instinctively, but she doesn’t make it far. She halts behind Willow, one hand outstretched like she’s forgotten what she meant to do with it. Her voice cracks. “Don’t do this. This won’t help. None of this will.”

It’s not loud. It’s not enough. But Willow hears it like a bell: clear, desperate, and already too late.

“Buffy, stop—” Willow adds, stepping forward, but you’re already in between them.

“If you kill him,” you warn, “you lose me too.”

Buffy’s hand is frozen mid-air, stake shaking. Like a puppet with its strings cut, her arm falls, stake clattering to the ground. “I can’t even look at you.”

“Then don’t.” You inhale, but it doesn’t steady anything. A strange look passes over your face, your shoulders squaring in some unknown resolution. “Isn’t that what Mom said to you? When you wouldn’t stop being the Slayer long enough to be her daughter?”

Buffy’s face crumples, just for a second. A tear falls. Then she whispers, devastating in its quiet: “Get out.”

No one breathes.

She walks away, slips through the back to the kitchen, and Willow hears the kitchen door slamming shut, the silence that follows unnatural.

You turn to the door.

“Come on,” Xander says, stepping a foot toward you. His hands are raised, his voice placating, like he’s speaking to a little kid. “Don’t… she didn’t mean it. She’s just angry. It doesn’t have to be a―a thing. Cut him loose. That’s all it takes. Let him go, and things can go back to the way they were.”

“That’s all it takes?” you repeat, quiet but deadly. “Toss him aside so Buffy feels better? Like he’s garbage I dragged in and forgot to take out?”

Xander shrugs, defensive. “I’m saying it’ll fix things. Make it right again. So we can… we can all move past this.”

Your eyes lock on him. “So you can all breathe easier. Buffy stops feeling grossed out, you stop feeling threatened. As long as I pay for it—right?”

Willow tries to interject, voice uncertain. “That’s not what he meant—”

You cut her off, sharp.

“It’s exactly what he meant.” You look back to Xander. “You, of all people, Xander. You’ve loved people you weren’t supposed to. What makes me different?”

Xander’s face tightens. Willow has no words.

“I love him,” you say. “He loves me. And there’s nothing any of you can say or do to make me give him up.” It rings with finality, lines drawn once and for all.

A hush descends for a beat. Spike’s voice sounds out, hesitant, uttering your name.

“No,” you tell him firmly, shaking your head. “Don’t even think it.” Your tone gentles, wavers, lower lip trembling. “Let’s… let’s just go, okay? Please?”

He wavers for a moment, searching for something in your expression. Willow sees the subtle slackening of his rigid frame, certainty propelling the nod he directs at you. “Yeah, kitten.”

A wan smile crosses your face. Without so much as glancing back, you let him open the door, hand on the small of your back as you both leave.

Willow casts around the room beseechingly. Xander’s all but shut down, staring at the space you just occupied with an inscrutable look. Anya’s folded in on herself, chin pressed to bent knees and avoiding meeting anyone else’s gaze. Tara clutches the banister, face deathly pale and eyes bright, distraught. A sliver of brown hair at the top of the stairs. Dawn. No one’s moving.

It’s up to her, then.

“Spike,” she calls out, rushing out onto the porch. One final attempt at ending this insanity. “Don’t―don’t let this happen. Don’t… there’s no going back. From this. If she goes now…”

You won’t even look at her. It’s like she’s ceased to exist. Staring up at Spike, you let him lay a hand on your cheek, let him nudge at your temple with the jut of his nose. Your arm’s tucked under his duster, held fast to his waist.

“Wait for me, sweetheart,” he says to you. “I’ll deal with Red for a mo’.”

He pushes you gently in the direction of the tree and you go, sinking to the ground with your back against the trunk. You stare out at the street, something horribly lost and afraid in the shape of your body curled up in a ball. Spike makes his way back up the steps, murder in his eyes. He does nothing―just halts. Stares expectantly.

Willow wavers. “Why are you doing this? Haven’t you hurt us enough?”

Spike barks out a sharp, disbelieving laugh.

“You know, I held back in there. Let my girl handle it.” He snorts, though there’s nothing funny about this. “Bunch of self-absorbed wankers, you are. S’not about you lot.”

“Then what?” She frowns. She wants to understand. “What is it about? Why?”

Just like that, the fight goes out of him. He sighs, sounding every inch a creature that’s spent the last hundred years scrapping for everything he had, everything he needed. It’s strange, coming from him. Resigned. Weary. Sad.

“Got used to takers, didn’t I?” he says at long last, soft and reminiscent. He’s gazing at you. “Dru. Buffy. Needed me, never wanted me. Never saw me.” His voice is low, guttural. “She… she sees me. She gives. It’s simple, with her. No proving myself. No trying to be something I’m not.”

His eyes flicker to Willow, not accusing. Honest.

“Thought I knew love, before her. I didn’t. Not really.” He taps his chest, softly. “She’s in here. Part of me. I’m not giving her up. Can’t.”

She’s speechless. Her throat is tight, her pulse thrumming with guilt and something else she can’t name. She’s seen people walk away before. But this feels different. Final.

He doesn’t add anything else. Just sighs again, presses his lips together like he’s steeling himself, and slinks back down the walkway that leads away from the house. You reach up to him, childlike, his grasp solid and gentle as he helps you up from where you’re sat. Together, your head against his arm, you leave.

This time, she doesn’t stop you.

Willow stands alone on the porch, heart hammering like she’s finally feeling the spell’s backlash, too late to undo and too late to stop. Her hands tremble at her sides. Some part of her, deep and insistent, whispers that there’s a way to fix this. A ritual, or incantation. A simple one: memory, clarity, obedience. A few words, and she could make this right again. She could make you see sense. Make Spike let go, make Buffy forgive. Make Tara come back.

Just a few words, the magicks whisper. So simple. So clean.

But she doesn’t move. She watches you disappear into the night and tells herself it’s not the magicks calling her. It’s grief. It’s fear.

She doesn’t believe it.

You didn’t mean to cry.

You wanted to keep your head held high, secure in the knowledge that it wasn’t you who broke in that messy, vicious confrontation that you’d known for a while was coming. But the second the crypt door shut behind you, Spike looked at you. Just a look: expectant, forlorn, waiting. You didn’t mean to, but one glimpse of that expression and you crumbled—violent, choking sobs, wilting like a flower left too long without water. He didn’t say anything. Didn’t need to. He just gathered you into his arms and let you bury your face in the curve of his neck, let you shake apart against him as you mourned for what could no longer be. And, afterward, when you’d turned into yourself, hollow and spent, he carried you like a baby to bed, nestled you up tight and wound around you like you’d float away if he didn’t.

Days later, he still treats you like glass.

The Spike who once barked sarcasm and wore his smirks like armor has been replaced by someone quieter, gentler, his fingers featherlight and his gaze fixed on you like he’s afraid you’ll disappear. When he kisses you, it’s a confessional. He pours out all his sins into the open maw of your mouth like your touch can absolve him of everything he is. When he’s inside you, he moves slow and aching and careful, his words sweet and gasping.

“You’re the most incredible thing I’ve ever had," he murmurs on one occasion, voice thick with awe as he stirs against you, body covering yours. He feels hard and real in you, deep, grounding. His thumb strokes your cheek. "Dunno what I did to deserve this. To deserve you.”

Each thrust is a question, each brush of his lips a promise, his hands holding you like you’re made of silk, like he’s never been capable of destruction. When you call his name, he exhales like it’s a prayer. You both shake by the end, your fingers curled against his spine, his mouth against your temple crooning things neither of you will remember clearly later on.

It’s like he thinks one wrong move will make you bolt. You wish you had the words to convince him of your certainty, but he’s the poet. Words can be manipulated, used to lie and misdirect. He doesn’t believe you when you tell him that you’re staying, that this is for good—but you know he wants to. You know it has less to do with you and more to do with his past, with all the many people who’ve screwed him over and hurt him so badly, so you try not to take it to heart. You let him hover, let him treat you as though you’re a porcelain doll, easily breakable. You should resent it, probably, and part of you does. But mostly, you’re grateful. He doesn’t push. Doesn’t ask you to prove anything. He just stays.

That morning, he’s pressed against your side, bare skin against bare skin, fingers lazily tracing patterns over your lower back. Save for school, you haven’t left the crypt in days. The bed below ground is new—plush blankets piled over a surprisingly good-quality mattress that he’s dragged in from who-knows-where. He probably stole it, but that habit of his has never bothered you. Besides, you sleep better here than you ever did at home.

“You gonna go back today?” Spike asks. It’s spoken softly, vibrating low against your shoulder. “Get your stuff?”

“Nah.” You shake your head against the pillow, mussing your hair even further. “Last night, while Willow and—while the others were busy, Tara brought Dawn over. She packed my suitcase. Couple important things. Birth certificate, stuff like that. The rest… some other time, maybe.”

Spike was patrolling then, safe in the assumption that you were asleep. It’s not really that surprising that he hasn’t noticed the bags over in the corner.

Now, he hums, lips trailing across your neck. It’s aimless, casual in its intimacy. So like him, like all the love he has to give. Effortless.

“Dawn hugged me,” you add quietly, trying hard to hold back the tears. “Said she saw us. Before. Said Tara and Anya knew, too. That they’re on our side.”

Spike doesn’t reply—just tightens his hold a little. You don’t have to say what you’re both thinking: that support from a few doesn’t make the silence from the rest hurt any less.

You sit up eventually. The crypt can be cold and damp at times, but Spike’s done a pretty great job at softening it up, making it almost livable. There are little touches of normality now: rugs plastering the dirt floor, a mismatched set of mugs, a bookshelf that wobbles only slightly whenever you walk by.

“Come on,” he says, slipping out of the bed like a panther, naked as the day he was born so long ago. It’s a fantastic sight, one that not even low spirits can stop you from admiring: cut muscles, lean form, perfectly proportionate everywhere. He’s a god among men. “Let’s get you cleaned up.”

You grin. The makeshift shower he’s rigged up is more affection than function. A pilfered showerhead duct-taped to the end of the pipe, a clunky water heater that hums loudly and makes the whole wall clank. It’s not pretty and it doesn’t hide the fact that this really isn’t a place to be living in, but the water is warm. Mostly. He helps you wash your hair, fingers gentle, nails never scratching. You can tell he’s muttering his usual sweet nothings against your skin—jokes, compliments, promises—but as always, it’s impossible to hear over the heater’s groaning.

When the machine abruptly turns off—another short, probably—you can actually hear him curse under his breath.

“Time’s up, baby,” he says, quickly rinsing the last of the conditioner from his bleached hair. You’d helped him touch up the roots yesterday. “Gotta get dry before the pipes go cold again.”

He wraps you in a towel, glaring at the run-down thing like he can make it work through sheer will alone. If anyone could, it would be him, and the sight makes you laugh. It’s the first real one in a while.

Later on, you’re perched on the bed, your homework splayed around you. Spike’s horribly insistent on you getting a good hour a day on it, at least. It reminds you of how Hank should’ve been: razor-focused on your success. Unbearably proud. Insistent that you’re “gonna go places, just you wait.” Instead, all he did was ship you off to boarding school at the first opportunity. Even though you’re probably going to get valedictorian, that reminder always hurts. Like in all things, Spike eases the pain.

