(TW: religious imagery but with sound (whats the word help me out), loud banging, also ok it's kind of distressing in my opinion)
conversation between sigourney and yves late nite
transcript:
[Ave Maria, sung by Alessandro Moreschi, plays]
S: i hate you. i hate every fiber of you.
Y: Leave me alone.
[furniture being moved around]
S: i thought i meant something to you. but you never cared. you don't care about me.
Y: I don't know who you are.
S: stand at the door, arnie. i know where you've been. i know how you've been doing. i have never forgotten about you. im here -
Y: Please. I don't know who you are.
S: did you forget?
S: open the door, open the door, open the door, open the door...
Y: GO AWAY.
[banging on door from the outside]
Y: You're not real.
S: open the door, open the door, open the door, open the door...
Y: You're not real.
S: open the door, open the door, open the door, open the door...
Y: YOU'RE NOT REAL.
Y: Our Baroness who art in Heaven, hallowed be thy name -
Y: Hallowed be thy name -
Y: Thy Kingdom come, Thy will be done on earth as it is in heaven -
Y: Our Baroness, hallowed be thy name, gave us life
Five years ago today, I was lying on the couch in my family home, watching the words of a person I had grown to find pieces of myself in as he bared his soul to the world just to make somebody like me feel a little less alone.
[girl lying on her stomach on the couch, looking at phone]
He said something at the end of that video,
[Illustrated video screenshot of Dan saying “You are valid. It gets so much better.”]
And I’ll never forget hearing those words. Never forget drying my tears, quickly, before my parents came back.
[Three panels: girl wiping tears from face, putting phone down, silhouette walking through front door]
See, the girl on that couch was planning far, far away futures. She couldn’t believe his words just yet, but now she could hope to.
[open shoebox with rainbow flag inside]
Five years later, today, I wish I could tell her:
You don’t have to move halfway across the country to set a flag out on your desk.
[school building and stack of books]
Your parents are coming over tomorrow to help bring you home for the summer. (They’re only an hour’s car ride away.)
[cartoon sun and car]
And see that?
[rainbow flag in a mug with a cat whiskers design]
Yeah, that’s the one decoration you haven’t packed yet.
And that something he said at the end of the video, I still quote it to this day.
[computer playing the Dan birthday livestream with "Misty" on a Zoom call in the corner]
Better yet, I believe it now.
[same girl, older and with shorter hair, holding mug with flag and looking back at someone off-camera that’s saying “Ready to go home?”]
If My Body Could Speak, Blythe Baird | The Godfather, Mario Puzo | My Father's House, Sylvia Fraser | To The Daughter Who Secretly Longs For Her Mother’s Affection, Lynne Shako | Storms from Jupiter, Wanda Deglane | DO NOT REPLY, @filmnoirsbian
thinking your opinion is the correct and only one and you're better than other people because you know best is the mind killer. Even about dumb shit. Even about big things. People have different lives than you!!!!!!!! Have some open minded empathy!!!!
so i was writing akio's vd (i do have everyone's vd descriptions, like what's supposed to happen and all, but i haven't written the actual dialogue for most of them yet) and. listen something about this is just so funny to me
I've been watching the track events at the Olympics since I was a wee lad. It was a tradition in our family. We'd gather around our ancient low-definition 19 inch CRT television and watch tiny blobs compete against other tiny blobs and root for our country.
It was a bit like watching YouTube on your phone in 144p.
Several heroes emerged.
Jackie Joyner-Kersee was amazing.
You can't forget about Flo-Jo.
And then the Olympics decided NBA players were allowed in the competition.
Which formed... The Dream Team.
Was this fair?
Well... they won each game by an average of 44 points.
So... no. It was not fair.
Though it became more fair as time went on.
But, umm... yeah. The other teams looked like the Washington Generals and the US looked like the Harlem Globetrotters if they stopped screwing around half of the game.
But my absolute favorite Olympian was a runner named Michael Johnson.
He was cool as heck.
For one thing... gold shoes.
But he also had this crazy, upright, Tom Cruise-ish sprinting style that just made him look like a running robot on the track.
And in the 1996 Atlanta games he just trounced EVERYONE. I mean, it wasn't even close.
Yikes. Those losing blobs are probably really embarrassed.
Last night I decided to invigorate my nostalgia and watch the track events again. And I got to see one of the wildest races in history.
It didn't even last 10 seconds but it was one of the most exciting sporting events I've ever witnessed. Almost every runner won the race.
After I saw that initially, I was like... who the heck won???
Even in slow motion I wasn't sure.
This was one of the closest finishes in history. There has never been a race where all 8 runners were within this margin.
The arena was silent as the winner was being confirmed. The runners just kind of paced around waiting for official word. My best guess was the Jamaican runner, Kishane Thompson. But then the loudspeaker announced Noah Lyles.
The last tiny morsel of American pride burst out of me with a big "Wooooo!"
I forgot what it was like to be proud of my country. I wish it happened more often. But this young man, despite being last place in the first 3rd of the race, turned on the afterburners and won in a photo finish.
And that's when my inner nerd took over.
Because when they showed the photo finish image, it looked super weird.
Why is the track white?
Why do all of the runners look all warpy like that QWOP game?
So I went down a research rabbit hole to figure this out.
Photo finishes are actually fascinating. The first photo finish captured the end of a horse race in 1890. But that was mostly luck and timing. The actual photo finish mechanisms weren't used until 1937.
Originally they would film the finish line through a physical slit.
And the first horsie head that appeared in that slit would be the winner. This technology ended a huge aspect of corruption in horse race fixing almost overnight.
