#backlog from june

[stardustandrockets]

Victor readjusted the shovels on his shoulder and stepped gingerly over an old, half-sunken grave.

In my opinion, opening lines can make or break a book. It’s the hook that makes me want to keep reading. Not in all cases, but in a lot of cases. One of my absolute favorite opening lines is from Vicious by V.E. Schwab. I was so intrigued by this line that I had to figure out why Victor was in a cemetery and why he was digging up graves. Vicious turned out to be one of my favorite books of all time with one of my favorite asexual leads.

Of course I had to share my Victor Vale magnet from Rainbow Crate for the third day of the anniversary challenge. I also couldn’t pick just one, so swipe to see my second favorite magnet inspired by The Song of Achilles by Madeline Miller.

What book(s) has(have) your favorite opening line(s)?

[storytellering]

quick study of that one concept art Vergil by Ikeno because I felt like I needed a refresher on 3V's features

[bambitek]

its june alrdy??? uhhhh /tosses 3ds doodles at you and runs/

[the-bi-space-ace]

Okay everyone, help me decide which long fic I want to write for the fall. Yes, yes, I know I am currently on a break and have two long fics already in the works (which I am working on, don’t you worry) and like a bunch of one shots and stuff that I’ll be posting after the break, BUT I am too excited about all of it to not talk about what comes after that so… poll time.

I have two options, both of which I will write either way, but this may help me determine which comes first. Descriptions are below the poll!

Fives Lives - a reimagining of what the mission to rescue Echo would’ve been like if Fives had been alive. Sticky, messy, emotional, and a heartfelt reunion imminent.

The Think Echo is Dead - The Batch returns from a mission without Echo. The rest of the batch is convinced he died but Crosshair isn’t so sure. Neither is Rex. The two of them break every rule in the book to get back to enemy territory and, hopefully, find Echo. Angst, emotions, and a lot of fighting between Crosshair and Rex who both want the same things but are… not communicating well.

Bonus points if you reblog and say why you voted for the one you did… I may even post some previews for the one that wins :)

Happy Voting!

[crescentfool]

reference sheets for my splatoon oc, sydney :) 🍊 (old ref sheet under the cut for funsies!)

from february 2024! never stop drawing everyone <3 (and remember it's OK to reuse old elements for story-based arts...)

[poorly-drawn-mdzs]

A Blorbo You Treat Nicely, Right?

[rebonky]

The Lesbiana's Guide to Catholic School by Sonora Reyes 5/5 stars | 📖 | Read 5/21 - 5/26, 2023

First, we must all take a moment to appreciate how amazing the cover is. The main character, Yamilet, is a Mexican American lesbian and such an endearing character. While her journey throughout the book is a bit of a rollercoaster, it was heartwarming to watch her grow, gain confidence, and get a happy ending. Reyes creates a beautiful story about family and community prevailing above everything else, while not sacrificing any realism.

The In-Between by Katie Van Heidrich 4/5 stars | 📖 | Read 6/1 - 6/2, 2023

Targeted to a middle grade audience, this memoir in verse was a quick read, despite the difficult subject matter. While the book reflects the real life events of when Van Heidrich’s family was unhoused, the use of present tense and her 13-year-old perspective gives the story a sense of immediacy that captures the raw emotion of the situation— the frustration, anger, and grief all mixed up with the confusion of not being able to fully grasp the situation. The only reason that this wasn’t five stars is that the writing felt repetitive at times, but that may stem more from my personal issues with poetry than with Van Heidrich’s writing.

Missing Dead Girls by Sara Walters 2/5 stars | 📖 | Read 5/29 - 5/31, 2023

This was on the “new” shelf in the library’s teen section and I picked it up because the summary intrigued me. I must admit though that I was quite nervous about it because often these YA murder thrillers end up disappointing… and this one was no different. What bothered me most consistently was how the love interest, Madison, is treated as a manic pixie dream girl of sorts— a trope i disdain. Besides that, for its 225 pages, the book moves slowly with much internal monologue and flowery language that does little to take the plot anywhere.

[polarfarina]

Prompt for this one was "A blue man holding a pink eraser looks at an adult store." Knowing what adult store means but kind of tired of the same jokes being made all the time I tried to do something fresher... but this is kind of eh. Not every concept is a winner. I still think it's funny in my personal flop way

[eyes-of-the-rave]

more dnd art in advance of the campaign starting

more of my beloved małgorzata, same pose as my previous art of them but in their school uniform this time (they do keep the flashy-ass boots and necklace, though)

[emolgana]

thank u so very much it is a position i take with high honor

[stardustandrockets]

What's a book that makes you feel seen?