You’re about to double-check your references when your phone buzzes. Unknown number. Huh.

You answer. “Hello?”

“You’re living with him?” Angel’s voice is unmistakable, if crackly. The reception’s not so great down here. “Buffy told me.”

Hearing her name pinches something in your chest. You ignore it, rolling your eyes. “Hello to you too, Angel. Sorry, but I’m not interested in hearing your self-righteous opinion today, thanks.”

“You don’t know what he’s like—”

“Don’t care.”

Spike appears in the doorway. He takes the phone gently from your hand.

“Go on, kitten,” he coaxes. You catch the flicker of anger in his eyes, but his voice stays calm. “Finish your essay. I’ll deal with the poof.”

You watch him go, surprised by how civil his tone is as he says, “Oi, Peaches. Got nothin’ better to do with your time than bother my lady?”

When you stick your head upstairs after wrapping everything up, he’s still on the phone. Pacing back and forward, his words are too hushed to pick up. Damn vampire senses. It’s weirdly civil for an exchange with his so-called undead enemy, though you wouldn’t call it friendly—he looks as though he’s about ten seconds away from beating the wall in. Still. You wonder what’s making him so… controlled.

Days bleed together. School, home, school, home, the occasional patrol in places you know Buffy isn’t. You see Dawn in the halls at Sunnydale High, or sometimes when she stops by in the late afternoon with Tara or Anya. You watch Passions with Spike, though most of your focus is occupied by his reactions to whatever mess is going on on-screen. You get your schoolwork done, and you try to get used to this new normal, patching up the giant hole in your heart with these small little glimpses into your old life.

Spike keeps bringing things home like a magpie nesting: a tiny gas stove that sputters and clicks but usually works well enough to make dinner. A battered washing machine that walks a few inches every time it’s used. A foldable hanging line with half its wires snapped. He insists they’re all only temporary, but he never says what he’s waiting for. Neither do you.

Graduation looms nearer. Your final scores are out, though the victory is hollow. No one will be there to celebrate, will they? Or only some will. You wonder which option is worse. When school gets out, you begin the trek home in despondent silence. Usually, you’d hum a tune to yourself or maybe even read as you walk, but you just feel drained. Going through the motions, you stop by the bathroom next to the cemetery’s reception building. After, you meander through the grass, letting your feet take you along your customary route while your mind spins in circles, lethargic.

That’s when you see her.

Buffy.

She’s waiting outside the crypt, sitting on the stoop. Smaller than you remember. Her expression is weary, aged. She looks how you feel. When your feet crunch on dead leaves, her head snaps up and she makes eye contact with you. The corner of her mouth twitches in an almost-smile. That’s how you know she’s not here to duke it out again. Not intentionally.

Steeling yourself, you move toward her, step around her form as you dig through your pocket for the key to the lock Spike’s jerry-rigged to make things safer. The door swings open, too loud in the stillness of this moment. You enter, but don’t shut the door behind you—an unspoken invitation. She takes it.

You turn and watch Buffy look around with something like disbelief. She takes in the kettle, the electronics, the random décor. The laundry line, full as it can be with yours and his clothing. The half-dead pot plant Spike brought home because you mentioned you liked sunflowers. The photographs you’ve tacked to the musty walls of friends, family, of you and him.

“I thought… I thought this was just a phase,” she says finally. No hello, then. Her gaze travels back to you, wide and vulnerable. “I thought you’d leave him.”

You fold your arms, chin high—not combative, just done entertaining this. “I’m not stupid, and I don’t do things for the hell of it. You should know that.”

Something unreadable flickers in her face. A fight, maybe. But no—she sighs, a sound of complete and utter defeat. “I do now.”

Neither of you talk for a moment. Spike chooses this time to appear from the trapdoor, deliberately slow, telegraphing his movements like your sister’s a wounded animal backed into a corner. She stares at him as he approaches. He lowers himself carefully into the beaten-up armchair. You settle on his knee, in part to shield him from any attempt by her to follow through on her actions from the other week, but mostly because you can. You want to. Her eyes narrow, but she doesn’t comment on it. It’s awkward. Painful.

Finally, Buffy clears her throat.

“Come home,” she urges you. You blink. You weren’t expecting that. She pushes on, ignoring the snort from Spike beneath you. “I’m not saying I’m okay with—with this. I’m not. But I’ll… I’ll deal. Maybe he’ll grow on me.”

“Thanks ever so,” he mutters. His hand tenses on your thigh when she levels him with a withering sneer.

“No,” you tell her. “I’m not going to let you or anyone else try to trick me into giving him up. We’re a package deal. Where he goes, so do I.”

She frowns. “That’s—I’m not gonna try and break you up. I’m not that petty.”

“Well, then,” you say, “I guess I just don’t trust you anymore. How am I supposed to believe you?”

Buffy flinches, looking away. Her arms fold on themselves as her eyes begin to glisten.

“Ouch.” She takes a breath. “But… I deserve that.”

A pause.

“I meant it, Buff.” The words come out quiet, but firm. “When I said I love him. I know that it—I know you’re upset, but I’m not sorry for what I feel. And I won’t be made to believe it’s wrong. It isn’t.”

She raises her hands, a white flag. “Okay, okay. It’s just…”

Again, she glances around, but this time it’s like she’s looking at something particularly disgusting. You bristle despite yourself.

“What—what kind of life can he give you?” she asks, pleading as she turns once more to you. You notice that she’s not once stepped foot down the steps into the main area. “I mean… are you really going to stay here? What about a future—marriage, kids? How are you gonna support yourself?” At your scoff, she adds, “I’m just being realistic here. Somebody’s gotta be.”

“God, Buffy,” you snap, standing up. “Not everyone wants the same things you do. And who’s to say I’ll even live long enough to seriously consider stuff like that? It’s the Hellmouth.”

“Oi.” Spike taps the outside of your knee—the nearest part of you in reach—in reprimand. “Don’t say things like that. S’not good for my constitution.”

Buffy huffs. “You don’t have a constitution, Spike. You’re a vampire.”

“Do too,” he retorts immaturely. Then, all of a sudden, he coughs awkwardly, scratching his neck. “Dunno about the rest of it. But I—uh—I got a place. Decent, but not much. Has a proper bathroom, bedroom. All the fixings. Near the cemetery, so I can still keep my hunt. Near your bus stop, too, baby.”

This is news to you. “Huh?”

Spike raises an eyebrow at you, gesturing around. “What—think this here was my choice? Dru took all me cards ’n stuff when she ran off with that chaos demon. Order of Aurelius’s got a fair bit of dosh squirrelled away.”

Here, his chin tips up arrogantly, smug as any vampire with a lineage like his would get. Your nostrils flare, a smile tugging at your lips even in the tense atmosphere. Buffy’s not interested in discussing pedigree, though.

“Then why didn’t you just get it back?” she asks skeptically. “Not hard to call a bank.”

“Is when it’s a demon bank, Slayer.” He rolls his eyes, shifting uncomfortably. “‘Sides, gotta get permission for that. Most senior member, all that rot.” He looks down. “Didn’t want to give Peaches the satisfaction. Y’know, of asking for help,” he mutters. “Sodding wanker.”

Oh. Oh. That’s what he was talking about on the phone with Angel. Something warm and impossibly affectionate wells in your chest.

Buffy studies him. “What changed?”

The weight of his stare falls on you, full of significance. It’s an answer all in itself.

I love him, I love him, I love him, you think, heart full to bursting. You’re overcome with the urge to reach down, kiss him, thank him with everything you have for tearing up his pride and throwing it away just to give you a home. A real one—with him.

You see Buffy’s face change as she begins to understand. To see what you see. It’s dawning on her, that maybe she’s got the wrong idea about him. You’re sure the shattering of her worldview is as painful to her as her slap was to you. A strange sort of peace follows this realization.

No one says anything for a while. It’s strained, but not hostile. Not anymore.

“I’m—I’m gonna go now,” she says at long last. There’s no dejection in her voice now, but a quiet sort of acceptance instead. To Spike, she adds, “Take care of her. I’m… I’m trusting you.”

You know what it means to him to hear that—not just for your sake, but for everything he once felt for her. When he nods, it’s full of unspoken confidence. “Of course.”

She turns to you, and you’re heading toward her before you even realize it. Coming face-to-face, eye-to-eye—for the first time in a long time, it feels—a stone in the pit of your stomach starts to finally work its way free.

“I’m sorry,” she says, voice breaking.

You step into her arms, hug her, feel the iron band of her arms squeezing you too tight, too much for your bird-bones. You feel them grind below your skin. It hurts, not only physically, but you do it anyway. You breathe her in—shampoo, sweat, and that familiar weight of the world she always seems to carry. She’s trying. You can feel it, the way you’re trying too. When she pulls away, there are tears in her eyes. You don’t wipe them away.

What’s broken isn’t fixed. Not nearly. But maybe, one day, it could be.

Spike waits until she’s gone to speak. “You alright?”

You glance toward the door, then back at him—this strange, stubborn vampire who’s built you a home out of scraps and love.

“Yeah,” you say, reaching for his hand. And this time, you mean it.

Spike loves his unlife.

He hasn’t always. There’d been a decade or two of repletion—rage and rot and revelry, blood from the veins of whores in Paris and cowards in Prague, nothing lasting, nothing real. The rest? Just endless nights and meaningless hunger, and the thrill of fear cracking open in a scream. Thought he had something, with Dru, ’til she pissed off and left him. Then Buffy came along, all fire and fury, and he thought, Yes. This. This is meaning. Purpose.

He doesn’t know. Not until you. Not until now.

Not until this: you on your knees, bent forward across the mattress, spine a taut bow beneath his palms, back arched as he thrusts into you with filthy, measured force. You’re folded down over the bed, your cheek pressed to the pillow and drooling, hands fisted in the sheets, body trembling beneath the relentless pace he sets. Your thighs are already drenched with both of you, his cock disappearing into your perfect, aching cunt over and over, the sound of it obscene, wet and sharp and constant.

The room is dim and hot, the air choked with sex and the smell of skin and sweat. Tangy, piquant. Gorgeous. The sheets are kicked down to your calves, twisted up under your knees. Your moans are high and bitten off, teeth buried in the pillow as you try to quiet yourself. Habit, that—leftover fear. For so long, you’ve both lived in the silence, in the shadows, sneaking and muffling and hushing every cry.

But not anymore.

“Go on, baby,” he rasps, bent over your back, his mouth dragging slow kisses over your spine. “Let ’em hear you. Nobody left to catch us now.”

You whimper, hips pushing back instinctively, greedy for more. He grins, sharp and delighted, bringing his palm down on your arse in a light slap, the sound echoing. Your whole body jolts. You keen around the pillow, voice breaking into something raw and helpless.

“Uh—Spike!”

“That’s it,” he says, all gritting teeth as you squeeze down hard, dizzying enough to choke the veins in his prick. The demon peeks out for a moment, control slipping. “That’s my girl.”