But we have come a long way since then. And I'd like to introduce you to the Omega Scan 'O' Vision Ultimate.
This slow motion camera sits fixed on the finish line of every race. The concept of the photo finish has remained remarkably similar to the 1930s approach. The camera sensor is specially designed to only record a vertical slit.
Only the finish line itself is actually captured.
And because it limits what it records to only that slit, it can capture 40,000 frames per second to get amazing temporal resolution.
So why don't the photo finishes just look like, well... this?
That is because the camera takes a picture of time more-so than dimensional space. I guess it would be more accurate to say it *assembles* a picture of time.
As the runners cross the finish line, the camera combines all of the little strips of pictures into a single image.
It's almost like if you tried to reassemble a piece of paper after it had been shredded.
Imagine each strip of paper is a picture of ONLY the finish line, just at a slightly different point in time.
What if someone stopped on the finish line and didn't move... what would that look like?
Once they got there, the same part of their body would just be repeated.
So the right side of the photo finish picture represents earlier in time and it just assembles the image strip by strip as time passes and you literally get a picture of time itself.
NEAT!
Okay, but how do they determine the winner from the photo finish?
I mean, that shoe looks like it is ahead of Noah Lyles!
Clavicles!
The IAFF rules state the foremost part of the torso must cross the finish line first. And the endpoint of the torso is the outer end of the clavicle.
So if you get this bone across the finish line first, you win the race.
Two more fun facts!
The start of the race is actually just as carefully timed as the end of the race. There are sensors in the starting blocks of each runner.
The starting gun also has an electronic sensor.
They have determined the fastest a human can react to the sound of a gun is roughly 100 milliseconds. So if you start running before 100 milliseconds they know you didn't actually hear the gun, you just got antsy and started running too early.
And the final fun fact...
Did you notice the Omega logo at the top of the photo finish?
That isn't superimposed or added after the fact. That is captured by the camera.
But if this image is composed only of tiny little slivers, how did they get the Omega logo to show up?
That is a little display. And it is synchronized with the Scan 'O' Vision Ultimate to show a little sliver of the Omega logo for each frame captured.
So when the final image is stitched together, it looks like a cohesive logo at the top of the photo.
Toji who leaves hickeys all over you so often that you have to push him away when you start looking like you fought an octopus.
"Toji, you know these aren't always gonna be so small. They're gonna end up looking like bruises. Just look at the ones you already left."
"Mhm," he hums, already leaving another one on your shoulder blade, releasing your skin with a wet smack of his lips. He rubs his spit into the mark like it's some sort of salve that'll make it last longer.
"I'm fine with these," you say, looking at all the one's he left on your chest and below. "but my neck... i'm running out of makeup, baby. I won't be able to cover them if you keep this up."
"Then don't." He would just love that. Despite how nonchalant he sounds about it, it's a highly recommended suggestion. He would genuinely love it if you walked around with his marks all over your neck. People will automatically know that you already have someone you get freaky with.
"I have to go to work sometime. I wouldn't be able to take having my neck stared at by everyone I talk to. No more neck hickeys."
He nears your neck, again. The second you say he can't put another mark on it, he spots a clear area and leans in, lightly pressing his lips against it.
"Tojiii," you whine, leaning forward, away from him. "Leave it alone."
"But, it's clear. It's lonely without being marked like the rest of your neck." He scoots forward again, putting his enormous hands on your waist to pull you close. "I'll be quick. Just-"
"Mm-mm. No," you interrupt, brushing his hands off of you.
"I might just die if you don't let me do this, ma."
"Really?" You raise your brows in disbelief.
"Really," he responds, so confidently.
You scoff. "You're so dramatic. You won't die if you don't get to suck on my neck."
"Who knows? I might spontaneously collapse because of it. Weirder, more unexplainable things have happened."
He's so dumb sometimes. Your hunk is absolutely ridiculous, and yet you find yourself weighing towards his point in this.
"Would marking up that blank space actually cure you?" You feel as silly as him for asking the question.
"Who's to say?"
You tilt your head and deadpan. "Right. I guess i'll take my chances and just keep the random patch of unmarked skin on my neck."
"Hey, that doesn't mean we can't try. Come on, now."
You groan and roll your eyes before making your way back to him. He cups your cheeks, smirking as he looks into your eyes, before turning your head to expose the blank area on your neck.
"It's a reaaally good spot, doll. I think i'm gonna make it."
You huff, unable to look at him because of the way your head is turned. You feel his tongue slide over your neck, the gesture transitioning to his lips kissing the area and then it feels sharp. His lips leave a stinging sensation with every second that they stay on you.
"Ow, fuck, you vampire. It feels like you're actually trying to suck the blood out of me." You wince. "Are you done?"
"Yeah, yeah. I'm done." He admires his masterpiece and smirks with pride. You have an entire collar of hickeys that he put on you, and the newest one looks mean.
"You look pretty. Could eat you up, mama." He swipes at the new mark with his thumb, looking at the color that will remain on your skin for the next few days.
"I can tell. You already devoured me. You're insane. Just look at all of this," you say, running your hand over your kiss stained neck.
"I was just nibbling on you," he speaks, into your jaw, before smoothly laying you down, onto the bed. "Just wanted a little taste," he says, taking your hands in his and pinning them above your head. "Am I really insane for that?"
"Um..." you laugh, making your flustered state obvious. "Yes?"
"Damn." He gives you a long, deep kiss, that makes you forget what you were talking about. "You think i'm crazy?" You hum, and he does it again.
"Haven't you played with me enough? I feel like i'm some chew toy for you." You giggle, feeling his lips on your cheek, trailing towards your jaw.