It's only within the last few years that I've seen myself and my experiences regarding my sexuality in books. One of those books is The Charm Offensive by Alison Cochrun.

Charlie's experience with discovering his demisexuality, along with his anxiety, really spoke to me. Not that I was on a dating show to rehabilitate my image or anything. I was in college trying to survive the hardest year of my degree plan. This book was the first time I'd seen demisexuality written from a discovery standpoint. Most other ace rep I'd read up til this point was about characters who already knew they were ace or their sexuality wasn't even a point of the book. Even though this is an achillean book with gay main characters, much of what Charlie goes through spoke to me. Especially when I didn't find my own queerness until I was an adult.

Since then, I've added a few more books to the list that make me feel seen: Never Been Kissed by Timothy Janovsky and Loveless by Alice Oseman.

Remember: whether you are out or not, know you are greatly loved and my account is a safe space. 🌈 Bigots can't and won't win.

[robotwrangler]

I can now calculate exactly how many images of Yes Man I have accrued per year bc I remembered telling someone this in 2020

I have 1400 pics of yes man on my phone, am I cooked??

[armadillo-arts]

[art backlog: june 1, 2023]

i still like this one, i tried a couple new things—pixel brush, smaller canvas size (though this one wasn’t on purpose lmao, i copy pasted the sketch from an aggie), different coloring style— and got to stylize their calamity forms, it was fun!! i’d like to redraw it at some point, i have more ideas for these designs that i’d like to experiment with

thank you tumblr for not fucking over my image quality with the smaller canvas <3 unlike Someone <3 (well it’s not perfect but it’s better)

[defiledheartsblog]

I just released another monthly smut, thus increasing the backlog in size (it contains over 80k words!). This month's interactive smut and the backlog are available on my Patreon for my patrons in Outraged Fox tier. Now, the backlog includes:

June 2023: Kinda toxic smut with Marcus in a cave

July: Quinn wakes you up from a nightmare and is pretty weird about it

August: Niall gets ambushed by you in the middle of naked druid rituals (as one does) (with female Hati)

September: Kinda toxic Legate smut

October: Fooling around with a dom Camilla in her wine cellar (with female Hati)

November: You become the offering to Tinsae's goddess (another perfectly normal day in the peaceful town of Moguntiacum)

December: A drinking game with Niall and Marcus

January 2024: Reading poetry with Marcus

February: Quinn hogties you

March: Monster loving

April: Bondage with Niall (Niall is the one tying you up)

May: A trip with Tinsae

June: Revenge with Camilla (feat. Legate)

July: A cute little date with Marcus

August: In a closet with Niall (feat. Marcus and LT vibes)

September: A (slightly tragic) date with Quinn

October: How Samhain celebration could've ended with Tinsae and Camilla

November: Monster loving 🧌

December: A drama-packed scenario with Marcus and Quinn

January 2025: A sequel to the kinda toxic Legate smut (with male Hati)

February: Camilla punishes you (pegging included)

March: Niall is struck with a horny curse (by you)

April: Visiting an orgy with Niall and Tinsae

May: Another date with Marcus (angstier this time)

June's smut RO is Quinn!

[nottodayjustin]

May-June 2024 best hockey tweet(s) of the day

tumblr decided I'm not allowed to post from my phone anymore so I had a backlog

[steelheart-redux]

Steelheart Redux: Year 1 Retrospective

I meant to post this yesterday but forgot. Oops. Anyway, June 1st marked the official first full year of Steelheart Redux! For me, at least. While the comic didn’t go public until September, those who have been here since the start remember that I uploaded all of chapter 1 at once. That work started in June, so I consider that the comic’s effective birthday.

With that disclaimer out of the way: what a year it’s been! In 365 days, I drew 153 comic pages. That’s about 0.4 pages a day— a little shy of a page every other day. Granted, those numbers aren’t an even spread. I made all of chapter 1 in three months (68 pages) and then had to take a break for a while because of wrist strain (wonder how THAT happened…) and then the amount of backlog I had fluctuated wildly for a while. Some days I have more time and motivation than others. It happens.

Quite honestly, I’m mainly happy that I’ve stuck with the project. My worst fear was that I’d get a month or two into Actually Doing The Thing, then get bored, demotivated, and give up. Luckily, my brain has allowed me to stick with Redux with a level of consistency that is frankly unforeseen from me, and I’m just as motivated as I was a year ago, if not more, thanks to people's interest. I’ve said it before, but the reception to the story already regularly blows me away. I went into this with the expectation that it would take years for the comic to gain any real traction, if it ever happened at all. But here we are, a year in, with tens, if not hundreds of regular readers across multiple platforms. It’s an honor I don’t take lightly, and as I’ve said, I’m so, so grateful for the trust and support.