It still astonishes him sometimes—how much you like this. How much you crave being split open, filled full, stretched past your limit until you’re crying and shaking and still begging for more. Turns out the chip doesn’t fire when the victim likes the pain, and bloody hell, do you ever. You like it when he’s reverent, whispering soft, desperate poetry into your cunt, but you love it when he’s like this: filthy, possessive, shagging you like he owns every inch of your body.

And he does.

He watches the way your shoulders shake, the flushed skin of your back shivering each time he slams into you. Watches your fingers clutch the pillow like a lifeline. Watches your body bloom under him, red and marked, so alive.

“Bloody goddess, you are,” he growls into the crook of your neck, panting against the salt of your sweat. “Tightest little snatch I’ve ever had. Made for me, weren’t you?”

You nod frantically, breath catching on a sob as you try to speak. Can’t. The words never make it past the pillow, and you give up trying. Instead, you just feel, bucking back against him, desperate and loud now, your cries slipping free without shame.

“Say it,” he hisses, slamming into you harder, deeper. He feels the twinge of your answering wail in the back of his head, threatening, splitting his lips apart in a vicious smile. “Tell me you’re mine.”

“Yours,” you gasp, nearly sobbing. “Yours, Spike, ’m yours—”

Your orgasm crashes into you like a tidal wave. You yowl into the pillow, cunt knotting around him so fiercely it makes him snarl, hips stuttering for only a moment before he keeps going. You’re whimpering now, all breathy and high and wrecked from the overstimulation, your voice cracking every time his cock punches deep into your oversensitive walls.

“S’too much,” you whine, but your body never stops moving, still pressing back against him, still so greedy for it.

“Oh, you can take it,” he pants, mouth at your ear, voice low and hungry. “You’re so good like this—fallin’ apart for me, still lettin’ me fuck you through it.”

He’s obsessed. Obsessed with how you quake under him, how your cunt keeps fluttering and squeezing like it doesn’t want to let him go. He groans, driving into you harder, chasing his release with a fervour that borders on worship. You sob again, and he can’t stop himself. He wraps an arm around your waist and hauls you back, chest flush to your spine, shoving up into you at a brutal, punishing pace.

When he comes, it’s with a guttural shout, hips grinding deep, prick pulsing as he fills you. He doesn’t move. Doesn’t even try to pull out. Knows you like it messy and trickling afterward, how it makes him mad with wanting.

You collapse to the mattress, winded and utterly stunning. He stays braced over you, breathing hard even though he doesn’t need to, pressing kisses to your spine and shoulder and hair. You’re trembling, still twitching beneath him. You don’t let him go. Instead, you reach back, grab his hand, pull him down to lie with you, still buried deep in the slick patch you’ve both made.

He rolls the both of you onto your sides, panting, trembling, your sweet little quim keeping him locked inside like it means something. Like it always has.

“Don’t go,” you murmur, voice hoarse and wrecked, fingers clutching his arm like a tether. Your face is rosy, flushed with exertion, and so bloody beautiful it twists something violent inside him.

“Not planning on it,” he says, kissing the top of your head.

The bed is new. Big. Expensive. Mattress so plush it makes him want to roll around like a pampered tabby. The apartment is still shite in a lot of ways—rickety fridge, a coffee table with one short leg—but it’s his. Yours. And Glinda’s out for the night, enjoying her life instead of staying on the pull-out sofa in the living room as she has since realisin’ she’d got too used to the peace of rooming off-campus. There’s all the time in the world to lay here, linger, or at least it feels that way.

You’re still wet around him. Still clenching, pulsing every few minutes with aftershocks, like your body hasn’t quite gotten the message that he’s finished. Greedy. Filthy, greedy girl. His baby. His sunshine princess, all aglow with love and lust.

Spike’s cock twitches in response, and you both feel it. You tilt your head, meet his eyes. He kisses your collarbone before raising a brow, smirking.

“Fancy round two?” he asks, sick with the feeling racing in his veins. The need. A constant, thrumming thing, near breaking him into pieces.

You laugh, breathless and delighted and gorgeous.

Things have settled into something approaching normal; or, well, a new normal. Spike’s never had a normal quite like this before. Little Bit’s over all the buggering time, mostly to steal your clothes and pilfer through his things and fill the place with her junk food and loud music, but she likes the apartment. Likes the big window in the living room when the blackout curtain’s pushed to the side. Likes the sitting area, big telly showing MTV in crystal clear graphics, and the way his stuff looks less ramshackle and stolen and more deliberately incongruous. She really likes the bathroom, with its big tub and generous vanity. It’s why he got the place, to be fair: something nice for his girl, forced to walk into the chill of night to use the loo for all those months. None of that here.

The rest of the lot trickle in too, one by one. Always awkward, always uncertain. Like they’re not sure if this is a visit or reconnaissance. Red’s come by twice, once with baked goods she barely managed to make eye contact while offering. No one else wants to put up with her right now, so he entertains it best he can. Demon girl stops in randomly with opinions about the wallpaper and detailed suggestions about spicing up your sex life. You laugh, Spike doesn’t. Bint’s awful presumptuous, thinking he needs help getting you off. The Slayer shows up, digging into every nook and cranny like she’s trying to find a reason this won’t work. She offers a strained smile at the end of her visit, unsatisfied. Bitch. Even the boy shows up once, a six-pack in hand and his mouth pressed in a tight line, nearly disappearing off his ugly mug. He doesn’t say much. Doesn’t have to. He looks at you—glowing, happy, curled up against Spike’s side in that ratty old blanket—and nods. Doesn’t ask questions, doesn’t start fights. For now, that’s enough.

And then there’s Peaches.

He arrives like a thundercloud, tall and grim, taking up too much space and too much air. He walks the apartment like he’s cataloguing faults, eyes landing on the ghosts of water rings on the coffee table, the mismatched pillows, the scuff on the wall from when you’d tripped and knocked over the lamp. He doesn’t say anything outright, but the judgment radiates off him like heat.

Spike doesn’t bother pretending. Your legs are slung over his lap, and he strokes lazy circles into your calf with his thumb, teases his fingers under the hem of your skirt. Loves your dresses. How wicked it makes him, copping a feel of all that innocence. You shift closer to him, head resting against his shoulder, fingers tracing patterns over his collarbone, casual and affectionate and utterly his. Spike feels like a king. Tall, dark and forehead scowls the entire time you make harmless small talk. It’s glorious.

Later, after you disappear down the hall to dig through the pantry or put away some other sundry item—Spike’s not even sure—Angel finally makes his move. He waits until your footsteps fade, until the apartment quiets. Spike doesn’t look at him at first. Just listens to the silence. Then, slowly, his gaze returns to his grandsire.

Angel’s arms are crossed, his brow a storm cloud. He looks like he’s swallowed a lemon. Wanker. “You really think this is going to last?”

Spike leans back into the couch, cool as sin, folding one ankle over his knee. “Dunno. Been plenty long already. She’s still here, yeah? Still laughs at my jokes. Still screams my name. That’s gotta count for somethin’.”

Angel winces like someone’s sprayed holy water up his arse. Spike savours it.

“You’re reckless,” the big, strapping hero mutters. “You always have been. This—her—she’s not just a fling you can—”

“Watch your bloody mouth,” Spike snaps. The amusement’s gone in a blink, replaced with something cold and lethal. “You don’t get to talk about her like that. Not after the way you dangled the Slayer on a chain like she was the only thing between you and damnation.”

Peaches opens his mouth, then shuts it again. There’s no defense.

Spike leans forward, elbows on his knees, his voice low. “She’s not some passing fancy, mate. She’s the best thing that’s ever happened to me. And if you can’t see that, maybe it’s not her you should be worried about.”

Angel looks away. “She’s not like us,” he says finally. Quietly.

Spike’s smile softens. “No,” he agrees. “She’s better.”

The silence hangs for a long beat. Angel doesn’t have anything left. Nothing worth saying. He looks like he wants to argue, wants to do something, but there’s nothing left to fight. Spike’s not giving him anything to push against. Then you come back in, grocery list in hand, all nonchalant in your ease.

“Honey,” you say, “I’m heading out. You want more Weetabix?”

Spike beams. “Yeah. And maybe those little marshmallows?”

Your grin is blinding, waving the list about like he’s guessed correctly. He knows you’ve already written it down. “I know what you like.”

It hits him like a sledgehammer, then. How you see him―not the vampire, not the body, not the snarl, but all of it. And you love it anyway.

He reaches into his wallet, pulls out his brand-new credit card—the one Captain Forehead set him up with, the only thing he’s ever been good for—and hands it to you. “Take this, yeah?”

“I’ve got money,” you say, stubborn as ever, but smiling.

“I’ll spank you if you don’t let me pay,” he teases, voice low and fond. “And don’t pout. Gonna get that lip if you ain’t careful.”

You giggle, step in close, lean down to press a kiss to the corner of his mouth.

“Pervert,” you whisper, your lips lingering a second longer on his skin.

“Only for you.”

And then he watches, all dumbstruck and dopey, as you take the card, tuck it into your purse, and head out the door.

The silence that follows is thick. He doesn’t look at Angel. Doesn’t need to, because—for the first time in a long time—he doesn’t care what the poof thinks. He’s got everything he wants, and the poor sod knows it. The satisfaction in shutting the door on his slack, stupid face makes Spike want to laugh and laugh until his dead lungs crumble to dust.

His days pass in a blur of disgusting bliss. Truly, it makes him think sometimes that he should hang up his post as Big Bad. He’s got to be testing some cosmic force, being so unbelievably happy with his lot, but he doesn’t get struck down by a flying spell, or staked, or zapped into some other dimension. Nah, he keeps kicking. He gets to be with you.

Attending your graduation day is hell: sunlight everywhere, too many people, a mish-mash of scents that, if he were living, would make him gag. But he does it anyway. Sneaks in through the sewers, creeps up through the sub-basement of Sunnydale High, taking his awkward place by Little Bit and the others in the bleachers.

It’s all worth it when he sees you. Radiant, cap tilted, gown a little too big.

You cross the stage with that bright smile he loves, all cheeks and squinted eyes, shaking hands and collecting your little rolled-up paper. And, when you step up to the podium to give your big first-place speech, it’s like you were born to it—clever, kind, full of biting humour and practiced to perfection. The whole damn place hangs on your every word, and he feels pride well up like it’s his own achievement, seeing you up there.

His clever girl. His light.

Afterward, he lingers with your sisters, with the odd assortment of people you’ve chosen as family. He sticks out like a sore thumb, so clearly not part of the group, but that’s never bothered him before. You rush to them, beaming, diploma in hand and cute little cap askew as they take their turns congratulating you, voices overlapping in their relief and pride.

Spike doesn’t bother with platitudes. When you turn to him, he does what he does best and shows you how proud he is by tugging you into his body, mouth pressing down against yours. Long. Hungry. A little too much tongue. He overhears someone nearby make a fuss about it, but he doesn’t give a fig, and neither do you. The world is your oyster now, and he’s too excited to see what you make of it now that you’re free.

That night, he takes you dancing.

The Bronze is a hole, always has been—one day soon, he’ll take you to the real spots he’s seen on his jaunts through unlife—but it’s what passes for a good time in this sorry town. He lets you spend a few paltry minutes with your friends, decent bloke that he is. Besides, it means he gets to relish in the look on their faces when they realise for the thousandth time that your presence is only temporary, that soon enough, you’ll head back to where you truly belong. To him. So he nurses his beer as you laugh with them, dance with Dawn and the Slayer, bounce around like a stoned rabbit with Lackbrain and demon girl and Glinda, and he waits.

Eventually, you come to him as you always do.

He doesn’t need to be asked. Taking you in his arms, he presses close and sways you about to some pathetically sappy slow song that you probably don’t even like. But you’re warm, and happy, and he can feel the eyes on you both.

Spike’s always felt them.

They’ve all seen you together at some point. By accident, by circumstance, through open doorways and down dark hallways. They’ve seen the truth of it: the way you cling, the way you gasp, the way you let him worship you with teeth and tongue and desperate hands. He doesn’t give a single rat’s arse. He’s evil.

And god, Christ and all the saints he’s ever remembered the names of, he loves you.

He never expected this. Never expected you. You were cute. Smart. Sharp. He thought you’d be a momentary distraction, a splash of intrigue while he waited for Buffy to make her mind up about him. Buffy: a splash of color in his grey, dismal world. But then—you. Accepted him, listened like the stuff he said was important, like he mattered. Defended him, never shied away, never called him a thing or a demon or a monster, even though that’s what he is, what he’ll always be. You crept up on him, quiet and subtle-like until he caught sight of you across the room, laughing at something Xapper was saying to you, and it hit him over the head like your mum with that axe all those years ago. You happened, and he realised the truth. You have his dead, unbeating, black heart in your hand, and it fits there like it was always meant to.

He knows now. You’re the Gem of Amara in bitty, beautiful human form. Not just colour, but a supernova, blazing and teeming with vitality. Being with you is like feeling the sun on his face every goddamned day. Spike’s whole world is brighter with you in it.

Still, even now, there’s a flicker of doubt in his chest. A shadow. The part of him that’s been broken too many times. This can’t last, it whispers. This is too good, too soft. Things like this—things like her—don’t stay.

Then you look up at him, eyes sparkling under the Bronze’s lights. Your arms loop around his neck, your forehead presses against his. You breathe him in like you mean to keep him, and you say, “I love you, Spike.”

He closes his eyes, and just like that, the shadow’s gone. Everything’s still.

“I love you, Spike.”

He closes his eyes, and for once, the world is quiet. There’s only you.

It’s always been only you.

Read on AO3:

https://archiveofourown.org/works/64333024/chapters/165146395

[ahgasegotarmy116]

Charm Me | Jeon Jungkook | Two Shot | Part One

Summary: Your best friend's boyfriend's best friend is not someone you had planned on falling for, and honestly you hardly admit it to yourself most days but maybe, just maybe there's something you can do to test those waters... Pairing: f!reader x Jungkook (semi friends to lovers lol) Word Count: 7k~ Warnings: Some curses here and there but nothing major. a/n: Kay so this was supposed to be a one shot but I didn't finish it in time and I wanted to get something out for Valentine's Day so I hope you guys enjoy it 🥰 p.s. barely edited per usual so please excuse any mistakes. I legit decided last minute to make this a two shot lol.

"Come on y/n let's go!" Sadie pleads practically dragging me through the parking lot. "Someone's excited" I laugh, dragging my feet a little to make her task even harder, eventually yanking me through a heart littered archway. 

"You finally agreed to come with me to the Valentine's Festival after I had been begging you for years! How could I not be excited?" she says as though her degree of excitement is warranted but with her, excitement is always easy to conjure.

"I've never had a reason to come since I've been single for years" I roll my eyes, the whole thing seemingly pointless if you ask me. "Yet here you are, still single and gracing me with your presence" she says accompanied by a dramatic curtsy, very fitting this time since she happens to be wearing a dress. 

Her cute coquette style mismatched with my dark and moody nature is a laughable dichotomy. 

Her pink ballet flats walk next to my all black combat boots, the ribbons swaying in her hair stand in stark contrast to the way the light catches on my silver chains, leaving us quite the odd pairing.

"You know, if you keep on hanging on my arm like that people are gonna think we're lesbians" I sigh, not making an effort to pull away. "Is that your way of asking me to be your Valentine" she teases and I roll my eyes. 

"Pretty sure Jayson would have a problem with that" I say, pealing her off of me leaving her pouting before grabbing my hand instead and pulling me over to the first of many stalls that line this festival. 

"Just because Jayson is my boyfriend doesn't mean he has to be my Valentine...plus he hasn't asked me yet" she sighs dramatically for the fifth time today, a common theme for the past couple of days whenever this topic is brought up. 

"You know you could always, I don't know... ask him" I say and her brows furrow leaving me poking the wrinkle on her forehead to make her stop. 

"What a ridiculous thing to say" she scoffs and walks off to the next stand leaving me shaking my head and following after her. 

Sadie is someone I've been friends with for as long as I can remember. Long enough to have known each other before we made the dramatic split in our senses of style. I'd love to burn the pictures of me in Abercrombie skinny jeans and brightly colored Hollister polos but alas they will forever haunt my memories. 

At least I had Sadie though. I wouldn't leave her in the past no matter how many embarrassing stories she's in possession of.

"No way!" she squeals and pulls me over to another stall that's caught her eye. "If you keep on yanking on my arm like that you'll eventually pull it off" I say while rolling my shoulder, making it a point to prevent her from doing so again. 

"Sorry" she laughs awkwardly and tries to check on me but I assure her I'm fine, choosing to direct her attention to the table she decided to pull me towards this time.

"Love potions? Really? Jayson is already head over heels for you Sadie, I doubt you'll need help keeping him around" I roll my eyes and try to move onto to the next stall but she pulls me back, gently this time thankfully, clearly enthralled with the concept.

"Not for me silly, for you!" she justifies and takes a closer look, making the mysterious and lowkey sketchy woman behind the table hopeful that she'll get another sucker to fall for her tricks. 

"Why would I need a love potion? Last time I checked there's not a man in my life that I'd want to fall in love with me" I say and she cocks a brow at me. "Bullshit" she says, using language that I've hardly every heard from her. 

"Someone's feisty today" I chuckle making her expression sour. "What? There's literally no guy I could think of that I'd want to use that on" I reiterate but we both know I'm lying. 

But I'm not gonna give that information up though even if she tries to beat it out of me.

"Whatever you say" she huffs and moves onto the next stall.

The rest of our time here is spent doing the same thing over and over again with Sadie trying to find something for Jayson and me just following along getting hungrier by the second as we inch closer and closer to the food stalls that are annoyingly full of food items that look like hearts and roses but I couldn't care less when they smell that good. 

"Alright come on dude I'm starving" I say when she's finished paying, still engaged in a conversation with the shop keeper that has been convincing her to buy too many useless things but it's no skin off my nose if she wants to use her daddy's money to buy that nonsense. 

"Hey! I was still talking to her" she whines but follows since after my not so subtle mention of needing sustenance she's starting to realize she's just as starving if not more than me when she see's that they're selling heart shaped waffles. 

"Okay but afterwards I want to check out a few more stalls!" she compromises and switches to pulling me along again to get in the ever growing line of hungry customers.

~~~~

After we've each successfully gained a food baby each Sadie pops around and looks at a few more stalls with me very much ready for a nap. 

But let's be honest, I'm always ready for a nap.

"Hey why don't you pull the car around and I'll check out the last few stalls on my own" she suggests but I know she's up to something. 

"Why?" I question watching her eyes shift over to a certain stall in particular. "That way it'll safe us a little bit of time and we can get out of here sooner" she explains but I sigh and agree, knowing the faster we get out of here, the better from my perspective at least. 

"I'll call you when I get closer to the entrance" I say and she smiles and waves me off while I make the trek back to her car on my own, having brought her car so I would have no means of escape.

When I finally pull up she hops in with at least two or three more bags than she had when I left. "What did you buy?" I ask but all I'm granted is a little giggle accompanied by a no where near suspicious 'Nothing' leaving me rolling my eyes for the last time tonight, knowing that her childlike excitement when it comes to these things truly is endearing to me, but she'll never know that. 

~~~~

Once Sadie unlocks the door to her apartment we both head over to the table to set down her countless purchases. 

"Did you really need another perfume?" I ask, holding up the pink ish stained glass bottle to the light leaving her taking it out of my hands and putting it back on the table. "It's not perfume it's room mist. It's supposed to make the space feel more romantic" she says, giving a shortened version of the sales pitch she no doubt got. 

"Right...romantic" I chuckle knowing that it'll probably just be a cheaply made lightly scented mist that's supposed to be all natural with health benefits too but I won't burst her bubble on this one since I know there's enough romance to spare when it comes to her and Jayson. 

I swear I can barely stand being alone with them but luckily that's gotten a little better lately. 

"I should probably get going soon" I say looking at the clock after I've helped her put everything away for safe keeping, code word for away from Jayson's prying eyes. "Wait why?" she pouts, "I thought you were gonna stay for movie night" she says as if I just told her that she can't wear pink on Wednesdays. 

"I don't wanna watch a movie with you and your boyfriend" I cringe at the idea of being left in a room with those two. "Yeah but he's bringing J-" she starts to argue but is cut off by a rhythmic knock on her front door making her expression go from sulking to smug.

"Can you get the door?" she asks and goes back to the kitchen to get the movies snacks ready. "I'm not your butler S" I call back out but my only response is her happily humming and completely ignoring me. 

I walk over to the door and open it with Jayson's hand raised up about to knock again which he luckily doesn't because he wouldn't knocked on my forehead instead. 

"Impatient are we?" I ask and lean against the doorway, making his efforts of seeing Sadie last a little while longer. "Hi y/n, is Sadie around?" he chuckles, glad he didn't accidentally make an enemy of me tonight. "I mean this is her apartment" I say and he scratches the back of his neck awkwardly. 

"Yeah I guess you're right" he says making me smirk, knowing I'm playing to scary best friend role perfectly. Looks like he took the threat of me castrating him if he ever hurt Sadie pretty seriously still. "In the kitchen" I say and widen the door, letting him slip past me but when I go to close it I'm met with another person trying to come in right behind him.

"Hey y/n" his deep voice says, no doubt trying to play it cool since he's probably heard that story before as well. "Didn't know you were coming" I say, my tone neutral as I widen the door for him. 

"Yeah Jayson said something about a movie night? I heard you were gonna be here so I thought I'd tag along...if that's alright with you of course" Jungkook say, backtracking and clearly embarrassed for admitting that he wanted to see me.

"I mean it's a free country" I shrug my shoulders and close the door, with him waiting for me to lead the way even though he's been here quite a few times already since Sadie and Jayson got together. "Right" he chuckles, not adding much more than that, letting the conversation die.

"Hi baby" Jayson says making Sadie giggle and I avert my eyes before I have to witness another kiss of theirs leaving me bumping into Jungkook's chest, not having expected him to be that close. With him as a result wrapping his arm around me to make sure I don't stumble from the impact. 

"Sorry I-" he says but I just unwrap his arm around my waist. "It's fine. I was just a little too dramatic in trying to save myself from witnessing their love" I roll my eyes leaving Sadie pouting but I can tell she's clearly satisfied with seeing Jungkook and I so close. 