Looking back, the comic started on wobbly feet. That’s something I knew even at the time and had to make my peace with. Steelheart Redux is my first original story project, first long-form comic (first colored comic longer than a few pages, tbh), and first time I've ever really left the title of "fanartist" behind for longer than a month or so. I knew I was entering uncharted waters and that whatever I made, I'd later come to see as 'bad', or at least, not executed as well as it could have been. Unfortunately, the only way to get that experience and improve is to do it bad. So I did it bad!

STRUGGLES:

Chapter 1 is way too long. Not in terms of content, but in terms of page count. For some reason, I was utterly allergic to the idea of putting more than four panels on a page. While I do like the pacing of it, and the sort of slow ease-in to the world and the setting, I made way more work for myself than I needed to. I definitely could have cut at least 10 pages by compressing things without seriously hurting the pacing, and it would have saved me a lot of trouble. Figuring out how to "trim the fat" and get to where I'm going as fast as possible without making things feel rushed is still something I'm working on, but I'm a lot more intentional about things now that I know it can cost me time and physical strain. You can see the font size slowly shrinking throughout the comic's run as I pack more in, lol. Honestly, it kind of works.

I have various other nitpicks. I'm sparing myself from the general "I don't like how I drew that"s in terms of anatomy and such, as those are just an inescapable result of improving as an artist and not worth getting in the weeds over. I will raise my eyebrows over some lighting choices-- I went out of my way to plan out a way to make the nighttime section of early chapter 2 read as "night, but not dark", and then the entire bit was annoyingly dark as hell. Trying to get the purple DRACO to visually stand out from the concrete there was obnoxiously difficult. I don't think it's bad-- I like the 'scribble background' gimmick I came up with to save myself from having to do backgrounds there, for one thing-- but I don't think it would have killed me to brighten up that section a bit. Something to keep in mind for later.

Speaking of backgrounds. Maybe it's too early to say, but at least right now, changing the background style was a game changer. That was one of the largest time sinks of early pages, adding 2-3 hours to every page that had at least one or two backgrounds. They were doable, but tedious, and as time went on, I found myself enjoying them less and less, instead of more and more as I'd hoped. You can see details start to disappear as a result, as backgrounds stopped being a "fun worldbuilding element" and "visual element of the page" and became just "something I had to draw to get the page done". Changing the style to a much looser one has brought the fun back, and made it much easier to pack in all the details I actually enjoy drawing without getting bogged down in "is the perspective exactly right". I've written posts before about making things easier for yourself if you're doing a long-form project; this is honestly my best example.

GROWTH:

I feel like, looking back, I can see myself become a lot more confident with drawing various things. Steelheart Redux is filled-- intentionally and not-- with things I'm bad at drawing, which has forced me to improve at those things sheerly through unavoidable repetition. Mainly, this includes backgrounds, mechs (still can't get me to draw cars though LOL), full bodies, and profiles.

It's also interesting to see the way I draw characters change. Going into the comic, I'd already been drawing Arthur for years, but making pages forced me to really lock in his design and get comfortable with drawing it. While it's not too different in terms of content, it has a different 'feel' now. This, too, I know is inevitable, and honestly something I look forward to.

I've become a lot more confident in doing these things, which makes making pages less intimidating and lets me experiment more with layouts and angles I might have otherwise been afraid to try. It's nice! It shows in a lot of the end of chapter 2, which is one of my favorite parts of the chapter. I was worried about hitting those emotional beats, because they're setting up for a lot and really needed to feel meaningful, but I think I landed them alright. My character writing is still something I worry a bit about-- there's a lot of subtlety to these guys and this story I worry I won't be able to get across in a more visual story-- but that's something for me to increasingly focus on going forward.

Away from the comic, I've also improved a lot as a 3D modeler. My robot rigs have improved, and I have much better human bases to work off. I can also slam out a layout for a scene much faster, which is a nice time boost to my workflow.

Overall, despite the hurdles and rough edges of some of the early stuff, I'm incredibly proud of everything I've produced. This is the first time I've ever put my heart, body, and soul so thoroughly into a project like this, and I'd like to think it shows.

While we're still in somewhat of the early stage of the comic's story, I'm hoping I've made a solid foundation for myself. I'm so excited for what's to come, and hoping I can execute it even better, year by year.