"Makes sense" he said and rubs the back of his neck and watches as I make my way over to the couch with him soon following my lead. 

He's been like this almost since the beginning once he realized that my moody exterior wasn't aimed at him just because he was a stranger but was just a part of my character. Although I'm pretty sure I still make him nervous, he doesn't seem to mind it anymore.

Just like clockwork he sits on one side of the couch while I sit on the other, never crossing spacial boundaries unless necessary or out of convenience like that one time I got roped into sitting in the middle in the backseat next to him on our trip to the beach since we needed more space for the stuff we brought with us. 

Curse you Sadie and your tiny car. 

I don't even know why we ended up taking her car since it's the smallest out of the four of ours but alas. The result of which was Jungkook's arm draped across the back seat to offer me some more space with me eventually falling asleep on him. Resulting in me lowkey avoiding him after the fact until I realized how ridiculous I was being.

Sadie had also been guilt tripping me at that time about how sad he had been and how lonely he looked hanging out with just her and Jayson and so I finally gave in, knowing I couldn't do this forever. Plus it wasn't like it was his fault or anything. Swimming always makes me sleepy and I should've warned him about that. 

He didn't make it a big deal about it when I came back thankfully since I already had to deal with enough teasing from my often merciless best friend so we were luckily able to act as though it never happened. Although ever since then it's happened quite a few times...

"Hey Jungkook do you think you could let me use the arm rest tonight?" Jayson calls out sounding not in the slightest bit suspicious but all of us know what he's doing and Sadie clearly has clearly put him up to it.

"Oh um" Jungkook starts but when he not so subtly glances over in my direction I decide to just put the boy out of his misery. "You can use mine. Sadie and I can sit in the middle" I say resulting in me having to sit next to Jungkook for the next two or so hours.

When I glance at him I can see how the new seating arrangement has made him nervous and so I decide to torture the boy a little. "As long as that's okay with you Jungkook?" I ask, tilting my head at him which has him nervously glancing back over at me before clearing his throat and practically squirming him his seat before nodding 'yes'. 

"Perfect!" Sadie says and with the help of Jayson brings over all the snacks and presses play on the pre approved movie from our group chat debate.  

~~~~

As the movie drags on I watch my vision go in and out of focus, leaving me shaking my head in an effort to try and wake myself up. "You okay?" Jungkook whispers and I hum. "Just a little sleepy" I respond assuring him I'm alright. He hums back and adjusts his posture, draping his arm around the couch, as a not so subtle invitation for me to lean on him.

The corner of my mouth turns up at that and I can tell that he noticed it, making him not as nervous about his offer anymore.

The dynamic between Jungkook and I has been...peculiar to say the least. 

I wouldn't consider him a close friend or even a friend really. Maybe more like a friend by proxy since we do end up spending a lot of time together. With both of our best friends insisting that the two of us tag along with neither of us having the real desire to tell them no. 

We've had a good conversation here and there when Sadie and Jayson are wrapped up in their own little world but I won't lie to you when I say that there have been some days or nights where we just sit in silence, watching the love birds do what they do.

If you ask me though it's never felt awkward. Has he been awkward and nervous? Yes. But it doesn't really bother me either. 

I wouldn't say that I seek out his company but I can't say that I don't feel a little disappointed when he's not around. More like there's something missing because obviously someone is missing, plus I'm forced to pay more attention to the two of them if it's just me.

It's times like that when he works up the courage to text me. Explaining why he wasn't able to make it as though he felt obligated to do so but he makes sure to offer me an ear when I want to complain about the nonsense those two get up to or what they managed to rope me into.

He sends funny memes to cheer me up, somehow knowing my sense of humor perfectly or complains to me in return about how boring and monotonous his job can be making me smile when he tells me he has to go because his boss is watching. As though he was a nervous teenager that couldn't spend a second away from his crush.

He couldn't have a crush on me could he? No, no that's not right. 

I let my thoughts of Jungkook drift off, the low hum of the TV soon lulling me to sleep resulting in me leaning against him, with him adjusting his posture to make it more comfortable for me, his arm soon migrating from resting on the back of the couch to loosely around my waist.

Something I've always noticed when I wake up though is that he's so comfortable. As though being this close to him feels natural. I will admit that when I've partially stirred awake and realized what I'd done I don't make an effort to wake up or pull away, indulging in the comfort for just a little while longer.

I feel bad though for the times that I wake up and he has to leave right away or when Sadie pulls me over and let's me lay on her lap to continue sleeping, making it a little easier for him to head out. It's as though he waits until the very last minute just to let me sleep a little while longer, not wanting to disturb me for as long as he can.

Tonight isn't one of those nights though, the ones where he has somewhere to go or some place to be. 

He just stays there, being as still as he can, letting me cuddle up to him as little or as much as I want to, eventually helping me lay my head down on his lap once Jayson and Sadie turn in for the night. The position being the slightest bit more comfortable this time with me eventually waking up three hours after the movie had finished.

My head is resting on his upper thigh, with my face basically buried into his torso but he doesn't seem to mind when I turn onto my back and see him absentmindedly scrolling through his phone. 

"What time is it?" I mumble, slightly startling him but he smiles at my groggy state soon after. "One thirty" he mumbles back, keeping his voice down so he doesn't force me awake too quickly. 

"You could've woken me up" I say, slowly sitting up and stretching before straightening out my appearance just the slightest bit. "I didn't have anywhere to be so I thought I'd just let you sleep" he shrugs and I hum. "Plus you seemed pretty exhausted so I thought you could use the rest" he adds and I can't help but give him a soft, hardly conscious smile. 

"Thanks" and he just smiles back at me. We sit there for a little while, and he eventually hands me a bottle of water that's on the coffee table to hopefully help me wake up but after a while I sigh and rest back back against the couch again. 

"What?" he chuckles, sensing my struggle. "Sadie was supposed to give me a ride home" I huff, realizing the predicament I've been put in, just because I wanted to get some shut eye. 

"I can give you a ride" he chuckles, seeing the clear solution but I shake my head. 

"I can't just keep you here and use you as my human pillow then have you give me a ride home as well" I counter but he just smiles. "It's really not a big deal" he counters and I sigh again, knowing he's probably not gonna take no for an answer. 

I can't help but get this...this indescribable feeling in my stomach that I so desperately want to ignore when I think about being alone with him. We are alone right now but that somehow seems...different.

"I have to go somewhere on your side of town anyways so your place is on my way" he says making me smile at his blatant lie. "At two in the morning?" I chuckle, checking my phone and quickly turning down the brightness so it won't blind me anymore.

"Yeah it's uh...open for twenty four hours" he say, making excuses to fit his claims. "You're lying to me aren't you?" I say, calling him out making him look down at his lap, slightly defeated seeing his excuse didn't work this time. 

"Yeah" he mumbles making me smile. "You could always just say that you want to give me a ride" I chuckle and from the way he clears his throat and looks away I can tell that that sentence has a completely different meaning to him than I had intended. 

"I um...I want to give you a ride...home. A ride home" he stammers, the whole interaction quite amusing to me. "Sure, I'd like that" I say and stand up with him getting up immediately, patting his pockets and making sure he has his keys. 

I grab my purse and make sure I have everything I need as well and when he sees that I didn't bring a warm jacket he gives me the other one he brought that he had put aside when he came in. "What's this for?" I ask, taking it suspiciously and draping it over my arm. 

"We're just walking to your car right? Pretty sure I don't need this for that short of a walk" I say and try to hand it back to him. He takes it back but instead wraps it around me and helps me put it on regardless, even going through the effort of zipping it up for me. 

"Trust me, you'll need it" he smiles softly after seeing how it fits me, clearly satisfied seeing me wearing something of his. 

"I look silly don't I?" I say, turning towards the full length mirror Sadie has in her entry way but he chuckles and shakes his head, standing behind me and looking at me through the reflection. 

"It looks perfect on you" he says just as soft as his smile and opens the door, urging for me to go in true gentlemanly like fashion leaving me rolling my eyes but going along with his efforts nonetheless. 

I lock up the apartment with my spare key and follow him as he leads me to what I had expected to be his usual black BMW but what I'm met with is an equally as black Harley Davidson with him unlocking the compartment in the back and handing me his spare helmet. 

This item although I don't take so willingly.

"You're joking right?" I scoff and cross my arms, the longer sleeves from his jacket by design giving me sweater paws making my stance a whole less defiant than I wanted. A pouty aura now stands in it's place.

"What? Never ridden a motorcycle before?" he smirks and walks over to me, choosing to put it on for me since he's pretty sure I wouldn't do it from my argument against this whole idea to begin with. 

"No I haven't and I don't plan to" I huff and try to take it off but he chuckles and holds it down against my head making me accept defeat with this part at least. Just because I put on the helmet doesn't mean I actually have to ride it. 

"You scared?" he chuckles, adjusting the strap under my chin and making sure it fits just right, smiling, satisfied with his work, amused with my soured expression. "I am not scared!" I argue and he smirks. 

"Then what's the problem sweetheart?" he says, his first time even daring to use a pet name with me catching me off guard. 

"The problem is, sweetheart, is that I don't wan't to. Those things are dangerous!" I argue and he smiles before putting his helmet on as well and taking my bag to place it in the back seat compartment and closes it. 

"Hey!" I argue when I realize what he's done, trying to get it back but it seems it locks automatically leaving my efforts sans key useless.

"Do you trust me?" he asks and my brows furrow, honestly not knowing the answer yet making me look away. "Y/n" he says, placing both of his hands on my shoulders and urging me to look at him leaving me ultimately relenting.

"Do you trust me?" he repeats, all the times I've let him in even in the slightest rushing through my psyche. Hell even just moments ago when I had been asleep and in a vulnerable state I trusted him to watch over me and so I nod my head. 

Admitting to him and myself that I've let him in, that I've let him break down these walls that I've built up even in the slightest making the sides of his eyes crinkle, the mask like helmet making it impossible to see his complete expression. 

"Good, now get on"

~~~~

I hold onto him as tight as I possibly can while he safely swerves between lanes and warns me when he's about to go around a bend and I can tell that everything about this predicament amuses him. 

"You know you can relax a little when we hit red lights" he calls out to me over the roar of the engine but my only answer is a quick 'Nope' while I grasp onto him tighter, his reactions always a dark chuckle that I can feel through his back that's pressed impossibly close to my chest the tighter I cling to him. 

At those red lights though he tends to remind me to keep my legs spread just a little wider, making sure I don't burn my calves on the hot metal of the bike. Placing both of his hands on my knees and spreading them a little wider. The act alone in this case is innocent but in others that I curse my mind for wandering to is anything but that.

"Hey" he calls out, the roar of his Harley no longer audible making his voice seem that much louder. "Yeah?" I ask, still completely clueless as to what he's trying to alert me to. "You can let go now" he chuckles, the sound no longer just felt but heard makes me pull back, so thankful his back is turned to me still.

"Sorry, I didn't realize we had gotten here already" I say and he shakes his head and pulls off his helmet before getting off and leaving me sliding down a little on the seat, loosing my balance and grabbing onto the handlebars. 

"I thought you said you didn't like motorcycles" he taunts and I huff. "I don't" I roll my eyes making him even more amused. "Really? Because you look like you're about to steal it from me" he points out, nodding towards my hands that are very much still on the handle bars. 

I let go of it as though I had burned myself and quickly getting off the bike, losing my balance and making Jungkook on instinct grabs my hips to keep me on my feet. 

After regaining my composure and realizing the predicament we're in leave me the one to call in back to reality. My hands although are still very much holding onto his biceps with his hands still gripping my hips with an almost bruising strength. 

I look up at him, seeing as he's looking down at me, an unreadable expression written on his face as though he was struggling with something leaving me really having to break him out of his train of thought. 

"Jungkook?" I say, loosening my grip on his arms. "Hmm?" he hums, still clearly lost in whatever thoughts had been holding him hostage, still looking at me but almost as if he couldn't focus on one feature. 

"Jungkook?" I say again, this time smiling and that breaks him out of it a bit more. "You can let go now" I laugh, leaving him blinking and letting go, taking a step back making both of our arms fall at our sides now. 

"Sorry um...are you okay?" he asks, remembering the fact that I almost fell on my ass. "I'm fine, are you?" I tilt my head at him leaving him looking away, a rosy tint deepening on his cheeks even in this twilight surrounding us. 

"Can you help me with this?" I ask after trying to struggle and get the helmet off leaving his mouth utter a inaudible 'oh' before stepping closer again and unbuckling the intricate strap under my chin. 

"See, home safe and sound" he chuckles after putting the helmets away and giving me my bag back. "Slightly traumatized but safe nonetheless" I say making the corner of his mouth turn up. 

"It wasn't that bad was it?" he asks with him now tilting his head at me, now understanding his reaction to when I do it. "Never make me do that again" I huff and turn to walk away and when I hear the sound of two sets of foot steps instead of one I turn around and watch as his steps stutter and come to a halt. 

"What?" he asks when he's met with a confused look. "What are you doing?" I ask and he's now the one rolling his eyes at me. "Walking you to the door?" he nods towards my front door making me cross my arms over my chest. 

"Why?" I cock my brow, "I'm perfectly capable of walking there myself" I argue but he looks down and chuckles. "I know, but I want to" he says when he looks back up at me, something about it making my heart flutter and therefore making me more susceptible to the whole idea. 

"Fine" I say and it's at that point I notice the fact that he had in fact planned this. Him having parked in a visitor parking space and going through the effort of taking his helmet off as well. Clearly showing me he had no intention of leaving right away making me turn around to hide the no doubt embarrassed expression on my face.

His footsteps trail behind me as I walk over to the stairs, choosing to not take the elevator because the thought alone of being in that small of a space with him seems intimidating enough. 

It's not like I'm on the fifth floor or something...just the third, making both of us slightly winded by the time we get to my door. 

He waits as I unlock my door and when I turn around he still doesn't look like he's in much of a rush to leave. "You gonna head home?" I ask, tossing my keys on the hooks next to my door and he smile. "You're not gonna invite me in?" he asks, nodding inside and I look back assessing the state of it and decide it's in an okay state to have visitors. 

"Do you wanna come inside?" I ask and he again clears his throat and looks away. Damn this boy has an even dirtier mind than I do. "Yeah um sure" he says, rubbing the back of his neck, the tips of his ears pink as if he wasn't the one that suggested this making me smile and walk in, leaving an open invitation. 

He follows soon after and closes the door behind him, quietly since it's about to be three in the morning so he doesn't feel like contributing to me getting an eviction notice. 

"It's been a while since you've been here huh?" I ask, grabbing both of us waters from the fridge with him nodding and taking it from me, making it a point to brush his fingers against mine before I pull back. 

"Yeah. It looks a little different" he says while taking in some things he hadn't noticed before, one of which being my little black cat that does a big stretch before walking over to him, smelling him and circling around his legs as if he was sizing him up. 

"I didn't know you had a cat" he says, leaning down and offering his hand down for him to get a little bit more familiar with his scent. "What's his name?" he asks, looking back up at me after having crouched down to pet him, seeing that he's taken a liking to him which surprises me to say the least. 

"Shadow" I say and I can't help but smile at the sight. "Hi Shadow" he coos again leaving me caught off guard when Shadow starts purring. "He really never takes a real liking to strangers, or at least not this quickly" I say and he smiles before standing back up, leaving me looking back up at him again. 

"I guess I'm just a likable guy" he jokes making me roll my eyes and sit down on the couch with him following after me. "You've got some pretty heavy duty curtains there" he points out, seeing my very dark, very black curtains to match my whole aesthetic.

"I have trouble sleeping sometimes so it's easier for me to keep as much light out that I can if I end up having to sleep during the day" I shrug and place my water down on the coffee table with him soon following after. 

"Is that why you're so sleepy all the time?" he asks making me hum, "Yeah, sorry about that" I apologize but he smiles and shakes his head. "There's nothing to be sorry about, I'm just glad I'm able to help you get some sleep sometimes" he says, his smile soon turning shy making him look away. 

His act of going in and out of shy to confident makes him that much more entertaining to me. With him although practically squirming under my gaze one second to practically giving me butterflies in the next. It's an interesting dynamic but one I don't put much thought into.

"Are you gonna have trouble sleeping tonight? You know with that long nap that you had" he says sheepishly as if he wasn't the one I had fallen asleep on. 

"Maybe, but I'm used to it" I shrug my shoulders and he nods, clearly trying to think through what he wants to say next but before he's able to a loud thunder clap resounds through my apartment, making me almost jump into his lap, the sudden sound catching me off guard.

"You alright?" he asks and I clear my throat awkwardly, and sit back, going back to my respective side of the couch. "Yup totally fine, completely fine actually. How are you doing?" I babble, clearly giving myself away which now is amusing him. 

"You're afraid of thunderstorms aren't you?" he asks, tilting his head at me and I nod, giving in right away because there's no use hiding this obvious answer. 

"Are you gonna be able to sleep through it?" he asks and although I know what he's gonna offer next I don't want to take advantage of his kindness especially since I don't want him to end up thinking I led him on because I can't make up my mind in the future.

"Probably not" I admit and he hums, thinking about it for a second before saying what I knew he was going to. "I could stay...if you want?" he asks, not wanting to overstep but sensing from my body language alone that I might need someone. 

"I-" "How about this. I don't really like the idea of riding my motorcycle in the middle of a thunderstorm so do you think you could offer me a place to stay for the night?" he asks, making me see that although I know he's doing this for me he does end up benefitting from it at least a little bit...or a lot a bit.

I think about it for a second and although I know I'm gonna say yes I can't help but hesitate. The thought of letting him stay making this whole thing I know we're starting to feel for each other that much more real.

"I guess it would be pretty shitty of me to kick you out in the rain huh?" I smile, wanting to add a little humor to the tension I clearly feel growing between us. "I mean it's your choice but I would really appreciate it if you didn't" he jokes making me smile. 

"You can stay on one condition" I say and he hums at that but I'm pretty sure he wouldn't have it any other way. "You have to sleep in my bed. My couch is too short and I'd feel horrible if you woke up with a kink in your neck or something because of it" I say and he gives me a cheeky smile. 

"It would defeat the purpose if I slept anywhere else but with you. You know, so I can keep you calm through the storm?" he chuckles and I nod, glad that we're on the same page although for different reasons.

"Did you wanna borrow some clothes? I have some baggy sweats and your waist is pretty small from what I remember so they'd probably fit you" I ramble and I know at that point that I've said way too much when he gives me a wicked smile. 

"Have you been checking me out y/n?" he asks and scoots just a bit closer. "No, no I just remember from the few times we've gone to the beach together. You know, with Sadie and Jayson?" I make excuses but he's not buying it. 

"So you haven't been checking me out now but you did then?" his smile never leaving his face. 

"Did you want the clothes or not?" I scowl making him even more enticed to keep teasing but he hums in agreement and watches as I jump up from the couch. 

"Wait here" I say and he nods his head, resting his arm across the back of the couch and spreading his legs just a little wider than necessary with him shamelessly checking me out as much as I am with him. 

I scurry off to my room though, the thought of crossing anymore lines with him than I'm about to already is something I'm not ready for yet...yet? No! I'm not ready for period! I'm not ready for anything like that and I don't want to put a strain on our relationship if something ends up happening. 

I change and take some very much needed deep breaths before going back to the living room with the baggy set of clothes I had offered to him and see that he's started to explore. He takes a closer look at the pictures that I have hung up and zeroes in on one on my desk of Sadie and I in those aforementioned pictures I had mentioned. 

"You looked really different here" he chuckles and I walk over and put the picture frame face down, not wanting him to have to see that image for any longer. 

"I didn't have much of a choice back then. Plus you know that was the style back then" I explain and hand him the clothes before resting against the desk, making sure he doesn't try to look at it again.

He hums and takes the clothes making my eyes furrow. "What's that supposed to mean?" I ask but he smiles and shakes his head. "Nothing" he says and places the clothes on the desk next to me. 

"What do you mean it's nothing? It has to be something if you're acting like that" I huff and glare at him as he looks away, clearly more amused at this situation than I can comprehend. "I just had an image in my head of you always dressing like you usually do" he says and looks down at me, making me realize just how little space is left between us.

"How do I usually dress?" I ask, knowing the answer but wanting him to elaborate, wanting to know exactly what he thinks about the way that I dress. "You know, all dark and scary" he smirks and places both of his hands on either side of my hips on the desk, leaning down to my height making me back away from him. 

"You think I'm scary?" I scoff and look away, trying to hide how much his close proximity has caught me off guard. "I used to" he hums making me look at him, his honesty although obvious is peculiar to admit at this point. 

"And now?" I ask, my voice barely above a whisper making the corner of his mouth upturn but before he's able to respond another roar of thunder smashes us out of our "Moment" if you could even call it that. Embarrassingly forcing me to cling onto him as if my life depended on it, with him on instinct wrapping his arms around my waist to keep me steady, now realizing just how scared I truly am.

"Hey, it's okay, you're okay" he says in a hushed tone, pulling me even closer, him feeling the rapid beating of my heart through my chest. 

He rests his head on top of mine with me practically trying to crawl into his chest with how close I'm trying to be and he finds it endearing to say the least. "You're safe, I got you" he says, after another one roars, making me cling onto him, practically shaking at this point. 

"How do you know?" I mumble against his chest and he pushes me away and leans down so he could be at my level. I look away again, this time trying to hide how completely embarrassed I am for being so scared of something that I know is silly but I can't help it. 

He tilts his head trying to catch my glance and when that doesn't work he cups my cheek and brings me back over to him but even then in my stubbornness when I still won't look at him he tilts my chin up and I finally relinquish to his efforts. 

"I'm not gonna let anything happen to you" he says softly and I nod before going back in, knowing that at the end of the day he's the one who's gonna keep me safe. 

No matter what he's always gonna be there for me...and that's what scares me.

Taglist: @jkslipppiercing @trina864 @kaitieskidmore97 @goddesofimortality @coolbluedude @coralmusicblaze @whoa-jo @pastelpinkjoon @joonwater Taglist continued in the comments 💜

Join my Taglist!

Feel free to fill out the form or just comment on any of my fics to be added :)

[tealgoat]

Fritters part 1! Dialogue by @wonder-of-the-stars !!!

Silly lil comic notes under line break

Page 1

-Added loops to loops speech bubbles because it's funny

-Odile's loops, do in fact, start on a Wednesday lolol

-The lil sketchy marks around Loop's neck and wrists are meant to imply a gradient/ they're in a weird it's clothes but also still skin phase.

Page 2

Loops hands out pose is supposed to mimic some of odile's in game sprites

Page 3

-Can you tell I've been reading dungeon meshi

-Fun fact I just used the initial thumbnail sketch I did for the fritters instead of cleaning up the sketch, I think it makes food look more natural/ better (in my style at least!!)

Page 4

-Tilted triangle panel was inspired by wonder! Thank you wonder

-Even angry loops still partially doing odile's hand pose

-Last 2 odile panels can be connected

-Random thing but I was struggling with that odile pose so much I just traced an old pic I did of loop lol (hey accidental parallels or whatever)

-This ones silly but with the last panel I thought it might be fun to have the gem Odile changes into a star post game in the frame- it's "something different" lol foreshadowing

Page 5

-I wanted to frame it as loop not directly being shown giving the peppers back/ still having the bag- do they give it back to her off screen? Let the peppers just sit there tauntingly refusing to eat them? Do they eat them when she leaves? Up to you!

-Loops pose is directly referencing one of their in game poses

Page 6

-Another in game pose

-Time has passed! This is the same day

[crownedinmarigolds]

**PLEASE NOTE: The prices have been changed as of 01/26/2025. These prices are no longer accurate to what I am charging!**

Hello all! My commissions are being re-opened after my lil summer step-away! Thank you to everyone who has previously commissioned me or wants to commission me, you all mean the world to me and I'm so grateful! I had a super great break and am ready to get back to the grind! ~ ~ ~ Updated information for post break - I am officially using KO-FI's commission tab to keep track of how many slots I have for each type, as well as occasionally introduce a different style or so if I feel like it/come up with one. This is to make things easier for me in regards to tracking, and to make things more visible to you all so you know how busy or available I may be!

My quick sketch commissions are always open on my KO-FI!

Prices may slightly vary depending on specific details, but that is something we can discuss in private. The prices shown are pretty solidly what I will charge!

PLEASE NOTE: I will not start work until payment is made.

The prices include the character + a simple background color/texture chosen by me unless otherwise requested by you. The group portraits will require a bit more in-depth discussion - such as if you don't want them just standing together and want them to be doing something as a group. That may change the price slightly depending on what they're up to. If you'd like to add a specific background, we can talk about that as well! I keep you very up to date through most of the process, and I have a few extra rounds of concept sketches prepared if needed for larger portraits.

Disclaimers: I have a very sketchy and not 100% clean art style, so please expect that in the finished product! I am absolutely down for not safe for work scenes or subjects like sex, violence, blood, etc - but obviously the more gross end of the spectrum I won't touch. That can be discussed in private! I am not very good at drawing mechs, cars, or animals, so while you can ask me to, I may deny it just to ensure you don't get a subpar final drawing.

Also, I work full time and am a wife and mother! I like to think I'm fast and incredibly attentive but just please be respectful that I may have to step away to take care of my family. I have to save drawing for after I am off work and when my child is asleep. Here is my usual schedule for doing commission work.

If you'd like to commission me, go ahead and grab your slot through my KO-FI. Feel free to also send me a direct message through Tumblr or email me at ladyofsilks@gmail.com! Just noting again, I am using KO-FI to keep track of the slots taken and to keep all my record-keeping in one place. If you miss the window for a slot, I can of course write your idea and information down and inform you when I'm about to open slots again. You will be getting concept sketches, updates as I go, and of course the high res copy of your image at the very end. I would ask that you speak with me before using my work for public use or on paid programming. Otherwise, these images are yours and you feel free to use them as you please!

I am on KO-FI, and here is my Art Tumblr Tag for more examples of my work!

Thank you all so much!!

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[pandacherryblossoms]

~🩵BOYNEXTDOOR Headcannons🩵~

^^Bad boy BND x Girly girl reader^^

Pt. 1

Fluff

Content Warnings:

Suggestive language | Flirty and teasing behavior | Possessiveness / protective behavior | Gender stereotypes (hyper-feminine reader, bad boy trope) | Mild profanity | Mentions of physical altercations (e.g., “fight someone”) | Implied intimacy / physical affection

⸻

Jaehyun – The Charismatic, Rebellious Leader-Type Bad Boy

• Smirks like he owns the world, rides motorcycles, and somehow always has a cut on his lip that you’re dying to kiss better.

• Says things like, “I don’t do cute,” then turns into a puddle when you call him your “tough teddy bear.”

• Loves showing you off—he thinks your hyper-feminine style is hot and makes sure everyone knows you’re his.

• Will 100% fight someone who calls you “high-maintenance.” He says, “If she likes it, she deserves it.”

• Calls you “baby girl” in front of everyone, then whispers how beautiful you are when it’s just the two of you.

⸻

Sungho – The Quiet, Brooding Bad Boy

• Wears black from head to toe, rarely speaks, and always has headphones in—but he always takes them out when you’re talking.

• You catch him secretly watching your “Get Ready With Me” videos and pretending like he didn’t just learn what a beauty blender is.

• Doesn’t know the names of your favorite makeup products, but if someone messes with your stuff, he’s the first one to defend you like, “That’s her sparkly lip oil. Back off.”

• Loves seeing you all dolled up, especially when you wear pink and gloss—he says he’s not a fan of glitter but he’s lying.

• Has no clue how to express himself, so he buys you cutesy keychains and pretends they were “just lying around.”

⸻

Riwoo – The Flirty, Chaotic Bad Boy

• Smirks every time you get flustered around him. He lives to make you blush.

• Calls you “princess” half-teasing, half-serious, but if someone else says it? He’s not laughing.

• Always teases you about how “soft” and “sparkly” you are… until he’s the one begging to use your strawberry-scented lotion.

• Buys you heart-shaped jewelry from sketchy underground shops like, “This reminded me of you. Cute, but probably dangerous.”

• Always lets you paint his nails (black, obviously), then subtly flaunts them like, “Yeah, my girl did these.”

⸻

Taesan – The Smart, Intimidating Bad Boy

• Has perfect grades but also has a rep for being cold and unapproachable—until you come around with your pink pens and sticker-covered planner.

• People are shocked when they see the two of you together: him with his all-black fits and sharp jaw, you with your ribbons and ballet flats.

• Secretly helps you study even though he always pretends he doesn’t care. Leaves little notes in your books like, “Focus, cutie.”

• His screensaver is a photo of you blowing a kiss, but he locks his phone so fast no one ever sees it.

• He lets you braid his hair when you’re bored—only you. Anyone else tries? It’s a fight.

⸻

Leehan – The Laid-Back, Soft-Spoken Bad Boy

• Has that “I don’t care” attitude until someone makes you upset—then he’s all, “Who do I need to talk to?”

• Loves how girly you are. Says your perfume smells like heaven and always pulls you close to breathe it in.

• You’ll be doing your makeup and he’ll just come lay in your lap like, “Can I chill here while you get pretty?”

• Buys you plushies and matching hoodies. “Bad boy” in the streets, “big softie” in the sheets.

• Always lets you choose the music in his car. Even if it’s bubblegum pop, he’s singing along under his breath.

Woonhak version

[anothersuperstition]

new comprehensive (long, so sorry) commission post!! i lost my job a couple months ago (turns out the office manager is literally evil and she set me up to get fired on purpose :D) so commissions and my freelance work are my main source of income rn and every single extra comm helps!!

i’ve also been trying to take advantage of my free time and use it to grow as an artist and practice things i normally don’t so i would love to try some more nonstandard comms alongside tattoos!

as always line art only tattoo designs are $50 flat (*edit to say line art only FLASH tattoo designs), full color tattoo designs and everything else offered (portraits in any style, illustrations, posters) are all unique and prices will depend on content so if you’re interested or if you’ve got an idea and you’re not sure i can do it, feel free to shoot me a message for more info!!

examples of my work! (please open the images for full view i’m bad at formatting) ⬇️

posters! from show specific, to movie posters inspired by your fave albums or songs! (does not have to be mcr i just have brain worms)

tattoos! from small flash designs to full scale, neo trad or line work or anything in between!

illustrations! full page, comic-inspired, small and stylized (gerard way style inspiration optional!), you name it!

portraits!! these are my favorite to do and i never get to do them! pencil or painting, if sketchy and painterly are your thing i can do that! if cleaned up and smooth are your thing i can also do that!

so sorry for the novel length post, i hate doing it as much as you all hate seeing it, but a girl’s gotta pay the bills! tumblr is where i first found my footing as someone who was taking commissions and i’m allergic to social media these days but tumblr still feels as comfy as it did back then and i appreciate everyone who has been kind and supportive to me here over the years!! even reblogs help, thanks y’all!!

[dollya-robinprotector]

you work as an artist 24/7 :D that’s super cool, do you just get your income from commissions or do you do other work?

sooo yeah, I don't think I have enough wisdom to pass, but I'll answer what I can.

Yes, for now, 100% of my income comes from commission. I used to work for corporations as a character design artist or as an assistant to another artist. But I quit both since my physical and mental health drastically went down because of stress from the jobs, and the corp heavily underpaid me. Imagine working 8 to 7 for a whole month only to receive ~300$ :D

2. How did I start making money? Well, the client found me :D

I still remember it like yesterday, I was drawing fanarts for Miraculous Ladybug, and a girl from the fandom asked me to draw her ML sona and her kwami! And I asked for money and she happily paid me through PayPal! :D After that she continued to ask me to draw her a comic to honor the memory of her grandpa, and I did it with paper and pencil, took photos, and sent her :D Yeah, they're super sketchy now that I look back, but that's my first commission and client.

Now you still see that's what I do daily: I draw fanart for fandoms I enjoy to attract mutual fans and potential clients. Almost all of my regular clients now have been with me for years, and they follow me from fandom to fandom because they like my drawings :D My friend told me "People came to you for fandoms, but stay for original content" and honestly that's the highest compliment she gave me. That's why I draw so much and post almost daily: to maintain my own "fanbase", from FB to Tumblr to Twitter.

3. I don't really have any recommendations about what to begin with, but I do know one thing: You need "fame" to sell stuff. Take time to build your style, your signatures, and your network,... Then and only then you'll know what people want to buy from you. other than that, good luck ig :D It took me years, hell my old Twitter account almost had 30k when I dumped it, and now I have to build it again :'''D

[lightandfellowship]

I actually find the topic of "Nomura's evolving art style as he takes on more and more responsibility at Square (and subsequently has less time to Do Stuff)" really fascinating.

Like, If you compare his art from the KH1-DDD era to his current day art, I think there's a noticable difference to his approach: how many steps there are in his art process, how he chooses to finish a piece, and the shift from a clean digital style to a more organic traditional one.

He used to use very clean, black lineart; bold colors; and more instances of defined/hard shading for that digital, almost cell-shaded or vector kinda look. Nowadays he goes for a more sketchy + watercolor style with pencil lineart, broad washes of faded color, and color shading that's a bit more blended and simplified in places (relying more on the pencil shading to create distinct shadows), with the hard edges more often reserved for scattered, bright highlights. (He's made art like this in the past eras too, such as the KH main menu arts which all have a watercolor quality to them, but the lineart was a bit more defined then and less sketchy, and thus slightly different from his current stuff.)

I think the Dark Road key art is a very good example of his current art style. The sketchy, almost brown lineart. The watercolor quality that emerges where two colors meet and overlap. A little desaturated and earthy. Color shading that's very broad, soft, and loose, with sharp highlights here and there.

Both styles have their merits (I personally love this sketchy era of his), but I think it's pretty likely that he adopted this as his "main" art style in order to adapt to time crunch. He doesn't need to do time-consuming lineart and precise shading anymore; he can use the original sketch as the lineart instead. Heck, he can fill in a bunch of the shading via pencil during this sketching phase to save even more time, and then can paint in a more watercolor-y kind of way that allows him to color in quicker, broader strokes.

And then there's the occasional art mistake that has become a bit more frequent in recent years, by my estimation. Which I imagine, again, is due to running out of time to notice/fix those mistakes. Things like Ephemer's arms being a bit too long in this UX art, the Kingdom Key being slightly off-model in this anniversary art, or the ears on this Mickey Mouse symbol being two different sizes on this Utada album art.

(Which isn't to say that he hasn't made art mistakes in the previous eras, for example he initially got the colors of Riku's shirt mixed up in the Re:CoM cover art before fixing it, but I still think the mistakes were a bit less frequent back then.)

And like, hey. I draw, too. Amatuerishly, but I do. I don't blame Nomura for possibly needing to change his approach to making art in order to meet deadlines, nor do I blame him for these little art mistakes that ended up falling through the cracks. I imagine he simply doesn't have the time anymore now that his job has shifted from (primarily) being a character designer/illustrator to (primarily) being a director of multiple, simultaneous projects. Or maybe I'm totally wrong about this and his art evolution had nothing to do with time crunch, who knows. I think his current art style is gorgeous either way!

Anyway, I just think this is an interesting example of someone taking their art and adapting it to a difficult and highly limiting situation, experimenting with new things and finding the means to still make art even when you have less time to do. Also a great example that professionals are human and will make mistakes even in professional products, and it's not the end of the world, it just happens. If you ever obsess over a mistake in your art...maybe take solace in knowing that it happens to everyone. Even people who have been in their field for a very long time.

[zerobasekazuha]

“Shhh quiet we can’t get caught!”

Pairing: AMAB Venture x Fem reader

Warnings: Oral (fem giving) cursing

Genre: Fluff/Smut

A/N: So I came across this tweet in Twitter from the same user who inspired me to do the pizza person Venture. They have such amazing ideas and y’all should def follow the twitter @/staplesquid thank you for the ideas!!

Who told Sloan that this would be a great idea?Oh right, Y/n did. So how did they get stuck in this situation where they are body to body pressed against their best friend in between a very small alleyway with their hand over her mouth? And to top it off with police who are looking for them. Well it started earlier on that day..

Y/n was an artist. They used many different materials and techniques. Her art style changed ever so often. This point in time it was graffiti. She brought multiple cans in different colors. She researched spots in town and even asked around on online forums and eventually came across the perfect spot. However it was in one of the most crime ridden spots in the city. And with no other choice she contacted Sloan to come with her.

Sloan just finished in the shower their hair was dripping wet as the windows and the mirror was fogged up. They noticed their phone light up, quickly turning down the music they had blasting then right back up to the main volume. It was a text message. They took a quick glance at it only reading the words city and alone.

It alerted them and they quickly picked up their phone trying not to drop it in the toilet as well before opening it and reading over the text. They took a sigh of relief when they read the entire text. Y/n asked if they wanted to go to a certain part of the city together because she didn’t want to go alone. They quickly sent a text saying that they would and they would be finished getting ready.

Y/n told them to wear baggy clothing and that she had a gas mask for them. And soon enough there they were taking the number 67 bus down to the worst part of the city. They looked unsuspecting enough. Two people wearing baggy clothing, one with a larger tote bag and the other carrying yet a smaller one. Both however wearing black masks. Any normal person would think they were a couple. Eventually they got off at a stop down the street from where the location was.

It seemed to be a poverty stricken street. There were deteriorating homes and people sleeping outside. Depressing to look at. The streets were also a mess with all kinds of trash around. Sloane looked at Y/n and wondered why the hell she was bringing them out here. “So…Sketchy part of town…? Going to explain why we’re out here?” They asked not knowing what was even in her tote bag.

“You know how I mentioned I wanted to do something new with my art?” Y/n asked smiling at them. They nodded wondering what point she was getting at. “Well we’re going to do some graffiti.” She said quieter than before. Sloan was completely surprised. They didn’t expect this from her. Especially considering that graffiti was a crime in their city. They continued walking with Y/n with their heart pounding in their chest as it progressively seemed to get darker.

The two ended up at an abandoned subway. Ever since the city built new lines older ones like these got left behind to just deteriorate. Little did they know the cameras were still in tact. Walking past all the other pieces if art Y/n stopped them at a close enough blank canvas. She set down her tote bag and the cans seemed to clatter inside as she opened the zipper.

“Take this.” She tossed Sloan one of the gas masks. Making sure that they changed the masks in the dark so nobody could suspect the two. After she turned on the flashlight. Pointing it at the canvas. “So take a can and go nuts.”

They spent around an hour doing what they could all the different colors and layers. Eventually it was an outstanding piece of art that differed all the others there. While Sloan drew mini stick figures. Sloan stood back to admire the painting of what had been made. “You’re such a great artist! How did you ever think of that!?” Y/n smiled under her mask. “Oh just some inspiration.”

But their time to bask in the art was limited. They could hear police sirens in the background. Then footsteps and the sound of a radio got closer and closer. The two ran off, leaving behind the extra spray cans and the flashlight and only took the empty tote bags with them.

The police chased after the two not too close behind them but not to far as well. Sloan hadn’t felt the first rush of adrenaline in forever. They kept running and running turning corners and going any direction to loose them. Sloan then found an alleyway and pulled Y/n in there with them. Pressing their bodies right next to each other and with them covering her mouth.

And that’s how they got there. The two were slowing their breathing as the police walked down close to where they were. She almost began to panic. Sloan could feel it with how she was beginning to hyperventilate. Sloan leaned down to reach her ear. They whispered in it because the last thing they wanted was a felony for abstracting federal property. “Calm down. Hush be quiet before we get caught.” They said slowly but also almost sweet like honey.

Y/n listened to them fixing her breathing and just resting against them. But feeling how close Y/n was to them was so…addicting to them. Of course she’s sat on their lap before when needed but this was different. This was the worst time to be getting aroused but they almost couldn’t help it. They thought only for a split second how sexy it would be to do what they wanted there while also hiding out away from the police. Public indecency and defacing federal property didn’t sound like two terrible charges to them.

Sloan had to think straight. They shook their head as the gas mask rested against their neck. They must have taken it off when they ran. They were thinking about her, until she seemed to be moving against them. Knocking them out of their slight daydream. The friction Sloan was feeling made them clench their jaw just slightly. “What are you doing?!” They whispered trying not to enjoy how it felt.

“It’s just a tight squeeze. My legs are falling asleep.” She whispered back trying to get comfortable. The police footsteps getting closer. She stopped moving, feeling something rest against her. She looked back at Sloan in the darkness. “Really? Now?” She whispered to them. Sloan blushed trying not to look back at her.

“I can’t help it!” Sloan whispered. They covered her mouth once again as they heard the footsteps get closer. Walking right past them. She squirmed in front of them almost on purpose feeling how much harder them seemed to get. In Sloans mind they could only wonder what she was doing to them? Was this to tease them on purpose?

The police seemed to get only slightly farther before stopping and having a conversation. “Those damn kids. Those little fuckers do this all the time. We ain’t gonna catch one.” Said one of the officers kicking a rock into the distance. “Let’s go back to the station. They need to hurry up and demolish this piece of shit so we don’t have to keep going down here.” The other said. Eventually the footsteps and the radio chatter faded. And now it was only the two of them left.

Y/n managed to turn around to look at them. “Okay their gone we should-“ Sloan kissed her. One hand on her waist and the other on the wall to support them. Y/n was surprised but kissed them back. Once Sloan broke away they looked down at her, loosing all sense of rational thought. “No you don’t get to go just yet.”

“W-what but the cops-“ “I don’t care about the cops they’re gone now. You don’t get to do that and act all innocent.” “Do what? I don’t know what you’re talking about.” Very clear lie from Y/n. She knew she was lying. Something about seeing their best friend try to hold back from her is arousing to say the least. In her opinion.

“So how about I show you because you don’t know.” Sloan took her hand pressing it to the bulge that seemed to be proud in front of the cargo pants they wore. Y/n looked down at it then back up at them. “So what?” She asked almost hoping they would give her the green light to do something about it.

“Well genius, you dragged me out here, nearly got both of us a felony…a misdemeanor couldn’t hurt.” Y/n looked around it was dark, nobody would catch them but public indecency isn’t just a misdemeanor. “You mean us being put on a list?” “Oh right. Well it won’t happen if we don’t get caught. You just have to stay quiet.”

It didn’t take long for Sloan to kiss her again, this time much more passionate and deeper. Almost like they were yearning for her all this time without saying anything. But there was something else underlying in the kiss. It was hunger. Their hands first rested on her waist, however they could feel hers pulling them closer in the already cramped alleyway.

Sloan wasn’t even sure they could fully go through with anything here but anything is possible. They had to rush however, it was getting darker and darker and they wouldn’t want to miss the last bus that ran in this area. They could feel Y/n wrap her fingers around their belt loops, unbuttoning the front of their cargos and sliding it down their legs. Sloan almost was at a loss for words.

Feeling her hand palming their boxers made them sharply inhale, their head tilting back against the wall. They were too in bliss to realize that instead of her hand they felt her lips around the tip of their cock.

Each second that passed feeling Y/n take more of them down her throat, the saliva running down the side of her mouth as she looked up at them in the darkness. Sloan grabbed the top of her head squeezing her hair feeling each movement of her tongue on them.

Sloan bit their lip to prevent themselves from moaning. They didn’t want to make more noise than they were supposed to. They took sharp breath before looking down at her, their eyes almost showing how desperate they were. With each moment that passed the closer they got to their release. Almost like it was within grasp.

“Oh please I-I’m going to-“ Y/n pulled back using her hands as she heard Sloan. They couldn’t stop themselves as they came on her hands. They tried to catch their breath as she looked at the mess on her hands.

“So uh…again at my place?” Sloan asked as they walked out the abandoned station together, going back to the bus stop to wait for the next bus. “I don’t see why not.” She added smiling at them before the bus pulled up.

This came out extremely late but I had severe writers block and I had to use that time to do other hobbies. But it’s here like I said it would be!!